The Seven Verses of Supplication to Tara Accumulation for the Long Life of H.E
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Chenrezig Practice
1 Chenrezig Practice Collected Notes Bodhi Path Natural Bridge, VA February 2013 These notes are meant for private use only. They cannot be reproduced, distributed or posted on electronic support without prior explicit authorization. Version 1.00 ©Tsony 2013/02 2 About Chenrezig © Dilgo Khyentse Rinpoche in Heart Treasure of the Enlightened One. ISBN-10: 0877734933 ISBN-13: 978-0877734932 In the Tibetan Buddhist pantheon of enlightened beings, Chenrezig is renowned as the embodiment of the compassion of all the Buddhas, the Bodhisattva of Compassion. Avalokiteshvara is the earthly manifestation of the self born, eternal Buddha, Amitabha. He guards this world in the interval between the historical Sakyamuni Buddha, and the next Buddha of the Future Maitreya. Chenrezig made a a vow that he would not rest until he had liberated all the beings in all the realms of suffering. After working diligently at this task for a very long time, he looked out and realized the immense number of miserable beings yet to be saved. Seeing this, he became despondent and his head split into thousands of pieces. Amitabha Buddha put the pieces back together as a body with very many arms and many heads, so that Chenrezig could work with myriad beings all at the same time. Sometimes Chenrezig is visualized with eleven heads, and a thousand arms fanned out around him. Chenrezig may be the most popular of all Buddhist deities, except for Buddha himself -- he is beloved throughout the Buddhist world. He is known by different names in different lands: as Avalokiteshvara in the ancient Sanskrit language of India, as Kuan-yin in China, as Kannon in Japan. -
Buddhist Archeology in Mongolia: Zanabazar and the Géluk Diaspora Beyond Tibet
Buddhist Archeology in Mongolia: Zanabazar and the Géluk Diaspora beyond Tibet Uranchimeg Tsultemin, Indiana University–Purdue University Indianapolis (IUPUI) Uranchimeg, Tsultemin. 2019. “Buddhist Archeology in Mongolia: Zanabazar and the Géluk Dias- pora beyond Tibet.” Cross-Currents: East Asian History and Culture Review (e-journal) 31: 7–32. https://cross-currents.berkeley.edu/e-journal/issue-31/uranchimeg. Abstract This article discusses a Khalkha reincarnate ruler, the First Jebtsundampa Zanabazar, who is commonly believed to be a Géluk protagonist whose alliance with the Dalai and Panchen Lamas was crucial to the dissemination of Buddhism in Khalkha Mongolia. Za- nabazar’s Géluk affiliation, however, is a later Qing-Géluk construct to divert the initial Khalkha vision of him as a reincarnation of the Jonang historian Tāranātha (1575–1634). Whereas several scholars have discussed the political significance of Zanabazar’s rein- carnation based only on textual sources, this article takes an interdisciplinary approach to discuss, in addition to textual sources, visual records that include Zanabazar’s por- traits and current findings from an ongoing excavation of Zanabazar’s Saridag Monas- tery. Clay sculptures and Zanabazar’s own writings, heretofore little studied, suggest that Zanabazar’s open approach to sectarian affiliations and his vision, akin to Tsongkhapa’s, were inclusive of several traditions rather than being limited to a single one. Keywords: Zanabazar, Géluk school, Fifth Dalai Lama, Jebtsundampa, Khalkha, Mongo- lia, Dzungar Galdan Boshogtu, Saridag Monastery, archeology, excavation The First Jebtsundampa Zanabazar (1635–1723) was the most important protagonist in the later dissemination of Buddhism in Mongolia. Unlike the Mongol imperial period, when the sectarian alliance with the Sakya (Tib. -
Introduction to Tibetan Buddhism, Revised Edition
