Section 1201 Rulemaking: Seventh Triennial Proceeding to Determine
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The Music Modernization Act of 2018 and Its Burgeoning Impact Jeffrey G
The Music Modernization Act of 2018 and its Burgeoning Impact Jeffrey G. Knowles, Partner, Coblentz Patch Duffy & Bass LLP Lisa M. Schreihart, Attorney Abstract The Music Modernization Act of 2018 (“MMA”), enacted October 11, 2018, is the most significant reform of music copyright law in decades. As the first major legislation since the Copyright Act of 1976 to affect music royalties, the MMA has made major strides in improving compensation and to level the playing field for all music creators, including songwriters, legacy artists, and music producers. The MMA modernizes the musical works licensing scheme for today’s digital music environment, provides federal copyright protection for pre-1972 sound recordings, and ensures that music producers can get a piece of the royalty pie. The MMA may also have some shortcomings that allow room for legislative growth in the modern music era. This paper describes the key parts of the MMA and eXamines the benefits and criticisms of the Act that have surfaced in the Act’s first year as law. An Overview of the Music Modernization Act The Music Modernization Act (MMA), proposed as H.R. 1551 by Representatives Orrin G. Hatch and Bob Goodlatte, combined the Music Modernization Act of 2018 (S. 2334), the Classics Protection and Access Act (S. 2393), and the Allocation for Music Producers Act (S. 2625). The MMA, an amended version of S. 2823, passed unanimously both in the House as H.R. 5447 on April 25, 2018 and in the Senate on September 18, 2018. The MMA was enacted October 11, 2018. The MMA is intended to: 1) increase compensation to songwriters and streamline licensing of their music; 2) enable artists who recorded music before 1972 to be paid royalties when their music is played on digital services; and 3) enable music producers (e.g., record producers, sound engineers, and other studio professionals) to receive royalties for their creative contributions to recorded music. -
ELDRED V. ASHCROFT: the CONSTITUTIONALITY of the COPYRIGHT TERM EXTENSION ACT by Michaeljones
COPYRIGHT ELDRED V. ASHCROFT: THE CONSTITUTIONALITY OF THE COPYRIGHT TERM EXTENSION ACT By MichaelJones On January 15, 2003, the Supreme Court upheld the constitutionality of the Copyright Term Extension Act ("CTEA"), which extended the term of copyright protection by twenty years.2 The decision has been ap- plauded by copyright protectionists who regard the extension as an effec- tive incentive to creators. In their view, it is a perfectly rational piece of legislation that reflects Congress's judgment as to the proper copyright term, balances the interests of copyright holders and users, and brings the3 United States into line with the European Union's copyright regime. However, the CTEA has been deplored by champions of a robust public domain, who see the extension as a giveaway to powerful conglomerates, which runs contrary to the public interest.4 Such activists see the CTEA as, in the words of Justice Stevens, a "gratuitous transfer of wealth" that will impoverish the public domain. 5 Consequently, Eldred, for those in agree- ment with Justice Stevens, is nothing less than the "Dred Scott case for 6 culture." The Court in Eldred rejected the petitioners' claims that (1) the CTEA did not pass constitutional muster under the Copyright Clause's "limited © 2004 Berkeley Technology Law Journal & Berkeley Center for Law and Technology. 1. Sonny Bono Copyright Term Extension Act, 17 U.S.C. §§ 108, 203, 301-304 (2002). The Act's four provisions consider term extensions, transfer rights, a new in- fringement exception, and the division of fees, respectively; this Note deals only with the first provision, that of term extensions. -
Copyright Law Revision
COPYRIGHT LAW REVISION REPORT OF THE REGISTER OF COPYRIGHTS ON THE GENERAL REVISION OF THE U.S. COPYRIGHT LAW JULY 1961 Printed for the use of the House-- Committee on the Judiciary U.S. GOVERNMENT PRINTING OFFICE 676682 WASHINGTON : 1961 For sale by the Superlntendent of Documents, U.S. Qo7cmment Prlntlug O5ce Wn~bington25, D.O. - Prlco 45 cent8 LETTER OF TRANSMITTAL THE LIBRAR~AWOF CORORESB, Washington, l).C. July 7, 1961. Hon. SAMRAYE~N, Igpealcw of the House of Representatices, Washington. D.C. SIB: As authorized by Congress, the Copyright Office of the =brary of Con- gress has in the past few years made a number of studies preparatory to a general revision of the copyright law, title 17 of the United States Code. That program bas now been completed. Thirty-four studies and a subject index have been published in a series of 12 committee prints issued by the Subcommittee on Patents, Trademarks, and Copyrights of the Senate Committee on the Judiciary. The studies have been widely circulated and interested persons were inrited to submit their comments and views. On the basis of the studies and the comments and views received. the Copy- right Ofece has prepared a report on the important issues to be considered and tentative recommendations for their solution in a general revision of the law. I am pleased to submit the report of the Register of Copyrights on general re vision of the copyright law to you find to the Vice President for consideration by the Congress. Very truly yours, L. QUINCYMUMFOBD, Librarian of Congress. -
