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Tarzan's Yell
OFFICE FOR HARMONIZATION IN THE INTERNAL MARKET (TRADE MARKS AND DESIGNS) The Boards of Appeal DECISION of the Fourth Board of Appeal of 27. September 2007 In Case R 708/2006-4 Edgar Rice Burroughs, Inc. 18354 Ventura Boulevard Tarzana, California 91357 United States of America Applicant/Appellant represented by R.G.C. JENKINS & CO, 26 Caxton Street, GB - London SW1H 0RJ, United Kingdom APPEAL relating to Community trade mark application No 3 661 329 THE FOURTH BOARD OF APPEAL composed of D. Schennen (Chairman and Rapporteur), I. Mayer (Member) and F. López de Rego (Member) Registrar: N. Semjevski gives the following Language of the case: English DECISION OF 27 SEPTEMBER 2007 – R 708/2006-4 – TARZAN YELL (SOUND MARK) 2 Decision Summary of the facts 1 By an application received by the Office by regular mail on 11 February 2004, the applicant filed a Community trade mark application for the following goods and services: Class 9 - Electrical and electronic communications and telecommunications apparatus and instruments; optical, electro-optical, monitoring (other than in-vivo monitoring), radio, television, electrical control, testing (other than in-vivo testing), signalling, checking (supervision), radio paging, radio-telephone and teaching apparatus and instruments, telephones, mobile telephones and telephone handsets; paging apparatus, radio paging apparatus; radio telephone apparatus; computerised personal organisers, telecommunications apparatus and instruments; communications apparatus and instruments; apparatus and instruments for -
First Sound Cachet” by Gladys West-Jones
The Making of the “First Sound Cachet” By Gladys West-Jones As a child growing up in the deep south of Natchez, Mississippi, I recall that there weren’t a lot of televisions in the black community, and the one we had was black and white. This was an era when playing outside, making up games, and smelling like sunshine were the epitome of being a kid. You see, I was a tomboy who loved the outdoors and climbing trees. I also loved watching TV, and one of my favorite shows was “Tarzan”. I never missed an episode. When I learned that the Edgar Rice Burroughs stamp was being issued, and that he was the creator of “Tarzan”, my motivation for making a cachet was as strong as a rabid dog. As my mentor, Florence “Via” Villaseñor, has taught me, before you make a cachet, you study your subject by doing a lot of research. So, that’s what I did. I wanted to capture in my cover the essence of Tarzan, the “King of the Jungle”. With all that I wanted to do, I realized that it would take more than one cover. I started with wanting to know all of the actors who played Tarzan on television and in the movies. I discovered that there were 23. So I decided to write about all of them including where they are today. Second, I wanted to know more about Edgar Rice Burroughs. Having just seen the movie “John Carter of Mars”, and hearing the advertisers say that it took Burroughs 100 years to produce, I wanted to know what else Burroughs had accomplished. -
Horse Todos a B Alliebelle 23.072 a Big To'do 26.392 a Bit
HORSE TODOS A B ALLIEBELLE 23.072 A BIG TO'DO 26.392 A BIT STORMY 25.592 A BOY NAMED EM 28.675 A BRILLIANT IDEA 31.402 A BRUSH OF BEAUTY 21.393 A CAT NAMED SNIPE 28.551 A CAT THAT FLIES 25.368 A CENTURIAN 29.172 A DEVILISH RIDE 24.916 A DIEHL 34.923 A DOS PUNTAS 42.616 A E PHI SENSATION 23.497 A FLEET OF NINE 23.302 A GIRL NAMED MARIA 29.537 A GLASS OF WATER 22.147 A GOLDEN JET 22.575 A GRAND N' MORE 19.560 A JEALOUS WOMAN 36.719 A LA MODA 28.673 A LIL DUMAANI 27.721 A LISTER 25.068 A LITTLE AT A TIME 26.233 A LITTLE OFF 31.467 A LITTLE TOO LATE 25.373 A LOT OF ACTION 26.490 A LOT OF MON 27.211 A MATTEROFSPEAKING 24.041 A MCCOUGHTRY 25.178 A MI ZORRITO 44.348 A MILLION FIELDS 25.005 A MOMENT IN TIME 29.541 A NATIONALTREASURE 33.592 A NATURAL 29.383 A NEW DAWN 25.094 A NEW YORK PHILLIE 23.229 A P MINK 29.223 A P VALOR 30.045 A PERFECT SQUEEZE 28.415 A PINT FOR MARY 26.393 A PLUS TOPPER 28.873 A QUESTION OF TIME 21.185 A RACING DELIGHT 28.495 A RANG A TANG 26.600 A ROCKY STORM 21.775 A ROD 33.263 A ROGUE SNUCK IN 24.666 A ROYAL FLUSH A 18.962 A SHE'S ADORABLE 33.925 A SHOT AWAY 28.920 A SINGLE MAN 21.532 A SMART JUDGE 23.806 A STAR IS GORN 23.954 A STORY OF REVENGE 29.442 A STUDENT 29.494 A T MONEY 30.054 A TOE BY THREE 25.800 A TOUT L'HEURE 42.875 A TRIPP ROYALE 29.433 A USED GUN 23.246 A WALK ABOVE 25.728 A WINK AND A SMILE 32.705 A WISH FOR KOSUTE 20.514 A WORD TO THE WISE 30.596 A Z WARRIOR 35.400 A'INTYOUDREAMIN 22.520 A. -
