MTA Ponders Fare Hike
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Nurturing Faith Bible Study Series
NOVEMBER-DECEMBER 2020 Religion and the Presidents NURTURING Jimmy Carter: Part Two FAITH goodfaithmedia.org Journal & Bible Studies WHEN WORDS AREN’T ENOUGH Artist encourages seeing through the eyes of others FACING OUR INDICTMENT It’s right there — in black and white FAITH & POLITICS A mix or a mess? FAITH/SCIENCE Does science change the way you read the Bible? Newfrom Nurturing Faith Books • How can Christians follow Jesus’ command to love our neighbor in the political realm? • How can the local church help form members for responsible Christian citizenship? • How can your church engage in advocacy issues and work for justice? ••• The Mission of Advocacy: A Toolkit for Congregations, based on a partner- ship between the Cooperative Baptist Fellowship and Wilshire Baptist Church, provides guidance on modeling an effective and positive public witness in divisive times. Focusing on issues such as predatory lending, immigration and racial justice work, veteran advocates Stephen K. Reeves and Katie Ferguson Murray offer concrete suggestions to help ministers and laity recognize advocacy as a natural extension of church ministry. Available now at goodfaithmedia.org/bookstore Feature 2 Great Bible Study NF IS IN YOUR HANDS!J Nurturing Faith Bible Studies by Tony Cartledge are scholarly, yet applicable, and conveniently placed in the center of this journal. Simply provide a copy of the journal to each class participant, and take advantage of the abundant online teach- ing materials at teachers.nurturingfaith.net. These include video overviews -
Leon Russell – Primary Wave Music
ARTIST:TITLE:ALBUM:LABEL:CREDIT:YEAR:LeonThisCarneyTheW,P1972TightOutCarpentersAA&MWNow1973IfStopP1974LadyWill1975 SongI Were InRightO' Masquerade &AllBlueRussellRope The Thenfor Thata Stuff CarpenterYouWoodsWisp Jazz LEON RUSSELL facebook.com/LeonRussellMusic twitter.com/LeonRussell Imageyoutube.com/channel/UCb3- not found or type unknown mdatSwcnVkRAr3w9VBA leonrussell.com en.wikipedia.org/wiki/Leon_Russell open.spotify.com/artist/6r1Xmz7YUD4z0VRUoGm8XN The ultimate rock & roll session man, Leon Russell’s long and storied career included collaborations with a virtual who’s who of music icons spanning from Jerry Lee Lewis to Phil Spector to the Rolling Stones. A similar eclecticism and scope also surfaced in his solo work, which couched his charmingly gravelly voice in a rustic yet rich swamp pop fusion of country, blues, and gospel. Born Claude Russell Bridges on April 2, 1942, in Lawton, Oklahoma, he began studying classical piano at age three, a decade later adopting the trumpet and forming his first band. At 14, Russell lied about his age to land a gig at a Tulsa nightclub, playing behind Ronnie Hawkins & the Hawks before touring in support of Jerry Lee Lewis. Two years later, he settled in Los Angeles, studying guitar under the legendary James Burton and appearing on sessions with Dorsey Burnette and Glen Campbell. As a member of Spector’s renowned studio group, Russell played on many of the finest pop singles of the ’60s, also arranging classics like Ike & Tina Turner’s monumental “River Deep, Mountain High”; other hits bearing his input include the Byrds’ “Mr. Tambourine Man,” Gary Lewis & the Playboys’ “This Diamond Ring,” and Herb Alpert’s “A Taste of Honey.” In 1967, Russell built his own recording studio, teaming with guitarist Marc Benno to record the acclaimed Look Inside the Asylum Choir LP. -
Whose Blues?" with Author Adam Gussow November 14, 5Pm ET on TBS Facebook Page
November 2020 www.torontobluessociety.com Published by the TORONTO BLUES SOCIETY since 1985 [email protected] Vol 36, No 11 Sugar Brown (aka Ken Kawashima) will discuss "Whose Blues?" with author Adam Gussow November 14, 5pm ET on TBS Facebook Page CANADIAN PUBLICATIONS MAIL AGREEMENT #40011871 MBA Nominees Announced Loose Blues News Whose Blues? Blues Reviews Remembering John Valenteyn Blues Events TORONTO BLUES SOCIETY 910 Queen St. W. Ste. B04 Toronto, Canada M6J 1G6 Tel. (416) 538-3885 Toll-free 1-866-871-9457 Email: [email protected] Website: www.torontobluessociety.com MapleBlues is published monthly by the Toronto Blues Society ISSN 0827-0597 2020 BOARD OF DIRECTORS Derek Andrews (President), Janet Alilovic, Jon Arnold, Ron Clarkin (Treasurer), Lucie Dufault (Vice-President), Carol Flett (Secretary), Sarah French, Lori Murray, Ed Parsons, Jordan Safer (Executive), Paul Sanderson, Mike Smith Musicians Advisory Council: Brian Blain, Alana Bridgewater, Jay Douglas, Ken Kawashima, Gary Kendall, Dan McKinnon, Lily Sazz, Mark Stafford, Dione Taylor, Julian Taylor, Jenie Thai, Suzie Vinnick,Ken Whiteley Volunteer & Membership Committee: Lucie Dufault, Rose Ker, Mike Smith, Ed Parsons, Carol Flett Grants Officer: Barbara Isherwood Office Manager: Hüma Üster Marketing & Social Media Manager: Meg McNabb Publisher/Editor-in-Chief: Derek Andrews Many thanks to Betty Jackson and Geoff Virag for their help at the Managing Editor: Brian Blain Toronto Blues Society Talent Search. [email protected] Contributing Editors: Janet Alilovic, Hüma Üster, Carol Flett Listings Coordinator: Janet Alilovic Attention TBS Members! Mailing and Distribution: Ed Parsons Due to COVID-19 pandemic, TBS is unable to deliver a physical Advertising: Dougal Bichan [email protected] copy of the MapleBlues November issue. -
