Jane Austen, Game Theorist

Total Page:16

File Type:pdf, Size:1020Kb

Jane Austen, Game Theorist Jane Austen, Game Theorist Jane Austen, Game Theorist Michael Suk-Young Chwe P RINCETON U NIVERSITY P RESS P RINCETONAND O XFORD Copyright c 2013 by Princeton University Press Published by Princeton University Press, 41 William Street, Princeton, New Jersey 08540 In the United Kingdom: Princeton University Press, 6 Oxford Street, Woodstock, Oxford- shire OX20 1TW press.princeton.edu All Rights Reserved Fourth printing, and first paperback printing, with a new afterword by the author, 2014 paperback ISBN 978-0-691-16244-7 The Library of Congress has cataloged the cloth edition of this book as follows Chwe, Michael Suk-Young, 1965– Jane Austen, game theorist / Michael Suk-Young Chwe. pages cm Includes bibliographical references and index. ISBN 978-0-691-15576-0 (hardcover : acid-free paper) 1. Austen, Jane, 1775–1817—Criticism and interpretation. 2. Austen, Jane, 1775–1817—Knowledge—Social life and customs. 3. Game theory in literature. 4. Game theory—Social aspects. 5. Rational choice theory—Social aspects. I. Title. PR4038.G36C49 2013 8230.7—dc23 2012041510 British Library Cataloging-in-Publication Data is available This book has been composed in Sabon Printed on acid-free paper 1 Typeset by S R Nova Pvt Ltd, Bangalore, India Printed in the United States of America 10 9 8 7 6 5 4 To my sister Lana Contents Preface xi Abbreviations xiii CHAPTER ONE The Argument 1 CHAPTER TWO Game Theory in Context 9 Rational Choice Theory 9 Game Theory 12 Strategic Thinking 15 How Game Theory Is Useful 19 Criticisms 25 Game Theory and Literature 30 CHAPTER THREE Folktales and Civil Rights 35 CHAPTER FOUR Flossie and the Fox 43 CHAPTER FIVE Jane Austen’s Six Novels 49 Pride and Prejudice 50 Sense and Sensibility 54 Persuasion 60 Northanger Abbey 67 Mansfield Park 75 Emma 86 CHAPTER SIX Austen’s Foundations of Game Theory 97 Choice 97 Preferences 102 Revealed Preferences 105 Names for Strategic Thinking 107 Strategic Sophomores 111 Eyes 113 viii Contents CHAPTER SEVEN Austen’s Competing Models 115 Emotions 115 Instincts 119 Habits 121 Rules 124 Social Factors 127 Ideology 128 Intoxication 130 Constraints 130 CHAPTER EIGHT Austen on What Strategic Thinking Is Not 133 Strategic Thinking Is Not Selfish 133 Strategic Thinking Is Not Moralistic 134 Strategic Thinking Is Not Economistic 135 Strategic Thinking Is Not About Winning Inconsequential Games 137 CHAPTER NINE Austen’s Innovations 141 Partners in Strategic Manipulation 141 Strategizing About Yourself 153 Preference Change 158 Constancy 167 CHAPTER TEN Austen on Strategic Thinking’s Disadvantages 171 CHAPTER ELEVEN Austen’s Intentions 179 CHAPTER TWELVE Austen on Cluelessness 188 Lack of Natural Ability 188 Social Distance 198 Excessive Self-Reference 200 High-Status People Are Not Supposed to Enter the Minds of Low-Status People 202 Presumption Sometimes Works 205 Decisive Blunders 205 CHAPTER THIRTEEN Real-World Cluelessness 211 Cluelessness Is Easier 211 Contents ix Difficulty Embodying Low-Status Others 213 Investing in Social Status 217 Improving Your Bargaining Position 219 Empathy Prevention 224 Calling People Animals 225 CHAPTER FOURTEEN Concluding Remarks 228 Afterword to the Paperback Edition 235 References 237 Index 253 Preface THE IDEA for this book started when I found Flossie and the Fox (McKissack 1986) for my children at a garage sale. For years I used the story of Flossie as an example in my graduate game theory classes but never found a place for it in my writing. The opportunity came when I was asked to prepare a paper for a conference on “Rational Choice Theory and the Humanities.” I found similar folktales and began to notice “folk game theory” in movies I watched together with my children. Watching Jane Austen adaptations led to reading her novels. Thus this book arose out of experiences with my children Hanyu and Hana. Now as they are almost grown I hope that they will still want to read books and watch movies with their father. The “Rational Choice