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Tarzan's Yell
OFFICE FOR HARMONIZATION IN THE INTERNAL MARKET (TRADE MARKS AND DESIGNS) The Boards of Appeal DECISION of the Fourth Board of Appeal of 27. September 2007 In Case R 708/2006-4 Edgar Rice Burroughs, Inc. 18354 Ventura Boulevard Tarzana, California 91357 United States of America Applicant/Appellant represented by R.G.C. JENKINS & CO, 26 Caxton Street, GB - London SW1H 0RJ, United Kingdom APPEAL relating to Community trade mark application No 3 661 329 THE FOURTH BOARD OF APPEAL composed of D. Schennen (Chairman and Rapporteur), I. Mayer (Member) and F. López de Rego (Member) Registrar: N. Semjevski gives the following Language of the case: English DECISION OF 27 SEPTEMBER 2007 – R 708/2006-4 – TARZAN YELL (SOUND MARK) 2 Decision Summary of the facts 1 By an application received by the Office by regular mail on 11 February 2004, the applicant filed a Community trade mark application for the following goods and services: Class 9 - Electrical and electronic communications and telecommunications apparatus and instruments; optical, electro-optical, monitoring (other than in-vivo monitoring), radio, television, electrical control, testing (other than in-vivo testing), signalling, checking (supervision), radio paging, radio-telephone and teaching apparatus and instruments, telephones, mobile telephones and telephone handsets; paging apparatus, radio paging apparatus; radio telephone apparatus; computerised personal organisers, telecommunications apparatus and instruments; communications apparatus and instruments; apparatus and instruments for -
The Jungle Tales of Tarzan
The Jungle Tales Of Tarzan Written in 1919 by Edgar Rice Burroughs (1875-1950) This version originally published in 2005 by Infomotions, Inc. This document is distributed under the GNU Public License. 1 2 Table of contents Chapter 1 - Tarzan's First Love Chapter 2 - The Capture of Tarzan Chapter 3 - The Fight for the Balu Chapter 4 - The God of Tarzan Chapter 5 - Tarzan and the Black Boy Chapter 6 - The Witch-Doctor Seeks Vengeance Chapter 7 - The End of Bukawai Chapter 8 - Lion Chapter 9 - The Nightmare Chapter 10 - Battle for Teeka Chapter 11 - A Jungle Joke Chapter 12 - Rescues the Moon 3 4 Chapter 1 - Tarzan's First Love Teeka, stretched at luxurious ease in the shade of the tropical forest, presented, unquestionably, a most alluring picture of young, feminine loveliness. Or at least so thought Tarzan of the Apes, who squatted upon a low-swinging branch in a near-by tree and looked down upon her. Just to have seen him there, lolling upon the swaying bough of the jungle-forest giant, his brown skin mottled by the brilliant equatorial sunlight which percolated through the leafy canopy of green above him, his clean-limbed body relaxed in graceful ease, his shapely head partly turned in contemplative absorption and his intelligent, gray eyes dreamily devouring the object of their devotion, you would have thought him the reincarnation of some demigod of old. You would not have guessed that in infancy he had suckled at the breast of a hideous, hairy she-ape, nor that in all his conscious past since his parents had passed away in the little cabin by the landlocked harbor at the jungle's verge, he had known no other associates than the sullen bulls and the snarling cows of the tribe of Kerchak, the great ape. -
First Sound Cachet” by Gladys West-Jones
