DOCSLIB.ORG

Greenspring Montessori Style Guide

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Greenspring Montessori Style Guide Greenspring Graphic Standards Manual Montessori School & Style Guide Rev. 8/09/2016 410.321.8555 | [email protected] | 10807 Tony Drive, Lutherville, MD 21093 From Director of Marketing A Guide for Brand Consistency & Communications Contents Our Mission Igniting purpose 3 and voice in a fully engaged Greenspring Montessori School Logo learning community. 4 Appropriate Typefaces 5 Colors 7 Related Graphic: Summer at Greenspring Montessori 8 Related Graphic: Greenspring Capital Campaign 9 Related Graphic: Greenspring Annual Fund 10 Related Graphic: Healthy Living Festival 11 Email Signatures 12 MailChimp Guidelines 15 Social Media Guidelines 17 Phrasing Standards 20 Letterhead Template 2 Our Logo Standard Version “Bauble” Symbol Logo Variations & Letterhead When specific circumstances call for a version of the logo that is shaped or colored differently from the above, please ask the Director of Communications to reformat it for you. This includes versions in which “Montessori School” has to be bigger, black & white versions, white text versions (for dark backgrounds), and landscape versions (where all text is on one line). A printable page of the school’s letterhead is included on the final page of this document. A Microsoft Word version of this letterhead is also available upon request. Please use Palatino Linotype, 11 pt, in official school documents on this letterhead - or at least stay within one point of that size for body text. As we develop other standard versions & uses, they will be added to this document. 3 Appropriate Typefaces For Logo: Arrus BT abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ 0123456789!@#$%^&*(),.? Sanserif Headings: Helvetica, Myriad Pro, sanserif For Document Text/Headings: Palatino Linotype abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ 0123456789!@#$%^&*(),.? For Web: Palatino Linotype, Book Antiqua, Palatino, serif Sanserif Document/Web/Accent Text: Helvetica, Myriad Pro, sanserif 4 Standard Colors Logo Dark Green Spot Color: PANTONE 349 C RGB: 2 105 55 CMYK: 90 33 100 26 Hex: #006633 Logo Teal Spot Color: PANTONE 7474 C RGB: 0 102 153 CMYK: 93 58 18 2 Hex: #006699 5 Extended Colors Spot Color: Spot Color: PANTONE 367 C PANTONE 1375 C RGB: RGB: 153 204 102 225 153 0 CMYK: CMYK: 44 0 79 0 0 47 100 0 Hex: Hex: #99CC66 #FF9900 Spot Color: Spot Color: PANTONE 369 C PANTONE 158 C RGB: RGB: 103 153 0 225 102 51 CMYK: CMYK: 66 20 100 4 0 75 85 0 Hex: Hex: #669900 #FF6633 Spot Color: Spot Color: PANTONE 3115 C PANTONE 7467 C RGB: RGB: 0 204 204 0 153 153 CMYK: CMYK: 67 0 27 0 81 20 42 1 Hex: Hex: #00CCCC #009999 6 Related Graphic: Greenspring Summer Fun Graphic: Sun Symbol: Spot Color: PANTONE 012 C RGB: 255 204 0 CMYK: 0 19 100 0 Hex: #FFCC00 7 Related Graphic: Greenspring Annual Fund Graphic: Tree Symbol: Spot Color: PANTONE 7474 C RGB: 0 102 153 CMYK: 93 58 18 2 Hex: #006699 8 Related Graphic: Capital Campaign Graphic: Variations: Spot Color: Spot Color: PANTONE 367 C PANTONE 349 C RGB: RGB: 153 204 102 2 105 55 CMYK: CMYK: 44 0 79 0 90 33 100 26 Hex: Hex: #99CC66 #006633 9 Related Graphic: Healthy Living Festival Graphic: Spot Color: Spot Color: PANTONE 367 C PANTONE 349 C RGB: RGB: 153 204 102 2 105 55 CMYK: CMYK: 44 0 79 0 90 33 100 26 Hex: Hex: #99CC66 #006633 Spot Color: Spot Color: PANTONE 369 C PANTONE 7467 C RGB: RGB: 103 153 0 0 167 157 CMYK: CMYK: 66 20 100 4 80 10 45 0 Hex: Hex: #669900 #00A79D 10 Email Signatures For School Email Signature Blocks, use this content & format: Instructions for Implementation The easiest way to ensure your signature block is correct is to copy and paste the signature block from the Director of Communications, then change the name, title, and phone extension to your own. If you are in a classroom and do not want to put your direct extension, please put the school phone number: 410- 321-8555. Additionally, if you would like to add a cell phone number, please add it directly below the school phone number. If you need assistance setting this up, the Director of Communications can help you. It only needs to be done once. For detailed instructions about where to enter the block into your email, go to this address: http://tinyurl.com/dxrec8l 11 MailChimp Guidelines Use of MailChimp MailChimp is used to send formatted mass emails to various large groups within our community. It is the best way to send any official group email that needs to be presented professionally from the school. There are three main types of MailChimp emails that we send: • Important Notices • A Look Ahead • Greenspring Connection These are described in detail below and on the following two pages. Important Notice Example: Emails such as the one to the right are used when there is an emergency closing or delay, a change in programming, a staffing change, or other important email. Inclement weather alerts are sent to all parents and staff. They are not sent to the board. Change in programming, staff changes, or other important emails are sent to the affected parents, all staff, and the board where applicable. 