The August Art Sale, 14th, 2008

The August Art Sale at MartinGordonAuctions Sale 081408

AUCTION: Thursday, August 14th, 2008 10:00 am Arizona time (1:00 pm EDT) Phoenix, Arizona, U.S.A.

Prints, Paintings, Drawings, Watercolors, Gouaches, Sculpture, Art Books & Manuscripts

Full-color images for every lot are available online at: www.MartinGordon.com www.eBayLiveAuctions.com www.LiveAuctioneers.com

Inquiries and Bids Toll-free within the US (800) 257-0366 Outside the US +1 (602) 257-0888 Facsimile +1 (602) 257-0885 [email protected]

Online bidding through www.eBayLiveAuctions.com On the Cover: Lot 558: Russian School, 20th Century Mockba (Scenes of Moscow) Portfolio of 11 linocuts. Various sizes: 11 1/4 x 15 1/4 in.

At right: Lot 148, Roy Lichtenstein Lot 404: Marc Chagall, Maternity with Centaur

Lot 39: John Taylor Arms, Loop-the-Loop Select Erotica 614. [EROTICA] CHIMOT, Edouard (French, 1890 - 1930) - Whipped. Color lithograph. Our auctions are also online! c1920s. Printed c1920s. Signed in pen, lower The August Art Sale right. Signed in the stone, lower right. Letter “K” CONTENTS: at MartinGordonAuctions in blue colored pencil, lower left. 6 x 6 3/8 in. www.MartinGordon.com A selection of 619707 lots of Sale 081408 (152 x 162 mm). Sheet Size: 8 11/16 x 6 11/16 Prints, Paintings, Drawings,Art Books, in. (221 x 170 mm). $200/300 Watercolors, Gouaches, www.LiveAuctioneers.com Sculpture,Sculpture, and Art Photographs Books & Thursday, August 14th, 2008 615. [EROTICA] COLLOT, Andre (French, Manuscripts pg. 10:00 am Arizona time (1:00 pm EDT) Active 1900s - 1940s) - Group of 2 Erotic AMERICAN...... 6 Phoenix, Arizona, U.S.A. Drawings. * Possession Acrobatique ou 2ème www.eBayLiveAuctions.com pg. Position I (Acrobatic Possession or Second AMERICANLots 19TH 1001 ...... 6 - 1303 LATIN AMERICAN...... 32Lots 1 - 20 Preview appointments available the week Position I). Colored pencil and graphite. c1920s. prior to the sale. Pelure paper. 4 7/8 x 5 3/8 in. (124 x 137 mm). AMERICANLots 20TH...... 7 1304 - 1412 Affi xed to mount. Mount glue visible at edges EUROPEAN...... 39Lots 21 - 243 LATIN AMERICAN...... 21 Inquiries and Bids of paper; otherwise fi ne condition. * Possession Lots 1413 - 1616 Acrobatique ou 2ème Position II (Acrobatic Lots 244 - 334 Toll-free within the US (800) 257-0366 Possession or Second Position II). Colored EUROPEANOLD MASTER...... 56 19TH...... 25 Outside the US +1 (602) 257-0888 pencil and graphite. c1920s. Pelure paper. 4 3/8 LotsLots 1617 335 - -1643 369 Facsimile +1 (602) 257-0885 x 5 7/16 in. (111 x 138 mm). Af fi xed to mount EUROPEANSELECT EROTICA...... 58 20TH...... 26 [email protected] [2]. $200/400 LotsLots 1644 370 - -1648 569 OLD MASTER...... 40 Bids accepted from the fl oor, telephone, 616. [EROTICA] COLLOT, Andre (French, Lots 570 - 594 Active 1900s - 1940s) - Le Conseil de Révision ASIATIC...... 41 absentee book, and the Internet. (The Counsel of Revision). Watercolor with pen. Lots 595 - 613 c1920s. Various notations from the previous SELECT EROTICA...... 42 Online bidding through owner on the mount. 7 1/16 x 6 1/16 in. (179 x Lots 614 - 619 www.eBayLiveAuctions.com 154 mm). $400/600 Floor Bidders: please contact us for the 617. [EROTICA] DIGNIMONT, Andre (French, Full-color images for every lot current auction location. 1891 - 1965) - Extase (Ecstasy). Colored pencil are available online at: with graphite and pastel. c1920s. Various All lots are fully illustrated online! notations from the previous owner on the www.MartinGordon.com mount. Pelure paper. 7 3/16 x 5 5/8 in. (183 x www.eBayLiveAuctions.com 143 mm). $500/600 Bid LIVE in real time through the www.LiveAuctioneers.com eBay Live Auction system, or leave an 618. [EROTICA] DIGNIMONT, Andre (French, The August Art Sale Catalogue, Sale 081408 1891 - 1965) - Suite de l’Expertise; Mise à... Internet absentee bid. Published by Martin Gordon Auctions, LLC Jet (The Result of Expertise; To Place...Jet). 5025 North Central Avenue, #622, Phoenix, AZ 85012-1520 USA Colored pencil with graphite and pastel. c1920s. www.MartinGordon.com Various notations from the previous owner on We also accept telephone bids and the mount. Pelure paper. 8 11/16 x 6 13/16 in. traditional absentee bids. Please see Copyright © 2008 Martin Gordon Auctions, LLC. All rights reserved. (221 x 173 mm). $300/400 the enclosed form for details. 619. [EROTICA] FRENCH SCHOOL, 20TH Printed in the United States of America CENTURY - Passe-Temps Habillé (Clothed Pastime). 42 Watercolor. MartinGordon c1920s. Various notationsAuctions • The August Art Sale • August 14th, 2008 • Phoenix, AZ from the previous owner on the mount. 7 5/8 x 5 7/16 in. (194 x 138 mm). $200/250 CONDITIONS OF SALE AND LIMITED WARRANTY 589. ROSA, Salvator [after] (Italian, 1615 - 1673) - Figurina: A standing warrior, exotic Asiatic Each lot in this catalogue is subject to the following Condition Reports the day of the sale, we will use reasonable efforts to and semi-nude, wearing a turban and holding Terms and Conditions of Sale, as supplemented All lots are sold AS IS and there will be NO execute, on a competitive basis, bids left with us via a war hammer. Etching with drypoint. c1656- 595. MATAHEI, Ukiyo[school of] (Japanese, in writing or otherwise by Martin Gordon Auctions, RETURNS BASED ON CONDITION. Catalogue the Internet, whether by absentee or a live bidding 57. Printed c1715. Numbered “39” in the plate, 1797 - 1861) - Untitled. Original color lithograph LLC (MGA) prior to the sale. By registering to bid at descriptions are composed with as much care as program. We assume no responsibility for failure lower right. Wide margins. Fine impression. 5 after the woodcut. 19th century. Printed 1925. the auction, or by placing a bid by any means, you possible, but are OPINION ONLY, and do not fall to execute any such bid, or for errors or omissions 9/16 x 3 5/8 in. (141 x 92 mm). Sheet Size: 10 agree to these Terms and Conditions of Sale. “We,” under any statutory paragraph for guaranteed legal made in connection with the execution of any such Print XXII of hors-commerce edition of XXV, 1/8 x 5 7/8 in. (257 x 149 mm). [cf.W35; B42]. aside from regular edition of 200. 11 1/8 x 16 “us,” “our,” “Martin Gordon,” “MGA,” and all other characteristics. Prospective buyers or their agents bid. $100/150 x 14 in. (257 x 356 mm). Sheet Size: 12 3/8 x 17 similar terms refer to Martin Gordon Auctions and its are advised to personally examine any property on 3/8 in. (283 x 416 mm). Sheet Size: 12 3/8 x 17 3/4 in. (314 x 451 mm). $160/200 agents; “you,” “your,” “buyer,” or similar terms refer to which they intend to bid prior to the auction. All lots may be offered subject to reserve, which is 3/4 in. (314 x 451 mm). $160/200 a person bidding on or buying property. the confi dential minimum price below which the lot 590. SCHMUZER, Jacob Xaver (German, Many items are of considerable age and will exhibit will not be sold. MGA may open the bidding on any Active 18th Century) - Plantes XI. Hand-colored 605. KORIUSAI, Isoda (Japanese, Active 1760s Terms and Conditions of Sale wear, usage and damage often NOT LISTED IN lot below the reserve by placing a bid on behalf of engraving. c1795. Signed in the plate, lower 596. EISHI, Chobunsai (Japanese, 1756 - MGA conducts business as an auctioneer THE CATALOGUE ENTRY. Some descriptions right. Laid paper. 9 1/4 x 7 5/16 in. (235 x 186 - 1780s) - Untitled. Original color lithograph after the seller. MGA may continue to bid on behalf of 1829) - Untitled. Original color lithograph after the woodcut. 18th century. Printed 1925. 10 1/8 commission-agent in its own name on behalf of its in the catalogue refer to specifi c damage and/or the seller up to the amount of the reserve, either mm). Sheet Size: 10 1/8 x 7 7/8 in. (257 x 200 voluntary consignors and from time to time on its restoration. We provide this information for guidance by placing consecutive bids or by placing bids in mm). $150/200 the woodcut. 18th century. Printed 1925. 9 1/4 x x 14 7/16 in. (257 x 367 mm). Sheet Size: 12 3/8 own behalf. only, without legal obligation, and the absence response to other bidders. 13 13/16 in. (235 x 351 mm). Sheet Size: 12 3/8 x 17 3/4 in. (314 x 451 mm). $160/200 of condition remarks in the catalogue DOES 591. SCHMUZER, Jacob Xaver (German, Description and Condition of Lots NOT mean the item is in perfect condition. We x 17 3/4 in. (314 x 451 mm). $150/200 The estimates provided are intended as a guide to Active 18th Century) - Plantes XII. Hand- 606. MASANOBU, Okumura (Japanese) All objects put up for auction can be viewed recommend that every interested party exercise bidding. The fi gures are educated guesses, based and examined prior to the sale by appointment. the best judgment possible based on direct colored engraving. c1795. Signed in the plate, 597. EISHI, Chobunsai (Japanese, 1756 - on recent values. A bid between the listed fi gures lower right. Laid paper. 9 1/4 x 7 5/16 in. (235 x - Untitled. Original color lithograph after the Catalogue descriptions are made with as much physical examination of the property, as there 1829) - Untitled. Original color lithograph after woodcut. 18th century. Printed 1925. 10 11/16 x care as possible, but the descriptions do not fall are ABSOLUTELY NO RETURNS BASED ON would, in our opinion, have a chance of success 186 mm). Sheet Size: 10 1/8 x 7 7/8 in. (257 x under the statutory paragraph for guaranteed legal CONDITION. (at the time that the catalogue was prepared). The 200 mm). Approximately 1 1/4 in. pencil mark at the woodcut. 18th century. Printed 1925. 8 1/2 x 13 1/8 in. (271 x 333 mm). Sheet Size: 12 3/8 x characteristics. Solely as a convenience, MGA may estimates are exclusive of the buyer’s premium, and lower sheet edge, into image. $150/200 12 in. (216 x 305 mm). Sheet Size: 12 3/8 x 17 may be revised at any time prior to the auction. 17 3/4 in. (314 x 451 mm). $160/200 provide condition reports. Many items are of an Bidding at Auction 3/4 in. (314 x 451 mm). $160/200 age or nature that precludes their being in perfect All prospective bidders are required to register with 592. SCHMUZER, Jacob Xaver (German, condition. Some descriptions in the catalogue are MGA in advance of the sale. We may require photo Buyers are advised that there may be additional Active 18th Century) - Plantes XIII. Hand- 607. MATAHEI, Ukiyo [school of] (Japanese, given by way of a condition report (made either orally identifi cation and bank references for registration. terms and conditions governing the use of Internet colored engraving. c1795. Signed in the plate, 598. HARUNOBU, Suzuki (Japanese, 1703 1797 - 1861) - Untitled. Original color lithograph or in writing), which makes reference to damage By bidding at the auction, a buyer assumes personal bidding services including, but not limited to, those after the woodcut. 19th century. Printed 1925. providing for additional charges and fees relating lower right. Laid paper. 9 1/4 x 7 5/16 in. (235 x - 1770) - Untitled. Original lithograph after the and/or restoration. We provide this information for responsibility to pay the purchase price bid, plus the 186 mm). Sheet Size: 10 1/8 x 7 7/8 in. (257 x guidance only and the absence of such a reference buyer’s premium and any additional charges that to the execution of such bids. Buyers are therefore woodcut. 18th century. Printed 1925. 8 3/4 x 11 11 1/8 x 16 3/16 in. (283 x 411 mm). Sheet Size: does not imply that an item is free from defects or become due and payable in connection with the advised to familiarize themselves with any such 200 mm). $150/200 5/8 in. (222 x 295 mm). Sheet Size: 12 3/8 x 17 12 3/8 x 17 3/4 in. (314 x 451 mm). $160/200 restoration, nor does a reference to particular defects purchase of property. terms and conditions prior to utilizing any Internet 3/4 in. (314 x 451 mm). $150/200 imply the absence of any others. bidding service. 593. SNAYERS, Pieter (Flemish, 1592 - 1667) 608. MATAHEI, Ukiyo [school of] (Japanese, On the fall of the auctioneer’s hammer, title to the - Fanged Beast. Charcoal and chalk drawing. MGA is not liable for any defects. In the case offered lot will pass to the acknowledged bidder. The sale generally will be conducted in the following 599. HARUNOBU, Suzuki (Japanese, 1703 1797 - 1861) - Untitled. Original color lithograph of a justifi ed claim, however, we will accept the At that time, the buyer assumes all risk of loss increments: - 1770) - Untitled. Original lithograph after the afterlithograph the woodcut. after the 19th woodcut. century. 18thPrinted century. 1925. responsibility to make a claim for restitution on behalf and damage to the property, and in addition any To-100 $10 increment woodcut. 18th century. Printed 1925. 7 3/4 x 10 11Printed 1/4 x 1925. 16 5/8 9 in.11/16 (286 x x13 422 15/16 mm). in. Sheet (246 xSize: 354 of the buyer against the consignor within a period of obligations, costs and expenses relating to the $100-500 $25 increment 12 months, running from the fall of the hammer. In handling, shipping, insurance, tax, and export of $500-1,000 $50 increment 9/16 in. (197 x 268 mm). Sheet Size: 12 3/8 x 17 12mm). 3/8 Sheet x 17 3/4 Size: in. 12(314 3/8 x x451 17 mm).3/4 in. (314$160/200 x 451 the event of a successful claim, MGA will refund the property. The highest bidder acknowledged by $1,000-2,500 $100 increment 3/4 in. (314 x 451 mm). $150/200 mm). $150/200 hammer price plus premium. the auctioneer shall be deemed the buyer. The $2,500-5,000 $250 increment 609. MORONOBU, Hishikawa [school of] successful buyer is obliged to accept and pay for the $5,000-10,000 $500 increment (Japanese, 1618 - 1694) - Untitled. Original Any representation or statement by MGA in any lot. Ownership only passes to the buyer when full $10,000+ $1,000 increment or 600. HOKUSAI, Katsushika (Japanese, 1760 610. MORONOBU, Hishikawa [school of] catalogue, brochure or advertisement of forthcoming payment has been received. The buyer, however, auctioneer’s discretion - 1849) - Untitled. Original lithograph after the (Japanese, 1618 - 1694) - Untitled. Original sales as to authorship, attribution, genuineness, immediately assumes all risks when the goods woodcut. 18th century. Printed 1925. 9 7/8 x 14 lithograph after the woodcut. 17th century. origin, date, age, provenance, condition or estimated are knocked down to him. In case of identical bids, Payment in ink, lower right. Wove paper. 4 1/4 x 5 3/16 in. (251 x 360 mm). Sheet Size: 12 3/8 x 17 selling price is a statement of opinion only. Every determination of the winning bidder shall be left to Upon the fall of the auctioneer’s hammer, the buyer Printed 1925. 10 7/8 x 16 1/4 in. (276 x 413 person interested should exercise his own judgment the sole discretion of MGA. 3/4 in. (108 x 146 mm). Sheet Size: 5 1/4 x 6 7/8 3/4 in. (314 x 451 mm). $150/200 assumes all risk of loss and damage to the property, in. (133 x 175 mm). $3,200/3,600 mm). Sheet Size: 12 3/8 x 17 3/4 in. (314 x 451 as to such matters, and neither MGA nor any of its and in addition any obligations, costs, and expenses Signed mm). $150/200 agents are responsible for the correctness of such MGA has the right, in its absolute discretion, to relating to the handling, shipping, insurance, tax, opinions. Except as stated under “Limited Warranty” determine the conduct of the sale as it sees fi t. It 594. TITIAN [after] (Italian, 1485/89 - 1576) 601. JAPANESE SCHOOL, 18TH CENTURY export, and storage of property. A buyer’s premium - Landschaft Mit Dem Lautenspieler. Etching. in the paragraph below, all property is sold “as reserves the right to advance bidding, to reject bids, of 20% on the hammer price and 22 1/2% on - Untitled. Original lithograph after the woodcut. 611. SHUNCHO, Katsukawa (Japanese, 19th is,” with no representation or warranty of any kind to combine lots, to split lots, to re-offer and resell lots, purchases made via the Internet will be paid by the 18th century. Printed 1925. 8 13/16 x 12 1/2 in. Century) - Untitled. Original lithograph after the from MGA or the consignor. Buyers are advised and to withdraw lots before the actual fi nal sale. In purchaser. All purchases will be subject to state sales to personally examine any property on which they any such case, the judgment of MGA is fi nal, and (224 x 317 mm). Sheet Size: 12 3/8 x 17 3/4 in. woodcut. 18th century. Printed 1925. 9 7/8 x 14 tax unless the buyer has provided us with a valid (314 x 451 mm). $150/200 intend to bid prior to the auction. All dimensions shall be binding upon all participants. certifi cate of exemption from such tax. 3/4 in. (251 x 375 mm). Sheet Size: 12 3/8 x 17 are approximate. The condition of frames is not 3/4 in. (314 x 451 mm). $150/200 guaranteed. In the case of a written bid, the bidder commissions 602. JAPANESE SCHOOL, 18TH CENTURY MGA to place bids on his behalf during the auction. Buyers are required to pay for purchases Except as noted in this paragraph, all lots in the sale In cases where there is a discrepancy between immediately following the auction unless other - Untitled. Original lithograph after the woodcut. 612. TOYONOBU, Ishikawa (Japanese) arrangements have been made in advance of the 18th century. Printed 1925. 7 3/4 x 10 5/8 in. are offered for the account of a third party, without number and title in a written bid, the number shall - Untitled. Original color lithograph after the any interest (direct or indirect) of the auctioneer or prevail. We assume no responsibility for failure to auction. Payments must be made in US Dollars, in (197 x 270 mm). Sheet Size: 12 3/8 x 17 3/4 in. any of the following acceptable forms of payment: woodcut. 18th century. Printed 1925. 5 1/4 x 13 MGA. Where MGA or an affi liate of MGA is the sole execute any such bid, or for errors or omissions (314 x 451 mm). $150/200 or partial owner of the property, there is no symbol made in connection with the execution of any in. (133 x 330 mm). Sheet Size: 12 3/8 x 17 3/4 -Cash (In House Only) next to the lot description. Where the lot is offered such bid. If requested prior to the sale, we will use in. (314 x 451 mm). $150/200 for the account of a third party, it is noted by the reasonable efforts to contact the buyer by telephone -Personal(In House Only) or corporate checks with 603. KIYONAGA, Torii [attrib.] (Japanese, symbol next to the description of that lot. Under to conduct a phone bid on the day of the sale, but acceptable identifi cation c1650? Initialed by the engraver in the plate; 1752 - 1815) - Untitled. Original color lithograph no circumstance will the Consignor receive any we assume no responsibility for errors or omissions -Visa, MasterCard, or American Express credit cards titled in the plate. Laid paper. 13 5/8 x 18 3/8 in. after the woodcut. 18th century. Printed 1925. 613. UTAMARU, Kitagawa (Japanese, 1753 rebate commission. Under no circumstance may the made in connection with any such arrangement. As -Money Orders or Cashier’s Checks - 1806) - Untitled. Original color lithograph after (346 x 467 mm). Sheet Size: 15 5/8 x 20 1/4 in. 10 x 14 11/16 in. (254 x 373 mm). Sheet Size: Consignor bid upon or buy back his property. a convenience to buyers who cannot be present on -Wire(Bank) Transfer (397 x 514 mm). After Titian. $800/900 the woodcut. 18th century. Printed 1925. 9 12 3/8 x 17 3/4 in. (314 x 451 mm). $160/200 13/16 x 15 in. (249 x 381 mm). Sheet Size: 12 4 MartinGordonAuctions • The August Art Sale • August 14th, 2008 • Phoenix, AZ All images available at www.MartinGordon.com • 1 (800) 257-0366 • 1 (602) 257-0888 41 604. KORIUSAI, Isoda (Japanese, Active 1760s 3/8 x 17 3/4 in. (314 x 451 mm). $160/200 - 1780s) - Untitled. Original color lithograph after the woodcut. 18th century. Printed 1925. 10 1/8 Old Master CONDITIONS OF SALE AND LIMITED WARRANTY, cont’d. Purchases over $2,500 require payment by cash, inscribed books, and signed photographs), we After-Sales & Private Sales 570. BOWLES, Carington (British, Active 18th check, money order, cashier’s check or wire transfer. warrant without time limit the authenticity of each lot These Terms and Conditions of Sale shall govern century) - A Whet on the Road - or English 575. EUROPEAN SCHOOL, 18TH CENTURY The auction house will reimburse the purchaser catalogued herein; (b) With respect to books, maps any private sale of property by us not made through and French Postillions. Mezzotint with hand- - Ornate Vase and Jewelry Cask. Oil on canvas. for any charges in the case of payment via wire and atlases, and any other works not included in auction, including all transactions conducted at after- coloring. 1792. Notations in letters. 12 11/16 x 9 31 3/4 x 24 in. (806 x 610 mm). $800/1,200 transfer. Please contact the auction house for further (a) above, unless physical inspection would reveal sale. All private and after-sale purchases are subject 13/16 in. (322 x 249 mm). $800/1,200 information. No surcharge will be charged to the self-evident lack of authenticity, we warrant for a to the 20% buyer’s premium, as well as all costs 584. HOLLAR, Wenzel - True Manner of buyer for payments made via credit card. We reserve period of three (3) years from the date of the sale the related to shipping and handling. 576. EUROPEAN SCHOOL, 18TH CENTURY the right to delay delivery of any property until 571. CIPRIANI, Giovanni (Italian, 1727 - 1790) - Interior Detail. Ink and gouache on paper. 18th the Execution of Thomas Earle of Strafford. authenticity of each lot catalogued herein. - King of the Hill. Colored pencil drawing. c1780. clearance or collection of funds in connection with Shipping century? 7 1/8 x 2 3/4 in. (181 x 70 mm). Sheet Engraving. 1641. Initialed in the plate, lower left. any payment and, in any event, title to the property IT IS THE FULL RESPONSIBILITY OF THE 6 1/2 x 8 in. (165 x 203 mm). $2,500/3,500 6 x 10 in. (152 x 254 mm). Sheet Size: 6 5/8 x shall not pass to the buyer until collection of funds Except noted above, or unless otherwise indicated Size: 7 1/8 x 2 3/4 in. (181 x 70 mm). Mounted in the respective catalogue description, we warrant WINNING BIDDER TO ARRANGE AND PAY at upper corners to support sheet. $200/300 10 7/16 in. (168 x 265 mm). [P552]. $175/200 has occurred. If after fourteen (14) days we have FOR ALL PICK-UP, PACKING, AND SHIPPING 572. DARLY, Matthew (English, 18th Century) not received payment for lots purchased at auction, for a period of thirty (30) days from the date of SERVICES related to the transport of lots purchased - Hats. Engraving with hand-coloring. 1773. we will promptly fi le an Unpaid Item Dispute in the sale to the original buyer of record, that each book at auction and/or after-sale. Any such services Notations in letters. 9 5/8 x 13 3/4 in. (244 x 349 577. EUROPEAN SCHOOL, 18TH CENTURY 585. PODESTA, Andrea (Italian, 1620 - 1674) - case of all delinquent Internet bids, and report all or manuscript is complete in text and illustration Bacchanal with the Inebriated Inhabitants of the provided or arranged by us are at the buyer’s sole mm). Sheet Size: 11 1/4 x 17 9/16 in. (286 x 446 - Leg. Watercolor. 18th century? 5 1/2 x 3 1/2 in. outstanding balances to the credit bureaus. and generally is in physical condition as may be risk and expense; we assume no responsibility for mm). $400/600 (140 x 89 mm). Sheet Size: 5 5/8 x 3 1/2 in. (143 Island of Andros [After Titian]. Etching. c1650. 16 reasonably expected considering the age and any errors or omissions in connection with any such x 89 mm). Mounted at upper corners to support 1/2 x 22 1/2 in. (419 x 571 mm). The larger plate Auction lots, without exception, will only be handed provenance. This warranty does not cover damages service or reference. Purchases shipped out of state version of this image, of which this impression is over after payment has been made. Storage and to binding, stains or foxing, wormholes, short leaves are exempt from sales tax. 573. DARLY, Matthew (English, 18th Century) sheet. $200/300 dispatch are at the expense and risk of the buyer. of text or plates or any defect not affecting the - Wigs. Hand-colored etching and engraving. an example, is very rare. $1,600/1,800 Charges for dispatch, packing and insurance are completeness of the text. Moreover, this warranty billed separately. All property must be removed from IN-HOUSE SHIPPING IS AVAILABLE for qualifi ed 1773. Laid paper. 8 3/4 x 13 3/4 in. (222 x 349 578. EUROPEAN SCHOOL, 18TH CENTURY - does not cover the lack of inserted advertisements, sizes. Items smaller than 24 x 18 inches qualify for 586. RAIMONDI, Marcantonio (Italian, 1480 MGA by the purchaser, at his expense, no later than mm). Sheet Size: 11 5/16 x 17 3/4 in. (287 x 451 Pulling a Cart. Ink and watercolor. 18th century? fourteen (14) days following its sale, and if not so blank leaves, cancels, or subsequently published in-house shipping at a cost of $29.50 (within the mm). $400/600 5 15/16 x 7 3/4 in. (151 x 197 mm). Sheet Size: - 1534) - Angelica and Medoro. Engraving. removed will accrue storage fees and/or interest volumes. United States). Items between 24 x 18 inches and c1516. Narrow to thread margins outside of at the seller’s discretion. The purchaser shall be 30 x 26 inches qualify for in-house shipping at a 6 3/16 x 8 in. (157 x 203 mm). Mounted at upper cost of $49.50 (within the United States). Lots may 574. EUROPEAN SCHOOL, 16TH CENTURY corners to support sheet. $200/300 black border line. 10 1/2 x 7 in. (267 x 178 mm). liable for all actual expenses incurred plus a storage Serial publications, books in original parts, extra- A good, evenly printed impression of this rare charge of 5% of the purchase price. illustrated books, made up “albums” and lots be combined at no additional charge, unless the - Antiphonal Leaf [Large Format Music described as sold “as is,” “sold not subject to return,” actual cost of shipping is affected by the increase Manuscript] with an Historiated Capital “S.” 579. HOEFNAGEL, Joris (George) (Flemish, print. [Bartsch 484]. $2,400/2,800 All items purchased are subject to payment of the “not collated,” “collection of” or “group of,” and any in weight. Artwork will be packed by specialized 1542 - 1601) - Dum Luuenilis Adest Vigor est city of Phoenix and state of Arizona sales tax of 8.1% lot containing more than three (3) items, are sold “as experts. Additional fees may apply in the case of Graue, Moxque Senesta [From Archetypa 587. ROSA, Salvator [after] (Italian, 1615 - on the total purchase price (fi nal bid plus the Buyer’s is” and therefore not covered by these warranties. oversize and/or overweight objects, and if insurance Studiaque Patris]. Engraving. 1592. Notations 1673) - Figurina: A seated female nude holding Premium) unless the purchaser presents proof Books, manuscripts, prints, drawings, photographs, is required. In-house shipping is available for onto a tree trunk. Etching with drypoint. c1656- of exemption. Property not claimed by the buyer signatures, or any other property offered in a lot international orders as well (please inquire for price in the plate. Fine impression. 5 7/8 x 7 15/16 in. within three months of the sale date will revert to the quotes). PLEASE CALL TO ARRANGE FOR 57. Printed c1715. Numbered “58” in the plate, comprising more than three (3) items, whether or (149 x 202 mm). Sheet Size: 6 x 8 1/4 in. (152 seller. Purchases shipped outside of Arizona are not not such items are individually named, constitute YOUR ITEMS TO BE SHIPPED. x 210 mm). Paper toning, handling marks and lower right. Wide margins. Fine impression. 5 subject to sales tax. “Grouped Lots.” Such “Grouped Lots” are not subject 11/16 x 3 13/16 in. (144 x 97 mm). Sheet Size: Due to the high volume of lots sold and requests scattered foxing. Af fi xed to mount. $400/500 The buyer is liable for acceptance of goods and for to return for any reason. for in-house shipping services, it may take SIX TO 9c1715. 7/8 x 5Numbered 7/8 in. (251 “4” x 149in the mm). plate, [cf.W81; lower B81].right. payment. In case of delayed payment the purchaser EIGHT WEEKS before your order is processed. If 580. HOEFNAGEL, Joris (George) (Flemish, $100/150 will be held responsible for all resultant damages, in The benefi ts of these warranties are not assignable, you prefer to receive your auction items on a timelier 1542 - 1601) - Enigma [From Archetypa particular interest and exchange losses. In such an are applicable only to the original buyer of the lot, basis, or to organize shipping for lots that do not Studiaque Patris]. Engraving. 1592. Notations 588. ROSA, Salvator [after] (Italian, 1615 - event, MGA reserves the right to annul the purchase and are conditioned on the buyer returning the work qualify for in-house shipping, please contact the in the plate. Fine impression. 5 7/8 x 8 in. (149 contract without further notice, and to claim damages in the same condition in which it was received at time auction house for a list of local shipping agents. 1673) - Figurina: A standing warrior holding a from the buyer for non-fulfi llment. Accordingly, MGA of sale and in the time period specifi ed. x 203 mm). Sheet Size: 6 1/16 x 8 3/16 in. (154 staff over his shoulder and gesturing with an may re-auction the goods at the buyer’s expense. In The buyer’s sole remedy under these warranties Copyright Notice x 208 mm). Paper toning and minor scattered outstretched arm. Etching. c1656-57. Printed which case, the buyer is liable for any loss incurred; shall be the rescission of the sale and refund of All images and text contained in this catalogue or in foxing. $400/500 the buyer shall have no claim if a higher price has the original purchase price paid for the item, and any other publication by us in whatever form, shall been achieved. He will not be permitted to bid on the this remedy shall be exclusive and in lieu of any remain the property of their respective owners, and re-offered lot. The place of fulfi llment and jurisdiction other remedy which might otherwise be available the buyer shall have no right of ownership, use or 581. HOEFNAGEL, Joris (George) (Flemish, is Phoenix. 1542 - 1601) - Mus Non Uni Fidit Antro [From to the buyer as a matter of law. With respect to reproduction of any such material by virtue of any purchase of property or otherwise. Archetypa Studiaque Patris]. Engraving. 1592. Seller’s Commission autographed material or any print, poster, drawing, Notations in the plate. Fine impression. 5 7/8 x MGA generally charges a fl at 10% commission on painting, gouache, watercolor, photograph, sculpture, ceramic, or antique, in the event that a buyer claims Governing Law 8 1/8 in. (149 x 206 mm). Sheet Size: 6 1/8 x the hammer price of an item sold at its auctions. By making a bid, either verbally in the auction, or There is no additional charge to the seller for that an item is not authentic, MGA shall have no 8 5/16 in. (156 x 211 mm). Paper toning and insurance, photography, color printing in the obligation to rescind the sale unless the buyer has by telephone, or written by letter, or fax, or via the obtained, at the buyer’s expense, the opinion of two Internet, the bidder confi rms that he has taken notice minor scattered foxing. Crease in left quadrant, catalogue, buy-in fee, etc. The seller is liable only for of these terms of sale by auction and accepts them. starting to split. $400/500 shipping the item to MGA, and in the event it goes recognized experts in the fi eld, who are mutually tempera and ink on thick laid unsold, the shipping, handling, and packing costs of Agents who act on behalf of a third party are jointly agreeable to MGA and the buyer, that a lot or portion and separately liable for the fulfi llment of contract paper.Gold leaf,16th century. 