The Making of the “First Sound Cachet” By Gladys West-Jones As a child growing up in the deep south of Natchez, Mississippi, I recall that there weren’t a lot of televisions in the black community, and the one we had was black and white. This was an era when playing outside, making up games, and smelling like sunshine were the epitome of being a kid. You see, I was a tomboy who loved the outdoors and climbing trees. I also loved watching TV, and one of my favorite shows was “Tarzan”. I never missed an episode. When I learned that the Edgar Rice Burroughs stamp was being issued, and that he was the creator of “Tarzan”, my motivation for making a cachet was as strong as a rabid dog. As my mentor, Florence “Via” Villaseñor, has taught me, before you make a cachet, you study your subject by doing a lot of research. So, that’s what I did. I wanted to capture in my cover the essence of Tarzan, the “King of the Jungle”. With all that I wanted to do, I realized that it would take more than one cover. I started with wanting to know all of the actors who played Tarzan on television and in the movies. I discovered that there were 23. So I decided to write about all of them including where they are today. Second, I wanted to know more about Edgar Rice Burroughs. Having just seen the movie “John Carter of Mars”, and hearing the advertisers say that it took Burroughs 100 years to produce, I wanted to know what else Burroughs had accomplished. -
Thinking Movement Moving Thought Programme.Pdf
THINKING MOVEMENT, MOVING THOUGHT 22 September 2017 9am – 6.30pm Labanarium presents this one day and movement and psychology. Will Wollen (University of Kent); symposium in collaboration with the Workshops, seminars, papers and Christopher Simpson (Northampton Centre for Performance Philosophy encounters in movement and thinking University) and Dr Paola Crespi which will focus on the relationships given by Cate Deicher CMA and Amy (Goldsmiths University London). between movement and philosophy Shapiro, PhD (Alverno College, U.S); LABANARIUM.COM Dr Paola Crespi Rhythm Will Help LECTURE Paola’s work has been published in Besides the more straightforward Workers international peer-reviewed journals aim of introducing Laban’s Dr Paola Crespi is a Visiting Research paper presentation such as Body & Society, Subjectivity, rhythmanalysis as found in both Fellow at the Topology Research 2 -3 pm Theatre, Dance & Performance his notes and his drawings to a Unit at Goldsmiths and a Lecturer at Ivy Theatre Training and online on the Theory, wider public, this intervention Anglia Ruskin University and at the Culture&Society website. Paola sits seeks to draw attention to the Thinking Movement, Moving Thought University of Suffolk. She holds a on the editorial board of Evental dialogue between cultural theory PhD in Media Studies (Goldsmiths), A one day symposium focusing on the relationships between movement, Aesthetics: An Independent Journal of and performance studies that the an MRes in Humanities and Philosophy and she is Section Editor material itself affords. Far from psychology and philosophy Cultural Studies (London for Cultural Studies and Critical Theory being restricted to the field of the Consortium) and a BA (Hons) in of the Open Journal of the Humanities. -
TARZAN of the APES SERIES - Complete 25 Book Collection (Illustrated): the Return of Tarzan, the Beasts of Tarzan, the Son of Tarzan, Tarzan and the Jewels
mV6Rq (Read ebook) TARZAN OF THE APES SERIES - Complete 25 Book Collection (Illustrated): The Return of Tarzan, The Beasts of Tarzan, The Son of Tarzan, Tarzan and the Jewels ... Lion, Tarzan the Terrible and many more Online [mV6Rq.ebook] TARZAN OF THE APES SERIES - Complete 25 Book Collection (Illustrated): The Return of Tarzan, The Beasts of Tarzan, The Son of Tarzan, Tarzan and the Jewels ... Lion, Tarzan the Terrible and many more Pdf Free Edgar Rice Burroughs audiobook | *ebooks | Download PDF | ePub | DOC Download Now Free Download Here Download eBook #85650 in eBooks 2017-04-20 2017-04-20File Name: B0727RRBNH | File size: 57.Mb Edgar Rice Burroughs : TARZAN OF THE APES SERIES - Complete 25 Book Collection (Illustrated): The Return of Tarzan, The Beasts of Tarzan, The Son of Tarzan, Tarzan and the Jewels ... Lion, Tarzan