1. Decentering History 199 the Death Penalty Was Possible in Cases of Murder and a Heinous Crime Like Witch- Craft, but Was by No Means Regularly Pronounced
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Holberg Prize Reception Speech Bruno Latour, Sciences Po, Paris Speech Given for the Reception of the Holberg Prize, 5Th of June 2013, Bergen, Norway
Holberg Prize reception speech Bruno Latour, Sciences Po, Paris Speech given for the reception of the Holberg Prize, 5th of June 2013, Bergen, Norway. Minister, Excellency, Officers of the Ludwig Holberg Memorial Fund, Ladies and gentlemen, colleagues, friends and family. There is something slightly reassuring in having people like me receiving an award such as the one you have decided to bestow on my work tonight. Through sheer labour, ordinary people may achieve something that no one could have predicted from the way their mind works or from their personality. Having worried all my life about the fact that a white provincial male of bourgeois extraction and of limited intellectual skills could not possibly be the real target of the thoughts that had traversed his desk since he was sixteen, I am now totally reassured: everyone is able to tackle problems of vastly disproportionate size and even have the good fortune, if not to solve them, at least to give them a more reasonable shape. Reassured that it is not me but those slightly reshaped problems that are rewarded tonight, it is to them that I may now safely turn. The first problem is that of the exact nature of the intellectual practices themselves. To think productively is often to make positive use of one’s own limitation. Sometimes, ignorance is bliss. There is no doubt that, had I had a 129-Holberg reception speech 2 stronger power of abstraction or even the love for mathematics of Ian Hacking, my colleague and predecessor at this very lectern, I would never have been so totally obsessed by the difficulties of thinking, of gathering any piece of data, of convincing anyone of the smallest part of a proof; thus, I would never have put so much stress on the materiality of writing and visualizing. -
Curriculum Vitae
CURRICULUM VITAE Kwame Anthony Akroma-Ampim Kusi APPIAH Laurance S. Rockefeller University Professor of Philosophy and the University Center for Human Values University Center for Human Values Louis Marx Hall Princeton University Princeton, NJ 08544-1006 609-258-4289 Fax: 609-258-1502 Department of Philosophy 1879 Hall Princeton University Princeton, NJ 08544-1006 609-258-4798 Fax: 609-258-2729 WEBSITE: http://www.appiah.net E-MAIL: [email protected], [email protected] EFAX: 413-208-0985 LITERARY AGENT: Lynn Nesbit Janklow & Nesbit Associates 445 Park Ave New York, NY 10022 212-421-1700 Fax: 212-980-3671 http://www.janklowandnesbit.com/ LECTURE AGENT: David Lavin The Lavin Agency 222 Third Street, Ste. 1130 Cambridge, MA 02142 800-762-4234 Fax: 617-225-7875 http://www.thelavinagency.com/ CITIZENSHIP: United States DATE OF BIRTH: 8 May 1954 EDUCATION Clare College, Cambridge University, 1972-75 Exhibition, Medical Sciences 1972 First Class Honours (Part I b) 1974 Exhibition, Philosophy 1974 First Class Honours (Part II) 1975 BA (Honours), Philosophy 1975 MA 1980 1976-81 PhD, Philosophy 1982 (Thesis: Conditions for Conditionals) LANGUAGES: Asante-Twi, English, French, German, Latin Kwame Anthony Appiah CV 2 EMPLOYMENT Princeton Laurance S. Rockefeller University Professor of Philosophy and the University Center for Human Values July 2002- Associated Fields: African-American Studies (2002-), Comparative Literature (2005-), Politics (2006-), Program in Translation and Intercultural Communication (2007-) Bacon-Kilkenny Visiting Professor, Fordham University School of Law Fall 2008 Phi Beta Kappa-Romanell Professor, 2008-2009 Harvard Charles H. Carswell Professor of Afro-American Studies and of Philosophy July 1999-July 2002 Professor of Afro-American Studies and Philosophy July 1991-July 1999 Head Tutor, Afro-American Studies July 1991-July 2001 Acting Director of Graduate Studies, Philosophy Spring Semester 1991 Chair, Committee on African Studies 1995-2001 Associate Director, Black Fiction Project 1991-96 Member of the Board of the W. -
Read Program
