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VT Module6 Lineage Text Major Schools of Tibetan Buddhism
THE MAJOR SCHOOLS OF TIBETAN BUDDHISM By Pema Khandro A BIRD’S EYE VIEW 1. NYINGMA LINEAGE a. Pema Khandro’s lineage. Literally means: ancient school or old school. Nyingmapas rely on the old tantras or the original interpretation of Tantra as it was given from Padmasambhava. b. Founded in 8th century by Padmasambhava, an Indian Yogi who synthesized the teachings of the Indian MahaSiddhas, the Buddhist Tantras, and Dzogchen. He gave this teaching (known as Vajrayana) in Tibet. c. Systemizes Buddhist philosophy and practice into 9 Yanas. The Inner Tantras (what Pema Khandro Rinpoche teaches primarily) are the last three. d. It is not a centralized hierarchy like the Sarma (new translation schools), which have a figure head similar to the Pope. Instead, the Nyingma tradition is de-centralized, with every Lama is the head of their own sangha. There are many different lineages within the Nyingma. e. A major characteristic of the Nyingma tradition is the emphasis in the Tibetan Yogi tradition – the Ngakpa tradition. However, once the Sarma translations set the tone for monasticism in Tibet, the Nyingmas also developed a monastic and institutionalized segment of the tradition. But many Nyingmas are Ngakpas or non-monastic practitioners. f. A major characteristic of the Nyingma tradition is that it is characterized by treasure revelations (gterma). These are visionary revelations of updated communications of the Vajrayana teachings. Ultimately treasure revelations are the same dharma principles but spoken in new ways, at new times and new places to new people. Because of these each treasure tradition is unique, this is the major reason behind the diversity within the Nyingma. -
Inner Mongolia
Refugee Review Tribunal AUSTRALIA RRT RESEARCH RESPONSE Research Response Number: CHN30730 Country: China Date: 13 October 2006 Keywords: CHN30730 – Tibetan Buddhism – Government Treatment – Inner Mongolia This response was prepared by the Country Research Section of the Refugee Review Tribunal (RRT) after researching publicly accessible information currently available to the RRT within time constraints. This response is not, and does not purport to be, conclusive as to the merit of any particular claim to refugee status or asylum. Questions 1. Please provide some background information on this Huang Jiao group. 2. Please provide information on the Chinese government’s treatment of this group, especially in Mongolia. RESPONSE 1. Please provide some background information on this Huang Jiao group. The file indicates that the applicant is from Tongliao, Inner Mongolia Autonomous Region. The applicant claims to practice a religion from Tibet similar to Buddhism. According to the US Department of State, most ethnic Mongolians practice Tibetan Buddhism (US Department of State 2006, International Religious Freedom Report 2006 – China, 15 September, Section 1 – Attachment 1). Huang Jiao means yellow religion in Chinese. One reference to huang jiao was found amongst the sources consulted. The article published in The Drama Review in 1989 reports that huang jiao is the yellow sect of Tibetan Buddhism (Liuyi, Qu et al 1989, ‘The Yi: Human Evolution Theatre’, The Drama Review, Vol 33, No 3, Autumn, p.105 – Attachment 2). The yellow sect of Tibetan Buddhism is more commonly known as Gelug but is also known as Geluk, Gelugpa, Gelukpa, Gelug pa, Geluk pa and the Yellow Hat sect. -
Zanabazar (1635-1723): Vajrayāna Art and the State in Medieval Mongolia
Zanabazar (1635-1723): Vajrayāna Art and the State in Medieval Mongolia Uranchimeg Tsultem ___________________________________________________________________________________ This is the author’s manuscript of the article published in the final edited form as: Tsultem, U. (2015). Zanabazar (1635–1723): Vajrayāna Art and the State in Medieval Mongolia. In Buddhism in Mongolian History, Culture, and Society (pp. 116–136). Introduction The First Jebtsundamba Khutukhtu (T. rJe btsun dam pa sprul sku) Öndör Gegeen Zanabazar is the most celebrated person in the history of Mongolian Buddhism, whose activities marked the important moments in the Mongolian politics, history, and cultural life, as they heralded the new era