21 x 13 in. (533 x 330 mm). sending the item back to the seller. thereof is not authentic. Sheet Size: 24 1/4 x 17 1/2 in. (616 x 444 mm). 582. HOEFNAGEL, Joris (George) (Flemish, on behalf of their principals. These conditions of 1542 - 1601) - Quad in Fructibus Humor, hoc in Limited Warranty sale will also apply to all purchases made out of Double-sided, featuring one historiated capital Recession of Sale by Martin Gordon this catalogue after the regular sale. The rights and Hominibus [From Archetypa Studiaque Patris]. We warrant the authenticity of each lot catalogued If we become aware of an adverse claim by a third with tempera and gold leaf and latin text with Engraving. 1592. Notations in the plate. Fine herein under the terms and conditions set forth obligations of the parties shall be governed by the black square note (quadratic notation) music below. party relating to property purchased by the buyer, we laws of the State of Arizona. All bidders and the on a red four-line stanza. The Antiphonary impression. 5 7/8 x 8 in. (149 x 203 mm). Sheet may, in our discretion, rescind the sale. The buyer purchaser submit to the personal jurisdiction of the contains chants for the canonical hours of the Size: 6 1/16 x 8 3/16 in. (154 x 208 mm). Paper Unless otherwise indicated in the respective will promptly return the property to us, at which time Arizona State courts and their rules and procedures toning and minor scattered foxing. $400/500 catalogue descriptions (which are subject we will refund the hammer price and the buyer’s in case of any dispute. Divine offi ce; used by priests, monks and nuns premium with respect to the property. This refund will in churches and religious enclaves. They are margins. Fine impression. 5 3/4 x 3 3/4 to amendment by oral or written notices or 583. HOEFNAGEL, Joris (George) (Flemish, announcements made by MGA prior to the sale): represent the buyer’s sole remedy against us and/or Should one or the other of the above terms of sale boldly hand written and illuminated on large in. (146 x 95 mm). Sheet Size: 8 13/16 x 5 9/16 (a) With respect to autographed material (letters, the consignor in case of a rescission of sale under become wholly or partly ineffective, the validity of the sheets meant to be shared by several people. 1542 - 1601) - Scarabei Umbra [From Archetypa in. (224 x 141 mm). [cf.W21; B33]. $100/150 historic documents, literary and musical manuscripts, this paragraph. remainder is not affected. $300/400 Studiaque Patris]. Engraving. 1592. Notations Wide 40 MartinGordonAuctions •in the The plate. August Fine impression. Art 5 Sale 7/8 x 8 1/16 • in. August 14th, 2008 • Phoenix, AZ All images available at www.MartinGordon.com • 1 (800) 257-0366 • 1 (602) 257-0888 5 (149 x 205 mm). Sheet Size: 6 1/16 x 8 1/4 in. (154 x 210 mm). Paper toning, minor scattered foxing and losses to lower right. $400/500 Manizer (Awarded the honorary title “Merited 563. TAPIES, Antoni (Spanish, b.1923) - Lettre 567. WEBER, A. Paul (German, 1893 - 1980) American 19th Century Artist of Russia), A. Artchyachev, T. Chertova, “X”. Color lithograph. 1972. Vertical centerfold - Group of 2 Prints. * Podiumsgesprach. L. Chatalova, E. Chulkin, N. Dimitritrach, V. Lithograph. c1960. Signed in pencil, lower right; 1. AMERICAN ARTISTS - Great Artists as Cover: Handling marks at paper edge and mild titled in pencil, lower left margin edge. Fine Illustrators. Wood engravings, line drawings creasing. Plates: Small tear at lower right edge, Kulkov, V. Likjamyetz, T. Rayne, and T. Volovik. impression. 23 1/2 x 18 1/4 in. (597 x 464 mm). and illustrations. Lot of over 700 leaves of wood $3,000/4,000 not affecting image. Set of four plates. Published Sheet Size: 30 1/4 x 25 1/2 in. (768 x 648 mm). engravings, line drawings, and illustrations from 9. AMERICAN SCHOOL, 19TH CENTURY Fine condition. [D1879]. * Aus Eigenen Werken. popular publications of the 1870s to 1890s, by F.W. Devoe & Co. $200/400 559. RUSSIAN SCHOOL, 20TH CENTURY - Lithograph. c1960. Signed in pencil, lower right; - Trompe l’Oeil Xenia, Game Birds: Pigeon. Our Cossack Heroes. Vintage color lithograph. titled in pencil, lower left margin edge. Fine by such noted artists as Frederick Remington Molded chromolithograph mounted on velvet impression. 17 1/2 x 21 1/2 in. (444 x 546 mm). 15. KIMMELL&FORSTER (American, 19th c1914. 16 1/4 x 21 in. (413 x 533 mm). Russian (142 pieces), William M. Chase (11), John La with twine embellishment. c1870. 9 1/2 x 9 in. material from this era is rare. In translation, the Sheet Size: 21 1/8 x 26 1/4 in. (537 x 667 mm). Century) - Scenes in the West. Color lithograph. Fine condition. [D268] [2]. $600/700 Farge (29), Jean Francois Millet (2), Timothy (241 x 229 mm). This print is meticulously cut text below reads: “According to eye witnesses, Cole (1), J.H. Twachtman (3), Thomas Moran to the image and applied shadow box fashion Notations in letters. Period frame. 18 1/2 x 24 our cossacks accomplish marvels of bravery. 568. Xxe Siècle Review (French, 20th Century) (137), and Joseph Pennell (398). Accompanied to a black velvet background. With the original 1/2 in. (470 x 622 mm). Sheet Size: 21 x 27 in. When they catch a sign of enemy outnumbered - Deuxieme Siecle #1, March 1938. Color stories and articles, from such magazines as oval-cut gold fi let mat. Actual twine strings these (533 x 686 mm). $600/800 by more than thirty soldiers, four or fi ve of issued. 14 7/8 x 21 3/4 in. (378 x 552 mm). Scribner’s, Century, and Harper’s. Especially hunting spoils up. Extremely rare. $700/900 our dare-devils instantly attack. Enemies get as$600/800 noteworthy illustrations done by the author 16. MOLASKEY, John Dewey (Canadian/ confused, while our cossacks attack with William Makepeace Thackeray for his story (6 10. BROWNSCOMBE, Jennie [after] swords and spears, bringing heavy losses. At (American, 1850 - 1936) - Love’s Young Dream. American, 1864 - 1938) - Nature Morte 564. TURNER, Julius C. (German, 1881 pp.), The Worldwide. Subjects include cowboys, Colored engraving. 19th century. Signed in the Woodcock. Oil on canvas. Signed “J.D. times, a handful of cossacks sent squadrons - 1948) - Osnabrucker Kupfer u. Drahtwerk running away.” $600/800 Indians, nature, places, and story elements. plate, lower right. 27 3/8 x 19 3/4 in. (695 x 502 Molaskey,” lower right. 18 1/2 x 10 1/2 in. (470 x Aluminium-Blechwalzwerk [The Factory]. Page size about 7 x 10 in; one or more pictures mm). From the collection of Jaled Muyaes and 267 mm). Molaskey, born in Jerseyville, Ontario, Etching. c1923. Signed in pencil, lower right. per page. A few leaves with minor toning, but 560. SCHLICHTER, Rudolf (German, 1890 - Estela Ogazon. $200/300 is well known for sporting subjects. He is listed 1955) - Auspeitschung [Flagellanten]. Etching Titled in the plate. Full margins. 16 5/8 x 18 1/2 generally very good. An unusual and extensive in. (422 x 470 mm). Sheet Size: 21 x 24 3/4 in. in “Who Was Who in American Art.” $400/600 with soft ground and roulette. c1914. Edition of collection. $400/600 11. BUBEL, J. (American?, 19th Century) 20. Signed in pencil, lower right. Wove paper. (533 x 629 mm). $500/600 - Floral Still Life of Two Bouquets with Pottery 2. AMERICAN SCHOOL, 19TH CENTURY - Vessels. Oil on canvas. Signed, lower right. 21 17. NASH, E.R. (American, Active 1880 - 1910) Full margins. 10 3/8 x 9 11/16 in. (264 x 246 mm). Sheet Size: 16 11/16 x 14 1/8 in. (424 x 565. VIBERT, Pierre Eugene [after] (Swiss, Floral Still Life. Oil on canvas. 19th century. 24 x x 25 1/2 in. (533 x 648 mm). An exceptional - Tea Service. Oil on canvas. c1890. Signed, 1875 - 1937) - Untitled [Bather]. Woodcut. 1932. 16 1/2 in. (610 x 419 mm). $700/900 359 mm). $1,600/1,800 painting. $1,600/1,800 lower left. 24 1/2 x 29 1/2 in. (622 x 749 mm). Signed and dated in pencil, lower right. Intialed 3. AMERICAN SCHOOL, 19TH CENTURY - Nash, a listed artist, specialized in still lifes, 561. TAPIES, Antoni (Spanish, b.1923) - in the block, lower right. 3 3/4 x 5 1/8 in. (95 12. CICERI, Eugene (American, 1813 - 1890) especially with the art of China. His work has Composition with the Large A. Color lithograph. x 130 mm). Sheet Size: 12 x 9 in. (305 x 229 Horses and Birds. Oil on board. c1870. 12 1/2 x - Croquis a la Minute: Pl. 79. Tinted lithograph. 18 3/4 in. (317 x 476 mm). $800/1,200 19th century. Signed in the plate, lower right. sold at Butterfi elds, Skinner, etc. $800/900 mm). Publisher’s proof. $60/80 Fine impression. Two images on one sheet, 4. AMERICAN SCHOOL, 19TH CENTURY - 566. VILLEMOT, Bernard (French, 1911 Heavy wear to cover and losses each 6 1/4 x 9 1/2 in. From the collection of 18. NEW YORK ETCHING CLUB (American, at binding. Interior contents in good condition Pair of Floral Still Lifes. Oil on canvas. 35 1/4 x - 1989) - Bally (Woman Wearing Polka Dot illustrations. 19 in. (895 x 483 mm). $800/1,200 Jaled Muyaes and Estela Ogazon. $80/125 20th Century) - Exhibition Catalogue. Etching. overall. Paris: Editions des Chroniques du Jour, 1887. Sheet Size: (Various): 13 1/4 x 9 in. Dress). Color lithograph poster. 1989. Printed 1938. First issue, with original color illustrations by Pascin. 12 1/2 x 9 5/8 in. $350/450 5. AMERICAN SCHOOL, 19TH CENTURY 13. CICERI, Eugene (American, 1813 - 1890) (337 x 229 mm). Paper toning, handling wear - Croquis a la Minute: Pl. 83. Tinted lithograph. - Pair of Trompe l’Oeil Paintings of Game and losses at sheet edge. Contains prints by 569. ZADKINE, Ossip (French, 1890 - 1967) 19th century. Signed in the plate. Fine - Composition. Linoleum cut. 1938. Wove Animals. Oil on canvas. 19th century. 23 3/4 Samuel Colman, Thomas Moran, C.Y. Turner x 11 3/4 in. (603 x 298 mm). Painted in the impression. Two images on one sheet, each and others. Scarce. Most catalogues broken up style of William Harnett and Alexander Pope. 9 3/8 x 6 1/8 in. From the collection of Jaled Signed in the stone. No pencil signed $1,400/1,600 Muyaes and Estela Ogazon. $80/125 for plates. $500/700 edition was issued. Velin d’Arches paper. 1976.Full margins. 17 x 23 1/2 in. (42.5 x 59 mm). 14. DIEHL, Conrad (American, 1845 - 1933) Sheet Size: 21 3/4 x 29 3/4 in. (552 x 756 mm). 6. AMERICAN SCHOOL, 19TH CENTURY - - Diehl’s Anatomy for Artists and Students. 19. NEW YORK ETCHING CLUB (American, Still Life with Flowers. Oil on canvas. Late 19th 20th Century) - Exhibition Catalogue. Etching. Published by Maeght, Paris. [Galfetti 639]. century. Signed “C. Abrielle(?),” lower right. 27 x 1888. Sheet Size: (Various): 13 1/4 x 9 3/4 in. $800/1,000 21 in. (686 x 533 mm). $700/900 (337 x 248 mm). Paper toning, handling wear 562. TAPIES, Antoni (Spanish, b.1923) - Lettre 7. AMERICAN SCHOOL, 19TH CENTURY - and losses at sheet edge. Contains prints by “O”. Color lithograph. 1972. Vertical centerfold Trompe l’Oeil of Hanging Game Birds. Pastel. Mary Nimmo Moran, Kruse Van Elten, Henry c1895. Signed “Hunt,” lower left. 19 1/4 x 12 in. Farrer and others. Scarce. Most catalogues (489 x 305 mm). In original oak frame with gilt broken up for plates. $500/700 beaded interior. $700/900 20. OTIS, Bass (American, 1784 - 1861) - Mill 8. AMERICAN SCHOOL, 19TH CENTURY - Trompe l’Oeil Xenia, Game Birds: Nuttall’s on a Stream. Lithograph. 1819. Signed in the Woodpecker. Molded chromolithograph stone. Ample margins. 3 3/4 x 5 1/16 in. (95 x mounted on velvet with twine embellishment. 129 mm). Rare. The fi rst lithograph printed in Signed in the plate, upper right. 67 x c1870. 10 1/2 x 7 in. (267 x 178 mm). This the U.S.A. Issued with “The Analectic Magazine” 46 in. (1702 x 1168 mm). Sheet Size: 67 x 46 in. paper. 11 7/8 x 9 5/16 in. (302 x 237 mm). print is meticulously cut to the image and of 4 lithographs. 1888. Fine for February 1819 (Vol. XIV No. 2). See Peters, issued. 14 7/8 x 21 3/4 in. (378 x 552 mm). (1702 x 1168 mm). Linen backed. Imprimerie A. Sheet Size: 12 9/16 x 9 13/16 in. (319 x 249 impressions. 25 1/4 x 20 1/2 in. (641 x 521 mm). applied shadow box fashion to a black velvet “America on Stone,” pg. 17, illustrating this [G316]. $600/800 Karcher, Paris. $2,400/2,800 mm). $400/600 as 1989. background. With the original oval-cut gold fi let image; see also Mott “American Magazines” mat.6 Actual MartinGordontwine strings these huntingAuctions spoils • The August Art Sale • August 14th, 2008 • Phoenix, AZ All images available at www.MartinGordon.com • 1 (800) 257-0366 • 1 (602) 257-0888 39 up. Extremely rare. $700/900 pp. 208-210, describing and illustrating a later Portfolio lithograph by Otis. $600/800 544. PICASSO, Pablo (Spanish, 1881 - 1973) - 551. PICASSO, Pablo [after] (Spanish, 1881 - American 20th Century Picador II. Color lithograph. 1961. Edition of 50. 556. ROBBE, Manuel (French, 1872 - 1936) Signed in pencil, lower right; numbered in pencil, 1973) - Pour Ma Cherie Jacqueline. Lithograph. 1958. Signed, dated and dedicated in the - Route de Sacre Coeur. Color aquatint. c1900. 21. AFRICAN AMERICAN PRINTMAKERS lower left. Ample margins. Fine impression. 7 Signed in pencil in the image, lower left. 19 1/2 x [John Wilson] (American, b.1940) - La Calle. 13/16 x 10 3/16 in. (198 x 259 mm). Full title: stone, upper right. 11 9/16 x 9 in. (294 x 229 14 in. (495 x 356 mm). Scarce. $1,000/1,200 A los Toros avec Picasso-Picador II. [B1017; mm). Sheet Size: 11 3/4 x 10 9/16 in. (298 x 268 M350; RU788]. $10,000/15,000 mm). The last auction record we could fi nd for 557. ROBBE, Manuel (French, 1872 - 1936) - x 8 1/2 in. (260 x 216 mm). Fine condition. An this print in Zurichsee Auktioner, 3/28/2007, Lot Venetian Scene. Color aquatint. c1920. Edition impression of this rare print recently sold at 545. PICASSO, Pablo [after] (Spanish, 1881 - 170, estimated at EU 800-1000. $800/1,000 of 125. Signed in pencil, lower right; numbered 1973) - Guerre. Lithograph. 1962. Printed 1965. in pencil, lower left. 9 x 13 in. (229 x 330 mm). Swann Galleries, NYC 10/4/2007, Lot #7, for $3,600, including premium. $2,500/3,500 Dated in the matrix, upper left. Fine impression. 552. PICASSO,PABLO [Et Al] - Bal Olympic: $300/400 8 x 10 3/8 in. (203 x 264 mm). Sheet Size: 9 Vrai Bal Sportif Costume. Lithograph program. 558. RUSSIAN SCHOOL, 20TH CENTURY 27. AFRICAN AMERICAN PRINTMAKERS 1982. Edition of 3000. Full margins. Fine x 10 3/8 in. (229 x 264 mm). Fine condition. 1924. Heavy wove paper. 11 1/4 x 9 3/4 [Hartwell Yeargans] (American, 1918 - 2005) - impression. 6 5/8 x 9 1/4 in. (168 x 235 mm). $600/800 - Mockba (Scenes of Moscow). Color linocuts. in. (286 x 248 mm). Centerfold as issued. Folksinger. Color linocut. c1967. Initialed, lower Sheet Size: 7 1/4 x 10 in. (184 x 254 mm). Fine condition. 12 pages. Illustrations and right; editioned (AP), lower left. 7 1/2 x 5 1/2 Fine condition. Handprinted “offset” lithograph 546. PICASSO, Pablo [after] (Spanish, 1881 ornaments by Picasso, Vassilief, Fotinsky, Color offset lithograph. 1951. Signed in pencil, in. (190 x 140 mm). Sheet Size: 10 1/2 x 8 5/8 miniature. * FRANK STELLA (American, - 1973) - Mystere Picasso II. Color lithograph. lower right. Wide (full?) margins. 4 1/4 x 7 1/2 1955. Printed 1966. Fine impression. 7 5/8 x Granovsky and others. Contains extensive in. (267 x 219 mm). Yeargans’ prints are very b.1936). Swan Engraving III (Miniature Edition). 10 1/8 in. (194 x 257 mm). Sheet Size: 7 5/8 listings of events and contributors. Undoubtedly in. (108 x 190 mm). Sheet Size: 7 8 x 1/4 5/8 in. uncommon. $1,500/2,000 Offset lithograph. 1982. Edition of 4000. Full x 10 1/8 in. (194 x 257 mm). Fine condition. produced by Francois Bernouard, like that for (178 x 371 mm). Fine condition. This example margins. Fine impression. 9 5/8 x 7 3/4 in. (244 Authorized by Picasso and printed under his the Bal Travesti/Transmental, though it carries was printed in 1965 and bears a complimentary 28. AFRICAN AMERICAN PRINTS - Group x 197 mm). Sheet Size: 9 5/8 x 7 3/4 in. (244 supervision. [BB127b; Kibbey]. $1,000/1,500 no credit. $4,000/5,000 signature. In 1950, Wilson received a a John of 2 Prints. * JEROME MARTIN. Race Riot. x 197 mm). Fine condition. Handprinted “offset” Hay Whitney scholarship to Mexico, and like Lithograph. c1948. Signed in the stone. 10 7/16 lithograph miniature. * Both published by Tyler 547. PICASSO, Pablo [after] (Spanish, 1881 Charles White and Elizabeth Catlett before him, x 7 3/4 in. (265 x 197 mm). Sheet Size: 11 11/16 Graphics Ltd. as a promotion for the regular - 1973) - Mystere Picasso IX. Color lithograph. 553. PICASSO,PABLO [Et Al] - Grand Bal editions [2]. $100/200 des Artistes Travesti/Transmental. Lithograph he enrolled in La Esmeralda School in Mexico x 9 in. (297 x 229 mm). * Negroes in the Civil 1955. Printed 1966. Fine impression. 8 1/8 x City to study mural painting. He also completed War. Lithograph. c1948. Signed in the stone. 7 x 10 9/16 in. (206 x 268 mm). Sheet Size: 8 1/4 Small edition size? All signed in pencil, a small group of lithographs depicting Mexican 9 1/4 in. (178 x 235 mm). Sheet Size: 8 1/8 x 12 33. AMERICAN SCHOOL, 20TH CENTURY x 10 9/16 in. (210 x 268 mm). Fine condition. lower right; some initialed in the block. Heavy - Nestle: Serving Humanity Throughout the manual laborers working in the streets (Courtesy 3/16 in. (206 x 310 mm) [2]. $200/300 World.(1664 Oil x on 2984 canvas. mm). c1960s.Sheet Size: 65 1/2 70 x1/2 117 x 1221/2 Authorized by Picasso and printed under his wove1967. paper. Full margins. Fine impressions. Swann Galleries). $1,000/1,500 supervision. [BB127i; Kibbey]. $1,000/1,200 (Various): 11 1/4 x 15 1/4 in. (286 x 387 mm). 29. AFRICAN AMERICAN SUBJECT 1/2 in. (1791 x 3111 mm). A huge oil painting (5 1/2 feet high by almost 10 feet long). Formerly Sheet Size: 15 7/8 x 18 7/8 in. (403 x 479 22. AFRICAN AMERICAN PRINTMAKERS [Leonard Baskin] (American, b.1922) - Slave 548. PICASSO, Pablo [after] (Spanish, 1881 Auction. Woodcut. c1948. 10 3/8 x 4 3/8 in. (264 displayed in the Nestle Company general - 1973) - Mystere Picasso VII. Color lithograph. [Emma Amos] (American, b.1938) - Harvest II. manager’s of fi ce. $1,200/1,800 1955. Printed 1966. Fine impression. 7 3/8 x 9 Color mixed media lithograph. 1960s. 3 3/4 x 7 x 111 mm). Sheet Size: 11 7/8 x 9 in. (302 x 229 1/8 in. (187 x 232 mm). Sheet Size: 7 3/8 x 9 1/8 1/4 in. (95 x 184 mm). Sheet Size: 7 1/2 x 8 5/8 mm). $400/600 34. AMERICAN SCHOOL, 20TH CENTURY in. (187 x 232 mm). Fine condition. Authorized in. (190 x 219 mm). Amos worked in New York - The South Pacifi c Harem of William Watt, No. by Picasso and printed under his supervision. City. $200/250 30. AMERICAN PRINTMAKER (“HENK”), 1. Gouache on board. 1959. Signed Suerre (?) [BB127g; Kibbey]. $800/1,200 20th Century - Group of 2 Prints. * War Wench. (Pseudonym?), lower right. 17 x 12 1/8 in. (432 23. AFRICAN AMERICAN PRINTMAKERS Woodcut. c1940s. Print #3 of edition of 10. x 308 mm). Sheet Size: 23 1/2 x 18 1/2 in. (597 Numbered in pencil, lower left. Anchor Graphics x 470 mm). This is an original gouache in black, 549. PICASSO, Pablo [after] (Spanish, 1881 [Margaret Burroughs] (American, b.1917) in. - 1973) - Mystere Picasso XI. Color lithograph. - Abstraction. Linocut. c1962. Initialed, lower symbol embossed, lower right. Annotated “X13” white, and blue colors that was reproduced on right; editioned (TP), lower left. 6 15/16 x 6 in the block, lower left. Wove paper. Wide (full?) Page 13 of “The Escape to Paradise of William 1/4 in. (176 x 159 mm). Sheet Size: 10 3/8 x margins. 8 x 4 1/4 in. (203 x 108 mm). Sheet Watts” in the publication “Adventures for Men,” Size: 12 x 8 1/4 in. (305 x 210 mm). * Wolf at the May, 1959. $700/900 of eleven linocut prints. Original 8 1/2 in. (264 x 216 mm). An early and unusual Burroughs print. $1,000/1,400 Door. Woodcut. c1940s. Print #3 of edition of 10. 1923. Heavy wove paper. 13 x 10 portfolio case with printed tissue paper between 35. AMERICAN SCHOOL, 20TH CENTURY in. (330 x 254 mm). Centerfold as issued. Fine eachmm). print.Portfolio This vivid portfolio depicts different Numbered in pencil, lower left. Anchor Graphics - Woman Carrying a Basket. Oil on canvas. condition.program. 16 pages. Features a color lithograph scenes in Moscow, showing a peaceful and 24. AFRICAN AMERICAN PRINTMAKERS symbol embossed, lower right. Annotated “X13” Signed “Tootsie,” lower right. 25 x 22 1/2 in. by Picasso in addition to illustrations by Gris, tranquil city. Each print is fi nely produced, [Alvin Hollingsworth] (American, b.1928) - in the block, lower left. Wove paper. Wide (full?) (635 x 571 mm). $200/300 Ferat, Picasso, Derain and Gontcharova and by notable Russian artists of the period. Lonely Woman. Color woodcut. c1960. Initialed margins. 6 x 6 5/8 in. (152 x 168 mm). Sheet poetry by Tzara, Soupault, Reverdy, and Cowely. in pencil, lower right; editioned (HC) in pencil, Size: 10 x 11 in. (254 x 279 mm) [2]. $200/300 36. ANGEL, Rifka (American/Russian, 1899 - 1986) - Cats. Gouache on paper. Signed, lower Printed 1966. Fine impression. 7 3/8 x 9 Printed by Bernouard, Paris. $5,000/6,000 lower left. 8 7/16 x 6 3/8 in. (214 x 162 mm). Sheet Size: 10 3/4 x 8 9/16 in. (273 x 217 mm). 31. AMERICAN PRINTMAKER (“HENK”), right. 12 x 16 in. (305 x 406 mm). Sheet Size: 7/16 in. (187 x 240 mm). Sheet Size: 7 3/8 x 20th Century - Group of 2 Prints. * War It’s 9 7/16 in. (187 x 240 mm). Fine condition. 554. RENOIR, Pierre Auguste (French, 1841 $800/900 12 x 16 in. (305 x 406 mm). Pin holes in corners. Authorized1955. by Picasso and printed under his - 1919) - Baigneuse Debout, a Mi-Jambes. Wonderful. Woodcut. c1940s. Print #3 of edition A few small tears and creases throughout. 2 supervision. [BB127k; Kibbey]. $1,200/1,600 Etching. 1910. Printed later. Full margins. 6 1/2 25. AFRICAN AMERICAN PRINTMAKERS of 10. Numbered in pencil, lower left. Anchor 1/4 in. tear in left edge. Perforation along left x 4 3/8 in. (165 x 111 mm). [Delteil 23; Stella [Lloyd G. McNeill]] (American, b.1935) - Graphics symbol embossed, lower right. edge where it was removed from a notebook. 550. PICASSO, Pablo [after] (Spanish, 1881 - 23]. $700/800 Lady in Labor (aka Pregnant Mother). Wood Annotated “X13” in the block, lower right. Wove $200/300 1973) - Peintre et son Modele. Color lithograph. engraving. c1965. Initialed in pencil, lower right. paper. Wide (full?) margins. 6 x 6 5/8 in. (152 x 1962. Printed 1965. Signed and dated in the 7 3/4 x 6 1/8 in. (197 x 156 mm). Sheet Size: 10 168 mm). Sheet Size: 9 3/8 x 9 1/2 in. (238 x 37. ANGEL, Rifka (American/Russian, 1899 matrix, upper left. Fine impression. 8 3/4 x 10 555. ROBBE, Manuel (French, 1872 - 1936) - 1986) - Horse in Movement. Gouache on - Cigarette. Color aquatint. 1902. Edition of 65. 5/8 x 8 7/16 in. (270 x 214 mm). $800/900 241 mm). * War Propaganda. Woodcut. c1940s. 3/16 in. (222 x 259 mm). Sheet Size: 8 3/4 x Print #3 of edition of 10. Numbered in pencil, paper. Signed, lower right. 14 x 16 3/4 in. (356 x 10 3/16 in. (222 x 259 mm). Fine condition. Signed in pencil in the image, lower left. 16 7/8 425 mm). Sheet Size: 14 x 16 3/4 in. (356 x 425 x 13 in. (429 x 330 mm). [Merrill-Chase 20]. artists: Mikhail V. Matorin, Gugo 26. AFRICAN AMERICAN PRINTMAKERS lower left. Anchor Graphics symbol embossed, $1,200/1,400 [Smith, William E.] (American, b.1941) - Pay mm). Pin holes in corners; otherwise very good $1,700/1,900 lower right. Annotated “X13” in the block, lower 38 MartinGordonAuctions • The August Art Sale • August Featured14th, 2008 • Phoenix, AZ Day. Linocut.All images 1938. Initialed available in pencil, lower at www.MartinGordon.comleft. Wove paper. Wide (full?) margins. • 6 1x 6(800) 5/8 257-0366condition. Perforation• 1 (602) along 257-0888 left edge where it 7 right; editioned (AP) in pencil, lower left. 7 15/16 in. (152 x 168 mm). Sheet Size: 10 x 10 1/2 in. was removed from a notebook. $200/300 x 5 7/8 in. (202 x 149 mm). Sheet Size: 10 1/4 (254 x 267 mm) [2]. $200/300 32. AMERICAN PRINTMAKERS, 20TH CENTURY - Group of 2 Prints. * ROBERT MOTHERWELL (American, 1915 - 1992). Lament for Lorca. Color offset lithograph. 38. ANGEL, Rifka (American/Russian, 1899 47. BERNARD, David E. (American, b.1913) with its possibilities in the most original way. - 1986) - Seals. Gouache on board. Signed, - Threshing Run #7. Color woodcut. c1930s. 524. MIRO, Joan (Spanish, 1893 - 1983) - Miro lower right. 5 3/4 x 7 1/2 in. (146 x 190 mm). Artist proof VI of XVI, aside from regular edition. I. Color lithograph. 1978. Vertical centerfold as Whereas traditionally a new block was cut for of desert landscapes, especially scenes with each color, Picasso developed the ‘reductive Sheet Size: 5 3/4 x 7 1/2 in. (146 x 190 mm). smoke trees. For much of his life he earned a Signed in pencil, lower right; titled in pencil, lower issued. 14 13/16 x 21 5/8 in. (376 x 549 mm). method’ whereby a single block was cut and Very good condition. $100/150 living as a commercial artist for Foster & Kleiser left; annotated “AP” in pencil, lower center. 12 x [M1150]. $1,200/1,400 in Los Angeles. When he retired in 1961, he 535. MUNCH, Edvard [after] (Norwegian, printed across the entire edition before further 39. ARMS, John Taylor (American, 1887 - 15 3/4 in. (305 x 400 mm). Sheet Size: 14 7/8 cutting and printing of the same block with the moved to Borrego Springs and devoted himself x 22 in. (378 x 559 mm). Bernard’s prints are 525. MIRO, Joan (Spanish, 1893 - 1983) - Miro 1863 - 1944) - Herz (Hjertet). Color woodcut. 1953) - Loop-the-Loop. Etching with aquatint. to fi ne art painting until his death in 1989. He next color. Generally, the broadest color area is rare. $800/1,200 II. Color lithograph. 1978. 14 13/16 x 21 5/8 in. was a member of the Desert Art Center in Palm (376 x 549 mm). [M1151]. $1,200/1,400 printed fi rst. The block is then further reduced Springs. $300/400 and another layer of color is added to the print. 48. BURR, George Elbert (American, 1859 - 526. MIRO, Joan (Spanish, 1893 - 1983) - This continues until the fi nal color has been 44. BAUMANN, Gustave (American, 1881 1939) - Moraine Park. Etching. 1921. Initialed Oiseau solaire, oiseau lunaire, etincelles. Color added to the prints. The edition is limited by the - 1971) - Eagle Ceremony at Tesque Pueblo. in pencil, lower right; initialed in the plate, lower lithograph. 1967. 12 x 27 1/2 in. (305 x 698 mm). number of printed produced at the fi rst stage left. 4 7/8 x 3 1/2 in. (124 x 89 mm). Sheet Sheet Size: 12 3/16 x 27 5/8 in. (310 x 702 mm). in reduction. The reductive method makes Size: 9 1/2 x 5 3/4 in. (241 x 146 mm). [S81]. Vertical trifold as issued. $1,600/1,800 for easier registration of each color, and often $200/300 results in a painterly effect. Our example is an 527. MIRO, Joan (Spanish, 1893 - 1983) - original linocut after and approved by Pablo 49. CALDER, Alexander (American, 1898 - Sobreteixims I. Color lithograph. 1973. Vertical Picasso for Picasso Linogravures, 1962. These 1976) - Spirals. Color lithograph. 1970. Initialed centerfold as issued. 14 7/8 x 21 5/8 in. (378 x linocuts were fi rst issued in signed editions of in the stone, lower right. 14 1/4 x 11 in. (362 x 549 mm). [M889]. $1,200/1,400 50 by Galerie Louise Leiris, printed by Arnera. 279 mm). Sheet Size: 14 1/2 x 11 1/2 in. (368 Because of the ‘reductive method’ invented and 528. MIRO, Joan (Spanish, 1893 - 1983) - used by Picasso, it was impossible to make x 292 mm). Horizontal fold as issued. A signed Sobreteixims II. Color lithograph. 1973. Vertical impression sold at Koller, Zurich, 11-19-1988 for centerfold as issued. 14 7/8 x 21 5/8 in. (378 x Excellent condition. Coated paper. more prints from the original blocks. Therefore $940 (SF 1,200). $400/600 549 mm). [M890]. $1,200/1,400 Wide margins. Fine impression. 7 1/2 x 5 9/16 in collaboration with Picasso and Galerie Louise in. (190 x 141 mm). [S134]. $3,000/4,000 Leiris, new linoleum blocks were made at 42% of woodcut. 1932. Monogrammed in the 50. CALDER, Alexander (American, 1898 - 529. MIRO, Joan (Spanish, 1893 - 1983) - the original size. To produce Picasso’s linocuts block, lower left. Fine impression. 6 1/2 x 6 1/2 1976) - Tamanoir Jaune. Color lithograph. 1963. Sobreteixims III. Color lithograph. 1973. Vertical 536. MUNCH, Edvard [after] (Norwegian, in larger quantities, the images were reduced in. (165 x 165 mm). Sheet Size: 10 1/2 x 8 in. 14 5/8 x 21 in. (371 x 533 mm). Sheet Size: 14 centerfold as issued. 14 7/8 x 21 5/8 in. (378 x 1863 - 1944) - Landscape with Figures. Intaglio. and recreated using a traditional multi-block c1902. 6 1/4 x 7 1/4 in. (159 x 184 mm). Sheet (267Color x 203 mm). Fine condition. $500/600 15/16 x 21 3/4 in. (379 x 552 mm). Vertical 549 mm). [M891]. $1,200/1,400 linocut process. [Bloch 910]. $4,000/6,000 Size: 8 1/16 x 10 7/8 in. (205 x 276 mm). centerfold crease as issued. $1,200/1,400 45. BELINE, George (American, 1887 - ?) - 530. MOHOLY-NAGY, Laszlo (Hungarian, 1898-99.$800/900 539. PICASSO, Pablo (Spanish, 1881 - 1973) Miners at Work. Lithograph. c1930. Signed and - Couple (Amours Feminines). Etching. 1951. Edition of 25. Signed in pencil, lower numbered in pencil, lower right; titled in pencil, 1895 - 1946) - Foto Moholy-Nagy. Color 51. CALDER, Alexander (American, 1898 - silkscreen poster. 1971. 33 x 23 1/4 in. (838 x Edition of 50. Signed in pencil, lower right; right. Wide margins. 6 x 3 15/16 in. (152 x 100 lower left. 10 x 7 7/8 in. (254 x 200 mm). Beline’s 1976) - Tamanoir. Color lithograph. 1963. 14 1/2 537. MUNCH, Edvard[after] (Norwegian, 1863 mm). Sheet Size: 9 1/8 x 6 1/8 in. (232 x 156 prints are extremely rare. $800/900 591 mm). Sheet Size: 33 x 23 1/4 in. (838 x 591 - 1944) - Madonna (Monna). Color copper plate numbered in pencil, lower left. Full margins mm).1920. [F89]. $800/900 mm). $800/900 gravure. c1905. Wide margins. Fine impression. (deckle edges). 8 3/4 x 6 3/4 in. (222 x 171 46. BENSON, Frank Weston (American, 1862 6 1/16 x 4 1/16 in. (154 x 103 mm). Printed by O. mm). Sheet Size: 13 x 10 in. (330 x 254 40. ARNOLD, Erwin Leveritt Pease (American, - 1951) - Ducks Rising. Etching. c1922. Signed 531. MOISAND, Marcel Emmanuel (French, Felsing in Berlin shortly after the creation of the mm). Minor mat and time stains. From “Dons 1874 - 1946) - Time Out. Oil on board. 1919. 1874 - 1903) - Manufacture Francaise d’Armes iconic lithograph by Munch. [S33]. $800/900 des Féminines.” Provenance: Ex-collection Signed and dated “E.L.P. Arnold 1919,” lower at Cycles de St. Etienne, Loire. Lithograph. Seymour Hacker, Hacker Art Books, NYC. right. 25 x 36 in. (635 x 914 mm). $1,500/1,800 1904. Signed in the stone, lower right. 23 1/16 538. PICASSO, Pablo (Spanish, 1881 - [B690; BA889]. $5,000/6,000 x 15 1/2 in. (586 x 394 mm). Sheet Size: 26 1973) - Apres la Pique. Color linoleum cut. 41. BAROOSHIAN, Martin (American, b.1929) - Queen I. Color intaglio etching with 7/8 x 17 7/8 in. (683 x 454 mm). An early and 540. PICASSO, Pablo (Spanish, 1881 - 1973) embossing. 