In Search of a Third Place a Telecollaborative Model
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“Constructed on No Known Paradigm”: Novelistic Form and the Southern City in Cormac Mccarthy’S Suttree
“Constructed on no known paradigm”: Novelistic Form and the Southern City in Cormac McCarthy’s Suttree Andrew James Dykstal Bachelor of Arts, Hillsdale College, 2013 A thesis presented to the graduate faculty of the University of Virginia in candidacy for the degree of Master of Arts Department of English University of Virginia April 2017 Dykstal 1 This thesis is dedicated to my peers and teachers at UVA and Hillsdale College, with particular bows to Jerry McGann—my thesis director—and to Michael Levenson, both mentors whose patience, encouragement, and graceful professionalism have shaped my thinking and my aspirations; to Fred and Carol Langley and the members of the American Legion whose generosity made possible my graduate education; and to my grandfather Cornelius Dykstal, who departed the world on the day I completed this project and whose wry humor and dignity throughout the twilight of his years embody the qualities back cover blurbs are always insisting I ought to find in Cormac McCarthy’s books. I would also like to thank friends who read drafts and housemates who tolerated my sometimes excessive monopolization of the kitchen table. Their days of eating breakfast amid unreasonable stacks of books have at long last come to a close. Dykstal 2 “Like their counterparts in northern cities, business leaders in the New South came to acknowledge the social disorder of their cities as regrettable byproducts of the very urban-industrial world they had championed. Drunkenness, prostitution, disease, poverty, crime, and political corruption were all understood as symptoms of the moral and physical chaos the lower classes fell into in the modern city….It was the instinctive reaction of the business class to respond with efforts to bring order to the urban world they inhabited.” —Don H. -
Catalogo MIDI
M-LIVE CATALOGO COMPLETO MIDI - 29/09/2021 COMME FACETTE LA CAMMESELLA MEDLEY ESTATE 2018 - POR UNA CABEZA (TANGO AC/DC 1 MAMMETA LA CUCARACHA VOL.2 STRUMENTALE) BACK IN BLACK CONCERTO D'ARANJUEZ (INSTRUMENTAL) MEDLEY ESTATE 2019 - QUEL MAZZOLIN DI FIORI 10CC HIGHWAY TO HELL CORAZON DE MELON LA CUMPARSITA VOL.1 REGINELLA CAMPAGNOLA YOU SHOOK ME ALL NIGHT I'M NOT IN LOVE CU CU RRU CU CU (INSTRUMENTAL TANGO) MEDLEY ESTATE 2019 - ROMA NUN FA LA STUPIDA LONG PALOMA (ESPANOL) LA GELOSIA NON È PIÙ VOL.2 STASERA ACE OF BASE 2 DEUSTCHLAND UBER DI MODA MEDLEY FOX TROT - VOL.1 ROMA ROMANTIC MEDLEY ALL THAT SHE WANTS ALLES - DAS LIED DER LA GONDOLIERA MEDLEY FOX TROT - VOL.2 RUSTICANELLA (QUANDO 2 EIVISSA CRUEL SUMMER DEUTSCHEN (GERMANY LA MARSEILLAISE (INNO MEDLEY FOX TROT - VOL.3 PASSA LA LEGION...) OH LA LA LA LIFE IS A FLOWER HYMN) NAZIONALE FRANCIA) MEDLEY FOX TROT - VOL.4 SAMBA DE ORFEO 24KGOLDN FT. IANN DIOR LIVING IN DANGER DIMELO AL OIDO LA MONTANARA (VALZER MEDLEY FUNK - 70'S (INSTRUMENTAL) MOOD THE SIGN (INSTRUMENTAL TANGO) LENTO) INSTRUMENTAL SBARAZZINA (VALZER) 2BLACK FT. LOREDANA ACHEVERÈ DO BASI DE FOGO LA PALOMA MEDLEY GIRO D'ITALIA SCIURI SCIURI LUNA DE ORIENTE (SALSA) BERTÈ DON'T CRY FOR ME (INSTRUMENTAL) MEDLEY GRUPPI ANNI 70 - SHAME AND SCANDAL IN WAVES OF LUV (IN ALTO ARGENTINA LA PICCININA VOL.1 THE FAMILY (SKA ACHILLE LAURO MARE) DOVE STA ZAZÀ (INSTRUMENTAL POLCA) MEDLEY HULLY GULLY - VERSION) 1969 2UE EBB TIDE LA PIMPA (SIGLA RAI VOL.2 SICILIANA BRUNA C'EST LA VIE LA TUA IMMAGINE EL BARBUN DI NAVILI YOYO) MEDLEY HULLY GULLY - SILENT NIGHT (ASTRO DEL MALEDUCATA EL CUMBANCHERO LA PUNTITA VOL.3 CIEL) MARILÙ 3 (INSTRUMENTAL) LA VEDOVA ALLEGRA MEDLEY HULLY GULLY - SILENT NIGHT (DANCE ME NE FREGO EL GONDOLIER (INSTRUMENTAL VALZER) VOL.5 RMX) ROLLS ROYCE 360 GRADI ESPANA CANÌ LARGO AL FACTOTUM MEDLEY HULLY GULLY - SIORA GIGIA SOLO NOI BA BA BAY (INSTRUMENTAL PASO (FROM IL BARBIERE DI VOL.7 SOMEWHERE OVER THE ACHILLE LAURO FT. -