You Jane White Philco
KATHLEEN GALLIGAN ANDREA LEWIS he 1932 movie Tarzan the Ape Man is the first feature film I remember seeing on television. I T am six. It is 1954 and Tarzan rides toward me Ephemera, 2013 on an elephant, filling the small screen of our black-and- Oil on canvas, 24 x 24 in You Jane white Philco. I am deep into my late-night TV ritual, sug- ared up on root beer and salted down on sunflower seeds, Tracking the gaping at the TV, dropping shells into a melamine bowl. legend of Tarzan Tarzan leaps from the elephant to wrestle an alligator in a churned-up river. He yodels the Tarzan yell and swings vine to vine to save Jane from a lion’s jaws. The tomboy in me wants to be Tarzan and the little girl wants to be Jane. I want a leopard-skin minidress and a chimp sidekick. I want to put myself in danger, but I want to be rescued too, the way Jane is always rescued. Most of all, I want Tarzan the Ape Man to never end. For movie fans of a certain age, “Tarzan” will always translate to one guy—Johnny Weissmuller. And Jane will always be Maureen O’Sullivan. Together they made six movies as Tarzan and Jane, and Weissmuller made six more with various Janes. His sixteen-year reign as Tarzan is considered the golden age of the character. A champion swimmer with no acting experience, Weissmuller was an instant hit as Tarzan. “However credible or interesting Tarzan may be on the printed page, I doubt very much if he emerges in such splendor as he does in the person of Johnny Weissmuller” (Thornton Delehanty in his review of Tarzan the Ape Man in 1932). -
His 2008 02 Nd 02.Indd 1 3.3.2008 0:05:32 Deutsch Nepal
editorial obsah Glosář Matěj Kratochvíl 2 Barbez Karel Veselý 4 Volapük / Ovo Petr Ferenc 5 Opening Performance Orchestra Petr Ferenc 6 aktuálně Charalambides Matěj Kratochvíl 7 Vážení a milí čtenáři, Člověk jdoucí za hudebním zážitkem většinou ví, co jej čeká, co má sledovat a očekávat a jak se chovat. Že se bude hrát na harfy či laptopy, že se má tleskat po só- Zvuky v prostoru Jozef Cseres 8 lech či netleskat po větách symfonie, že zvuky se bu- dou linout z pódia a bude víceméně jasné, kdo je vydá- vá. Jsou tu prostě určité jistoty. Zajímá-li nás inspirativní Orbis pictus Petr Ferenc 12 nejistota, je pole zvukových instalací nebo sound artu dobrou volbou. Především můžeme váhat, zda jde vů- bec o hudbu, zvláště když řada tvůrců přichází z výtvar- téma Instalace Alvina Luciera Thomas Bailey 18 ného břehu. Každé jednotlivé dílo pak nabízí svou vlast- ní sadu nejistot a příležitostí k podivu: Jsou tyto zvuky Zvuk – umění – město Karel Veselý 20 elektronické, nebo akustické? Jak souvisí to, co vidím, s tím, co slyším? V takto pomezním oboru je nějaký systematický pře- Steve Roden Pavel Zelinka 22 hled ještě o chlup nemožnější než ve sférách čistě hu- debních, toto číslo tedy nabízí spíše sondy do pestrosti přístupů. Od historických mezníků, jaký představu- je třeba dílo Alvina Luciera Bird And Person Dyning, se dostaneme k autorům výstavy Orbis Pictus, kte- Gordon Monahan Jesse Stewart 25 rá v současnosti s úspěchem koluje po světě, od vy- prázdněných reproduktorů Gordona Monahana přesko- číme k telefonům Dona Rittera, zpívajícím buddhistickou Valentin Silvestrov Vítězslav Mikeš 28 mantru. -
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The Illustrated Man Ray Bradbury
The Illustrated Man Ray Bradbury Contents Prologue: The Illustrated Man The Veldt Kaleidoscope The Other Foot The Highway The Man The Long Rain The Rocket Man The Fire Balloons The Last Night of the World The Exiles No Particular Night or Morning The Fox and the Forest The Visitor The Concrete Mixer Marionettes, Inc. The City Zero Hour The Rocket Epilogue [About this etext] PROLOGUE:The Illustrated Man IT was a warm afternoon in early September when I first met the Illustrated Man. Walking along an asphalt road, I was or the final leg of a two weeks’ walking tour of Wisconsin. Late in the afternoon I stopped, ate some pork, beans, and a doughnut, and was preparing to stretch out and read when the Illustrated Man walked over the hill and stood for a moment against the sky. I didn’t know he was Illustrated then. I only knew that he was tall, once well muscled, but now, for some reason, going to fat. I recall that his arms were long, and the hands thick, but that his face was like a child’s, set upon a massive body. He seemed only to sense my presence, for he didn’t look directly at me when he spoke his first words: “Do you know where I can find a job?” “I’m afraid not,” I said. “I haven’t had a job that’s lasted in forty years,” he said. Though it was a hot late afternoon, he wore his wool shirt buttoned tight about his neck. His sleeves were rolled and buttoned down over his thick wrists. -