The George-Anne Student Media
Georgia Southern University Digital Commons@Georgia Southern The George-Anne Student Media 11-2-1976 The George-Anne Georgia Southern University Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/george-anne Part of the Higher Education Commons Recommended Citation Georgia Southern University, "The George-Anne" (1976). The George-Anne. 812. https://digitalcommons.georgiasouthern.edu/george-anne/812 This newspaper is brought to you for free and open access by the Student Media at Digital Commons@Georgia Southern. It has been accepted for inclusion in The George-Anne by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. GSC Status Dependent On State Regents Decision By DEBBY DURRENCE Medical College in Augusta. Some private schools, For years Georgia South- though, are called universities ern students have been talking but do not give doctorates. about university status - the Mercer University in Macon possibility of becoming Geor- has only honorary degrees of gia Southern University or the that kind. University of Southern Gero- Other states have chosen to gia. call any school that is not a "If we get a few thousand junior college, a university. more volumes in the library, West Carolina University does we'll get university status." not offer doctorates and they "When we get the new are the same size as GSC. health cottage, we'll be a Alabama, Florida, North Caro- university." lina and Tennessee are nearby And so go the misconcep- states who have this policy. tions held by GSC students. As it is now, all the "It's just not that simple," universities are concentrated in said Dr. -
Lamorinda Weekly Issue 4 Volume 10
Wednesday, April 20, 2016 • Vol. 10 Issue 4 Independent, locally Tuesday, May 17, 2016 26,000 copies owned and operated! delivered biweekly to Lamorinda homes & 5:30pm - 9:00pm businesses Wine Reception w/ Music 925-377-0977 www.lamorindaweekly.com Stroll & Sample Lafayette’s Best Restaurants FREE Local newspaper delivered to Lafayette,Dessert Moraga & Coffee and Orinda http://bit.ly/Taste16 Norman Pease of Orinda stands by his Tesla Model X No. 65. Tesla is one company gaining traction, despite a decrease in electric car sales. Photo Andy Scheck Are Electric Cars Losing Their Charge? Statistics show that U.S. plug-in electric vehicle sales dropped in 2015 By Nick Marnell ould the electric car be on the brink of fading con- a charged battery and radical government proposals that seek to one-third the price of electric ones by 1910. The U.S. de- sumer interest? additional revenue to repair the roads and highways. veloped roads to connect its cities, gasoline prices fell and C The electric car has battled the gasoline-powered Electric cars came onto the scene in the late 19th century, gas stations popped up all over the country, making gasoline car through one roadblock after another, from higher prices to about the same time as gasoline-powered cars, but quieter, — unlike electricity, which was limited to major U.S. cities cheap oil to a subsidized infrastructure. Today it faces those easier to drive and they smelled better. Then along came Hen- —readily available in even the smallest towns. By the 1930s, same challenges, plus limitations of the distance capability of ry Ford, and thanks to mass production, gasoline cars dropped electric cars had all but disappeared. -
Issue 6 Layout.Indd
DOWNTOWN DINING LET’S DO LUNCH SIGN UP TO WIN! Travel to Thailand & Remedy Diner has the Win free tickets, enjoy a great meal at perfect over-the- gift certificates Thaiphoon Bistro counter remedy READER and more REWARDS RALEIGHDOWNTOWNERMAGAZINE—Vol. 5, ISSUE 6 features 3. Going Green in Downtown Raleigh 10. Local History— Remembering John Chavis 11. Historic Downtown Neighborhoods—Glenwood-Brooklyn 12. The 8th Annual Kirby Derby 617 West Jones Street | Raleigh, NC 27603 15. Downtown Recycles, Now More Efficiently www.RaleighDowntowner.com | www.raleigh2.com 919.821.9000 arts & entertainment 18. The Sound of Music at NCT Advertising inquiries: [email protected] 19. Band Profile—Gray Young 23. The Deep South Local Music Review General press releases: 24. Events Calendar [email protected] B-to-B press releases and biz section info: food & wine [email protected] 8. Downtown Dining—Thaiphoon Bistro 14. Wine Can Be Green Too General office inquiries: 20. Let’s Do Lunch—The Remedy Diner [email protected] ———— business Publisher / Owner Crash Gregg 26. Downtown Snapshot—From the Downtown Raleigh Alliance Founders Sig Hutchinson, Randall Gregg 27. Business Profile—Frank Harmon Architect, PA Food Editor Fred Benton 29. Biz 10 Questions—David Diaz Assistant Editor Chris Adams 30. Classifieds—Real Estate Publisher’s Wrangler Melissa Lyon Copy Editor Melissa Santos Music Editor Dan Strobel upcoming issues Office Assistant Lauren Wiley I SSUE 7: EAT LOCAL To celebrate the upcoming Restaurant Week downtown in August, we talk to local Proofreader Meg Henderson farmers, restaurant owners and chefs to find out what makes cooking and eating local so great. -