Theory and the Humanities” conference was held at Stanford University in April 2005, and I am indebted to the organizer, David Palumbo-Liu, and conference participants. Some of the material in the paper I wrote for the conference (Chwe 2009) appears again here. I am also indebted to participants in presentations I gave in December 2005 at the National Taiwan University, in April 2010 at the Juan March Institute and the UCLA Marschak Colloquium, in May 2011 at Yale University, and in June 2011 at the University of Oxford and the Stockholm School of Economics. Discussions continue at janeaustengametheorist.com. Writing a book invariably exposes one to undeserved generosity. More than once, I have drafted what seems like a delightfully original phrase only to discover it in an email received earlier from a friend. The term “folk game theory” has also been independently coined in lectures by Vince Crawford and in a recent paper by Crawford, Costa-Gomes, and Iriberri (2010). Properly acknowledging the contributions of my friends and colleagues is almost impossible, but I will try. Specifically (in reverse alphabetical order), Guenter Treitel, Laura Rosenthal, Dick Rosecrance, Anne Mellor, Avinash Dixit, Vince Crawford, Tyler Cowen, Steve Brams, and Pippa Abston read the entire first draft and offered very helpful comments. Peyton Young, Giulia Sissa, Ignacio Sanchez-Cuenca, Valeria Pizzini-Gambetta, Rohit Parikh, Russ Mardon, and Neal Beck gave me great suggestions. The comments of anonymous referees improved the book, especially its overall organization, a lot. I am indebted. Chuck Myers and Peter Dougherty at Princeton University Press have always been great. Linda Truilo’s care as copyeditor is very much appreciated. xii Preface I wrote this book while my wife and I were both teaching at UCLA, where we landed after moving three times in search of two jobs at the same place. We are grateful to this university for its research environment and also simply for making our family life possible. I will always look back on this period of my life, with our children growing up among many loving families in Santa Monica, with the greatest affection. Finally, I would like to thank my own family: my wife and my children, my parents, and my brothers and my sister. If I could, I would dedicate everything I do to them, not just books. Thank you for reading, even if these words appear on some sort of device with an off switch. Real books could come into your life serendipitously, from garage sales for example. We read them. We wrote them. We loved them. Abbreviations The following abbreviations are used for Jane Austen’s novels. E Emma MP Mansfield Park NA Northanger Abbey P Persuasion PP Pride and Prejudice SS Sense and Sensibility Jane Austen, Game Theorist CHAPTER ONE The Argument NOTHING IS MORE human than being curious about other humans. Why do people do what they do? The social sciences have answered this question in increasingly theoretical and specialized ways. One of the most popular and influential in the past fifty years, at least in economics and political science, has been game theory. However, in this book I argue that Jane Austen systematically explored the core ideas of game theory in her six novels, roughly two hundred years ago. Austen is not just singularly insightful but relentlessly theoretical. Austen starts with the basic concepts of choice (a person does what she does because she chooses to) and preferences (a person chooses according to her preferences). Strategic thinking, what Austen calls “penetration,” is game theory’s central concept: when choosing an action, a person thinks about how others will act. Austen analyzes these foundational concepts in examples too numerous and systematic to be considered incidental. Austen then considers how strategic thinking relates to other explanations of human action, such as those involving emotions, habits, rules, social factors, and ideology. Austen also carefully distinguishes strategic thinking from other concepts often confused with it, such as