Recycled Percussion Resource Guide
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The Percussion Family 1 Table of Contents
THE CLEVELAND ORCHESTRA WHAT IS AN ORCHESTRA? Student Learning Lab for The Percussion Family 1 Table of Contents PART 1: Let’s Meet the Percussion Family ...................... 3 PART 2: Let’s Listen to Nagoya Marimbas ...................... 6 PART 3: Music Learning Lab ................................................ 8 2 PART 1: Let’s Meet the Percussion Family An orchestra consists of musicians organized by instrument “family” groups. The four instrument families are: strings, woodwinds, brass and percussion. Today we are going to explore the percussion family. Get your tapping fingers and toes ready! The percussion family includes all of the instruments that are “struck” in some way. We have no official records of when humans first used percussion instruments, but from ancient times, drums have been used for tribal dances and for communications of all kinds. Today, there are more instruments in the percussion family than in any other. They can be grouped into two types: 1. Percussion instruments that make just one pitch. These include: Snare drum, bass drum, cymbals, tambourine, triangle, wood block, gong, maracas and castanets Triangle Castanets Tambourine Snare Drum Wood Block Gong Maracas Bass Drum Cymbals 3 2. Percussion instruments that play different pitches, even a melody. These include: Kettle drums (also called timpani), the xylophone (and marimba), orchestra bells, the celesta and the piano Piano Celesta Orchestra Bells Xylophone Kettle Drum How percussion instruments work There are several ways to get a percussion instrument to make a sound. You can strike some percussion instruments with a stick or mallet (snare drum, bass drum, kettle drum, triangle, xylophone); or with your hand (tambourine). -
Shell Trumpets in Mesoamerica Music-Archaelogical Evidence and Living Tradition Arnd Adje Both
Shell Trumpets in Mesoamerica Music-Archaelogical Evidence and Living Tradition Arnd Adje Both ZUSAMMENFASSUNG ceps) exhibited in the Museo Nacional de Antropología, Mexico City (Fig. 1)2. The decora- Musikarchäologische Daten belegen, daß Schnek- tion depicts a headdress consisting of a zigzag kentrompeten in vorspanischen Kulturen eine band in yellow and red with green feathers, and a große zeremonielle Bedeutung zukam. In diesem double glyph at the body whorl consisting of two Beitrag wird eine vielschichtige Musiktradition tassel headdresses with the numerical coefficients verfolgt, die trotz der abwechslungsreichen Ge- “9” and “12” indicated by bars and dots. The sym- schichte Mesoamerikas vergleichbare Elemente bolic meaning of the double glyph is still unclear3. aufweist. In Zeremonien verschiedener mexikani- One trumpet of 36 cm in length dating from A.D. scher Ethnien werden die Instrumente bis heute 500 was excavated near an altar of Tetitla, one of verwendet. Ihr Gebrauch läßt Merkmale erken- the many residential compounds of Teotihuacan. nen, die sich möglicherweise als fortlebende Rest- Several finds show that shell trumpets were also bestände alter, bereits in den frühen Kulturen deposited in ceremonial burials, possibly as a per- Mesoamerikas entstandener Musikpraktiken er- sonal item. One specimen made of a Florida Horse weisen. conch (Pleuroploca gigantea) without decoration was recently excavated in Burial 5 within the Pyra- mid of the Moon, dating from A.D. 350 (Fig. 3). 1. MUSIC-ARCHAEOLOGI- The trumpet was unearthed next to a flaked obsidi- CAL EVIDENCE an figure and pointed towards the west, where the sun is going down into the underworld. Several Shell trumpets were already known in the end of objects of greenstone (jadeite) carved in Maya style the Early Preclassic period of Mesoamerica (2000 indicate some form of contact between the ruling to 1200 B.C.), as demonstrated by sound artefacts group of Teotihuacan and Maya royal families. -