1972. Printed 1972. Trial proof, (368 x 483 mm). Sheet Size: 14 7/8 x important photo-lithograph. $700/900 - Femme Nue Couchee. Color lithograph. 1963. aside from regular edition. Signed, titled, dated 21 3/4 in. (378 x 552 mm). Vertical centerfold Edition of 1000. Signed and dated in the stone. 532. MONDRIAN, Piet [after] (Dutch, 1872 - and annotated “t.p.” in pencil in lower blind xcrease 19 in. as issued. $1,200/1,400 Signed in red crayon, lower right. 2 7/8 x 6 1/4 1944) - Mondrian (Galerie Beyeler Basel). Color in. (73 x 159 mm). [From: Dames de Mougins]. embossing. Wove paper. 6 1/2 x 5 1/4 in. (165 x silkscreen poster. 1965. 22 1/2 x 15 in. (571 x 133 mm). Sheet Size: 11 1/4 x 10 1/8 in. (286 x 52. CALDER, Alexander (American, 1898 - [BB 120]. $2,500/3,500 1976) - Untitled [Abstract Composition]. Color 381 mm). Sheet Size: 25 1/2 x 20 in. (648 x 508 257 mm). $100/150 mm). Mondrian original prints and posters are lithograph. 1971. 14 1/2 x 21 7/8 in. (368 x 556 541. PICASSO, Pablo (Spanish, 1881 - rare. $800/900 42. BAROOSHIAN, Martin (American, mm). Sheet Size: 14 15/16 x 22 1/8 in. (379 x 1973) - Femme Vue de Dos. Etching. 1956. b.1929) - Queen III. Color intaglio etching with 562 mm). Vertical centerfold crease as issued. Printed 1956. Edition of 125. Signed in 533. MOTHERWELL, Robert (American, embossing. 1972. Printed 1972. Trial proof, $1,200/1,400 crayon; numbered in pencil. Full margins. Fine aside from regular edition. Signed, titled, dated 1915 - 1992) - Tricolor. Color lithograph and offset lithograph. 1973. Edition of 125. Signed impression. 14 7/8 x 10 3/4 in. (378 x 273 mm). and annotated “t.p.” in pencil, lower margin. 53. CALDER, Alexander (American, 1898 [B822]. $6,000/7,000 Wove paper. 7 13/16 x 5 15/16 in. (198 x 151 and dated with the initials, lower right. Fine in pencil, lower right; annotated - 1976) - Untitled [Checkered Composition]. impression. 12 1/4 x 9 3/16 in. (311 x 233 mm). mm). Sheet Size: 11 1/8 x 10 in. (283 x 254 Color lithograph. 1971. 11 1/8 x 11 in. (283 x “e.a.,” lower left. Blindstamped, lower left. Wide 542. PICASSO, Pablo (Spanish, 1881 - 1973) - Fine condition. Proof. [B24]. $1,800/2,000 margins. Fine impression. 10 5/8 x 12 1/2 in. mm). $100/150 279 mm). Sheet Size: 14 15/16 x 11 in. (379 x 1959. Signed Fluers dans un Vase. Lithograph. 1950. Edition (270 x 317 mm). Sheet Size: (Frame Size): 279 mm). $1,200/1,400 534. MUNCH, Edvard (Norwegian, 1863 of 100. Signed in pencil, lower right. 9 3/4 x 6 43. BARTKO, William J. (American, 1905 - in pencil, l ower right. Laid paper. 4 13/16 x 3 3/4 20 1/4 x 22 1/2 in. (514 x 571 mm). From the 3/8 in. (248 x 162 mm). A proof impression. 1989) - High Desert Trees. Watercolor. 1939. in. (122 x 95 mm). Sheet Size: 8 11/16 x 5 in. - 1944) - Begegnung im Weltall (Mote I Verdensrommet). Color woodcut. 1898. second edition. In 1958, Picasso took up the [B674; M189]. $6,000/8,000 Signed and dated, lower right. 14 1/4 x 19 3/4 (221 x 127 mm). $800/900 54. CALDER, Alexander (American, 1898 - linocut and for the next four years experimented 1976) - Untitled [Spiraled Composition]. Color Excellent condition. Wide margins. Fine in. (362 x 502 mm). Born in Toledo, Ohio to 543. PICASSO, Pablo (Spanish, 1881 - Hungarian 8 parents, MartinGordon William Bartko wasAuctions a painter • The August Art Sale • August 14th, 2008 • Phoenix, AZ impression.All images 6 3/16 x 8 1/4 available in. (157 x 210 mm).at www.MartinGordon.com • 1 (800) 257-0366 • 1 (602) 257-0888 37 See Christie’s New York, 11/18/1986, Lot 348, 1973) - Petite Corrida. Color lithograph. 1957. for a similar impression (sale at $4,620 including Edition of 50. Signed in pencil, lower right. Fine premium). [S135]. $7,000/9,000 impression. 11 3/4 x 9 1/8 in. (298 x 232 mm). Fine condition. [B839; M302]. $7,000/8,000 Full sheet, as printed. Completely fresh colors. Sheet Size: 14 x 10 1/4 in. (356 x 260 mm). Lithographic plates effaced after the edition Edition of 100. Prints individually signed, dated was printed. Derived from the cut-paper original and numbered in pencil. Rives paper. Full maquette by Matisse. Created and editioned margins (deckle edges). (Various sizes): 9 1/8 at the Mourlot Studio, Paris, 1954, under the x 6 1/8 in. (232 x 156 mm). Sheet Size: 14 x 11 supervision of Matisse. Issued by Teriade, 515. MATISSE, Henri (French, 1869 - 1954) - Rosace [Maquette for a stained glass window in. (356 x 279 mm). $600/800 Paris, 1958. $1,800/2,200 for a Protestant Chapel]. Color lithograph. 1954. created c1998. For more information, please 62. CITRON, Minna (American, 1896 - 1992) - Smooth pale cream wove paper. Full sheet, as visit the archived “Washington Uncovered” 511. MATISSE, Henri (French, 1869 - 1954) Group of 2 Prints. * Nude. Etching. 1939. Printed printed. Completely fresh colors. 9 x 9 in. (229 website, accessible via Wikipedia search Earl - Perruche et la Sirene. Color lithograph. later. Edition of 100. Signed, dated ‘39 and x 229 mm). Sheet Size: 14 x 10 5/8 in. (356 x Marshawn Washington. $100/200 1952/1954. Smooth pale cream wove paper. Completely fresh colors. 12 3/4 x 4 3/8 in. (324 numbered in pencil. Excellent impression. 5 3/8 270 mm). Lithographic plates effaced after the Full sheet, as printed. Completely fresh colors. x 111 mm). Sheet Size: 14 x 10 1/4 in. (356 x x 9 1/8 in. (137 x 232 mm). Excellent condition. * edition was printed. Derived from the cut-paper 66. COPPINGER, Martin Deane (American, 13 1/4 x 30 3/8 in. (337 x 772 mm). Sheet 260 mm). Lithographic plates effaced after the Buffeted. Etching. 1934. Printed later. Edition of original maquette by Matisse. Created and b.1934) - Desert Ablaze. Oil on canvas board. Size: 14 x 30 3/4 in. (356 x 781 mm). With edition was printed. Derived from the cut-paper 100. Signed, dated ‘34 and numbered in pencil. editioned at the Mourlot Studio, Paris, 1954, 2005. Monogrammed, lower center. 20 x 24 the centerfold crease, as issued. Lithographic original maquette by Matisse. Created and Excellent impression. 4 7/8 x 3 3/8 in. (124 x 86 in. (508 x 610 mm). Coppinger, a listed artist plates effaced after the edition was printed. under the supervision of Matisse. Issued by editioned at the Mourlot Studio, Paris, 1954, mm). Excellent condition [2]. $200/250 Teriade, Paris, 1958. $800/1,000 (Davenport’s, others) is an Arizona resident, Derived from the cut-paper original maquette by under the supervision of Matisse. Issued by who has been called the “Van Gogh of the Matisse. Created and editioned at the Mourlot Teriade, Paris, 1958. $800/1,200 63. CITRON, Minna (American, 1896 - 1992) 516. MATISSE, Henri (French, 1869 - 1954) Desert.” $1,600/1,800 Studio, Paris, 1954, under the supervision - Group of 2 Prints. * Dealer. Etching with - Souvenir d’Oceanie. Color lithograph. 521. MATISSE, Henri (French, 1869 - 1954) aquatint. 1937. Printed later. Edition of 100. ash. Oil on board. 1989. of Matisse. Issued by Teriade, Paris, 1958. 1953/1954. Signed with the printed signature 67. COPPINGER, Martin Deane (American, $1,800/2,200 - Zulma. Color lithograph. 1950/1954. Signed lithograph. 1971. 13 5/8 x 10 1/4 in. (346 x 260 Signed, dated ‘37 and numbered in pencil. Signed and titled, lower right. 18 3/4 x 24 3/4 and date. Smooth pale cream wove paper. Full in.b.1934) (476 -x Gillespe629 mm). Dam Coppinger, (Near Gila a listedBend, artistAZ). with the printed signature and date. Smooth mm). Sheet Size: 14 15/16 x 11 in. (379 x 279 Excellent impression. 5 7/8 x 4 1/2 in. (149 x 114 Oil on canvas board. 2005. Monogrammed, sheet, as printed. Completely fresh colors. 9 3/8 mm). $800/1,000 (Davenport’s, others) is an Arizona resident, 512. MATISSE, Henri (French, 1869 - 1954) pale cream wove paper. Full sheet, as printed. mm). Excellent condition. * Dancer. Etching. lower center. 16 x 20 in. (406 x 508 mm). x 9 3/8 in. (238 x 238 mm). Sheet Size: 14 x who has been called the “Van Gogh of the - Piscine (A) [Maquette for a ceramic - Pann Completely fresh colors. 12 1/4 x 6 1/2 in. (311 1934. Printed later. Edition of 100. Signed, Coppinger, a listed artist (Davenport’s, others) 10 5/16 in. (356 x 262 mm). Lithographic plates 55. CALDER, Alexander (American, 1898 - Desert.” $1,600/1,800 eau A]. Color lithograph. 1952/1954. Smooth x 165 mm). Sheet Size: 14 x 10 1/4 in. (356 x dated ‘34 and numbered in pencil. Excellent is an Arizona resident, who has been called the pale cream wove paper. Full sheet, as printed. effaced after the edition was printed. Derived 260 mm). Lithographic plates effaced after the 1976) - Untitled [Stabiles No. 1]. Color lithograph. impression. 5 1/2 x 4 7/8 in. Excellent condition 1963. 12 x 16 in. (305 x 406 mm). Sheet Size: “Van Gogh of the Desert.” $1,200/1,400 Completely fresh colors. 14 x 40 in. (356 x 1016 from the cut-paper original maquette by Matisse. edition was printed. Derived from the cut-paper [2]. $200/250 69. CORTEZ, Carlos (American, 1923 - 2005) Created and editioned at the Mourlot Studio, 14 7/8 x 21 3/4 in. (378 x 552 mm). Vertical - Group of 2 Prints. * Military Funeral. Woodcut. mm). Sheet Size: 14 x 40 5/8 in. (356 x 1032 original maquette by Matisse. Created and 68. COPPINGER, Martin Deane (American, Paris, 1954, under the supervision of Matisse. editioned at the Mourlot Studio, Paris, 1954, centerfold crease as issued. $1,000/1,200 64. CITRON, Minna (American, 1896 - 1992) c1940s. Print #3 of edition of 10. Numbered mm). With the centerfold crease, as issued. inb.1934) pencil, - lowerM. + E.left. W Anchor Graphics symbol Issued by Teriade, Paris, 1958. $800/1,200 under the supervision of Matisse. Issued by - Group of 2 Prints. * Lookout. Etching. 1937. Lithographic plates effaced after the edition 56. CALDER, Alexander (American, 1898 embossed, lower right. Initialed “CAC” in the Teriade, Paris, 1958. $1,800/2,400 Printed later. Edition of 100. Signed, dated ‘37 was printed. Derived from the cut-paper original 517. MATISSE, Henri (French, 1869 - 1954) - 1976) - Untitled [Stabiles No. 2]. Color block, lower right. Wove paper. Wide (full?) maquette by Matisse. Created and editioned lithograph. 1963. 11 1/4 x 8 3/8 in. (286 x 213 and numbered in pencil. Excellent impression. - Tristesse du Roi. Color lithograph. 1952. 522. MIRO, Joan (Spanish, 1893 - 1983) 4 7/8 x 6 1/8 in. (124 x 156 mm). Excellent margins. 6 x 4 5/8 in. (152 x 117 mm). Sheet at the Mourlot Studio, Paris, 1954, under the Initialed in the stone, lower right. 13 1/4 x 17 mm). Sheet Size: 14 7/8 x 10 7/8 in. (378 x 276 Size: 10 1/8 x 9 1/2 in. (257 x 241 mm). * Why supervision of Matisse. Issued by Teriade, - Chien Aboyant a la Lune Reveille le coq, le mm). $700/1,000 condition. * Sherman. Etching with aquatint. 1/2 in. (337 x 444 mm). Sheet Size: 13 15/16 Chant du Coq Picote le Crane du Fermier 1941. Printed later. Edition of 100. Signed, Can’t That Be Automated? Woodcut. c1940s. Paris, 1958. $1,800/2,000 x 20 3/4 in. (354 x 527 mm). Vertical centerfold Print #3 of edition of 10. Numbered in pencil, Catalan Pose sur la Table a Cote du Pourron. 57. CALDER, Alexander (American, 1898 dated ‘41 and numbered in pencil. Excellent crease as issued. $1,600/1,800 Color lithograph. 1952. Signed in the stone, lower left. Anchor Graphics symbol embossed, 513. MATISSE, Henri (French, 1869 - 1954) - 1976) - Untitled [Stabiles No. 3]. Color impression. 6 7/8 x 8 1/4 in. (175 x 210 mm). lower right. 13 15/16 x 20 3/4 in. (354 x 527 lithograph. 1963. 11 1/2 x 9 3/4 in. (292 x 248 Excellent condition [2]. $200/250 lower right. Initialed “CAC” in the block, upper - Piscine (B) [Maquette for a ceramic - Pann 518. MATISSE, Henri (French, 1869 - 1954) mm). Sheet Size: 13 15/16 x 20 3/4 in. (354 x mm). Sheet Size: 14 7/8 x 10 7/8 in. (378 x 276 left. Wove paper. Wide (full?) margins. 5 x 7 eau B]. Color lithograph. 1952/1954. Smooth - Vegetaux. Color lithograph. Signed with the 527 mm). Vertical centerfold as issued. [M121]. mm). $700/1,000 65. COLIN, P. & E.M. Washington - La 15/16 in. (127 x 202 mm). Sheet Size: 9 x 12 in. pale cream wove paper. Full sheet, as printed. printed signature and date. Smooth pale cream Revue Negre au Music-Hall des Champs- (229 x 305 mm) [2]. $200/250 Completely fresh colors. 14 x 40 in. (356 x 1016 wove paper. Full sheet, as printed. Completely $1,200/1,400 58. CALDER, Alexander (American, 1898 Elysees. Woodcut. c1998. Printed c1998. mm). Sheet Size: 14 x 40 5/8 in. (356 x 1032 fresh colors. 12 1/2 x 5 3/4 in. (317 x 146 mm). Erroneously annotated “E.M. Washington 70. CORTEZ, Carlos (American, 1923 - 2005) mm). With the centerfold crease, as issued. 523. MIRO, Joan (Spanish, 1893 - 1983) - Joan - 1976) - Untitled [Stabiles No. 4]. Color Sheet Size: 14 x 10 5/16 in. (356 x 262 mm). lithograph. 1963. 13 1/8 x 9 1/4 in. (333 x 235 1926 N.Y.C. U.S.A.” in pencil, lower margin. - Industrial Workers of the World. Woodcut. Lithographic plates effaced after the edition Miro. Lithographs IV: 1969 - 1972. Catalogue c1940s. Print #3 of edition of 10. Numbered Created 1951. Signed 1952. Editioned 1954. mm). Sheet Size: 14 7/8 x 10 7/8 in. (378 x 276 Wide margins. 7 7/16 x 5 9/16 in. (189 x 141 was printed. Derived from the cut-paper original raisonne with color lithographs. Number 1032 in pencil, lower left. Anchor Graphics symbol Lithographic plates effaced after the edition of English language edition of 4000. New York: mm). $700/1,000 mm). Sheet Size: 12 x 9 in. (305 x 229 mm). maquette by Matisse. Created and editioned was printed. Derived from the cut-paper original By Earl Marshawn Washington after the work embossed, lower right. Initialed “CAC” in the Alpine Fine Arts Collection, Ltd., 1984. 4to. A block, lower right. Wove paper. Wide (full?) at the Mourlot Studio, Paris, 1954, under the maquette by Matisse. Created and editioned 59. CALDER, Alexander (American, 1898 by Paul Colin. Against all odds and in the face supervision of Matisse. Issued by Teriade, catalogue raisonne of the artist’s lithographs margins. 7 7/8 x 9 3/4 in. (200 x 248 mm). Sheet at the Mourlot Studio, Paris, 1954, under the from 1969 to 1972. Profusely illustrated in color. - 1976) - Untitled [Stabiles No. 5]. Color of the facts noted below, Washington’s “early” Paris, 1958. $1,800/2,200 supervision of Matisse. Issued by Teriade, lithograph. 1963. 12 3/4 x 8 1/2 in. (324 x 216 prints are rapidly becoming collector’s items. Size: 12 x 13 3/4 in. (305 x 349 mm). $100/150 mm). Sheet Size: 14 7/8 x 10 7/8 in. (378 x 276 Sold as is, not subject to return. Washington Paris, 1958. $800/1,000 71. CORTEZ, Carlos (American, 1923 - 2005) 514. MATISSE, Henri (French, 1869 - 1954) - mm). $700/1,000 was the perpetrator of an elaborate scheme Poissons Chinois [Maquette for a stained glass - Police Brutality. Woodcut. c1940s. Print #3 of 519. MATISSE, Henri (French, 1869 - 1954) that involved the intentional misrepresentation edition of 10. Numbered in pencil, lower left. window]. Color lithograph. 1951/1954. Signed - Venus. Color lithograph. 1952/1954. Signed 60. CALDER, Alexander (American, 1898 - of woodcuts created by him after works by other Anchor Graphics symbol embossed, lower with the printed signature and date. Smooth with the printed initials. Smooth pale cream 1976) - Untitled. Lithograph. 1971. 9 1/4 x 9 3/8 artists. Washington claimed the prints were right. Initialed in the block, lower right. Wove pale cream wove paper. Full sheet, as printed. wove paper. Full sheet, as printed. Completely in. (235 x 238 mm). Sheet Size: 15 x 9 15/16 in. produced prior to 1952 by his great-grandfather, paper. Wide (full?) margins. 10 1/8 x 8 7/8 in. Completely fresh colors. 12 1/2 x 5 3/4 in. (317 fresh colors. 13 1/8 x 7 3/4 in. (333 x 197 mm). six original color lithographs, including (381 x 252 mm). $400/600 Earl Mack Washington, from original blocks by (257 x 225 mm). Sheet Size: 14 1/4 x 13 in. x 146 mm). Sheet Size: 14 x 10 1/4 in. (356 x Sheet Size: 14 x 10 1/4 in. (356 x 260 mm). the dust jacket. $600/800 famous artists that he had either salvaged from (362 x 330 mm). $600/800 260 mm). Lithographic plates effaced after the Lithographic plates effaced after the edition 61. CITRON, Minna (American, 1896 - 1992) a fi re-bombed Manhattan print shop or received edition was printed. Derived from the cut-paper - Eight Prints, 1934-1945 [Portfolio of eight as gifts from the artists themselves. The story 36 MartinGordonAuctions •was The printed. August Derived from Art the cut-paper Sale original • August 14th, 2008 • Phoenix, AZ prints]. AllEtchings. images 1934-1945. available Printed 1981. at www.MartinGordon.com • 1 (800) 257-036672. CRUMBO, • 1 Woody(602) 257-0888 (American, 1912 - 9 original maquette by Matisse. Created and maquette by Matisse. Created and editioned and subsequent revisions by Washington 1989) - Buffalo Dancer. Color serigraph. c1970. editioned at the Mourlot Studio, Paris, 1954, at the Mourlot Studio, Paris, 1954, under the have proved false, and though there remains under the supervision of Matisse. Issued by supervision of Matisse. Issued by Teriade, a degree of uncertainty regarding the precise Teriade, Paris, 1958. $800/1,000 Paris, 1958. $1,600/1,800 origin of the E.M. Washington prints, the most probable explanation is that they were printed 520. MATISSE, Henri (French, 1869 - 1954) by Earl Marshawn Washington from blocks he - Vigne [Maquette for a stained glass window]. Color lithograph. 1953/1954. Smooth pale cream wove paper. Full sheet, as printed.

Contains Printed c1970. Artist proof #25 of edition of 100. Signed, titled and numbered in pencil. Signed Signed in the screen. 12 3/16 x 9 1/8 in. (310 in the screen. 12 3/16 x 9 1/8 in. (310 x 232 x 232 mm). Sheet Size: 13 x 10 7/16 in. (330 x mm). Sheet Size: 13 x 10 7/16 in. (330 x 265 265 mm). $100/125 mm). $100/125 500. MATISSE, Henri (French, 1869 - 1954) 78. CRUMBO, Woody (American, 1912 - - Femmes et Singes. Color lithograph. 73. CRUMBO, Woody (American, 1912 - 1989) - Humming Bird Dancer. Color serigraph. at upper sheet corners, well away from image.* 1952/1954. Smooth pale cream wove paper. 1989) - Deer Dancer. Color serigraph. c1970. c1970. Printed c1970. Artist proof #25 of edition Staircase. Monoprint. 1977. Print #1 of edition Full sheet, as printed. Completely fresh colors. Printed c1970. Artist proof #25 of edition of 100. of 100. Signed, titled and numbered in pencil. of 1. Signed and dated in pencil, lower right; 14 x 20 5/8 in. (356 x 524 mm). Sheet Size: 14 Signed, titled and numbered in pencil. Signed Signed in the screen. 12 3/16 x 9 3/16 in. (310 numbered in pencil, lower left. BFK Rives x 20 5/8 in. (356 x 524 mm). With the centerfold 505. MATISSE, Henri (French, 1869 - 1954) in the screen. 12 1/2 x 10 in. (317 x 254 mm). x 233 mm). Sheet Size: 13 x 10 7/16 in. (330 x paper. Wide margins. 7 5/16 x 5 in. (186 x 127 cream wove paper. Full sheet, as printed. - Nu Bleu aux Bas Verts. Color lithograph. crease, as issued. Lithographic plates effaced 1952/1954. Smooth pale cream wove paper. Sheet Size: 13 x 10 1/2 in. (330 x 267 mm). 265 mm). $100/125 mm). Sheet Size: 10 3/8 x 9 7/8 in. (264 x 251 Completely fresh colors. 13 x 27 3/4 in. (330 in. (317 x 210 mm). Sheet Size: 14 x 10 5/16 after the edition was printed. Derived from Full sheet, as printed. Completely fresh colors. $100/125 mm). * Floral Still Life. Monoprint. 1977. Print x 705 mm). Sheet Size: 14 x 30 3/4 in. (356 x in. (356 x 262 mm). Lithographic plates effaced the cut-paper original maquette by Matisse. Sheet Size: 14 x 10 1/4 in. (356 x 260 mm). 79. CRUMBO, Woody (American, 1912 - #1 of edition of 1. Signed and dated in pencil, 781 mm). With the centerfold crease, as issued. 1989) - Peace Pipe Prayer. Color serigraph. after the edition was printed. Derived from Created and editioned at the Mourlot Studio, Lithographic plates effaced after the edition 74. CRUMBO, Woody (American, 1912 - 1989) lower right; numbered in pencil, lower left. Wove Lithographic plates effaced after the edition was c1970. Printed c1970. Artist proof #25 of edition the cut-paper original maquette by Matisse. Paris, 1954, under the supervision of Matisse. was printed. Derived from the cut-paper original - Dog Soldier Dancer. Color serigraph. c1970. paper. Wide (full?) margins. Deckle edges. 3 printed. Derived from the cut-paper original of 100. Signed, titled and numbered in pencil. Created and editioned at the Mourlot Studio, Issued by Teriade, Paris, 1958. $1,800/2,400 maquette by Matisse. Created and editioned Printed c1970. Artist proof #25 of edition of 100. 3/4 x 4 in. (95 x 102 mm). Sheet Size: 8 3/4 x 8 maquette by Matisse. Created and editioned Signed in the screen. 12 9/16 x 10 in. (319 x Paris, 1954, under the supervision of Matisse. at the Mourlot Studio, Paris, 1954, under the Signed, titled and numbered in pencil. Signed 1/2 in. (222 x 216 mm). Light foxing in margins, at the Mourlot Studio, Paris, 1954, under the 501. MATISSE, Henri (French, 1869 - 1954) - 254 mm). Sheet Size: 13 x 10 7/16 in. (330 x Issued by Teriade, Paris, 1958. $1,800/2,000 supervision of Matisse. Issued by Teriade, in the screen. 12 3/16 x 9 1/16 in. (310 x 230 not affecting image [4]. $40/80 supervision of Matisse. Issued by Teriade, Gerbe [Maquette for a ceramic]. Color lithograph. 265 mm). $100/125 Paris, 1958. $1,800/2,000 mm). Sheet Size: 13 x 10 7/16 in. (330 x 265 495.Paris, MATISSE, 1958. $1,600/1,800 Henri (French, 1869 - 1954) 1953/1954. Signed with the printed initials and mm). $100/125 85. DAYTON, Veda Fero Carnahan (American, - Decoration - Fruits [Maquette for a ceramic]. date. Smooth pale cream wove paper. Full 80. CRUMBO, Woody (American, 1912 - 1891 - 1983) - Farmhouse. Watercolor. c1950s. Color496. MATISSE,lithograph. Henri 1953/1954. (French, Smooth 1869 - pale1954) sheet, as printed. Completely fresh colors. 13 506. MATISSE, Henri (French, 1869 - 1954) - 75. CRUMBO, Woody (American, 1912 - 1989) - Prayer Song. Color serigraph. c1970. Signed, lower right. (Sight size): 17 1/4 x 22 in. - Decoration aux Masques [Maquette for a x 15 1/2 in. (330 x 394 mm). Sheet Size: 14 x Nu Bleu Debout. Color lithograph. 1952/1954. 1989) - Eagle Dancer. Color serigraph. c1970. Printed c1970. Artist proof #25 of edition of 100. (438 x 559 mm). Not examined out of frame. ceramic]. Color lithograph. 1953/1954. Signed 20 5/8 in. (356 x 524 mm). With the centerfold Signed with the printed initials. Smooth pale Signed, titled and numbered in pencil. Signed with the printed initials and date. Smooth pale Printed c1970. Artist proof #25 of edition of 100. $200/300 crease, as issued. Lithographic plates effaced cream wove paper. Full sheet, as printed. in the screen. 12 1/2 x 10 in. (317 x 254 mm). cream wove paper. Full sheet, as printed. Completely fresh colors. Sheet Size: 14 x 10 1/4 Signed, titled and numbered in pencil. Signed in after the edition was printed. Derived from Sheet Size: 13 x 10 7/16 in. (330 x 265 mm). Completely fresh colors. 12 5/8 x 36 3/4 in. in. (356 x 260 mm). Lithographic plates effaced the screen. 12 1/8 x 9 1/8 in. (308 x 232 mm). 86. DAYTON, Veda Fero Carnahan (American, the cut-paper original maquette by Matisse. $100/125 (321 x 933 mm). Sheet Size: 14 x 40 5/8 in. after the edition was printed. Derived from Sheet Size: 13 x 10 7/16 in. (330 x 265 mm). 1891 - 1983) - Storefronts. Watercolor. 1955. Created and editioned at the Mourlot Studio, $100/125 Signed and dated, lower right. (Sight size): 14 (356 x 1032 mm). With the centerfold crease, the cut-paper original maquette by Matisse. 81. CRUMBO, Woody (American, 1912 - as issued. Lithographic plates effaced after the Paris, 1954, under the supervision of Matisse. Created and editioned at the Mourlot Studio, 5/8 x 21 1/4 in. (371 x 540 mm). Not examined Issued by Teriade, Paris, 1958. $1,600/1,800 76. CRUMBO, Woody (American, 1912 - 1989) - Scalp Dancer. Color serigraph. c1970. out of frame. $200/300 edition was printed. Derived from the cut-paper Paris, 1954, under the supervision of Matisse. 1989) - Eagle Dancer. Color serigraph. c1970. Printed c1970. Artist proof #25 of edition of 100. original maquette by Matisse. Created and Issued by Teriade, Paris, 1958. $1,800/2,400 Signed, titled and numbered in pencil. Signed in editioned at the Mourlot Studio, Paris, 1954, 502. MATISSE, Henri (French, 1869 - 1954) 87. DEFOREST, Roy (American, 1930 - 2007) - Lierre en Fleur. Color lithograph. 1953/1954. the screen. 10 3/4 x 7 3/8 in. (273 x 187 mm). - Blue Madness. Color lithograph. Early 1950s. under the supervision of Matisse. Issued by Signed with the printed signature and date. 507. MATISSE, Henri (French, 1869 - 1954) - Nu Bleu II. Color lithograph. 1952/1954. Signed Sheet Size: 12 7/8 x 10 in. (327 x 254 mm). Signed in pencil, lower left; annotated “A/P” in Teriade, Paris, 1958. $1,800/2,000 Smooth pale cream wove paper. Full sheet, as $100/125 pencil, lower right. 14 7/8 x 18 in. (378 x 457 with the printed signature and date. Smooth 497. MATISSE, Henri (French, 1869 - 1954) printed. Completely fresh colors. 9 1/2 x 9 1/2 in. pale cream wove paper. Full sheet, as printed. mm). Sheet Size: 19 x 22 3/4 in. (483 x 578 mm). (241 x 241 mm). Sheet Size: 14 x 10 1/4 in. (356 82. CRUMBO, Woody (American, 1912 - - Femme a L’amphore et Grenades. Color Completely fresh colors. 11 3/8 x 10 in. (289 DeForest’s work evolved through a number lithograph. 1953/1954. Smooth pale cream x 260 mm). Lithographic plates effaced after the 1989) - Tail Dancer. Color serigraph. c1970. of styles, from abstraction to non-objective, x 254 mm). Sheet Size: 14 x 10 1/4 in. (356 x Printed c1970. Artist proof #25 of edition of 100. wove paper. Full sheet, as printed. Completely edition was printed. Derived from the cut-paper 260 mm). Lithographic plates effaced after the from funk to realism. His early paintings were fresh colors. Sheet Size: 14 x 10 5/8 in. (356 x original maquette by Matisse. Created and Signed, titled and numbered in pencil. Signed composed of larger, overlapping, amorphous edition was printed. Derived from the cut-paper in the screen. 12 1/8 x 9 1/16 in. (308 x 230 270 mm). Lithographic plates effaced after the editioned at the Mourlot Studio, Paris, 1954, original maquette by Matisse. Created and shapes in bright colors. The early prints were edition was printed. Derived from the cut-paper under the supervision of Matisse. Issued by mm). Sheet Size: 13 x 10 7/16 in. (330 x 265 not as colorful and were characterized by editioned at the Mourlot Studio, Paris, 1954, mm). $100/125 original maquette by Matisse. Created and Teriade, Paris, 1958. $1,600/1,800 under the supervision of Matisse. Issued by “Motherwellian” blacks. DeForest’s early prints editioned at the Mourlot Studio, Paris, 1954, Teriade, Paris, 1958. $2,400/3,000 appear to have been issued in very small under the supervision of Matisse. Issued by 503. MATISSE, Henri (French, 1869 - 1954) 83. CRUMBO, Woody (American, 1912 editions, if editioned at all, and undoubtedly are - 1989) - The Flute Player. Color serigraph. Teriade, Paris, 1958. $1,600/2,000 - Lierre. Color lithograph. 1953/1954. Smooth 508. MATISSE, Henri (French, 1869 - 1954) - c1970. Printed c1970. Artist proof #25 of edition very rare. $1,000/1,200 pale cream wove paper. Full sheet, as printed. Nu Bleu IV. Color lithograph. 1952/1954. Signed of 100. Signed, titled and numbered in pencil. 498. MATISSE, Henri (French, 1869 - 1954) Completely fresh colors. 9 1/4 x 9 1/4 in. (235 - Femme a L’amphore. Color lithograph. with the printed signature and date. Smooth Signed in the screen. 12 3/16 x 9 1/8 in. (310 88. DEFOREST, Roy (American, 1930 - 2007) x 235 mm). Sheet Size: 14 x 10 1/4 in. (356 x pale cream wove paper. Full sheet, as printed. - Comp. A. Color lithograph. Early 1950s. 1952/1954. Smooth pale cream wove paper. 260 mm). Lithographic plates effaced after the x 232 mm). Sheet Size: 13 x 10 in. (330 x 254 Probably an artist’s proof. Signed in pencil, Full sheet, as printed. Completely fresh colors. Completely fresh colors. 13 1/8 x 9 3/4 in. (333 c1970. Artist proof #25 of edition of 100. mm). $100/125 edition was printed. Derived from the cut-paper x 248 mm). Sheet Size: 14 x 10 1/4 in. (356 x Signed, titled and numbered in pencil. Signed lower left; titled in pencil, lower right. 13 3/4 x 18 Sheet Size: 14 x 10 5/8 in. (356 x 270 mm). original maquette by Matisse. Created and in. (349 x 457 mm). Sheet Size: 19 x 25 in. (483 Lithographic plates effaced after the edition 260 mm). Lithographic plates effaced after the in the screen. 12 3/16 x 9 1/8 in. (310 x 232 84. CUTRONA, Caroline (American, 20th editioned at the Mourlot Studio, Paris, 1954, edition was printed. Derived from the cut-paper mm). Sheet Size: 13 x 10 7/16 in. (330 x 265 x 635 mm). His work evolved through a number was printed. Derived from the cut-paper original under the supervision of Matisse. Issued by Century) - Group of 4 Prints. * Interior Scene. maquette by Matisse. Created and editioned original maquette by Matisse. Created and mm). $100/125 Monoprint. 1977. Print #1 of edition of 1. Signed of styles, from abstraction to non-objective, Teriade, Paris, 1958. $800/1,200 from funk to realism. His early paintings were at the Mourlot Studio, Paris, 1954, under the editioned at the Mourlot Studio, Paris, 1954, Printed and dated in pencil, lower right; numbered in under the supervision of Matisse. Issued by 77. CRUMBO, Woody (American, 1912 composed of larger, overlapping, amorphous supervision of Matisse. Issued by Teriade, 504. MATISSE, Henri (French, 1869 - 1954) pencil, lower left. Wove paper. 4 3/16 x 6 3/8 Paris, 1958. $1,600/2,000 Teriade, Paris, 1958. $2,400/3,000 - 1989) - Feather Dancer. Color serigraph. in. (106 x 162 mm). Sheet Size: 9 13/16 x 11 in. shapes in bright colors. The early prints were - Negresse. Color lithograph. 1952/1954. c1970. Printed c1970. Artist proof #25 of edition not as colorful and were characterized by Smooth pale cream wove paper. Full sheet, (249 x 279 mm). * Quiet Corner. Aquatint. 1976. 499. MATISSE, Henri (French, 1869 - 1954) 509. MATISSE, Henri (French, 1869 - 1954) . of 100. Signed, titled and numbered in pencil. Print #6 of edition of 50. Signed and dated in “Motherwellian” blacks. DeForest’s early prints as printed. Completely fresh colors. 11 3/4 x 16 - Nu Bleu, la Grenouille. Color lithograph. appear to have been issued in very small - Femme au Chapeau. Color lithograph. 1939. 3/8 in. (298 x 416 mm). Sheet Size: 14 x 20 5/8 10 MartinGordonAuctions •pencil, The lower August right; titled inArt pencil, Sale lower center; • August 14th, 2008 • Phoenix, AZ SignedAll and images dated in the stone, available lower left. 12 at9/16 www.MartinGordon.com • 1 (800) 257-03661952/1954. • Signed 1 (602) with 257-0888the printed initials. 35 numbered in pencil, lower left. Wove paper. editions, if editioned at all, and undoubtedly are in. (356 x 524 mm). With the centerfold crease, Smooth pale cream wove paper. Full sheet, as very rare. $800/900 x 9 in. (319 x 229 mm). Sheet Size: 13 15/16 x Wide (full?) margins. Deckle edges. 