KAIJA SAARIAHO l’amour de loin conductor Opera in five acts Susanna Mälkki Libretto by Amin Maalouf production Robert Lepage Saturday, December 10, 2016 PM associate director 1:00–3:35 Sybille Wilson New Production set and costume designer Michael Curry lighting designer Kevin Adams lightscape image designer Lionel Arnould The production of L’Amour de Loin was made sound designer Mark Grey possible by a generous gift from the Francis Goelet Trusts Additional funding for this production was received from The H.M. Agnes Hsu-Tang, PhD. and Oscar Tang Endowment Fund general manager Peter Gelb music director emeritus James Levine Co-production of the Metropolitan Opera and L’Opéra de Québec principal conductor Fabio Luisi In collaboration with Ex Machina 2016–17 SEASON The 3rd Metropolitan Opera performance of KAIJA SAARIAHO’S This performance l’amour is being broadcast live over The Toll Brothers– de loin Metropolitan Opera International Radio Network, sponsored conductor by Toll Brothers, Susanna Mälkki America’s luxury ® in order of vocal appearance homebuilder , with generous long-term jaufré rudel support from Eric Owens The Annenberg Foundation, The the pilgrim Neubauer Family Tamara Mumford* Foundation, the Vincent A. Stabile clémence Endowment for Susanna Phillips Broadcast Media, and contributions from listeners worldwide. There is no Toll Brothers– Metropolitan Opera Quiz in List Hall today. This performance is also being broadcast live on Metropolitan Opera Radio on SiriusXM channel 74. Saturday, December 10, 2016, 1:00–3:35PM This afternoon’s performance is being transmitted live in high definition to movie theaters worldwide. The Met: Live in HD series is made possible by a generous grant from its founding sponsor, The Neubauer Family Foundation. -
Postmodernism and Classical Chinese Philosophy
Cultural and Religious Studies, March 2016, Vol. 4, No. 3, 194-203 doi: 10.17265/2328-2177/2016.03.005 D DAVID PUBLISHING Postmodernism and Classical Chinese Philosophy Yong-Kang Wei University of Texas (RGV), Texas, USA While over two thousand years apart, Western postmodernism and ancient Chinese philosophy share some extraordinary similarities, especially epistemology wise. For example, they both recognize the role of language in constructing, and limiting, knowledge and reality. This is because thinkers of different cultures and geographical regions, and of different historical periods, can possibly come up with similar philosophical conclusions when addressing what is commonly known as the “human condition”. The paper will discuss, in general terms, some of the philosophical similarities between postmodernism and classical Chinese philosophy; it will also take a close look at three concepts in Chinese philosophy that register strong affinity with Western postmodernism: namely, change, dialectic, and relativism. Keywords: postmodernism, modernism, classical Chinese philosophy Introduction Postmodernism, as a philosophical concept, was first introduced in China by Fredric R. Jameson in 1985, when he was lecturing on “postmodernism” and “cultural theory” at Peking University (Wang, 2008). So readers may immediately sense a chronological incongruity between postmodernism and classical Chinese philosophy. However, it is quite possible, I would argue, that thinkers of different cultures and geographical regions, and of different historical periods, can come up with similar conclusions when addressing what is commonly known as the “human condition”. For example, Confucius’ “己所不欲,勿施于人” (Don’t do things to others that you don’t want done to yourself) is echoed, almost identically, in the Christian Bible, and Protagoras’ (490-420 B.C.) paradox rings very similar to the “two-argument” theory (两可论) of Deng Xi1 (邓 析, 545-501 B.C.), a Chinese philosopher of the Spring and Autumn Period. -
Thinking About Liberty in Dark Times” Contents
The Holberg Prize Seminar 2004, Holberg Prize Laureate Professor Julia Kristeva ”Thinking about liberty in dark times” Contents Award announcement 4 About the Ludvig Holberg Memorial Fund 5 Greetings from the Ludvig Holberg Memorial Fund 6 In honour of Julia Kristeva 7 Julia Kristeva’s acceptance speech at the state banquet on 3 December 2004 9 Kelly Oliver: In Honor of Julia Kristeva, Holberg Prize Laureate 13 Julia Kristeva: Thinking about liberty in dark times 20 Sara Beardsworth: Commentary: Freedom and Ethical Value 38 John Fletcher: The Semiotic and the Other: a response to Julia Kristeva 42 Atle Kittang: Liberty, Freedom, the Imaginary 50 Iréne Matthis: The concept of working through 54 Award announcement About the Ludvig Holberg Memorial Fund “The recipient of the Holberg International Memorial Prize for 2004 is The Ludvig Holberg Memorial Fund was established by the Norwegian Government Professor Julia Kristeva, Director of the Institute for the Study of Texts and for the purpose of annually awarding the Holberg International Memorial Prize for Documents at the University of Paris 7 - Denis Diderot. outstanding scholarly work in the fields of the arts and humanities, social sciences, law or theology. The prize is worth NOK 4. 5 million (about 520,000 Euro) and was In her path breaking book La Révolution du langage poétique (1974; Revolution in awarded for the first time on 3 December 2004 to Professor Julia Kristeva. Poetic Language, 1985) Julia Kristeva first advanced the theory that the process of signification in language is constituted by two different but interacting elements, the The Holberg Prize aims to increase society’s awareness of the value of research in symbolic and the semiotic, thus bringing the living body back into language. -