selfishness and economism, and even discusses the disadvantages of strategic thinking. Finally, Austen explores new applications, arguing, for example, that strategizing together in a partnership is the surest foundation for intimate relationships. Given the breadth and ambition of her discussion, I argue that exploring strategic thinking, theoretically and not just for practical advantage, is Austen’s explicit intention. Austen is a theoretician of strategic thinking, in her own words, an “imaginist.” Austen’s novels do not simply provide “case material” for the game theorist to analyze, but are themselves an ambitious theoretical project, with insights not yet superseded by modern social science. In her ambition, Austen is singular but not alone. For example, African American folktales celebrate the clever manipulation of others, and I argue that their strategic legacy informed the tactics of the U.S. civil rights movement. Just as folk medicine healed people long before academic medicine, “folk game theory” expertly analyzed strategic situations long before game theory became an academic specialty. For example, the tale of Flossie and the Fox shows how pretending to be 2 Chapter 1 naive can deter attackers, a theory of deterrence at least as sophisticated as those in social science today. Folk game theory contains wisdom that can be explored by social science just as traditional folk remedies are investigated by modern medicine. Game theory should thus embrace Austen, African American folktellers, and the world’s many folk game theory traditions as true scientific predecessors. The connection between Austen’s novels, among the most widely beloved in the English language, and game theory, which can be quite mathematical, might seem unlikely. Austen’s novels are discerning and sensitive, whereas game theory is often seen as reductive and technical, originating out of a Cold War military-industrial “think tank.” But since both Austen and game theory build a theory of human behavior based upon strategic thinking, it is not surprising that they develop the same concepts even as they consider different applications.
Recommended publications
  • Chen 1 Sunny Chen Ms. Wilson AP English Literature and Composition 16 February, 2014 AP Open Question Essay #1: Pride and Prejud
    Chen 1 Sunny Chen Ms. Wilson AP English Literature and Composition 16 February, 2014 AP Open Question Essay #1: Pride and Prejudice 1976. The conflict created when the will of an individual opposes the will of the majority is the recurring theme of many novels, plays, and essays. Select the work of an essayist who is in opposition to his or her society; or from a work of recognized literary merit, select a fictional character who is in opposition to his or her society. In a critical essay, analyze the conflict and discuss the moral and ethical implications for both the individual and the society. Do not summarize the plot or action of the work you choose. Authors often explore the restrictions of society during their time and the effects they have on their protagonists. Often this requires the characters to go against the rules of society, such as the case of Elizabeth Bennet, the heroine of Pride and Prejudice by Jane Austen. Her story is set in the Regency era, a time where appearances—dress, etiquette, relationships, money —meant everything in life, especially for women. Through Elizabeth’s actions, relationships, and interactions with other characters, Austen projects her voice and opinions against such social restrictions. However, she does not argue for the complete breakdown of standard regulations, but rather for a balance between individual and society. Elizabeth exhibits a mental strength that differentiates her from the other women in the story; her revolutionary characteristics are her indirect opposition against society. Despite such opposition, Austen approves of her decisions through her ultimate finding of happiness at the end of the story, implying that her actions are justified against society’s wrongs against women.