the Terrible and many more before purchasing it in order to gage whether or not it would be worth my time, and all praised TARZAN OF THE APES SERIES - Complete 25 Book Collection (Illustrated): The Return of Tarzan, The Beasts of Tarzan, The Son of Tarzan, Tarzan and the Jewels ... Lion, Tarzan the Terrible and many more: 0 of 0 people found the following review helpful. Good readingBy Jim NussbaumerWell written - but dated of course. It is nice having all of the books in one place - but they sound a lot alike after a while.0 of 0 people found the following review helpful. Five StarsBy Edward TuckerNice to find them all in one place.0 of 0 people found the following review helpful. -
Jugoslovenska Produkcija
JUGOSLOVENSKA PRODUKCIJA 1 1 Tarzan® owned by JUGOSLOVENSKA PRODUKCIJA Edgar Rice Burroughs Inc. All rights reserved. Dark Horse Comics® and the Dark Horse logo are trademarks of Dark Horse Comics, Inc., registered in various categories and countries. All rights reserved. Edgar Rice Burroughs’ Tarzan® copyright© 1982-1985, 2011 Darkwood d.o.o. Edgar Rice Burroughs, Inc. Bogdana Žerijića 17 All rights reserved. e-mail: [email protected] Tarzan™ owned by www.darkwood.co.rs Edgar Rice Burroughs, Inc. and Glavni i odgovorni urednik used by permission. SLOBODAN JOVIĆ Urednik copyright za srpsko izdanje MILOŠ JOVANOVIĆ ® 2011 Darkwood Štampa i povez SIMBOL, PETROVARADIN CIP - katalogizacija u publikaciji Narodna biblioteka Srbije, Beograd ISBN 978-86-6163-042-2 COBISS.SR-ID 186499596 2 JUGOSLOVENSKA PRODUKCIJA Period između 1980. i 1990. godine u strip- Kao i uvek, kada postoje dileme, umešao se skom svetu Jugoslavije najčešće se označava slučaj da ukaže na put kojim se može ići. kao zlatno doba stripa. Ako i nismo sigurni u Prilikom jedne od svojih redovnih poseta takvu kvalifikaciju, slobodno možemo reći da je konvencijama i sajmovima stripa, urednik to bilo sjajno doba. Stripoteke Svetozar Toza Tomić se našao u Poneseni ekspanzijom produkcije, i što je još društvu kolega iz švedske izdavačke kuće At- važnije za njih, prodaje stripova, izdavači širom lantik. Tokom večere, šveđani su se požalili na Jugoslavije su, na ovaj ili onaj način, težili da teškoće koje imaju u produkciji stripa Tarzan. obogate svoj izdavački katalog. Tomić je šveđanima ponudio da Marketprint I dok su se neki okrenuli sigurnim stranim preuzme posao od španaca. -
Tarzan and the Golden Lion (810.82 B972 1924A)
What the Footprints Told 51 opposite side of the clearing, while the bulls, bris«. tling and growling, faced the intruder. “ Come,” cried Tarzan, “ do you not know me? I am Tarzan of the Apes, friend of the Mangani, son of Kala, and king of the tribe of Kerchak.” “We know you,” growled one of the old bulls; “ yesterday we saw you when you killed Gobu. Go away or we shall kill you.” “ I did not kill Gobu,” replied the ape-man. “ I found his dead body yesterday and I was following the spoor of his slayer, when I came upon you.” “ We saw you,” repeated the old bull; “ go away or we shall kill you. You are no longer the friend of the Mangani.” The ape-man stood with brows contracted in thought. It was evident that these apes really believed that they had seen him kill their fellow. What was the explanation? How could it be ac¬ counted for? Did the naked footprints of the great white man whom he had been following mean more, then, than he had guessed? Tarzan wondered. He raised his eyes and again addressed the bulls. “It was not I who killed Gobu,” he insisted. “ Many of you have known me all your lives. You know that only in fair fight, as one bull fights another, have I ever killed a Mangani. You know that, of all the jungle people, the Mangani are my best friends, and that Tarzan of the Apes is the best friend the Mangani have. How, then, could I slay one of my own people? ”. -
You Jane White Philco
