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Jugoslovenska Produkcija JUGOSLOVENSKA PRODUKCIJA 1 1 Tarzan® owned by JUGOSLOVENSKA PRODUKCIJA Edgar Rice Burroughs Inc. All rights reserved. Dark Horse Comics® and the Dark Horse logo are trademarks of Dark Horse Comics, Inc., registered in various categories and countries. All rights reserved. Edgar Rice Burroughs’ Tarzan® copyright© 1982-1985, 2011 Darkwood d.o.o. Edgar Rice Burroughs, Inc. Bogdana Žerijića 17 All rights reserved. e-mail: [email protected] Tarzan™ owned by www.darkwood.co.rs Edgar Rice Burroughs, Inc. and Glavni i odgovorni urednik used by permission. SLOBODAN JOVIĆ Urednik copyright za srpsko izdanje MILOŠ JOVANOVIĆ ® 2011 Darkwood Štampa i povez SIMBOL, PETROVARADIN CIP - katalogizacija u publikaciji Narodna biblioteka Srbije, Beograd ISBN 978-86-6163-042-2 COBISS.SR-ID 186499596 2 JUGOSLOVENSKA PRODUKCIJA Period između 1980. i 1990. godine u strip- Kao i uvek, kada postoje dileme, umešao se skom svetu Jugoslavije najčešće se označava slučaj da ukaže na put kojim se može ići. kao zlatno doba stripa. Ako i nismo sigurni u Prilikom jedne od svojih redovnih poseta takvu kvalifikaciju, slobodno možemo reći da je konvencijama i sajmovima stripa, urednik to bilo sjajno doba. Stripoteke Svetozar Toza Tomić se našao u Poneseni ekspanzijom produkcije, i što je još društvu kolega iz švedske izdavačke kuće At- važnije za njih, prodaje stripova, izdavači širom lantik. Tokom večere, šveđani su se požalili na Jugoslavije su, na ovaj ili onaj način, težili da teškoće koje imaju u produkciji stripa Tarzan. obogate svoj izdavački katalog. Tomić je šveđanima ponudio da Marketprint I dok su se neki okrenuli sigurnim stranim preuzme posao od španaca. produkcijama, novosadski izdavači Dnevnik i Šveđanima se svidela ideja, ali su zatražili da Marketprint su krenuli u neizvesne i nemirne neko od naših crtača uradi nekoliko probnih ta- vode sopstvene produkcije. bli, da bi bili sigurni da je ponuda ozbiljna. Ipak, produkcija bazirana na isključivo Po povratku u Novi Sad, zajedno sa Slavkom domaćim serijalima još nije uspevala da Draginčićem, Tomić je razradio ceo koncept za prevaziđe dečje bolesti i nije mogla biti osnova preuzimanje licence. Zatim je pozvao Branis- za prave izdavačke poduhvate. lava Kerca i Branka Plavšića i ponudio im da Dnevnik nije želeo ništa da prepusti slučaju. pređu iz Dnevnika u Marketprint kako bi oformi- Oslonjen na svoje veze sa italijanskim li tim koji bi radio na jugoslovenskoj produkciji izdavačima i enormne tiraže Zlatne serije i Tarzana. Lunovog magnus stripa, sledio je logiku da Iako razapet između Cat Claw, Kobre, i domaću produkciju veže za stripove slične Poručnika Tare i Velikog Bleka, Kerac je prih- Bonelijevim izdanjima. vatio ponudu koja se ne odbija. Umesto neko- Vrlo pionirski, Dnevnik je u sklopu redakcije liko strana, iscrtao je celu pilot epizodu po sce- uveo stalna radna mesta za crtače stripova koji nariju Slavka Draginčića. su bili okosnica za formiranje tima i pokretanje Na odgovor se nije dugo čekalo. Atlantik je prve licencne produkcije na prostoru Jugoslavije. odobrio pilot epizodu i Marketprint je preuzeo li- U tom periodu, Marketprint je još uvek vodio cencu. Odmah se pristupilo realizaciji konkursa politiku izdavanja stranih stripova uz povremene za crtež i za scenario. Odziv je bio više nego uspešne izlete na teren istaknutih domaćih