The Eight Immortals
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Daoist Tradition Also Available from Bloomsbury
The Daoist Tradition Also available from Bloomsbury Chinese Religion, Xinzhong Yao and Yanxia Zhao Confucius: A Guide for the Perplexed, Yong Huang The Daoist Tradition An Introduction LOUIS KOMJATHY Bloomsbury Academic An imprint of Bloomsbury Publishing Plc 50 Bedford Square 175 Fifth Avenue London New York WC1B 3DP NY 10010 UK USA www.bloomsbury.com First published 2013 © Louis Komjathy, 2013 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. Louis Komjathy has asserted his right under the Copyright, Designs and Patents Act, 1988, to be identified as Author of this work. No responsibility for loss caused to any individual or organization acting on or refraining from action as a result of the material in this publication can be accepted by Bloomsbury Academic or the author. Permissions Cover: Kate Townsend Ch. 10: Chart 10: Livia Kohn Ch. 11: Chart 11: Harold Roth Ch. 13: Fig. 20: Michael Saso Ch. 15: Fig. 22: Wu’s Healing Art Ch. 16: Fig. 25: British Taoist Association British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. ISBN: 9781472508942 Library of Congress Cataloging-in-Publication Data Komjathy, Louis, 1971- The Daoist tradition : an introduction / Louis Komjathy. pages cm Includes bibliographical references and index. ISBN 978-1-4411-1669-7 (hardback) -- ISBN 978-1-4411-6873-3 (pbk.) -- ISBN 978-1-4411-9645-3 (epub) 1. -
Origin Narratives: Reading and Reverence in Late-Ming China
Origin Narratives: Reading and Reverence in Late-Ming China Noga Ganany Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2018 © 2018 Noga Ganany All rights reserved ABSTRACT Origin Narratives: Reading and Reverence in Late Ming China Noga Ganany In this dissertation, I examine a genre of commercially-published, illustrated hagiographical books. Recounting the life stories of some of China’s most beloved cultural icons, from Confucius to Guanyin, I term these hagiographical books “origin narratives” (chushen zhuan 出身傳). Weaving a plethora of legends and ritual traditions into the new “vernacular” xiaoshuo format, origin narratives offered comprehensive portrayals of gods, sages, and immortals in narrative form, and were marketed to a general, lay readership. Their narratives were often accompanied by additional materials (or “paratexts”), such as worship manuals, advertisements for temples, and messages from the gods themselves, that reveal the intimate connection of these books to contemporaneous cultic reverence of their protagonists. The content and composition of origin narratives reflect the extensive range of possibilities of late-Ming xiaoshuo narrative writing, challenging our understanding of reading. I argue that origin narratives functioned as entertaining and informative encyclopedic sourcebooks that consolidated all knowledge about their protagonists, from their hagiographies to their ritual traditions. Origin narratives also alert us to the hagiographical substrate in late-imperial literature and religious practice, wherein widely-revered figures played multiple roles in the culture. The reverence of these cultural icons was constructed through the relationship between what I call the Three Ps: their personas (and life stories), the practices surrounding their lore, and the places associated with them (or “sacred geographies”). -
Appendix 2 Chinese Deities and Spirits