REVISED EDITION John Powers ITTB_Interior 9/20/07 2:23 PM Page 1 Introduction to Tibetan Buddhism ITTB_Interior 9/20/07 2:23 PM Page 2 ITTB_Interior 9/20/07 2:23 PM Page 3 Introduction to Tibetan Buddhism revised edition by John Powers Snow Lion Publications ithaca, new york • boulder, colorado ITTB_Interior 9/20/07 2:23 PM Page 4 Snow Lion Publications P.O. Box 6483 • Ithaca, NY 14851 USA (607) 273-8519 • www.snowlionpub.com © 1995, 2007 by John Powers All rights reserved. First edition 1995 Second edition 2007 No portion of this book may be reproduced by any means without prior written permission from the publisher. Printed in Canada on acid-free recycled paper. Designed and typeset by Gopa & Ted2, Inc. Library of Congress Cataloging-in-Publication Data Powers, John, 1957- Introduction to Tibetan Buddhism / by John Powers. — Rev. ed. p. cm. Includes bibliographical references and indexes. ISBN-13: 978-1-55939-282-2 (alk. paper) ISBN-10: 1-55939-282-7 (alk. paper) 1. Buddhism—China—Tibet. 2. Tibet (China)—Religion. I. Title. BQ7604.P69 2007 294.3’923—dc22 2007019309 ITTB_Interior 9/20/07 2:23 PM Page 5 Table of Contents Preface 11 Technical Note 17 Introduction 21 Part One: The Indian Background 1. Buddhism in India 31 The Buddha 31 The Buddha’s Life and Lives 34 Epilogue 56 2. Some Important Buddhist Doctrines 63 Cyclic Existence 63 Appearance and Reality 71 3. Meditation 81 The Role of Meditation in Indian and Tibetan Buddhism 81 Stabilizing and Analytical Meditation 85 The Five Buddhist Paths 91 4. -
Treasury of Compassion: a Collection of Quotes by Great Masters on the Practice of Chenrezi and His Six-Syllable Mantra
Treasury of Compassion: A Collection of Quotes by Great Masters on the Practice of Chenrezi and his Six-Syllable Mantra Compiled by Asanga Vajra Sakya TREASURY OF COMPASSION Preface Lord Buddha Shakyamuni gave us the gift of numerous teachings based upon and according to the karma and disposition of each sentient being. However in degenerate times like these, people are not able to devote their time and efforts to studying the vast teachings and towards practicing the Buddha's valuable teachings. So what can we do to counter the accumulations of negative karma in such times one may ask? The answer quite simply is to recite the Six-Syllable Mantra otherwise known as the Mani Mantra of Bodhisattva Chenrezi. Although a fully enlightened Buddha himself, Chenrezi out of his great compassion, manifested as a Bodhisattva on the tenth level. As a Bodhisattva, he manifests in a number of different emanations amongst us, benefiting sentient beings to this very day. It is said that when the defilements of sentient beings increase during the Degenerate Age, it becomes very difficult for the Buddhas and Bodhisattvas to help beings. However such Buddhas as Chenrezi, Tara, and Guru Padmasambhava, due to their great compassion and great aspirations, are very effective in such times. Which is why Chenrezi’s practice of the Six-Syllable Mantra, which is the highest and most profound practice of all, also happens to be the easiest of all. The Six-Syllable Mantra is said to contain the essence of all of the Buddha’s teachings in it. It is also said to be the king of all mantras. -
The Tulku System in Tibetan Buddhism: Its Reliability, Orthodoxy and Social Impacts
The Tulku System in Tibetan Buddhism: Its Reliability, Orthodoxy and Social Impacts By Ramin Etesami A thesis submitted to the graduate school in partial fulfilment of the requirements for the degree of Master of Arts at the International Buddhist College, Thailand March, 20 Abstract The Tulku institution is a unique characteristic of Tibetan Buddhism with a central role in this tradition, to the extent that it is present in almost every aspect of Tibet’s culture and tradition. However, despite this central role and the scope and diversity of the socio-religious aspects of the institution, only a few studies have so far been conducted to shed light on it. On the other hand, an aura of sacredness; distorted pictures projected by the media and film industries;political propaganda and misinformation; and tendencies to follow a pattern of cult behavior; have made the Tulku institution a highly controversial topic for research; and consequently, an objective study of the institution based on a critical approach is difficult. The current research is an attempt to comprehensively examine different dimensions of the Tulku tradition with an emphasis on the issue of its orthodoxy with respect to the core doctrines of Buddhism and the social implications of the practice. In this research, extreme caution has been practiced to firstly, avoid any kind of bias rooted in faith and belief; and secondly, to follow a scientific methodology in reviewing evidence and scriptures related to the research topic. Through a comprehensive study of historical accounts, core Buddhist texts and hagiographic literature, this study has found that while the basic Buddhist doctrines allow the possibility for a Buddhist teacher or an advanced practitioner to “return back to accomplish his tasks, the lack of any historical precedence which can be viewed as a typical example of the practice in early Buddhism makes the issue of its orthodoxy equivocal and relative. -