au- velik. Formirani žiri je imao pune ruke posla jer tora kao što je bila edicija Spunk. Nekakve na- je izgledalo da svi žele da učestvuju u tako ve- mere da se nastavi tradicija YU Stripa tek su likom stripskom projektu. se nazirale. Formalnosti oko prelaska Baneta Kerca i Sibin Slavković je i prešao iz Dečjih novina Branka Plavšića iz Dnevnika u Marketprint su u Novi Sad upravo zato da se Marketprint- brzo obavljene. Usvojen je i koncept timskog ova domaća produkcija ojača i da postane rada. Pilot epizoda je urađena ponovo, kao prvi konkurentna stranim izvorima stripova. zadatak za tušera Branka Plavšića. 3 Istovremeno, Sibin Slavković je epizodom odrađena za svega tri dana) i jednog organiza- ’’Zlatna barka’’, uz urednička zaduženja, cionog propusta koji je rezultirao nedostatkom započeo svoju veliku seriju epizoda Tarzana. domaće epizode u broju 77. U početku, Slavko Draginčić je preuzeo na Za naslovne strane su uglavnom bili zaduženi sebe pisanje scenarija, ali se pokazalo da je Bane Kerac i Sibin Slavković, a Bane Kerac je to nedovoljno za potrebe ekipe koja se brzo potpisao i veliki broj scenarija. oformila. Do 1990 godine, kada je raskinut ugovor sa Timu autora su se priključili Goran Đukić, Atlantikom, realizovan je najduži licencni serijal Pavel Koza, Marinko Lebović i Petar Meseldžija. u istoriji jugoslovenskog stripa. Scenaristi Dušan Vukojev i Svetozar Obradović Objavljivanje YU epizoda je startovalo 1982. su vrlo brzo uskočili na uspešan voz podržan od godine u Stripoteci broj 780 i 21. broju matične većine relevantnih medija tog vremena. Prilozi edicije Tarzan. na TV i mnoštvo osvrta i intervjua u novinama Od 33. broja, edicija Tarzan menja izgled i su doprineli da ime Tarzan postane familijarno izlazi na povećanom formatu. Zaključno sa u celoj državi. Popularnost lika je doprinela i 103. brojem, edicija se gasi 1990. godine. zavidnom tiražu. Očekivano, tim se morao proširiti i angažovani su Dragana Stanković, B.Z. Petar Aladžić, Milan Miletić, Miodrag Ivanović i Dragan Stokić. Produkcija je tekla prilično glatko, bez većih Tim autora u redakciji upadanja u stisku s vremenom, osim u slučaju ’’Marketprinta’’, 1983. godine. epizode ’’Peščana oluja’’ (koja je morala biti Branko Plavšić, Slavko Draginčić, Branislav Kerac i Sibin Slavković. 4 BELI PANTER LEŠINARI! KRUŽE NAD SVOJiM plenom! NEKA ŽIVOTINJA... ILI ČOVEK? ČINILO SE DA NIŠTA NE REMETI PREDVEČERNJI tekst: MIR AFRIČKE DŽUNGLE... Slavko DRAGINČIĆ ALI OŠTROM TARZANovoM POGLEDU NIJE MOGAO olovka: DA PROMAKNE NI NAJMANJI DETALJ. NEGDE U DALJINI, Bane KERAC NA CRVENKASTO - PLAVOM NEBU, OCRTAVALE SU SE tuš: Branko PLAVŠIĆ ZLOKOBNE SILUETE VELIKIH PTICA. 5 NE GUBEĆI VREME, MOŽDA JE ČOVEK-MAJMUN NADAM NEKOME POTREBNA SE VINUO KROZ SE DA NIJE POMOĆ? VAZDUH... PREKASNO! i ubrzo... RATNIK PLEMENA VARUBIJA! IZGLEDA DA JE U NEVOLJI! BELI LOVCI... DOŠLI SU U SELO I POLAKO... UBILI POGLAVICU LOBOTuA... NA MENE SMIRI SE, SU PUCALI DOK SAM BEŽAO! PRIJATELJU. TARZANE, DOBRO POMOZI PLEMENU VARUGA, DA SI DOŠAO! TRAŽIO TARZANE... JA... SAM TE... ALI IZDALA RANJEN ME SNAGA... JE VATRENIM ORUŽJEM! 6 moj gospodar je naredio da te ubijem, neverniče! biće mi zadovolj- stvo da to uradim... vreme je da ne približavaj platiš za svoja se, tarzane! naredi zlodela, ali ben robovima da se akbare! predaju... ili ... ću te ubiti! 