    [Show full text]
  • The Rewards of Impertinence: Happy and Unhappy Endings in Jane Austen's Novels Elizabeth Bolger Connecticut College, [email protected]
    Connecticut College Digital Commons @ Connecticut College English Honors Papers English Department 2017 The Rewards of Impertinence: Happy and Unhappy Endings in Jane Austen's Novels Elizabeth Bolger Connecticut College, [email protected] Follow this and additional works at: http://digitalcommons.conncoll.edu/enghp Part of the Feminist, Gender, and Sexuality Studies Commons, and the Literature in English, British Isles Commons Recommended Citation Bolger, Elizabeth, "The Rewards of Impertinence: Happy and Unhappy Endings in Jane Austen's Novels" (2017). English Honors Papers. 31. http://digitalcommons.conncoll.edu/enghp/31 This Honors Paper is brought to you for free and open access by the English Department at Digital Commons @ Connecticut College. It has been accepted for inclusion in English Honors Papers by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. The Rewards of Impertinence: Happy and Unhappy Endings in Jane Austen’s Novels An Honors Thesis presented by Elizabeth Bolger to the Department of English in partial fulfillment of the requirements for Honors in the Major Field Connecticut College New London, Connecticut May 2017 Acknowledgments I would like to thank the people whom I have become close to during my four years at Connecticut College. Their support, wisdom, perspective, and company are eternally valuable to me. I am grateful for our endless conversations—even when they are ridiculous—and the countless times they have listened to me ramble about my thesis. You know who you are. I would also like to thank my family who have always encouraged me to challenge myself and reach for my wildest dreams—even when they seem unobtainable.
    [Show full text]
  • Looking for Comfort: Heroines, Readers, And
    LOOKING FOR COMFORT: HEROINES, READERS, AND JANE AUSTEN’S NOVELS A Dissertation by AMANDA E. HIMES Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY December 2006 Major Subject: English © 2006 AMANDA E. HIMES ALL RIGHTS RESERVED LOOKING FOR COMFORT: HEROINES, READERS, AND JANE AUSTEN’S NOVELS A Dissertation by AMANDA E. HIMES Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Approved by: Chair of Committee, Mary Ann O’Farrell Committee Members, Lynne Vallone Susan Egenolf Melanie Hawthorne Head of Department, Paul Parrish December 2006 Major Subject: English iii ABSTRACT Looking for Comfort: Heroines, Readers, and Jane Austen’s Novels. (December 2006) Amanda E. Himes, B.A., East Texas Baptist University; M.A., Baylor University Chair of Advisory Committee: Dr. Mary Ann O’Farrell Comfort—with its various connotations of physical ease, wealth, independence, and service—is an important concept to Jane Austen, who uses comfort in her novels to both affirm and challenge accepted women’s roles and status in her culture. In the late eighteenth century, new ideas of physical comfort emerged out of luxury along with a growing middle class, to become something both English people and foreigners identified with English culture. The perceived ability of the English to comfort well gave them a reason for national pride during a time of great anxieties about France’s cultural and military might, and Austen participates in her culture’s struggle to define itself against France.
    [Show full text]
  • An Analysis on the Plot of Jane Austens Novel “Pride and Prejudice”
    LINGUA, Vol. 13, No. 1, Maret 2016 p-ISSN: 1979-9411; e-ISSN: 2442-238X; Web: lingua.pusatbahasa.or.id Pusat Kajian Bahasa dan Budaya, Surakarta, Indonesia Arbain. 2016. An Analysis on the Plot of Jane Austens Novel “Pride and Prejudice”. Lingua, 13(1):127-142. AN ANALYSIS ON THE PLOT OF JANE AUSTENS NOVEL “PRIDE AND PREJUDICE” Arbain Universitas Widya Gama Mahakam, Samarinda Email: [email protected] Abstract: This study reports an analysis of the plot used in the novel written by Jane Austens, Pride and Prejudice. Using qualitative approach that focused on content analysis, this study presents three kinds of findings. Respectively, the findings are: (1) conflict on which the plot turns, (2) chief episodes or incidents that make up the plot, and (3) plot in terms of its exposition, complication, crisis/climax, falling action and denouement. Conflicts in the novel are nicely to read and the development of the conflicts is smooth. Resolution is given in a direct way. Chief episodes that built up the conflict consist of 15 events from which the ending of the conflicts are easily to guess but nicely to follow. Finally, plots that make up the story concise, smooth, and interesting are supported using simple dialogues, conversations, and plausible resolution. Keywords: plot, conflict, resolution, Jane Austens. NOVEL is relatively long fictional prose narrative with a more or less complex plot or pattern or events, about human beings, their feelings, thought, action (Webster's New Words Dictionary (1991:929). A novel is a unity of art, which has an inter-relationship of its elements.