National Register of Historic Places Registration Form
NPS Form 10-900 OMB No. 1024-0018 United States Department of the Interior National Park Service National Register of Historic Places Registration Form This form is for use in nominating or requesting determinations for individual properties and districts. See instructions in National Register Bulletin, How to Complete the National Register of Historic Places Registration Form. If any item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions. 1. Name of Property Historic name: The Church Studio ___ Other names/site number: Grace Methodist Episcopal Church, First United Brethren Church of Christ, First Church of God _ _ _ Name of related multiple property listing: _N/A____________________________________________________ __ (Enter "N/A" if property is not part of a multiple property listing) ___ ______________________________________________________________________ 2. Location Street & number: 304 South Trenton Avenue_ __ City or town: Tulsa ____ State: OK_____ County: Tulsa______ Not For Publication: N/A Vicinity: N/A ____________________________________________________________________________ 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act, as amended, I hereby certify that this X nomination ___ request for determination of eligibility meets the documentation standards for registering properties in the -
Celebrating Creativity a Memorial Art Gallery Project Provides a Showcase for ‘Hidden’ Creativity
RELATIONSHIP SCIENCE IT’S A BIRD! A CENTURY OF DENTISTRY Pioneering psychologist Geophysicist finds The Eastman Institute for Oral explores human bonds an ancient species Health marks its centennial UNIVERSITY OF ROCHESTER /JaNUary–FEbruary 2017 Celebrating Creativity A Memorial Art Gallery project provides a showcase for ‘hidden’ creativity. RochRev_Jan2017_Cover.indd 1 12/23/16 3:00 PM “Giving back to the community I work in means the world to me. I get an enormous sense of fulfillment every time I see my young patients and their families LEADING BY smiling. That feeling fuels me and inspires me to The Value of Giving want to do more. I’m proud of my membership in the FOR DEANNE “DEE” MOLINARI ’58, George Eastman Circle, which allows me to provide the oldest of four children in a family of support in a way that affects the greatest change.” EXAMPLE modest means, attending the University of —Sean McLaren’03D (Den), ’06D (Den), chair and program director Rochester was a dream come true. AND INSPIRING of Pediatric Dentistry, Eastman Institute for Oral Health A Founding Member of the Wilson Society, Member, George Eastman Circle SMILES Supports: Eastman Institute for Oral Health Dee is now helping to provide a similar experience for talented students who might not otherwise be able to afford it with the Molinari Family Scholarship Fund at the Eastman School of Music. The scholarship, which honors her family’s appreciation for music, was created through a provision in her will and a charitable gift annuity that pays her a rate of six percent for life. -
Designed the Tempo That Jerry Lee Lewis Alwaysuses Merger That Produces a Highly Rhythmic, So- and Stayed with It All Night Long
Lot Better, and his rendering of Curtis May- What do you do if the Emperor has plenty field's It's All Right just proves how good of clothes but won't wear them? What hap- Mayfield was before he decided to get Signifi- pens when the artist simply can't do one more cant. The band, which is excellent throughout, cheap turn for those who applaud madly when defers to Rivers' vocals on sideone, but on the same two -note riff is hit harder but miss side two they become equal partners, andthe most everything else? Playing Fifties rock as musicians really cook on Willie and the Hand if Sixties rock had never existed doesn't make Jive, Got My Mojo Workin', Over the Line, much sense to me; I think it will eventually and Turn on Your Love Light. This isa very prove disastrous to assume that rock and satisfying album. J.V. nuance are mutually exclusive. Russell appar- ently agreed with me when he wrote such DIANA ROSS: Touch Me in the Morning (see songs as Delta Lady-which he sings here as Best of the Month, page 75) if it were a meaningless jumble of syllables wired into the conditioning of those whose LEON RUSSELL: Leon Live. Leon Russell need is not for music but for key words, (vocals, piano); Don Preston (guitar); Joey names, trappings, hardware, statistics, data, Cooper (guitar): John Gallie (organ): Carl something not to listen to tonight but to talk Radle(bass); Chuck Blackwell(drums); about tomorrow. Black Grass (backing vocals); various others. -
