Suomin Aikido Academy Preparation Cycle Handbook
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Tenzan Aikido Test Requirements
Tenzan Aikido Test Requirements 7th Kyu (25 hours) Katate dori (ai-hanmi) Ikkyo*- hand to elbow, Wrist grab right-to-right/left-to-left Iriminage 2 - hold collar Katate dori (gyaku hanmi) Irimi and Tenkan with partner, Wrist grab right-to-left Ikkyo*, Kotegaeshi, Shihonage*, Kokynage (forward ukemi) Kokyudosa 6th Kyu (30 hours) Tsuki (punch) Kotegaeshi, Iriminage (Var. 1) Katate dori (ai-hanmi) Sankyo* Pin 3 no hand change, Jujinage Shomenuchi Ikkyo*, Iriminage (Var. 2) Self-defense technique against boxers attack Iriminage – use fade Morote dori (right-to-left stance) Kokyuho *omote and ura Your Family Martial Arts Center 7700 Aurora Ave. N. Seattle, WA 98103 tel: 206-525-4032 fax: 206-525-4838 www.TenzanAikido.com Tenzan Aikido Test Requirements 5th Kyu (50 hours) Katate dori (ai hanmi) Kotegaeshi, Nikyo (scooping method), Shihonage, Sankyo* (pin # 3) direct method Katate dori (gyaku hanmi) Iriminage, Nikyo (ura only), Jujinage Shomenuchi Kotegaeshi Tsuki Nikyo (ura only) Morote dori (right-left stance) Kokyunage (into a forward roll) Ryote dori Tenchinage (heaven and earth throw) Self-defense: Uke in sparring stance Irimi w/palm to double leg takedown Your Family Martial Arts Center 7700 Aurora Ave. N. Seattle, WA 98103 206-525-4032 www.TenzanAikido.com Tenzan Aikido Test Requirements 4 Kyu (50 hours) Katate dori (gyaku hanmi) Kaitenage** grab wrist & neck, Kokyu nage (spirals, 2 variations) Shomenuchi Nikyo*, Shihonage (omote only), Kaitenage, Suwariwaza Ikkyo*, Nikyo*, Iiriminage 2 Yokomenuchi Shihonage*, Nikyo*, Kotegaeshi, Iriminage 2 Tsuki Kaitenage, Shihonage*, Hijishime ( elbow bar ) Self-defense Standing headlock Sankyo Weapons Boken: Uchikomi, kirikaeshi and Kiriotoshi with partner Jo: Kesa uchi aginst kesa uchi (no step + one step var) Tsuki/makiotoshi continuous partner practice *omote and ura, **soto and uchi, ***kinonagare Your Family Martial Arts Center 7700 Aurora Ave. -
A Short Story of Ueshiba Morihei and His Philosophy of Life ‘Aikido’
A short story of Ueshiba Morihei And his philosophy of life ‘Aikido’ By Kim Mortensen This short essay is supposed to give the practitioner of Aikido an idea of the person behind Aikido and how Aikido was created both physically and mentally. If you have any questions or comments after reading this essay, contact me on following mail address: [email protected] ----- ,1752'8&7,21 This essay is about a man called Ueshiba Morihei, nicknamed O-sensei, and his philosophy of life; Aikido. When I first heard about Ueshiba Morihei I heard stories, which were so amazing that I thought they belonged in another age and not in this century. They were stories about a man who was able to disappear suddenly when he was attacked; something which one would expect to find in fairytales and old myths. I began to wonder who this man was and why he has been elevated into some kind of a God; there had to be an ordinary story behind the man Ueshiba Morihei. The first part of this essay will describe Ueshiba Morihei’s Biography. The second half will concern his philosophy of life, and what makes it so unique. In the biography part I will call Ueshiba Morihei by name whereas in the part on his philosophy and religion I will call him O-sensei as it was his religion and philosophy which gave him that nickname. I choose to do this because the biography part concerns a man and his achievements through his life. The second part concerns Ueshiba Morihei as a philosopher and a teacher and therefore it is more suitable to call him O-sensei in this part. -
This Sporting Life: Sports and Body Culture in Modern Japan William W
