On Campus Including Faculty, the Dean’S Council and KCKCC President, Dr
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 08/27/2010 09:41 Am
Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 08/27/2010 09:41 am WNCU 90.7 FM Format: Jazz North Carolina Central University (Raleigh - Durham, NC) This Period (TP) = 08/20/2010 to 08/26/2010 Last Period (TP) = 08/13/2010 to 08/19/2010 TP LP Artist Album Label Album TP LP +/- Rank Rank Year Plays Plays 1 1 Kenny Burrell Be Yourself HighNote 2010 13 15 -2 2 3 Curtis Fuller I Will Tell Her Capri 2010 12 13 -1 3 6 Steve Davis Images Posi-Tone 2010 9 9 0 4 36 Fred Hersch Whirl Palmetto 2010 8 3 5 5 1 Tomas Janzon Experiences Changes 2010 7 15 -8 5 9 Nnenna Freelon Homefree Concord 2010 7 7 0 5 10 Hilario Duran Motion Alma 2010 7 6 1 8 4 Chris Massey Vibrainium Self-Released 2010 6 12 -6 8 5 Lois Deloatch Roots: Jazz, Blues, Spirituals Self-Released 2010 6 11 -5 8 6 Mark Weinstein Timbasa Jazzheads 2010 6 9 -3 8 10 Eric Reed & Cyrus Chestnut Plenty Swing, Plenty Soul Savant 2010 6 6 0 8 18 Rita Edmond A Glance At Destiny T.O.T.I. 2010 6 5 1 8 18 Amina Figarova Sketches Munich 2010 6 5 1 8 27 John Fedchock Live At The Red Sea Jazz Capri 2010 6 4 2 Festival 15 10 Jason Moran Ten Blue Note 2010 5 6 -1 15 36 Joe Chambers Horace To Max Savant 2010 5 3 2 15 49 Pharez Whitted Transient Journey Owl Studios 2010 5 2 3 18 10 Tim Warfield A Sentimental Journey Criss Cross 2010 4 6 -2 18 10 Radam Schwartz Songs For The Soul Arabesque 2010 4 6 -2 18 18 Tamir Hendelman Destinations Resonance 2010 4 5 -1 18 36 Matt Garrison Familiar Places D Clef 2010 4 3 1 18 36 Pat Bianchi Back Home Doodlin' 2010 4 3 1 18 36 Mike Clark Carnival -
Polydor Records Discography 3000 Series
Polydor Records Discography 3000 series 25-3001 - Emergency! - The TONY WILLIAMS LIFETIME [1969] (2xLPs) Emergency/Beyond Games//Where/Vashkar//Via The Spectrum Road/Spectrum//Sangria For Three/Something Special 25-3002 - Back To The Roots - JOHN MAYALL [1971] (2xLPs) Prisons On The Road/My Children/Accidental Suicide/Groupie Girl/Blue Fox//Home Again/Television Eye/Marriage Madness/Looking At Tomorrow//Dream With Me/Full Speed Ahead/Mr. Censor Man/Force Of Nature/Boogie Albert//Goodbye December/Unanswered Questions/Devil’s Tricks/Travelling PD 2-3003 - Revolution Of The Mind-Live At The Apollo Volume III - JAMES BROWN [1971] (2xLPs) Bewildered/Escape-Ism/Get Up, Get Into It, Get Involved/Get Up I Feel Like Being A Sex Machine/Give It Up Or Turnit A Loose/Hot Pants (She Got To Use What She Got To Need What She Wants)/I Can’t Stand It/I Got The Feelin’/It’s A New Day So Let A Man Come In And Do The Popcorn/Make It Funky/Mother Popcorn (You Got To Have A Mother For Me)/Soul Power/Super Bad/Try Me [*] PD 2-3004 - Get On The Good Foot - JAMES BROWN [1972] (2xLPs) Get On The Good Foot (Parts 1 & 2)/The Whole World Needs Liberation/Your Love Was Good For Me/Cold Sweat//Recitation (Hank Ballard)/I Got A Bag Of My Own/Nothing Beats A Try But A Fail/Lost Someone//Funky Side Of Town/Please, Please//Ain’t It A Groove/My Part-Make It Funky (Parts 3 & 4)/ Dirty Harri PD 2-3005 - Ten Years Are Gone - JOHN MAYALL [1973] (2xLPs) Ten Years Are Gone/Driving Till The Break Of Dawn/Drifting/Better Pass You By//California Campground/Undecided/Good Looking -
Kansas City Jazz: from Ragtime to Bebop—A History
