Ustad Imrat Khan (Surbahar / Sitar) Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Ustad Imrat Khan Ustad Imrat Khan (Surbahar / Sitar) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Ustad Imrat Khan (Surbahar / Sitar) Country: US Released: 1991 Style: Indian Classical, Hindustani MP3 version RAR size: 1806 mb FLAC version RAR size: 1867 mb WMA version RAR size: 1696 mb Rating: 4.5 Votes: 900 Other Formats: DMF APE WMA AHX MP2 TTA MMF Tracklist Raga Puriya Dhanashri 1 Alap And Jor [Surbahar] 44:43 2 Alap And Drut Gat In Tintal [Sitar] 27:27 Companies, etc. Phonographic Copyright (p) – India Archive Music, Ltd. Copyright (c) – India Archive Music, Ltd. Recorded At – Electric Lady Studios Made By – Disc Manufacturing, Inc., Huntsville – 18595 Credits Design [Associate] – Lloyd Goldsmith Engineer – David Wittman* Producer, Photography By – Lyle Wachovsky Sitar, Surbahar – Ustad Imrat Khan* Tabla – Shafaat Khan* Notes Recorded March 14, 1990, Electric Lady Studios, NYC. ℗ and © 1991 India Archive Music, Ltd. 2124 Broadway, Suite 343, New York, N.Y. 10024. Barcode and Other Identifiers Barcode (Printed): 7 318-381005-2 4 Barcode: 731838100524 Matrix / Runout: IAMCD1005 W.O. 18595-1 DISC MFG., INC. (H) SPARS Code: DAD Related Music albums to Ustad Imrat Khan (Surbahar / Sitar) by Ustad Imrat Khan Sitarnawaz Ustad Vilayat Khan - सितार गत - राग भैरवी Ustad Amjad Ali Khan - The Genius Of Ustad Amjad Ali Khan (Classical Instrumental) Ustad Abdul Halim Jaffer Khan - Sangeet Suman - Sitar Ustad Shujaat Khan, Enayet Hossain - Excellence On The Sitar Lalit Gomes - Euphoric Harmony Imrat Khan, Shafaatullah Khan - Rag Darbari / Rag Chandra Kanhra Imrat Khan, Shafaatullah Khan - Rāg Mīyā Kī Todī / Rāg Bilāskhānī Todī Ustad Abdul Halim Jafar Khan - Sitar Solo - Instrumental Classical Ustad Vilayat Khan - Captivating Melodies Of Sitar Imrat Khan - Raga Marwa Ustad Amjad Ali Khan - Ustad Amjad Ali Khan Khan Bandhu, Ustad Mohammad Sayeed Khan • Ustad Mohammad Rashid Khan - Encore... (Khan Bandhu Offer Their Second Disc).

Copy Link

Recommended publications

Cover Next Page > Cover Next Page >
cover next page > title: Indian Music and the West : Gerry Farrell author: Farrell, Gerry. publisher: Oxford University Press isbn10 | asin: 0198167172 print isbn13: 9780198167174 ebook isbn13: 9780585163727 language: English subject Music--India--History and criticism, Music--Indic influences, Civilization, Western--Indic influences, Ethnomusicology. publication date: 1999 lcc: ML338.F37 1999eb ddc: 780.954 subject: Music--India--History and criticism, Music--Indic influences, Civilization, Western--Indic influences, Ethnomusicology. cover next page > < previous page page_i next page > Page i Indian Music and the West < previous page page_i next page > < previous page page_ii next page > Page ii To Jane < previous page page_ii next page > < previous page page_iii next page > Page iii Indian Music and the West Gerry Farrell OXFORD UNIVERSITY PRESS < previous page page_iii next page > < previous page page_iv next page > Page iv OXFORD UNIVERSITY PRESS Great Clarendon Street, Oxford OX2 6DP Oxford University Press is a department of the University of Oxford. It furthers the University's objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Athens Auckland Bangkok Bogotá Buenos Aires Calcutta Cape Town Chennai Dar es Salaam Delhi Florence Hong Kong Istanbul Karachi Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi Paris São Paulo Singapore Taipei Tokyo Toronto Warsaw and associated companies in Berlin Ibadan Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York © Gerry Farrell 1997 First published 1997 New as paperback edition 1999 The moral rights of the author have been asserted Database right Oxford University Press (maker) All rights reserved.