()I Ncà H I -Di I= Tv Is Changing
#BXNCTCC SCH 3 -DIGIT 907 IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII I IIIIIII #BL2408043# APR06 A04 B0100 MONTY GREENLY 3740 ELM AVE # A LONG BEACH CA 90807 -3402 JUNE FOR MORE THAN 110 YEA 4 2005 NASHVILLE'S DUO I)l' I\ A IVI I C; HOT NEW TWOSOMES TAKE AIM AT COUNTRY SUCCESS >P.26 ()I NCà H I -DI_I= TV IS CHANGING... WILL LABELS BE READY FOR THE NEXT WINDFALL? >P.24 ' IVIAROON5: 'I'H 1= SOULFUL I3A N I) l'H Ar COULD A BILLBOARD STARS SPECIAL FEATURE >P.29 MI 3 $ 9US $8.99CAN 3> LESS IS MORE FOR `SATAN' >P.22 11 74470 02552 www.americanradiohistory.com Your potential. Our passion.'" p l aysf o rs u re Windows Media Choose your music. Choose your device. Know it's going to work. When your cevice and music service are compatible with each other, all you have to dc is choose the music that's compatible with you. Look for the PlaysForSure logo on a wide range of devices and music services. For a complete list go to playsforsure.com 2005 Microsoft Corp arion AU nghts reserved. Microsoft. MSII, MSN logo, the PtaysForaire loge, the Windows logo, YIi sdonis Media, and Your potential. Our passion ° are either registered trademarks or trademarks of Microsoft Corporation m the United States anJ`or other countries The names of actual companies and prooucts mentioned herein may be the trademark of their respective owners. www.americanradiohistory.com Billbearal JUNE 4, 2005 VOLUME 117, NO. 23 - t#411. ON THE CHARTS ALBUMS PAGE ARTIST / TITLE l'I'ItONT SYSTEM DE A DOWN / TOP 5 News BILLBOARD 200 56 MEZMERIZE AUSON KRAUSS + UNION STATION / 6 Washington -
60 Seconds to Shine Volume Ii 221 One-Minute Monologues for Women
1 | P a g e 60 SECONDS TO SHINE VOLUME II 221 ONE-MINUTE MONOLOGUES FOR WOMEN 2 | P a g e TABLE OF CONTENTS Introduction Acknowledgments CLASSICAL MONOLOGUES As You Like It, William Shakespeare The Beaux’ Stratagem, George Farquhar The Clandestine Marriage, George Coleman and David Garrick The Comedy of Errors, William Shakespeare The Constant Couple, Thomas Farquar Danton’s Death, Georg Büchner, trans. Henry J. Schmidt The Double Inconstancy, Pierre Carlet de Chamblain Marivaux, trans. Stephen Wadsworth Emily Climbs, L.M. Montgomery Enemies, Maxim Gorky Hamlet, William Shakespeare Ivanov, Anton Chekhov, trans. Mason W. Cartwright A Journey to London, Sir John Vanbrugh Julius Caesar, William Shakespeare King Henry IV, Part 1, William Shakespeare King John (2), William Shakespeare King Lear, William Shakespeare King Richard III (2), William Shakespeare The Lanchashire Witches, Thomas Shadwell Leves Amores, Katherine Mansfield Little women, Louisa May Alcott 3 | P a g e Love in a Village, Isaac Bickerstaff Midsummer Night’s Dream (4), William Shakespeare The Misanthrope (2), Moliere, trans. Hal Gelb Much Ado About Nothing, William Shakespeare Othello, William Shakespeare Pericles, William Shakespeare The Prince of Parthia, Thomas Godfrey The Rebellion, Thomas Rawlins The Relapse, Sir John Vanbrugh A Room with a View, E.M. Forster The Rover, Aphra Behn The Ruddigore, or The Witch’s Curse, William Schwenk Gillbert The Sack of Rome, Mercy Otis Warren The Sea Gull (2), Anton Chekhov, trans. Mason W. Cartwright Sonnet XVIII, William Shakespeare Sonnet XXX, William Shakespeare Sudden Light, Dante Gabriel Rossetti Titus Andronicus (2), William Shakespeare The Tragedy of Jane Shore, Nicholas Rowe Twelfth Night, William Shakespeare The Two Noble Kinsmen (2), William Shakespeare and John Fletcher Uncle Vanya (2), Anton Chekhov, trans. -
Inspire Me! a Teen 'Zine