7 13/16 10 5/16 in. (354 x 262 mm). $800/1,200 as issued. Lithographic plates effaced after the printed. Completely fresh colors. Sheet Size: 14 x 9 7/8 in. (198 x 251 mm). Sheet Size: 11 x edition was printed. Derived from the cut-paper x 10 5/8 in. (356 x 270 mm). Lithographic plates 15 in. (279 x 381 mm). Faint adhesive stains 89. DEFOREST, Roy (American, 1930 - 2007) original maquette by Matisse. Created and effaced after the edition was printed. Derived - Comp. B. Color lithograph. Early 1950s. editioned at the Mourlot Studio, Paris, 1954, from the cut-paper original maquette by Matisse. Probably an artist’s proof. Signed in pencil, under the supervision of Matisse. Issued by Created and editioned at the Mourlot Studio, lower left; titled in pencil, lower right. 18 15/16 Teriade, Paris, 1958. $1,800/2,400 Paris, 1954, under the supervision of Matisse. x 25 1/4 in. (481 x 641 mm). Sheet Size: 22 x Issued by Teriade, Paris, 1958. $2,200/2,500 28 1/4 in. (559 x 718 mm). His work evolved through a number of styles, from abstraction 510. MATISSE, Henri (French, 1869 - 1954) - Nu Bleu, Sauteuse de Corde. Color lithograph. 1952/1954. Smooth pale cream wove paper 476. MAILLOL, Aristide (French, 1861 - 1944) - Chloe Donne un Baiser a Daphnis de Preference a Dorcon. Woodcut. 1937. Printed plates effaced after the edition was printed. 1937. Edition of 500. Laid paper. 4 5/16 x 2 in. Derived from the cut-paper original maquette by Vincent DuMond. Dobbins was mysterious and (110 x 51 mm). Sheet Size: 8 1/2 x 5 1/4 in. (216 secretive about her works and seldom sold any 485. MAILLOL, Aristide (French, 1861 - 1944) Matisse. Created and editioned at the Mourlot x 133 mm). Printed in sanguine ink. [G83ii]. Studio, Paris, 1954, under the supervision of them. Her paintings are rarely seen. Her $200/250 - Daphnis et Chloe se Retrouvent apres la Captivite de Chloe. Woodcut. 1937. Printed of Matisse. Issued by Teriade, Paris, 1958. name was Urquhart at the time of her death in 1937. Edition of 500. Laid paper. 3 11/16 x 3 $800/1,200 Los Angeles on October 29, 1969. (Courtesy: 477. MAILLOL, Aristide (French, 1861 - 1944) to non-objective, from funk to realism. His AskART). Her work has sold at Bonhams + 7/16 in. (94 x 87 mm). Sheet Size: 8 1/2 x 5 early paintings were composed of larger, - Chloe Embrasse Daphnis. Woodcut. 1937. 1/4 in. (216 x 133 mm). Printed in sanguine ink. 490. MATISSE, Henri (French, 1869 - 1954) Butterfi elds in San Francisco. She also was a Printed 1937. Edition of 500. Laid paper. 2 7/8 overlapping, amorphous shapes in bright student of Millard Sheets. $500/600 [G102ii]. $200/250 - Apollon [Maquette for a ceramic]. Color colors. The early prints were not as colorful and x 2 5/8 in. (73 x 67 mm). Sheet Size: 8 1/2 x 5 lithograph. 1953/1954. Signed with the printed were characterized by “Motherwellian” blacks. 97. DOBBINS, Claudia L. (American, Active 1/4 in. (216 x 133 mm). Printed in sanguine ink. 486. MAILLOL, Aristide (French, 1861 - 1944) signature and date. Smooth pale cream wove DeForest’s early prints appear to have been 1940s) - Zinnias. Oil on canvas. c1940s. [G113ii]. $200/250 - Les Pastorales de Longus ou Daphnis & paper. Full sheet, as printed. Completely fresh of styles, from abstraction to non-objective, issued in very small editions, if editioned at all, Signed, lower left. Titled on frame, verso. 26 Chloe. Woodcuts. 1937. Printed 1937. Number colors. 13 x 17 7/8 in. (330 x 454 mm). Sheet from funk to realism. His early paintings were 478. MAILLOL, Aristide (French, 1861 - 1944) and undoubtedly are very rare. $1,200/1,400 x 22 in. (660 x 559 mm). Born in Michigan on 16 of edition grandes marges, aside from Size: 14 x 20 5/8 in. (356 x 524 mm). With composed of larger, overlapping, amorphous November 10, 1889. Dobbins was a long-time - Chloe Enlevee par le Methymnien. Woodcut. regular edition of 500. Paris: Philippe Gonin, shapes in bright colors. The early prints were 1937. Printed 1937. Edition of 500. Laid paper. the centerfold crease, as issued. Lithographic 90. DEFOREST, Roy (American, 1930 - 2007) resident of Los Angeles. She studied there for 3 7/16 x 3 3/16 in. (87 x 81 mm). Sheet Size: 1937. First edition. 8vo. Very good condition. plates effaced after the edition was printed. - Comp. C. Color lithograph. Early 1950s. not as colorful and were characterized by four years at Chouinard and Otis Art Institutes, 8 1/2 x 5 1/4 in. (216 x 133 mm). Printed in Derived from the cut-paper original maquette by Probably an artist’s proof. Signed in pencil, “Motherwellian” blacks. DeForest’s early four years in Norfolk, and fi ve years at the ASL sanguine ink. [G101ii]. $200/250 Matisse. Created and editioned at the Mourlot lower left; titled in pencil, lower right. 24 x 32 in. prints appear to have been issued in very of NYC under George Bridgman and Frank Studio, Paris, 1954, under the supervision (610 x 813 mm). Sheet Size: 25 1/4 x 35 1/4 small editions, several not editioned at all, and Vincent DuMond. Dobbins was mysterious 479. MAILLOL, Aristide (French, 1861 - of Matisse. Issued by Teriade, Paris, 1958. in. (641 x 895 mm). DeForest’s work evolved undoubtedly are very rare. $1,200/1,400 and secretive about her works and seldom sold 1944) - Chloe Lave Daphnis dans la Caverne $1,400/1,600 through a number of styles, from abstraction any of them. Her paintings are rarely seen. Her 94. DEFOREST,in pencil, Roy lower (American,left; annotated 1930 “A/P” - 2007) in des Nymphes. Woodcut. 1937. Printed 1937. to non-objective, from funk to realism. His pencil, lower right. 14 7/8 x 20 1/4 in. (378 x name was Urquhart at the time of her death in - Purple Drama. Color lithograph. Early 1950s. Los Angeles on October 29, 1969. (Courtesy: Edition of 500. Laid paper. 3 1/4 x 3 5/16 in. (83 491. MATISSE, Henri (French, 1869 - 1954) - early paintings were composed of larger, 514 mm). Sheet Size: 17 7/8 x 22 13/16 in. AskART). Her work has sold at Bonhams + x 84 mm). Sheet Size: 8 1/2 x 5 1/4 in. (216 Baigneuse dans les Roseaux. Color lithograph. overlapping, amorphous shapes in bright (454 x 579 mm). DeForest’s work evolved 1952/1954. Smooth pale cream wove paper. Butterfi elds in San Francisco. She also was a x 133 mm). Printed in sanguine ink. [G82]. colors. The early prints were not as colorful through a number of styles, from abstraction $200/250 Full sheet, as printed. Completely fresh colors. student of Millard Sheets. $500/600 and were characterized by “Motherwellian” to non-objective, from funk to realism. His 11 7/8 x 17 1/8 in. (302 x 435 mm). Sheet Size: BY MAILLOL IN PENCIL ON THE blacks. DeForest’s early prints appear to have early paintings were composed of larger, 480. MAILLOL, Aristide (French, 1861 14 x 20 5/8 in. (356 x 524 mm). Lithographic 98. ESCHER, M.C. & E.M. Washington - COLOPHON. Initialed in pencil by Gonin, been issued in very small editions, several not overlapping, amorphous shapes in bright [Unknown]. Woodcut. c1998. Printed c1998. - 1944) - Chloe se Baignant dans la Grotte plates effaced after the edition was printed. the publisher. Includes the complete text with editioned at all, and undoubtedly are very rare. colors. The early prints were not as colorful and Erroneously annotated “E.M.W. 1942” in pencil, des Nymphes. Woodcut. 1937. Printed 1937. Derived from the cut-paper original maquette by woodcut illustrations, unbound as issued, in $1,600/1,800 were characterized by “Motherwellian” blacks. lower margin. Wide margins. 4 5/8 x 3 9/16 in. Edition of 500. Laid paper. 3 1/8 x 4 3/4 in. (79 Matisse. Created and editioned at the Mourlot cream board covers and slipcase; additionally, DeForest’s early prints appear to have been (117 x 90 mm). Sheet Size: 12 x 9 in. (305 x x 121 mm). Sheet Size: 5 1/4 x 8 1/2 in. (133 Studio, Paris, 1954, under the supervision one suite of Maillol’s 48 woodcuts without 91. DEFOREST, Roy (American, 1930 - 2007) issued in very small editions, if editioned at all, 229 mm). By Earl Marshawn Washington x 216 mm). Printed in sanguine ink. [G127ii]. of Matisse. Issued by Teriade, Paris, 1958. letters, printed in black, housed separately, - Comp. D. Lithograph. Early 1950s. Probably and undoubtedly are very rare. $1,000/1,200 after the work by Maurits Cornelis Escher. $200/250 $1,800/2,400 SIGNEDunbound as issued, in cream board covers and an artist’s proof. Signed in pencil, lower left; Against all odds and in the face of the facts slipcase. $2,000/2,500 titled in pencil, lower right. 15 3/4 x 22 13/16 95.Signed DEFOREST, Roy (American, 1930 - 2007) noted below, Washington’s “early” prints are 481. MAILLOL, Aristide (French, 1861 - 492. MATISSE, Henri (French, 1869 - 1954) in. (400 x 579 mm). Sheet Size: 20 x 26 in. - Tranquility. Color lithograph. 1953. Print #1 of rapidly becoming collector’s items. Sold as 1944) - Cloe se Baignant dans une Fontaine. 487. MAILLOL, Aristide (French, 1861 - 1944) - Bateau. Color lithograph. 1952/1954. Smooth (508 x 660 mm). DeForest’s work evolved edition of 5. Signed and titled in pencil, lower Woodcut. 1937. Printed 1937. Edition of 500. is, not subject to return. Washington was - Quinti Horatii Flacci Carmina. Odes d’Horace. pale cream wove paper. Full sheet, as printed. through a number of styles, from abstraction left; dated and numbered in pencil, lower right. the perpetrator of an elaborate scheme that Laid paper. 3 3/4 x 3 5/8 in. (95 x 92 mm). Sheet Woodcuts. 1939. Printed 1958. Edition of 350. Completely fresh colors. 11 x 8 5/8 in. (279 x to non-objective, from funk to realism. His 24 x 32 in. (610 x 813 mm). Sheet Size: 25 involved the intentional misrepresentation of Size: 8 1/2 x 5 1/4 in. (216 x 133 mm). Printed in Paris: Philippe Gonin, 1939. First edition. 8vo. 219 mm). Sheet Size: 14 x 10 5/16 in. (356 x early paintings were composed of larger, woodcuts created by him after works by other sanguine ink. [G84]. $200/250 1/8 x 34 1/4 in. (638 x 870 mm). DeForest’s 2 volumes. Latin text with French translation. 262 mm). Lithographic plates effaced after the overlapping, amorphous shapes in bright work evolved through a number of styles, artists. Washington claimed the prints were Initialed by Gonin, the publisher. Illustrated with 482. MAILLOL, Aristide (French, 1861 - 1944) edition was printed. Derived from the cut-paper colors. The early prints were not as colorful from abstraction to non-objective, from funk to produced prior to 1952 by his great-grandfather, 120 woodcuts by Maillol. Loose as issued, in original maquette by Matisse. Created and and were characterized by “Motherwellian” realism. His early paintings were composed of Earl Mack Washington, from original blocks by - Daphnis Apprend a Chloe a Jouer de la Flute. picotrial wrappers. Begun in 1939, this edition Woodcut. 1937. Printed 1937. Edition of 500. editioned at the Mourlot Studio, Paris, 1954, blacks. DeForest’s early prints appear to have larger, overlapping, amorphous shapes in bright famous artists that he had either salvaged from was dormant until 1945 and then printed and Laid paper. 3 5/8 x 3 1/8 in. (92 x 79 mm). Sheet under the supervision of Matisse. Issued by been issued in very small editions, several not colors. The early prints were not as colorful a fi re-bombed Manhattan print shop or received published in 1958. $1,000/1,200 Size: 8 1/2 x 5 1/4 in. (216 x 133 mm). Printed in Teriade, Paris, 1958. $800/1,200 editioned at all, and undoubtedly are very rare. and were characterized by “Motherwellian” as gifts from the artists themselves. The story sanguine ink. [G86]. $200/250 $1,000/1,200 blacks. DeForest’s early prints appear to have and subsequent revisions by Washington 488. MARTIN, William Alison (British, 1878 493. MATISSE, Henri (French, 1869 - 1954) have proved false, and though there remains - 1933) - Beautiful Women at the Pond. Oil on been issued in very small editions, several not 483. MAILLOL, Aristide (French, 1861 - 1944) - Coquelicots [Maquette for a stained glass 92. DEFOREST, Roy (American, 1930 - 2007) - editioned at all, and undoubtedly are very rare. a degree of uncertainty regarding the precise board. c1908. Signed “W. Alison Martin,” lower window]. Color lithograph. 1953/1954. Smooth origin of the E.M. Washington prints, the most - Daphnis Donne la Pomme a Chloe. Woodcut. left. 16 x 23 3/4 in. (406 x 603 mm). Original Comp. E. Color lithograph. Early 1950s. Signed $1,600/1,800 1937. Printed 1937. Edition of 500. Laid paper. pale cream wove paper. Full sheet, as printed. in pencil, lower left. Annotated “A/P,” lower right. probable explanation is that they were printed elegant and heavy wood frame. $1,400/1,600 Completely fresh colors. 4 5/8 x 19 3/4 in. (117 by Earl Marshawn Washington from blocks he 3 3/8 x 3 7/16 in. (86 x 87 mm). Sheet Size: Printed on green paper. 14 x 18 in. (356 x 457 96. DOBBINS, Claudia L. (American, Active 8 1/2 x 5 1/4 in. (216 x 133 mm). Printed in 489. MATISSE, Henri (French, 1869 - 1954) x 502 mm). Sheet Size: 14 x 20 5/8 in. (356 x mm). Sheet Size: 19 x 25 in. (483 x 635 mm). 1940s) - Daisies and Chrysanthemums. Oil on created c1998. For more information, please sanguine ink. [G115ii]. $200/250 - Acanthes [Maquette for a ceramic]. Color 524 mm). Lithographic plates effaced after the DeForest’s work evolved through a number canvas. c1940s. Signed on canvas frame, verso. visit the archived “Washington Uncovered” lithograph. 1953/1954. Smooth pale cream edition was printed. Derived from the cut-paper of styles, from abstraction to non-objective, 24 x 20 in. (610 x 508 mm). Born in Michigan on website, accessible via Wikipedia search Earl Marshawn Washington. $100/125 484. MAILLOL, Aristide (French, 1861 - 1944) wove paper. Full sheet, as printed. Completely original maquette by Matisse. Created and from funk to realism. His early paintings were November 10, 1889. Dobbins was a long-time - Daphnis et Chloe se Lavent Ensemble dans fresh colors. 12 x 13 3/4 in. (305 x 349 mm). editioned at the Mourlot Studio, Paris, 1954, resident of Los Angeles. She studied there for la Caverne des Nymphes. Woodcut. 1937. composed of larger, overlapping, amorphous 99. ESCHER, M.C. & E.M. Washington - Anvil Sheet Size: 14 x 20 5/8 in. (356 x 524 mm). With under the supervision of Matisse. Issued by shapes in bright colors. The early prints were four years at Chouinard and Otis Art Institutes, Printed 34 1937. MartinGordonEdition of 500. Laid paper.Auctions 3 7/8 • The August Art Sale • August Teriade,14th, Paris, 2008 1958. • $1,400/1,600 Phoenix, AZ All images available at www.MartinGordon.com • 1 (800) 257-0366from Emblemata. • 1 (602) Woodcut. 257-0888 c1998. Printed 11 x 3 1/4 in. (98 x 83 mm). Sheet Size: 8 1/2 x 5 the centerfold crease, as issued. Lithographic not as colorful and were characterized by four years in Norfolk, and fi ve years at the ASL c1998. Erroneously annotated “Proof E.M.W. of NYC under George Bridgman and Frank 1/4 in. (216 x 133 mm). Printed in sanguine ink. 494. MATISSE, Henri (French, 1869 - 1954) - “Motherwellian” blacks. DeForest’s early 1942” in pencil, lower margin. Wide margins. [G89]. $200/250 Danseuse Creole. Color lithograph. 1950/1954. prints appear to have been issued in very 4 1/2 x 3 9/16 in. (114 x 90 mm). Sheet Size: Signed with the printed signature and date. small editions, several not editioned at all, and 11 1/16 x 8 1/16 in. (281 x 205 mm). By Earl Smooth pale cream wove paper. Full sheet, as undoubtedly are very rare. $1,200/1,400 Marshawn Washington after the work by printed. Completely fresh colors. 12 1/2 x 8 1/4 Maurits Cornelis Escher. Sold as is, not subject 93. DEFOREST, Roy (American, 1930 - 2007) to return. $100/125 - Composition in Green. Color lithograph. 1957. Probably an artist’s proof. Signed and dated in pencil, lower left. 17 7/8 x 24 in. (454 x 610 mm). Sheet Size: 18 x 24 1/8 in. (457 x 613 mm). DeForest’s work evolved through a number 100. ESCHER, M.C. & E.M. Washington - Balance from Emblemata. Woodcut. c1998. margins. 9 11/16 x 7 3/8 in. (246 x 187 mm). Printed c1998. Erroneously annotated “Proof Sheet Size: 17 15/16 x 11 15/16 in. (456 x 303 Sheet Size: 11 1/16 x 8 1/16 in. (281 x 205 E.M.W. 1942” in pencil, lower margin. Wide mm). By Earl Marshawn Washington after the mm). By Earl Marshawn Washington after the margins. 4 1/2 x 3 9/16 in. (114 x 90 mm). Sheet work by Maurits Cornelis Escher. Sold as is, not work by Maurits Cornelis Escher. Sold as is, not Autograph letter signed. An important letter Size: 11 1/8 x 8 1/16 in. (283 x 205 mm). By subject to return. $200/300 subject to return. $100/125 relating to the Russian ball programs of the Earl Marshawn Washington after the work by 1920s. Autograph letter (in another hand) Maurits Cornelis Escher. Sold as is, not subject 105. ESCHER, M.C. & E.M. Washington - M 109. FAY, Clark (American, 1894 - 1955) signed “M. Larionov.” In French, dated October to return. $100/125 is een Muis. Woodcut. c1998. Printed c1998. - Cantique des Cantiques. Book with original drypoint etchings. 1930. Number 21 of edition 10, 1951, from Larionov address of 16 Rue of 100. Full margins. 10 x 7 7/8 in. (254 x 200 Jacques Callot, Paris, 6th to Ifan Kyrle Fletcher 101. ESCHER, M.C. & E.M. Washington mm). Very good condition. Slight wear to the (in London?). Single-sided 1 p. 4to (10 1/2 x 8 Ball’ (two etchings on one page) and this way - Candle Flame from Emblemata. Woodcut. 1/4 in). Complete English translation available be able to complete the set. I will write a small c1998. Printed c1998. Erroneously annotated spine and moderate wear to slip case. Six drypoints hors texte and 18 within. Contained in online (www.MartinGordon.com) or via fax, text for this. This will become your edition under “Proof E.M.W. 1942” in pencil, lower margin. Glaire et Vigouroux’s “Cantique de Cantiques.” email, or postal mail, and as follows: “Thank the ensemble title of ‘The Paris Painters’ Balls.’ I Wide margins. 4 5/8 x 3 5/8 in. (117 x 92 mm). Paris, 1930. $400/600 you very much for the prospectus of ‘Splendid will be in Paris by the end of the month and I will Sheet Size: 11 1/16 x 8 in. (281 x 203 mm). By Occasions in English History 1520-1947.” I send you more etchings. What is important right Earl Marshawn Washington after the work by 110. FOSTER, Robert (American, 1895 - 1982) cannot subscribe to this edition but I will do now is to know if this interests you. Dear friend, Maurits Cornelis Escher. Sold as is, not subject - Garleen’s Jazz Cellar. Oil on board. c1930. everything possible to promote your album. This please send my regards to Mrs. Fletcher.” to return. $100/125 Signed, lower right. 15 1/2 x 11 1/2 in. (394 x publication is very interesting. If this interests $4,000/6,000 292 mm). Sheet Size: (Frame Size): 20 1/2 x 16 you, I would like to propose some Ball programs 102. ESCHER, M.C. & E.M. Washington 1/2 in. (521 x 419 mm). $3,000/4,000 I will bring the albums with me and you can pay that took place in the fi rst quarter of the 20th 468. LARIONOV, Mikhail (Russian/American, - Devils, vignette. Woodcut. c1998. Printed me there. I will need English money when I get century. These are programs of balls organized 1881 - 1964) - Ship, Town and Birds. Watercolor. c1998. Erroneously annotated “Proof E.M. 111. FOWLER, Irene D. (American, 1884 to London. P.S. this album edition has been sold by artists-painters from Montparnasse. I c1930s. Signed in pencil. 9 5/8 x 9 in. (244 x Washington 1951” in pencil, lower margin. - 1967) - Grand Tetons. Watercolor. c1920s. out for a long time and it is only to be found on have 200 copies, each one includes posters, 229 mm). $1,000/1,200 Wide margins. 3 5/8 x 2 5/16 in. (92 x 59 mm). Signed, lower left. 12 x 17 5/8 in. (305 x 448 mm). Sheet Size: 12 x 17 5/8 in. (305 x 448 rare occasions.” $8,000/10,000 tickets, etc….based on Gontcharova, Picasso, Sheet Size: 12 x 9 in. (305 x 229 mm). By mm). Fowler was a proli fi c painter and an etc. drawings. You could make an ensemble 469. LAURENCIN, Marie (French, 1885 - Earl Marshawn Washington after the work by important fi gure in the Colorado and Denver art 465. LARIONOV, Mikhail (Russian/American, cover and publish the 200 numbered copies 1956) - Creole. Lithograph. 1924. Print #88 of Maurits Cornelis Escher. Sold as is, not subject societies of the early 20th century. She was a 1881 - 1964) - L’Art Theatral Moderne, Letter under your company’s name, like Jacques edition of 100. Signed and numbered in pencil. to return. $100/125 co-founder of the Denver artists guild with other #3. Autograph letter signed. An important letter Brunoff did with the rest of his programs from Full margins. 15 1/4 x 12 1/8 in. (387 x 308 mm). notable Denver painters, and exhibited widely. again relating to the Gontcharova/Larionov the Russian Ballet. I think you could sell each [M72]. $1,400/1,600 103. ESCHER, M.C. & E.M. Washington annotated “ce” in pencil, lower She was noted for her landscapes and usually 1919 album. Autograph letter signed “M. copy for about 10 shillings. At the same time I - Dice from Emblemata. Woodcut. c1998. preferred watercolors to oils. $400/600 Erroneouslymargin. Wide margins. 3 5/8 x 2 3/8 in. (92 x 60 Larionov” with a postscript initialed “M.L.” In am sending you a copy of the programs. I can 470. LAURENCIN, Marie (French, 1885 - 1956) mm). Sheet Size: 12 x 9 in. (305 x 229 mm). By French, dated January 9, 1953, to Ifan Kyrle send you 200 identical sets. I want 50 pounds - Jeune Fille a la Guitare. Color etching. 1946. Earl Marshawn Washington after the work by 112. FREDERICK, George (American, b.1889) - Hole in the Rock, Papago Park, Phoenix, Fletcher (in London?). Double-sided 2 pp. 4to sterling for the 200 copies. If you want to add Printed later. Signed in the plate. Full margins Maurits Cornelis Escher. Sold as is, not subject Arizona. Watercolor. 1948. Signed and dated, (10 1/2 x 8 1/4 in.). Complete English translation some reproductions to the publication I can (deckle edges). 7 13/16 x 6 5/8 in. (198 x 168 to return. $100/125 lower left. 14 x 19 in. (356 x 483 mm). Sheet available online (www.MartinGordon.com) or provide 10-20 printing plates (in copper and mm). [M238ii]. $400/600 Size: 14 x 19 in. (356 x 483 mm). Ex-collection: via fax, email, or postal mail, and as follows: “I zinc) for an additional cost. Please let me know 106. ESCHER, M.C. & E.M. Washington Mrs. George Babbitt. $600/800 wish you and Mrs. Fletcher a Happy New Year. if this is convenient for you. I also have very 471. LE FAGUAYS (FAYRAL), Pierre (French, 1892 - 1935) - Nude and Gazelle. White metal - Retreat from Emblemata. Woodcut. c1998. It has been a long time since I have had news rare documents about balls (etchings, color Printed c1998. Erroneously annotated “Proof 113. GANSO, Emil (American, 1895 - 1941) - from you. You planned to visit Paris September with bronze patina. c1930. Signed “Fayral” on E.M. Washington 1942” in pencil, lower margin. Bathers. Wood engraving. 1932. Signed in the lithographs, etc….originals from the 18th, 19th verso, near base. 9 x 26 in. (229 x 660 mm). An 23 and 24 and visiting me at my place but and 20th centuries) and two small volumes of Wide margins. 4 7/16 x 3 9/16 in. (113 x 90 art deco bronze group, each modelled reclining something probably came up. I fear it may be ‘Memories of Rigoleboche,’ a famous dancer mm). Sheet Size: 11 1/16 x 8 1/16 in. (281 x on a stepped black slate base. Executed by your health. Gontcharova and I send you and at balls from the era of Napoleon III, with a 205 mm). By Earl Marshawn Washington after the Le Verrier Foundry in white metal, as was Mrs. Fletcher our regards and wish you the photographic portrait (a rare thing for its time). the work by Maurits Cornelis Escher. Sold as is, customary for Le Faguays, who called himself best. We will be very happy if you can come I am much better now but I still live in the not subject to return. $100/125 Fayral. $4,000/5,000 and visit us in Paris soon. T.S.V.P. (Turn page countryside.” $4,000/6,000 please). P.S. Are you interested in more of the 107. ESCHER, M.C. & E.M. Washington Gontcharova and Larionov albums like those 467. LARIONOV, Mikhail (Russian/American, 472. LEGER, Fernand (French, 1881 - 1955) - Self-Portrait in Spherical Mirror. Woodcut. - Le Paysage dans l’Oeuvre de Fernand Leger. c1998. Erroneously annotated “Proof c1998. Printed c1998. Erroneously annotated three you bought in London? I found some at the 1881 - 1964) - Paris Painters’ Balls, Letter #2. Autograph letter signed. Another important Color lithograph poster. 1954. Copyright in E.M.W. 1942” in pencil, lower margin. Wide “Proof E.M. Washington 1951” in pencil, lower editor’s widow’s house. The ones she has are letter relating to the Russian ball programs of upper right, Gerard Blanchard, Les Presses margins. 4 1/2 x 3 9/16 in. (114 x 90 mm). margin. Wide margins. 3 1/4 x 3 3/16 in. (83 x not complete, two of my plates on yellow paper Printed the 1920s. Autograph letter (in another hand) Artistiques. 18 x 12 1/2 in. (457 x 317 mm). Sheet Size: 12 x 9 in. (305 x 229 mm). By 81 mm). Sheet Size: 8 15/16 x 12 in. (227 x 305 are missing, The Mask and Dance Scale. It’s signed “M. Larionov.” In French, dated October Sheet Size: 23 1/4 x 17 1/8 in. (591 x 435 mm). Earl Marshawn Washington after the work by mm). By Earl Marshawn Washington after the because of this that she has not sold them yet. 20, 1951, from Larionov’s Parisian address at $400/600 Maurits Cornelis Escher. Sold as is, not subject work by Maurits Cornelis Escher. Sold as is, not But at my place I have found four of these plates 16 Rue Jacques Callot, to Ifan Kyrle Fletcher to return. $100/125 subject to return. $100/150 separately and I can complete the two albums. I can also make the missing plates for the others. (in London?). Single-sided 1 p. 4to (10 1/2 x 8 473. LEGER, Fernand (French, 1881 - 1955) Fine impression. 8 15/16 x 6 7/8 in. (227 1/4 in.). Complete English translation available - Partie de Campagne. Color lithograph. 1952. 104. ESCHER, M.C. & E.M. Washington 108. ESCHER, M.C. & E.M. Washington x 175 mm). Sheet Size: 10 9/16 x 8 1/8 in. This way the albums will be complete. Please Initialed and dated in the stone, lower right. 13 online (www.MartinGordon.com) or via fax, - Dream (Mantis Religiosa). Woodcut. c1998. - Watering-can from Emblemata. Woodcut. (268 x 206 mm). Fine condition. [Smith R-9B]. tell me if these albums interest you. They are 1/4 x 20 1/2 in. (337 x 521 mm). Sheet Size: Printed c1998. Erroneously annotated “E.M. email, or postal mail, and as follows: “I received c1998. Printed c1998. Erroneously annotated $400/500 numbered and belong to the 100-album deluxe 13 15/16 x 20 3/4 in. (354 x 527 mm). Vertical Washington 1937” in pencil, lower margin. Wide your letter of Oct. 15, 1951. You received “Proof E.M.W. 1942” in pencil, lower margin. edition.” $5,000/6,000 centerfold as issued. $1,200/1,400 12 MartinGordonAuctions •Wide The margins. August 4 7/16 x 3Art 1/2 in. Sale (113 x 89 • mm). August 14th, 2008 • Phoenix, AZ All images available at www.MartinGordon.comexactly what I sent you. I have 200 • copies 1 (800) of 257-0366 • 1 (602) 257-0888 33 466. LARIONOV, Mikhail (Russian/American, what you received. I still have programs from 474. LEGER, Fernand [after] (French, 1881 block. 1881 - 1964) - Paris Painters’ Balls, Letter #1. the ‘Banal Ball’ in a smaller size and quantity - 1955) - Oeuvres Recentes. Color lithograph than those I sent you earlier. I have others, but poster. 1954. Edition of 750. Copyright Mourlot- not many, and I also have some street posters. Paris, lower right. 24 x 17 1/2 in. (610 x 444 The posters can be added for free, but I do not mm). Sheet Size: 26 1/4 x 26 1/2 in. (667 x 673 have the same number of copies. I have some mm). $500/600 printing plates that I can give you if you want to print them the same format of the ‘Transmental 475. LURCAT, Jean (French, 1892 - 1966) - Baigneuse. Color silkscreen. c1933? Publisher’s blindstamp, recto; publisher’s label, verso. Very wide margins. Fine impression. 11 7/8 x 8 1/8 in. (302 x 206 mm). Sheet Size: 20 5/8 x 15 3/4 in. (524 x 400 mm). $700/800 460. LARIONOV, Mikhail (Russian/American, 1881 - 1964) - Bal de Grande Ourse…8 Mai - Gontcharova: ‘Golden Rooster’ 1st Act, 2nd 1925 [Variation #4]. Lithograph poster. 1925. Full Act, ‘A Spanish Girl’ (black and blue); Larionov: 120. GIBBERD, Eric Waters (American, margins. Very good impression. Sheet Size: 19 ‘Russian Costumes,’ ‘Kikimora’ Old Man 1897 - 1972) - The Quiet Dawn. Oil on board. 5/8 x 12 3/4 in. (498 x 324 mm). Quarter folds (makeup); Gontcharova: ‘Flowers;’ Larionov: c1960s. Signed notations verso. 25 1/2 x 30 as issued. Lists the names of 236 artists. The with Diaghilev, with whom he worked for years at ‘The Swan’ mechanical costume, ‘Martin- 1/2 in. (648 x 775 mm). A New Mexican artist, recto and verso with brown ink on heavy cream the Ballet Russes. From Fauvism to Rayonism Fisherman’ fl at costume; Pockets - Larionov: Gibberd studied with many artists, including paper. Double-sided poster with extensive text, ‘A Peacock” mechanical costume, ‘The Cricket’ Emil Bisttram. He has an extensive exhibition 125. GRASSBY, Percy (American, 1882 - (which he himself founded), he paved the way 114. GANSO, Emil (American, 1895 - 1941) - 1973) - He Who Saws His Own Wood Warms musical scores, etc. and with an Henri Laurens to the Futurism of Marinetti and for artists like mechanical costume (music from Ravel), ‘An Portrait of Pascin. Wood engraving. 1931. Fine history and his work is held in the collections of lithograph on verso, initialed in the stone, 3 1/8 Old Man’ mechanical costume (music from numerous museums. $800/1,200 Himself Twice. Color wood engraving. c1942. Francis Picabia and Man Ray. With his wife, impression. 4 3/4 x 3 1/16 in. (121 x 78 mm). Signed in the block, lower right. 5 3/4 x 6 15/16 x 8 7/8 in. $2,000/3,000 Natalia Gontcharova, Larionov organized key Ravel); Theater of the Colored Shadows: Sheet Size: 9 3/8 x 4 1/2 in. (238 x 114 mm). Character from the Funeral Procession from 121. GILL, E. & E.M. Washington - Girl in Bath. in. (146 x 176 mm). Sheet Size: 6 x 8 in. (152 x exhibitions (which has titles such as the Knave Fine condition. Original wood engraving as an 203 mm). $40/60 461. LARIONOV, Mikhail (Russian/American, of Diamonds, The Tail of the Ass, The Golden the death of the aunt to the inheritance, music advertisement for Pynson Printers. Very scarce. Woodcut. c1998. Printed c1998. Erroneously 1881 - 1964) - Grand Bal des Artistes…Travesti from Lord Berners. T.S.V.P. (Turn the page annotated “E.M. Washington 1934” in pencil, Fleece), as well as endless parties, balls, and [Smith R-46B]. $200/300 126. HAYNES, Irving B. (American, 1927 Transmental…1923. Color woodcut poster. please). Gontcharova: Spanish costume, lower margin. Wide margins. 5 3/8 x 5 7/16 in. 1923. Signed in the block. Full margins. crazy events in Montparnasse” (Nicholas D. - 2005) - Geometric Abstraction. Oil on paper. Lowry). $1,000/1,200 An Old Man (makeup); Larionov: Theatrical 115. GANSO, Emil (American, 1895 - 1941) (137 x 138 mm). Sheet Size: 12 x 9 in. (305 x 229 Excellent impression. 8 7/16 x 10 in. (214 x 254 Mask, Dance Scale; Gontcharova: Original mm). By Earl Marshawn Washington after the mm). Sheet Size: 8 3/4 x 10 7/8 in. (222 x 276 - Still Life with Fish. Wood engraving. c1936. lithograph; Larionov: Original lithograph. The Fine impression. 