Appendix 2 Chinese deities and spirits This appendix includes a selection of the most common and important gods, goddesses, Buddhas, bodhisattvas, ancestors, and spirits that one can find in reli- gious sites across China. For each major religion, I present the most important deities of the pantheon as people would encounter them in a temple or other sacred space. Of course, there are many other deities presented in temples across China; yet, these are some of the most common of the range of deities – which ultimately cover all aspects of people’s physical and spiritual lives. Animistic ideas (referring to the idea of having or expecting mutually recip- rocal relationships of respect, gift-exchange, and communication; see Harvey 2013) in China stem at least as far back as the proto-Daoist text, the Zhua¯ngzi 庄子, from around 300 BCE, the first seven, inner chapters of which scholars think were written by Zhua¯ ng Zho¯u 庄周 (c. 369 BCE – c. 286 BCE). This text explains ideas about carefree living, naturalness, and relativity of perceptions, and Zhua¯ ngzi seems to attempt to get people to recognize that they live in a multi- species symbiotic community in which each aspect is in relationship and that each deserves respect. The Zhua¯ ngzi continues to be a widely-read and influential book among contemporary Chinese readers. Other popular literary texts include religiously-informed animistic ideas as well. Journey to the West (Xı¯yóujì 西游记), The Investiture of the Gods (Fe¯ngshén Yaˇnyì 封神演义), Dream of the Red Chamber (Hónglóu mèng 红楼梦), and the Water Margin (Shuıˇ huˇ zhuàn 水浒传; aka., Outlaws of the Marsh), all contain examples of some natural phenomenon such as a rock, animal, or flower, which has absorbed the essence of the cosmos for so long that it becomes a spirit being and chooses to incarnate in the human world to experience life in a human form. -
Proquest Dissertations
TO ENTERTAIN AND RENEW: OPERAS, PUPPET PLAYS AND RITUAL IN SOUTH CHINA by Tuen Wai Mary Yeung Hons Dip, Lingnan University, H.K., 1990 M.A., The University of Lancaster, U.K.,1993 M.A., The University of British Columbia, Canada, 1999 A THESIS SUBIMTTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE STUDIES (Asian Studies) THE UNIVERSITY OF BRITISH COLUMBIA September 2007 @ Tuen Wai Mary Yeung, 2007 Library and Bibliotheque et 1*1 Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-31964-2 Our file Notre reference ISBN: 978-0-494-31964-2 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par Nnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non sur support microforme, papier, electronique commercial purposes, in microform, et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in et des droits moraux qui protege cette these. -
Daoism in the Twentieth Century: Between Eternity and Modernity
UC Berkeley GAIA Books Title Daoism in the Twentieth Century: Between Eternity and Modernity Permalink https://escholarship.org/uc/item/13w4k8d4 Authors Palmer, David A. Liu, Xun Publication Date 2012-02-15 License https://creativecommons.org/licenses/by-nc-nd/3.0/ 4.0 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Daoism in the Twentieth Century Between Eternity and Modernity Edited by David A. Palmer and Xun Liu Published in association with the University of California Press “This pioneering work not only explores the ways in which Daoism was able to adapt and reinvent itself during China’s modern era, but sheds new light on how Daoism helped structure the development of Chinese religious culture. The authors also demon- strate Daoism’s role as a world religion, particularly in terms of emigration and identity. The book’s sophisticated approach transcends previous debates over how to define the term ‘Daoism,’ and should help inspire a new wave of research on Chinese religious movements.” PAUL R. KATZ, Academia Sinica, Taiwan In Daoism in the Twentieth Century an interdisciplinary group of scholars ex- plores the social history and anthropology of Daoism from the late nineteenth century to the present, focusing on the evolution of traditional forms of practice and community, as well as modern reforms and reinventions both within China and on the global stage. Essays investigate ritual specialists, body cultivation and meditation traditions, monasticism, new religious movements, state-spon- sored institutionalization, and transnational networks. DAVID A. PALMER is a professor of sociology at Hong Kong University. -
The Eight Immortals