12 MailChimp Templates A Look Ahead Example: A Look Ahead is an abbreviated calendar sent from MailChimp biweekly on Fridays at 10:00am. These should include all upcoming school-wide events for the following two weeks. Days off, deadlines, upcoming events, and scheduling changes should all be clearly documented in this email. The name of the event is listed in bold. The date is listed in full using italics. If the location of the event is known, it should be included on the line with the date. The details section should be limited to 144 characters each. There can be a link to RSVP and/or learn more. A Look Ahead should be sent first to the Board, then to Faculty & Staff, and, finally, to all parents. 13 MailChimp Templates Greenspring Connection Example: The Greenspring Connection should be sent biweekly (to alternate weeks with A Look Ahead) on Fridays at 10:00am. These should include at least one story/ recent event from each level (Adolescents, Elementary, Children’s House, Toddlers, Enrichment, and our Parent Association). There is also a space for a special topic. This can be a recent blog post to highlight, a link to a Montessori video, or some other parent education piece. Each post should link to a more detailed blog post, program page, Facebook album, or other social outlet. Each section can have one header photo- graph or graphic. This image must be 800x400px. Please include a brief but descriptive caption with every image. This email is reserved for “good news” to help parents, staff, and the board learn more about the going-ons at the school. All upcoming important dates and “to- do” items should be reserved for the Look Ahead. Newsletters should be sent to the Board, then the Faculty & Staff, and, finally, current parents. 14 Social Media Guidelines Social Networks Greenspring Montessori School uses the following social media networks to stay connected with current parents, alumni, prospective families, faculty & staff, and the greater community. For all social media, users must use appropriate grammar, spelling, and punctuation. Please see our Phrasing Standards on pages 12-14. Under no circumstances should the first or last names of our students be revealed in a public social media post. Below are further guidelines for how to post, when to post, and what types of posts belong on each network. Facebook: https://www.facebook.com/GreenspringMontessori/ Facebook is useful to highlight emergency closings & delays, upcoming events, photo galleries, recent blogs and school news, and occasional articles. Greenspring Montessori School posts to Facebook approximately once per day. There is a 3:1 parent education to school news ratio. Posts linking to articles, best practices, and information on Montessori philosophy should be limited to 3 per week. Recent school news with photographs of students should be posted at least once per week. News relating to the Capital Project should be posted at least once per week. Hashtags can be used on Facebook, Twitter, and Instagram. #montessori, #greenspringmontessori, #childrenshouse, #toddlers, #parentedu, #natureplay, and #middleschool are used often. Users should research hashtags before using them in a post. Twitter: https://twitter.com/GreenspringMont Twitter is useful to highlight emergency closings & delays, upcoming events, recent blogs and school news, and occasional articles. Greenspring Montessori School posts to Twitter approximately once per day. 15 Social Media Guidelines Instagram: https://www.instagram.com/greenspringmontessori/ Greenspring Montessori’s Instagram was introduced in the fall of 2015. The School posts to Instagram daily. Event and classroom photographs, short videos, and details on Montessori materials belong on Instagram. #MontessoriMondays feature a unique Montessori material from a classroom, describing what the item is, how it is used, and the ways in which it benefits the student. #TBT or Throwback Thursdays will be initiated to create interest in the upcoming Capital Project. Photographs can include images of the old Emerson Farms, current faculty & staff from years prior, old class and student photographs, and more to the discretion of the user. YouTube: https://www.youtube.com/channel/UC6Vy_dSNcpITkd3vD2or9gA YouTube features commercial-quality videos from Greenspring Montessori School, in-house videos of student presentations, and student-created videos relating to the School. Posting to YouTube should be done as needed. All videos posted should also be featured on the School’s blog, Facebook, and Twitter. 16 Phrasing Standards Please use these standards to help us to maintain consistency and professionalism around some terms, grammatical conventions, and formats that may technically have multiple correct forms or otherwise be ambiguous.