[Show full text]
Dynamics of Melodic Discourse in Indian Music: Budhaditya Mukherjee’S Ālāp in Rāg Pūriyā-Kalyān
Dynamics of melodic discourse in Indian music: Budhaditya Mukherjee’s ālāp in rāg Pūriyā-Kalyān Richard Widdess 1. Introduction This chapter presents an analysis of a performance of ālāp, with reference to the compositional principles that it demonstrates. Following a long succession of ethnomusicological and musicological studies, including Nettl (1974), Lortat-Jacob (1987), Nettl and Russell (1998), Treitler (1974, 2003), Nooshin (2003) and many other contributions, it is clear that compositional principles are no less important in music that is unwritten and “improvised” than in music that is written and “composed”; and that indeed, one can no longer speak of “improvisation” and “composition” in any oppositional sense. It also seems clear that the importance of compositional principles in unwritten music, such as ālāp, is related both to the performer’s need to recall memorised material and invent new material that is grammatical, and at the same time to the listener’s need to engage with, comprehend, and be stimulated by an auditory experience that, for him, happens in real time, whether a written score exists or not, and whether he is listening to a live performance or a recording. In this essay I will consider primarily the listener’s perspective; how far the cognitive processes involved in performing and listening to ālāp are equivalent remains an open question, but that they are closely related seems likely. 1.1. Ālāp and rāga The Sanskrit word ālāpa signifies speaking to, addressing, hence speech, conversation, or communication (Monier-Williams 1899: 153); it overlaps in meaning with the English word discourse. Ālāp in Indian classical music is a process rather than a genre, but it typically occurs in the form of a non-metrical “improvised” prelude, often quite extended, preceding a composed metrical piece.
[Show full text]
The Sixth String of Vilayat Khan
Published by Context, an imprint of Westland Publications Private Limited in 2018 61, 2nd Floor, Silverline Building, Alapakkam Main Road, Maduravoyal, Chennai 600095 Westland, the Westland logo, Context and the Context logo are the trademarks of Westland Publications Private Limited, or its affiliates. Copyright © Namita Devidayal, 2018 Interior photographs courtesy the Khan family albums unless otherwise acknowledged ISBN: 9789387578906 The views and opinions expressed in this work are the author’s own and the facts are as reported by her, and the publisher is in no way liable for the same. All rights reserved No part of this book may be reproduced, or stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without express written permission of the publisher. Dedicated to all music lovers Contents MAP The Players CHAPTER ZERO Who Is This Vilayat Khan? CHAPTER ONE The Early Years CHAPTER TWO The Making of a Musician CHAPTER THREE The Frenemy CHAPTER FOUR A Rock Star Is Born CHAPTER FIVE The Music CHAPTER SIX Portrait of a Young Musician CHAPTER SEVEN Life in the Hills CHAPTER EIGHT The Foreign Circuit CHAPTER NINE Small Loves, Big Loves CHAPTER TEN Roses in Dehradun CHAPTER ELEVEN Bhairavi in America CHAPTER TWELVE Portrait of an Older Musician CHAPTER THIRTEEN Princeton Walk CHAPTER FOURTEEN Fading Out CHAPTER FIFTEEN Unstruck Sound Gratitude The Players This family chart is not complete. It includes only those who feature in the book. CHAPTER ZERO Who Is This Vilayat Khan? 1952, Delhi. It had been five years since Independence and India was still in the mood for celebration.