Trumpets and Horns
TRUMPETS AND HORNS NATURAL TRUMPETS SHOFAR The shofar is an ancient Jewish liturgical instrument. It is a natural trumpet without a mouthpiece and produces only two tones, the second and third harmonics. The Talmud has laid down precise instructions for its maintenance and use, as well as materials and methods of construction. The shofar is usually made from ram's horn, although the horn of any animal of the sheep or goat family may be used. The horn is softened by heat and straightened. Subsequently, it is re-bent in one of several shapes (Plate 58). A blow-hole is bored into the pointed end of the horn. In the Northern European variety of shofar, the blow-hole usually has no distinct shape. In the Israeli and Southern European type, the mouthpiece is formed into a miniature trum- pet mouthpiece. CATALOGUE # 85 SHOFAR (73-840) MIDDLE EAST Plate 58, Fig. 97. COLLECTED: Toronto, Ontario, 1973 CATALOGUE It 86 SHOFAR (73-847) MIDDLE EAST Plate 58, Fig. 98. COLLECTED: Toronto, Ontario, 1973 CATALOGUE It 87 SHOFAR (74-68) USSR A family treasure, this shofar (Plate 58, Fig. 99) was brought to Canada ca. 1900 from Minsk, Russia by Vladislaw Schwartz. Mr. Schwartz donated it to the Minsken Synagogue, Toronto upon his assumption of the presidency in 1932. COLLECTED: Toronto, Ontario, 1973 Plate 58 Shofars 1. Catalogue 087 085 2. Catalogue 3. Catalogue 086 b1-3/44 ________ 0 Scm a t 6.5 L L__— 5.5 - -- -- -—____________________ /t---- N ---A / N re 97 75.0 / .8 0 5cm Figure 96 6L Natural trumpets 125 HORA The hora is the end-blown shell trumpet of Japan. -
Ancient Seashell Resonates After 18,000 Years
PRESS RELEASE - PARIS - 10 FEBRUARY 2021 Ancient seashell resonates after 18,000 years Almost 80 years after its discovery, a large shell from the ornate Marsoulas Cave in the Pyrenees has been studied by a multidisciplinary team from the CNRS, the Muséum de Toulouse, the Université Toulouse - Jean Jaurès and the Musée du quai Branly - Jacques-Chirac1: it is believed to be the oldest wind instrument of its type. Scientists reveal how it sounds in a study published in the journal Science Advances on 10th February 2021. The Marsoulas Cave, between Haute-Garonne and Ariège, was the first decorated cave to be found in the Pyrenees. Discovered in 1897, the cave bears witness to the beginning of the Magdalenian2 culture in this region, at the end of the Last Glacial Maximum. During an inventory of the material from the archaeological excavations, most of which is kept in the Muséum de Toulouse, scientists examined a large Charonia lampas (sea snail) shell, which had been largely overlooked when discovered in 1931. The tip of the shell is broken, forming a 3.5 cm diameter opening. As this is the hardest part of the shell, the break is clearly not accidental. At the opposite end, the shell opening shows traces of retouching (cutting) and a tomography scan has revealed that one of the first coils is perforated. Finally, the shell has been decorated with a red pigment (hematite), characteristic of the Marsoulas Cave, which indicates its status as a symbolic object. To confirm the hypothesis that this conch was used to produce sounds, scientists enlisted the help of a horn player, who managed to produce three sounds close to the notes C, C-sharp and D. -
Mystery Instrument Trivia!