    [Show full text]
  • Filosofická Fakulta Masarykovy Univerzity
    Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Lucie Horáková New Prides and New Prejudices: The Contemporary Cult of Austen in Popular Literature Bachelor‟s Diploma Thesis Supervisor: Bonita Rhoads, Ph. D. 2014 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Author‟s signature I would like to thank my supervisor Bonita Rhoads for an ongoing support and invaluable advice. Table of Contents 1 Introduction ............................................................................................................... 1 2 The Canon ................................................................................................................. 3 2.1 Introduction ........................................................................................................ 3 2.2 Pride and Prejudice ........................................................................................... 4 2.2.1 Pride and Prejudice – The Narrative .......................................................... 4 2.2.2 Pride and Prejudice – The Representation of Women ............................. 10 2.3 Compulsively Mr. Darcy .................................................................................. 20 2.3.1 Compulsively Mr. Darcy – The Narrative ................................................ 20 2.3.2 Compulsively Mr. Darcy – Representation of Women ............................. 28 2.3.3 Compulsively
    [Show full text]
  • THE INSTITUTE for QUANTITATIVE RESEARCH in FINANCE® Volume 8
    ® "The Q - Group" THE INSTITUTE FOR QUANTITATIVE RESEARCH ® IN FINANCE Founded 1966 -- Over 50 years of Research and Seminars Devoted to the State-of-the-Art in Investment Technology Summary of Proceedings Volume 8 2011 - 2015 ALL RIGHTS RESERVED. NO PART OF THIS PUBLICATION MAY BE REPRODUCED, STORED IN A RETRIEVAL SYSTEM, OR TRANSMITTED, IN ANY FORM OR BY ANY MEANS ELECTRONIC, MECHANICAL, PHOTOCOPYING, RECORDING OR OTHERWISE, WITHOUT THE PRIOR WRITTEN PERMISSION OF THE PUBLISHER AND COPYRIGHT OWNER. Published by The Institute for Quantitative Research in Finance, P.O. Box 6194, Church Street Station, New York, NY 10249.6194 Copyright 2017 by The Institute for Quantitative Research in Finance, P.O. Box 6194, Church Street Station, New York, NY 10249.6194 Printed in The United States of America PREFACE TO VOLUME 8 iv TABLE OF CONTENTS PREFACE TO VOLUME 8 ........................................................................................................ iv Active Asset Management – Alpha .............................................................................................. 1 1. Cross-Firm Information Flows (Spring 2015) 1 Anna Scherbina, Bernd Schlusche 2. Dissecting Factors (Spring 2014) 2 Juhani Linnainmaa 3. The Surprising “Alpha” From Malkiel’s Monkey And Upside-Down Strategies (Fall 2013) 4 Jason Hsu 4. Will My Risk Parity Strategy Outperform? Lisa R Goldberg (Spring 2012) 5 Lisa Goldberg Active Asset Management – Mutual Fund Performance .......................................................... 7 5. Target Date Funds (Fall 2015) 7 Ned Elton, Marty Gruber 6. Patient Capital Outperformance (Spring 2015) 8 Martijn Cremers 7. Do Funds Make More When They Trade More? (Spring 2015) 10 Robert Stambaugh 8. A Sharper Ratio: A General Measure For Ranking Investment Risks (Spring 2015) 11 Kent Smetters 9. Scale And Skill In Active Management (Spring 2014) 13 Lubos Pastor 10.
