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Dear Friends of the Kelly Writers House, Summertime at KWH Is Typically Dreamy
Dear Friends of the Kelly Writers House, Summertime at KWH is typically dreamy. We renovation of Writers House in 1997, has On pages 12–13 you’ll read about the mull over the coming year and lovingly plan guided the KWH House Committee in an sixteenth year of the Kelly Writers House programs to fill our calendar. Interns settle into organic planning process to develop the Fellows Program, with a focus on the work research and writing projects that sprawl across Kelly Family Annex. Through Harris, we of the Fellows Seminar, a unique course that the summer months. We clean up mailing lists, connected with architects Michael Schade and enables young writers and writer-critics to tidy the Kane-Wallace Kitchen, and restock all Olivia Tarricone, who designed the Annex have sustained contact with authors of great supplies with an eye toward fall. The pace is to integrate seamlessly into the old Tudor- accomplishment. On pages 14–15, you’ll learn leisurely, the projects long and slow. style cottage (no small feat!). A crackerjack about our unparalleled RealArts@Penn project, Summer 2014 is radically different. On May tech team including Zach Carduner (C’13), which connects undergraduates to the business 20, 2014, just after Penn’s graduation (when we Chris Martin, and Steve McLaughlin (C’08) of art and culture beyond the university. Pages celebrated a record number of students at our helped envision the Wexler Studio as a 16–17 detail our outreach efforts, the work we Senior Capstone event), we broke ground on student-friendly digital recording playground, do to find talented young writers and bring the Kelly Family Annex, a two-story addition chock-full of equipment ready for innovative them to Penn. -
PHILADELPHIA AREA E STREET BAND APPEARANCES (120+2) Within Nine-County (Pa./N.J./Del.) Area
[PDN: DN-PAGES-2--ADVANCE-3--SPORTS <FSN> ... 09/02/16] Author:VETRONB Date:09/02/16 Time:02:27 PHILADELPHIA AREA E STREET BAND APPEARANCES (120+2) Within Nine-County (Pa./N.J./Del.) Area GREETINGS FROM ASBURY PARK TOUR (26) 1976-77 TOUR (2) Saturday..................Oct. 28, 1972 ........................West Chester College ...................West Chester, Pa. Monday ...................Oct. 25, 1976 ........................Spectrum .......................................Philadelphia Wednesday .............Jan. 3, 1973 (Early)..............The Main Point ...............................Bryn Mawr, Pa. Wednesday .............Oct. 27, 1976 ........................Spectrum .......................................Philadelphia Wednesday .............Jan. 3, 1973 (Late) ..............The Main Point ...............................Bryn Mawr, Pa. Thursday .................Jan. 4, 1973 (Early)..............The Main Point ...............................Bryn Mawr, Pa. DARKNESS ON THE EDGE OF TOWN TOUR (4) Thursday .................Jan. 4, 1973 (Late) ..............The Main Point ...............................Bryn Mawr, Pa. Friday .......................May 26, 1978 .......................Spectrum .......................................Philadelphia Friday .......................Jan. 5, 1973 (Early)..............The Main Point ...............................Bryn Mawr, Pa. Saturday .................May 27, 1978 .......................Spectrum .......................................Philadelphia Friday .......................Jan. 5, 1973 (Late) ..............The -
Petrella Pollefeyt
ARCHIVES OF AFRICAN AMERICAN MUSIC AND CULTURE liner notesNO. 19 / 2014-2015 Petrella Pollefeyt: First Lady of Country Soul aaamc mission From the Desk of the Director The AAAMC is devoted to the collection, preservation, and dissemination of materials for In drafting this column for the first sang with the aesthetic beauty and the purpose of research and time as Director of the AAAMC, I feel spiritual grace fitting for such an iconic study of African American compelled to acknowledge the legacy figure. From Grammy-award winning music and culture. of Portia Maultsby, whose vision in Dr. Bobby Jones of Sunday morning www.indiana.edu/~aaamc 1991 led to its founding. Initially BET Gospel fame to GospoCentric supported by a Ford Foundation grant, founder, Vicki Mack Lataillade, the the Archives represented Dr. Maultsby’s tributes extolled Hobbs’ commanding desire to identify and gather the many leadership in the world of gospel music. Table of Contents print, audio and visual resources The public face of the Archives which document the richness of this year was most strongly evident From the Desk of the Director .....................2 African American music in shaping in our Themester event, Hot Buttered and defining the American musical Soul: The Role of Foodways and Music In the Vault: landscape. It is a history most worthy Making in Building and Sustaining Recent Donations .................3 of preservation, and following the African American Communities, which path forged by Dr. Maultsby is both an attracted an extremely responsive One on One: Interview honor and a challenge. We welcome her audience of almost 150 students, faculty, with Petrella Pollefeyt ...........4 continued involvement in identifying staff, and community members. -