Kansas City Jazz: From Ragtime to Bebop—A History Frank Driggs Chuck Haddix OXFORD UNIVERSITY PRESS Kansas City Jazz This page intentionally left blank Kansas City Jazz From Ragtime to BebopA History Frank Driggs and Chuck Haddix 2005 Oxford University Press, Inc., publishes works that further Oxford University’s objective of excellence in research, scholarship, and education. Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Copyright © 2005 by Frank Driggs and Chuck Haddix Published by Oxford University Press, Inc. 198 Madison Avenue, New York, NY 10016 www.oup.com Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. Library of Congress Cataloging-in-Publication Data Driggs, Frank. Kansas City jazz : from ragtime to bebop / Frank Driggs and Chuck Haddix. p. cm. Notes: Includes bibliographical references and index. Contents: Tales from Tom’s town—Carrie’s gone to Kansas City— Get low-down blues—The territories—Blue devil blues—Moten’s swing— Until the real thing comes along—Roll ’em, Pete—Hootie’s blues. ISBN-13: 978-0-19-504767-7 ISBN-10: 0-19-504767-2 1. Jazz—Missouri—Kansas City—History and criticism. -
January / February
CONCERT & DANCE LISTINGS • CD REVIEWS • FREE EVENTS FREE BI-MONTHLY Volume 5 Number 1 Jan-Feb 2005 THESOURCE FOR FOLK/TRADITIONAL MUSIC, DANCE, STORYTELLING & OTHER RELATED FOLK ARTS IN THE GREATER LOS ANGELES AREA “Don’t you know that Folk Music is illegal in Los Angeles?” — WARREN C ASEY of the Wicked Tinkers THEY DARE NOT CALL IT FOLK BY LARRY WINES udiences readily accept them as folk musicians. inside this issue: Yet some artists shy away from that label, or seek to disguise it in wordier descriptions of their art. Others are surprised when you suggest Bob Dylan A their creative product is folk music. So what’s it all about? Some would say, “if they don’t want to be Interview with known as folk musicians, fine, let them go their way, and I’ll go mine, in another direction.” That ensures only that a Globetrotting wealth of wonderful music is being missed by many who would appreciate it. We’re not simply talking about the obvious here, that Folk Entrepreneur kaleidoscopic mosaic of singer-songwriters. It’s complex enough to warrant mixed metaphors. Try to watch what’s Brett Perkins passing by, and soon you see it not as a country road, but a multilevel interchange that affects traditional music, as well. Many in the bluegrass community are proud of that one- word musical identity, and are happy for it to stop there. The PLUS: same goes for the preponderance of blues musicians. “Folk singer? No, I do Bill Monroe songs.” Some well-known blue- Keys to the Highway grass musicians (as well as some old-time blues men) are noted for being downright snooty about being seen as mere Voices In My Head folk players. -
Hold Me Tight and Tango Me Home Hold Me Tight and Tango Me Home
Hold Me Tight and Tango Me Home Hold Me Tight and Tango Me Home MARIA FINN Published by ALGONQUIN BOOKS OF CHAPEL HILL Post Office Box 2225 Chapel Hill, North Carolina 27515-2225 a division of WORKMAN PUBLISHING 225 Varick Street New York, New York 10014 © 2010 by Maria Finn. All rights reserved. Printed in the United States of America. Published simultaneously in Canada by Thomas Allen & Son Limited. Design by Anne Winslow. While the people and events described in the following pages are real, some names have been changed for the sake of privacy and, in a few places, the chronology has been changed to fit the narrative. Library of Congress Cataloging-in-Publication Data Dominguez, Maria Finn. Hold me tight and tango me home / Maria Finn. — 1st ed. p. cm. ISBN 978-1-56512-517-9 1. Tango (Dance) — Argentina. 