Tarzan and His Mate
September 16, (VII:4) TARZAN AND HIS MATE (1934, CEDRIC GIBBONS: 23 MGM,116 minutes) March 1893, Dublin, Directed by Cedric Gibbons and Jack Ireland—26 July 1960, Conway (co-director, uncredited) Hollywood. This is the Writing Edgar Rice Burroughs only film directed by characters, Leon Gordon and Howard Cedric Gibbons, and he Emmet Rogers adaptation, James only directed the first few Kevin McGuinness screenplay weeks of it. Most of the Produced by Bernard H. Hyman work was done by Jack Cinematography Charles G. Clarke Conway, who wasn’t and Clyde De Vinna credited on the film. Film Editing Tom Held Gibbons is best known as an Art Direction A. Arnold Gillespie art director for MGM Special Effects James Basevi Photographic Visual Effects Irving G. films. He is the most important and influential art director in American film. Ries(uncredited) He did 1500 of them, he designed the Oscar statuette, he was nominated for 37 Johnny Weissmuller .... Tarzan Oscars and won it 11 times. Some of his more famous films: Lust for Life Maureen O'Sullivan .... Jane Parker (1956), High Society (1956), Forbidden Planet (1956), Blackboard Jungle Neil Hamilton .... Harry Holt (1955), Bad Day at Black Rock (1955), Brigadoon (1954), Singin' in the Paul Cavanagh .... Martin Arlington Rain (1952), An American in Paris, (1951), The Asphalt Jungle (1950), The Forrester Harvey .... Beamish Picture of Dorian Gray (1945), The Thin Man (1934), Grand Hotel (1932), Nathan Curry .... Saidi and The Unwritten Code (1919). Ray Corrigan .... double: Johnny Weissmuller (uncredited) JACK CONWAY (17 July 1887, Graceland, MN—11 October 1952, Pacific George Emerson... -
Ebook Download Tarzan: the Greystoke Legacy
TARZAN: THE GREYSTOKE LEGACY PDF, EPUB, EBOOK Andy Briggs | 304 pages | 02 Jun 2011 | FABER & FABER | 9780571272389 | English | London, United Kingdom Tarzan: The Greystoke Legacy PDF Book Gudrun Fridrikdottir is currently reading it Mar 31, After D'Arnot shows Tarzan fire, the sequence cuts to about an hour later, when D'Arnot attempts to arrange a charter for passage to England. Miscellaneous Speech Kreegah bundolo Tarzan yell. This leap into the late 20th Century will provide intense excitement as chapter after chapter leaves doubt as to the survival of the Greystokes and their legacy. User Reviews. He currently lives in southwest Virginia. I was determined to teach him as much as I possibly could, but never for a moment did I doubt that to bring him back would be a perilous undertaking David Pierce rated it really liked it Dec 23, Ted rated it liked it Jun 07, Tarzan of the Apes Tarzan Tarzan of the Apes Tarzan Willy David Suchet Andy Briggs is definitely an interesting personality and I can see students being intrigued by his writing of graphic novels and his experience in Hollywood movie productions. Taglines: He was a boy alone in the jungle, innocent of its dangers and awed by its beauty. They put Andie MacDowell to shame. Jane comes to the jungle with her father and his friend Cl Andy Briggs has done a reboot on the Tarzan legend for its th anniversary. Get A Copy. This delightful picture Young Adult. Uh-oh, it looks like your Internet Explorer is out of date. Tarzan comes over as a 21st-century Eco-warrior! Search for:. -
Self-Publishing in the Field of Australian Poetry Exegesis and Artefact