Load more

Recommended publications
  • How to Map a Spot Color to Specialty Dry Ink on the Top Layer
    How to Map a Spot Color to Specialty Dry Ink GX Print Server for Iridesse Production Press Version 1.0 Overview This exercise will show the ability to output a spot color using specialty dry ink. This demonstration will use a function of the GX Print Server to map specified spot colors to specialty dry ink, positioning the ink on either the bottom/top layer of the paper. Objective By the end of this exercise users will be able to: • Find the location of the setting on the GX Print Server • Specify a spot color that will be mapped to specialty dry ink BEFORE AFTER Spot color “PANTONE 145 C” Map to Gold Map to Silver Map specified spot color Job including spot color to specialty dry ink 1 Configuration of the Job Properties Please note, this How To document is part of a set. If you cannot complete some of the following steps please refer to the other reference documents. i.e “Open the Job Properties” is further explained in the “How to import a job.pdf”. Go to: http://m1-onlinesupport.fujixerox.com/driver_downloads/OTS/OTS_gxprintserver_iridesse_EN.html 1. Open the Job Properties and select [Advanced Settings] > [Specialty Dry Ink]. Then, enable [Use Specialty Dry Ink] and click [OK]. 2. Select [Top Layer] from the side panel and enable [Map to Spot Color(s)]. Then, click [Edit]. 2 3. Click [Select] in the Edit Spot Color window. 4. Select [Pantone+ Solid Coated-V3] as [Select Categories], and select [PANTONE 145 C]. Then click [OK]. 5. Select [Add], the selected spot color is added into the list.
    [Show full text]
  • Accurately Reproducing Pantone Colors on Digital Presses
    Accurately Reproducing Pantone Colors on Digital Presses By Anne Howard Graphic Communication Department College of Liberal Arts California Polytechnic State University June 2012 Abstract Anne Howard Graphic Communication Department, June 2012 Advisor: Dr. Xiaoying Rong The purpose of this study was to find out how accurately digital presses reproduce Pantone spot colors. The Pantone Matching System is a printing industry standard for spot colors. Because digital printing is becoming more popular, this study was intended to help designers decide on whether they should print Pantone colors on digital presses and expect to see similar colors on paper as they do on a computer monitor. This study investigated how a Xerox DocuColor 2060, Ricoh Pro C900s, and a Konica Minolta bizhub Press C8000 with default settings could print 45 Pantone colors from the Uncoated Solid color book with only the use of cyan, magenta, yellow and black toner. After creating a profile with a GRACoL target sheet, the 45 colors were printed again, measured and compared to the original Pantone Swatch book. Results from this study showed that the profile helped correct the DocuColor color output, however, the Konica Minolta and Ricoh color outputs generally produced the same as they did without the profile. The Konica Minolta and Ricoh have much newer versions of the EFI Fiery RIPs than the DocuColor so they are more likely to interpret Pantone colors the same way as when a profile is used. If printers are using newer presses, they should expect to see consistent color output of Pantone colors with or without profiles when using default settings.