Mystery Instrument Trivia! ACTIVITY SUMMARY In this activity, students will use online sources to research a variety of unusual wind- blown instruments, matching the instrument name with the clues provided. Students will then select one of the instruments for a deeper dive into the instrument’s origins and usage, and will create a multimedia presentation to share with the class. STUDENTS WILL BE ABLE TO identify commonalities and differences in music instruments from various cultures. (CA VAPA Music 3.0 Cultural Context) gather information from sources to answer questions. (CA CCSS W 8) describe objects with relevant detail. (CACCSS SL 4) Meet Our Instruments: HORN Video Demonstration STEPS: 1. Review the HORN video demonstration by San Francisco Symphony Assistant Principal Horn Bruce Roberts: Meet Our Instruments: HORN Video Demonstration. Pay special attention to the section where he talks about buzzing the lips to create sound, and how tightening and loosening the buzzing lips create different sounds as the air passes through the instrument’s tubing. 2. Tell the students: There many instruments that create sound the very same way—but without the valves to press. These instruments use ONLY the lips to play different notes! Mystery Instrument Trivia! 3. Students will explore some unusual and distinctive instruments that make sound using only the buzzing lips and lip pressure—no valves. Students should use online searches to match the trivia clues with the instrument names! Mystery Instrument Trivia - CLUES: This instrument was used in many places around the world to announce that the mail had arrived. Even today, a picture of this instrument is the official logo of the national mail delivery service in many countries. -
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410 DRUM & PERCUSSION PRODUCTS NEW! ALESIS DM7 USB 5-PIECE ALESIS PERFORMANCE PAD PRO MULTI- ELECTRONIC DRUMSET A 5-drum PAD This 8-pad multi-percussion instrument fea- and 3-cymbal drum kit featuring the tures over 500 sounds and has a 3-part sequencer DM7 USB-enabled drum module so you can play live, create loops and sequences, with more than 400 stereo sounds in or accompany yourself. It includes studio effects, 80 kits. The module features a flex- velocity-sensitive drum pads, large LCD display, a lightweight and durable enclosure, ible metronome and learning exer- 24-bit audio outputs, traditional 5-pin MIDI output jack, and a mix input for external cises, record feature, 1/4" line in/out, tracks, loops, and instruments. headphones out, USB connectivity, ITEM DESCRIPTION PRICE 30 custom drum kits with customi- KICK PEDAL PERFORMANCEPAD-PRO.......8-pad percussion instrument .......................................... 299.00 zable individual drum and cymbal NOT INCLUDED sounds with volume, pan, tuning, and reverb settings. It has 8 studio EQ settings to ALESIS PERCPAD COMPACT 4-PAD PERCUSSION create the perfect room, club, or stadium sound. It offers (1) large, triple-zone snare INSTRUMENT Has 4 velocity-sensitive pads, a kick pad, (3) single-zone 8" tom pads, (1) 8" Hi-hat and control pedal, (1) kick pad with input and high-quality internal sounds –in a compact stand, (1) 12" Crash with choke, and (1) 12" Ride. It has a pre-assembled, 4-post rack size. Mounts to standard snare stand, tabletop surface, for quick set up and stable support and includes rack clamps and mini-boom cymbal or use the optional Module Mount. -
Multi-Percussion in the Undergraduate Percussion Curriculum Benjamin A
University of Miami Scholarly Repository Open Access Dissertations Electronic Theses and Dissertations 2014-12 Multi-percussion in the Undergraduate Percussion Curriculum Benjamin A. Charles University of Miami, [email protected] Follow this and additional works at: http://scholarlyrepository.miami.edu/oa_dissertations Recommended Citation Charles, Benjamin A., "Multi-percussion in the Undergraduate Percussion Curriculum" (2014). Open Access Dissertations. Paper 1324. This Open access is brought to you for free and open access by the Electronic Theses and Dissertations at Scholarly Repository. It has been accepted for inclusion in Open Access Dissertations by an authorized administrator of Scholarly Repository. For more information, please contact [email protected]. ! ! UNIVERSITY OF MIAMI ! ! MULTI-PERCUSSION IN THE UNDERGRADUATE PERCUSSION CURRICULUM ! By Benjamin Andrew Charles ! A DOCTORAL ESSAY ! ! Submitted to the Faculty of the University of Miami in partial fulfillment of the requirements for the degree of Doctor of Musical Arts ! ! ! ! ! ! ! ! ! Coral Gables,! Florida ! December 2014 ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ©2014 Benjamin Andrew Charles ! All Rights Reserved UNIVERSITY! OF MIAMI ! ! A doctoral essay proposal submitted in partial fulfillment of the requirements for the degree of Doctor of Musical! Arts ! ! MULTI-PERCUSSION IN THE UNDERGRADUATE PERCUSSION CURRICULUM! ! Benjamin Andrew Charles ! ! !Approved: ! _________________________ __________________________ -