Entering Into the Conduct of the Bodhisattva)
Dharma Path BCA Ch1.doc Dzogchen Khenpo Choga Rinpocheʹs Oral Explanations of Khenpo Kunpal’s Commentary on Shantidevaʹs Bodhisattvacaryavatara (Entering into the Conduct of the Bodhisattva) Notes: ʺText sectionʺ‐s refer to Khenpo Kunpalʹs commentary on the BCA. ʺBCAʺ refers to the Bodhisattvacaryavatara, by Shantideva. The text sections relating directly to the individual stanzas of the BCA, which are the subject matter of Dharma Path classes, begin on ʺText section 158ʺ below. Dzogchen Khenpo Chogaʹs Oral Explanations, starting with ʺText section 37ʺ below are explanations both of the original BCA text, and also of Khenpo Kunpalʹs own commentary on this text. For more background on these teachings, see also Dzogchen Khenpo Chogaʹs ʺIntroduction to the Dharma Pathʺ available online at the Dzogchen Lineage website at: http://www.dzogchenlineage.org/bca.html#intro These materials are copyright Andreas Kretschmar, and are subject to the terms of the copyright provisions described on his website: http://www.kunpal.com/ ============================================================================== Text section 37: This word‐by‐word commentary on the Bodhisattva‐caryavatara was written by Khenpo Kunzang Palden, also known as Khenpo Kunpal, according to the teachings he received over a six‐month period from his root guru, Dza Paltrul Rinpoche, who is here referred to as the Manjugosha‐like teacher. These precious teachings are titled Drops of Nectar. The phrase personal statement connotes that Khenpo Kunpal received in person the oral instructions, which are themselves definitive statements, directly from Paltrul Rinpoche. 1 Dharma Path BCA Ch1.doc Text sections 38‐44: In his preface Khenpo Kunpal includes his declaration of respect, his pledge to compose the commentary, and a foreword. -
His Holiness the Drikung Kyabgon Chetsang at Drikung Kyobpa Choling Monastery (A Tibetan Meditation Center) 1600 Sheridan Place Escondido CA 92027
His Holiness the Drikung Kyabgon Chetsang At Drikung Kyobpa Choling Monastery (A Tibetan Meditation Center) 1600 Sheridan Place Escondido CA 92027 Thursday, Friday, Saturday and Sunday -- August 6 th , 7 th , 8 th , 9 th 2015 By Reservation Only www.drikungkc.org email: [email protected] or call 909-625-5955 Thursday August 6 th 9:30am – 12:00pm Wrathful Guru Rinpoche Empowerment 2pm – 5pm Oral transmissions of the Invocation to Buddha Shakyamuni, Prayer Blessings of the lineage, Offering to the Lama,Tshok Offering, Tshok Song,Confession Downfalls, Vajrasattva, Chenrezig, Manjushri, Green Tara, White Tara, 7 Protections of Tara, Medicine Buddha, VajraPani, detailed Seven Limb prayer, Long Life and Dedication prayers Friday August 7 th 9:30am – 12:00pm VajraVidaran (Dorje Namjom) Empowerment 2pm – 5pm Oral transmissions of Chakrasamvara, VajraYogini, 21 Taras, Heart Sutra Saturday August 8 th 9:30am – 12:00pm Achi Chokyi Drolma Empowerment 2pm – 5pm Oral transmissions of Achi Sungs offering, White Dzambala, Dharma Protectors and Serkym Offering, MahaKala, Achi, Tseringma, Golden Palace prayer and so forth Sunday August 9 th 9:30am – 12:00pm Special traditional Long Life ceremony for His Holiness 2pm – 5pm Amitabha empowerment Program Descriptions Drupon Samten Rinpoche and Drikung Kybopa Choling have organized this program so that we all may receive these rare and precious empowerments, teachings and blessings directly from Gyalwa Drikungpa, His Holiness the Drikung Kyabgon Chetsang, the 37th lineage holder in the Drikung Kagyu lineage of Tibetan Buddhism. Receiving any of these, from the throne holder of Jigten Sumgon, the manifestation of Narajuna, is a rare and precious opportunity. -
The Karmapa Controversy