4 9/16 x 7 in. (116 x 178 mm). work by Eric Gill. Against all odds and in the face mm). Minor marginal creases and tears. Printed 463. LARIONOV, Mikhail (Russian/American, 1881 - 1964) - L’Art Theatral Moderne, Letter editions containing these last two lithographs Sheet Size: 6 x 9 1/4 in. (152 x 235 mm). Fine of the facts noted below, Washington’s “early” in brown and ochre, the price “25” added by are very rare because the album came out Identifi ed on the verso. 30 1/4 x 44 in. #1. Autograph letter signed. A highly important condition. $80/100 prints are rapidly becoming collector’s items. (768 x 1118 mm). A professor at RISD and a well- rubber stamp. The large abstract design, without them and they were sent separately letter relating to the classic 1919 Larionov- Sold as is, not subject to return. Washington known and respected architect in Providence, lettering and smaller image have all been printed to the subscribers. It may be that the albums 116. GANSO, Emil (American, 1895 - 1941) from separate wood blocks, cut by Larionov Gontcharova album. Typed letter signed was the perpetrator of an elaborate scheme Rhode Island, Haynes was a devoted painter “M. Larionov” with an extensive postscript that were sold in London don’t have the last - Studio Mirror [AAG Edition]. Woodcut. 1936. that involved the intentional misrepresentation who studied light, color, surface, texture, shape himself. His signature appears at the foot of the two and they were sold without them and they Edition of 200. Signed and dated in the plate. in Larionov’s hand, signed “M.L.” In French, of woodcuts created by him after works by other and line throughout his life. $500/600 sheet below the large design. “Arriving in Paris must be considered complete. Please forgive Full margins. Fine impression. 14 3/8 x 9 1/4 dated May 5, 1948, from Larionov at 16 Rue artists. Washington claimed the prints were in 1914, Larionov became one of the major me for sending this information to you so late. in. (365 x 235 mm). Fine condition. Enclosed 127. HORTER, Earl (American, 1881 - 1940) fi gures of the twentieth-century avant-garde, Jacques Callot, Paris (VI) to Ifan Kyrle Fletcher produced prior to 1952 by his great-grandfather, c1990s. (in London?). Double-sided 2 pp. 4to (10 1/2 x 8 I would like to hear from you. Please send my within the original American Artists Group mat. - Book Shop. Aquatint. c1935. Printed c1935. at least in part because of his relationship with regard to Mrs. Fletcher. P.S. All of this concerns [Smith 77]. $200/300 Earl Mack Washington, from original blocks by Signed in pencil, lower right. Fine impression. 7 Diaghiliev, with whom he worked for years at 1/4 in.). Complete English translation available famous artists that he had either salvaged from 13/16 x 5 13/16 in. (198 x 148 mm). Sheet Size: online (www.MartinGordon.com) or via fax, the deluxe album big format 50 x 36 cm yellow the Ballet Russes. From Fauvism to Rayonism cover. At the same time a smaller format was 117. GANSO, Emil (American, 1895 - 1941) a fi re-bombed Manhattan print shop or received 10 1/2 x 8 in. (267 x 203 mm). Fine condition. (which he himself founded), he paved the way email, or postal mail, and as follows: “Excuse as gifts from the artists themselves. The story $150/200 me, I have been in the countryside. As I don’t published, more or less 36 x 26 cm white cover, - Winter Morning or New England. Wood to the Futurism of Marinetti and for artists like engraving. c1939. Wide margins. Fine and subsequent revisions by Washington have a copy of the album here, I wasn’t able 400 copies numbered from 1 to 400 in Arabic Francis Picabia and Man Ray. With his wife, impression. 5 3/8 x 7 7/16 in. (137 x 189 mm). have proved false, and though there remains 128. HOWARD - The Dog. Etching. Print #2 of to tell you anything very precise about this numbers, this album does not contain the last Natalia Gontcharova, Larionov organized key two lithographs or the two pockets by Larionov a degree of uncertainty regarding the precise edition of 150. Signed, titled and numbered in subject before I returned to Paris. The only pencil. Fine impression. 5 3/8 x 6 13/16 in. (137 exhibitions (which has titles such as the Knave on yellow paper.” $8,000/10,000 origin of the E.M. Washington prints, the most luxury publication of the Gontcharova-Larionov of Diamonds, The Tail of the Ass, The Golden probable explanation is that they were printed x 173 mm). Sheet Size: 8 1/8 x 9 3/16 in. (206 x album dated 1919 was a 100-copy edition plus 8 3/8 x 10 1/2 in. (213 x 267 mm). 233 mm). Fine condition. $60/80 Fleece), as well as endless parties, balls, and 464. LARIONOV, Mikhail (Russian/American, Fine condition. [Smith R-16C]. $300/400 by Earl Marshawn Washington from blocks he crazy events in Montparnasse. It is thus quite 15 more marked from A to O that were not sold. 1881 - 1964) - L’Art Theatral Moderne, Letter created c1998. For more information, please 129. HUNTLEY, Victoria Ebbels Hutson fi tting that he designed the poster for one of #2. Autograph letter signed. A very important 118. GIBBERD, Eric Waters (American, 1897 visit the archived “Washington Uncovered” (American, 1900 - 1971) - Magnolia. Lithograph. the artists’ balls of the Union of Russian Artists. letter further relating to the Gontcharova/ - 1972) - Mounting Clouds. Oil on masonite. website, accessible via Wikipedia search Earl 1931. Printed 1931. Signed and dated in pencil, Using only two colors, brown and ochre, as well 1968. Signed “Gibberd,” lower left. Signed, titled Larionov 1919 album. Autograph letter signed Marshawn Washington. $150/200 lower right. Fine impression. 7 3/8 x 7 in. (187 x as hand-cut letters, the image suggests smaller “M. Larionov” with a postscript initialed “M.L.” and dated in pen, verso. 48 x 36 in. (1219 x 914 178 mm). Sheet Size: 10 7/16 x 8 3/8 in. (265 x yet recognizable versions of the cubist fi gures In French, dated June 28, 1950, on Larionov’s mm). A New Mexican artist, Gibberd studied 122. GILL, E. & E.M. Washington - Jacob 213 mm). Fine condition. $100/125 and works of art. The poster has a de fi nite with many artists, including Emil Bisttram. He fl avor of the Paris avant-garde in the 1920s. 16 Rue Jacques Callot Paris VI stationary, Weiss Ex Libris. Woodcut. c1998. Printed c1998. to Ifan Kyrle Fletcher (in London?). Double- has an extensive exhibition history and his work Erroneously annotated “E.M. Washington 130. JACOBI, Lotte Johanna (American, 1896 Very rare.” (Nicholas D. Lowry) Ref: Le Peintre - 1990) - Birds and Sky. Etching with drypoint. sided 2 pp. 4to (10 1/2 x 8 1/4 in.). Complete is held in the collections of numerous museums. 1934” in pencil, lower margin. Wide margins. et L’affi che, Union des Arts Decoratifs, Paris, $1,500/1,800Sheet Size: c1949. Very small edition? Signed in pencil, 1988. $4,000/5,000 English translation available online (www. 4 7/8 x 3 1/4 in. (124 x 83 mm). Sheet Size: lower right. Full margins. 9 7/8 x 7 7/8 in. (251 x MartinGordon.com) or via fax, email, or postal 12 x 9 in. (305 x 229 mm). By Earl Marshawn 119. GIBBERD, Eric Waters (American, 1897 200 mm). Sheet Size: 12 x 9 1/8 in. (305 x 232 462. LARIONOV, Mikhail (Russian/ mail, and as follows: “I found three copies of Washington after the work by Eric Gill. Sold as mm). Jacobi studied for a while with Stanley that moment the price went up to 250 francs, the Gontcharova and Larionov album. ‘L’Art - 1972) - Original Rock. Mixed media. c1960s. American, 1881 - 1964) - Grand Bal Travesti Signed notations verso. 30 1/8 x 28 13/16 in. is, not subject to return. $100/125 William Hayter at Atelier 17. Fine prints by this or 5 pounds. Nowadays the price is probably Theatral Moderne’ (Modern Theatrical Art) Transmental…1923. Lithograph poster. 1923. (765 x 732 mm). Artist’s note: “This work is famous American photographer are extremely Signed in the stone, LARIONOV’S signature around 10 pounds. About 10 years before the 1919 Paris ‘La cible’ edition. You know this mica, granite, sandstone, set in gesso. It should 123. GILL, E. & E.M. Washington - Lovers. rare. $1,000/1,200 completed by hand. Full margins. Sheet: 19 3/4 war, this work was sold out because it had been publication, deluxe edition, light yellow cover, Woodcut. c1998. Printed c1998. Erroneously bought almost entirely by our subscribers and it be handled carefully like a piece of fi ne furniture. x 5 3/16 in. (502 x 132 mm). Printed in black ink 100 copies printed, signed by the authors of The frame has been made especially strong. If annotated “E.M. Washington 1931” in pencil, 131. JACOBI, Lotte Johanna (American, 1896 on green paper. Double-sided. The verso has can only be found now on rare occasions. At my the illustrations, 16 big colored plates and the lower margin. Wide margins. 4 13/16 x 5 3/4 in. - 1990) - Figures, Fishes, and Boat. Etching place I found some of the separate plates that a small piece of mica drops off, it will in no way a small Larionov image 1 7/8 x 1 5/8 in. (48 x text illustrations in color. One hundred of these (122 x 146 mm). Sheet Size: 9 x 12 in. (229 x with drypoint. c1948. Very small edition? Signed represent the colored pockets and the original detract from the work.” A New Mexican artist, 41 mm), initialed in the plate. The large abstract albums were edited and numbered from 1 to Gibberd studied with many artists, including 305 mm). By Earl Marshawn Washington after in pencil, lower right. 4 x 5 in. (102 x 127 mm). design, lettering and smaller image have all lithographs. Here is what is supposed to come 100. The price of each copy is 3 pounds. Two of Sheet Size: 6 1/4 x 6 5/8 in. (159 x 168 mm). in the publication. 1) Text: Color and black and Emil Bisttram. He has an extensive exhibition the work by Eric Gill. Sold as is, not subject to been printed from separate wood blocks, cut by these copies have each an original drawing. This return. $150/200 Jacobi studied for a while with Stanley William white illustrations. 2) Context: Color etchings history and his work is held in the collections of Hayter at Atelier 17. Fine prints by this famous Larionov himself. His signature appears at the At is a very good price, the original price before the many museums. $1,200/1,600 foot32 of the sheet MartinGordon below the large design. “ArrivingAuctions • The August Art Sale • August war14th, was higher 2008 and it • was Phoenix, the edition that didn’tAZ All images available at www.MartinGordon.com • 1 (800) 257-0366American • photographer 1 (602) 257-0888are extremely rare. 13 124. GOLDWAITHE, Anne (American, Printed in sepia. $800/1,000 in Paris in 1914, Larionov became one of the have the original drawing. Please send me a 1875 - 1944) - Cockfi ght. Etching. 1935. Fine major fi gures of the twentieth-century avant- telegram immediately telling me if this interests impression. 4 1/16 x 6 5/16 in. (103 x 160 mm). garde, at least in part because of his relationship you or not. ‘Yes or No?’ Please say ‘Yes or No’ Sheet Size: 10 1/2 x 7 15/16 in. (267 x 202 mm). in your telegram. I will pay you for the telegram Fine condition. $100/150 in London, where I will arrive on Monday, July 3. 132. JENKINS, Paul (American, b.1923) 441. KLEE, Paul [after] (Swiss, 1879 - 1940) - - Phenomena Tide Finder. Color lithograph. Paysage aux Oiseaux Jaunes. Color collotype. 445. KLIMT, Gustav [after] (Austrian, 1862 - 1918) - Baby [From: Gustav Klimt An Aftermath]. 3/4 in. (149 x 171 mm). Sheet Size: 8 1/16 x Collotype. 1931. Print #70 of English edition of 452. KLIMT, Gustav [after] (Austrian, 1862 11 1/8 in. (205 x 283 mm). By Earl Marshawn 150. Full margins. 11 9/16 x 11 5/8 in. (294 x - 1918) - Portrait of Baroness Wittgenstein Washington after the work by Rockwell Kent. 295 mm). Sheet Size: 18 7/8 x 17 7/8 in. (479 x [From: Gustav Klimt An Aftermath]. Collotype. Against all odds and in the face of the facts 454 mm). Rare. $400/600 1931. Print #70 of English edition of 150. noted below, Washington’s “early” prints are Signed and dated in the matrix, lower left. Full rapidly becoming collector’s items. Sold as 142. LABENZ, Arnold (American, 20th 446. KLIMT, Gustav [after] (Austrian, 1862 margins. 12 7/16 x 6 3/16 in. (316 x 157 mm). Century) - St. Francis Xavier [Brophy Prep, - 1918) - Bridal Progress [From: Gustav Klimt is, not subject to return. Washington was Phoenix, Arizona]. Scratch board illustration Sheet Size: 18 7/8 x 17 7/8 in. (479 x 454 mm). the perpetrator of an elaborate scheme that with ink, gouache and overlay. c1945. Signed, An Aftermath]. Color collotype. 1931. Print #70 Rare. $400/600 involved the intentional misrepresentation of lower right. 14 3/16 x 12 in. (360 x 305 mm). woodcuts created by him after works by other Sheet Size: 15 7/8 x 13 5/8 in. (403 x 346 mm). 453. KLIMT, Gustav [after] (Austrian, 1862 artists. Washington claimed the prints were Advertisement for The Phoenix Savings Bank. - 1918) - Portrait of Old Lady [From: Gustav produced prior to 1952 by his great-grandfather, $300/400 1923. Printed 1946. Small edition? Signed and Klimt An Aftermath]. Collotype. 1931. Print #70 Earl Mack Washington, from original blocks by dated in the matrix. Fine impression. Fresh of English edition of 150. Full margins. 11 5/8 x 143. LAMB, Frederick Mortimer (American, famous artists that he had either salvaged from colors. 7 7/8 x 9 3/4 in. (200 x 248 mm). Sheet 11 3/4 in. (295 x 298 mm). Sheet Size: 18 7/8 x a fi re-bombed Manhattan print shop or received 1861 - 1936) - The New York Central. Watercolor with gouache and ink. c1900. Initialed “F.L.,” Size: 7 7/8 x 9 3/4 in. (200 x 248 mm). Laid 17 7/8 in. (479 x 454 mm). Rare. $400/600 as gifts from the artists themselves. The story to support board. Authorized by Klee shortly and subsequent revisions by Washington lower right. Laid paper. 13 1/4 x 15 1/2 in. (337 x 394 mm). $800/1,000 before his death in 1940 but delayed by World 454. KLIMT, Gustav [after] (Austrian, 1862 have proved false, and though there remains War II until 1946. $1,400/1,600 - 1918) - Portrait of Serena Lederer [From: 1969. Printed 1969. Signed and dated in the a degree of uncertainty regarding the precise Gustav Klimt An Aftermath]. Collotype. 1931. stone, lower left. 14 x 11 3/16 in. (356 x 284 144. LANDACRE, Paul Hambleton (American, origin of the E.M. Washington prints, the most 1893 - 1963) - Campers. Wood engraving. 442. KLEE, Paul [after] (Swiss, 1879 - 1940) - edition of 150. Full margins. 10 9/16 x Print #70 of English edition of 150. Signed in mm). Sheet Size: 14 x 11 3/16 in. (356 x 284 probable explanation is that they were printed Petit Diable Bleu. Color collotype. 1933. Printed the matrix, lower right. Full margins. 12 1/2 x 5 mm). $200/300 12 1/16 in. (268 x 306 mm). Sheet Size: 18 7/8 x by Earl Marshawn Washington from blocks he 1946. Small edition? Signed in the matrix. Fine 17 7/8 in. (479 x 454 mm). Rare. $2,000/3,000 5/8 in. (317 x 143 mm). Sheet Size: 18 7/8 x 17 created c1998. For more information, please Fine impression. 5 3/4 x 8 1/4 in. (146 impression. 10 x 8 3/16 in. (254 x 208 mm). 7/8 in. (479 x 454 mm). Rare. $400/600 133. JOHNS, Jasper (American, b.1930) - Cup 447.of English KLIMT, Gustav [after] (Austrian, 1862 2 Picasso. Color lithograph. 1973. Signed and visit the archived “Washington Uncovered” x 210 mm). Sheet Size: 8 x 10 1/2 in. (203 x Sheet Size: 10 x 8 3/16 in. (254 x 208 mm). dated in the stone, lower right. Fine impression. website, accessible via Wikipedia search Earl 267 mm). Fine condition. $600/800 Authorized by Klee shortly before his death in - 1918) - Gastein [From: Gustav Klimt An 455. KLIMT, Gustav [after] (Austrian, 1862 - 11 5/8 x 10 3/16 in. (295 x 259 mm). Printed Marshawn Washington. $100/125 1940 but delayed by World War II until 1946. Aftermath]. Collotype. 1931. Print #70 of English 1918) - Section of Jurisprudence [From: Gustav 145. LANDECK, Armin (American, 1905 - $1,200/1,400 edition of 150. Full margins. 11 3/4 x 11 15/16 in. by Mourlot. Another unsigned impression of 1984) - Sunset Palace Lodge. Drypoint. 1938. Klimt An Aftermath]. Collotype. 1931. Print #70 this iconic print sold at Charleton Hall Galleries, 138. KOZLOFF, Alexander (American, (298 x 303 mm). Sheet Size: 18 7/8 x 17 7/8 in. of English edition of 150. Full margins. 11 11/16 Edition of 100. Signed, dated and editioned (479 x 454 mm). Rare. $400/600 2/11/2006 at $1,955 (including premium). b.1926) - Fisherman. Watercolor. Artist stamp in pencil. Full margins (deckle edges). Fine 443. KLEE, Paul [after] (Swiss, 1879 - 1940) x 9 1/16 in. (297 x 230 mm). Sheet Size: 18 7/8 in lower right. 15 3/4 x 21 3/4 in. (400 x 552 - Pleine Lune au Jardin. Color collotype. [U123; F168]. $1,600/1,800 impression. 6 x 7 3/4 in. (152 x 197 mm). 448. KLIMT, Gustav [after] (Austrian, 1862 x 17 7/8 in. (479 x 454 mm). Rare. $400/600 mm). Alexander Kozloff was born in 1926. He Excellent condition. [Kraeft 69]. $800/1,200 attended the Pratt Institute and the Academy - 1918) - Girl in Profi le [From: Gustav Klimt 134. JOHNS, Jasper (American, b.1930) - Cup An Aftermath]. Collotype. 1931. Print #70 of 456. KLIMT, Gustav [after] (Austrian, 1862 - 2 Picasso. Color lithograph. 1973. Signed and of Allied Arts, and taught at the Educational 146. LICHTENSTEIN, Roy (American, b.1923) 1918) - Study of the Frieze at Palais Stoclet, No. dated in pencil, lower right. Full margins. Fine 1948.- Art About Art Poster. Color offset lithograph. English edition of 150. Signed in the matrix, Alliance School. In 1939 he was awarded fi rst lower left. Full margins. 11 3/4 x 11 9/16 in. (298 2 [From: Gustav Klimt An Aftermath]. Collotype. impression. 11 1/2 x 10 3/16 in. (292 x 259 prize at the New York World’s Fair for oil painting. 1978. Edition of 2000. Signed in pencil. Full margins. Fine impression. 35 15/16 x 24 7/8 in. x 294 mm). Sheet Size: 18 7/8 x 17 7/8 in. (479 1931. Print #70 of English edition of 150. Full mm). Fine condition. Printed by Mourlot. Pencil His work is in the permanent collection of the margins. 10 3/4 x 11 11/16 in. (273 x 297 mm). signed impressions of this image regularly sell (913 x 632 mm). [CIII27]. $2,400/2,600 x 454 mm). Rare. $400/600 Metropolitan Museum of Art and was formerly Sheet Size: 18 7/8 x 17 7/8 in. (479 x 454 mm). for over $2,000. [U123; F168]. $3,000/4,000 in the private collection of Mrs. Jacqueline 147. LICHTENSTEIN, Roy (American, b.1923) 449. KLIMT, Gustav [after] (Austrian, 1862 Rare. $400/600 Kennedy. $500/600 - Paper Plate. Color screenprint, in yellow, red, 135. KENT, Rockwell (American, 1882 - 1971) - 1918) - Italian Landscape [From: Gustav - Girl with Flowing Hair. Woodcut. c1932. Klimt An Aftermath]. Collotype. 1931. Print #70 457. KLIMT, Gustav [after] (Austrian, 1862 - Printed c1932. Wide margins. Fine impression. 139. LABENZ, Arnold (American, 20th Century) of English edition of 150. Signed in the matrix, 1918) - Study of the Frieze at Palais Stoclet, No. 3 3/4 x 2 7/16 in. (95 x 62 mm). Sheet Size: 10 - Encanto Park Bandshell [Phoenix, Arizona]. 1946. Small edition? Signed in lower right. Full margins. 12 1/4 x 12 1/16 in. Scratch board illustration with ink, gouache and 3 [From: Gustav Klimt An Aftermath]. Collotype. 7/16 x 8 1/2 in. (265 x 216 mm). Fine condition. the matrix. Fine impression. 8 3/8 x 10 in. (213 (311 x 306 mm). Sheet Size: 18 7/8 x 17 7/8 in. 1931. Print #70 of English edition of 150. Full overlay. c1945. Signed, lower right. 14 1/4 x 12 1934. Printed $400/600 x 254 mm). Sheet Size: 8 3/8 x 10 in. (213 x (479 x 454 mm). Rare. $400/600 margins. 10 11/16 x 12 5/8 in. (271 x 321 mm). 1/16 in. (362 x 306 mm). Sheet Size: 15 5/8 x 13 254 mm). Authorized by Klee shortly before his Sheet Size: 18 7/8 x 17 7/8 in. (479 x 454 mm). 7/16 in. (397 x 341 mm). Advertisement for The 136. KENT, Rockwell (American, 1882 - 1971) death in 1940 but delayed by World War II until 450. KLIMT, Gustav [after] (Austrian, 1862 Rare. $400/600 - Illustration for The Canterbury Tales. Color Phoenix Savings Bank. $300/400 1946. $1,200/1,400 - 1918) - Lady in Flowered Hat [From: Gustav Klimt An Aftermath]. Collotype. 1931. Print #70 illustration. 1930. Laid paper. Ample margins. 458. KLIMT, Gustav [after] (Austrian, 1862 - 10 3/4 x 6 7/8 in. (273 x 175 mm). Sheet Size: 140. LABENZ, Arnold (American, 20th of English edition of 150. Full margins. 12 9/16 444. KLEE, Paul [after] (Swiss, 1879 - 1940) - 1918) - Study of the Frieze at Palais Stoclet, No. 12 3/4 x 8 3/4 in. (324 x 222 mm). Horizontal Century) - Main Street Phoenix [Arizona]. Signes en Jaune. Color collotype. 1937. Printed x 5 7/8 in. (319 x 149 mm). Sheet Size: 18 7/8 x 1918) - Unterach on Lake Atter [From: Gustav crease through sheet below center. Remains of Scratch board illustration with ink, gouache and 1946. Small edition? Signed in the matrix. Fine 17 7/8 in. (479 x 454 mm). Rare. $400/600 Klimt4 [From: An Aftermath].Gustav Klimt Collotype. An Aftermath]. 1931. Print Collotype. #70 1931. Print #70 of English edition of 150. Full hinging tape at upper sheet corners and upper overlay. c1945. Signed, lower right. 14 3/16 x 12 impression. Bright, fresh colors. 9 15/16 x 5 7/8 of English edition of 150. Signed in the matrix, 1/16 in. (360 x 306 mm). Sheet Size: 15 1/2 x 13 margins. 10 3/4 x 10 7/8 in. (273 x 276 mm). sheet edge, verso. $200/250 in. (252 x 149 mm). Sheet Size: 9 15/16 x 5 7/8 451. KLIMT, Gustav [after] (Austrian, 1862 lower right. Full margins. 11 13/16 x 12 in. (300 9/16 in. (394 x 344 mm). Advertisement for The - 1918) - On Lake Atter [From: Gustav Klimt Sheet Size: 18 7/8 x 17 7/8 in. (479 x 454 mm). in. (252 x 149 mm). Authorized by Klee shortly x 305 mm). Sheet Size: 18 7/8 x 17 7/8 in. (479 137. KENT, R. & E.M. Washington - Cog Phoenix Savings Bank. $300/400 on white paper plate. 1969. Dated An Aftermath]. Collotype. 1931. Print #70 of Rare. $400/600 and blue, before his death in 1940 but delayed by World x 454 mm). Rare. $400/600 Workers. Woodcut. c1998. Printed c1998. War II until 1946. $1,400/1,600 English edition of 150. Full margins. 12 1/16 x Erroneously 14 annotated MartinGordon “E.M. WashingtonAuctions 1934 •141. The LABENZ, August Arnold Art(American, Sale 20th Century)• August 14th, 2008 • Phoenix, AZ All images available at www.MartinGordon.com11 7/8 in. (306 x 302 mm). Sheet Size: • 1 18 (800) 7/8 x 257-0366459. KLIMT, • 1Gustav (602) [after] 257-0888 (Austrian, 1862 - 31 N.Y.C. U.S.A.” in pencil, lower left. 5 7/8 x 6 - Sky Harbor Airport [Phoenix, Arizona]. Scratch 17 7/8 in. (479 x 454 mm). Rare. $400/600 board illustration with ink, gouache and overlay. c1945. Signed, lower right. 14 1/8 x 12 in. (359 x 305 mm). Sheet Size: 16 x 13 5/8 in. (406 x 346 mm). Advertisement for The Phoenix Savings Bank. $300/400 furniture designer and decorator tradesman, and copyrighted on verso in type. (Diameter): and in 1900, in collaboration with Konstantin 10 1/4 in. (260 mm). Sheet Size: (Diameter): Korovin, he designed the interior décor of the 10 1/4 in. (260 mm). Recently sold at Karl & Russian Empire pavilion at the Paris World’s origin of the E.M. Washington prints, the most companies, from the revolutionary Coq d’Or of Faber (Munich), May 25, 2008, Lot 785, for Fair. Golovin moved to St. Petersburg in 1901, probable explanation is that they were printed Rimsky Korsakof to her fi nal creations for the $1,227 (Euro 792) including premium. The by Earl Marshawn Washington from blocks he where he worked prominently as a stage Marquis de Cuevas Ballet in 1948. Black ink on plates were commercially printed and wrapped designer until the Russian Revolution of 1917. created c1998. For more information, please yellow paper, with a lineblock of a drawing by in clear cellophane for sale at Bert Stern’s On visit the archived “Washington Uncovered” Barthe, signed by Barthe in the block, on verso. 437. KLEE, Paul [after] (Swiss, 1879 - 1940) 1st Store. Correspondence found in the artist’s website, accessible via Wikipedia search Earl $1,000/1,200 - Crepuscule Tropique. Color collotype. 1921. 155. MESSICK, Ben (American, 1901 - 1981) Printed 1946. Small edition? Signed in the records indicates that the plates may have been Marshawn Washington. $100/125 - Plantation Party. Lithograph. 1940. Signed in matrix. Fine impression. 8 7/8 x 9 13/16 in. (225 fabricated at Artmongers Manufactory, New the stone, as usual. Messick never pencil signed 428. GUNTHER, Max (German, 1934 - 1974) 150. MACPHERSON, Marie R. (American, x 249 mm). Sheet Size: 8 7/8 x 9 13/16 in. (225 York. Paper Plate is related to other designs the his prints. Wide margins. Fine impression. 14 - Viva New York. Pen and ink. 1960. Signed artist produced for dishware, such as the limited b.1879) - Before the Storm. Color silkscreen. 9/16 x 17 7/8 in. (370 x 454 mm). Fine condition. and titled, recto. Stamp signed, titled, dated and x 249 mm). Authorized by Klee shortly before c1940s. Print #60 of edition of 100. Signed, annotated, verso. 8 3/4 x 12 in. (222 x 305 mm). his death in 1940 but delayed by World War II edition place settings produced by Jackson $300/400 China Co. for Durable Dish Company in 1966, titled and numbered in pencil. Signed in the Gunther used a piece of wood as a pen for this until 1946. $1,000/1,200 plate. Wide margins. Fine impression. 10 3/8 x drawing, per his notation on verso. $300/400 and the tea service designed for Rosenthal 156. MILNE, David Brown (Canadian, 1882 China in 1984. [Corlett III45]. $1,400/1,600 14 1/4 in. (264 x 362 mm). Sheet Size: 13 x 19 - 1953) - Painting Place. Color drypoint with 438. KLEE, Paul [after] (Swiss, 1879 - 1940) in. (330 x 483 mm). $60/80 429. ILSTED, Peter Vilhelm (Danish, 1861 - - Fleurs dans les Verres. Color collotype. 1925. 1933) - Fisherman’s Room in Hornback. Color Printed 1946. Small edition? Signed and dated 148. LICHTENSTEIN, Roy (American, b.1923) - Rosenthal Porcelain Service Plate. Ceramic. 151. MACPHERSON, Marie R. (American, was the leading designer for the theaters in mezzotint. 1932. 19 x 17 1/2 in. (483 x 444 mm). in the matrix. Fine impression. 9 15/16 x 7 3/4 b.1879) - Flowers: Iris #2. Color silkscreen. [Olufsen/Svensson 72]. $1,200/1,400 St. Petersburg at this time, and an important in. (252 x 197 mm). Sheet Size: 9 15/16 x 7 c1940s. Print #61 of edition of 75. Signed, titled 1931. Signed in pencil, lower left. contributorHe to the legendary Ballets Russes, 3/4 in. (252 x 197 mm). Laid to support board. and numbered in pencil. Signed in the plate. Full margins. Fine impression. 4 11/16 x 6 430. JANER, Luz M. (Spanish, Active 1940s) 11/16 in. (119 x 170 mm). Sheet Size: 9 15/16 which commissioned the most esteemed - Still Life with Fruit and Wine. Oil on canvas Authorized by Klee shortly before his death in Wide margins. Fine impression. 13 7/8 x 10 in. choreographers, dancers, musicians and on board. c1940. Signed, lower right. 15 3/4 x 1940 but delayed by World War II until 1946. (352 x 254 mm). $60/80 x 7 15/16 in. (252 x 202 mm). Fine condition. stage designers of the era, including Natalia 19 1/2 in. (400 x 495 mm). The record price for $1,200/1,400 $2,000/3,000 Gontcharova, Mikhail Larionov, Marc Chagall, Janer’s work was $2,525 for a 31 x 25 oil on 152. MACPHERSON, Marie R. (American, George Braques, Joan Miró, Max Ernst, Henri canvas (Madrid, 1996). $200/300 439. KLEE, Paul [after] (Swiss, 1879 - 1940) b.1879) - Going Home. Color silkscreen. 157. MOTHERWELL, Robert (American, 1915 Matisse, and Pablo Picasso. $14,000/16,000 - Floraison. Color collotype. 1934. Printed c1940s. Print #46 of edition of 80. Signed, titled - 1992) - Tricolor. Color lithograph and offset and numbered in pencil. Signed in the plate. lithograph. 1973. Signed and dated in the stone, 431. KANDINSKY, Wassily [after] (Russian, etching. 426. GONTCHAROVA, Natalia (Russian, 1866 - 1944) - Leise Deutung. Serigraph. 1929. Wide margins. Fine impression. 9 1/8 x 13 1/8 upper right. 12 1/4 x 9 3/8 in. (311 x 238 mm). 1881 - 1962) - Bal Banal…1924. Color woodcut Print #65 of edition of 150. Monogramed and Number 2223 of edition of 3000. Stamp in. (232 x 333 mm). Sheet Size: 12 1/2 x 19 in. Printed by Mourlot. [B24]. $600/800 poster. 1924. Signed and dated in the block. dated in the screen. Numbered in pencil, lower signed and printed in black, center, verso, (317 x 483 mm). $60/80 left. 20 1/2 x 13 1/2 in. (521 x 343 mm). Sheet and1990. inscribed verso. Fine condition. Diameter: 158. [MOVIE POSTERS] - Group of 4 Prints. Full margins. (Sheet): 8 13/16 x 6 1/4 in. (224 * The Boy From Oklahoma [No. 5]. Color x 159 mm). Sheet Size: 9 3/16 x 6 1/4 in. Size: 25 x 14 1/4 in. (635 x 362 mm). $600/800 12 1/4 in. Accompanied by the original box. 153. MCKEONE, T.J. (American, 19/20th Another example is currently being offered Century) - Sqaw [sp] Peak, Phoenix, AZ. collotype (movie poster). 1954. 9 x 12 7/8 in. (233 x 159 mm). Gontcharova, who spent her (229 x 327 mm). Sheet Size: 11 x 14 in. (279 extravagant life with Larionov, was the very 432. KANDINSKY, Wassily (Russian, 1866 online at $2,500. The last auction record we Watercolor. 1929. Signed and dated “T.J. - 1944) - Orientalisches. Color woodcut. 1911. 1946. Small edition? Signed in the matrix. could fi nd was Sotheby’s New York, 5/15/1993, McKeone September 29,” lower left. 9 1/2 x 13 x 356 mm). * The Boy From Oklahoma [No. 6]. rich, eccentric granddaughter of Alexander Full margins. Very good impression. 4 7/8 x 7 Fine impression. Bright, fresh colors. 9 5/8 x 9 Color collotype (movie poster). 1954. 9 x 12 7/8 Pushkin. A Diaghilev devotee, she dedicated Lot 1082A, sold at $575 including premium. 1/4 in. (241 x 337 mm). $600/800 1/2 in. (124 x 190 mm). Sheet Size: 12 1/2 x 9 3/8 in. (244 x 238 mm). Sheet Size: 9 5/8 x 9 3/8 $2,000/2,500 in. (229 x 327 mm). Sheet Size: 11 x 14 in. (279 most of her considerable artistic talents to 5/8 in. (317 x 244 mm). [R106]. $2,000/2,500 in. (244 x 238 mm). Authorized by Klee shortly x 356 mm). * The Boy From Oklahoma [No. 7]. stage and costume design. She worked for the 154. MENDEZ, L. & E.M. Washington - La Carta. before his death in 1940 but delayed by World 149. LUFKIN, R. & E.M. Washington - Woodcut. c1998. Printed c1998. Erroneously Color collotype (movie poster). 1954. 9 x 12 7/8 most prestigious theaters, operas and ballet 433. KANDINSKY, Wassily (Russian, 1866 War II until 1946. $1,400/1,600 in. (229 x 327 mm). Sheet Size: 11 x 14 in. (279 - 1944) - Schwarzer Fleck. Woodcut. 1912. Cityscape. Woodcut. c1998. Printed c1998. annotated “E.M. Washington 1943” in pencil, companies, from the revolutionary Coq d’Or lower margin. Wide margins. 4 1/4 x 3 3/4 in. x 356 mm). * The Boy From Oklahoma [No. 8]. of Rimsky Korsakof to her fi nal creations for Edition of 1200. Monogrammed in the stone. Erroneously annotated “E.M. Washington 440. KLEE, Paul [after] (Swiss, 1879 - 1940) 1931” in pencil, lower left. 9 7/8 x 5 13/16 (108 x 95 mm). Sheet Size: 12 x 8 7/8 in. (305 Color collotype (movie poster). 1954. 9 x 12 7/8 the Marquis de Cuevas Ballet in 1948. Printed Velin paper. 6 1/2 x 8 1/2 in. (165 x 216 mm). - Nuit Bleu. Color collotype. 1937. Printed in. (229 x 327 mm). Sheet Size: 11 x 14 in. (279 in. (251 x 148 mm). Sheet Size: 12 1/2 x 9 x 225 mm). Water stained. By Earl Marshawn with the stamped ticket number and with the Sheet Size: 12 1/2 x 9 9/16 in. (317 x 243 mm). x 356 mm). * All broadsides for the 1954 fi lm Currently offered online at $2,500. [R145]. 