The Heart of Rock and Soul by Dave Marsh
The Heart of Rock and Soul by Dave Marsh 11 LOUIE LOUIE, The Kingsmen Produced by Ken Chase and Jerry Dennon; written by Richard Berry Wand 143 1963 Billboard: #2 Really stupid, really great. Not really dirty, but so what? "Louie Louie" is the most profound and sublime expression of rock and roll's ability to create something from nothing. Built up from a Morse code beat and a "dub duh dub" refrain, with scratchy lead vocal, tacky electric piano, relentless rhythm guitar, and drums that sound like the guy who's playing 'em isn't sure what comes next, "Louie Louie" scales the heights of trash rock to challenge the credentials of all latter-day rockers: If you don't love it, you've missed the point of the whole thing. Naturally, this Parthenon of Pop didn't spring from the head of the Muse. A Muse would probably have slain it on sight, or passed away herself from the shock of something so crude and fine. "Louie Louie" was born in much more prosaic circumstances, as the B side of "You Are My Sunshine," an R&B version of the Jimmie Davis country standard recorded by Richard Berry and the Pharoahs and released on Flip Records in 1956. Berry was a veteran Los Angeles session singer who'd sung lead on the Robins ' "Riot in Cell Block #9," the first big hit for producers Jerry Leiber and Mike Stoller. The Pharoahs were Berry's cohorts of the day, Flip his patron of the moment. "You Are My Sunshine" made only a small buzz but when L.A. -
The BG News January 31, 1980
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 1-31-1980 The BG News January 31, 1980 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News January 31, 1980" (1980). BG News (Student Newspaper). 3698. https://scholarworks.bgsu.edu/bg-news/3698 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. The 3*G He ws Bowling TSrccn State University Freshmen career goals reflect changing economy by Denlta Sakal "There is an American myth that stall raporter Profs say students now more materialistic than 10 years ago life in the business world is dull. Business is interesting, and a very coordinator of career development ever wanted. In fact, young people is a reflection of hearsay about the CASEY SAID one reason for meaningul life can be lived in it," A national survey of college and counseling psychologist, said today are even settling for less," job market. the general increase in business she continued. freshmen suggests that this year's the increase in those persons seek- Wygant said. "Women's horizons have expand- studies is the need to enter a class-especially women-are more ing business degrees is in accor- One of the major findings of the ed. -
A Vote for Change and US Strategy for North
A Vote for Change and U.S. Strategy for North American Integration Christopher Sands, Hudson Institute, USA PNA North American Policy Brief no. 1 1 October 2008 The 2008 presidential election in the United States has become paradoxical. On the one hand, the dominant theme of virtually every candidate in the party primaries was “change.” And since there is no incumbent candidate (neither a sitting president nor a sitting vice president is running this year) for the first time since 1928, there will be a break with the current administration regardless of who wins the presidency. And on the other hand, turbulent financial markets, an unsettling conflict with global terrorist groups, and the dislocating effects of globalization have led many voters to express a desire for a change – away from the changes that they have experienced since the end of the Cold War. Americans want a change in the White House to bring them stability in an uncertain world. It is worth remembering that compared to Europe, North America has been a conservative continent. Noted political scientist and sociologist Seymour Martin Lipset once said that Canada was, “a country of evolution, not revolution,” in contrast with the United States. In Mexico, the legacy of bloodshed and violence that accompanied the Mexican Revolution (1910-1920) left its mark, and helped produce the most durable one party state of the 20 th century; when the country embraced democratic politics in the 1990s in the midst of economic and other changes, the conservative side of the Mexican political culture remained strong. The United States is perhaps the only one of the three North American countries where a major party candidate could give himself the label of “maverick” and benefit politically from the association with a strong-willed and untamed colt. -
1 2 | Lonestarmusic Lonestarmusic | 3