The Role of the Register of Copyrights in the Registration Process: a Critical Appraisal of Certain Exclusionary Regulations *
[Vol.116 COMMENT THE ROLE OF THE REGISTER OF COPYRIGHTS IN THE REGISTRATION PROCESS: A CRITICAL APPRAISAL OF CERTAIN EXCLUSIONARY REGULATIONS * Under the Copyright Act,' the only action required in order to obtain a valid statutory copyright in a published work is publication with the prescribed notice.' In order to perfect the rights accruing under his copyright, however, the claimant must also "promptly" de- posit two copies of the best edition of the copyrighted work, together with a claim of copyright, in the Copyright Office. 3 Fulfillment of this requirement of registration and deposit is a condition precedent to any action for copyright infringement, but the copyright itself ordi- narily remains valid pending fulfillment.4 Thus, although most claimants register their works as a matter of course, registration may be deferred, without loss of any rights, until the eve of suit. Unfortunately for some copyright claimants, however, the re- quirement of registration cannot be satisfied by the claimant's acts alone: recent cases also require that the Register of Copyrights actually issue a certificate of registration before infringement proceedings can be brought.5 To the extent that the Register has any discretion to * This Comment has been entered in the 1968 Nathan Burkan Memorial Compe- tition. ' 17 U.S.C. §§ 1-215 (1964). 2 Washingtonian Publishing Co. v. Pearson, 306 U.S. 30 (1939) ; United States v. Backer, 134 F.2d 533 (2d Cir. 1943). 17 U.S.C. § 10 (1964), provides: Any person entitled thereto by this title may secure copyright for his work by publication thereof with the notice of copyright required by this title; and such notice shall be affixed to each copy thereof published or offered for sale in the United States by authority of the copyright proprietor, except in the case of books seeking ad interim protection under section 22 of this title. -
Supreme Court of the United States
(Slip Opinion) OCTOBER TERM, 2002 1 Syllabus NOTE: Where it is feasible, a syllabus (headnote) will be released, as is being done in connection with this case, at the time the opinion is issued. The syllabus constitutes no part of the opinion of the Court but has been prepared by the Reporter of Decisions for the convenience of the reader. See United States v. Detroit Timber & Lumber Co., 200 U. S. 321, 337. SUPREME COURT OF THE UNITED STATES Syllabus ELDRED ET AL. v. ASHCROFT, ATTORNEY GENERAL CERTIORARI TO THE UNITED STATES COURT OF APPEALS FOR THE DISTRICT OF COLUMBIA CIRCUIT No. 01–618. Argued October 9, 2002—Decided January 15, 2003 The Copyright and Patent Clause, U. S. Const., Art. I, §8, cl. 8, provides as to copyrights: “Congress shall have Power . [t]o promote the Progress of Science . by securing [to Authors] for limited Times . the exclusive Right to their . Writings.” In the 1998 Copyright Term Extension Act (CTEA), Congress enlarged the duration of copy- rights by 20 years: Under the 1976 Copyright Act (1976 Act), copy- right protection generally lasted from a work’s creation until 50 years after the author’s death; under the CTEA, most copyrights now run from creation until 70 years after the author’s death, 17 U. S. C. §302(a). As in the case of prior copyright extensions, principally in 1831, 1909, and 1976, Congress provided for application of the en- larged terms to existing and future copyrights alike. Petitioners, whose products or services build on copyrighted works that have gone into the public domain, brought this suit seeking a de- termination that the CTEA fails constitutional review under both the Copyright Clause’s “limited Times” prescription and the First Amendment’s free speech guarantee. -
Circular 2 Copyright Registration
CIRCULAR 2 Copyright Registration This circular provides guidelines for An application for copyright registration contains three submitting a complete, accurate essential elements: a completed application form, a nonre- fundable filing fee, and a nonreturnable deposit—that is, a copyright claim. It covers copy or copies of the work being registered and “deposited” • Completing online and paper with the Copyright Office. The Office will not review your claim until it has received these three elements in compliance applications with its regulations and policies. • Submitting a filing fee This circular provides guidelines to help you make sure 1 • Preparing a deposit copy you submit a complete, accurate copyright claim. Detailed registration requirements can be found in the Compendium • Communicating with the Office of U.S. Copyright Office Practices. • Determining when your