35 mene ne možeš kupiti... ne... ne... ubico! mogu te učiniti bogatim, tarzane! sada ste slobodni... osvetili ste svoje voljene! vratite se u svoja sela, obnovite ih i počnite novi život! niko vas više neće učiniti robovima! KRAJ EPIZODE 36 tekst: SLAVKO DRAGINČIĆ olovka: BRANISLAV KERAC tuš: BRANKO PLAVŠIĆ BORBA ZA OPAR krici velikih sivih majmuna stapali su se sa monotonim dobovanjem u gotovo harmoničnu melodiju. ponet iskonskim emocijama, gospodar džungle se predao divljem ritmu dum-duma... kreegah! neko u blizini! možda to neprijatelj! 37 bela žena je prijatelj! nijedan mangani ne sme da je povredi! rak! kušatovo pleme sluša tarzana! tarzane! zar je trebalo da te borio si se da prepustim njihovom besu? spaseš la! nisi smela da prekidaš ritual! možda u tvom srcu ipak ima malo mesta i za la? ti znaš da volim drugu ženu, la... ali sigurno nisi došla da ti to ponovo kažem! šta tražiš tako daleko od opara? šta hoćeš da! time da kažeš? najkrvo- zar se neko usudio ločniji potrebna mi ratnici je tvoja pomoć, da napadne tvoj grad? džungle tarzane... da ... ljudi- oteramo uljeze leopardi i oslobodimo ! opar! čudno... to je daleko od njihove teritorije! 40 ljude-leoparde je predvodio neki belac surovog izgleda. iznenada su se pojavili usred grada i posle kratke borbe savladali sve moje ljude... ja sam iskoristila trenutak njihove nepažnje i iskrala se kroz tajni pro- laz, a zatim krenula u džunglu da te tražim. ovamo su me privukli zvuci tog dobovanja... u redu, la... pomoćiću ti mangani! da povratiš opar! ali neću tarzan ide da oslobodi grad poći sam... gom, mangani! pećinskih ljudi! rak! idemo! tarzan naš potrebna mu je prijatelj! vaša pomoć! gom! gom! malo kasnije, praćen čoporom sivih majmuna, gospodar džungle je pohitao ka drevnoj prestonici atlantiđana... 41 tekst: SLAVKO DRAGINČIĆ olovka: BANE KERAC tuš: BRANKO PLAVŠIĆ VELIKI GORGO U JEDNOM ZABAČENOM DELU AFRIČKE DŽUNGLE, VITKA PRILIKA OČAJNIčKI SE PROBIJALA KROZ TROPSKI GUSTIŠ. ZAOKUPLJENA ŽELJOM DA UMAKNE NEVIDLJIVIM PROGONITELJIMA, DEVOJKA NIJE BILA NI SVESNA SMRTNE OPASNOSTI KOJOj JE HITALA U SUSRET... 53 54 ubijen je vatrenim oružjem ... kao i dva prethodna! smrt u džungli nije retka pojava. ona je samo prirodna posledica neprekidne borbe za opstanak... ali ponekad smrt mogu da izazovu i drugi razlozi, kao što su obest, pohlepa ili osveta. UBICA LEOPARDA tekst: SLAVKO DRAGINČIĆ olovka: SIBIN SLAVKOVIĆ tuš: BRANKO PLAVŠIĆ mada još uvek nije znao koji je motiv u pitanju, gospodar džungle je čvrsto rešio da prekine dalje krvoproliće... nema sumnje, to je isti čovek! samo trag je sada svežiji i ako požurim... ... mogao bih ga stići još pre sumraka! 69 dejvide... dragi... da li te boli?! ne... sada više ne, lina. ali lina... ti ... nije duboka rana. brzo ćeš lina!... smiri se, se oporaviti, pa ti mala moja. dejvide. hodaš! sada je sve u redu... hvala ti... prijatelju. oh, oče! bilo je strašno... ženka nije nešto kasnije... pobesnela samo ja ću ih zbog rane... othraniti, mislila je tarzane. da ugrožavamo njene mladunce. uginuće ako se niko za njih ne pobrine. možda je to najbolji način da bar delimično otplatim svoj dug. KRAJ EPIZODE 84 CARSTVO MANI-TAJ tekst: SLAVKO DRAGINČIĆ olovka: BANE KERAC tuš: BRANKO PLAVŠIĆ NERVOZNO ŠIBAJUĆI SVOJIM DUGIM REPOM, LEOPARD JE OPREZNO PRILAZIO ŽRTVI. INSTINKT GA JE UPOZORAVAO NA OPASNOST I ON JE SVU PAŽNJU USMERIO NA STVORENJE PRED SOBOM. ALI, UDARAC NIJE DOŠAO SA TE STRANE..
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