1/4 in. (317 x 235 mm). By Earl Marshawn Washington after the work by Leopoldo price of 25 francs. Union des Artistes Russes Mendez. Against all odds and in the face of the starring Will Rogers, Jr. and Nancy Olson [4]. handstamp top and bottom. Printed in brown $1,200/1,400 Washington after the work by Raymond $200/300 Lufkin. Against all odds and in the face of the facts noted below, Washington’s “early” prints and gray on cream paper. $1,000/1,200 are rapidly becoming collector’s items. Sold 434. KLEE, Paul (Swiss, 1879 - 1940) - Tete facts noted below, Washington’s “early” prints 159. [MOVIE POSTERS] - Group of 4 Prints. 427. GONTCHAROVA, Natalia (Russian, d’Enfant. Color lithograph. 1939. 12 5/8 x 9 1/8 are rapidly becoming collector’s items. Sold as is, not subject to return. Washington was the perpetrator of an elaborate scheme that * The Boy From Oklahoma [No. 1]. Color 1881 - 1962) - Bal Olympique…11 Juillet 1924. in. (321 x 232 mm). Sheet Size: 13 15/16 x 10 as is, not subject to return. Washington was collotype (movie poster). 1954. 9 x 12 7/8 in. Lithograph poster. 1924. Signed in the stone 3/8 in. (354 x 264 mm). $600/800 the perpetrator of an elaborate scheme that involved the intentional misrepresentation of woodcuts created by him after works by other (229 x 327 mm). Sheet Size: 11 x 14 in. (279 under the Gontcharova image. Full margins. involved the intentional misrepresentation of 435. KLEE, Paul [after] (Swiss, 1879 - 1940) - artists. Washington claimed the prints were x 356 mm). * The Boy From Oklahoma [No. 2]. Fine impression. 8 1/8 x 5 3/4 in. (206 x 146 Color collotype (movie poster). 1954. 9 x 12 7/8 Accords Anciens. Color collotype. 1925. Printed woodcuts created by him after works by other produced prior to 1952 by his great-grandfather, mm). Sheet Size: 25 3/4 x 10 in. (654 x 254 in. (229 x 327 mm). Sheet Size: 11 x 14 in. (279 1946. Small edition? Fine impression. 9 7/16 x artists. Washington claimed the prints were Earl Mack Washington, from original blocks by mm). Center fold as issued, horizontal folds (2), 1946. Small edition? Signed in the matrix. Fine produced prior to 1952 by his great-grandfather, x 356 mm). * The Boy From Oklahoma [No. 3]. 9 3/8 in. (240 x 238 mm). Sheet Size: 9 7/16 x impression. 6 7/16 x 9 3/4 in. (164 x 248 mm). famous artists that he had either salvaged from and a 5/8 in. (16 mm) tear in center left margin, 9 3/8 in. (240 x 238 mm). Authorized by Klee Earl Mack Washington, from original blocks by Color collotype (movie poster). 1954. 9 x 12 7/8 well away from image. Gontcharova, who spent Sheet Size: 6 7/16 x 9 3/4 in. (164 x 248 mm). a fi re-bombed Manhattan print shop or received shortly before his death in 1940 but delayed by famous artists that he had either salvaged from as gifts from the artists themselves. The story in. (229 x 327 mm). Sheet Size: 11 x 14 in. (279 her extravagant life with Larionov, was the very Authorized by Klee shortly before his death in World War II until 1946. $1,200/1,400 a fi re-bombed Manhattan print shop or received and subsequent revisions by Washington x 356 mm). * The Boy From Oklahoma [No. 4]. rich, eccentric granddaughter of Alexander 1940 but delayed by World War II until 1946. as gifts from the artists themselves. The story Color collotype (movie poster). 1954. 9 x 12 7/8 $1,200/1,400 have proved false, and though there remains Pushkin. A Diaghilev devotee, she dedicated 436. KLEE, Paul [after] (Swiss, 1879 - 1940) and subsequent revisions by Washington a degree of uncertainty regarding the precise in. (229 x 327 mm). Sheet Size: 11 x 14 in. (279 most 30 of her MartinGordonconsiderable artistic talentsAuctions to •- Composition. The August Color collotype. Art Sale 1918. Printed • August 14th, 2008 • Phoenix, AZ have Allproved images false, and availablethough there remains at www.MartinGordon.com • 1 (800) 257-0366x 356 mm). • * 1 All (602) broadsides 257-0888 for the 1954 15fi lm 1946. Small edition? Signed and dated in the origin of the E.M. Washington prints, the most starring Will Rogers, Jr. and Nancy Olson [4]. stage and costume design. She worked for the a degree of uncertainty regarding the precise probable explanation is that they were printed most prestigious theaters, operas and ballet matrix. Fine impression. 9 1/16 x 6 7/8 in. (230 $200/300 x 175 mm). Sheet Size: 9 1/16 x 6 7/8 in. (230 x by Earl Marshawn Washington from blocks he 175 mm). Authorized by Klee shortly before his created c1998. For more information, please death in 1940 but delayed by World War II until visit the archived “Washington Uncovered” 1946. $1,200/1,400 website, accessible via Wikipedia search Earl Marshawn Washington. $100/125 160. MUELLER, H.A. & E.M. Washington in pencil, lower left; numbered in pencil, lower (including premium). Our example from a - Ancient Mariner. Woodcut. c1998. Printed center. Wove paper. 23 1/2 x 19 1/4 in. (597 collection of Dali books once belonging to Dr. J. c1998. Erroneously annotated “E.M. Washington x 489 mm). Sheet Size: 26 x 19 1/4 in. (660 1945” in pencil, lower margin. Wide margins. 3 Sammett. Several titles in his collection contain x 489 mm). Printed for David Stuart Galleries. laid in notes by Sammett that describe the 13/16 x 5 3/4 in. (97 x 146 mm). Sheet Size: $400/500 9 x 12 in. (229 x 305 mm). By Earl Marshawn 166. OKERBLOOM, Charles I., Jr. (American, date and location at which the signatures and Washington after the work by Hans Alexander in a very good slipcase. TWICE SIGNED BY drawings were obtained, many at the St. Regis 418. DERAIN, Andre (French, 1880 - 1954) - 1908 - 1999) - Surrealist Motif. Etching with 172. POND, Clayton (American, b.1941) - SALVADOR DALI, ONCE ON THE HALF- L’Enfant au Tambour. Silkscreen. Print #129 of Mueller. Against all odds and in the face of the drypoint. Fine impression. 5 x 11 5/8 in. (127 x Hotel in New York, where Dali and his wife Gala Chair. Color silkscreen. 20th century. Signed in TITLE PAGE AND THEN AGAIN ON PAGE 10 edition of 350. Signed in the screen. Identi fi ed, facts noted below, Washington’s “early” prints 295 mm). Sheet Size: 10 5/16 x 16 5/8 in. (262 resided. $7,000/9,000 pencil, lower center. 8 3/16 x 6 3/8 in. (208 x BELOW HIS TIPPED IN PHOTOGRAPH BY titled and numbered in pencil, lower margin. are rapidly becoming collector’s items. Sold x 422 mm). Handling marks. $200/300 162 mm). Sheet Size: 9 3/16 x 7 1/8 in. (233 x Full margins. Fine impression. 18 1/2 x 14 5/8 as is, not subject to return. Washington was PHILIPPE HALSMAN . Slipcase has a 1.5 inch 415. DALI, Salvador (Spanish, 1904 - 1989) - 181 mm). A few very light scratches in upper left crack at the bottom edge. Our example from a in. (470 x 371 mm). Sheet Size: 23 x 19 5/8 in. the perpetrator of an elaborate scheme that 167. OKERBLOOM, Charles I., Jr. (American, quadrant. $250/300 In Quest of Dali [By Carson Lake]. Signed book. (584 x 498 mm). Fine condition. $400/600 involved the intentional misrepresentation of 1908 - 1999) - Untitled [Abstract Composition]. collection of Dali books once belonging to Dr. J. New York: Putnam, 1969. First Edition. 8vo. Hard Sammett. Several titles in his collection contain woodcuts created by him after works by other 173. PRICE, Ramon Bertell (American, Cover. Fine condition octavo in a fi ne condition 419. EUROPEAN SCHOOL, 20TH CENTURY artists. Washington claimed the prints were b.1930) - Rainbow Bridge Trail. Watercolor. laid in notes by Sammett that describe the dust jacket. SIGNED BY SALVADOR DALI ON - Untitled [Fashionable Lady]. Watercolor. Early produced prior to 1952 by his great-grandfather, c1950. Signed on the mat, lower right; titled on date and location at which the signatures and THE FRONT DUST JACKET COVER . Our 20th century. 5 x 3 in. (127 x 76 mm). Sheet Earl Mack Washington, from original blocks by the mat, lower left. 8 13/16 x 9 7/8 in. (224 x 251 drawings were obtained, many at the St. Regis example from a collection of Dali books once Size: 8 3/4 x 6 3/4 in. (222 x 171 mm). In a glass famous artists that he had either salvaged from mm). Sheet Size: (Frame Size): 15 1/2 x 16 1/2 Hotel in New York, where Dali and his wife Gala belonging to Dr. J. Sammett. Several titles in shadow box. $200/300 a fi re-bombed Manhattan print shop or received in. (394 x 419 mm). $500/600 resided. $1,500/1,800 his collection contain laid in notes by Sammett as gifts from the artists themselves. The story that describe the date and location at which the 420. FELIXMULLER, Conrad (German, 1897 and subsequent revisions by Washington on paper. 18 x 24 in. (457 x 610 mm). 174. PYTLAK, Leonard (American, b.1910) - 413. DALI, Salvador (Spanish, 1904 - 1989) signatures and drawings were obtained, many - 1977) - Selbstbildnis Mit Zeichenstift. Woodcut have proved false, and though there remains Sheet Size: 18 x 24 in. (457 x 610 mm). A Two Girls and a Canary. Color silkscreen. 1948. - Diary of a Genius. Signed book. New York: poster. 1965. Signed and dated in pencil, lower Printed 1948. Signed in the screen, lower left. at the St. Regis Hotel in New York, where Dali a degree of uncertainty regarding the precise few small tears (most approximately 3/4 in.); Doubleday, 1965. First edition US. 8vo. Hard right; annotated (titled?) in pencil, lower left. origin of the E.M. Washington prints, the most Fine impression. 10 11/16 x 7 5/8 in. (271 x 194 and his wife Gala resided. THIS COPY WITH otherwise good condition. $600/800 cover. Very good condition. SIGNED AND LAID IN NOTE . $1,000/1,200 Initialed in the block, lower left. 15 1/8 x 11 7/8 probable explanation is that they were printed mm). Sheet Size: 10 11/16 x 7 5/8 in. (271 x 194 DATED BY SALVADOR DALI ON THE HALF- by Earl Marshawn Washington from blocks he mm). Fine condition. $200/300 in. (384 x 302 mm). Sheet Size: 24 x 16 1/2 in. 168.Pastel OKERBLOOM, Charles I., Jr. (American, TITLE PAGE . Our example from a collection of 416. DALI, Salvador (Spanish, 1904 - 1989) - (610 x 419 mm). [S369]. $800/900 created c1998. For more information, please 1908 - 1999) - Untitled [Non-Objective Dali books once belonging to Dr. J. Sammett. 175. ROMANO, Clare (American, b.1922) Salvador Dali 1910 - 1965, an Exhibition at the visit the archived “Washington Uncovered” Composition]. Gouache on paper. 11 1/2 x 6 Several titles in his collection contain laid in 421. FLINT, Sir William Russell (Scottish, website, accessible via Wikipedia search Earl - Olie McGee. Color woodcut. c1960s-1970s. Gallery of Modern Art [By Salvador Dali]. Signed 1/4 in. (292 x 159 mm). Sheet Size: 11 1/2 x 6 notes by Sammett that describe the date and book. New York: Heliographic, Co., 1965. First Marshawn Washington. $100/125 Artist proof, aside from regular edition. Signed in 1880 - 1969) - Sara. Color collotype. 1965. 1/4 in. (292 x 159 mm). Pin holes in upper right pencil, lower right; titled in pencil, lower center; location at which the signatures and drawings edition. 4to. Soft cover. Approximately 1 in. Printed 1965. Edition of 856. Signed in pencil and lower right corners; otherwise very good 161. MUSGRAVE, Real (American, b.1949) annotated “artists proof” in pencil, lower left. 9 were obtained, many at the St. Regis Hotel in pen mark on front cover; otherwise very good and in the matrix, lower right. Blindstamped, - Lot of 50 Pocket Dragons [Animation Cels]. condition. $600/800 3/8 x 5 1/2 in. (238 x 140 mm). Sheet Size: 12 New York, where Dali and his wife Gala resided. condition. SIGNED, DATED AND ANNOTATED lower left. 15 9/16 x 25 1/4 in. (395 x 641 mm). Animation cels. 1998. Sheet Size: (Various 1/8 x 9 1/16 in. (308 x 230 mm). $200/300 $1,000/1,200 “POUR SAMMETT” BY SALVADOR DALI Sheet Size: 20 3/16 x 28 7/8 in. (513 x 733 mm). sizes): 10 1/4 x 12 1/2 in. (260 x 317 mm). 50 169. OKERBLOOM, Charles I., Jr. (American, ON FRONT ENDPAPER . Our example from [GC83]. $600/800 various animation cells. $100/200 1908 - 1999) - Washington Gladiator. Etching 176. ROMANO, Clare (American, b.1922) 414. DALI, Salvador (Spanish, 1904 - 1989) a collection of Dali books once belonging to with drypoint. Signed in pencil, lower right. Titled - Peace - Health - Happiness For 1980. Color - Diary of a Genius. Book with original artwork. Dr. J. Sammett. Several titles in his collection in pencil, lower left. Numbered “#6” in pencil, woodcut. 1980. Signed “love, Clare & John” in 422. FLINT, Sir William Russell (Scottish, 162. MUSGRAVE, Real (American, b.1949) contain laid in notes by Sammett that describe 1880 - 1969) - White Interior, Chateauneuf- - Lot of 50 Pocket Dragons [Animation Cels]. lower right. 8 3/8 x 10 3/4 in. (213 x 273 mm). pink ink, lower margin. 12 3/4 x 3 7/8 in. (324 the date and location at which the signatures sur-Loire. Color collotype. 1966. Printed 1966. Animation cels. 1998. Sheet Size: (Various Sheet Size: 10 7/8 x 13 1/16 in. (276 x 332 mm). x 98 mm). Sheet Size: 14 1/4 x 5 in. (362 x and drawings were obtained, many at the St. Edition of 850. Signed in pencil, lower right. sizes): 10 1/4 x 12 1/2 in. (260 x 317 mm). 50 $400/600 127 mm). Horizontal crease above center. various animation cells. $100/200 $200/300 Regis Hotel in New York, where Dali and his ofBlindstamped, edition of 850. lower Numbered left. Signed in inpencil, the matrix, lower wife Gala resided. THIS COPY WITH LAID IN right.lower Signedleft. 19 7/16in the x 26matrix, 7/16 lowerin. (494 right. x 672 Michael mm). 170. OKERBLOOM, Charles I., Jr. (American, 163. OFFIN, Charles Z. (American, 1899 NOTE. $1,000/1,200 StewartSheet Size: Fine 22 Art 3/16Ltd. Blindstampx 28 13/16 atin. lower (564 left. x 732 13 1908 - 1999) - XII The Farm. Watercolor and 177. ROMANO, Clare (American, b.1922) - 1989) - Planters, Majorica. Etching. 1932. - Peace hath her victories no less renowned 1/2mm). x 19[GC93]. 1/2 in. $600/800 (343 x 495 mm). Sheet Size: 17 Signed in the plate, lower right. Fine impression. acrylic on paper. Titled on verso. 17 x 23 in. than war. Color woodcut. 1969. Signed “love, 417. DALI, Salvador (Spanish, 1904 - 1989) 3/4 x 25 1/4 in. (451 x 641 mm). $600/800 7 13/16 x 6 3/16 in. (198 x 157 mm). Sheet Clare, John, Christopher and Timothy, 1969” in - The World of Salvador Dali [By Robert 423. FLINT, Sir William Russell [after] Size: 10 1/2 x 7 7/16 in. (267 x 189 mm). Fine blue pencil, lower margin. 7 x 6 in. (178 x 152 Descharnes]. Book with original artwork. NY: 424.(Scottish, FLINT, 1880 Sir- 1969) William - ModelRussell for Elegance.[after] condition. $125/200 mm). Sheet Size: 8 11/16 x 15 5/8 in. (221 x Harper & Row, 1962. First Edition. 4to. Hard (Scottish,Color collotype. 1880 1984.- 1969) Printed - 1984.Reclining Print Nude #246 III. Color collotype. 1983. Printed 1983. Print #182 397 mm). Vertical trifold creases, not affecting Cover. Fine condition in cloth with a near fi ne 164. OKERBLOOM, Charles I., Jr. (American, of edition of 850. Numbered in pencil, lower 1908 - 1999) - Group of 3 Drawings. * Untitled image. $200/300 dust jacket. Dust jacket is price clipped with just the slightest sign of rubbing to the edges right. Signed in the matrix, lower right. Michael [Portrait in Half-Profi le]. Pencil on paper. 7 1/2 Stewart Fine Art Ltd. Blindstamp at lower left. 15 x 5 1/4 in. (190 x 133 mm). Sheet Size: 8 5/8 178. ROMANO, Clare (American, b.1922) (undetectable in mylar cover). SIGNED WITH - Yugoslav Monastery. Color woodcut. 1965. AN ORIGINAL DRAWING BY SALVADOR 1/4 x 22 3/4 in. (387 x 578 mm). Sheet Size: 20 x 5 1/2 in. (219 x 140 mm). * Untitled [Female 1/8 x 26 11/16 in. (511 x 678 mm). $600/800 Portrait]. Pen and colored marker on paper. 13 Signed, titled and dated in pencil, lower margin. DALI ACROSS TWO PAGES . A Dali book with 9 1/4 x 11 in. (235 x 279 mm). Sheet Size: York: Doubleday, 1965. First Edition US. similar original artwork, as part of a group lot x 10 1/2 in. (330 x 267 mm). Sheet Size: 13 x Sheet Size: 17 x 23 in. (432 8vo. Hard Cover. Fine condition book in a fi ne 425. GOLOVIN, Aleksandr Yakovlevich 10 1/2 in. (330 x 267 mm). * Untitled [Female 10 1/16 x 14 1/4 in. (256 x 362 mm). Vertical consisting primarily of unsigned Dali ephemera, x 584 mm). Remains of tape, verso; otherwise centerfold. $200/300 condition dust jacket. SIGNED AND DATED (Russian, 1863 - 1930) - Set Design. Watercolor Portrait]. Ink on paper. 11 1/4 x 8 in. (286 x 203 very good condition. $800/900 BY SALVADOR DALI WITH ORIGINAL sold at auction in NYC on April 24, 2008 for and gouache. c1910-20. Initialed “A.G.,” verso. mm). Sheet Size: 12 x 8 1/4 in. (305 x 210 mm). $19,200 (including premium). Our example (432 x 584 mm). 179. ROSS, John (American, 20th Century) ARTWORK . A Dali book with similar original 11 x 16 in. (279 x 406 mm). Aleksandr Golovin [3]. $100/200 from a collection of Dali books once belonging 171. ORTMAN, George (American, b.1926) - Once Brightly Varnished. Color woodcut. artwork, as part of a group lot consisting studied at the Moscow College of Painting, - Search. Lithograph poster. 1966. Print #19 of c1960s-1970s. Artist proof, aside from regular primarily of unsigned Dali ephemera, sold at to Dr. J. Sammett. Several titles in his collection Sculpture and Architecture initially as a student 165. OKERBLOOM, Charles I., Jr. (American, edition of 100. Signed in pencil, lower right; titled edition. Signed in pencil, lower right; titled in auction in NYC on April 24, 2008 for $19,200 contain laid in notes by Sammett that describe of architecture and later as a painter. He lived 1908 - 1999) - Still Life After Picasso. Gouache New the date and location at which the signatures on16 paper. Annotated MartinGordon “after Picasso” inAuctions upper • The August Art Sale • August pencil,14th, lower 2008 center; •annotated Phoenix, “A/P” in pencil, AZ All images available at www.MartinGordon.com • 1 (800) 257-0366and worked • 1in Moscow(602) as257-0888 an interior painter, 29 lower left. 5 1/2 x 12 1/2 in. (140 x 317 mm). and drawings were obtained, many at the St. right. 17 1/2 x 12 in. (444 x 305 mm). Sheet Regis Hotel in New York, where Dali and his Size: 17 1/2 x 12 in. (444 x 305 mm). Very good Sheet Size: 11 5/16 x 15 5/8 in. (287 x 397 mm). wife Gala resided. THIS COPY WITH LAID IN condition. $400/600 A few light creases at upper left sheet corner, not affecting image. $200/300 NOTE. $8,000/10,000 394. CHAGALL, Marc (Russian/French, 1887 - 1985) - Blue Horse with Couple. Color 403. CHAGALL, Marc (Russian/French, 1887 have proved false, and though there remains lithograph. 1982. Signed in pencil with the - 1985) - Lovers in Grey. Color lithograph. 1957. DALI ACROSS TWO PAGES . Our example 180. SHAHN, Ben (Russian/American, 1898 initials, lower right. Fine impression. 13 7/8 x 9 Fine impression. 9 1/16 x 7 3/4 in. (230 x 197 from a collection of Dali books once belonging - 1969) - Festival of Two Worlds, 1965. Color a degree of uncertainty regarding the precise offset lithograph poster. 1965. Signed in the 3/16 in. (352 x 233 mm). Fine condition. [M993]. mm). Fine condition. [M194]. $800/1,000 to Dr. J. Sammett. Several titles in his collection origin of the E.M. Washington prints, the most matrix, lower right. 36 x 25 1/2 in. (914 x 648 $6,000/9,000 contain laid in notes by Sammett that describe probable explanation is that they were printed mm). Sheet Size: 39 1/4 x 27 3/8 in. (997 x 695 404. CHAGALL, Marc (Russian/French, the date and location at which the signatures 150. Signed, dated and annotated “artists proof” by Earl Marshawn Washington from blocks he mm). $100/125 395. CHAGALL, Marc (Russian/French, 1887 1887 - 1985) - Maternity with Centaur. Color and drawings were obtained, many at the St. in pencil, lower right; titled in a different hand in created c1998. For more information, please - 1985) - Bouquet with Hand. Lithograph. 1957. Regis Hotel in New York, where Dali and his pencil at lower right sheet corner. Wove paper. visit the archived “Washington Uncovered” 181. SMITH, Lawrence Beall (American, 1909 Fine impression. 9 1/16 x 7 13/16 in. (230 x 198 wife Gala resided. THIS COPY WITH LAID IN Wide (full?) margins. Deckle edges. 4 x 6 in. website, accessible via Wikipedia search Earl - 1989) - Demolition. Lithograph. 1985. Edition mm). Fine condition. [M207]. $600/800 NOTE. $1,500/1,800 (102 x 152 mm). Sheet Size: 8 3/8 x 9 11/16 Marshawn Washington. $100/125 of 100. Signed, dated, titled and numbered in in. (213 x 246 mm). * Eclipse. Lithograph. 1973. 396. CHAGALL, Marc (Russian/French, 1887 pencil. Full margins (deckle edges). 14 x 7 7/8 192. WARD, L. & E.M. Washington - The 410. DALI, Salvador (Spanish, 1904 - 1989) - Artist proof, aside from regular edition of 150. - 1985) - Brown Still Life. Color lithograph. 1957. Dali on Modern Art: The Cuckolds of Antiquated in. (356 x 200 mm). $60/80 Mistress. Woodcut. c1998. Printed c1998. Fine impression. 9 1/16 x 7 3/4 in. (230 x 197 Signed, dated and annotated “artists proof” in Erroneously annotated “E.M. Washington Modern Art [By Salvador Dali]. Book with pencil, lower right; titled in pencil at lower right mm). Fine condition. [M205]. $700/900 original artwork. New York: Dial, 1957. First 182. SPEAR, Arthur Prince (American, 1879 1931” in pencil, lower margin. Wide margins. 4 sheet corner. Wove paper. Wide (full?) margins. Edition. 8to. Hard Cover. Fine condition in a fi ne - 1959) - A Young Woman in Classical Attire. 3/8 x 3 9/16 in. (111 x 90 mm). Sheet Size: 8 3/8 397. CHAGALL, Marc (Russian/French, 1887 condition dust jacket. SIGNED & INSCRIBED Pastel. c1920s. Signed in lower left. 23 1/2 x 18 Deckle edges. 4 x 6 in. (102 x 152 mm). Sheet x 6 5/8 in. (213 x 168 mm). By Earl Marshawn - 1985) - Christ in the Clock. Color lithograph. WITH ORIGINAL ART BY SALVADOR DALI in. (597 x 457 mm). $2,000/2,500 Size: 8 3/8 x 9 3/4 in. (213 x 248 mm). * Red Washington after the work by Lynd Ward. Sold ACROSS TWO PAGES . A Dali book with Harvest. Color silkscreen. 20th century. Artist as is, not subject to return. $100/125 similar original artwork, as part of a group lot 183. SPOFFORD, NY (PUBLISHERS) proof, aside from regular edition of 50. Signed consisting primarily of unsigned Dali ephemera, (American, 20th Century) - East View From the and annotated “artists proof” in pencil, lower 193. WASHINGTON, E.M. & Unidenti fi ed sold at auction in NYC on April 24, 2008 for Singer Tower. Lithograph. 1909. Annotated in right; titled in pencil at lower right sheet corner. Artist - African-American Wedding. Woodcut. $19,200 (including premium). Our example the plate. 12 1/2 x 22 1/4 in. (317 x 565 mm). Wide margins. 4 7/16 x 3 15/16 in. (113 x 100 c1998. Printed c1998. Erroneously annotated from a collection of Dali books once belonging Sheet Size: 15 x 25 1/4 in. (381 x 641 mm). mm). Sheet Size: 9 1/2 x 8 1/2 in. (241 x 216 “E.M. Washington 1933 N.Y.C. U.S.A.” in to Dr. J. Sammett. Several titles in his collection $200/300 mm). Foxing overall, affecting image. Different pencil, lower margin. Wide margins. 5 x 4 1957. Fine impression. Fresh, 5/8 in. (127 x 117 mm). Sheet Size: 8 3/8 x 6 bright colors. 9 1/16 x 7 13/16 in. (230 x 198 contain laid in notes by Sammett that describe coloration than regular edition. * Field. Color lithograph. 184. SPOFFORD, NY (PUBLISHERS) 9/16 in. (213 x 167 mm). By Earl Marshawn mm). Fine condition. [M195]. $800/1,000 the date and location at which the signatures lithograph. 20th century. Edition of 300. Signed and drawings were obtained, many at the St. (American, 20th Century) - North View From and editioned in pencil, lower right. Wove paper. Washington after(?) the work by an unidenti fi ed 405. CHAGALL, Marc (Russian/French, 1887 Regis Hotel in New York, where Dali and his the Singer Tower. Lithograph. 1909. Annotated 4 1/16 x 3 7/8 in. (103 x 98 mm). Sheet Size: 6 artist. Against all odds and in the face of the - 1985) - Red Rooster. Color lithograph. 1957. wife Gala resided. $5,000/6,000 in the plate. 13 x 21 1/4 in. (330 x 540 mm). 15/16 x 5 3/4 in. (176 x 146 mm). * Winter Sun. facts noted below, Washington’s “early” prints Fine impression. 9 1/16 x 15 3/16 in. (230 x 386 Sheet Size: 14 7/8 x 23 1/2 in. (378 x 597 mm). Color lithograph. 1973. Edition of 300. Initialed, are rapidly becoming collector’s items. Sold mm). Fine condition. [M203]. $800/1,000 411. DALI, Salvador (Spanish, 1904 - 1989) $200/300 dated and editioned in pencil, lower right; titled as is, not subject to return. Washington was - Dali [Max Gerard, ed]. Book with original in a different hand in pencil at lower right sheet the perpetrator of an elaborate scheme that 406. CHAGALL, Marc (Russian/French, 185. SPOFFORD, NY (PUBLISHERS) corner. Wove paper. 4 7/8 x 4 1/8 in. (124 x involved the intentional misrepresentation of 1887 - 1985) - Village. Lithograph. 1957. Fine (American, 20th Century) - South View From 105 mm). Sheet Size: 7 5/8 x 5 7/8 in. (194 x woodcuts created by him after works by other the Singer Tower. Lithograph. 1909. Annotated Fine impression. 9 1/16 x 7 3/4 in. (230 impression. 9 1/16 x 7 3/4 in. (230 x 197 mm). 149 mm) * Sunset over Lake. Lithograph. 20th artists. Washington claimed the prints were in the plate. 12 3/4 x 22 1/4 in. (324 x 565 mm). 1957.x 197 mm). Fine condition. [M196]. $800/1,000 Fine condition. [M199]. $600/800 century. Print #15 of edition of 25. Signed and produced prior to 1952 by his great-grandfather, Sheet Size: 15 x 24 7/8 in. (381 x 632 mm). numbered in pencil, lower right. Wove paper. Earl Mack Washington, from original blocks by 398. CHAGALL, Marc (Russian/French, 1887 407. CHEFFER, Henry Lucien (French, 1880 $200/300 famous artists that he had either salvaged from - 1957) - Floral. Oil on board. c1907. 18 x 21 1/2 New York: Abrams, 1968. 4to - over 9 1/16 x 6 15/16 in. (230 x 176 mm). Sheet - 1985) - Evening. Lithograph. 1952. 10 1/16 x 9¾” - 12” tall. Hard Cover. Fine condition Size: 12 1/4 x 10 1/4 in. (311 x 260 mm) [7]. a fi re-bombed Manhattan print shop or received 14 in. (256 x 356 mm). One of Chagall’s earliest in. (457 x 546 mm). $800/900 book in a fi ne condition dust jacket. SIGNED 186. SPOFFORD, NY (PUBLISHERS) $100/125 as gifts from the artists themselves. The story lithographs. [M86]. $800/1,000 (American, 20th Century) - West View From and subsequent revisions by Washington 408. DALI, Salvador (Spanish, 1904 - 1989) BY SALVADOR DALI WITH ORIGINAL the Singer Tower. Lithograph. 1909. Annotated ARTWORK ACROSS TWO PAGES . A Dali 190. WARD, Lynd [after] (American, 1905 have proved false, and though there remains 399. CHAGALL, Marc (Russian/French, 1887 - Conversations with Dali [By Alain Bosquet artwork. in the plate. 13 x 22 1/2 in. (330 x 571 mm). a degree of uncertainty regarding the precise - 1985) - Flute Player. Color lithograph. 1957. and Salvador Dali]. Signed book. New York: book with similar original artwork, as part of a - 1985) - God’s Man. Woodcut. 1929. Artist Sheet Size: 14 7/8 x 23 3/4 in. (378 x 603 mm). proof. Initialed in pencil, lower left; annotated origin of the E.M. Washington prints, the most Fine impression. 9 1/16 x 15 5/16 in. (230 x 389 Dutton, 1969. First edition US. 8vo. Hard cover. group lot consisting primarily of unsigned Dali Sheet Size: 8 3/8 x 6 5/8 in. (213 x 168 mm). $200/300 and dated in pencil, lower right. 4 15/16 x 3 3/4 probable explanation is that they were printed mm). Fine condition. [M197]. $800/1,000 Very good condition. SIGNED BY SALVADOR ephemera, sold at auction in NYC on April 24, By Earl Marshawn Washington after the work 2008 for $19,200 (including premium). Our in. (125 x 95 mm). Sheet Size: 12 x 9 in. (305 by Earl Marshawn Washington from blocks he DALI ON FRONT ENDPAPER . Our example 187. SPRUANCE, Benton Murdoch by Lynd Ward. Against all odds and in the face 400. CHAGALL, Marc (Russian/French, 1887 from a collection of Dali books once belonging example from a collection of Dali books once x 229 mm). Johnathan Cape & Harrison Smith, created c1998. For more information, please (American, 1904 - 1967) - Newton Towers. of the facts noted below, Washington’s “early” visit the archived “Washington Uncovered” - 1985) - Green Eiffel Tower. Color lithograph. to Dr. J. Sammett. Several titles in his collection belonging to Dr. J. Sammett. Several titles in Lithograph. 1948. Printed 1948. Signed in New York. $200/250 1957. Fine impression. 9 1/16 x 7 13/16 in. (230 prints are rapidly becoming collector’s items. website, accessible via Wikipedia search Earl contain laid in notes by Sammett that describe his collection contain laid in notes by Sammett pencil, lower right. Initialed in the stone. Fine Sold as is, not subject to return. Washington x 198 mm). Fine condition. [M201]. $800/1,000 that describe the date and location at which the 191. WARD, L. & E.M. Washington - Marshawn Washington. $100/125 the date and location at which the signatures impression. 9 7/8 x 7 9/16 in. (251 x 192 mm). was the perpetrator of an elaborate scheme signatures and drawings were obtained, many The Mistress Unveiled. Woodcut. c1998. and drawings were obtained, many at the St. Sheet Size: 10 1/2 x 7 9/16 in. (267 x 192 mm). that involved the intentional misrepresentation 401. CHAGALL, Marc (Russian/French, 1887 at the St. Regis Hotel in New York, where Dali Printed c1998. Erroneously annotated “E.M. 194. WASHINGTON, E.M. & Unidenti fi ed Regis Hotel in New York, where Dali and his Fine condition. [F&L272]. $200/300 ofWashington woodcuts created1931” byin himpencil, after lowerworks bymargin. other Artist - Champagne. Woodcut. c1998. Printed - 1985) - Job Praying. Color lithograph. 1960. and his wife Gala resided. $8,000/10,000 Fine impression. 13 3/4 x 10 1/4 in. (349 x 260 wife Gala resided. $1,000/1,200 artists.Wide margins. Washington 5 x 3claimed 3/4 in. (127the printsx 95 mm).were c1998. Erroneously annotated “E.M. Washington mm). Framed. [M253]. $700/900 188. TCHAKALIAN, Sam (American, 1929 produced prior to 1952 by his great-grandfather, 409. DALI, Salvador (Spanish, 1904 - 1989) 412. DALI, Salvador (Spanish, 1904 - 1989) 1937” in pencil, lower left. 5 3/4 x 5 1/2 in. (146 x - 2004) - Ladyfi ngers. Color lithograph. 1979. Earl Mack Washington, from original blocks by 140 mm). Sheet Size: 11 x 8 9/16 in. (279 x 217 - Dali by Dali [By Salvador Dali]. Signed book. - Dali: A Study of His Art-In-Jewels, The Artist proof, aside from regular edition. initialed, 402. CHAGALL, Marc (Russian/French, 1887 famous artists that he had either salvaged from mm). By Earl Marshawn Washington after(?) Boston: Harry N Abrams Inc, 1983. First Edition. Collection of the Owen Cheatam Foundation dated and annotated “A.P.” Somerset paper. Full - 1985) - Ladder. Color lithograph. 1957. Fine a fi re-bombed Manhattan print shop or received the work by an unidenti fi ed artist. Sold as is, not 8to. Hard Cover. Fine condition in a near fi ne [Lida Livingston, ed]. Signed book. Greenwich, margins. 21 x 29 1/2 in. (533 x 749 mm). Sheet impression. 9 1/16 x 7 3/4 in. (230 x 197 mm). Connecticut: The New York Graphic Society, as gifts from the artists themselves. The story subject to return. $100/125 Fine condition. [M200]. $700/900 dust jacket, with just a hint of rubbing to the Size: 22 x 30 in. (559 x 762 mm). Provenance: 1965. 