Yale University EliScholar – A Digital Platform for Scholarly Publishing at Yale CEAS Occasional Publication Series Council on East Asian Studies 2007 This Sporting Life: Sports and Body Culture in Modern Japan William W. Kelly Yale University Atsuo Sugimoto Kyoto University Follow this and additional works at: http://elischolar.library.yale.edu/ceas_publication_series Part of the Asian History Commons, Asian Studies Commons, Cultural History Commons, Japanese Studies Commons, Social and Cultural Anthropology Commons, and the Sports Studies Commons Recommended Citation Kelly, William W. and Sugimoto, Atsuo, "This Sporting Life: Sports and Body Culture in Modern Japan" (2007). CEAS Occasional Publication Series. Book 1. http://elischolar.library.yale.edu/ceas_publication_series/1 This Book is brought to you for free and open access by the Council on East Asian Studies at EliScholar – A Digital Platform for Scholarly Publishing at Yale. It has been accepted for inclusion in CEAS Occasional Publication Series by an authorized administrator of EliScholar – A Digital Platform for Scholarly Publishing at Yale. For more information, please contact [email protected]. This Sporting Life Sports and Body Culture in Modern Japan j u % g b Edited by William W. KELLY With SUGIMOTO Atsuo YALE CEAS OCCASIONAL PUBLICATIONS VOLUME 1 This Sporting Life Sports and Body Culture in Modern Japan yale ceas occasional publications volume 1 © 2007 Council on East Asian Studies, Yale University All rights reserved Printed in the United States of America No part of this book may be used or reproduced in any manner whatsoever without written permis- sion. No part of this book may be stored in a retrieval system or transmitted in any form or by any means including electronic electrostatic, magnetic tape, mechanical, photocopying, recording, or otherwise without the prior permission in writing of the publisher. -
Sag E Arts Unlimited Martial Arts & Fitness Training
Sag e Arts Unlimited Martial Arts & Fitness Training Grappling Intensive Program - Basic Course - Sage Arts Unlimited Grappling Intensive Program - Basic Course Goals for this class: - To introduce and acclimate students to the rigors of Grappling. - To prepare students’ technical arsenal and conceptual understanding of various formats of Grappling. - To develop efficient movement skills and defensive awareness in students. - To introduce students to the techniques of submission wrestling both with and without gi’s. - To introduce students to the striking aspects of Vale Tudo and Shoot Wrestling (Shooto) and their relationship to self-defense, and methods for training these aspects. - To help students begin to think tactically and strategically regarding the opponent’s base, relative position and the opportunities that these create. - To give students a base of effective throws and breakfalls, transitioning from a standing format to a grounded one. Class Rules 1. No Injuries 2. Respect your training partner, when they tap, let up. 3. You are 50% responsible for your safety, tap when it hurts. 4. An open mind is not only encouraged, it is mandatory. 5. Take Notes. 6. No Whining 7. No Ego 8. No Issues. Bring Every Class Optional Equipment Notebook or 3-ring binder for handouts and class notes. Long or Short-sleeved Rashguard Judo or JiuJitsu Gi and Belt Ear Guards T-shirt to train in (nothing too valuable - may get stretched out) Knee Pads Wrestling shoes (optional) Bag Gloves or Vale Tudo Striking Gloves Mouthguard Focus Mitts or Thai Pads Smiling Enthusiasm and Open-mindedness 1 Introduction Grappling Arts from around the World Nearly every culture has its own method of grappling with a unique emphasis of tactic, technique and training mindset. -
Minimum Requirements for Shoden
Midwest Academy of Martial Arts 4S100 Rte 59 – Naperville, Illinois 60563 – 630/836-3600 www.TheMidwestAcademy.com Shoden Level Minimum Standards of Study Shoden Keiho # 1 o Wrist Turnover Notes for Omote, Renketsu o Elevated Elbow Control and Ura levels of study o Forearm Control Uke: Short Cross Push/Grab o Palm Flexion Control o Minor Inside Foot- sweep o 2 handed shoulder pull- down o Rotary Head Throw o Half Moon Head Press o Hooking Head Throw Shoden Keiho # 2 o Hip Wheel o Major Hip Throw o Palm Extension Control Uke: Short Straight Push/Grab o Floating Drop or Swinging Punch o Single Arm Shouldered Throw o Scooping Throw o Major Outside Reap Shoden Keiho # 3 o Hip Shove o Valley Drop o Major Inside Reap Uke: Short Percussive straight o