for the Mongols. His masterpieces of Buddhist sculptures exhibit a sophisticated accomplishment of the Buddhist iconometrical canon, a craftsmanship of the highest quality, and a refined, yet unfettered virtuosity. Zanabazar is believed to have single-handedly brought the tradition of Vajrayāna Buddhism to the late medieval Mongolia. Buddhist rituals, texts, temple construction, Buddhist art, and even designs for Mongolian monastic robes are all attributed to his genius. He also introduced to Mongolia the artistic forms of Buddhist deities, such as the Five Tath›gatas, Maitreya, Twenty-One T›r›s, Vajradhara, Vajrasattva, and others. They constitute a salient hallmark of his careful selection of the deities, their forms, and their representation. These deities and their forms of representation were unique to Zanabazar. Zanabazar is also accredited with building his main Buddhist settlement Urga (Örgöö), a mobile camp that was to reach out the nomadic communities in various areas of Mongolia and spread Buddhism among them. In the course of time, Urga was strategically developed into the main Khalkha monastery, Ikh Khüree, while maintaining its mobility until 1855. -
A Brief Introduction to Buddhism and the Sakya Tradition
A brief introduction to Buddhism and the Sakya tradition © 2016 Copyright © 2016 Chödung Karmo Translation Group www.chodungkarmo.org International Buddhist Academy Tinchuli–Boudha P.O. Box 23034 Kathmandu, Nepal www.internationalbuddhistacademy.org Contents Preface 5 1. Why Buddhism? 7 2. Buddhism 101 9 2.1. The basics of Buddhism 9 2.2. The Buddha, the Awakened One 12 2.3. His teaching: the Four Noble Truths 14 3. Tibetan Buddhism: compassion and skillful means 21 4. The Sakya tradition 25 4.1. A brief history 25 4.2. The teachings of the Sakya school 28 5. Appendices 35 5.1. A brief overview of different paths to awakening 35 5.2. Two short texts on Mahayana Mind Training 39 5.3. A mini-glossary of important terms 43 5.4. Some reference books 46 5 Preface This booklet is the first of what we hope will become a small series of introductory volumes on Buddhism in thought and practice. This volume was prepared by Christian Bernert, a member of the Chödung Karmo Translation Group, and is meant for interested newcomers with little or no background knowledge about Buddhism. It provides important information on the life of Buddha Shakyamuni, the founder of our tradition, and his teachings, and introduces the reader to the world of Tibetan Buddhism and the Sakya tradition in particular. It also includes the translation of two short yet profound texts on mind training characteristic of this school. We thank everyone for their contributions towards this publication, in particular Lama Rinchen Gyaltsen, Ven. Ngawang Tenzin, and Julia Stenzel for their comments and suggestions, Steven Rhodes for the editing, Cristina Vanza for the cover design, and the Khenchen Appey Foundation for its generous support. -
Masterarbeit / Master's Thesis
MASTERARBEIT / MASTER’S THESIS Titel der Masterarbeit / Title of the Master's Thesis “The Life of the 4th lHo rje drung, ‘Bri gung tulku O rgyan nus ldan rdo rje (1849-1902)” verfasst von / submitted by Doris Unterthurner, BA angestrebter akademischer Grad / in partial fulfilment of the requirements for the degree of Master of Arts (MA) Wien, 2019 / Vienna 2019 Studienkennzahl lt. Studienblatt / A 066 698 degree programme code as it appears on the student record sheet: Studienrichtung lt. Studienblatt / Tibetologie und Buddhismuskunde degree programme as it appears on the student record sheet: Betreut von / Supervisor: Univ. Prof. Dr. Klaus-Dieter Mathes, Privatdoz. M.A. Table of Contents Acknowledgements i On the Replication of Tibetan and Sanskrit Terms ii 1. Introduction 1 2. The ‘Bri gung bKa’ brgyud Tradition 3 3. Treasure Revelations 5 4. Geographical and Political Division of Khams in the Nineteenth Century 6 5. The Non-sectarian Movement 7 6. Nus ldan rdo rje 8 6.1. Outline of Nus ldan rdo rje’s Life 8 6.2. Students 9 6.3. Works 9 6.3.1. Treasure Revelations 10 6.4. Incarnation Line 11 7. Nus ldan rdo rje’s Monastery, lHo lung dkar dgon ‘og min thub bstan bshad sgrub gling 13 7.1. Structure of the Monastery 14 7.2. Incarnation Lines of the Monastery 15 7.2.1. The dBon sprul Incarnation Line 15 7.2.2. The gCung sprul Incarnation Line 15 7.2.3. The rGyal tshab Incarnation Line 15 8. Nus ldan rdo rje’s Biography 16 8.1. A Biographical Sketch of the Author, lHo bsTan ‘dzin nyi ma 16 8.2. -