[Show full text]
Washington University Record, March 22, 2007
Washington University School of Medicine Digital Commons@Becker Washington University Record Washington University Publications 3-22-2007 Washington University Record, March 22, 2007 Follow this and additional works at: http://digitalcommons.wustl.edu/record Recommended Citation "Washington University Record, March 22, 2007" (2007). Washington University Record. Book 1102. http://digitalcommons.wustl.edu/record/1102 This Article is brought to you for free and open access by the Washington University Publications at Digital Commons@Becker. It has been accepted for inclusion in Washington University Record by an authorized administrator of Digital Commons@Becker. For more information, please contact [email protected]. / Medical News: WUSTL docs help Hoop dreams: Women's, men's Washington People: Shimabukuro keep Cinderella teams' dreams alive hoops finish second, third nationally passes along her love of WUSTL 8 March 22, 2007 record.wustl.edu Washington University in St Louis Caves threatened by county development BY TONY FITZPATRICK loss of caves is not on anyone's radar screen, and I think it Iissouri's caves are leg- should be." endary, having served as Criss conducted the study Mibeer storage sites, speak- with collaborators Jennifer Lipp- easies, outlaw hideouts and the mann, a graduate student in setting for some of Mark Twain's earth and planetary sciences; most memorable scenes. Everett Criss, Robert Criss' son; But a new study shows two and G.R. Osburn, laboratory ad- centuries of development have ministrator in earth and plane- eliminated or destroyed many tary sciences. The study appears caves in St. Louis County. as the sole entry in the journal "Caves have been discarded by Missouri Speleology (Vol.
[Show full text]
51 Article Sound Archives and Musical Representations
ARTICLE SOUND ARCHIVES AND MUSICAL REPRESENTATIONS OF MODERN INDIA: THE CASE OF THE FELIX VAN LAMSWEERDE COLLECTION (1963-2005) Rasika Ajotikar, British Academy Postdoctoral Fellow, SOAS University London Abstract This essay presents a critical social history of the context in which the Felix van Lamsweerde Collection came together. Felix van Lamsweerde (b. 1934), a Dutch col- lector, cultural anthropologist and impresario, extensively recorded Indian expressive cultures in the Netherlands and India between 1963 and 2005. This collection was digit- ised and catalogued between 2017 and 2020 at Georg-August-Universität Göttingen and the Berliner Phonogramm-Archiv in Germany as part of a German Research Foundation (DFG) project. It includes a wide range of first-hand and commercial audio/video re- cordings of music, dance and theatre genres from across India along with accompany- ing notes, photographs, and a vast collection of books, magazines and journals. Van Lamsweerde’s journey into studying musics of India and the collection itself points to how India’s cultural politics evolved in the immediate decades following its independ- ence from the British in 1947. Whilst historicising the colonial, oriental and nationalist legacies of music collection in India, this essay examines the Van Lamsweerde Collection and archival projects at large through a source critical approach. It attempts to demon- strate the ways in which caste, class, gender and racialisation processes and the sound archive shaped one another in the formation of transnational cultural representations of India. Drawing on discussions in ethnomusicology, social theory and archival studies, this essay offers an interpretation of how musical knowledge and a homogenous con- struct of Indian culture has taken shape in Western European and American academe.
[Show full text]
Cultural' Diary
CULTURAL' DIARY JANUARY The ten-day eighth National Conference and Festival of the Indian People's Theatre Associa tion concluded in New I.P.T.A. Delhi on January I. About Festival 1,000 artistes from 14 States participated in the Con Shri Mogliai Ozha, the famous drummer from ference and the festival which was inaugurated Assam, as he appeared at the 1.1'.T.A. festival. on December 23 by the Vice-President, Dr. S. Radhakrishnan. Delegates from the Soviet Union and China also attended. On the concluding evening of the I.P.T.A.'s festival of music, dance and drama, a number of the most successful items presented earlier were repeated. Among these were the Harvest Dance of West Bengal, the Fishermen's Dance of Andhra and the Chhau Dance of Bihar. One of the most outstanding features of the festival was a dance recital by Guru Gopinath, well known exponent of Kathakali. A scene from Bengali Jatra presented at the A scene from a dance number presented I.P.T.A. festival, at the I.P.T.A,festiral. The Conference elected Shri Sachin Sen Kesarbai Kerkar, Gangubai Hangal, Nazkat Gupta as the new president of the Indian Ali and Salamat Ali and Vilayat Khan and People's Theatre Association, while Shri Imrat Khan featured the programme of the Niranjan Sen was re-elected as General concluding night. The duet Violin and Shahnai Secretary. Shrimati Kamala Devi Chatto by V. G. Jog and Bismillah Khan and party padhyaya, Vice-Chairman of the Sangeet Natak provided an titting finale to an eight-day music Akademi, was among the 13 Fellows elected to programme.
