March 2015 Newsletter (PDF)
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Focus Winter 2002/Web Edition
OKLAHOMA CITY UNIVERSITY • WINTER/SPRING 2002 Focus on The School of American Dance and Arts Management A National Reputation Built on Tough Academics, World-Class Training, and Attention to the Business of Entertainment Light the Campus In December 2001, Oklahoma’s United Methodist university began an annual tradition with the first Light the Campus celebration. Editor Robert K. Erwin Designer David Johnson Writers Christine Berney Robert K. Erwin Diane Murphree Sally Ray Focus Magazine Tony Sellars Photography OKLAHOMA CITY UNIVERSITY • WINTER/SPRING 2002 Christine Berney Ashley Griffith Joseph Mills Dan Morgan Ann Sherman Vice President for Features Institutional Advancement 10 Cover Story: Focus on the School John C. Barner of American Dance and Arts Management Director of University Relations Robert K. Erwin A reputation for producing professional, employable graduates comes from over twenty years of commitment to academic and Director of Alumni and Parent Relations program excellence. Diane Murphree Director of Athletics Development 27 Gear Up and Sports Information Tony Sellars Oklahoma City University is the only private institution in Oklahoma to partner with public schools in this President of Alumni Board Drew Williamson ’90 national program. President of Law School Alumni Board Allen Harris ’70 Departments Parents’ Council President 2 From the President Ken Harmon Academic and program excellence means Focus Magazine more opportunities for our graduates. 2501 N. Blackwelder Oklahoma City, OK 73106-1493 4 University Update Editor e-mail: [email protected] The buzz on events and people campus-wide. Through the Years Alumni and Parent Relations 24 Sports Update e-mail: [email protected] Your Stars in action. -
The American Film Musical and the Place(Less)Ness of Entertainment: Cabaret’S “International Sensation” and American Identity in Crisis
humanities Article The American Film Musical and the Place(less)ness of Entertainment: Cabaret’s “International Sensation” and American Identity in Crisis Florian Zitzelsberger English and American Literary Studies, Universität Passau, 94032 Passau, Germany; fl[email protected] Received: 20 March 2019; Accepted: 14 May 2019; Published: 19 May 2019 Abstract: This article looks at cosmopolitanism in the American film musical through the lens of the genre’s self-reflexivity. By incorporating musical numbers into its narrative, the musical mirrors the entertainment industry mise en abyme, and establishes an intrinsic link to America through the act of (cultural) performance. Drawing on Mikhail Bakhtin’s notion of the chronotope and its recent application to the genre of the musical, I read the implicitly spatial backstage/stage duality overlaying narrative and number—the musical’s dual registers—as a means of challenging representations of Americanness, nationhood, and belonging. The incongruities arising from the segmentation into dual registers, realms complying with their own rules, destabilize the narrative structure of the musical and, as such, put the semantic differences between narrative and number into critical focus. A close reading of the 1972 film Cabaret, whose narrative is set in 1931 Berlin, shows that the cosmopolitanism of the American film musical lies in this juxtaposition of non-American and American (at least connotatively) spaces and the self-reflexive interweaving of their associated registers and narrative levels. If metalepsis designates the transgression of (onto)logically separate syntactic units of film, then it also symbolically constitutes a transgression and rejection of national boundaries. In the case of Cabaret, such incongruities and transgressions eventually undermine the notion of a stable American identity, exposing the American Dream as an illusion produced by the inherent heteronormativity of the entertainment industry. -
The Museum of Modern Art Announces Holiday Hours and Special Programming for the Holiday Season