An Analysis of Tantrayana (Vajrayana)
An Analysis ofTantrayana (Vajrayana) Prof. P. G. Yogi T antra is a discipline, a method and study. It is based on a rational founda tion, is conceivable in theoretic consciousness and relizeable through Yogik experiences. Ironically, however, there are those who have ignored these points and picked up bits ti'om particular sad hanas, partS of which are apparemly vulgar and obnoxious, and come to the conclusion that Tantrik spiritual practices resort to sexual indulgence. Before entering further into this de bate, it needs to be mentioned here that in the Tantras, the ideal of woman hood has been epiromized and raised to the exalted position of motherhood which in itself is unique in the history of spiritual literature of the world. Moreover, it is dearly stated in the Tantras that the secret of life lies in sexual control and death in sexual indulgence (Maranam Bindu paten, telletam Bindu Dharanat). As against the conventional ascetic disciplines, the Tantras uphold the theory of sublimation in which asceticism has been equated with sexuality. In this theory, desire itself is subjected to rigorous discipline and used to conq uef desire. There are others who subscribe anything ugly, erotic, spiritualistic and magical to tile Tantras. They produce tantastic stories gar nished with absurd episodes relating to astral plane and connect them tQ Tantras. They forget that Tantra is a meta-science (surya-vitnam) dealing with consciousness, variable at every stage of spiritual experience. Further, the realization of supreme Truth which will give a true perspective of the Tantras has been interpreted in various ways. -
Stūpa to Maṇḍala: Tracing a Buddhist Architectural Development from Kesariya to Borobudur to Tabo1 Swati Chemburkar Jnanapravaha, Mumbai
Stūpa to Maṇḍala: Tracing a Buddhist Architectural Development from Kesariya to Borobudur to Tabo1 Swati Chemburkar Jnanapravaha, Mumbai INTRODUCTION There were occasions for the direct transfer of Southeast Asian Buddhist developments to India, and there is evidence of at least two specific moments when this occurred. Both instances provide oppor- tunities for a range of interpretative analyses.2 Hiram Woodward, in his “Esoteric Buddhism in Southeast Asia in the Light of Recent Scholarship,” singles out the moment when Bālaputradeva, an exiled scion of the Śailendra dynasty, the builders of the Buddhist Borobudur monument in Central Java, established a 1. This article is based on a paper presented at the conference “Cultural Dialogues between India and Southeast Asia from the 7th to the 16th Centuries” at the K.R. Cama institute, Mumbai, in January 2015. The Kesariya-Borobudur part of this article appears in Swati Chemburkar, “Borobudurs Pāla Forebear? A Field Note from Kesariya, Bihar, India,” in Esoteric Buddhism in Mediaeval Maritime Asia: Networks of Masters, Texts, Icons, ed. Andrea Acri (Singapore: ISEAS, 2016). I owe a special word of thanks to Prof. Tadeusz Skorupski for introducing me to esoteric Buddhism and generously sharing his deep knowledge of texts. I appreciate the critique of my draft by Hiram Woodward and Max Deeg. Despite their feedback, errors may still remain and they are no doubt mine. My sincere thanks to Yves Guichand and Christian Luczanits for graciously providing me the aerial images of the Kesariya stūpa and the layout of Tabo Monastery along with the photos. 2. Hiram Woodward, “Review: Esoteric Buddhism in Southeast Asia in the Light of Recent Scholarship,” Journal of Southeast Asian Studies 35, no. -
Durgā Mahiṣāsuramardinī in Likely Tantric Buddhist Context from The