[Show full text]
Ragamala World Music 2017 Program Book
RAGAMALA 2017: WELCOME SCHEDULE Ragamala 2017 A CELEBRATION OF INDIAN CLASSICAL MUSIC + DANCE For the 5th year, spanning 15 hours and featuring dozens of performers, Ragamala offers a FRIDAY, SEPTEMBER 8 - SATURDAY, SEPTEMBER 9 Presented in collaboration with Kalapriya Foundation, Center for Indian Performing Arts jaw-dropping assortment of Indian classical music from some of its greatest and emerging Ragamala: A Celebration of Indian Classical Music + Dance A CELEBRATION OF INDIAN CLASSICAL MUSIC + DANCE practitioners. Ragamala functions as the perfect, immersive introduction to the classical music Chicago Cultural Center, Preston Bradley Hall FRIDAY, SEPTEMBER 8 - SATURDAY, SEPTEMBER 9 of India. Not only are both the music of the north (Hindustani) and the south (Carnatic) + Millennium Park, Great Lawn FRIDAY, SEPTEMBER 8 - SATURDAY, SEPTEMBER 9 - 6:30PM-10AM Chicago Cultural Center represented, but listeners will also get the rare chance to hear ragas performed at the time of 78 E. Washington Street, 3rd Floor Preston Bradley Hall, 3rd Floor day they were originally composed for—a facet of the tradition lost in the west. 6:30pm-10am 78 E Washington Street Presented in collaboration with Kalapriya Foundation, Center for Indian Performing Arts 6:30pm-6:30am The word “raga” has a Sanskrit origin, meaning "coloring or dyeing". The term also connotes an Evolution of Songs from Indian Films: 1930-2017 emotional state referring to a "feeling, affection, desire, interest, joy or delight", particularly 6:30-7:30pm SATURDAY, SEPTEMBER 9 related to passion, love, or sympathy for a subject or something. In the context of ancient Anjali Ray, vocals with Rishi Thakkar, tabla and Anis Chandnani, harmonium Yoga + Gong Meditation Indian music it is often devotional and used as a prayer.
[Show full text]
Paul Livingstone & Pt. Shashanka Bakshi Concerts of Indian Classical
Concerts of Indian Classical Ragas & Talas Paul Livingstone & Pt. Shashanka Bakshi sitar tabla Friday, Dec. 10, 8pm SHASHANKA BAKSHI received his initial training under the guidance of the celebrated tabla maestro Kanai Dutta and later House Concert in Eugene / $15 door became the direct disciple of the legendary Pt. Samta Prasad Special Guest: Dhrupad Singer Shanti Shivani of the Benares gharana. Shashanka has participated in many prestigious Music Festivals and Conferences throughout India, For info call Sharanam at (541) 913.9558 including the Dover Lane Music Conference, Tansen Sangeet Sammelan, Sadarang Music Conference, Salt Lake Music Festival, Rabindra Bharati Society and Uttarpara Music Conference. He Saturday, Dec. 11, 8pm has toured extensively world-wide and accompanied many celebrated artists, including Pt. Nikhil Banerjee, Ustad Bahadur $15 advance / $20 door Khan, Ustad Imrat Khan, Nishat Khan, Pt. Hariprasad Chaurasia, Just Breathe, 2868 Willamette St. #200, Eugene Pt. Ravi Shankar, Pt. Buddhadev Dasgupta, Pt. V.G. Jog, Sreekant Bakre, Tarun Bhattachaya, Pt. Daya Shankar, Pt. Vishwa Mohan Tickets at Star Gate, 1374 Willamette St., Eugene Bhatt along with many others. Shashanka has also taught tabla to numerous dedicated students in India and the United States for several decades. His illustrious performances, intensive Sunday, Dec. 12, 2pm in Portland training and dedication have established a revered position for $15 suggested donation him in the lineage of Indian Classical musicians. Dance Mandal – Nritya Mandala Vihara PAUL LIVINGSTONE is one of the few American disciples 1405 S.E. 40th Ave., Portland, OR 97214 of the legendary Pt. Ravi Shankar, also rigorously trained under Rajeev Taranath and Amiya Dasgupta.