Wavelet and Spectral Analysis of Thetabla–An Indian Percussion Instrument
International Journal of Scientific & Engineering Research Volume 8, Issue 9, September-2017 226 ISSN 2229-5518 Wavelet and Spectral Analysis of theTabla–an Indian Percussion Instrument 1Farhat Surve, 2Ratnaprabha Surve, 3Anand Amberdekar 1,2Electroacoustics Research Laboratory, Dept. of Physics, Nowrosjee Wadia College, Pune, Maharashtra, India [email protected]; [email protected] 3SIES College, Sion, Mumbai, Maharashtra,India [email protected] Abstract- Tablais a percussion instrument, mainly used as an accompaniment in Indian classical music with vocalists, instrumentalists, and often with classical dance performers, for upholding and sustaining rhythm. The Tablacomprises two drums that are structurally different and produce a range of overtones. This paper describes the spectral characteristics of the most frequently played syllable Naover five Tablavariants viz. Kali 1 C Sharp (Tipe), Pandri 2 D, Pandri 1 C, Kali 5 G Sharp, andPandri 2 D (Dalya), using two different analysis techniques viz.1) Wavelet analysis using MATLAB,and 2) FFT using:a) Origin 8, and b) DSO in real time. Wavelet analysis is used in general for analyzing localized variations of power within a time series and to determine the frequency distribution in the time-frequency domain, while the FFT computes the transformation of the original time domain signal to a representation in the frequency domain. The FFT therefore, is used to determine the prominences viz. the overtones in the syllable played. Origin is used as it offers customizable graph templates and auto-recalculation on changes to data and analysis parameters Index Terms - FFT, MATLAB,Origin,percussion,Tabla, wavelet transform ———————————————————— 1 INTRODUCTION Tablaplayer is free to choose one out of these variants depending upon the accompaniment.Asingle syllable Na he Tablacomprises of a pair of drums:the right- played by a professional Tablaplayer (belonging to the hand drum specially used for treble, referred to as Centre of Performing Arts, S. -
Automatic Classification of Drum Sounds with Indefinite Pitch
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Biblioteca Digital da Produção Intelectual da Universidade de São Paulo (BDPI/USP) Universidade de São Paulo Biblioteca Digital da Produção Intelectual - BDPI Departamento de Ciências de Computação - ICMC/SCC Comunicações em Eventos - ICMC/SCC 2015-07 Automatic classification of drum sounds with indefinite pitch International Joint Conference on Neural Network, 2015, Killarney. http://www.producao.usp.br/handle/BDPI/49424 Downloaded from: Biblioteca Digital da Produção Intelectual - BDPI, Universidade de São Paulo Automatic Classification of Drum Sounds with Indefinite Pitch Vinfcius M. A. Souza Nilson E. Souza-Filho Gustavo E. A. P. A. Batista Department of Acoustic Engineering Institute of Mathematics and Computer Science Federal University of Santa Maria, Brazil University of Sao Paulo, Brazil [email protected] {vsouza, gbatista}@icmc.usp.br Abstract-Automatic classification of musical instruments is Many research papers in Machine Learning and Signal an important task for music transcription as well as for pro Processing literature focus in the classification of string or fessionals such as audio designers, engineers and musicians. wind harmonic instruments and only a limited effort has been Unfortunately, only a limited amount of effort has been conducted conducted to classify percussion instruments (an interesting to automatically classify percussion instrument in the last years. review can be found in [1]). The main difference between The studies that deal with percussion sounds are usually restricted percussion and another instruments is the fact that the per to distinguish among the instruments in the drum kit such as cussion produces indefinite pitch or unpitched sounds. -
The Musical Eclecticism of Ch' Angguk