KATHLEEN GALLIGAN ANDREA LEWIS he 1932 movie Tarzan the Ape Man is the first feature film I remember seeing on television. I T am six. It is 1954 and Tarzan rides toward me Ephemera, 2013 on an elephant, filling the small screen of our black-and- Oil on canvas, 24 x 24 in You Jane white Philco. I am deep into my late-night TV ritual, sug- ared up on root beer and salted down on sunflower seeds, Tracking the gaping at the TV, dropping shells into a melamine bowl. legend of Tarzan Tarzan leaps from the elephant to wrestle an alligator in a churned-up river. He yodels the Tarzan yell and swings vine to vine to save Jane from a lion’s jaws. The tomboy in me wants to be Tarzan and the little girl wants to be Jane. I want a leopard-skin minidress and a chimp sidekick. I want to put myself in danger, but I want to be rescued too, the way Jane is always rescued. Most of all, I want Tarzan the Ape Man to never end. For movie fans of a certain age, “Tarzan” will always translate to one guy—Johnny Weissmuller. And Jane will always be Maureen O’Sullivan. Together they made six movies as Tarzan and Jane, and Weissmuller made six more with various Janes. His sixteen-year reign as Tarzan is considered the golden age of the character. A champion swimmer with no acting experience, Weissmuller was an instant hit as Tarzan. “However credible or interesting Tarzan may be on the printed page, I doubt very much if he emerges in such splendor as he does in the person of Johnny Weissmuller” (Thornton Delehanty in his review of Tarzan the Ape Man in 1932). -
Dancers in the Sky Stories
DANCERS IN THE SKY STORIES DANCERS IN THE SKY STORIES Barry Eysman Copyright 2011 by Barry Eysman All rights reserved. No part of this book may be reproduced, stored, or transmitted by any means— whether auditory, graphic, mechanical, or electronic—without written permission of both publisher and author, except in the case of brief excerpts used in critical articles and reviews. Unauthorized reproduction of any part of this work is illegal and is punishable by law. ISBN 978-1-257-05256-1 EVERYDAY MAGIC. IN THE MERE LIVING. WE TOO. IN LOVING MEMORY OF JASE, JOSHUA, DIEGO, ROB AND BERRITY— MY FRIENDS TABLE OF CONTENTS Before the Fall........................................................................................1 Pirouette .................................................................................................5 Late Night Radio ................................................................................... 8 Something is Really Wrong .................................................................10 My Name is David ...............................................................................13 The Brindling Day ...............................................................................17 Halloween Charade ..............................................................................19 And his Eyes be as Blue as the Sea......................................................20 Paul Finally Gets to Play Basketball ....................................................51 Doing Time in Tooth Ache Town ........................................................52 -
Full Resolution
y£ ©CUE PCAS1IE UPON JPJH Volume 3 ,Numberp±tj 4 fflay,13S0 £>je tribunal Not to eparrtt? thr etaff... Howard ©fltrnwaky: Editor and ©riginatnr Anty Burna, Pamrla Eljrrnkranz, 3aeepl] pinto: Pier Potentate Brian Jrinbrrg, Ban JiorrXla, 3oljn Eauilino: Hr mljo guardetfj ourr tljr purer Suzanne Eraury, Brodir Clack, 3nljn ffirrnand: Hr uiljo guardrtlj ourr Rawlinu Ray Norton, and Andy yiannakoa 8trur Korn: ©urrerrr ourr tljr ourrarrn Bob young: Pieirr ourr tl|r rralm of Room 504 We have come to the end of yet another year, but don't think that we have stopped working. The staff will be busy preparing a freshmen orientation project for early