[Show full text]
Gharana Festival of Indian Music (2009)
Gharana Festival of Indian Music (2009) About Gharana Festival 2009 The Gharana Festival of Indian Music a 3-day festival that takes place in Chennai celebrating and experiencing Hindustani Classical music. The festival intends to showcase this rich Indian classical genre with the goal of bringing something new to the music community of Chennai. This annual festival features stand-out performances by artists who are the true torchbearers of their respective fields, carrying forward the tradition of music. We at the Prakriti Foundation started the festival as a response to the success of the first edition in 2006, Dhrupad, which included distinguished and legendary musicians of this art form. The enthusiasm witnessed amongst the audience, in a city which is dominated by Carnatic classical music, made it possible to make Gharana an annual festival. The festival opens its doors to people all over the country and the world, inviting them to experience and get a taste of Hindustani classical music in Chennai. The best part being that it is non-ticketed and is open to all! Schedule Concert by Ut.Irshad khan Synopsis: performance by Ut.Irshad Khan accompanied by Rudra Narayan Kalyan on Tabla. Date: 23rd March 2009 Time: 7:00 pm Venue: The Museum Theatre, Egmore Concert by Pt. Krishna Ram Choudhary Synopsis: performance by Pt. Krishna Ram Choudhary accompanied by Hemant Raj Choudhary on Table, Vivek on Harmonium, Deepak on Swarpetti and Mangal Prasad on Dukkad. Date: 24th March 2009 Time: 7:00 pm Venue: The Museum Theatre, Egmore Concert by Ms. Shanno Khurana Synopsis: performance by Ms.shanno Khurana accompanied by Akhtar Hasan on Tabla, Bharat Bhushan Goswami on Sarangi and Maitreyi Majumdar on Swaramandal.
[Show full text]
The Imdadkhani Scions the Three Renowned Musician-Sons of Ustad Imrat Khan Will Present the Gharana's Features at NCPA Today
JJB £I**J FRIDAYRl-VIEW . (>V HU ^ FRIDAY, FEBRUARY 8, 2019 VOICEOVER 5 \ • cX vX >' Raag Taal Gharana The Imdadkhani scions The three renowned musician-sons of Ustad Imrat Khan will present the gharana's features at NCPA today CHITRA SWAMINATHAN heights. "An excellent vocalist, our ing the tone of the instrument close uncle chose to play the sitar to keep to the human voice by integrating alive the family tradition, while our the nuances of khayal singing. othing can describe the musi father did so by pursuing the surba "Though the gayaki was" deve cal life of brothers Nishat har," says Wajahat, the first member loped by our grandfather, it was per NKhan, Irshad khan and Waja of the illustrious family to take to the fected and popularised by our uncle hat Khan more aptly than the Hindi sarod. and father. They also went beyond idiom sone pe suhaga (doubly de The surbahar, a sitar-like stringed the conventional raags and taals lightful). Their father and guru was instrument, rather a bass sitar, was used in the gharana. Vilayat and Im the surbahar and sitar wizard Ustad introduced by Ustad Sahebdad rat saabs were experts in presenting Imrat Khan while Ustad Vilayat Khan to the world of classical music. rare ragas. Ustad Imrat Khan pre Khan, the musician whose name is "With its range and depth it lends sented pieces in different taals such entwined with the history of Hin beautifully to the gayaki ang. The as Teen taal, Ek taal, Rupak taal and dustani music, their uncle. improvisation and refinement that Jhap taal," says Wajahat.