An Analysis of John Peel's Radio Talk and Career At
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 5-2008 The Power of a Paradoxical Persona: An Analysis of John Peel’s Radio Talk and Career at the BBC Richard P. Winham University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Communication Commons Recommended Citation Winham, Richard P., "The Power of a Paradoxical Persona: An Analysis of John Peel’s Radio Talk and Career at the BBC. " PhD diss., University of Tennessee, 2008. https://trace.tennessee.edu/utk_graddiss/440 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Richard P. Winham entitled "The Power of a Paradoxical Persona: An Analysis of John Peel’s Radio Talk and Career at the BBC." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in Communication and Information. Paul Ashdown, Major Professor We have read this dissertation and recommend its acceptance: Barbara Moore, Naeemah Clark, Michael Keene Accepted for the Council: -
A Transformational Approach to Jazz Harmony
A TRANSFORMATIONAL APPROACH TO JAZZ HARMONY Michael McClimon Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Doctor of Philosophy in the Jacobs School of Music, Indiana University January 2016 Accepted by the Graduate Faculty, Indiana University, in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Doctoral Committee Julian Hook, Ph.D. Kyle Adams, Ph.D. Blair Johnston, Ph.D. Brent Wallarab, M.M. December 9, 2015 ii Copyright © 2016 Michael McClimon iii Acknowledgements This project would not have been possible without the help of many others, each of whom deserves my thanks here. Pride of place goes to my advisor, Jay Hook, whose feedback has been invaluable throughout the writing process, and whose writing stands as a model of clarity that I can only hope to emulate. Thanks are owed to the other members of my committee as well, who have each played important roles throughout my education at Indiana: Kyle Adams, Blair Johston, and Brent Wallarab. Thanks also to Marianne Kielian-Gilbert, who would have served on the committee were it not for the timing of the defense during her sabbatical. I would like to extend my appreciation to Frank Samarotto and Phil Ford, both of whom have deeply shaped the way I think about music, but have no official role in the dissertation itself. I am grateful to the music faculty of Furman University, who inspired my love of music theory as an undergraduate and have more recently served as friends and colleagues during the writing process. -
John of Damascus and the Consolidation of Classical Christian Demonology
Marquette University e-Publications@Marquette Dissertations, Theses, and Professional Dissertations (1934 -) Projects Imagining Demons in Post-Byzantine Jerusalem: John of Damascus and the Consolidation of Classical Christian Demonology Nathaniel Ogden Kidd Marquette University Follow this and additional works at: https://epublications.marquette.edu/dissertations_mu Part of the Religion Commons Recommended Citation Kidd, Nathaniel Ogden, "Imagining Demons in Post-Byzantine Jerusalem: John of Damascus and the Consolidation of Classical Christian Demonology" (2018). Dissertations (1934 -). 839. https://epublications.marquette.edu/dissertations_mu/839 IMAGINING DEMONS IN POST-BYZANTINE JERUSALEM: JOHN OF DAMASCUS AND THE CONSOLIDATION OF CLASSICAL CHRISTIAN DEMONOLOGY by The Rev. Nathaniel Ogden Kidd, B.A., M.Div A Dissertation submitted to the Faculty of the Graduate School, Marquette University, in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Milwaukee, Wisconsin December, 2018 ABSTRACT IMAGINING DEMONS IN POST-BYZANTINE JERUSALEM: JOHN OF DAMASCUS AND THE CONSOLIDATION OF CLASSICAL CHRISTIAN DEMONOLOGY The Rev. Nathaniel Ogden Kidd, B.A., M.Div Marquette University, 2018 This dissertation traces the consolidation of a classical Christian framework for demonology in the theological corpus of John of Damascus (c. 675 – c. 750), an eighth century Greek theologian writing in Jerusalem. When the Damascene sat down to write, I argue, there was a great variety of demonological options available to him, both in the depth of the Christian tradition, and in the ambient local imagination. John’s genius lies first in what he chose not to include, but second in his ability to synthesize a minimalistic demonology out of a complex body of material and integrate it into a broader theological system.