THE MUSEUM OF MODERN ART ANNOUNCES HOLIDAY HOURS AND SPECIAL PROGRAMMING FOR THE HOLIDAY SEASON MoMA Will Open One Hour Early December 26–December 31 Lantern Slide Shows on November 30 & December 1 Joan Blondell Film Retrospective, December 19–31 New York, November 27, 2007—The Museum of Modern Art announces special holiday hours and programming this holiday season, including longer hours during Christmas week and a new information desk specifically geared to families with younger visitors. The Museum presents a special showing of a Victorian-era entertainment with a lantern-slide shows for adults and children on November 30 and December 1, as well as daily screenings of classic Hollywood films featuring Joan Blondell from December 19 through 31. Special exhibitions featuring the rarely exhibited drawings of Georges Seurat and the contemporary sculpture of Martin Puryear are on view through the holiday season, and a major exhibition of the etchings of British artist Lucian Freud opens on December 16. MoMA is located in midtown Manhattan, just steps from Fifth Avenue, Rockefeller Center, and Radio City Music Hall. HOLIDAY HOURS AND ADMISSION To accommodate holiday visitors, The Museum of Modern Art will be open one hour earlier than usual—at 9:30 a.m.—from December 26 through January 1. In addition, the museum will be open on New Year’s Day, Tuesday, January 1. Holiday Hours: December 24, 10:30 a.m. - 3:00 p.m. Closed December 25. December 26 and 27: 9:30 a.m. - 5:30 p.m. December 28: 9:30 a.m. - 8:00 p.m. -
Word Search 'Crisis on Infinite Earths'
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Treacly 'Vow' Tugs at the Heart
SPOTLIGHT Saturday-Sunday, Feb. 11-12, 2012 | Editor: Eli Pace | 270-887-3235 | [email protected] AT THE MOVIES n ASSOCIATED PRESS In this image released by Warner Bros. Pictures, (from left) Josh Hutcherson, Luis Guzman, Vanessa Hudgens and Dwayne Johnson are shown in a scene from “Jour- ney 2: The Mysterious Island.” ASSOCIATED PRESS In this image released by Columbia Pictures, Rachel McAdams (left) and Channing Tatum are shown in a scene from “The Vow.” ‘Journey 2’ descends Treacly ‘Vow’ tugs at the heart ‘Verne’s isle in 3-D muck (AP) — There’s little mystery to this island. This 3-D sort-of sequel wears its formula- BY CHRISTY LEMIRE That might have offered an in- life, by the way, isn’t nearly so well for-dollars purpose with pride, delivering a AP MOVIE CRITIC triguing little wrinkle. He loves her fleshed-out. His entire purpose dash of cinematic nonsense that represents fiercely and madly and deeply and seems to be the service of this Hollywood calculation at its shrewdest and Rachel McAdams wakes up in all those intense proclamations woman.) most shameless. the hospital after a serious car ac- meant to make the teen girls in the Give some credit to screenwrit- cident with no memory of the past audience swoon. He’s willing to ers Abby Kohn and Marc Silver- Again poking Jules Verne’s remains with five years of her life and discovers fight for her, to help her retrace stein (“He’s Just Not That Into a sharp stick, the producers of the 2008 hit she’s married to Channing Tatum, how they met and what their life to- You”) and Jason Katims: They re- “Journey to the Center of the Earth” pres- lives in a spacious, boho-chic loft gether was like in hopes of jogging main faithful to the real-life story ent their second modern take on the 19th- and has a successful career as a her memory. -
«Brownsville's Greatest Ntertainment»»
♦«BROWNSVILLE’S GREATEST NTERTAINMENT»» Dairies at Capitol All Quiet on the Western* Front" at • -w- ~r '■w ~w Queen T ▼ T + ♦ * * « * 4 1 * ♦ *¥**•*« 9 ~ The Season’s Musical STARS OF ‘DESIRABLE’ DETECTIVE ,f of Musicals Is Here Short Subjects THRILLER THE SPICE OF THE SCREEN PROGRAM Capitol Theatre -TUESDAY-- Sterling Halloway In “PICNIC PERILS" Radio Row Short A line of the world's PARAMOUND mo6t gorgeous beauties, headed by a royal star cast Dick Powell Ruby Keeler Warren William and Mary Astor who play the leading roles in Warner Joan Blondell, SOUND NEWS Bros.’ Guy Kibbee, Zasu Pitts, Hugh Herbert. ‘The Case of the Howling Dog", the mystery-drama, showing Tuesday only at “your” Capitol. "Dames , Warner Bros newest furnish most of | the romance as and Wrubel. These are sung by WEDNESDAY —I and most musical spectacular com-1 a pair of lovers whose match is Dick Powell. Keeler. Joan Ruby BEN BLUE Jean Muir and edy romance, comes to "your'' George Brent, featured along with Verree Teasdale in Cap- anathema to their families. Three Blondell and Phil radios the Regan, fThe Funny Man) new Warner Bros, romantic hit. Desirable’*. This ltol Theatre with an all dynamic tale today, famous comedians, ZaSu Pitts, Guy In of the love of mother "Singing Cop.” and daughter for the same man. offers an un- star cast headed by Joan Blondell. Kibbee and Heibert. excelled Hugh provide w _ starring vehicle for the lovely Miss Muir. The Dick The *t0ry’ by Robert 411(1 "All Sealed Up" picture will be Powell and Ruby Keeler. -