Inspire Me! A Teen ‘Zine Santa Monica Public Library Summer 2009 Inspire Me! A Teen ‘Zine Pieces Inspired by This Summer’s Teen Writers’ Workshop Santa Monica Public Library Summer 2009 Inspire Me! A Teen ‘Zine Special Thanks To: Robin Benway Ron Koertge Michael Reisman Hope Anita Smith Sonya Sones Lisa Yee The Youth Services Department Friends of the Santa Monica Public Library Inspire Me! A Teen ‘Zine is a publication of writing by participants in the Summer Teen Writers’ Workshop 2009. Please enjoy these pieces, inspired by creative writing exercises, author visits, and teen life experiences. You don’t have to go that far outside yourself for the beginning of a story you want to tell. -Hope Anita Smith This Oreo Cookie Ensemble poem by the InspireMe! Teen Writers with Sonya Sones This little bite of heaven this scrumptious mini-sandwich smells like a night out with my dad. I want to eat this Oreo cookie but Sonya says I can’t and my heart sinks in my stomach like a rock. Suddenly, I feel like I’m breaking in a new pair of shoes, my light’s being swarmed by darkness, like bees swarming honey, my stomach is dropping fast— If only I could come up with a simile to describe this Oreo cookie I’d feel like the notes of my new favorite song, like a drink brimming over the edge of a cup, like dancing leaves, like a bear with honey, my tail would be wagging faster than my dog’s after a 20-minute walk. -
JOURNAL of STUDENT POETRY Acknowledgements
SPRING - 2010 H I L L S R E V I E W INDIAN HILLS COMMUNITY COLLEGE JOURNAL OF STUDENT POETRY Acknowledgements We would like to thank the students who submitted their poems for this edition. During times of economic and personal struggle, it is not uncommon culturally to see interest in the arts increase. Many students seek a way to express themselves through the arts, and some of them have discovered poetry. To meet the increased interest, poetry writing is currently offered more frequently as a face-to-face class. This past year the Creative Writing: Poetry course was taught online with excellent response, and for Spring term a literature course, Survey of Poetry, was revisited. In addition to more course offerings, three poetry readings are now scheduled, one each term. These events are attended by students, faculty, staff, alumni, and community members. Thanks to Cheryl Talbert and the library staff for hosting the readings in the Loft. New to the college, the Poetry Society is a club which meets twice monthly. Students share poems they are reading and writing for informal discussions and suggestions to improve their own writing. Among other activities in which the club participated, members and other poetry students performed their poems at the Valentine’s Day luncheon for the residents at Pennsylvania Place. Thanks to Dr. Jim Lindenmayer for the initiative that encourages and supports student involvement in IHCC clubs. Thank you to Darlas Shockley and the Arts and Sciences Division for the support of this journal of student writing, the poetry readings, and the Poetry Society. -
Deaf Children Slip Further Behind As Latest Figures Show Drop in GCSE Pass Rates
Get your daily news online for FREE Advertise your event for only £10 Visit www.hearingtimes.co.uk email [email protected] or call 0845 2930688 HearingSpring 2015 Timeswww.hearingtimes.co.uk Deaf children slip further behind as latest figures show drop in GCSE pass rates Only 36.3% of deaf children in England have left secondary school having hit national GCSE benchmarks, according to the Department of Education (DfE) figures released recently. This compares with 65.3% of their hearing classmates, highlighting a disturbing widening gap Alongside these results, a recent report has never received the help she needs to do issued by the National Deaf Children’s well and was turned down by the local authority Society (NDCS) on behalf of the Consortium when she applied for specialist support. for Research in Deaf Education (CRIDE), shows that England’s local authorities have “Jodie has never received