    [Show full text]
  • PDF Download Pride and Prejudice
    PRIDE AND PREJUDICE PDF, EPUB, EBOOK Jane Austen | 416 pages | 06 Dec 2012 | Penguin Books Ltd | 9780141199078 | English | London, United Kingdom Pride and Prejudice PDF Book Collins quickly shifts his attentions to Charlotte Lucas. Everyone else were great with their characters as well. Elizabeth realizes that Fitzwilliam is referring to Bingley and Jane. Forgot your password? Rupert Vansittart. No Score Yet. Fausto Fernandez. Test your knowledge of Pride and Prejudice with our quizzes and study questions, or go further with essays on context, background, and movie adaptations, plus links to the best resources around the web. Clear your history. Bingley and Darcy return to Netherfield and Bingley finally proposes to an overjoyed Jane. Bingley travels to London for business but plans to return to Netherfield. Taglines: Sometimes the last person on earth you want to be with is the one person you can't be without. The Bennets have five unmarried daughters, and Mrs. This is one of the best adaptations of a Jane Austen novel, thanks in no small part to Academy Award nominated Keira Knightley. Caroline, who hopes to attract Mr. When Elizabeth tells Wickham's story to Jane, however, Jane refuses think badly of either Wickham or Darcy, insisting that there must be some misunderstanding. Darcy: You have bewitched me in body and soul, and I love, I love, I love you. Bennet Mr. Colin Firth. Next Chapter 1. Jumanji Me Into a Movie: Romance. Pride and Prejudice Writer Test your knowledge of Pride and Prejudice with our quizzes and study questions, or go further with essays on context, background, and movie adaptations, plus links to the best resources around the web.
    [Show full text]
  • Contrasting Attitudes Toward Marriage in Pride and Prejudice: Elizabeth Bennet's Disregard for the Contemporary Marital Conventions
    Contrasting Attitudes Toward Marriage in Pride and Prejudice: Elizabeth Bennet's Disregard for the Contemporary Marital Conventions Elin Blom Bachelor Programme of English: Language, Literature and Society Independent essay project in English Literature, 15 credits Autumn term 2015 Author Elin Blom Swedish title Kontrasterande äktenskapliga attityder i Stolthet och Fördom: Elizabeth Bennets likgiltighet gentemot de konventionella äktenskapliga normerna. English title Contrasting Attitudes Toward Marriage in Pride and Prejudice: Elizabeth Bennet's Disregard for the Contemporary Marital Conventions. Supervisor Jane Mattisson Abstract Through a liberal feminist perspective, this essay investigates the unconventional marital views of the fictional character Elizabeth Bennet. These are analyzed and compared to the traditional marital opinions of the novel's social environment. Moreover, the historical context is important in understanding the marital views in Pride and Prejudice, because the novel was written at a time when the views toward marriage changed significantly. This paper argues that Elizabeth's behavior, expressed opinions and rejections of Mr. Collins's and Mr. Darcy's proposals depict liberal feminist ideas of marriage. The literary review supports the notion that there are two contrasting attitudes toward marriage in Pride and Prejudice: the traditional view and the liberal feminist view. The thorough examination of Elizabeth Bennet's character strongly suggests that she represents the unconventional view of marriage, while
    [Show full text]
  • United States District Court Southern District of New York ) Thomas Laumann, Fernanda ) Garber, Robert Silver, David ) Dillon
    Case 1:12-cv-01817-SAS Document 377 Filed 08/12/15 Page 1 of 51 UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK ) THOMAS LAUMANN, FERNANDA ) GARBER, ROBERT SILVER, DAVID ) DILLON, GARRETT TRAUB, and PETER ) HERMAN, representing themselves and all ) others similarly situated, ) ) Plaintiffs, ) Case No. 12-1817 (SAS) ) v. ) DECLARATION OF IAN AYRES ) NATIONAL HOCKEY LEAGUE, et al., ) ) Defendants. ) ) ) CONFIDENTIAL—SUBJECT TO PROTECTIVE ORDER REDACTED Case 1:12-cv-01817-SAS Document 377 Filed 08/12/15 Page 2 of 51 -2- TABLE OF CONTENTS I. Introduction ..........................................................................................................................3 II. Qualifications .......................................................................................................................5 III. Settlement Agreement Terms ..............................................................................................6 A. GCL Unbundled Programming ................................................................................7 B. Center Ice and GCL Price Relief .............................................................................7 IV. Value of Settlement Agreement to Class Members .............................................................8 V. Conclusion .........................................................................................................................16 Appendix 1: Materials Relied Upon ..............................................................................................18