National Music and National Drama: The Musical Eclecticism of Ch' angguk Andrew Killick Florida State University A lone p' ansori singer, delivering a sorrowful passage in front of a folding screen, is interrupted by loud blasts on the straight trumpet (nabal) and conch shell (nagak) from the back of the auditorium. A colorful parade files down the aisle playing the raucous royal processional music Taec/z'wit'a. On reaching the stage, the music changes to the banquet version of the same rhythmic material, Ch'wit'a, and the procession enters an elaborate set representing the yamen of the Governor of Namw6n. The new Governor, Pyan Hakto, takes the seat of honor, his white-robed officials stand in attendance, and a group of female entertainers (kisaeng) lines up to solicit his favors. Such a mixture of theatrical presentation, p' ansori singing, and other varieties of Korean music, is to be seen only in the opera form ch'anggflk. This was a scene from a ch'mzggrik production of The Story of Ch'zmlzyang in the main hall of the National Center for Korean Traditional Performing Arts in Seoul, performed by a visiting troupe from the National Center for Korean Folk Performing Arts in Namw6n, on May 29, 2000. The Korean names of both institutions, Kungnip Kugagwon and Kungnip Minsok Kugagw'in, include the words kungnip or "national" and kllgak or "national music"; and cJz'anggrlk itself was once known as kllkkLlk or "national drama," a usage that is still retained by all-female y6s6ng kllkkrik troupes and by a mixed provincial troupe, the Kwangju Sirip Kukk?ktan. -
Choosing a Drum Set for Worship
Choosing a Drum Set for Worship We hope this guide will help you find the right drum set and drum hardware that fits your playing style and needs. Whether it is an affordable starter set or a sophisticated, arena-worthy acoustic or electronic kit, this guide will help you identify the right combination of gear to match your budget and percussion skills. You will learn about the elements that go into making drums and cymbals, and what to consider when shopping for drums. Before choosing a drum set, you need to be familiar with the components that go into it, these include: The Snare Drum, the Bass Drum, one or more Mounted Toms and a Floor Tom. The two other essential components that complete a full drum set, Cymbals and Hardware. We have also included a section on how to reduce acoustic drum volume, a microphone alternative, and a section on electronic drums. If you are unfamiliar with any of the terms used here, please see the Glossary of Terms at the end of this document. Enjoy! Parts of the Drum Set ANATOMY OF A DRUM TOP (BATTER) HEAD: The most basic component of a drum, the head is a round membrane made of a synthetic material usually mylar, that is stretched across the shell, with varying degrees of tension. HOOP: The drum hoop is usually made of either cast or stamped metal, although some drummers prefer wood hoops. Hoops are constructed with a flange shaped to hold the head on the shell for tensioning. TENSION ROD: These mount through holes in the hoop and thread into the lug to maintain the desired tension. -
The Percussion Family
The Percussion Family The percussion family is the largest family in the orchestra. Percussion instruments include any instrument that makes a sound when it is hit, shaken, or scraped. It's not easy to be a percussionist because it takes a lot of practice to hit an instrument with the right amount of strength, in the right place and at the right time. Some percussion instruments are tuned and can sound different notes, like the xylophone, timpani or piano, and some are untuned with no definite pitch, like the bass drum, cymbals or castanets. Percussion instruments keep the rhythm, make special sounds and add excitement and color. Unlike most of the other players in the orchestra, a percussionist will usually play many different instruments in one piece of music. The most common percussion instruments in the orchestra include the timpani, xylophone, cymbals, triangle, snare drum, bass drum, tambourine, maracas, gongs, chimes, celesta, and piano. The piano is a percussion instrument. You play it by hitting its 88 black and white keys with your fingers, which suggests it belongs in the percussion family. The piano has the largest range of any instrument in the orchestra. It is a tuned instrument, and you can play many notes at once using both your hands. Within the orchestra the piano usually supports the harmony, but it has another role as a solo instrument (an instrument that plays by itself), playing both melody and harmony. Timpani look like big polished bowls or upside-down teakettles, which is why they're also called kettledrums. They are big copper pots with drumheads made of calfskin or plastic stretched over their tops.