any kind formal reported a continued drop in the numbers of support with her education. Time and again qualified Teachers of the Deaf. I’ve raised concerns and begged for help, knowing how badly she was struggling and The NDCS report indicates the lowest failing to keep up with her classmates and ever number of qualified Teachers of the that when crunch time came she’d be falling Deaf, which has dropped from 1,031 to 999 off the edge of a cliff. and shows the damaging erosion of vital specialist support which allows deaf children “Now that she is going to be faced with to thrive. sitting her GCSE’s and is already bogged down with catch-up and revision, I’m not very The report suggests the situation hopeful about the grades she will get. -
Songbook.Cwk
CHORD TRANSPOSING CHARTS POPULAR MAJOR KEYS 1 2m 3m 4 5 6m 7dim Bb Cm Dm Eb F Gm Adim F Gm Am Bb C Dm Edim C Dm Em F G Am Bdim G Am Bm C D Em F#dim D Em F#m G A Bm C#dim A Bm C#m D E F#m G#dim E F#m G#m A B C#m D#dim EQUIVALENT MINOR KEYS 1m 2dim 3 4m 5m 6 7 Gm Adim Bb Cm Dm Eb F Dm Edim F Gm Am Bb C Am Bdim C Dm Em F G Em F#dim G Am Bm C D Bm C#dim D Em F#m G A F#m G#dim A Bm C#m D E C#m D#dim E F#m G#m A B Using the above major and minor progressions as a template non-diatonic chords can be found. For example b7 indicates a major chord based on the flatted seventh note of a major key (Bb in the key of C, F in the key of G, etc.). #1dim indicates a diminished chord on the raised first degree of a key (C#dim in the key of C, G#dim in the key of G, etc.) Complex chords may be played as major or minor. For example 1+7 (major seventh) or 37 can be played as a simple major chord. 2m7 (minor seventh) may be played as a simple minor chord. (Diminished chords must be played as diminished.) MEASURES AND LINES Songs are in 4/4 time unless indicated. -
Wheeling & Dealing
#BXNCTCC CH 3-DI3I7 907 IIIIIIIIIIIIIIIMIIIIIIIIIIIIIIIIIIIIIIIIIIIIII #BL240E043# APR06 A04 y0101 MONTY CREENLT 3740 ELM AVE # A LONG BEACH CA 90807 --1C2 MAY FOR MORE TI-AN 110 YEARS GRAMMY WINNER JOHN SHANKS IS TODAY'S HOTTEST PRODUCER >P.24 t:0-131J R N I N tä KIOSKS: CAN THE MUSIC BIZ SMOKE OUT THE PROFITS? >P.27 CäC)13I I_I_A4. DR 1=AIVI I N Cà OF A N OTI-I E R WHEELING & DEALING WALL ST. TEPID ON WMG IPO >P.5 CANADIAN FIRM GRABS KOCH >P.8 BM'S DIRECT BUYS RIVAL >P.10 £6.99US $8.9 CAN 02552 US $6.99, CAN $8.99, UK £5.50, EUROPE 8.95. JAPAN Y2,E00 www.billboard.com www.billboard.biz www.americanradiohistory.com Your potential. Our passion." playsforsu re Windows Media Choose your music. Choose your device. Know it's going to work. When your device and music service are compatible with each other, all you have to do is choose the music that's compatible with you. Look for the PlaysForSure logo on a wide range of devices and music services. For a complete list go to playsforsure.com r!, 2005 Mit=osoft Corporation. All rights reserved Mk-rosoft, ut5h1, the MSN logo. tie PlaysforSute logo. the WInrfoNs log), Windows Media, and "Your potential. Our passion" are eithe- registered trademarks or traderra ks of Microsoft Corporation in the Jnitec States or ror other countries. The rames of actual companies ardproduds mentioned herein may be the trademarks of their e spective owners www.americanradiohistory.com May 21, 2005 VOLUME 117, NO. -
I the DESCRIPTION of FIGURATIVE LANGUAGE USE in THE