Single Leg Takedown strike/jab o Minor Outside Takedown Shoden Keiho # 4 o Response to kick with straight punch o Response to kick with Uke: Long Front Thrusting Kick roundhouse kick o Response to kick with backfist o Response to kick with spinning sweep o Response to kick with leg turnover Shoden Keiho # 5 o “Z -lock” o Single handed throw o Slashing head throw Uke: Short Straight Wrist Grab o Four corner throw 1 Midwest Academy of Martial Arts 4S100 Rte 59 – Naperville, Illinois 60563 – 630/836-3600 www.TheMidwestAcademy.com Shoden Level Minimum Standards of Study Continued Kihon All included Kihon used in See Seizan Ryu Kempo Shoden material Jujustu Kihon Reference History / Philosophy / o History of Seizan Suggested Reading List Training Concepts Ryu o Sho-Chiku-Bai o Autumn Lightning – o Irimi -
Chokushin Aiki Jujutsu
Chokushin Aiki Jujutsu The Beginner's Guide This guide is intended for the beginning student. If you have any questions concerning this guide, please contact me through the web page or email www.aiki-ju-jutsu.com [email protected] The style syllabus is part of a separate document so any reference to specific techniques in this document are for general reference and example purposes only. For General Reference 9 Be punctual, enter the dojo at least five minutes before class starts. 9 Do warm-up exercises and practice by yourself, or with other students until class starts. 9 While you practice, always be alert, careless practice causes accidents. 9 It is of the utmost importance that you keep your GI and yourself as clean as possible. 9 Keep your finger and toe nails trimmed to avoid cuts. 9 In the event you happen to be late, warm up by yourself off the mats and do not bother other students. Ask the instructor if you may enter the class only after you have completed your warm-up. 9 If you become injured at any point throughout the training session you will report the incident immediately to the Sensei or the Sempai. This document is FREE for the personal use of any student of any style. This document is Not for duplication or sale in whole or part without the written permission or Sensei Paul Fox. [email protected] www.aiki-ju-jutsu.com Page 1 of 15 Entering the Dojo (Training Hall) When you enter the Dojo you will be properly attired in a clean gi. -
Awa Newsletter Spring 2016
Aikido World Alliance Spring 2016 Newsletter If your opponent strikes with fire, counter with water, becoming completely fluid and free-flowing. Water, by its nature, never collides with or breaks against anything. On the contrary, it swallows up any attack harmlessly. -O’Sensei Letter from the Editor attack with aggressive force, rather than a harmonious Rob Linxweiler, Nidan blend, I have become the aggressor. Or at least, I have Kiku Matsu Dojo, Chicago, IL joined the aggressor team. Greetings from Chicago, fellow aikidoka, and welcome We blend with an attack to dispel it, but if we are to our first newsletter of 2016. We are grateful to spend not in control of our own aggression, we risk injury to another year of training with friends new and old. I ourselves, our attacker, or both. And while most of apologize for the tardiness of this edition. our training is on the mat, we should carry that same notion out the door of the dojo and into the world. If Here in the United States, we have found ourselves we bring the same calm, centered balance that we embroiled in one of the most contentious election strive for in the dojo to our daily lives, we can hope seasons most of us can recall. Opinions are extremely to engage in civil discourse without risking injury— polarized, and violence—both verbal and physical— physical or otherwise—to ourselves or our opponents. has found its way to the fore around the country as the extremes meet. We live in a country that values Look for opportunities to extend your practice free expression, so we should be able to objectively outside the dojo. -
Aikido Glossary