LoneStarMusic | 1 2 | LoneStarMusic LoneStarMusic | 3 inside this issue SHOVELS AND ROPE pg 38 O’ What Two Can Do The triumphant union, joyful noise and crazy good times of Cary Ann Hearst and Michael Trent by Kelly Dearmore FEATUREs 34 Q&A: Paul Thorn — By Lynne Margolis 48 Sunny Sweeney finds the light — By Holly Gleason 52 Lee Ann Womack: When I come around — By Richard Skanse 56 Cory Branan: The wandering musical spirit of Americana’s free-ranging “No-Hit Wonder” — By Adam Daswon 58 Imagine Houston: An excerpt from Reverb, the new novel by Joe Ely Photo courtesy of All Eyes Media 4 | LoneStarMusic LoneStarMusic | 5 after awhile inside this issue Publisher: Zach Jennings Editor: Richard Skanse Notes from the Editor | By Richard Skanse Creative Director/Layout: Melissa Webb Cover Design: Melissa Webb Advertising/Marketing: Kristen Townsend Apart from the opportunity to work with a team of really good people Advertising: Tara Staglik, Erica — especially graphic designer Melissa Webb, who I’d already known and Brown greatly respected for years — one of the things that appealed most to me Artist & Label Relations: Kristen Townsend about joining this magazine five years ago was owner Zach Jennings’ vision that LoneStarMusic could be about more than just Texas music. Even more Contributing Contributing and Writers Photographers than Texas Red Dirt music. We all agreed that we would still focus on songwriters and roots and/or country(ish) music — pretty much anything Richard Skanse John Carrico that could directly or even indirectly fall under the category of “Americana” in Lynne Margolis Lynne Margolis Brian T. -
Sf Best Cal Fall 2019
SHORE FIRE MEDIA’S 2019/2020 BEST CALENDAR SEPTEMBER 2019 2 - Labor Day, SHORE FIRE MEDIA offices closed 3 - AIM Independent Music Awards - London, UK 3 - 6 - BIGSOUND Conference - Brisbane, Australia 4 - 7 - Arts Midwest Conference - Minneapolis, MN 5 - NFL Season Kickoff Game - Chicago, IL 5 - Variety’s EntertainMent & Technology SumMit - Los Angeles, CA 5 - 7 - Hopscotch Music Festival - Raleigh, NC 5 - 8 - Big Blues Bender - Las Vegas, NV 5 - 13 - New York Fashion Week (Spring/Summer 2020) - New York, NY 5 - 15 - Toronto International Film Festival - Toronto, Canada 6 - Basketball Hall of Fame Class of 2019 EnshrineMent Ceremony - Springfield, MA 7 - 8 - Moon River Music Festival - Chattanooga, TN 10 - 15 - AMericana Music Festival and Conference - Nashville, TN 11 - AMericana Honors & Awards - Nashville, TN 11 - 13 - Future Music Forum - Barcelona, Spain 12 - Intelligence Squared U.S. Fall Season NYC Opening Debate - New York, NY 12 - 15 - Tribeca TV Festival - New York, NY 13 - 14 - Huichica Music Festival - Walla Walla, WA 13 - 15 - KAABOO Del Mar - Del Mar, CA 13 - 15 - Riot Fest - Chicago, IL 13 - 17 - London Fashion Week - London, UK 13 - 18 - Music Matters - Singapore 14 - 15 - Creative Arts EmMy Awards - Los Angeles, CA 14 - 15 - West Coast Songwriters Conference - San Francisco, CA 14 - 15 - Music Midtown - Atlanta, GA 15 - 19 - IFP Conference: Screen Forward - Brooklyn, NY 16 - Polaris Music Prize Gala - Toronto, ON 16 - ASCAP Christian Music Awards - Nashville, TN 16 - 23 - Brooklyn Book Festival - Brooklyn, NY 17 - 23 -
NEWSLETTER a N E N T E R T a I N M E N T I N D U S T R Y O R G a N I Z a T I On
January 2012 NEWSLETTER A n E n t e r t a i n m e n t I n d u s t r y O r g a n i z a t i on The Music Business Looks Forward: 5 Social Media Predictions For 2012 The President’s Corner By Shore Fire Media via Hypebot.com Happy New Year everyone! In the last year, the music industry shifted from cautiously Those of you who attended our annual CCC Holiday Party at Café experimenting with social media, to recognizing it as a necessary part of Cordiale were treated to great food, great conversation and rousing every marketing strategy, from the smallest bands to the biggest brands. entertainment courtesy of Chris Saranec and his accordion. I’d like to It’s an exciting time. The tools and strategies we use daily shift at thank all of you who came and supported the CCC’s scholarship fund by bidding at our silent auction. Thanks to you, we were able to fund lightning speed. As a PR firm Shore Fire Media is focused on tracking our scholarship program for another year. Special thanks to those of this constant evolution. In the spirit of this inquiry, we asked music you who provided items for the auction and to our party planner industry insiders and social media experts what they see for the future of extraordinaire Teri Nelson Carpenter for organizing the event. social media. From a focus on mobile, to social listening, to the demise social media as we know it, here are predictions that will help guide us Tonight’s panel takes our usual film & TV panel and turns it on its through 2012. -
A Chapter in Rock History Auringer’S Photos, Design Work Featured in CREEM Tribute Book