registration takes effect Copyright Application A copyright application establishes the basic facts of a claim: the title of the work, the author of the work, the name and address of the claimant or owner of the copyright, the year of creation, whether the work is published, whether the work has been previously registered, and whether the work includes preexisting material. Once submitted to the Office, the application becomes part of the public record and can be viewed by the public upon request. In completing an application, it is important to give clear and accurate information. Establishing a full, accurate record serves the public interest, provides potential licensees with accurate information, and decreases the cost of copyright litigation. Online Application The Copyright Office strongly encourages you to apply online to register an individual literary work, visual arts work, motion picture, musical work, sound recording, other per- forming arts work, or single serial issue. -
Download Full Issue In
Theory and Practice in Language Studies ISSN 1799-2591 Volume 8, Number 1, January 2018 Contents REGULAR PAPERS Conversations in Male Genderlect in Young Adult Fiction: Their Effect on Reading Motivation 1 Howard B. Parkhurst The Communication Methods in English Classroom for Indonesian Deaf Students 9 Rohmani Nur Indah and Chanastalia The Benefits of Nature-based Writing for English Language Learners 17 Kiri L. Manookin Old Women and ‘Empty Nest Syndrome’─An Analysis of Mary Gavell’s The Swing from the 29 Perspective of Feminism Wenju Han The Effect of Freewriting on Developing Punctuation Marks in Paragraph Writings of Iranian EFL 34 Intermediate Learners Farzaneh Nouri and Amir Marzban “What Subject Is Difficult?: The Sundanese Mothers’ Question to Their Children 44 Ekaning Krisnawati, Ypsi Soeria Soemantri, and Dian Amaliasari Investigating Iranian English Language Teachers’ Practices and Perceptions of Vocabulary Teaching 52 Sara Mirzaie, Fatemeh Hemmati, and Mohammad Aghajanzadeh Kiasi Symbolic Sounds in Ulysses 61 Xianyou Wu and Yi Zheng The Relationship between Spiritual Intelligence and Efficacy among Iranian EFL Teachers 67 Simin Hashemi Marghzar and Amir Marzban Developing a Model of Teaching Speaking through Discussion and Presentation for Accounting 74 Education Students of UMS and IAIN Surakarta in 2014/2015 and 2015/2016 Academic Year Sapta Mei Budiyanto, Mursid Saleh, Dwi Rukmini, and Ahmad Sofwan Rhetorical Preferences in Persian Writing 83 Mehrnoosh Eslami, Mahmoud Shaker, and Fatemeh Rakhshandehroo A Study on the Non-English Majors’ Use of Metacognitive Strategies in English Learning 92 Yue Yan The Role of Politeness in the Employee-client Speech Interactions 100 Kaveh Hedayat and Foroogh Kazemi Attitude and Motivation in Learning a Local Language 105 Mulyanto Widodo, Farida Ariyani, and Ag. -
Peter Seaton
AGREEMENT PETER SEATON AGREEMENT Peter Seaton AsylumQs Press New York New York Versions of these works have appeared in This, Roof and Slit Wrist. (c) 1978 by Peter Seaton PERSUASION These pens were fondled by the dark white man Who came to the house in the middle of the morning and now Wants to come all the way to New York To see them again, the blue the pink, the green Waiting to be used as independently as each successive April Marks off moments the sun has chosen to forget In our extremities of helplessness: one brief, And one shrugging its shoulders As absence makes the heart grow with a jolt Into the wilderness. The burden Is a promiseo The gold Over the next hill buys less or more According to the make or model of the following year: One with a solid stripe providing the comfort Of the invisible line between the lenses, one Whose fragility was as awesome as legs spread Confidently after a sleepless night. The promise Was to breed with or without the demarcation of The lengthy phrase "to earn a living", the helplessly long Password behind the rolling spotlight As it illuminates the terrible address our residence Identifies for one interminable summer and each successive Late afternoono We fly to New England For Thanksgiving, to Miami for Easter, To California to practice law and Paris To be acknowledged as heirs to the role Of making women everything they could become, the promise Of a world perennially between the wars. Instead 3 The pens are fondled nervously, itching To leap into action as if writing were the legacy Of the nineteenth century, the wars between the words Harmlessly occupying the fringes of space While nimble fingers sew and stretch the Earth Into recognizable activity, The struggle of a promise smoothly determined as much By clear-cut instructions for the arrangement of this Anniversary as by the tension misplaced implements Form in our mouths and on paper. -
The Orrin Hatch – Bob Goodlatte Music Modernization Act