Ta l e s o f A d v e n t u r e s Dear Collectors, Let me offer you a journey among the wonderful world of Chinese tales which are very . popular among Chinese snuff bottles I especially want to thank you Gayle Laverlochere for letting me use her researches. Laurence Souksi ,, , The story of Zhong Kui In Chinese folklores, Zhong Kui is a god who exorcises ghosts and evil spirits. As legend has it, he lived in Zhongnan Mountain in the early Tang Dynasty. He was born with a panther-like head, ring-like eyes, an iron face and curly whiskers. Tough very ugly, he was a profoundly learned and talented fgure. As a man of integrity, he always upheld justice and feared no evil or mischievous being. In 712 when Emperor Xuanzong of the Tang Dynasty ascended the throne, Zhong Kui went to Chang'an to take the imperial civil examination. Impressed by Zhong's fve poems entitled Holding Banquets in Yingzhou, the chief examiner praised him as a prodigy and enrolled him top of all examinees. During the palace examination, however, a treacherous minister named Lu Qi judged Zhong Kui by the appearance, and repeatedly spoke ill of him before the emperor. As a result, Zhong Kui failed to claim championship in the exam. Infuriated, he bumped his head against a pillar in the palace and thus killed himself. Te entire court was shocked. Ten Emperor Dezong issued an imperial edict, conferring upon Zhong Kui the title of Demon Queller who traveled all over the world to kill the evil and expel the wicked. -
Sicilian Chinese Art Collections and Chinoiserie
ARCHITETTURA, ARTI E PIANIFICAZIONE DIPARTIMENTO DI ARCHITETTURA L-ART 04 – MUSEOLOGIA E CRITICA ARTISTICA E DEL RESTAURO SICILIAN CHINESE ART COLLECTIONS AND CHINOISERIE IL DOTTORE IL COORDINATORE Mei Xiaoxue Prof. Marco Rosario Nobile IL TUTOR CO TUTOR Prof. Pierfrancesco Palazzotto Dr. Alexander Auf der Heyde CICLO XXX 2018 ABSTRACT L'Europa ha creato uno stile unico di design decorativo nei secoli XVII-XVIII che è stato profondamente ispirato allo stile orientale di Cina, Giappone e India. Lo stile europeo è rimasto sconosciuto alla Cina in quel momento, ed è anche raramente menzionato nella storia dell'arte moderna e del design cinese. Tuttavia, la Chinoiserie ha rappresentato un tema ricorrente all'interno degli stili artistici europei, che non si presenta come una moda regionale, ma bensì come un movimento d'arte complesso e variabile in tutta Europa. La significativa ricerca sul design Chinoiserie è stata intrapresa nei XX-XXI secoli, con centinaia di monografie e articoli pubblicati in inglese, francese, tedesco e italiano, discutendo direttamente e indirettamente della Chinoiserie. La Sicilia, la più grande isola del Mediterraneo, ha un brillante patrimonio storico e culturale. Nella prima metà del XIX secolo, la Sicilia e il Regno di Napoli furono uniti nel Regno delle Due Sicilie dalla Casa di Borbone. La Chinoiserie fu introdotta in Sicilia un po' più tardi come stile decorativo ben sviluppato dopo essere stato influenzato in un certo grado negli altri paesi europei. Nonostante il numero limitato di prodotti orientali in Sicilia, le opere d'arte uniche qui sono encomiabili. Questa tesi interpreta la Chinoiserie Siciliana in quattro aspetti principali: le opere d‘arte tradizionali della Cina, i prodotti cinesi di esportazione, i prodotti mimetici dell‘Europa e la Chinoiserie siciliana all'interno del movimento d'arte europeo. -
Playthings in Porcelain Siamese Pee in the National Museum of Ethnology
PLAYTHINGS IN PORCELAIN SIAMESE PEE IN THE NATIONAL MUSEUM OF ETHNOLOGY Illustration XVII from the article Siamesische und Chinesisch-Siamesische Münzen in the series Internationales Archiv für Ethnographie, Bd II, Leiden c. 1890. Colophon Text Paul L.F. van Dongen ©, in collaboration with Nandana Chutiwongs English translation Enid Perlin Editors Paul L.F. van Dongen & Marlies Jansen Photography Ben Grishaaver Museum website www.rmv.nl The Curators Paul L.F. van Dongen (e-mail: mailto:[email protected]) Nandana Chutiwongs (e-mail: mailto:[email protected]) PLAYTHINGS IN PORCELAIN. SIAMESE PEE IN THE NATIONAL MUSEUM OF ETHNOLOGY. PAUL VAN DONGEN © Digital publications from the National Museum of Ethnology Contents Introduction 1. The collection - The collector - The questions - The answers - Money must move - The miraculous increase 2. Thai currency - For barter and for gain - Value for money - Money and more money - An unusual type of money 3. The Chinese in Thailand - Trade and travel - Non-alien foreigners - Integration and cultural conflation - Genetic passion - The gambling houses - The favourite games of chance - Where money should not roll 4. Money-value tokens - The non-porcelain tokens - ‘Circulating treasures’ - Circulation and Distribution - Duration of use 5. ‘Made in China’ - Mass production - Shapes - Motifs and decorations - Explanations of the signs o Chinese inscriptions o Values and numbers o The gambling houses o Common sayings o The ‘ brand marks’ o Thai inscriptions 6. Postscript Literature Notes 1 PLAYTHINGS IN PORCELAIN. SIAMESE PEE IN THE NATIONAL MUSEUM OF ETHNOLOGY. PAUL VAN DONGEN © Digital publications from the National Museum of Ethnology Introduction Fired porcelain money for use in gambling, with Chinese or Thai inscriptions, and appearing in many shapes: colourful, yet one time having a real value. -
Chinese Taoist Robes and Textiles January 13, 2012-April 22, 2012
From the Land of the Immortals: Chinese Taoist Robes and Textiles January 13, 2012-April 22, 2012 This exhibition highlights a group of painstakingly worked 18th- and 19th-century silk priest robes and textiles made in China for practitioners of the Taoist religion. The robes on display were worn by Grand Masters, the leaders of Taoist communities, for the performance of Grand Rituals, elaborate public ceremonies associated with honoring gods or with funerary rites. Taoism, China’s primary indigenous religion and philosophy of life, took shape in the late pre- imperial period (5th to 3rd centuries BCE) and remains influential in Chinese culture today. With origins rooted in earlier nature cults and health practices, Taoism is concerned with both the position of humanity in the cosmos and the attainment of longevity and immortality, physical or otherwise. The focus of Taoism is the Tao (dao). Translated literally, Tao means “the way”; by extension it may be interpreted as “the principle” that orders the cosmos. But since the Tao is by definition not meant to be explained, any explanation is misleading. Words cannot match the Tao. The Daodejing, the sacred text of Taoism, begins with the statement, “the Tao that can be discussed is not the eternal Tao.” Over the centuries practitioners have nonetheless developed a complex symbolic language that gives concrete form to the metaphysical abstractions of the religion’s tenets. Whether performing Grand Rituals or one of a variety of private rituals to improve the health of individuals or to exorcise evil spirits, Taoist priests (daoshi) garbed in ceremonial robes appear as one with the cosmos and therefore as powerful spiritual intermediaries acting on the part of their community. -
The Chinese Art of Monochrome | Live Online (18 Nov 2020 A) Lot 21
The Chinese Art of Monochrome | Live Online (18 Nov 2020 A) Wed, 18th Nov 2020 Lot 21 Estimate: £3000 - £5000 + Fees A CHINESE PEKING GLASS RED 'EIGHT IMMORTALS' GLASS VASE. A CHINESE PEKING GLASS RED 'EIGHT IMMORTALS' VASE. Qing Dynasty, 19th Century. The faceted octagonal ovoid body with a tall flared neck raised on a splayed foot, each face of the body decorated in turn with Zhang Guolao holding a tube-shaped bamboo drum, Lü Dongbin with a sword over his shoulders, Zhong Liquan holding a large fan, Han Xiangzi playing his flute, Cao Guojiu standing in flowing robes, Lan Caihe with his basket, He Xiangu holding a sprig of lotus and Li Tieguai with a gourd on his back, the glass of a vivid orange red colour with marbled streaks in simulation of agate, 22cm H. 清十九世紀 紅料八仙圖紋瓶 The Eight Immortals have been popular figures since the Yuan Dynasty in the Chinese decorative arts since the Yuan Dynasty, when examples of octagonal section faceted vases may be found, for example, a vase in the Philadelphia Museum of Art illustrated by Mino and Tsiang, 1986, Ice and Green Clouds: Traditions of Chinese Celadon, pp 202-3, no 82. The facetted form is thought itself to derive from Tang dynasty metalwork. The construction of the present vase is a feat of glass-making skill and is an exceptionally rare example. A very closely related example may be found in Claudia Brown and Donald Raibner, 1987, The Robert H Clague Collection: Chinese Glass of the Qing Dynasty 1644-1911, Phoenix Art Museum, cat no 42. -