Redlands Aikikai Glossary For a more indepth rendering of some of the terms below, please refer to the Student Handbook of the Aikido Schools of Ueshiba In general, each syllable in a Japanese word is pronounced with equal emphasis. Some syllables, though, are hardly pronounced at all (eg. Tsuki is pronounced as “tski”) Techniques The name of each technique is made up of (1) the attack, (2) the defense, and, if applicable, (3) the direction. There are four sets of directional references used in Aikido techniques (Some techniques do not have a specific “direction”): 1. Irimi (eereemee) refers to Yo (Chinese: Yang ) movement which enters through or behind the attacker and Tenkan (tehn-kahn) refers to In (Chinese: Yin ) movement which turns with the attacker’s energy. 2. Omote (ohmoeteh) refer to movements in which nage’s action is mostly in front of the attacker (also "above"), while Ura (oorah) movements take place mostly behind the attacker (also "below"). Omote and Ura also have the meanings of “exoteric” and “esoteric” (secret), respectively. 3. Uchi Mawari (oocheemahwahree) is a turn “inside” the attacker, i.e., within the compass of his arms, while Soto Mawari (sohtoemahwahree) is a turn “outside” the attacker, i.e., beyond the compass of his arms. Hence also Uchi Deshi : inside student, living in the dojo; and Soto Deshi : outside student. 4. Zenshin (zenshin), towards the front; Kotai (kohtie), towards the rear. Attacks: Japanese Word Approximate Pronunciation Approximate Meaning Eri Dori Ehree Doeree Collar Grab Gyakute Dori; Ai -
Growing Judo! Make Sure Your Submissions Are
GGrroowwiinngg JJuuddoo OOccttoobbeerr 22001111 Monthly publication of the Club Support Services Committee of the USJA United States Judo Association P.O. Box 1880 Tarpon Springs, FL 34688‐1880 www.usja‐judo.org (877) 411‐3409 FAX: 888-276-3432 EIko Shepard assisting Ken Camlek and Betsy Gauthier-Koth (Stevens Point Judo Club) with Ryogan Tsuki a technique from Ju-No-Kata. Doug Tono looks on. In this month's issue: New SPECIAL OFFER for USJA Donor and New Life members! Coaching News: "What Are We Trying To Do?" An Introduction to Foam Rolling Inspirational Stories from Ed Carol Aikido Commitee News Judo Etiquette--a handout for your students! Regular Features: New Clubs, New Coaches, Promotions and more! Table of Contents Announcements: USJA fees and New Offer for USJA Donors . 3 What are We Trying to Do? by Bill Montgomery . 4 New USJA Clubs, Newly Certified Coaches . 6 New USJA Life Members, USJA Donors . 7 An Introduction to Foam Rolling, Part I, by Jeremy Bushong . 7 Inspirational Stories by Ed Carol . 9 USJA Aikido Committee Update. 11 Judo News From Around the Country . 13 Judo Etiquette by Michael Dunn . 14 Upcoming Events. 15 USJA Promotions . 17 In Memoriam . 18 Please contribute your news to Growing Judo! Make sure your submissions are: CONCISE, well-written and proofread. Contain correct details (dates, contact information, etc.) and include hyperlinks to event forms. In WORD format (not PDF!) or in the body of the email. Send photos as separate attachments in JPG (preferred) or another standard form (GIF or bitmap OK). Your original work, or submitted with the permission of the creator. -
The Invention of Martial Arts About the Journal
ISSUE EDITORS Spring 2016 Paul Bowman ISSN 2057-5696 Benjamin N. Judkins MARTIAL ARTS STUDIES THEME THE INVENTION OF MARTIAL ARTS ABOUT THE JOURNAL Martial Arts Studies is an open access journal, which means that all content is available without charge to the user or his/her institution. You are allowed to read, download, copy, distribute, print, search, or link to the full texts of the articles in this journal without asking prior permission from either the publisher or the author. C b n d The journal is licensed under a Creative Commons Attribution- NonCommercial-NoDerivatives 4.0 International License. Original copyright remains with the contributing author and a citation should be made when the article is quoted, used or referred to in another work. Martial Arts Studies is an imprint of Cardiff University Press, an innovative open-access publisher of academic research, where ‘open-access’ means free for both readers and writers. cardiffuniversitypress.org Journal DOI 10.18573/ISSN.2057-5696 Issue DOI 10.18573/n.2016.10060 