West Side Story"
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 5-6-2014 12:00 AM Tragedy, Ecstasy, Doom: Modernist Moods of "West Side Story" Andrew M. Falcao The University of Western Ontario Supervisor Paul Coates The University of Western Ontario Graduate Program in Film Studies A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Andrew M. Falcao 2014 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Film and Media Studies Commons Recommended Citation Falcao, Andrew M., "Tragedy, Ecstasy, Doom: Modernist Moods of "West Side Story"" (2014). Electronic Thesis and Dissertation Repository. 2091. https://ir.lib.uwo.ca/etd/2091 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. TRAGEDY, ECSTASY, DOOM: MODERNIST MOODS OF “WEST SIDE STORY” (Thesis format: Monograph) by Andrew Michael Falcao Graduate Program in Global Film Cultures A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Andrew M. Falcao 2014 i Abstract This thesis looks to reposition West Side Story (Jerome Robbins/Robert Wise, 1961) as an example of (neo-)modernist art. Placing the film within its context of Hollywood musicals, I see West Side Story as a particularly rich locus in which to study the genre’s modernist impulses. -
Peace on Earth
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'See It Big!' Series Celebrates Movie Musicals
FOR IMMEDIATE RELEASE ‘SEE IT BIG!’ SERIES CELEBRATES MOVIE MUSICALS Fourteen spectacular singing/dancing extravaganzas including All That Jazz, The Sound of Music, Pennies from Heaven, The Wiz, and more January 24–February 28, 2014 Astoria, New York, January 2, 2014—The Museum of the Moving Image’s popular series See It Big! will turn its focus to the movie musical with a fourteen-film celebration of the genre, from January 24 through February 28, 2014. Musicals are, by their very nature, filled with spectacle. They are heightened forms of storytelling, in which the narrative is amplified by song and dance, where characters express their innermost feelings in the most extravagant ways imaginable. It is a genre that celebrates excess and stylization, and the best examples of the form can only be truly enjoyed… big! Among the titles are two of the first films produced at the rejuvenated Astoria studio— across the street from the Museum—in the 1970s: Series opener All That Jazz (1979) is choreographer and director Bob Fosse’s largely autobiographical tour de force featuring a lithe and passionate Roy Scheider as Fosse’s alter ego (January 24); The Wiz (1978), directed by Sidney Lumet, reimagines The Wizard of Oz in a gritty urban fantasy land and stars Diana Ross, Michael Jackson, and Nipsey Russell (February 7). Production materials from The Wiz are currently on view at the Museum in Lights, Camera, Astoria!, an exhibition exploring the history of the Astoria studio (on view through February 9), and also in the core exhibition Behind the Screen. Two other 1970s musicals also feature in the series. -
South Hill Park Cinema · Bracknell
Film and live screenings South Hill Park Cinema · Bracknell Star Wars: The Rise of Skywalker wilde theatre · mansion house · cinema · italian gardens · studio theatre · gallery bars · licensed wedding venue · recital room · art and dance studios · restaurant January – February 2020 Members can book from Thu 19 Dec southhillpark.org.uk Non-members from Mon 23 Dec ALL TICKETS Dementia-friendly and relaxed screenings £5.50 each Reel lives Our regular screenings of Specially-designed screenings for people living with dementia, award-winning documentaries their carers and anyone preferring to experience cinema in calm surroundings. With lights left on low and sound level reduced, these Amazing Grace relaxed screenings