    [Show full text]
  • The Case of Elizabeth Bennet: Challenging the Notion of an Agreeable Woman in Modern Adaptations of Pride and Prejudice
    The Case of Elizabeth Bennet: Challenging the Notion of an Agreeable Woman in Modern Adaptations of Pride and Prejudice Štefanić, Irina Master's thesis / Diplomski rad 2018 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: University of Rijeka, Faculty of Humanities and Social Sciences / Sveučilište u Rijeci, Filozofski fakultet u Rijeci Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:186:819674 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-09-24 Repository / Repozitorij: Repository of the University of Rijeka, Faculty of Humanities and Social Sciences - FHSSRI Repository University of Rijeka Faculty of Humanities and Social Sciences Department of English Language and Literature Irina Štefanić The Case of Elizabeth Bennet: Challenging the Notion of an Agreeable Woman in Modern Adaptations of Pride and Prejudice Submitted in partial fulfilment of the requirements for the M.A. in English Language and Literature and Philosophy at the University of Rijeka Supervisor: Dr Sintija Čuljat January 2018 Contents Introduction2 1. The Context of Jane Austen’s Pride and Prejudice ............................................................ 4 1.1. The Context of Adaptations ......................................................................................... 7 2. Women and Fiction ........................................................................................................... 12 3. On the Portrayal of Women in Pride and Prejudice (1813) ...............................................
    [Show full text]
  • Proquest Dissertations
    Working mother: The birth of the subject in the novel Item Type text; Dissertation-Reproduction (electronic) Authors Thompson, Ruthe Marie, 1957- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 07/10/2021 16:53:17 Link to Item http://hdl.handle.net/10150/288733 INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text dvectfy^ from the origmal or copy submitted. Thus, some thesis and dissertation copies are m ^pewriter &c^ iM^e others may be from any type of computer printer. The quality of this reprodoctioii is dependent upon tiie quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photogr^hs, print bleedthrough, substandard margins, and improper alignment can adversely a£fect reproductiotL In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, b^jnning at the upper left-hand comer and continuing from left to right in equal sections with small overiaps. Each original is also photogr^)hed in one exposure and is included in reduced form at the back of the book.
    [Show full text]
  • Card-Playing and the Marriage Gamble in Pride and Prejudice
    Matthew Schneider Card-playing and the Marriage Gamble in Pride and Prejudice Henry Austen's casual observation that his novelist sister "was fond of dancing, and excelled in it" (Pride and Prejudice 308) has in recent years been invested by critics with a far-reaching metaphoric significance. Dancing, the argument goes, both figures the particular charm of Austen's style and provides an elegant symbolic matrix for much of the social interaction around which the novels are structured. A love of dancing was "the sort of thing one might expect," writes Stuart Tave, "that enjoyment and ability in moving with significant grace in good time in a restricted space" (1); and Langdon Elsbree observes that dancing provides a pri­ mary source for "action and speech in Jane Austen's fictional world and dramatize[s] the theme of courtship and marriage" (114). Celebrating the sexual passions in a ceremony that hints "at their power while keeping them safely contained in art" (Mansell 9), dancing embodies the tension between the struggle for individuality and polite society's prescribed gender identities and roles. As Henry Tilney tells Catherine Morland in Northanger Abbey: I consider a country-dance as an emblem of marriage .... [I]n both, man has the advantage of choice, woman only the power of refusal; that in both, it is an engagement between man and woman, formed for the advantage of each; and that when once entered into, they belong exclusively to each other till the moment of dissolution: that it is their duty, each to endeavour to give the ot11er no cause for wishing that he or she had bestowed themselves elsewhere, and their best interest to keep their own imaginations from wandering towards the perfections of their neighbors, or fancying that they should have been better off with anyone else.
    [Show full text]