LapeerArea Thursday, December 13, 2007 VIEW Section C A chapter in rock history Auringer’s photos, design work featured in CREEM tribute book BY MIKE ARNHOLT from view. VIEW Editor CREEM has now been LAPEER — The resurrected publication this on a new month of a tribute website www. to the “golden age” creem maga- of rock ‘n’ roll, zine. com and Detroit style CREEM: with the new America’s Only Rock HarperCollins ‘n’ Roll Magazine, hit book by another bookstores across the former CREEM country with a strong photographer, local connection. Robert Matheu, Hadley native, Lapeer look of CREEM, and his along with Brian High 1964 grad and now J. Bowe. This col- VIEW Production Manager orfull hardcover Charlie Auringer was an coffeetable book integral part of CREEM for features historical its first 17 years. and I was reprints of stories, In 1964, Charlie left always too tired to party with covers and photos Lapeer and headed off to the the band.” from its beginning with com- Detroit to college at Wayne legendary Grande The years he spent at mentary from the editors and State. Ballroom, Olympia Stadium CREEM are a slice of history artists who were in CREEM He was caught up in the and Cobo Hall, including Jeff today, but at the time “We over the years. energy and excitement of Beck with Rod Stewart, Elvis were just having a lot of Charlie’s passion for design concerts by Bob Dylan, The and Cream, among others. fun,” Charlie says. remained, and he moved on Beatles and others. CREEM went national in His concert photos were to design Detroit’s alternative “It was the music that 1971 and Charlie pho- Auringer and two of his pho- electric, but he had fun with newspaper, Metro Times. -
Reviews Springsteen on Springsteen: Interviews, Speeches, and Encounters, Edited by Jeff Burger (Chicago: Chicago Review Press, 2014
91 Reviews Springsteen on Springsteen: Interviews, Speeches, and Encounters, edited by Jeff Burger (Chicago: Chicago Review Press, 2014. 432 pages). The published interview was not invented by music journalists—it was a staple of Paris Review and Playboy, to cite two antecedents before Rolling Stone came along in 1967—but this somewhat peculiar literary subgenre has always had a special significance in rock & roll. It emerged as a culturally distinctive magazine feature in the late 1960s and early 1970s, which is to say the moment when rock & roll became rock, when it shifted from a largely unselfconscious form of musical expression to a more cerebral, avowedly artistic, one. As in so many other ways, we mark our years AD: After Dylan. In its inaugural issue, Rolling Stone’s first interview subject was Donovan. But the patron saint (or, perhaps more accurately, sinner) of the form was Dylan: charismatic, elliptical, endlessly quotable. For musicians, journalists, and readers, the interview became an arena wherein the intellectual seriousness and philosophical ramifications of rock could be staked out and elaborated—generally free from the scrutiny of those (academics and other old people) who might regard the enterprise with amusement or ridicule. By the time Bruce Springsteen came along in the mid-seventies, the rock interview had already become a fixture not only of Rolling Stone, but also sister publications Creem and Circus, which were eagerly received by adolescents like myself as bulletins from faraway worlds that were simultaneously the locus of our inner lives. A not-quite-modest pronouncement from a reigning superstar would become a proposition we would ponder, test, and adopt as our own. -
An Interview with Bruce Springsteen
Occasional Paper Series Volume 2018 Number 40 Am I Patriotic? Learning and Teaching the Complexities of Patriotism Here Article 3 and Now September 2018 “That's quite a tune”: An Interview with Bruce Springsteen Mark T. Kissling Penn State University Follow this and additional works at: https://educate.bankstreet.edu/occasional-paper-series Part of the Curriculum and Instruction Commons, Curriculum and Social Inquiry Commons, Educational Assessment, Evaluation, and Research Commons, and the Educational Methods Commons Recommended Citation Kissling, M. T. (2018). “That's quite a tune”: An Interview with Bruce Springsteen. Occasional Paper Series, 2018 (40). Retrieved from https://educate.bankstreet.edu/occasional-paper-series/vol2018/iss40/3 This Article is brought to you for free and open access by Educate. It has been accepted for inclusion in Occasional Paper Series by an authorized editor of Educate. For more information, please contact [email protected]. 1 “What is there to lose? All of this beauty”: An Interview with Bruce Springsteen Mark Kissling: Greetings from State College, Pennsylvania. My name is Mark Kissling. I am an assistant professor of education at Penn State University. I’m also the guest editor of the Bank Street Occasional Papers Series issue #40 titled, “Am I Patriotic?” The purpose of the issue is to complicate how we think about and enact patriotism, with a particular focus on how teachers teach and students learn about patriotism. So how does this relate to Bruce Springsteen and the interview that you’re about to hear (or read)? In mid-December of 2008, I spent two days at the Woody Guthrie Archives—then in New York City, now in Tulsa, Oklahoma.