    [Show full text]
  • Prepress Terms
    Prepress Terms Blueline Continuous-tone art and line art A diazo (UV-exposed and self-processed) Continuous-tone art is art, such as photo- photo print made to proof pagination, image graphs, that consists of shades of gray and position, and type. Bluelines have been made color gradations. It’s distinguished from line mostly obsolete by the digital revolution. art, such as a line drawing, which has no tonal variation. If you look closely at continuous- tone art, you can see that shades of gray or color blend smoothly without breaking into Camera-ready dots or other patterns. When the art is print- ed, the corresponding regions are reproduced Said of text or artwork ready to be photo- as arrays of different-sized dots printed in the graphed by a process camera. colors used on the press. DPI Dot gain An abbreviation for dots per inch. Refers Many variables—from ink to paper surface to the resolution at which a device, such and press used—affect the size of halftone as a monitor or printer, can display text dots. A certain amount of dot gain, or increase and graphics. in halftone dot size, occurs naturally when wet ink spreads as it’s absorbed by the paper. If too much dot gain occurs, images and colors print darker than specified. Dot gain is one of the characteristics taken into account when color-management sys- tems are applied. (See page 110 for more information on dot gain.) Line art Continuous-tone art Dot gain Halftone dots in Halftone dots a color proof after printing Halftone screens Ink is an all-or-nothing medium in the sense really looking at small printed black dots on that any spot on the paper is either inked a field of white paper.
    [Show full text]
  • Ricoh Th Color Station File Preparation Guide Pro C7100X / C7110X / C7100SX / C7110SX
    File Preparation Guide Creating and Printing the 5th Color Ricoh th Color Station Pro C7100X / C7110X / C7100SX / C7110SX Welcome to the Ricoh th Color Station File Preparation Guide Pro C7100X / C7110X / C7100SX / C7110SX Get ready to change the game with unique and captivating 5th Color Station techniques that will impress your customers, expand your range of creative capabilities, and open doors to new revenue streams. This informative and visual guide will walk you through the different steps for setting up and saving files to get the maximum impact with 5th Color elements. Guidelines, tips, and best practices for printing are also included to ensure your output matches the intended design. The file preparation steps in this guide assume a working knowledge of Adobe Creative Suite®, including Adobe Illustrator®, InDesign® and Photoshop®. Printing instructions assume operator experience with Fiery® Command WorkStation. Screen shots have been taken from both MAC and PC platforms and may differ slightly from what you see on your screen. Please note: The creative examples included on these printed pages do not include or reflect actual output when printed with 5th Color elements on specialty substrates. These examples are included for instructional reference only. To see the impact and effect of the White and Clear Toner, please refer to the printed samples included in your Ricoh 5th Color Station Kit. Table of Contents Creating the 5th Color Layer 1. Creating the 5th Color Layer – Clear, in Adobe Illustrator® Adding a vector Clear Spot over CMYK artwork on non-specific Media ................................................................9 2. Creating the 5th Color Layer – White, in Adobe InDesign® Adding a vector White Spot layer for use on Dark Colored Media .......................................................................13 3.
    [Show full text]
  • Spot Color Proofing and Printing
    Spot color proofing and printing Considerations about spot color handling Dietmar Fuchs, Product Manager Who is ColorLogic? • We develop high-end Color Management solutions • Founded in March, 2002 • Privately-owned, independent German company • Our team has excellent skills and solid experience in the field of color reproduction, print and in the development of color management solutions • Products: – ICC profiling and DeviceLink applications: CoPrA, Reprofiler – ICC compatible ColorServer ZePrA – Separation checking: ProfileTagger – Precalculated DeviceLink-Profile-Sets for all international printing standards: DLS A few of todays problems with spot color rendering • Preview/simulation of spot colors in PDF rendering applications is not good enough • There is not enough information about the color, gradation behavior and opacity for spot colors in todays PDF files • Missing multicolor profile support in many image editing and PDF rendering applications • Not much support for PDF/X-5n (multicolor output intent) • We must not forget that proofing and production have different needs! – Proofing needs to accurately simulate what is in the file – Production needs to convert spot colors to process inks and needs to be able to print them flawlessly A few of todays problems with spot color conversion • One Lab value for the full tone of a spot color only is not good enough • Simple rendering of Lab values with abs. col. to the target color space is not sufficient for closest deltaE calculation • Often too many channels are produced when converting spot colors • Gradations of converted spot colors tend to be unsmooth when printing • Converting spot colors to process colors might change overprint behavior • Missing opacity information for calculating overprints from spot colors with other process and spot colors A few of todays problems with spot color conversion • One Lab value for the full tone of a spot color only is not good enough • Simple rendering of Lab values with abs.