The Karmapa controversy A compilation of information 1 Foreword This work fills a requirement: to provide all meaningful information for a good understanding about the Karmapa controversy which, since 1992, shakes up the Karma Kagyu lineage. While web surfing, one can notice the huge information unbalance between the two differing sides: on Situ Rinpoche's side, there is plenty of documentation, while that on Shamar Rinpoche's side is sparse. On Situ Rinpoche's side, many websites give out information, with some, dedicated to this task, having almost daily updates. By comparison, Shamar Rinpoche side does not even provide the minimum information sufficient to understand its point of view. Now, complete information easily found is essential for everyone to make up one's opinion. To limit oneself to only one version of the facts does not allow for a full understanding and leads to all extremes, which we have sorely witnessed since 1992. Studying this controversy, one is surprised by the distressing level of disinformation and ignorance surrounding it. Few people know truly the circumstances and the unfolding of all these events which profoundly shook our lineage. Most contented themselves with adopting the view point of their entourage, siding either way, bringing up real quarrels and polemics between disciples of the same masters. It even came up to murders and monasteries attacks ! And yet, without going for any debate or confrontation, simply acquainting oneself with information provided by each side, allows us to stand back, to grasp the ins and outs in a more objective way and finally to reach a valid opinion in this matter. -
Arts and Sciences. a Personal Perspective of Tibetan Painting
ART AND CHEMICAL SCIENCES 900 CHIMIA 2001, 55. No. 11 Chimia 55 (2001) 900-914 © Schweizerische Chemische Gesellschaft ISSN 0009-4293 Arts and Sciences. A Personal Perspective of Tibetan Painting Richard R. Ernst* Abstract: The relationship between the arts and the sciences is discussed from the standpoint of a scientist and passionate art lover. The two playgrounds of human creativity have much in common and have cross- fertilized each other over centuries. An active involvement in an artistic discipline can stimulate scientific creativity by direct analogy and by emotional and intellectual experience. The excitement of a scientist for the arts is exemplified by the author's adventures in Tibetan painting. The scientific study of Tibetan thangkas is discussed by examples from the author's collection. The analysis of pigments and the dating of the paintings are covered. In addition, some background information on the historical and iconographic context is given. Keywords: Arts and sciences' Dating of paintings' Pigment analysis· Tibetan Buddhism· Tibetan thangkas Arts and Sciences which have no equivalence in former pe- function may equally well be performed riods or in nature. And with the aid of the by an intelligently programmed and pow- Much has already been written about the computer-based synthesis of music and erful computer which has the advantage hidden link between the arts and the sci- of graphical creations, the very last limi- of not being distracted by emotional de- ences. The two highly creative fields are tations, imposed by the difficult musical sires. evidence of the ingenious human mind. instruments and the painter's self-willed How boring must it be to meet one of Human culture could hardly be conceived brush, are overcome, leading to a com- these 'perfectly objective scientists'! Per- without the arts or without the sciences. -
Tibetan Buddhist Essentials: Volume One / Venerable Tenzin Tharpa
---- Tibetan Buddhist Essentials: Volume One / Venerable Tenzin Tharpa Tibetan Buddhist Essentials A Study Guide for the 21st Century Venerable Tenzin Tharpa Volume One: Introduction, Origin, and Adaptation Volume 1: Introduction, Origin, and Adaptation Volume 2: The Buddha's Teachings Volume 3: Engaging Buddhism These texts and other material are available for free download at: TenzinTharpa.com --------------------------------------------------------------------------------------------------------------------------- Copyright Author: Venerable Tenzin Tharpa Editors: Nalini Ramesh and Halley Haruta Sera Jey Monastic University, Bylakuppe, India 1st Edition - 2018 Copyright © 2018 Venerable Tenzin Tharpa Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) CreativeCommons.org This material is free to all. It may be shared, copied, downloaded, and redistributed in any medium or format, including parts, sections, images, or graphics–although credit to the au- thor(s) must be given. Schools, dharma centers, and teachers are encouraged