September, so if you have any material that we can use for next year, we are still at 21 Washington Pi., Box 79/Room 504, New York NY 10003. Good luck on your exams and have a good summer. The Plague will definitely have a good summer because of all of the staff that is leaving after this year. We would like to wish Howie Ostrowsky, Joe Pinto, John Rawlins and Andy Yiannakos, the best of luck in their upcoming unemployment. Bye for now.' vegetables hv John r.g e riia n tl historically PcrrmessS J'M N O T S&YIN& THttr BUT IV JUST AMID THkd^ST^ HIW E BEEH HBbUOO) VIE'VE ToTtJjLY LJK.E To POINT ONE AMD B0*>TLB O F To A L&Mr€ P£JKZ 7W/AKr OUT. EV EKYD&Y POTATO© ARE Al w a y s t h e r e ' vjheP e awdwm^ You NEEOTHEft. -
Tarzan and His Mate
September 16, (VII:4) TARZAN AND HIS MATE (1934, CEDRIC GIBBONS: 23 MGM,116 minutes) March 1893, Dublin, Directed by Cedric Gibbons and Jack Ireland—26 July 1960, Conway (co-director, uncredited) Hollywood. This is the Writing Edgar Rice Burroughs only film directed by characters, Leon Gordon and Howard Cedric Gibbons, and he Emmet Rogers adaptation, James only directed the first few Kevin McGuinness screenplay weeks of it. Most of the Produced by Bernard H. Hyman work was done by Jack Cinematography Charles G. Clarke Conway, who wasn’t and Clyde De Vinna credited on the film. Film Editing Tom Held Gibbons is best known as an Art Direction A. Arnold Gillespie art director for MGM Special Effects James Basevi Photographic Visual Effects Irving G. films. He is the most important and influential art director in American film. Ries(uncredited) He did 1500 of them, he designed the Oscar statuette, he was nominated for 37 Johnny Weissmuller .... Tarzan Oscars and won it 11 times. Some of his more famous films: Lust for Life Maureen O'Sullivan .... Jane Parker (1956), High Society (1956), Forbidden Planet (1956), Blackboard Jungle Neil Hamilton .... Harry Holt (1955), Bad Day at Black Rock (1955), Brigadoon (1954), Singin' in the Paul Cavanagh .... Martin Arlington Rain (1952), An American in Paris, (1951), The Asphalt Jungle (1950), The Forrester Harvey .... Beamish Picture of Dorian Gray (1945), The Thin Man (1934), Grand Hotel (1932), Nathan Curry .... Saidi and The Unwritten Code (1919). Ray Corrigan .... double: Johnny Weissmuller (uncredited) JACK CONWAY (17 July 1887, Graceland, MN—11 October 1952, Pacific George Emerson... -
Tarzan, Lord of the Jungle
TARZAN, LORD OF THE JUNGLE BY EDGAR RICE BURROUGHS 1928 CONTENTS 1. Tantor The Elephant 2. Comrades Of The Wild 3. The Apes Of Toyat 4. Bolgani The Gorilla 5. The Tarmangani 6. Ara The Lightning 7. The Cross 8. The Snake Strikes 9. Sir Richard 10. The Return Of Ulala 11. Sir James 12. "Tomorrow Thou Diest!" 13. In The Beyt Of Zeyd 14. Sword And Buckler 15. The Lonely Grave 16. The Great Tourney 17. "The Saracens!" 18. The Black Knight 19. Lord Tarzan 20. "I Love You!" 21. "For Every Jewel A Drop Of Blood!" 22. Bride Of The Ape 23. Jad-Bal-Ja 24. Where Trails Met 1 1. TANTOR THE ELEPHANT HIS great bulk swaying to and fro as he threw his weight first upon one side and then upon the other, Tantor the elephant lolled in the shade of the father of forests. Almost omnipotent, he, in the realm of his people. Dango, Sheeta, even Numa the mighty were as naught to the pachyderm. For a hundred years he had come and gone up and down the land that had trembled to the comings and the goings of his forebears for countless ages. In peace he had lived with Dango the hyena, Sheeta the leopard and Numa the lion. Man alone had made war upon him. Man, who holds the unique distinction among created things of making war on all living creatures, even to his own kind. Man, the ruthless; man, the pitiless; man, the most hated living organism that Nature has evolved. Always during the long hundred years of his life, Tantor had known man.