    [Show full text]
  • Tips for Better Dual Color Printing
    TIPS FOR BETTER DUAL COLOR PRINTING 047-36019 CHAPTER1 Dual-Color Printing from Computer …… 2 Contents Printer driver setting …………………………… 3 Important points for preparing originals (Dual-Color printing) …………………………… 4 CHAPTER2 Using "Manual" Effectively / Color Separation …… 6 Setting of color separation conditions …… 6 Important points for selecting parameters … 8 What is the Preview and Edit application? (Preview and Edit) ……………………………… 9 CHAPTER3 Dual-Color printing from paper original About Easy 2Color …………………………… 10 What is "Easy 2Color ?" ……………………… 10 Easy 2color Types …………………………… 12 Red color …………………………………………… 12 Hand Writing1/Hand Writing2 ……………… 13 Color editor ………………………………………… 14 Specified Area …………………………………… 15 Separation Sheet ……………………………… 15 Tips for Making Originals ………………… 16 CHAPTER4 Easy 2Color Operation Flow ……………… 18 When using "Color editor" ……………………… 19 Combine "Easy 2color" and "Combination Print" …………………………… 20 CHAPTER5 General Information of MZ Series ……… 22 Printing Area and Paper ……………………… 22 Parameter list for "Manual" …………………… 24 Caution Please be sure to read "Safety Guide" sections of the RISO Printer's User's Guide before operating the machine. About the contents of this manual Notice (1) This manual may not be reproduced, wholly or in part, in any manner without express authorization. (2) As we are constantly improving our products, this product may vary in some respects from the illustrations used in this manual without notice. (3) Riso shall not be liable for any damage or expenses resulting from the use of this product or included manual. This document is described in American English and, therefore, some words and expressions are different from British English. Ex.) colour: color cylinder: drum is a registered trademark of RISO KAGAKU CORPORATION in Japan and other countries.
    [Show full text]
  • Designing White Guideline
    Designing White Guideline How to Designing and Printing Documents Using Spot Color White on the OKI Pro1050 Pro1050 Making great ideas stick 1 Contents Understanding White ...............................................................................................3 Why White? ......................................................................................................................................3 Driver Setting ...........................................................................................................3 Spot Color Usage Methods ...............................................................................................................4 Printing Only Spot Color Toner .........................................................................................................................................5 Data Portion - Excluding White .........................................................................................................................................5 Data Portion - Including White ..........................................................................................................................................6 Application Specification .................................................................................................................................................6 Trapping ..........................................................................................................................................7 How to prepare and create Documents ....................................................................9
    [Show full text]
  • *** the Edge * Volume 23 * Issue 6 * July 2014
    DIXON ILLINOIS WW2 Re-enactment *** THE EDGE * VOLUME 23 * ISSUE 6 * JULY 2014 SOUTH ELGIN ILLINOIS WW2 Re-enactment *** * * THE EDGE * VOLUME 23 * ISSUE 6 * JULY 2014 * Page 2 of 46 * * 2ND Marines Reenacted check out Chuck Roberts Higgins Boat * Page 4: Communications * Page 25: Hickory Creek Middle School Visit * Page 9: WWII HRS Event Listings * Page 27: Restoring a Chrome Plated German Helmet * Page 12: Vietnam Moving Wall Event * Page 32: My WW2 Reenacting Memories * Page 14: D-Day Conneaut Ohio Event * Page 39: Photos from the Past * Page 15: WW2 Days Rockford, ILL Event * Page 43: From the Civilian View * Page 16: Operation Arcadia Event * Page 45: YouTube Video Recommendations * Page 19: WWII HRS Board Member List * Page 22: WWII HRS Board Meeting Minutes *** * * THE EDGE * VOLUME 23 * ISSUE 6 * JULY 2014 * Page 3 of 46 * * soldiers under one of the evil regimes of the 20th century. The German I am Tired uniform containing 3rd Reich symbols can be shocking to the general By Jonathan Stevens, public but is often living history as usual for the reenactor. Just about any action in German uniform at public reenactments can and will WWII HRS President, 9th Infantry Div. likely be scrutinized by spectators and the media much more than any American, Soviet, or British uniformed reenactor. A further very real I am tired. I am very tired of the historical community putting down possibility is the misrepresentation of anything said by a reenactor in WWII living history. Generally I would never write something so German uniform by a journalist. When portraying a German soldier negative but we really ought to be aware of the stereotype of WWII this has to be kept in mind.