2. Dominguez, Maria Finn. I. Title. GV1796.T3.D66 2009 793.330982 — dc22 2009029855 10 9 8 7 6 5 4 3 2 1 First Edition For my mother, Beth Paula Finn (May 26, 1942–May 3, 2009) Before it was an orgiastic deviltry; today it is a way of walking. —JORGE LUIS BORGES, “History of the Tango” CONTENTS PROLOGUE Chapter 1: El Abrazo, The Embrace Chapter 2: La Salida, The Basic Chapter 3: La Caminita, The Walk Chapter 4: El Ocho, The Figure Eight Chapter 5: La Milonga Primera, The First Milonga Chapter 6: La Sacada, The Take Chapter 7: El Gancho, The Hook Chapter 8: La Volcada, The Fall Chapter 9: El Boleo, The Throw Chapter 10: El Molinete, The Wheel Chapter 11: El Candombe, Afro-Uruguayan Music and Dance Chapter 12: La Arrastrada, The Sweep Chapter 13: El Abrazo, The Embrace Chapter 14: La Salida, The Exit GLOSSARY SELECTED READINGS ACKNOWLEDGMENTS Hold Me Tight and Tango Me Home PROLOGUE WHILE WALKING ALONG the Central Park promenade one Saturday afternoon, I came across a group of people in the most unlikely pairings — a Nubian beauty towered above a man with thick red sideburns, a woman with jet-black hair and the layered skirts and bangles of a gypsy fortune teller was in the arms of a kid in baggy hip-hop pants. -
News Arts Eats
NORTHERN SANTA BARBARA COUNTY’S NEWS AND ENTERTAINMENT WEEKLY > SEPTEMBER 19 - SEPTEMBER 26, 2019 > VOL. 20 NO. 29 > WWW.SANTAMARIASUN.COM AT THE MOVIES 1 Hustlers is truth and entertainment [32] New energy era Monterey Bay Community Power expands through SLO and Santa Barbara counties [10] BY PETER JOHNSON Cannabis and wine Youth fi lmmakers on Hancock’s winery celebrates NEWS try to get along [8] ARTS display in Lompoc [29] EATS fi ve years of sipping [34] SEPTEMBER 19 - SEPTEMBER 26, 2019 VOL. 20 NO. 29 anta Maria, Guadalupe, and Santa Barbara County recently joined the parade of cities on the Central Coast joining the Monterey Bay Power Company, a community choice energy S(CCE) electricity provider that focuses on carbon-free and renewable energy sources. While they won’t be able to receive power from the regional agency until 2021, the cities of San Luis Obispo 2 and Morro Bay will start in January 2020. And once that happens, ELECTRIC FUTURE: PG&E infrastructure customers will have to opt out in order to continue their service across the state is increasingly carrying electricity provided by Community Choice with PG&E. Proponents say switching to CCE aligns with the Energy providers. state’s energy goals while opponents worry about whether CCEs can actually deliver lower rates, cleaner energy, and local control. For this week’s cover story, New Times Assistant Editor Peter Johnson gets into the arguments on both sides [10]. Also this week, read about whether Santa Barbara County’s wine and cannabis industries can meet HOUSEHOLD HAZARDOUS WASTE in the middle [8], why Peoples’ Self-Help Housing is worried about the next census [9], how Lompoc’s city library helped youth filmmakers create short films [29], a local artist who expresses the full range of • emotions [30], and Allan Hancock College’s winery isn’t a toddler anymore [34]. -
David Irving Was Born in Kankakee, Illinois, but Was
The Place Above the Stars My Journey from Horn Player to Composer and Defender of Animals An Autobiography by David Irving Copyright © 2019 by David Irving Dedications To my brother Darrel whose support has been so vital for the journey and without which I could never have traveled the path and endured. To J.R. Schlatter whose encouragement helped put me onto the road of a highly exciting musical journey where I met many wonderful musicians and many good and kind people. To all my incredible friends and associates past and present with the greatest love and affection. I have no doubt you have tended your gardens far better than the story told within ii To the One Above the Stars in whom I am sometimes privileged to marvel iii In Fond and Loving Remembrance Laurence Gerow Irving (1900-2002) Adeline Thomas Irving (1899-1997) Ann Irving 1926-2007 William Byron Irving 1928-2016 Irene Read 1918-2016 Irene Tysonia Read 1945-2017 iv Forward by Tim Page It is a moving experience to have known somebody for more than 40 years, to have admired his intelligence and musicianship, and then to be presented with an autobiography that proves that you’d never guessed at the richness of the life that he’s lived. I met David Irving in a writing class at Columbia University in the summer of 1976. It was a different New York then, scruffy and dangerous and profoundly unfashionable, yet it had a way of bringing people together – not just for necessary comradeship and self-protection but also to share amazement that we had inherited this once-glorious, now battered city as a place to recreate ourselves. -