Bonfire of the Vanity Presses Self-Publishing in the Field of Australian Poetry Exegesis and Artefact David Prater SID: 539063X PhD Candidate Institute for Social Research Swinburne University of Technology Melbourne, Australia 2009 Abstract This thesis explores the practice of self-publishing in the field of Australian poetry. Self-publishing today can be seen as part of a long tradition of alternative publishing. Despite changes in the technologies of self-publishing, including the continuing reinvention of non-book publishing activities, poetry remains an area of the arts where the self-published book contains both symbolic and social capital. Rather than offering a basic defence of self- publishing or a textual analysis of self-published works, the Exegesis ‘re- imagines’ self-publishing within what Bourdieu might term the "field" of Australian poetry. The thesis also incorporates an Artefact composed of published, self-published and privately-published books. Despite technological changes in the way books are published, it argues that non-mainstream print publishing forms such as the chapbook still play a significant role in fostering innovation in poetic forms. In doing so it seeks a more sophisticated understanding of the literary field, and the role of books as signifiers of prestige within that field. 2 Acknowledgements I would like to thank my supervisors Julian Thomas and Denise Meredyth and my colleagues at the Institute for Social Research for their support during the period of my candidacy. My thanks also to Ian Hunter and Robert Hassan for their comments on early drafts of this thesis. Finally, I would like to acknowledge the friendship and camaraderie of my colleague Scott Ewing, a true Renaissance man. -
Jane of the Jungle Discovers Choices
Jane of the Jungle Discovers Choices Setting: The other side of the jungle. Characters: Jane: Wife of Tarzan, the Ape Man. She wears a rather dowdy sarong and stirs an open coconut shell with a wooden spoon. She is exasperated. Gorilla: He is wearing a gorilla suit and peeling a banana. Jane: Tarzan. Tarzan. Tarzan. Gorilla: Jane, you’ve got to put the focus on yourself. It’s not healthy to obsess about Tarzan all the time. Jane: I think he’s drinking again. He came home all battered and bruised. He was swinging on a vine, and he hit a tree. And that Tarzan yell—he does it more frequently now. Before dinner. After dinner. During dinner. There’s no telling what will set him off. It scares me. Gorilla: Have you talked to anyone else about this? Or is his drinking the “elephant in the living room?” Jane: Oh, there are plenty of elephants in the living room. There’s no point in talking to them. I’ll tell you: they haven’t been much help. They only want to party. But when it’s time to clean up, you can’t find an elephant in the room anywhere. Supposedly an elephant never forgets. But it seems like they only remember what’s convenient for them. When I ask them, “Where was Tarzan for the last three days?” there’s not an elephant who remembers anything. I used to trust them. But I don’t anymore. Sometimes I don’t think I trust anyone anymore. Gorilla: Have you thought about attending Al-Anon meetings? Jane: You know, it’s hard for me to get out. -
D7.2.1 / Annotated Corpus – Initial Version
D7.2.1 / Annotated Corpus – Initial Version FP7-ICT Strategic Targeted Research Project PHEME (No. 611233) Computing Veracity Across Media, Languages, and Social Networks D7.2.1 Annotated Corpus – Initial Version ___________________________________________________________ Anna Kolliakou, King’s College London Michael Ball, King’s College London Rob Stewart, King’s College London Abstract FP7-ICT Strategic Targeted Research Project PHEME (No. 611233) Deliverable D7.2.1 (WP 7) This deliverable describes the creation and annotation of two corpora of tweets on legal highs and prescribed medication. It provides a short summary of the aims and objectives of WP7, a demonstration work package for the PHEME project, and its demonstration studies. The development of the corpora is presented for each of the two case studies together with a detailed methodology of their annotation. Lastly, both corpora with their corresponding manually-annotated codes are provided. The aim of this deliverable is to describe the initial version of the development and annotation of two corpora of tweets corresponding to the first two demonstration studies of WP7. Keyword list: tweets, corpora, annotation, mephedrone, paliperidone, pregabalin, clozapine. Nature: Report Dissemination: RE Contractual date of delivery: 28.02.15 Actual date of delivery: Reviewed By: Web links: 1 D7.2.1 / Annotated Corpus – Initial Version PHEME Consortium This document is part of the PHEME research project (No. 611233), partially funded by the FP7-ICT Programme. University of Sheffield Universitaet