4to. Hard Cover. Fine condition book and subsequent revisions by Washington 28 MartinGordonAuctions •edges. The SIGNED August & DATED Art BYSale SALVADOR • August 14th, 2008 • Phoenix, AZ EstateAll of the images artist. $1,000/1,200 available at www.MartinGordon.com • 1 (800) 257-0366195. WASHINGTON, • 1 (602) E.M. 257-0888 & Unidenti fi17 ed Artist - Circus Performers. Woodcut. c1998. 189. VLIET, Claire Van (Canadian/American, Printed c1998. Erroneously annotated “ce b.1933) - Group of 7 Prints. * Eclipse. Lithograph. ‘55” in pencil, lower margin. Wide margins. 1973. Artist proof, aside from regular edition of 7 7/8 x 5 11/16 in. (200 x 144 mm). Sheet Size: 12 x 8 7/8 in. (305 x 225 mm). By Earl European 19th Century Marshawn Washington after(?) the work by an unidenti fi ed artist. Sold as is, not subject to 200. WASHINGTON, E.M. & Unidenti fi ed 204. WASHINGTON, E.M. & Unidenti fi ed Artist - Grimacing Figures. Woodcut. c1998. return. $100/125 Artist - Dancer and Musician. Woodcut. c1998. 381. BRAQUE, Georges [after] (French, 1882 Printed c1998. Erroneously annotated “E.M. Printed c1998. Erroneously annotated “E.M. - 1963) - Composition. Color collotype (with Washington 1929” in pencil, lower margin. Wide 378. BAUER, Rudolf [after] (German, 1881 pochoir?). 1914. Printed 1962. Print #28 of 196. WASHINGTON, E.M. & Unidenti fi ed Washington 1929” in pencil, lower margin. Wide margins. 4 7/16 x 6 7/16 in. (113 x 164 margins. 8 x 5 7/16 in. (203 x 138 mm). Sheet - 1953) - Weisse Fuge. Color offset lithograph. edition of 330. Signed in pencil with the initials, Artist - City Shapes I. Woodcut. c1998. c1937-1938. Signed in the original matrix. mm). Sheet Size: 9 x 12 in. (229 x 305 mm). By Size: 11 15/16 x 8 15/16 in. (303 x 227 mm). By lower right; numbered in pencil, lower left. Fine Printed description under image: “R. Bauer, A6 387. BRAQUE, Georges [after] (French, 1882 Earl Marshawn Washington after(?) the work by Earl Marshawn Washington after(?) the work by impression. 14 3/4 x 11 in. (375 x 279 mm). an unidenti fi ed artist. Sold as is, not subject to Weisse Fuge. Sammlung S.R. Guggenheim, Sheet Size: 15 5/16 x 12 in. (389 x 305 mm). - 1963) - Tete Grecque. Color collotype (with an unidenti fi ed artist. Sold as is, not subject to New York.” Heavy poster paper. Full margins. Fine condition. Authorized by and printed under pochoir?). 1948. Printed 1962. Print #28 of return. $100/125 return. $100/125 18 x 26 in. (457 x 660 mm). After the painting the supervision of Braque shortly before his edition of 330. Signed in pencil with the initials, 205. WASHINGTON, E.M. & Unidenti fi ed in the Solomon Guggenheim Museum, NY. death. $3,000/4,000 lower right; numbered in pencil, lower left. Fine 201. WASHINGTON, E.M. & Unidenti fi ed Apparently quite rare. Probably intended to impression. 12 3/8 x 9 3/4 in. (314 x 248 mm). Artist - Ecstatic Dancer (Josephine Baker?). Artist - Marching Figures. Woodcut. c1998. promote and/or accompany Bauer’s paintings 382. BRAQUE, Georges [after] (French, 1882 Sheet Size: 13 3/16 x 10 3/4 in. (335 x 273 mm). during a series of non-objective/abstract shows - 1963) - Cygne. Color collotype (with pochoir?). Fine condition. Authorized by and printed under in the late 1930s. $1,000/1,200 1947. Printed 1962. Print #28 of edition of 330. the supervision of Braque shortly before his Signed in pencil with the initials, lower right; death. $2,500/3,500 379. BONNARD, Pierre (French, 1867 - 1947) numbered in pencil, lower left. Fine impression. - Jeune Fille dans une Barque. Color lithograph. 13 11/16 x 10 7/8 in. (348 x 276 mm). Sheet 388. BRAQUE, Georges [after] (French, 1882 1939. 13 15/16 x 10 1/4 in. (354 x 260 mm). Size: 14 x 11 3/4 in. (356 x 298 mm). Fine - 1963) - Tete. Color collotype (with pochoir?). Sheet Size: 13 15/16 x 10 1/4 in. (354 x 260 condition. Authorized by and printed under the mm). $400/600 supervision of Braque shortly before his death. $2,000/3,000 c1998. Erroneously annotated “E.M. 380. BRAQUE, Georges [after] (French, 1882 Washington 1928” in pencil, lower margin. - 1963) - Composition (Violon). Color collotype 383. BRAQUE, Georges [after] (French, 1882 - 1963) - Mandoline et Plat de Fruit. Color WidePrinted margins. 4 1/16 x 5 7/8 in. (103 x 149 mm). Sheet Size: 9 x 12 in. (229 x 305 mm). By collotype (with pochoir?). 1943. Printed 1962. Printed 1962. Print #28 of edition of Earl Marshawn Washington after(?) the work by Print #28 of edition of 330. Signed in pencil 330. Signed in pencil with the initials, lower right; c1998. Erroneously annotated “E.M. an unidenti fi ed artist. Sold as is, not subject to with the initials, lower right; numbered in pencil, numbered in pencil, lower left. Fine impression. Washington 1927” in pencil, lower left. 7 1/4 x 4 return. $100/125 lower left. Fine impression. 11 x 13 3/16 in. (279 10 15/16 x 14 1/4 in. (278 x 362 mm). Sheet 13/16 in. (184 x 122 mm). Sheet Size: 12 x 9 in. x 335 mm). Sheet Size: 11 3/4 x 14 1/8 in. (298 Size: 11 13/16 x 15 3/8 in. (300 x 391 mm). Fine Printed (305 x 229 mm). By Earl Marshawn Washington 206. WASHINGTON, E.M. & Unidenti fi ed x 359 mm). Fine condition. Authorized by and condition. Authorized by and printed under the after(?) the work by an unidenti fi ed artist. Sold Artist - Musicians and Dancer. Woodcut. printed under the supervision of Braque shortly supervision of Braque shortly before his death. as is, not subject to return. $100/125 c1998. Printed c1998. Erroneously annotated before his death. $2,500/3,500 $3,000/4,000 1944-45. “E.M. Washington 1927” in pencil, lower left. 7 x 384. BRAQUE, Georges [after] (French, 1882 197. WASHINGTON, E.M. & Unidenti fi ed c1998. Printed c1998. Erroneously 5 in. (178 x 127 mm). Sheet Size: 11 x 7 1/2 in. 389. BUCKLAND-WRIGHT, John [after] Artist - City Shapes II. Woodcut. c1998. - 1963) - Nature Morte avec le Pichet. Color annotated “E.M. Washington 1935” in pencil, (279 x 190 mm). By Earl Marshawn Washington collotype (with pochoir?). 1948. Printed 1962. (New Zealander/English, 1897 - 1954) - Nude Printed c1998. Erroneously annotated “E.M. lower left. 10 7/8 x 6 15/16 in. (276 x 176 mm). E. Woodcut. 1931. Annotated in letters, lower Woodcut. after(?) the work by an unidenti fi ed artist. Sold Print #28 of edition of 330. Signed in pencil Washington 1928” in pencil, lower left. 6 9/16 x 5 Sheet Size: 15 1/8 x 10 3/8 in. (384 x 264 mm). as is, not subject to return. $100/125 with the initials, lower right; numbered in pencil, left. 9 5/8 x 3 5/8 in. (244 x 92 mm). Sheet Size: 11/16 in. (167 x 144 mm). Sheet Size: 12 x 9 in. By Earl Marshawn Washington after(?) the work lower left. Fine impression. 9 13/16 x 12 7/16 in. 12 x 9 in. (305 x 229 mm). $200/300 (305 x 229 mm). By Earl Marshawn Washington by an unidenti fi ed artist. Sold as is, not subject 207. WASHINGTON, E.M. & Unidenti fi ed (249 x 316 mm). Sheet Size: 10 11/16 x 13 5/8 to return. $100/125 Artist - Pinwheel Nude. Woodcut. c1998. 390. BUCKLAND-WRIGHT, John [after] (New after(?) the work by an unidenti fi ed artist. Sold in. (271 x 346 mm). Fine condition. Authorized Zealander/English, 1897 - 1954) - The Model, as is, not subject to return. $100/125 Printed c1998. Erroneously annotated “E.M. by and printed under the supervision of Braque No. 2. Woodcut. 1936. Annotated in letters, 202. WASHINGTON, E.M. & Unidenti fi ed Washington 1933” in pencil, lower margin. shortly before his death. $2,000/3,000 lower left. 7 1/8 x 4 5/8 in. (181 x 117 mm). 198. WASHINGTON, E.M. & Unidenti fi ed Artist - Faustus. Woodcut. c1998. Printed Wide margins. 7 3/16 x 5 1/8 in. (183 x 130 Sheet Size: 12 x 9 in. (305 x 229 mm). Rejected Artist - City View from Deck. Woodcut. c1998. 385. BRAQUE, Georges [after] (French, 1882 c1998. Annotated “E.M. Washington proof” in mm). Sheet Size: 12 x 9 in. (305 x 229 mm). By proof. $200/300 Printed c1998. Erroneously annotated “E.M. pencil, lower margin. Wide margins. 6 11/16 x 4 Earl Marshawn Washington after(?) the work by - 1963) - Silhouette et Palette. Color collotype Washington 1931” in pencil, lower left. 3 7/8 x 5 (with pochoir?). 1947. Printed 1962. Print #28 of 7/16 in. (170 x 113 mm). Sheet Size: 12 x 9 in. an unidenti fi ed artist. Sold as is, not subject to edition of 330. Signed in pencil with the initials, 391. CHAGALL, Marc (Russian/French, 1887 3/8 in. (98 x 137 mm). Sheet Size: 8 9/16 x 11 in. (305 x 229 mm). By Earl Marshawn Washington return. $100/125 lower right; numbered in pencil, lower left. Fine - 1985) - Accordionist. Color lithograph. 1957. (217 x 279 mm). By Earl Marshawn Washington after(?) the work by an unidenti fi ed artist. Sold impression. 10 15/16 x 14 3/16 in. (278 x 360 Fine impression. Fresh, bright colors. 9 1/16 after(?) the work by an unidenti fi ed artist. Sold as is, not subject to return. $100/125 208. WASHINGTON, E.M. & Unidenti fi ed mm). Sheet Size: 11 3/4 x 15 3/16 in. (298 x 386 x 15 1/8 in. (230 x 384 mm). Fine condition. as is, not subject to return. $100/125 Artist - Port of New York City. Woodcut. c1998. mm). Fine condition. Authorized by and printed [M204]. $800/1,000 203. WASHINGTON, E.M. & Unidenti fi ed Printed c1998. Erroneously annotated “E.M. 1914. Printed 1962. Print #28 of under the supervision of Braque shortly before 199. WASHINGTON, E.M. & Unidenti fi ed Artist - Figures with Arms Lifted. Woodcut. Washington 1932” in pencil, lower margin. edition of 330. Signed in pencil with the initials, his death. $2,500/3,500 392. CHAGALL, Marc (Russian/French, 1887 Artist - Couple. Woodcut. c1998. Printed c1998. c1998. Printed c1998. Erroneously annotated Wide margins. 4 3/4 x 5 3/16 in. (121 x 132 lower right; numbered in pencil, lower left. Wide - 1985) - Black and Blue Bouquet. Lithograph. Erroneously annotated “E.M. Washington 1931” “E.M. Washington 1928” in pencil, lower margin. mm). Sheet Size: 9 15/16 x 7 3/16 in. (252 x 183 margins. Fine impression. 14 7/8 x 6 1/2 in. (378 386. BRAQUE, Georges [after] (French, 1957. Fine impression. 9 1/16 x 7 13/16 in. (230 in pencil, lower left. 7 x 5 9/16 in. (178 x 141 Wide margins. 7 11/16 x 5 13/16 in. (195 x 148 mm). By Earl Marshawn Washington after(?) x(with 165 pochoir?). mm). Sheet Size: 17 x 8 13/16 in. (432 1882 - 1963) - Sur l’Aile. Color collotype (with x 198 mm). Fine condition. [M202]. $800/1,000 mm). Sheet Size: 12 x 9 in. (305 x 229 mm). By the work by an unidenti fi ed artist. Sold as is, not x 224 mm). Fine condition. Authorized by and pochoir?). 1954. Printed 1962. Print #28 of mm). Sheet Size: 12 x 9 in. (305 x 229 mm). By 393. CHAGALL, Marc (Russian/French, 1887 Earl Marshawn Washington after(?) the work by Earl Marshawn Washington after(?) the work by subject to return. $100/125 printed under the supervision of Braque shortly edition of 330. Signed in pencil with the initials, lower right; numbered in pencil, lower left. Fine - 1985) - Blue Fish. Color lithograph. 1957. Fine an unidenti fi ed artist. Sold as is, not subject to an unidenti fi ed artist. Sold as is, not subject to before his death. $3,000/4,000 impression. 9 1/16 x 15 5/16 in. (230 x 389 mm). return.18 $100/125 MartinGordonAuctions •return. The $100/125 August Art Sale • August 209.14th, WASHINGTON, 2008 • E.M.Phoenix, & Unidenti AZ fi ed All images available at www.MartinGordon.comimpression. 7 3/4 x 10 7/8 in. (197 • x 276 1 (800) mm). 257-0366 • 1 (602) 257-0888 27 Artist - Power. Woodcut. c1998. Printed c1998. Sheet Size: 8 3/8 x 11 7/8 in. (213 x 302 mm). Fine condition. [M198]. $800/1,000 Fine condition. Authorized by and printed under the supervision of Braque shortly before his death. $2,500/3,500 353. GUYS, Constantin [after] (French, 1802 15/16 in. (160 x 151 mm). Sheet Size: 10 7/16 - 1892) - Portrait. Color lithograph. Printed x 8 7/16 in. (265 x 214 mm). Fine condition. 1939. 12 3/16 x 8 5/8 in. (310 x 219 mm). Sheet 370. ALBERS, Josef (German, 1888 - $200/300 Size: 13 15/16 x 10 3/8 in. (354 x 264 mm). 1976) - Gray Instrumentation IF (Miniature 214. WASHINGTON, E.M. & Unidenti fi ed $200/300 Artist - Tropical Fish I. Woodcut. c1998. 220. WEST, E. Gordon (American, b.1933) - 362. MARTENS, H. [after] (British, 19th Edition). Silkscreen. 1974. 5 x 5 in. (127 x 127 Printed c1998. Erroneously annotated “E.M. Century) - Attack of the Kaffi rs on the Troops mm). Sheet Size: 8 x 8 in. (203 x 203 mm). Washington 1936” in pencil, lower margin. Group of 2 Watercolors. * Old Gilbeau Kitchen 354. HALL, Harry [after] (British, 1814 - 1882) under the Command of the Lt. Col. Fordyce Handprinted screen miniature. Published by Wide margins. 3 15/16 x 6 7/8 in. (100 x 175 and Slave Quarters, San Antonio, Texas. - Merry Beaglers. Hand-colored aquatint. of 74th Highlanders. Hand-colored print. 19th Tyler Workshop Ltd. as part of a promotional Watercolor. c1960s? Signed, lower left. 10 5/8 c1840s/50s. 21 1/4 x 29 1/4 in. (540 x 743 mm). mm). Sheet Size: 9 x 12 in. (229 x 305 mm). By century. Notations in letters. 16 1/2 x 23 7/8 brochure advertising the “Gray Instrumentation Earl Marshawn Washington after(?) the work by x 14 5/8 in. (270 x 371 mm). * Carle Store and Sheet Size: 24 x 31 1/4 in. (610 x 794 mm). in. (419 x 606 mm). Sheet Size: 26 1/2 x 23 I” portfolio. Includes original printed paper an unidenti fi ed artist. Sold as is, not subject to Living Quarters, September Square, Castroville, $600/800 7/8 in. (673 x 606 mm). Published by Rudolph covers and gray mailing envelope bearing the return. $100/125 Texas. Watercolor. c1960s? Signed, lower left. Ackermann, London. Prints after Martens are Tyler Workshop Ltd. insignia. $200/250 11 x 16 1/8 in. (279 x 410 mm) [2]. $200/300 355. HOUDARD, Charles-Louis-Marie rare. $600/800 215. WASHINGTON, E.M. & Unidenti fi ed (French, Active 19th Century) - At the River’s 371. ALBERS, Josef (German, 1888 - Artist - Tropical Fish II. Woodcut. c1998. 221. WHEELER, Steve (American, 1912 Edge. Color etching with aquatint. 1889. Signed 363. MAUPASSANT, Guy de (French, 1850 1976) - Homage to the Square (Miniature Printed c1998. Erroneously annotated “E.M. - 1992) - A Pica of T. Color silkscreen. 1947. in pencil, lower right. Dated and annotated - 1893) - Snowy Woods. Mixed media. Signed Edition). Silkscreen. 1976. 5 x 5 in. (127 x 127 Washington 1936” in pencil, lower margin. Edition of 513. Full margins. 12 1/2 x 9 1/2 in. “Epreuve d’Artiste” in pencil, lower left. Cercle “G. Maupas,” lower left. Atelier stamp, lower mm). Sheet Size: 8 x 8 in. (203 x 203 mm). Wide margins. 4 x 6 11/16 in. (102 x 170 mm). (317 x 241 mm). Sheet Size: 12 7/8 x 9 7/8 in. Librairie blindstamp “HLT,” lower left. Arches right. 8 9/16 x 12 5/16 in. (217 x 313 mm). Any Handprinted screen miniature of the artist’s Sheet Size: 8 15/16 x 12 in. (227 x 305 mm). By (327 x 251 mm). Printed on gray colored paper. work by Maupassant is very rare. $1,200/1,600 laid paper. Full margins (deckle edges). 16 1/4 last print, commemorating his 88th birthday. annotated “E.M. Washington 1931” Earl Marshawn Washington after(?) the work by $1,200/1,600 x 22 1/2 in. (413 x 571 mm). $1,000/1,200 364. MONTAGUE, Alfred (British, Active 1832 - Includes original paper covers and unmarked in pencil, lower margin. Wide margins. 6 3/16 x 5 an unidenti fi ed artist. Sold as is, not subject to 1883) - Falls in the Gorge. Oil on canvas. 1841. envelope. $200/250 11/16 in. (157 x 144 mm). Sheet Size: 12 x 9 in. return. $100/125 222. WHEELER, Steve (American, 1912 356. LALANNE, Maxime (French, 1827 (305 x 229 mm). By Earl Marshawn Washington - 1992) - Big Shape. Color silkscreen. 1947. - 1886) - Demolition pour le Percement de la 372. ALBERS, Josef (German, 1888 - 216. WASHINGTON, E.M. & Unidenti fi ed Edition of 513. Full margins. 7 11/16 x 9 5/8 in. 1976) - Never Before F (Miniature Edition). after(?) the work by an unidenti fi ed artist. Sold Artist - Welch’s Grape Juice. Woodcut. c1998. Rue des Ecoles [Vieux Paris]. Etching. 1862. Erroneouslyas is, not subject to return. $100/125 (195 x 244 mm). Sheet Size: 9 7/8 x 12 7/8 in. Signed in the plate, lower right. Signed in ink. Silkscreen. 1976. 4 1/2 x 4 7/8 in. (114 x 124 Printed c1998. Erroneously annotated “E.M. (251 x 327 mm). Printed on blue colored paper. Full margins. Fine impression. 9 3/16 x 12 1/2 mm). Sheet Size: 7 3/4 x 8 1/8 in. (197 x 206 Washington 1927” in pencil, lower margin. 9 $1,200/1,600 mm). Handprinted screen miniature. Published 210. WASHINGTON, E.M. & Unidenti fi ed 15/16 x 8 in. (252 x 203 mm). Sheet Size: 11 in. (233 x 317 mm). Sheet Size: 14 1/8 x 22 by Tyler Graphics Ltd. as part of a promotional Artist - Rowing. Woodcut. c1998. Printed c1998. 3/16 in. (359 x 564 mm). Fine condition. [B5]. and dated “A. Montague 1841,” lower 15/16 x 8 15/16 in. (303 x 227 mm). By Earl 223. WHEELER, Steve (American, 1912 - brochure advertising the “Never Before” Erroneously annotated “E.M. Washington 1928” Marshawn Washington after(?) the work by $1,000/1,200 right. 20 x 30 in. (508 x 762 mm). $1,600/1,800 1992) - Brooklyn in Q - T Formation. Silkscreen. portfolio. Includes original printed paper covers. in pencil, lower margin. Wide margins. 4 1/8 x 6 an unidenti fi ed artist. Sold as is, not subject to 1947. Edition of 513. Full margins. 9 5/16 x 12 365. QUEYROY, Mathurin (French, 1830 - $200/250 1/16 in. (105 x 154 mm). Sheet Size: 9 x 12 in. return. $100/125 357. LANZA, Luigi (Italian, 1860 - ?) - Venetian 1/16 in. (237 x 306 mm). Sheet Size: 9 7/8 x 12 1893) - Les Etrennes du Bebe. Etching. 1866. (229 x 305 mm). By Earl Marshawn Washington 7/8 in. (251 x 327 mm). Printed on pink colored Canal View I. Watercolor. 19th century. Signed, Signed and dated in plate, lower right; blind 373. ARAKAWA, Shusaku (American, b.1936) 217. WASHINGTON, E.M. & Unidenti fi ed lower right. (Sight size): 11 5/8 x 6 5/8 in. after(?) the work by an unidenti fi ed artist. Sold paper. $1,000/1,200 stampSigned in lower margin. Full margins. 8 1/4 x 11 - Hommage à Aimé et Marguerite Maeght. as is, not subject to return. $100/125 Artist - Work with Care. Woodcut. c1998. (295 x 168 mm). Not examined out of frame. in. (210 x 279 mm). Sheet Size: 14 1/8 x 22 3/16 Lithograph. 1982. 14 15/16 x 12 1/4 in. (379 x Printed c1998. Erroneously annotated “E.M. 224. WHEELER, Steve (American, 1912 - $2,000/2,500 in. (359 x 564 mm). Sold at Skinner 3/22/2002 311 mm). $300/400 211. WASHINGTON, E.M. & Unidenti fi ed Washington 1933” in pencil, lower margin. for $382 (including premium). $300/400 Wide margins. 4 15/16 x 3 13/16 in. (125 x 97 1992) - Composition. Silkscreen. 1947. Edition Artist - Somber Figure. Woodcut. c1998. Active 1930s) - of 513. Full margins. 7 7/8 x 10 9/16 in. (200 x 358. LANZA, Luigi (Italian, 1860 - ?) - Venetian 374. AUGUSTIN, Edgar (German, 1936 - Printed c1998. Erroneously annotated “E.M. Balingmm). Sheet Cotton. Size: Charcoal 12 x 9 drawing.in. (305 x 1936. 229 mm). Signed By 366. RENOIR, Pierre-Aug. [attrib.] (French, Earl Marshawn Washington after(?) the work by 268 mm). Sheet Size: 9 7/8 x 12 7/8 in. (251 x Canal View II. Watercolor. 19th century. 1996) - Untitled. Etching. 1972. Printed 1972. Washington 1928” in pencil, lower margin. Wide and dated in pencil in image, lower right. Signed Signed, lower left. (Sight size): 11 5/8 x 6 5/8 1841 - 1919) - View of Montmartre. Oil on Print #7 of edition of 80. Signed in pencil, lower an unidenti fi ed artist. Sold as is, not subject to 327 mm). $800/1,000 margins. 7 5/8 x 4 5/16 in. (194 x 110 mm). in charcoal below image, lower right. 17 3/4 x 12 in. (295 x 168 mm). Not examined out of frame. canvas. c1880s. Signed with the initial “R,” right; numbered in pencil, lower left. 12 1/8 x 9 1/2return. in. (451$100/125 x 317 mm). Sheet Size: 19 1/2 x 14 lower right. 10 3/4 x 15 1/2 in. (273 x 394 mm). $2,000/2,500 1/4 in. (308 x 235 mm). Sheet Size: 25 3/8 x 19 Sheet Size: 11 x 8 1/2 in. (279 x 216 mm). By 1/2 in. (495 x 368 mm). $500/600 225. WHEELER, Steve (American, 1912 $8,000/10,000 3/8 in. (645 x 492 mm). Proof before letters for Earl Marshawn Washington after(?) the work by 218. WEBB, D.B. (American, - 1992) - Introducing Miss America. Color a poster. $300/400 an unidenti fi ed artist. Sold as is, not subject to 219. WENGENROTH, Stow (American, 1906 silkscreen. 1947. Edition of 513. Full margins. 359. LEMERCIER (PUB.) DRANER/RENARD 367. TOULOUSE-LAUTREC, Henri De 9 3/8 x 11 3/8 in. (238 x 289 mm). Sheet Size: (French, 19th Century) - Types Militaires: return. $100/125 - 1978) - Eastport Wharf. Lithograph. 1932. (French, 1864 - 1901) - Au Pied du Sinai: 9 7/8 x 12 7/8 in. (251 x 327 mm). Printed on France 1863, Of fi cer d’Infanterie de Ligne, 375. BASILE, A. (Italian, 20th Century) - Couverture. Color lithograph. 1898. Edition of orange colored paper. $1,200/1,400 tenue de Compagne. Hand-colored lithograph 405. Wide margins. 10 1/4 x 16 1/8 in. (260 x Vecchio Pescatore. Oil on canvas. c1950s? 212. WASHINGTON, E.M. & Unidenti fi ed heightened with gum arabic. 1863. Notations in 410 mm). Sheet Size: 10 5/16 x 16 7/8 in. (262 Signed, lower right. 23 3/4 x 19 3/4 in. (603 x Artist - Staatliches Bauhaus - Weimar. Woodcut. 502 mm). $1,000/1,200 c1998. Printed c1998. Erroneously annotated 226. WHEELER, Steve (American, 1912 letters. Wove paper. 13 1/8 x 8 1/2 in. (333 x 216 x 429 mm). [D235; W188]. $900/1,000 - 1992) - Little Joe Picking His Nose. Color mm). Sheet Size: 16 5/8 x 11 5/8 in. (422 x 295 “Proof E.M. Washington 1927” in pencil, lower 376. BATTISTA, Giovanni (Italian, 1858 - silkscreen. 1947. Edition of 513. Full margins. mm). Lithograph by Jules Renard (pseudonym 368. TOULOUSE-LAUTREC, Henri De margin. Wide margins. 4 1/4 x 4 3/16 in. (108 10 1/4 x 7 7/8 in. (260 x 200 mm). Sheet Size: Jules Draner). $100/150 (French, 1864 - 1901) - Juifs Polonais, Carlsbad. 1925) - Going Somewhere. Opaque watercolor. x 106 mm). Sheet Size: 11 15/16 x 8 15/16 in. Lithograph. 1898. Print #275 of edition of 380. c1900. Signed in the image, lower right. Signed, 12 7/8 x 9 7/8 in. (327 x 251 mm). Printed on Monogrammed in the stone, upper right. Ample (303 x 227 mm). By Earl Marshawn Washington green colored paper. $1,200/1,400 360. LEMERCIER (PUB.) DRANER/RENARD titled, and medium noted in pencil on the mat. after(?) the work by an unidenti fi ed artist. Sold margins. 6 7/8 x 5 1/2 in. (175 x 140 mm). Sheet 11 1/4 x 8 3/4 in. (286 x 222 mm). $700/800 (French, 19th Century) - Types Militaires: Size: 10 1/4 x 7 7/8 in. (260 x 200 mm). Full as is, not subject to return. $100/125 227. WHEELER, Steve (American, 1912 France 1865, Ecole Polytechnique. Hand- page lithograph, hors-texte, from Au pied du 377. BAUER, Rudolf [after] (German, 1881 - - 1992) - Marine Garden. Silkscreen. 1947. colored lithograph heightened with gum arabic. Sinai by Georges Clemenceau. [A249; D240; 1953) - Tetraptychon, I. Color offset lithograph. 213. WASHINGTON, E.M. & Unidenti fi ed Edition of 513. Full margins. 9 1/8 x 12 1/8 in. 1865. Notations in letters. Wove paper. 13 1/8 x W193]. $900/1,000 c1937-1938. Signed in the original matrix. Printed Artist - Sweeping. Woodcut. c1998. Printed (232 x 308 mm). Sheet Size: 9 7/8 x 12 7/8 in. 8 1/2 in. (333 x 216 mm). Sheet Size: 16 5/8 x description under image: “Rudolf Bauer, A2 c1998. Erroneously annotated “E.M. (251 x 327 mm). Printed in white ink on blue 11 5/8 in. (422 x 295 mm). Lithograph by Jules 369. TOULOUSE-LAUTREC, Henri De Tetraptychon, I. Sammlung S.R. Guggenheim, Washington 1931” in pencil, lower margin. colored paper. $1,000/1,200 Renard (pseudonym Jules Draner). $100/150 (French, 1864 - 1901) - Ta Bouche. Lithograph. New York.” Heavy poster paper. Full margins. Wide margins. 6 15/16 x 4 1/16 in. (176 x 103 1893. Printed later. Monagrammed in the stone. 19 3/4 x 19 3/4 in. (502 x 502 mm). After the mm). Sheet Size: 12 x 9 in. (305 x 229 mm). By 1932. Fine impression. 6 5/16 x 5 228. WHEELER, Steve (American, 1912 - 361. MANET, Edouard (French, 1832 - 1883) BFK Rives paper. Full margins. 9 1/4 x 7 in. (235 painting in the Solomon Guggenheim Museum, Earl Marshawn Washington after(?) the work by 1992) - Nick Carter. Silkscreen. 1947. Edition of - 26 Chat et les Fleurs. MartinGordon Etching with aquatint.Auctions 1869. •x 178 The mm). August Sheet Size: Art15 x 11 Sale in. (381 •x 279 August NY.14th, Apparently 2008 quite •rare. Phoenix, Probably intended AZ to an unidentiAll imagesfi ed artist. Sold available as is, not subject at towww.MartinGordon.com • 1 (800) 257-0366513. Full margins.• 1 (602) 8 x 10 3/8 257-0888 in. (203 x 264 mm). 19 Printed later. Signed in the plate, lower left. Very mm). [A25; AD31iii; D21]. $800/1,000 promote and/or accompany Bauer’s paintings return. $100/125 Printed Sheet Size: 9 7/8 x 12 7/8 in. (251 x 327 mm). wide margins. 8 x 6 in. (203 x 152 mm). [Guerin during a series of non-objective/abstract shows Printed in black and white ink on green colored 53; Harris 65]. $1,000/1,200 in the late 1930s. $1,000/1,200 paper. $1,000/1,200 229. WHEELER, Steve (American, 1912 - 235. WHITE, Charles Henry (Canadian, 1878 241. YEN, Stephen (American, b.1982) 1992) - Peg Taking a Drag. Silkscreen. 1947. - 1918) - The Chateau de Sarcus. Etching. - Gaslamp Window. Aquatint. 2007. Printed European 19th Century Edition of 513. Full margins. 9 1/4 x 10 9/16 in. 1903. Signed and dated in the plate, lower right; (235 x 268 mm). Sheet Size: 9 7/8 x 12 7/8 in. copyrighted above image. 3 5/16 x 4 15/16 in. #49 of edition of 150. Numbered in pencil, lower (251 x 327 mm). Printed in white ink on black (84 x 125 mm). Sheet Size: 5 1/4 x 8 3/8 in. (133 left. Full margins. 17 1/4 x 15 in. (438 x 381 colored paper. $800/1,000 x 213 mm). $60/80 mm). Sheet Size: 26 x 19 in. (660 x 483 mm). 344. DENON, Dominique-Vivant (French, In pencil on verso: “Dist. by Yamet Arts, N.Y. 1747 - 1825) - Kiss. Lithograph. 1818. 8 13/16 x 230. WHEELER, Steve (American, 1912 - 236. WHITE, Charles Henry (Canadian, 1878 1965.” $700/800 13 3/4 in. (224 x 349 mm). Sheet Size: 10 1/8 x 1992) - Power of Memory. Silkscreen. 1947. - 1918) - The individual . . . stopped before a 15 in. (257 x 381 mm). An extremely rare, early Edition of 513. Full margins. 10 9/16 x 7 1/2 in. pretty house. Etching. 1902. Signed and dated 327. DE LA ROSA, Juan Manuel (Mexican, and important lithograph. $2,600/2,800 (268 x 190 mm). Sheet Size: 12 7/8 x 9 7/8 in. in the plate, lower right; copyrighted above 20th Century) - Untitled I. Embossing, etching, 335. ALKEN, Samuel, Jr. (English, 1784 (327 x 251 mm). $800/1,000 image. 4 7/8 x 3 1/4 in. (124 x 83 mm). Sheet color aquatint. c1990s. Signed in pencil, lower in- 1825)lower margin.- Grey Fulland margins. Bay Stallions Fine impression. Fighting. 345. EDEL, Alfredo (Italian, 1859 - 1912) - Size: 8 3/8 x 5 1/4 in. (213 x 133 mm). $60/80 right; numbered in pencil, lower left; publisher’s 6Watercolor 1/4 x 9 1/4 andin. (159 graphite. x 235 mm).1815. Sheet Signed Size: and 14 Le Mage. Color lithograph. 1891. Signed and 231. WHEELER, Steve (American, 1912 - (?) blindstamp. Fine impression. 7 3/8 x 3 3/4 dated, lower left. 8 1/2 x 10 3/4 in. (216 x 273 dated in the stone. 33 1/2 x 24 in. (851 x 610 in. (187 x 95 mm). From the collection of Jaled 1/8 x 22 3/16 in. (359 x 564 mm). Fine condition. 1992) - Prelude in Red. Color silkscreen. 1947. 237. WILLIAMS, Florence White (American, $100/125mm). $1,500/1,800 mm). Sheet Size: 35 1/2 x 25 3/4 in. (902 x 654 1900 - 1953) - Polygala. Watercolor. c1930s. Muyaes and Estela Ogazon. $400/600 mm). $1,200/1,400 Signed in pencil, lower right. Titled in pencil, 328. DE LA ROSA, Juan Manuel (Mexican, 337.336. BONFILS,APPIAN, Adolphe Robert (French, (French, 1886 1818 - -1972) 1898) - lower left. 5 3/8 x 10 1/2 in. (137 x 267 mm). - Le Village de Chanaz [Savoie]. Etching. 1866. 346. EUROPEAN SCHOOL, 19TH CENTURY 20th Century) - Untitled II. Mezzotint. c1990s. La Petite Jeanne Pale. Color lithographs. Marias - Drunk with Stein and Pipe. Oil on canvas. Sheet Size: 18 x 12 in. (457 x 305 mm). Signed and annotated “EA” in pencil. Fine Signed and dated in plate, lower left; blind stamp $200/250 wove paper. Sheet Size: (Various): 10 1/4 x 8 Signed “Emilia(?),” lower right. 18 1/4 x 12 1/4 impression. 5 3/4 x 4 7/8 in. (146 x 124 mm). 3/8 in. (260 x 213 mm). First edition of the novel in. (464 x 311 mm). $800/900 Publisher’s (?) blindstamp. From the collection by Jean de Tinan. Illustrated by Bon fi ls with 16 238. WILLIAMS, Florence White (American, of Jaled Muyaes and Estela Ogazon. $400/600 347. EUROPEAN SCHOOL, 19TH CENTURY 1900 - 1953) - Zinnias and Larkspurs. original color lithographs, plus one on the cover. Loose as issued in original wraps with blue - The Countess and Her Pup. Oil on canvas Watercolor. c1930s. Signed in pencil, lower 329. RUELAS, Julio (Mexican, 1870 - 1907) mounted on board. c1850. 29 1/2 x 23 1/2 in. left. Titled in pencil, lower left. 15 7/8 x 10 1/2 - Matador and Bull. Color paper and silk cutout. board chemise displaying paper spine label. (749 x 597 mm). $1,200/1,600 in. (403 x 267 mm). Sheet Size: 17 7/8 x 12 in. c1900? Stamped metallic dust signature. 4 3/8 One of 260 copies printed on fi ne Marias wove (454 x 305 mm). $200/250 2007. Print #3 of edition of 4. Signed, titled, x 8 1/4 in. (111 x 210 mm). Sheet Size: 9 3/4 x paper. Numbered as 244 of the total edition of 348. FALCONBRIDGE, Joseph (British, 19th dated and numbered in pencil, lower margin. 5 12 1/2 in. (248 x 317 mm). Ruelas was a highly 285, published by Compagnie Francaise des Century) - Allegorical Scene. Oil on canvas. 19th of 513. Full margins. 8 3/8 x 11 in. (213 15/16 x 3 15/16 in. (151 x 100 mm). Sheet Size: important symbolist. His works are scarce, x 279 mm). Sheet Size: 9 7/8 x 12 7/8 in. (251 239. WUNDERLICH, Paul (German, b.1927) - Arts Graphiques, Paris, 1945. $200/250 century. Signed “Joseph Falconbridge,” lower John Berggruen Gallery Poster. Color lithograph 7 15/16 x 6 in. (202 x 152 mm). $200/300 especially works on paper. $1,000/1,200 left. 50 1/2 x 37 in. (1283 x 940 mm). Archangel x 327 mm). Printed on yellow colored paper. Edition poster. 1971. Copyright Matthieu AG. 25 1/2 x 338. BRITISH SCHOOL [19TH CENTURY] Michael slaying the sinners. $1,500/1,800 $1,200/1,400 242. YOUNG-HUNTER, John (American, 19 3/4 in. (648 x 502 mm). Sheet Size: 25 1/2 x 1875 - 1955) - Mabel Dodge Luhan’s Dog. Oil 330. RUELAS, Julio (Mexican, 1870 - 1907) - Dog on Dock. Oil on canvas. c1870s? 22 x 35 19 3/4 in. (648 x 502 mm). $200/300 on canvas. c1945. Signed “J. Young-Hunter,” - Picador. Color paper and silk cutout. c1900? in. (559 x 889 mm). $200/250 349. GOULD, John (English, 1804 - 1881) 232. WHEELER, Steve (American, 1912 on stretcher bar, verso. 17 x 25 1/4 in. (432 Stamped signature. 4 1/2 x 6 1/4 in. (114 x 159 - Bridled Guillemot. Hand-colored lithograph. mm). Sheet Size: 9 3/4 x 12 1/2 in. (248 x 317 - 1992) - Sheik and Private Leon. Color 240. YEN, Stephen (American, b.1982) - Daft. x 641 mm). Born in Glasgow, Scotland, John 339. BUHOT, Felix-Hilaire (French, 1847 - c1850. Notations in letters. 12 1/4 x 13 in. (311 silkscreen. 1947. Edition of 513. Full margins. Color linoleum cut. 2007. Printed 2007. Print #1 Young-Hunter was a portrait, fi gure, and mm). Ruelas was a highly important symbolist. x 330 mm). Sheet Size: 20 x 14 in. (508 x 356 His works are scarce, especially works on 1898) - Matinee d’Hiver au Quai de L’Hotel Dieu. 8 5/8 x 11 3/4 in. (219 x 298 mm). Sheet Size: 9 landscape painter with a highly aristocratic Etching with drypoint and roulette. 