Download The
reviews | 191 China Yang Erzeng, The Story of Han Xiangzi: The Alchemical Adventures of a Daoist Immortal (Trans. by Philip Clart) Seattle and London: University of Washington Press, 2007. 472 pages, 31 illustrations, notes. Hardback, Us$40.00; paper, Us$34.95; isbn-13: 978-0-295-98690-6. Yang Erzeng (fl. 1601–1623), the Recluse of Mount Pheasant-Yoke, Master of both the Hall of Purity in Poverty and of the Thatched Abode of Mysteries, who also styled himself the Daoist who Travels Recumbently, was one of those men from the prosperous southern city of Hangzhou who straddled the late imperial Chinese worlds of letters and books. Publisher, editor, novelist, and scholar, and a man it seems with something of a predilection for the “marvellous,” his particular talent seems to have been the production of commercially successful books that were at once both edifying and entertaining. The best known extant work from his various publishing houses is the wonder- ful Hainei qiguan (Marvellous sights from within the seas), a copiously illustrated literary and geographical guidebook to the sacred places (the mountains, rivers, and temples) of late Ming dynasty China that appeared in 1609. “Who amongst us, with the limited span of years allocated us by Heaven, can ever hope to ex- haust the delights of the limitless number of sites of surpassing beauty to be found throughout the empire,” reads an item from the “Guiding Principles” prefaced to this work, “and thus have I produced the following volume for the delectation of all recumbent travellers.” This work was concerned with introducing to a burgeoning and largely urban reading public aspects of geographical knowledge in a manner that was both in keeping with their particular level of literacy whilst also being exciting enough to attract their custom. -
A Glossary of Words and Phrases in the Oral Performing and Dramatic
Yuan dynasty fresco of a dramatic performance, dated 1324. Preserved in the Shuishen Monastery attached to the Guangsheng Temple in Hongdong, Shanxi Province. Source: Yuanren zaju zhu, edited by Yang Jialuo, Taipei: Shijieshuju, 1961 A GLOSSARY OF WORDS AND PHRASES IN THE ORAL PERFORMING AND DRAMATIC LITERATURES OF THE JIN, YUAN, AND MING by DALE R. JOHNSON CENTER FOR CHINESE STUDIES THE UNIVERSITY OF MICHIGAN ANN ARBOR Open access edition funded by the National Endowment for the Humanities/ Andrew W. Mellon Foundation Humanities Open Book Program. Michigan Monographs in Chinese Studies Series Established 1968 Published by Center for Chinese Studies The University of Michigan Ann Arbor, Michigan 48104-1608 © 2000 The Regents of the University of Michigan © The paper used in this publication meets the requirements of the American National Standard for Information Sciences—Permanence of Paper for Publications and Documents in Libraries and Archives ANSI/NISO/Z39.48—1992. Library of Congress Cataloging-in-Publication Data Johnson, Dale R. A glossary of words and phrases in the oral performing and dramatic literatures of the Jin, Yuan, and Ming = [Chin Yuan Ming chiang ch'ang yii hsi chu wen hsueh tz'u hui] / Dale R. Johnson, p. cm.—(Michigan monographs in Chinese studies, ISSN 1080-9053 ; 89) Parallel title in Chinese characters. Includes bibliographical references. ISBN 0-89264- 138-X 1. Chinese drama-960-1644—Dictionaries-Chinese. 2. Folk literature, Chinese—Dictionaries-Chinese. 3. Chinese language—Dictionaries- English. I. Title: [Chin