    [Show full text]
  • Colorimetric and Spectral Matching
    Colorimetric and spectral matching Prague, Czech republic June 29, 2017 Marc Mahy Agfa Graphics Overview • Modeling color • Color matching • Process control • Profile based color transforms —Visual effects —Light interactions • Color matching —Colorimetric matching —Spectral matching —Metameric colors Modeling color • Object has the color of the “light” leaving its surface —Light source —Object —Human observer , ) Modeling color • Light source —Electro Magnetic Radiation (EMR) – Focus on wavelength range from 300 till 800 nm —Different standard illuminants – Illuminant E (equi-energy) – Illuminant A, D50 , D65 , F11 Spectral Power Distribution Modeling color • Object colors: Classes object types —Opaque objects – Diffuse reflection: Lambertian reflector – Specular reflection: mirror – Most objects: diffuse and specular reflection —Transparent objects – Absorption, no scattering: plexi, glass, … —Translucent objects – Absorption and scattering: backlit —Special effects – Fluorescence: substrates – Metallic surfaces: (in plane) BRDF Modeling color • Object colors: Characterizing object types —Opaque objects – Measurement geometry: 45°:0° or 0°:45° – Colorimetric or reflectance spectra —Transparent objects – Measurement geometry: d:0° or 0°:d – Colorimetric or transmission spectra —Translucent objects – In reflection or transmission mode – For reflection mode: White backing, black backing or self backing —Special effects – Fluorescent substrates: colorimetric data or bi-spectral reflectance – Metallic surfaces: BRDF based on colorimetric
    [Show full text]
  • Spot Color Mapping in Flexi
    SA International Spot Color Mapping in Flexi CHAPTER 1│Spot Color Mapping in Flexi 1.1. About Spot Color Mapping There are 2 different spot color mapping settings in Flexi. One deals with the input values of spot colors and how they will be interpreted. The other deals with the output values of spot colors and how they will be printed. 1.1.1. Global Spot Color Mapping Global Spot Color mapping handles the input values of spot colors. Spot colors are actually completely name based. Because they are intended to be handled by custom spot color mapping in RIP software, it is the name that is the most crucial part of a spot color. For display purposes, design software often assign "alternative values" either in RGB or CMYK. RIP software uses these alternative values as a starting point to print the spot color. From that starting point, the output can be further fine tuned in Custom Spot Color Mapping. However, these alternative values are not always correct. Only design software that has a license for certain color libraries like Pantone TM know the correct values for the spot colors. With Global Spot Color Mapping, Flexi replaces the alternative values of incoming files with the correct values supplied by the color library man- ufacturers. 1.1.2. Custom Spot Color Mapping Custom Spot Color Mapping allows you to map spot colors to exact output values for your specific output device. Mapped colors will always print out using the output values set in the Custom Spot Color Mapping module, overriding any other color management settings.