Martial Arts Studies Journal design by Hugh Griffiths MARTIAL issue 2 ARTS STUDIES SPRING 2016 1 Editorial Paul Bowman and Benjamin N. Judkins 6 The Seven Forms of Lightsaber Combat ARTICLES Hyper-reality and the Invention of the Martial Arts Benjamin N. Judkins 23 The Fifty-Two Hand Blocks Re-Framed Rehabilitation of a Vernacular Martial Art Thomas A. Green 34 The @UFC and Third Wave Feminism? Who Woulda Thought? Gender, Fighters, and Framing on Twitter Allyson Quinney 59 Ancient Wisdom, Modern Warriors The (Re)Invention of a Mesoamerican Warrior Tradition in Xilam George Jennings 71 Fight-Dancing and the Festival Tabuik in Pariaman, Indonesia and lemanjá in Salvador da Bahia, Brazil Paul H. -
Valley Aikido Member's Guide
VALLEY AIKID MEMBERS GUIDE By: Julia Freedgood Design: Liz Greene Photography and concept: Special Thanks to Shannon Brishols, WHAT IS AIKIDO? RL Sarafon, Skip Chapman Sensei and the Greater Aikido Community Aikido is a traditional Japanese martial art practiced for self development and defense. The word Aikido means “the way of harmony with ki.” Ki is hard to translate, but can be understood as breath power, spirit or universal life force. Morihei Ueshiba, or O-Sensei (great teacher) created Aikido in the early 1940s. A master of several classical Japanese martial arts (budo) including judo, kendo and jujitsu, O-Sensei developed Aikido to respond to the modern world. According to his son, Kisshomaru Ueshiba, Aikido is orthodox because it inherits the spiritual and martial tradition of ancient Japan . But O-Sensei Copyright VA © 2007 concluded that the true spirit of budo cannot be found in a All rights reserved. No part of this publication may be reproduced, stored in retrieval system competitive atmosphere where brute force dominates and the or transmitted in any form by any process – photocopying, e-mail, electronic, mechanical, recording or otherwise – without the written permission of Valley Aikido. goal is victory at any cost. Instead, the path of Aikido leads to “victory over self” and is realized in the quest for self perfection of body, mind and spirit. Thus, unlike martial sports, Aikido avoids competition and VALLEY AIKIDO does not allow tournaments. Instead, it stresses collaborative practice allowing all students to pursue their individual Valley Aikido was founded by Paul Sylvain, shihan in 1985 to potential in an atmosphere of shared knowledge. -
Aiki Beginners Guide
Pinner Aikido Club www.pinner-aikido.com Beginner’s Guide to Training Pinner Aikido Club – Beginner’s Guide to Training Foreword This document is a newcomer’s guide to Aikido to aid in their training and to explain basics that will be introduced as part of their training. It can be used as a guide to assist progress through the grades over the coming years. History Master Morihei Ueshiba (1883-1969) founded the way of Aikido in the early 1900’s. After mastering many traditional fighting arts he devised his own techniques that did not depend on physical strength but on circular motions that blended with the energy of the attacker. He decided that true victory was not the defeat of an opponent but the resolution of discord within oneself. He developed the art of Aikido as a means of deflecting harm away from yourself but without necessarily inflicting damage on an aggressor. Ai-Ki-Do The word Aikido in Japanese is made up of three kanji (characters). "AI" means "to meet, to come together, to harmonise"; "KI" means "energy, spirit, mind" (in a larger context "KI" means "the spirit" or "the nature" or "of the universe," and not just the spirit of human beings). "DO" means "the Way" which signifies that the study of Aikido does not involve merely self-defence techniques but includes positive character-building ideals which a person can incorporate into his or her own life. AIKIDO therefore means the way of harmonising with the spirit of the universe. Philosophy The most unusual aspect of Aikido is that although it is primarily a self-defense art, it takes as the basis of its philosophy the idea of being in harmony with the opponent rather than being in conflict.