https://pratujournal.org ISSN 2634-176X Durgā Mahiṣāsuramardinī in Likely Tantric Buddhist Context from the Northern Indian Subcontinent to 11th-Century Bali Durga Mahiṣāsuramardinī dalam konteks agama Buddha Tantrayana dari Subkontinen India Utara dan Bali pada abad ke-11 Ambra CALO Department of Archaeology and Natural History, The Australian National University [email protected] Translation by: Christa HARDJASAPUTRA, Alphawood Alumna, Postgraduate Diploma of Asian Art, SOAS University of London Edited by: Ben WREYFORD, Pratu Editorial Team Received 1 April 2019; Accepted 1 November 2019; Published 8 May 2020 Funding statement: The research for this study was funded by the Southeast Asian Art Academic Programme, Academic Support Fund (SAAAP #049), at SOAS University of London. The author declares no known conflict of interest. Abstract: This study examines the significance of the originally Hindu goddess Durgā Mahiṣāsuramardinī (Durgā slaying the buffalo demon) in Tantric Buddhist temple contexts of the 8th–11th century in Afghani- stan and northeastern India, and 11th-century Bali. Taking a cross-regional approach, it considers the genesis of Tantric Buddhism, its transmission to Indonesia, and its significance in Bali during the 10th–11th century. Drawing primarily on archaeological and iconographic evidence, it suggests that Durgā Mahiṣāsuramardinī is likely to have reached Bali as part of a late 10th–11th century phase of renewed transmission of Tantric Buddhism from the northeastern Indian subcontinent to Indonesia, following an initial late 7th–8th century phase. Keywords: Bali, Durgā, Heruka, Mahiṣāsuramardinī, maritime networks, Padang Lawas, Tantric Buddhism, Tantric Śaivism, Tapa Sardār, Uḍḍiyāna, Vajrayāna, Vikramaśīla, Warmadewa Abstrak: Penelitian ini melihat signifikansi dari dewi Hindu Durgā Mahiṣāsuramardinī (Durgā membunuh iblis kerbau) dalam konteks kuil Buddha Tantrayana pada abad ke-8 hingga ke-11 di Afghanistan dan timur laut India, serta abad ke-11 di Bali. -
Maṇḍalas on the Move: Reflections from Chinese Esoteric Buddhism
53- + I \°>ri INSTITUT FUR TIBETOLOGIE UNO BUODHISMUSKUNDE UNIVERSITATSCAMPUS AAKH, HOF 2 SPITALGASSG 2-4, A-1090 WIEN AUSTRIA. EUBOPE Journal of the International Association of Buddhist Studies Volume 19 • Number 2 • Winter 1996 On Mandalas FRANK REYNOLDS Preface 177 GER1 H. MALANDRA The Mandala at Ellora / Ellora in the Mandala 181 CHARLES D. ORZECH Mandalas on the Move: Reflections from Chinese Esoteric Buddhism Circa 800 C. E. 209 DAVID L.GARDINER Mandala, Mandala on the Wall: Variations of Usage in the Shingon School 245 JACOB N. KINNARD Reevaluating the Eighth-Ninth Century Pala Milieu: Icono-Conservatism and the Persistence of Sakyamuni 281 JOHN S. STRONG The Moves Mandalas Make 301 CHARLES D. ORZECH Mandates on the Move: Reflections from Chinese Esoteric Buddhism Circa 800 C. E. The construction and use of mandates was an essential part of the Esoteric or tantric Buddhism which spread throughout Asia from the eighth century onward.' Yet the role of mandalas as the vehicle for a complex, conserva tive, lineage-based and initiation-controlled ritual system is seldom exam ined. Focusing on mandalas in the propagation of one lineage of late eighth-century Chinese Esoteric Buddhism, I propose that mandalas repre sent the traces of a tradition at once conservative and designed to be readily adapted to new missionary fields. But before I proceed I must meet the most obvious of objections: There are no mantfalas from eighth-century Chinese Esoteric Buddhism. The Esoteric Buddhism of India, Tibet, Central Asia, and Japan teems with a variety of mandalas, and through these mandalas we can trace the diffusion of Esoteric Buddhism from India to Japan. -
Arts and Sciences. a Personal Perspective of Tibetan Painting
ART AND CHEMICAL SCIENCES 900 CHIMIA 2001, 55. No. 11 Chimia 55 (2001) 900-914 © Schweizerische Chemische Gesellschaft ISSN 0009-4293 Arts and Sciences. A Personal Perspective of Tibetan Painting Richard R. Ernst* Abstract: The relationship between the arts and the sciences is discussed from the standpoint of a scientist and passionate art lover. The two playgrounds of human creativity have much in common and have cross- fertilized each other over centuries. An active involvement in an artistic discipline can stimulate scientific creativity by direct analogy and by emotional and intellectual experience. The excitement of a scientist for the arts is exemplified by the author's adventures in Tibetan painting. The scientific study of Tibetan thangkas is discussed by examples from the author's collection. The analysis of pigments and the dating of the paintings are covered. In addition, some background information on the historical and iconographic context is