to share, copy, and upload this material freely to students and to include it as part of their study curriculum. This material may not be altered or built upon without formal permission from its author(s). This material may not be used for commercial purposes, including distributing or selling for profit. The copyright of this material may not be modified or additional restrictions added. [i] Tibetan Buddhist Essentials: Volume One / Venerable Tenzin Tharpa About the Author Venerable Tenzin Tharpa A fully ordained American Buddhist monk in the Tibet- an Gelug Tradition, Venerable Tharpa is a teacher, au- thor, and philosopher with over two decades in Tibet- an Buddhist studies, half of which he has spent in Ti- betan Buddhist monasteries in India. Venerable Tharpa took full monastic ordination with His Holiness the Dalai Lama in Dharamsala India. -
The Sādhana of Mahāmudrā and the Making of Vajrayāna Buddhist Subjects
Entering ‘the Unified Maṇḍala of All the Siddhas:’ The Sādhana of Mahāmudrā and the Making of Vajrayāna Buddhist Subjects By Eben Matthew Yonnetti B.A., Siena College, 2012 A thesis submitted to the Faculty of the Graduate School of the University of Colorado Boulder in partial fulfillment of the requirements for the degree of Master of Arts Department of Religious Studies 2017 ii This thesis entitled: Entering ‘the Unified Maṇḍala of All the Siddhas:’ The Sādhana of Mahāmudrā and the Making of Vajrayāna Buddhist Subjects written by Eben Matthew Yonnetti has been approved for the Department of Religious Studies __________________________________________ (Dr. Holly Gayley, Committee Chair) __________________________________________ (Dr. Jules Levinson, Committee Member) __________________________________________ (Dr. Greg Johnson, Committee Member) __________________________________________ (Dr. Amelia Hall, Committee Member) __________________________________________ (date) The final copy of this thesis has been examined by the signatories, and we find that both the content and the form meet acceptable presentation standards of scholarly work in the above mentioned discipline. iii Abstract: Yonnetti, Eben Matthew (M.A., Religious Studies) Entering ‘the Unified Maṇḍala of All the Siddhas:’ The Sādhana of Mahāmudrā and the Making of Vajrayāna Buddhist Subjects Thesis directed by Assistant Professor Holly Gayley This thesis examines the role of translation and the formation of Vajrayāna Buddhist subjects in religious transmission through -
Tibetan Silk Appliqué Thangka: Every Stitch Is a Prayer
Tibetan silk appliqué thangka: every stitch is a prayer Manjushri, Bodhisattva of Wisdom. Detail of silk appliqué thangka, 2009. Private collection i Tibetan silk appliqué thangka This thesis is submitted in fulfilment of the degree of Master of Arts of the Australian National University, Canberra Submitted by Edith A. Young August 2010 I certify that this thesis is my own work and that all sources have been acknowledged. Copyright © by Edith Young. All rights reserved. No part of this thesis may be reproduced in any form or by any means, electronic, photocopy, information retrieval system, or otherwise without permission from the author. ii Acknowledgements I would like to acknowledge those who have assisted me in the work for this thesis. This thesis would not have been possible without assistance from Bhiksuni Karma Palmo and Bhiksuni Karma Lhadron, who helped me from the very beginning to find artists and contacts in Dharamsala and Kathmandu and provided unfailing encouragement and support throughout. It is thanks to the kindness of the artists and lamas who spoke to me at length of their work, their motivation and their efforts in this revival that I have been able to make this contribution to this area of Tibetan art. I have been humbled and motivated by their dedication and the strength of their commitment to sustaining and reviving this artistic tradition. These artists include Terris Temple and Leslie Ngyuen Temple, who warmly welcomed me in Chiang Mai and shared their stories, and Leslie Rinchen Wongmo who has also encouraged and helped me. I am grateful for the assistance I received from the Office of His Holiness the Fourteenth Dalai Lama in Canberra, and I would also like to acknowledge the help of Tenzin Nyimalha, Palden Lama and Tenzin Ringpaponsang, who acted as my translators.