The Orrin Hatch – Bob Goodlatte Music Modernization Act A Guide for Sound Recordings Collectors This study was written by Eric Harbeson, on behalf of and commissioned by the National Recording Preservation Board. Members of the National Recording Preservation Board American Federation of Musicians National Academy of Recording Arts and Sciences Billy Linneman Maureen Droney Alternate: Daryl Friedman American Folklore Society Burt Feintuch (in memoriam) National Archives and Records Administration Alternate: Timothy Lloyd Daniel Rooney Alternate: Tom Nastick American Musicological Society Judy Tsou Recording Industry Association of America Alternate: Patrick Warfield David Hughes Alternate: Patrick Kraus American Society of Composers, Authors and Publishers SESAC Elizabeth Matthews John JosePhson Alternate: John Titta Alternate: Eric Lense Association for Recorded Sound Collections Society For Ethnomusicology David Seubert Jonathan Kertzer Alternate: Bill Klinger Alternate: Alan Burdette Audio Engineering Society Songwriters Hall of Fame George Massenburg Linda Moran Alternate: Elizabeth Cohen Alternate: Robbin Ahrold Broadcast Music, Incorporated At-Large Michael O'Neill Michael Feinstein Alternate: Michael Collins At-Large Country Music Foundation Brenda Nelson-Strauss Kyle Young Alternate: Eileen Hayes Alternate: Alan Stoker At-Large Digital Media Association Mickey Hart Garrett Levin Alternate: ChristoPher H. Sterling Alternate: Sally Rose Larson At-Large Music Business Association Bob Santelli Portia Sabin Alternate: Al Pryor Alternate: Paul JessoP At-Large Music Library Association Eric Schwartz James Farrington Alternate: John Simson Alternate: Maristella Feustle Abstract: The Music Modernization Act is reviewed in detail, with a Particular eye toward the implications for members of the community suPPorted by the National Recording Preservation Board, including librarians, archivists, and Private collectors. The guide attemPts an exhaustive treatment using Plain but legally precise language. -
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Program Abstracts
University of Montana Presents The 15th Annual Program and Abstracts April 15, 2016 ~ Missoula, Montana Program Design: University of Montana, Conference Planning Services www.umt.edu/sell/cps Undergraduate Research Committee: Brock Tessman (Chair), Davidson Honors College Susanne Bradford, Applied Arts & Sciences Abhishek Chatterjee, Political Science Dan Doyle, Sociology Amy Glaspey, Communicative Sciences & Disorders John Glendening, English Karen Jaskar, Mansfield Library Andrew Larson, Forest Management Scott Samuels, Biological Sciences James Sears, Geosciences Ex Officio Members Earle Adams, Chemistry Nathan Lindsay, Academic Affairs Andrea Rhoades, Academic Enrichment Megan Stark, Mansfield Library Wendy Walker, Mansfield Library Scott Whittenburg, Research & Creative Scholarship Conference Coordinators: Michelle Eckert, CPS - School of Extended & Lifelong Learning Karen Kaley, Davidson Honors College Jeanne Loftus, Global Leadership Initiative Michelle Quinn, CPS - School of Extended & Lifelong Learning Technology, Trainings & Support: Cohen Ambros, Writing Center Glenn Kneebone, UM Paw Print Marissa Lehner, Davidson Honors College Robert Logan, Davidson Honors College IT Gretchen McCaffery, Writing Center Laure Pengelly Drake, Davidson Honors College Megan Stark, Mansfield Library Wendy Walker, Mansfield Library Kelly Webster, Writing Center Website & Facebook Maintained by: Michelle Eckert, CPS - School of Extended & Lifelong Learning Special thanks to all the mentors, reviewers, judges, and volunteers who donated their time! -
Preserving Write-Once Dvds Producing Disc Images, Extracting Content, and Addressing Flaws and Errors
Preserving Write-Once DVDs Producing Disc Images, Extracting Content, and Addressing Flaws and Errors An Analytic Report by George Blood Audio Video Film for the Library of Congress April 2014 Delivered as a work product under the terms of Library of Congress contract OSI12T0014 George Blood Audio Video Film 21 West Highland Avenue Philadelphia, PA 19118 215-248-2100 1 Table of Contents DVD Analytic Report .................................................................................................................. 1 Table of Contents ................................................................................................................... 1 Introduction ............................................................................................................................ 4 Notes on the preservation of optical disc media ...................................................................... 4 Producing disc images: tools and techniques to create the ISO files ...................................... 6 Findings from the 2013-2014 reformatting job ........................................................................ 7 hdiutil ............................................................................................................................... 8 dd .................................................................................................................................... 9 ddrescue ........................................................................................................................10