given. Keywords: Arts and sciences' Dating of paintings' Pigment analysis· Tibetan Buddhism· Tibetan thangkas Arts and Sciences which have no equivalence in former pe- function may equally well be performed riods or in nature. And with the aid of the by an intelligently programmed and pow- Much has already been written about the computer-based synthesis of music and erful computer which has the advantage hidden link between the arts and the sci- of graphical creations, the very last limi- of not being distracted by emotional de- ences. The two highly creative fields are tations, imposed by the difficult musical sires. evidence of the ingenious human mind. instruments and the painter's self-willed How boring must it be to meet one of Human culture could hardly be conceived brush, are overcome, leading to a com- these 'perfectly objective scientists'! Per- without the arts or without the sciences. -
Principles of Tantra
Principles of Tantra His Holiness the Sakya Trizin Tsechen Kunchab Ling Publications Walden, New York Tsechen Kunchab Ling Publications First printed in January 2016 This booklet was prepared by His Holiness the Sakya Trizin’s devoted students, under the guidance of Venerable Khenpo Kalsang Gyaltsen, based on teachings originally published in Melody of Dharma. Chodrungma Dr. Kunga Chodron served as general editor. Jon Mark Fletcher did copy editing and layout. DeWayne Dean assisted with editing. Tulku Tsultrim Pelgyi sponsored the preparation of the booklet. By this merit, may His Holiness the Sakya Trizin’s precious life be long and his teachings flourish. There is no charge for this book. Donations to the publication fund are greatly appreciated and will help us to print more copies to distribute to others. Tsechen Kunchab Ling Temple of All-Encompassing Great Compassion Seat of His Holiness the Sakya Trizin in the United States 12 Edmunds Lane Walden, New York 12586 www.sakyatemple.org +1-301-906-3378 [email protected] Contents Finding the Spiritual Master 1 The Essence of Tantra 11 Embarking on the Tantric Path 27 Comparison of Tantra to Other Buddhist Schools 35 Finding the Spiritual Master Two kinds of beings inhabit this universe: inani- mate beings and animate ones. “Inanimate” refers to beings that have no mental feelings, like rivers and mountains and so forth, while “animate” refers to humans and all other beings that have mental feelings. We humans belong to the animate class of beings, and our mental feelings are very powerful. There are many different kinds of human beings in numerous races and various cultures, each with their own views and beliefs, but there is one thing common to all: the wish to be free from suffering and to experience happiness. -
Essence of Vajrayana Also by Geshe Kelsang Gyatso
Essence of Vajrayana Also by Geshe Kelsang Gyatso Meaningful to Behold Clear Light of Bliss Buddhism in the Tibetan Tradition Heart of Wisdom Universal Compassion The Meditation Handbook Joyful Path of Good Fortune Guide to Dakini Land The Bodhisattva Vow Heart Jewel Great Treasury of Merit Introduction to Buddhism Understanding the Mind Tantric Grounds and Paths Ocean of Nectar Living Meaningfully, Dying Joyfully Eight Steps to Happiness Transform Your Life Profits from the sale of this book will be donated to the NKT-IKBU International Temples Project A Buddhist Charity, Building for World Peace UK email: [email protected] US email: [email protected] Geshe Kelsang Gyatso Essence of Vajrayana THE HIGHEST YOGA TANTRA PRACTICE OF HERUKA BODY MANDALA THARPA PUBLICATIONS Ulverston, England Glen Spey, New York First published in 1997 Reprinted 2003 The right of Geshe Kelsang Gyatso to be identified as author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reproduced in any form or by any means except for the quotation of brief passages for the purpose of private study, research, or review. Tharpa Publications Tharpa Publications Conishead Priory 47 Sweeney Road Ulverston P.O. Box 430 Cumbria LA12 9QQ, England Glen Spey, NY 12737, USA © Geshe Kelsang Gyatso and New Kadampa Tradition 1997 Cover painting of Solitary Vajrasattva by the Tibetan artist Chating Jamyang Lama. Cover photo of Geshe Kelsang Gyatso by Kathia Rabelo. Colour plates of Heruka body mandala and the celestial mansion reproduced with kind permission.