1876. Signed mm). $150/200 7/8 x 12 7/8 in. (251 x 327 mm). $1,200/1,400 upbringing in England and a career that paper. $1,000/1,200 reached to the American East and Southwest. in the plate. Very wide margins. 9 1/2 x 12 5/8 in. edition. Initialed in the block. Full sheets. Fine (241 x 321 mm). [BG123]. $900/1,000 350. GRASSET, Eugene Samuel (Swiss/ 233. WHEELER, Steve (American, 1912 - He was raised with privilege and extravagance 331. TAMAYO, Rufi no (Mexican, 1899 - 1991) impressions.French, 1841 7 15/16- 1917) x 6 1/16 - Les in. (202 Mois x 154 [Twelve mm). 1992) - Thunder and Short Beer. Silkscreen. among the culturally elite of London, and close - Mujer Enojada. Silkscreen. 1989. Print #20 of FreshMonths colors. - Calendar] Excellent condition.[Set of 12Proof full-page edition family friends included John Singer-Sargent edition of 120. Signed, lower right; numbered, 340. CALAME, Alexandre [after] (Swiss, 1810 1947. Edition of 513. Full margins. 8 1/2 x 12 lower left. Fine impression. 25 3/8 x 19 15/16 beforecolor printed letters ofwoodcuts, Grasset’s proof sumptuous before calendar letters]. and Lawrence Alma-Tadema. John received - 1864) - Lecons de Paysage. Lithograph. 19th commissionedColor chromotype by thewoodcuts. Parisian 1894. department Small 3/8 in. (216 x 314 mm). Sheet Size: 9 7/8 x 12 much recognition for his portrait painting in in. (645 x 506 mm). Published by Ediciones century. Signed in the plate. 9 1/2 x 13 in. (241 7/8 in. (251 x 327 mm). $800/1,000 England, and his paintings were exhibited in Jesusa. [Tamayo 336]. $5,000/6,000 store, La Belle Jardiniere. This calendar was x 330 mm). Lithograph by Ciceri. From the offered in the May 15, 1984 issue of La Plume the National Tate Gallery in London and the collection of Jaled Muyaes and Estela Ogazon. 234. WHEELER, Steve (American, 1912 Luxembourg Museum in Paris. From 1900 to 332. TEQUIS, F. Beras - Mexican Soldiers and on vellum. “Each month’s maiden, clad in - 1992) - Two Smiles. Color silkscreen. 1947. 1913, he exhibited at the Royal Academy. In Consorts. Watercolor. Signed in pen, lower $100/200 aesthetic taste, does something appropriate 1913, he traveled to the United States, pursuing center. 14 7/8 x 22 1/4 in. (378 x 565 mm). to her fl owers, trees, or plants…” (Arwas, pp. his fascination with American Indians whom $600/800 341. CEZANNE, Paul (French, 1839 - 1906) 25-27). Loose in original printed wrappers (light he had seen in Buffalo Bill’s “Wild West Show” - Guillaumin au Pendu. Etching. 1873. Printed wear to edge of wrappers, backstrip reinforced), performances in London. In 1917, he fi rst 333. VILLAGRAN, Armando (Mexican, 20th later. Full margins (deckle edges). 5 7/8 x 4 1/4 laid in modern clamshell case. [Arwas pg. 26; visited Santa Fe and Taos, New Mexico. Cutting Century) - Untitled. Hand-colored etching. in. (149 x 108 mm). [Cherpin 2]. $400/600 Turn of the Century 50; Art Nouveau Belgium his connections to the European art world, he 1990. Signed, dated and annotated “E/E” in France 41]. $3,000/4,000 settled in Taos in 1942 and became a part of the pencil. 4 9/16 x 3 3/4 in. (116 x 95 mm). From 342. CEZANNE, Paul (French, 1839 - 1906) - colony of artists around Mabel Dodge Luhan. the collection of Jaled Muyaes and Estela Tête de Jeune Fille. Etching with roulette. 1873. 351. GUYDO, Henri (French, Active 1893 He had a home and studio on the eastern edge Ogazon. $200/300 Printed later. Signed and dated in the plate. of town and replaced his painting of society - 1930) - Au Luxembourg le Salon du Congo. Cream paper. Very wide margins. 5 1/4 x 4 in. Color lithograph. 1899. Signed in the stone, portraits with Indian subjects, landscape, and 334. VILLAVICENCIO, Manuel Galicia de still life. (Courtesy: AskART). $1,500/1,800 (133 x 102 mm). [C4; V1160]. $800/900 lower left. 10 1/4 x 8 in. (260 x 203 mm). Prints (Spanish-Mexican, 1730 - c1788) - Santa Faz, by Guydo are rare. $500/700 edition of 4. Signed, titled and numbered in Divino Rostro. Line and stipple engraving. of 513. Full margins. 8 7/16 x 10 3/4 in. pencil, lower margin. 9 1/8 x 6 in. (232 x 152 243. ZUCKER, Jacques (American, 1900 - 1784. Printed later. Notations in the plate. Wove 343. COROT, Jean-Baptiste Camille (French, 1981) - Rue Paul Signac. Color lithograph. Print 1796 - 1875) - Study for Lithograph (Tree in 352. GUYS, Constantin [after] (French, 1802 (214 x 273 mm). Sheet Size: 9 7/8 x 12 7/8 in. mm). Sheet Size: 13 1/16 x 10 in. (332 x 254 #47 of edition of 100. Signed, titled and dated in paper. Full margins. 12 x 8 5/16 in. (305 x 211 - 1892) - Portrait 2. Color lithograph. Printed (251 x 327 mm). $1,200/1,400 mm). Sheet Size: 15 x 11 1/4 in. (381 x 286 mm). Landscape). Charcoal drawing. c1810s-1820s. Edition mm). $300/400 pencil. Wide margins. 9 3/4 x 12 1/2 in. (248 x 1939. 12 3/16 x 8 1/4 in. (310 x 210 mm). Sheet 317 mm). Sheet Size: 15 1/2 x 22 1/4 in. (394 x The plate was printed later by Jaled Muyaes. Signed in charcoal, lower left. Thin rag paper. Size: 13 15/16 x 10 3/8 in. (354 x 264 mm). 20 MartinGordonAuctions •of The August Art Sale • August 56514th, mm). Handling2008 marks • Phoenix, and glue stain alongAZ VillavicencioAll images owned a print available publishing atfi rmwww.MartinGordon.com in 6 5/16 x 9 5/16 in. (160 x 237 mm). • Study 1 (800) for a 257-0366$200/300 • 1 (602) 257-0888 25 right edge. Very good condition. $150/175 Mexico City on Calle de la Polilla. He testi fi ed lithograph. $2,600/2,800 in the 1768 Inquisition investigation regarding printing protocols. Romero de Terreros, author of “Grabados y Grabadores,” credited the artist with over 100 engravings. From the collection of Estela Ogazon. $400/600 lower right; numbered in pencil on the image, lower left. Fine impression. 19 1/2 x 26 1/2 1988 by the Mexican Fine Arts Center Museum, Latin American in. (495 x 673 mm). Published by Ediciones Chicago. Printed in Mexico, DF. Edited by Jesusa. $600/750 Arsacio Arroyo, Mexico. Interior cover signed by Arsacio Vanegas Arroyo to validate authenticity format broadside. Published by the Taller de 304. OCAMPO, Isidoro (Mexican, 1910 - 1983) 311. POSADA, Jose Guadalupe (Mexican, of the impressions from the original plates/ Grafi ca Popular (TGP). From the collection of - Pottery Maker. Lithograph. 1945. Signed in 1851 - 1913) - Calaveras del Monton. Relief blocks. Printed index listing titles and mediums Jaled Muyaes and Estela Ogazon. $200/300 pencil, lower right. Full margins. 13 3/4 x 11 1/4 etching. 1910. 13 7/8 x 10 1/8 in. (352 x 257 included on interior cover. Some impressions mm). Sheet Size: 15 3/4 x 11 7/8 in. (400 x 302 253. BELTRAN, Alberto (Mexican, 1923 - 260. CHAVEZ MORADO, Jose (Mexican, in. (349 x 286 mm). Sheet Size: 17 5/8 x 15 1/16 signed in the matrix. The prints loose inside 244. ANGUIANO, Raul [attrib.] (Mexican, 1915 mm). Single-sided, medium format broadside. the brown kraft portfolio with printed cover and 2002) - Mexican Family. Linocut. 1950. Signed 1909 - 2002) - Untitled [Not a Big Enough Net]. in. (448 x 383 mm). $300/400 Printed by A. Vanegas Arroyo on reddish-pink - 2006) - Woman from the Yucatan. Lithograph. and dated in pencil, lower right. 20 5/8 x 15 3/4 Lithograph. 20th century. Initialed in the block. ribbon tie. $700/800 c1956. 10 1/4 x 15 1/2 in. (260 x 394 mm). in. (524 x 400 mm). Sheet Size: 22 1/4 x 16 7/8 305. OROZCO, Jose Clemente [after] colored paper. From the collection of Estela Full margins. 8 7/16 x 6 7/16 in. (214 x 164 mm). Ogazon. $700/800 Sheet Size: 13 3/4 x 18 3/4 in. (349 x 476 mm). in. (565 x 429 mm). $700/900 Sheet Size: 11 15/16 x 8 1/16 in. (303 x 205 (Mexican, 1883 - 1949) - Group of 4 Prints. 319. POSADA, Jose Guadalupe (Mexican, From the collection of Jaled Muyaes and Estela Color offset lithographs. 1944. Printed 1944. 1851 - 1913) - The Firing Squad. Zinc etching. mm). From the collection of Estela Ogazon. 312. POSADA, Jose Guadalupe (Mexican, Ogazon. $200/300 254. BELTRAN, Alberto (Mexican, 1923 $300/400 Full margins. Sheet Size: (Various Sizes): 19 1851 - 1913) - Don Miguel Hidalgo y Costilla. 5 7/8 x 3 3/4 in. (149 x 95 mm). Sheet Size: 9 - 2002) - Plowing. Linocut. c1950s. Signed in 3/4 x 13 1/4 in. (502 x 337 mm). Entitled: “La Relief engraving. c1910. 16 1/8 x 10 5/8 in. 5/8 x 9 1/4 in. (244 x 235 mm). Apparently a 245. ARTECHE, Hector Martinez (Mexican, pencil, lower right. 7 1/2 x 11 1/2 in. (190 x 292 Conquista de America,” “El Hombre (Cupula),” (410 x 270 mm). Sheet Size: 18 1/4 x 12 7/8 lifetime impression. $800/900 20th Century) - Chapultepec, Mex. Lithograph. 261. CORTAZAR, Roberto (Mexican, b.1961) mm). Sheet Size: (Sight size): 9 3/8 x 12 5/8 in. - Rostro. Silkscreen. c1993. Print #1 of edition of “La Evangelizacion de America,” and “La Lucha in. (464 x 327 mm). Double-sided, medium 1956. Signed in pencil, lower right. Signed, titled (238 x 321 mm). $500/700 Por la Libertad.” Published by Ediciones Arte 320. POSADA, Jose Guadalupe (Mexican, and dated in the stone. 17 1/2 x 13 in. (444 x 10. Signed and dated on the image, lower right; format broadside. Printed by A. Vanegas Arroyo 1851 - 1913) - Un Paseo de lo Mejor en la Moderno. From the collection of Estela Ogazon. on cream colored paper. From the collection of 330 mm). Sheet Size: 18 3/4 x 13 7/8 in. (476 x 255. BELTRAN, Alberto (Mexican, 1923 annotated “ee 1/10” in pencil, lower left. Fine Nacion Mexicana. Relief engraving. 20th impression.lower left. Fine 15 3/4impression. x 12 1/2 16in. (400x 22 x3/4 317 in. mm). (406 $200/300 Estela Ogazon. $700/900 352 mm). From the collection of Jaled Muyaes - 2002) - Sugar Cane Threshing. Lithograph. x 578 mm). Published by Ediciones Jesusa. century. 9 3/4 x 6 5/16 in. (248 x 160 mm). 1952. Signed in the stone, lower left. Signed, Published by Ediciones Jesusa. $600/800 and Estela Ogazon. $300/400 $700/850 313. POSADA, Jose Guadalupe (Mexican, Sheet Size: 11 3/4 x 7 11/16 in. (298 x 195 mm). dated and dedicated in pen on verso; annotated 306. PACHECO, Fernando Castro (Mexican, Double-sided, small format corrido. Printed 1851 - 1913) - La Arranquera. Relief engraving. 246. AVILA, Abelardo (Mexican, 1907 - 1967) “Felicidades” in pen on interior. 3 7/8 x 5 3/8 in. 262. FELGUEREZ, Manuel (Mexican, b.1930) b.1918) - Aguiles Serdan y su familia inician by A. Vanegas Arroyo on tan paper. From the 263. FRENCH SCHOOL, 19TH CENTURY - el 18 de noviembre de 1910 en Puebla la 1912. 9 3/4 x 6 1/4 in. (248 x 159 mm). Sheet - Peasants in the Trees. Woodcut. Print #7 of (98 x 137 mm). Sheet Size: 5 x 6 1/2 in. (127 x - Reunion de Familia. Silkscreen. 1990. Signed Size: 11 5/8 x 7 7/8 in. (295 x 200 mm). Double- collection of Estela Ogazon. $200/300 edition of 25. Signed and numbered in pencil. inMexico pencil, and lower its People. right; annotated Color offset“HC” lithographs.in pencil, Revolucion armada. Linoleum cut. 1947. Red 165 mm). $200/300 19th century. Printed 19th century. Each plate sided, small format corrido. Printed by A. 11 5/8 x 15 7/16 in. (295 x 392 mm). Sheet Size: “TGP” stamp at lower left sheet corner, recto. 321. POSADA, Jose Guadalupe (Mexican, with French title and description in letters, some Vanegas Arroyo on pink colored paper. From 13 15/16 x 17 1/16 in. (354 x 433 mm). From Heavy wove paper. 8 3/8 x 11 3/8 in. (213 x 289 1851 - 1913) - Untitled [Legs for Arms]. Etching. 256. BELTRAN, Alberto (Mexican, 1923 signed in the matrix. Group of 44 different the collection of Estela Ogazon. $200/300 the collection of Estela Ogazon. $500/700 - 2002) - Washer Women. Lithograph. 1951. mm). Sheet Size: 13 1/8 x 16 1/8 in. (333 x 410 c1900? Full margins. 3 1/16 x 4 13/16 in. (78 color offset lithograph plates on thick board, mm). $800/900 x 122 mm). Sheet Size: 7 5/8 x 11 in. (194 x Signed in the stone, lower left. Signed, dated 314. POSADA, Jose Guadalupe (Mexican, 247. BALMORI, Santos (Mexican, 1898 - and dedicated to Sr. Harry Darrow with a approximately 10 x 8 in., depicting Mexican 1851 - 1913) - La Pobreza Reinante. Relief 279 mm). Restrike impression by Jaled Muyaes from original plate. From the collection of Estela 1992) - Equus. Color etching and aquatint. 20th handwritten letter in pen on interior and verso. 3 personages from President Guadelupe Victoria 307. PACHECO, Fernando Castro (Mexican, engraving. 9 1/2 x 5 15/16 in. (241 x 151 mm). and Le Cure Morelos, the famous priest who b.1918) - Working with Ixtle. Lithograph. 1945. Sheet Size: 11 3/4 x 7 15/16 in. (298 x 202 mm). Ogazon. $200/300 century. Print #20 of edition of 50. Stamp signed, 13/16 x 6 in. (97 x 152 mm). Sheet Size: 3 7/16 Signed in pencil, lower right. Full margins. 11 lower right; numbered and titled in pencil. Fine x 5 15/16 in. (87 x 151 mm). $200/300 led an insurrection, to peasants, Indians, and Double-sided, small format broadside. Printed 322. POSADA, Jose Guadalupe (Mexican, tradesmen. A wide assemblage, through the 1/4 x 13 3/4 in. (286 x 349 mm). Sheet Size: 15 by Antonio Vanegas Arroyo on pink colored impression. 17 1/4 x 11 5/8 in. (438 x 295 mm). 1/16 x 17 5/8 in. (383 x 448 mm). $200/300 1851 - 1913) - Vivan los Charros Mexicanos. From the collection of Jaled Muyaes and Estela 257. CANTU, Federico (Mexican, 1908 - 1989) layers of social strata and their costumes. paper. From the collection of Estela Ogazon. Relief engraving. c1910. Signed by Posada - Coyolxangui. Etching. Signed, titled, dedicated Printed by Deauime Pletinck, Paris. $400/600 $500/600 Ogazon. $600/800 308. PIZARRO, Salvador (Mexican, b.1959) - in the matrix. 21 1/2 x 14 1/2 in. (546 x 368 and numbered in pencil. 14 9/16 x 4 3/4 in. (370 mm). Sheet Size: 23 3/4 x 16 in. (603 x 406 x 121 mm). Sheet Size: 16 5/16 x 8 9/16 in. (414 264. GONZALEZ, Gregorio (Mexican, b.1938) Dialogando. Linocut. 2007. Print #4 of edition of 315. POSADA, Jose Guadalupe (Mexican, 248. BALMORI, Santos (Mexican, 1898 50. Signed, titled and numbered in pencil. 8 3/8 mm). Double-sided, large format broadside. - 1992) - Ninfa y el Fauno. Color etching and x 217 mm). Dedicated to Jaled Muyaes “Para - Cristo. Watercolor with ink. 1962. Signed and 1851 - 1913) - La Verbena Mexicana. Relief Printed by A. Vanegas Arroyo on cream colored dated in ink, lower right. 19 3/8 x 12 9/16 in. x 10 1/4 in. (213 x 260 mm). Sheet Size: 12 5/8 engraving. 1903. 9 3/4 x 6 1/2 in. (248 x 165 aquatint a la poupee. 1980s. Print #32 of edition Jaled,” by the artist. From the collection of Jaled x 12 1/2 in. (321 x 317 mm). $150/200 paper. From the collection of Estela Ogazon. of1985. 50. InitialedStamp andsigned, dated lower in pencil, right; lowernumbered right/ Muyaes and Estela Ogazon. $900/1,200 (492 x 319 mm). Sheet Size: 19 3/8 x 12 9/16 mm). Sheet Size: 11 3/4 x 7 15/16 in. (298 x $1,000/1,200 202 mm). Double-sided, small format corrido. andlower titled left. 10in pencil.1/4 x 8Full-deckle in. (260 x edges.203 mm). Fine A in. (492 x 319 mm). From the collection of Jaled 309. POSADA, Jose Guadalupe (Mexican, double-sided drawing. From the collection of 258. CHARLOT, Jean (French/American, Muyaes and Estela Ogazon. $600/800 Printed by A. Vanegas Arroyo on green colored 323. RABEL, Fanny (Polish/Mexican, b.1922) impression. 11 3/4 x 17 1/2 in. (298 x 444 mm). 1898 - 1979) - Urbe. Woodcuts. 1924. Set 1851 - 1913) - 36 Grabados Portfolio. Zinc paper. From the collection of Estela Ogazon. FromJaled theMuyaes collection and Estelaof Jaled Ogazon. Muyaes and$400/600 Estela etchings. Pre-1913. Printed 1943. Some - Untitled [Misery]. Woodcut? Linocut? Blind of 7 woodcuts, 6 black and white and 1 color 265. GUERRERO, Xavier (Mexican, b.1896) $200/300 stamped, lower right corner. Heavy wove paper. Ogazon. $600/800 prints signed in the plate. Colored newsprint 250. BALMORI, Santos (Mexican, 1898 - (cover). Sizes vary from 6 5/8 x 4 3/4 in. to 8 - Congreso Continental Americano por la Paz. Ample margins. 12 5/8 x 16 11/16 in. (321 x 1/8 x 5 11/16 in. The exceedingly rare work by Color offset lithograph poster. 1949. Signed in paper. Sheet Size: 13 3/4 x 9 1/4 in. (349 x 235 316. POSADA, Jose Guadalupe (Mexican, 249.1992) BALMORI, - Supine Nude. Santos Silkscreen. (Mexican, 1990. 1898 Signed, - 1992) 424 mm). Sheet Size: 16 x 20 in. (406 x 508 Maples Arce with seven original woodcuts by the matrix. 24 1/8 x 17 5/8 in. (613 x 448 mm). mm). Various tears and losses throughout to 1851 - 1913) - Los Contrastes del Audaz mm). Approximately 1/2 in. tear in lower edge, -dated, Seated and Nude/Standing annotated “P/A.” Nude. Fine Pencil impression. drawing. margins only. Paper brittle. Images intact and 11 5/8 x 14 3/4 in. (295 x 375 mm). From the Charlot. We could fi nd only two sales at print From the collection of Jaled Muyaes and Estela General Francisco Villa. Relief engraving. 20th not affecting image; otherwise in very good auctions the past 25 years, the most recent in good condition. Set of 36 prints in red board century. 9 3/4 x 6 1/2 in. (248 x 165 mm). Sheet collection of Jaled Muyaes and Estela Ogazon. Ogazon. $100/200 condition. $300/400 being Sotheby’s New York, November 1, 2001, clamshell case. Printed by Arsacio Vanegas Size: 11 3/4 x 7 15/161 7/8 in. x (2987 3/4 xin. 202 (302 mm). x 197 $400/600 Single-sided,mm). Single-sided, small smallformat format corrido. corrido. Printed Printed by A. Lot 18, sold for $3,900 (The Mexican Print 266. GUTIERREZ, Alfredo Gramajo Arroyo. (Various sizes). The last auction sale 324. RANGEL, Mario (Mexican, b.1938) - (Argentinian, 1893 - 1961) - El Nevero. Wood we could fi nd of this portfolio was Freeman’s Vanegasby A. Vanegas Arroyo Arroyoon tan coloredon light paper. green From colored the Bodegon. Silkscreen. 1987. Signed, dated and Collection of Dave and Reba Williams). No paper. From the collection of Estela Ogazon. 251. BELTRAN, Alberto (Mexican, 1923 - engraving. 1907. 9 1/8 x 12 5/8 in. (232 x 321 (Philadelphia) 5-21-2004, Lot 323, sold for collection of Estela Ogazon. $300/350 annotated “P/A” in black ink on image, lower 2002) - Amistad de los Pueblos. Linocut. Taller sale records located in American Book Prices $200/300 left. Fine impression. 14 3/4 x 21 3/4 in. (375 Current. Complete title: Urbe, Super-Poema mm). Sheet Size: 10 3/4 x 13 1/2 in. (273 x 343 $2,232, including premium. $2,000/3,000 de Grafi ca Popular stamp, verso. Wide margins. mm). An early and rare print. $500/600 317. POSADA, Jose Guadalupe (Mexican, x 552 mm). Published by Ediciones Jesusa. 5 1/8 x 3 3/4 in. (130 x 95 mm). Sheet Size: 14 Bolchevique en 5 Cantos de Manuel Maples 310. POSADA, Jose Guadalupe (Mexican, 1851318. POSADA,- 1913) - No Jose Hay Guadalupeque Repelar (Mexican, Catrines $400/500 1/8 x 11 1/4 in. (359 x 286 mm). $200/300 Arce. Provenance: Private collection, Mexico Dijo1851 Chaqueta- 1913) - alPortfolio: Morir…. Mexican Relief engraving.Fine Arts City. [M 57-63]. $5,000/6,000 267. INFANTE, Diaz (Mexican, 20th Century) 1851 - 1913) - Aqui la Calavera esta, Senores, - Viejos Encinos. Color etching. Print II/5-5. de Toditos los Buenos Valedores. Relief 20thCenter century. Museum 10 [151/4 Originalx 6 5/16 Woodcuts]. in. (260 x 160 Zinc 325. RIVERA, Diego (Mexican, 1886 - 1957) 252. BELTRAN, Alberto (Mexican, 1923 mm).plates, Sheet lead platesSize: 1 and woodcuts. Full margins - Fortune Magazine Cover for March 1932. 259. CHAVEZ MORADO, Jose (Mexican, Signed, titled, numbered and annotated in engraving. c1910. 13 7/8 x 10 1/8 in. (352 x 257 - 2002) - Corrido del Congreso de la Paz. pencil. 13 11/16 x 20 in. (348 x 508 mm). Sheet (as issued). Sheet Size: (Various): 14 x 11 in. Original color lithograph. 1932. Signed in the Woodcut. c1940s? Fine impression. 16 3/4 x 12 1909 - 2002) - Unidad. Linocut. 1940. Signed mm). Sheet Size: 15 3/4 x 11 3/4 in. (400 x 298 (356 x 279 mm). Portfolio issued in December, Size: 22 3/8 x 30 1/8 in. (568 x 765 mm). From mm). Single-sided, medium format broadside. stone. 13 5/8 x 10 3/4 in. (346 x 273 mm). This 7/16 in. (425 x 316 mm). Single-sided, meduim and dated in pencil, lower right; titled in pencil 24 MartinGordonAuctions • The August Art Sale • August is14th, not an offset 2008 lithograph • Phoenix,and was not made AZ by All images available at www.MartinGordon.comon verso. Full margins. 5 1/8 x 6 in. • (130 1 (800)x 152 257-0366the collection • 1 of(602) Jaled 257-0888Muyaes and Estela 21 Printed by A. Vanegas Arroyo on cream colored Ogazon. [ii]. $300/400 paper. From the collection of Estela Ogazon. any photo-mechanical method. $600/800 mm). Sheet Size: 7 9/16 x 9 1/8 in. (192 x 232 $800/900 mm). From the collection of Estela Ogazon. 326. RIVERA, Diego [attrib.] (Mexican, 1886 $300/400 - 1957) - Portrait of Two Girls. Lithograph. Print 268. LITOGRAFIA “EL CROMO” [Pub.] (Mexican, 20th Century) - Linda Mujer. Color 300. MUYAES, Karima (Mexican, b.1960) - offset lithograph poster. c1950s. Publisher’s 17 7/8 in. (346 x 454 mm). From: Impresiones Men Flying. Linocut. 1980s. Artist proof. Signed 284. MEXICAN SCHOOL, 18TH CENTURY - - 11 Litografi as, Presentacion de Jaled Muyaes 294. MUYAES, Jaled (Chilean, 1921 - 2007) in pencil, lower right; annotated “P/A” in pencil, mark, lower right. 34 x 25 1/4 in. (864 x 641 Nino de Atocha. Oil on canvas. 18th century. 18 lower left. 5 3/4 x 5 13/16 in. (146 x 148 mm). mm). Sheet Size: 36 1/4 x 26 5/8 in. (921 x 676 and Raul Kamffer - 1962. From the collection - Non-Objective Composition #24. Pen and 277. MENDEZ, Leopoldo (Mexican, 1903 1/2 x 12 in. (470 x 305 mm). $500/600 of Jaled Muyaes and Estela Ogazon. $400/600 crayon. 1949. Signed and dated in crayon, mm). $300/400 - 1969) - La Emboscada. Linocut. Taller de lower center. 13 11/16 x 9 3/4 in. (348 x 248 Grafi ca Popular stamp, verso. Coated paper. 285. MEXICAN SCHOOL, 18TH CENTURY 290. MUYAES, Jaled (Chilean, 1921 - 2007) - 1 mm). Sheet Size: 13 11/16 x 9 3/4 in. (348 x 248 - Volcano, Friar, Horse. Oil on panel with hand 269. LITOGRAFIA “EL CROMO” [Pub.] Wide margins. 12 1/16 x 16 1/2 in. (306 x 419 Hex. Gouache. 1950. Signed and dated, lower mm). 3/8 in. tear at right sheet edge. 1/4 in. tear (Mexican, 20th Century) - Pancho Villa Returns! mm). Sheet Size: 17 1/2 x 22 3/8 in. (444 x 568 carving. Late 19th century. 12 x 18 5/8 in. (305 x right; titled, lower right. 25 3/8 x 12 3/4 in. (645 x 473 mm). $600/800 at left sheet edge. A few very small tears and Color offset lithograph poster. 1950. Publisher’s mm). Approximately 1 in. tear in upper right 324 mm). $600/800 soft creasing at lower sheet edge. Perforation mark, lower right. Full margins. 38 x 25 1/2 in. corner, well away from image; otherwise very along upper sheet edge where it was removed (965 x 648 mm). Sheet Size: 38 1/2 x 26 3/4 in. good condition. $800/900 286. MEXICAN SCHOOL, 20TH CENTURY 291. MUYAES, Jaled (Chilean, 1921 - 2007) - - El Pajaro Gris. Gouache on board. c1980. from a notebook. Sr. Muyaes signed his work (978 x 679 mm). $400/600 Non-Objective Composition #21. Color crayon. “Kena,” “S. Kena,” “Silvestre Kena,” “Silvestre,” 278. MENDEZ, Leopoldo (Mexican, 1903 or, if initialed, “K.” or “S.K.” From the collection 270. LITOGRAFIA ARTISTICA [Pub.] - 1969) - Mariscal S. Timoshenko. Color of Estela Ogazon. $600/800 (Mexican, 20th Century) - Rancho de mis lithograph. 1942. 17 x 24 in. (432 x 610 mm). Recuerdos I. Color offset lithograph poster. Sheet Size: 19 x 25 1/4 in. (483 x 641 mm). 295. MUYAES, Karima (Mexican, b.1960) c1950s. Publisher’s mark, lower right. Full From the collection of Jaled Muyaes and Estela - Black Forest. Linocut. 1980s. Artist proof. margins. 35 x 25 1/4 in. (889 x 641 mm). Ogazon. $400/600 Signed in pencil, lower right; annotated “P/A” in Sheet Size: 37 1/8 x 27 3/8 in. (943 x 695 mm). pencil, lower left. 11 1/8 x 7 3/8 in. (283 x 187 mm). Sheet Size: 13 13/16 x 9 7/8 in. (351 x Size: 13 7/8 x 9 7/8 in. (352 x 251 mm). $200/250 279. MENDEZ, Leopoldo (Mexican, 1903 $400/600 - 1969) - Siembra (Sowing). Linocut. Taller de 251 mm). $400/500 271. LITOGRAFIA ARTISTICA [Pub.] Grafi ca Popular stamp, verso. Coated paper. Sheet Wide margins. 12 x 16 1/2 in. (305 x 419 mm). 296. MUYAES, Karima (Mexican, b.1960) 301. MUYAES, Karima (Mexican, b.1960) - (Mexican, 20th Century) - Rancho de Mis Ostrich. Color collagraph. Artist proof. Signed Recuerdos II. Color offset lithograph poster. Sheet Size: 17 11/16 x 22 1/4 in. (449 x 565 - Butterfl y. Linocut. 1980s. Artist proof. Signed in pencil, lower right; annotated “P/A” in pencil, in pencil, lower right; annotated “P/A” in pencil, c1950s. Publisher’s mark, lower right. Full mm). Very good condition. $800/900 lower left. 12 3/4 x 9 3/4 in. (324 x 248 mm). margins. 35 1/4 x 26 3/8 in. (895 x 670 mm). lower left. 5 3/4 x 5 13/16 in. (146 x 148 mm). Sheet Size: 12 1/2 x 8 in. (317 x 203 mm). Sheet Size: 37 1/4 x 27 1/4 in. (946 x 692 mm). 280. MENDEZ, Leopoldo (Mexican, 1903 $400/500 $200/250 - 1969) - Untitled [Harvesting Corn]. Woodcut. 1931. Signed and dated in pencil, lower right; initialed in the block. Full margins. 4 1/2 x 3 1/2 297. MUYAES, Karima (Mexican, b.1960) 272. LOPEZ, Julia (Mexican, b.1936) - Two in. oodcut.(114 x 89c1940s? mm). Sheet Full margins. Size: 9 11/4 13/16 x 6 7/8x 3 in. - Legs. Linocut. 1980s. Artist proof. Signed in Women Bathing. Oil, gouache and watercolor. (46 x 76 mm). Sheet Size: 6 1/2 x 8 13/16 in. Signed and dated in crayon, lower right. pencil, lower right; annotated “P/A” in pencil, (235 x 175 mm). From the collection of Estela 11 13/16 x 8 15/16 in. (300 x 227 mm). Sheet 1967. Signed and dated in lower right. 15 3/16 (165 x 224 mm). From the collection of Estela lower left. 5 7/8 x 5 13/16 in. (149 x 148 mm). Ogazon. $500/600 Size: 11 13/16 x 8 15/16 in. (300 x 227 mm). 3/8 x 22 in. (386 x 559 mm). Lopez has exhibited Ogazon. $100/200 1947. Sheet Size: 13 11/16 x 9 13/16 in. (348 x 249 in the image. 13 5/8 x 8 9/16 in. (346 in. tear at left sheet edge. Sr. Muyaes signed at the Modern Art Museum in Mexico City. 281. MENDEZ, Leopoldo [attrib.] (Mexican, x 217 mm). Sheet Size: 15 x 9 1/2 in. (381 x 241 mm). $400/600 $1,000/1,200 282. MEXICAN PRINTMAKERS (Mexican, his work “Kena,” “S. Kena,” “Silvestre Kena,” 1903 - 1969) - Untitled [Sea-man in a Shell]. mm). Illustration for the fi lm series, “Col. Micro- “Silvestre,” or, if initialed, “K.” or “S.K.” From the 20thW Century) - Group of 2 Prints. Color offset SignedMisterio.” $400/600 298. MUYAES, Karima (Mexican, b.1960) - 273. LUPERCIO, Carlos (Mexican, b.1951) - lithographs. * DIEGO RIVERA. Color offset collection of Estela Ogazon. $600/800 Mandolinas. Linocut. 1980s. Artist proof. Signed Hombre. Silkscreen. 1985. Print #24 of edition lithograph after a mural. 1950. Printed 1950. 287. MEZA, Guillermo (Mexican, 1917 - in pencil, lower right; annotated “P/A” in pencil, Signed and dated in the matrix. 14 1/4 x 19 1/4 in. 292. MUYAES, Jaled (Chilean, 1921 - 2007) - lower left. 5 3/4 x 5 13/16 in. (146 x 148 mm). of 50. Signed and dated in pencil, lower right; 1997) - La Bellaza. Lithograph. 1961. Print Non-Objective Composition #22. Color crayon. numbered 24/50 in pencil, lower left. Fine * DAVID A. SIQUEIROS. La Arena Traicionada. #32 of edition of 210. Signed in pencil, lower 1948. Initialed and dated in crayon, lower right. impression. 8 x 7 1/4 in. (203 x 184 mm). Printed 1950. Color offset lithograph. * Both in right; numbered in pencil, lower left. 22 x 16 11 15/16 x 8 7/8 in. (303 x 225 mm). Sheet Published by Ediciones Jesusa. $350/400 very good condition. From the collection of Jaled 1/2 in. (559 x 419 mm). Sheet Size: 23 3/4 x Size: 11 15/16 x 8 7/8 in. (303 x 225 mm). Muyaes and Estela Ogazon [2]. $200/250 18 in. (603 x 457 mm). From: Impresiones - Small losses at upper left and lower right sheet 274. MENDEZ, Leopoldo (Mexican, 1903 11 Litografi as, Presentacion de Jaled Muyaes 283. MEXICAN PRINTMAKERS [POSADA, corners. Approximately 1 1/2 in. tear at right - 1969) - El Triunfo. Linocut. Taller de Gra fi ca and Raul Kamffer - 1962. From the collection sheet edge. 1/2 in. tear at left sheet edge. Sr. et al.] (Mexican) - Group of 5 Prints. * JOSE Size: 13 15/16 x 10 7/8 in. (354 x 276 Popular stamp, verso. Coated paper. Wide of Jaled Muyaes and Estela Ogazon. $400/600 Muyaes signed his work “Kena,” “S. Kena,” margins. 12 x 16 7/16 in. (305 x 418 mm). Sheet POSADA. Corrido de Juan Dimio. Double- mm). $450/650 sided, small format broadside. Printed by A. 288. MEZA, Guillermo (Mexican, 1917 - 1997) “Silvestre Kena,” “Silvestre,” or, if initialed, “K.” Size: 17 1/2 x 22 1/2 in. (444 x 571 mm). Very or “S.K.” From the collection of Estela Ogazon. Vanegas Arroyo on cream colored paper. * - Standing Nude. Lithograph. c1962. Initialed in Sheet302. MUYAES, Karima (Mexican, b.1960) good condition. $700/900 $600/800 Al Hacendista (?). Single-sided, small format the plate. 7 3/4 x 5 1/2 in. (197 x 140 mm). Sheet - Pareja en Azul. Hand colored etching with broadside. Printed by A. Vanegas Arroyo on Size: 11 3/4 x 8 7/16 in. (298 x 214 mm). From: Size: 10 1/4 x 10 7/8 in. (260 x 276 mm). aquatint. 1989. Artist proof. Signed and dated 275. MENDEZ, Leopoldo (Mexican, 1903 - 293. MUYAES, Jaled (Chilean, 1921 - 2007) 1969) - Fetching Water. Linocut. 1930. Signed pink colored paper. * JOSE POSADA? Corrido Impresiones - 11 Litogra fi as, Presentacion de $400/600 in pencil, lower right; annotated “P/A” in pencil, Jaled Muyaes and Raul Kamffer - 1962. From - Non-Objective Composition #23. Gouache lower left. Wide margins. 3 7/8 x 3 1/8 in. (98 x and dated in pencil, lower right; Initialed “LM” in de Juan Espana. Double-sided, small format and crayon. 1948. Initialed in crayon, lower left; the matrix, upper left. 6 9/16 x 5 1/2 in. (167 x broadside. * ARROYO [PUBLISHER]. La the collection of Estela Ogazon. $100/200 299. MUYAES, Karima (Mexican, b.1960) - 79 mm). Sheet Size: 11 x 7 1/2 in. (279 x 190 dated in crayon, lower right. 11 15/16 x 8 7/8 in. Mascara. Linocut. 1980s. Artist proof. Signed 140 mm). Sheet Size: 9 3/4 x 8 1/8 in. (248 x Meurte de Aureliano Blanquet. Single-sided, mm). $400/600 289. MEZA, Guillermo (Mexican, 1917 - 1997) (303 x 225 mm). Sheet Size: 11 15/16 x 8 7/8 in pencil, lower right; annotated “P/A” in pencil, 206 mm). $400/600 small format broadside. * MEXICAN SCHOOL. - Vendra Una Gran Guerra. Lithograph. 1961. in. (303 x 225 mm). Approximately 1 1/2 in. tear lower left. 5 3/4 x 5 13/16 in. (146 x 148 mm). 303. NUNO, Jose (Mexican, b.1947) - Dos Pues el Dia 13 de Enero. Double-sided, small at right sheet edge. Sr. Muyaes signed his work Print #194 of edition of 300. Signed in pen, Sheet Size: 13 3/4 x 9 15/16 in. (349 x 252 mm). Mascaras. Silkscreen. 1991. Print #2 of edition 276. MENDEZ, Leopoldo (Mexican, 1903 - format broadside. * All relief engravings. Various lower right; numbered in pen, lower left. 16 3/4 “Kena,” “S. Kena,” “Silvestre Kena,” “Silvestre,” $400/600 1969) - La Carta. Woodcut. 20th century. Full of 10. Signed and dated in pencil on the image, 22 MartinGordonAuctions •sizes The (11 Augustx 8 in.) and Artconditions. Sale From • the August x14th, 12 in. (425 2008 x 305 mm). • Phoenix, Sheet Size: 13 5/8AZ x or, if initialed,All images “K.” or “S.K.” available From the collection at www.MartinGordon.com • 1 (800) 257-0366 • 1 (602) 257-0888 23 margins. 4 1/4 x 3 7/8 in. (108 x 98 mm). Sheet collection of Estela Ogazon [5]. $500/600 of Estela Ogazon. $600/800 Size: 8 3/16 x 5 1/8 in. (208 x 130 mm). From the collection of Estela Ogazon. $200/300