Pamela Frank, Violin; Nobuko Imai, Viola; Clemens Hagen, Cello Tuesday, April 8 – 8:00 PM Perelman Theater, Kimmel Center
PREVIEW NOTES Pamela Frank, violin; Nobuko Imai, viola; Clemens Hagen, cello Tuesday, April 8 – 8:00 PM Perelman Theater, Kimmel Center Program Goldberg Variations, BWV 988 [Arr. Sitkovetsky] Johann Sebastian Bach Born: March 31, 1685 in Eisenach, Germany Died: July 28, 1750 in Leipzig, Germany Composed: 1741 Last PCMS performance: Mikhail Yanovitsky, 2001 Duration: 57 minutes The "Goldberg Variations” is the last of a series of keyboard music Bach published under the title of Clavierübung and is often regarded as the most serious and ambitious composition ever written for harpsichord. Based on a single ground bass theme, the variations display Bach's exceptional knowledge of musical styles and his virtuosic performing techniques. The work is often considered to sum up the entire history of Baroque variation, much like Beethoven’s Diabelli Variations of the Classical period. However, doomed perhaps by its requirements of virtuoso techniques from a performer, it was not as well known as the Well‐Tempered Clavier, which was not published during the composer's lifetime. Regardless, many have long regarded the work as the most important set of variations composed in the Baroque era. The origin of the variation’s name is still under debate. The popular title of “Goldberg” owes its existence to early Bach historian Johann Nikolaus Forkel. According to Forkel, Hermann Carl von Keyserlingk requested that Bach write a work for his house harpsichordist, Johann Gottlieb Goldberg. Keyselingk, who suffered from insomnia, wished that Bach’s composition would be light and lively in hopes that it would cheer him up during his sleepless nights.
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