CD Collection Soul/Funk Albums and Bestofs
CD-Collection: SOUL/FUNK ALBUMS and BESTOFs June 2018 Nr. Interpret Title Label Year 1 100% Pure Poison Coming Right At You Passion Music 2001 1974 2 5th Dimension, The Greatest Hits on Earth Arista Records 1972 3 5th Dimension, The The Definitive Collection Arista Records 1972-4 4 8th Day, The The 8th Day Invictus 1971 5 8th Day, The I Gotta Get Home Invictus 1973 6 Akkerman, Jan Can't Stand Noise in-akustik GmbH 1994 1983+93 7 Akkerman, Jan & Kaz Lux Eli WEA 1976 8 Allen, Tony 2LP No Accommodation For Lagos Strut 2000 1978 9 Allen, Tony 2LP No Discrimination Strut 2000 1979 10 American Gypsy American Gypsy Chess 1975 11 Atlanta Rhythm Section Are You Ready Polydor 1979 12 Austin, Donald Crazy Legs Westbound 1973 13 Average White Band The White Album & The Cover Sessions Sony 2003 1974 1974- 14 Average White Band Best of Average White Band Repertoire Records 1994 1979 15 Average White Band Cut the Cake Atlantic Records 1975 16 Average White Band Person to Person (Konzert) Atlantic Records 1976 17 Average White Band Warmer Communications Sony 2005 1978 18 Average White Band Benny & Us Sony 2005 1977 19 Ayers, Roy, Ubiquity A Tear to a Smile Polydor 1975 20 Ayers, Roy, Ubiquity Mystic Voyage Polygram 1975 21 Babe Ruth First Base Cema Special Markets 1973 22 Baby Hue The Baby Hue Story Runt LLC 2004 23 Ballin'Jack Ballin'Jack Walhalla Records 2006 1970 24 Ballin'Jack Buzzard Luck Walhalla Records 2006 1972 25 B.T. Express The Best of B.T. -
Family History of a Place Like the Cabin, Was Present in So Many of Her Favorite Memories
THE MUSIC OF WATER By Lisa Ellen Balvanz RECOMMENDED: Chair, Department of English APPROVED: Todd ShermanTM.F.A. D^arp, College of Liberal Ar . / John Eichelberger, Ph.D. / ^ Dean of the Graduate School THE MUSIC OF WATER A THESIS Presented to the Faculty of the University of Alaska Fairbanks in Partial Fulfillment of the Requirements for the Degree of MASTER OF FINE ARTS By Lisa Ellen Balvanz, B.A. Fairbanks, AK May 2016 For Janell “They tried to bury us. They didn’t know we were seeds.” -Mexican proverb v vi Table of Contents Page Signature Page.............................................................................................................................................i Title Page ................................................................................................................................................... iii Dedication Page..........................................................................................................................................v Table of Contents.....................................................................................................................................vii 1......................................................................................................................................................................1 Chapter ..................................................................................................................................................1 3 Chapter ................................................................................................................................................2