    [Show full text]
  • Triptico Rc En
    Jürgen Przemyslaw Mike Steven REAL Kiroff Skulski Starmer Zaloga REAL COLOR ACRYLIC ACCURACY LACQUER To get the best, most accurate colors, we called for The new Real Colors paint range is a very, very special the advice of four great experts like Jürgen Kiroff, step forward for AK. And we guess for you, too. Przemyslaw Skulski, Mike Starmer and Steven Zaloga. AK Real Colors is a state-of-the-art acrylic lacquer Their knowledge on the matter is second to none, as paint developed in our own laboratories and a big they have studied and researched for years through step in the evolution of our company. That has been official, private and industry archives. The combined a project we have been quietly thinking, working and research of these authors and historians, the study developing for a long, long time. An improved chemical of preserved and museum artifacts, and the formula over other brands in the market and a paint laboratory work on their colors, make together the of the highest quality were our objectives. And finally, most detailed and meticulous study carried out by a after all that lengthy, quiet development and testing, paint brand to get accurate, Real Colors. we have them ready for you to enjoy: Real Colors. JÜRGEN PRZEMYSLAW KIROFF SKULSKI FORGET FOR DILUTION, 4 EXPERTS, THE CLOGGING: OUR REAL COLOR AK REAL COLORS THINNER WORKS 4 ARMIES, FLOWS REALLY GREAT... SMOOOOOTHLY BUT OTHERS TOO. IN YOUR AIRBRUSH. Can be diluted with ONE GOAL: Spraying is now our own specific thinner or a real pleasure and thanks the ones from other brands MIKE STEVEN and types: acrylic lacquer STARMER ZALOGA to our new chemical formula, even if you damp the surface non-vinyl), lacquer thinner, THE DEFINITIVE too much, paint stretches and alcohol..
    [Show full text]
  • CATALOGUE 2018-2019 AIRBRUSHES, COMPRESSORS & COLORS "Mr
    HOBBY DEPT. CATALOGUE 2018-2019 AIRBRUSHES, COMPRESSORS & COLORS "Mr. Hobby"stands for high quality hobby colors and accessories. As a part of our company, "GSI Creos" (former "Gunze Sangyo) "Mr. Hobby" is market leader in Japan and one of the preferred brands chosen by professional model-makers around the world. Assure yourself of our quality and check out our products! P : PRIMARY GRUND G : GLOSS GLANZ 23 C : CAR AUTO SG : SEMI-GLOSS HALBMATT SG A : AIRCRAFT FLUGZEUG F : FLAT MATT T : TANK&etc. PANZER SOLVENT-BASED ACRYLIC PAINT M : METALLIC METALLISCH DARK GREEN（2）US・A S : SHIP SCHIFF PA : PEARL PERL DARK GREEN（2）UK・Ⅱ Ⅱ : WORLD WAR Ⅱ NET : 10㎖ TO THIN : Mr.COLOR THINNER 2 : With regard to those colors marked by‘ 2’ it is recommended after the colors got dry to Mr. COLOR is the highest quality acrylic paint in the world. US : USA USA UK : GREAT BRITAIN GROß BRITANNIEN paint a second layer by using Mr.Super Clear lts tone, balance, gloss and color richness are the best. J : JAPAN JAPAN S : RUSSIA RUßLAND Gloss（B-513）in order to achieve a deeper G : GERMAN DEUTSCHLAND I : ISRAEL ISRAEL and more sparkling effect. Paints for brushing and sprays are available to use as you desire. 1 2 3 4 5 6 7 8 9 10 G G G G G G G M M M WHITE P BLACK P RED P YELLOW P BLUE P GREEN P BROWN P SILVER P GOLD P COPPER P WEIβ SCHWARZ ROT GELB BLAU GRÜN BRAUN SILBER GOLD KUPFER 11 12 13 14 15 16 17 18 19 20 SG SG SG SG SG SG SG SG SG SG LIGHT GULL GRAY A OLIVE DRAB（1） A NEUTRAL GRAY A NAVY BLUE A IJN GREEN（NAKAJIMA） A IJA GREEN A RLM71 DARK GREEN A RLM70 BLACK
    [Show full text]