THE DESCRIPTION OF FIGURATIVE LANGUAGE USE IN THE BEATLES’ SONGS ALBUM A PAPER BY GARY RANDO GINTING REG. NO. 152202025 DIPLOMA - III ENGLISH STUDY PROGRAM FACULTY OF CULTURAL STUDY UNIVERSITY OF SUMATERA UTARA MEDAN 2018 i UNIVERSITAS SUMATERA UTARA ii UNIVERSITAS SUMATERA UTARA iii UNIVERSITAS SUMATERA UTARA AUTHOR’S DECLARATION I am, Gary Rando Ginting, declare that I am the sole author of this paper. Except where the reference is made in the text of this paper, this paper contains no material published elsewhere or extracted in whole or in part from a paper by which I have qualified for or awarded another degree. No other person’s work has been without due acknowledgment in the main text of this paper. This paper has not been submitted for the award or another degree in any tertiary education. Signed : Date : 30 November 2018 i UNIVERSITAS SUMATERA UTARA COPYRIGHT DECLARATION Name : GARY RANDO GINTING Title of paper : THE DECRIPTION OF FIGURATIVE LANGUAGE USED IN THE BEATLES SONG Qualification : D-III Ahli Madya Study program : English I am willing my paper should be available for reproduction at the description of the Libertarian of the Diploma III English Study Program Faculty of Cultural studies, USU On the understanding that users are made aware of their obligation under law of the Republic Indonesia. Signed : Date : 30 November 2018 ii UNIVERSITAS SUMATERA UTARA ABSTRAK Bahasa kiasan adalah salah satu gaya bahasa atau cara mengungkapkan yang memiliki makna harfiah yang berbeda dari kata tersebut. Bahasa kiasan sangat umum di dalam puisi. Ini sangat bermanfaat bagi penulis karena dapat membuat bahasa mereka lebih indah untuk di dengarkan. -
Beatles Songbook
THE BEATLES SONGBOOK 2 I Saw Her Standing There (McCartney/Lennon) E7 A7 E7 1. Well she was just seventeen, you know what I mean, B7 And the way she looked was way beyond compare, E E/G# A C E B E So how could I dance with another, when I saw her standing there. 2. Well she looked at me, and I, I could see, That before too long I'd fall in love with her. She wouldn't dance with another, when I saw her standing there. A7 - Well my heart went boom when I crossed that room, B7 A7 And I held her hand in mine. 3. Well we danced through the night, and we held each other tight, And before too long I fell in love with her. Now I'll never dance with another, since I saw her standing there. 3 Misery (McCartney/Lennon) F G C Am G The world is treating me bad, misery C F C F 1. I'm the kind of guy who never used to cry, G C Am The world is treatin' me bad, misery 2. I've lost her now for sure, I won't see her no more, F G C It's gonna be a drag, misery Am C - I'll remember all the little things we've done Am G G7 Can't she see she'll always be the only one, only one. 3. Send her back to me, cause everyone can see Without her I will be in misery Anna (Go To Him) (Alexander) D Bm D Bm D Bm 1. -
Download As A
TWIN PEAKS #22 (Episode 2.015) by Harley Peyton & Robert Engels Scanned by runningdog. Original formatting duplicated as closely as possible. For clarification all duplicate pages removed. Special note: this is a faithful duplication that includes the original spelling, formatting and series related errors. FIRST DRAFT DATE: November 20, 1990 SECOND DRAFT: November 26, 1990 GENERAL DISTRIBUTION: November 27, 1990 REVISED: December 4, 1990 - BLUE REVISED: December 5, 1990 - PINK REVISED: December 6, 1990 - GREEN REVISED: December 7, 1990 - YELLOW REVISED: December 11, 1990 - CHERRY Lynch/Frost Productions, Inc. 7700 Balboa Boulevard Van Nuys, CA 91406 (818) 909-7900 #2.015 1. ACT ONE FADE IN: 1. EXT. MARSH HOUSE - NIGHT POLICE CARS in the driveway. CUT TO: 2. INT. MARSH HOUSE, VESTIBULE IN FRONT OF THE STAIRS - NIGHT A COP stands at the door with MALCOLM. A few other COPS look around the house. EVELYN MARSH sits on the steps behind them playing the grieving widow. COP His room is completely empty. MALCOLM He's a drifter. I'm sure he was long gone once Mr. Marsh pulled out of the driveway. COP Would you know his full name? MALCOLM I barely knew the kid. Jim... ah, Jim - EVELYN (from across the room) James Hurley. He said he was from Twin Peaks. COP Work here long? MALCOLM Mrs. Marsh hired him to fix the Jaguar. COP How did you meet him, Mrs. Marsh? EVELYN Jeffrey's Jaguar broke down near Wally's. I went inside to use the phone and he offered to help. COP We'll check there.