are on the second Monday of each month. Wed 8 Jan 7.30pm Doors open 1.30pm for a 2pm start, with a short interval. Dirs. Sydney Pollack/Alan Elliott, Complimentary refreshments will be provided after each film US, 2018, 88 mins Aretha Franklin, James Cleveland, screening. All staff and volunteers are Dementia Friends. CL Franklin When booking please advise if wheelchair access is required. In 1972, Aretha Franklin recorded Amazing Grace, the top-selling Gold Diggers of 1933 Carry On Cleo gospel recording of all time. Mon 13 Jan 2pm Mon 10 Feb 2pm This recently finished film of the Dir. Mervyn LeRoy, US, 1933, 96 mins Dir. Gerald Thomas, UK, 1964, 92 mins recordings made in a Baptist Dick Powell, Ruby Keeler, Ginger Rogers Kenneth Williams, Sidney James, church is a spine-tingling sensation, Amanda Barrie A wealthy composer secretly rescues Oscar nominee and one of the unemployed Broadway performers Shenanigans in Rome, Egypt and finest music documentaries ever. -
Moviehouse 2015 Program Moviehouse
* 2017 * Kingston Arts presents Kingston Arts presents Moviehouse Mo20viehous15 e Program2015 screenedProgram weekly on Mondays at 10:30am screened weekly on Mondays at 10:30am Did you know you can go to the movies once a week for a whole year for the cost of just one movie ticket at a commercial cinema? Moviehouse returns in 2017, now screening on DVD and Blu-Ray, allowing us to bring you a wider range of films. Join those in the know and become a member of Kingston’s best kept secret. kingston Moviehouse Sit back, relax and enjoy a cinematic journey from the golden years of the great movie studios! Drawn from many of the great classics, you can expect to relive the excitement, adventure and romance from a bygone era, with each film being personally introduced with summary and trivia details. You cannot purchase tickets to just a single session. You must join up as a member, which you can do at the Box Office. Due to 16mm films becoming increasingly precious, we are no longer Limited parking is available LEGEND able to loan prints from the National Film & Sound Archive in this under the Kingston City Hall. format. Instead, Moviehouse will now screen on DVD and Blu-Ray. (Col) Colour When booking your This allows us to screen classic films in higher quality and also choose membership, please request a (B/W) Black & White from a wider range of titles. Parking Permit. Join us at 10.00am for a cuppa before the movie starts at 10.30am The area is well-served by GENRE CODES sharp. -
The American City from the Colonial Origins to Present-Day Culture
The American City from the Colonial Origins to Present-Day Culture Stefan L. Brandt Erasmus Professor Università Ca‘ Foscari Bibliography (Selection): Novels and Short Stories: Allen Ginsberg. “Howl.” Collected Poems, 1947-1997. New York: Harper Collins Publishers, 2006. Art Spiegelman. In the Shadow of No Towers. New York: Pantheon Books, 2004. Bret Easton Ellis. American Psycho. New York: Vintage Books, 1991. Chester Himes. A Rage in Harlem. 1989. Edinburgh: Canongate Books, 2000. Don DeLillo. Cosmopolis. London: Picador, 2003. ---. Falling Man. A Novel. New York, London et al: Scribner, 2007. ---. White Noise. New York: Viking, 1985. Edgar Allan Poe. “The Man of the Crowd.” 1840. The Complete Tales and Poems of Edgar Allen Poe. London: Penguin Books, 1982, 475-481. Hart Crane. “To Brooklyn Bridge.” 1930. Complete Poems and Selected Letters. New York: Library of America, 2006. Henry Roth. Call It Sleep. New York: The Noonday Press, 1997. Herman Melville. Bartleby, the Scrivener: A Story of Wall-Street. 1853. Brooklyn: Melville House, 2004. Hubert Selby, Jr. Last Exit to Brooklyn. New York: Grove Press, 1964. J.D. Salinger. The Catcher in the Rye. London: Penguin Books, 1994. John Dos Passos. Manhattan Transfer. Boston: Houghton Mifflin, 1953. Jonathan Lethem. Motherless Brooklyn. London: Faber and Faber, 2000. Jonathan Safran Foer. Extremely Loud and Incredibly Close. London: Penguin Books, 2006. Joseph O’Neill. Netherland. New York: Pantheon Books, 2008. Mickey Spillane. I, the Jury. New York: Signet, 1982. Nathanael West. The Day of the Locust. 1939. Introd. Richard B. Gehman. New York: New Directions, 1950. Paul Auster, The Brooklyn Follies. New York: Henry Holt, 2006.