[Show full text]
Answered On:09.08.2000 Increase in Indian Cultural Centres P.D
GOVERNMENT OF INDIA EXTERNAL AFFAIRS LOK SABHA UNSTARRED QUESTION NO:2685 ANSWERED ON:09.08.2000 INCREASE IN INDIAN CULTURAL CENTRES P.D. ELANGOVAN Will the Minister of EXTERNAL AFFAIRS be pleased to state: (a) whether the Government have any plan to increase the cultural Centres abroad from the present 14; (b) if so, the details thereof; (c) the details of their role in the promotion of India`s cultural Heritage; (d) the details of the programmes conducted last year by the ICCR within and outside India and the scholars/artists who visited abroad during the last three years till dated; and (e) the details of the future events on anvil and the tentative itinerary of such events that will promote and propagate Indian Heritage abroad? Answer MINISTER OF STATE FOR EXTERNAL AFFAIRS (SHRI AJIT KUMAR PANJA) (a) Yes Sir, (b) The Government has decided to open a Cultural Centre in Washington (USA). There are in addition several other proposals from various Indian Missions abroad which are currently under examination. (c) The activities of the 14 Indian Cultural Centres currently in existence reflects the needs of the local population. Their activities include the organisation of talks, lectures, exhibitions of visual arts, essay competitions, performances of dance & music, staging of plays, screening of Indian films, publication of news bulletins etc. Additionally, in most of the Cultural Centres classes in various aspects of Indian culture such as music, dance, Hindi language and yoga are being conducted. The Centres also maintain libraries, reading rooms and audio-video facilities for visitors. Apart from organising their own activities, the Indian Cultural Centres provide support to the respective Indian Missions for coordinating various cultural activities.T hese Centres develop and maintain contacts with local citizens particularly students, teachers, academicians, opinion makers and cultural personalities to project a holistic picture of India`s rich and diverse cultural heritage.
[Show full text]
© HFI. All Rights Reserved
ourc Res e fo HOLY FAITH tal r i HOLY FAITH Te ig a D c h e e e MBD MBD r r MBD s MBD MBD F MBD MBD MBD MBD MBD MBD MBD MBD MB 3 MBD MBD MBD MBD MBD MB The HF ABSOLUTE GENERAL KNOWLEDGE series aims to make students intelligent about information. Knowledge is the acceptance of facts. Intelligence is implementation of those facts wisely. The HF ABSOLUTE GENERAL KNOWLEDGE series—a set of 8 books—is a carefully graded series for Grades 1 to 8. Forced or rote learning does not sustain students' interest. With HF ABSOLUTE GENERAL KNOWLEDGE series, setting up an informative learning environment is easy. ABSOLUTE series has comprehensive e-contents with adequate information about the topic catering to curiosity. 3 So, when students learn that the 'Great Wall of China' is the longest wall in the world from the Book, they also learn—from comprehensive e-contents—that it was constructed to protect the first reserved. dynasty of Imperial China (Qin dynasty) against incursions by nomads from Inner Asia. Features of the Series ● Attention-grabbing subject matter ● Additional information to make learning fun ● Helps students make a psychological investment in learning ● Promotes higher-level thinking for enduring understanding rights ● Adequate information about each topic ● Topicscovered in a thorough mode ● presentation of facts and latest information with o Clear writing style All o Radical contents o Interesting pedagogy ISBN 9789353483197 HFI. © 1908H0326A5460 An ISO 9001:2015 Certified Company 9 789353 483197 Price : 110.00 reserved. rights All HFI. © HOLY FAITH General Knowledge 3 Dhrumin Pandya Acknowledgement: Harsha Dugar reserved.
[Show full text]