The History and Description of Africa and of the Notable Things Therein Contained, Vol
The history and description of Africa and of the notable things therein contained, Vol. 3 http://www.aluka.org/action/showMetadata?doi=10.5555/AL.CH.DOCUMENT.nuhmafricanus3 Use of the Aluka digital library is subject to Aluka’s Terms and Conditions, available at http://www.aluka.org/page/about/termsConditions.jsp. By using Aluka, you agree that you have read and will abide by the Terms and Conditions. Among other things, the Terms and Conditions provide that the content in the Aluka digital library is only for personal, non-commercial use by authorized users of Aluka in connection with research, scholarship, and education. The content in the Aluka digital library is subject to copyright, with the exception of certain governmental works and very old materials that may be in the public domain under applicable law. Permission must be sought from Aluka and/or the applicable copyright holder in connection with any duplication or distribution of these materials where required by applicable law. Aluka is a not-for-profit initiative dedicated to creating and preserving a digital archive of materials about and from the developing world. For more information about Aluka, please see http://www.aluka.org The history and description of Africa and of the notable things therein contained, Vol. 3 Alternative title The history and description of Africa and of the notable things therein contained Author/Creator Leo Africanus Contributor Pory, John (tr.), Brown, Robert (ed.) Date 1896 Resource type Books Language English, Italian Subject Coverage (spatial) Northern Swahili Coast;Middle Niger, Mali, Timbucktu, Southern Swahili Coast Source Northwestern University Libraries, G161 .H2 Description Written by al-Hassan ibn-Mohammed al-Wezaz al-Fasi, a Muslim, baptised as Giovanni Leone, but better known as Leo Africanus. -
Storytelling
History and Theory 50 (May 2011), 203-209 © Wesleyan University 2011 ISSN: 0018-2656 FORUM: HOLBERG PRIZE SYMPOSIUM DOING DECENTERED HISTORY 2. STORYTELLING JOAN W. SCOTT ABSTRACT Natalie Davis is a quintessential storyteller in the way theorized by Walter Benjamin, Hannah Arendt, and Michel de Certeau. Her work decenters history not simply because it grants agency and so historical visibility to those who have been hidden from history or left on its margins, but also because her stories reveal the complexities of human experi- ence and so challenge the received categories with which we are accustomed to thinking about the world. Keywords: storytelling, narrative, history, Benjamin, Arendt, Certeau, Geertz “Le passé est une histoire que l’on conte.” —Natalie Zemon Davis1 It is a commonplace that historians are storytellers. So much so that the Gradu- ate Record Exam (the test taken by candidates for various university graduate programs in the United States) uses as one of its “issue questions” the following: “When we concern ourselves with the study of history, we become storytellers. Because we can never know the past directly but must construct it by interpreting evidence, exploring history is more of a creative enterprise than it is an objective pursuit. All historians are storytellers.”2 The question sets up a familiar opposition: between facts and interpretation, objective science and artistic creativity, reality and fiction. The best answers will try to negotiate some balance between these contradictory categories, arguing, for example, that interpretation is necessarily reined in by evidence, or that cre- ativity is also an attribute of science. -
Chapter Two: the Global Context: Asia, Europe, and Africa in the Early Modern Era
Chapter Two: The Global Context: Asia, Europe, and Africa in the Early Modern Era Contents 2.1 INTRODUCTION .............................................................................................. 30 2.1.1 Learning Outcomes ....................................................................................... 30 2.2 EUROPE IN THE AGE OF DISCOVERY: PORTUGAL AND SPAIN ........................... 31 2.2.1 Portugal Initiates the Age of Discovery ............................................................. 31 2.2.2 The Spanish in the Age of Discovery ................................................................ 33 2.2.3 Before You Move On... ................................................................................... 35 Key Concepts ....................................................................................................35 Test Yourself ...................................................................................................... 36 2.3 ASIA IN THE AGE OF DISCOVERY: CHINESE EXPANSION DURING THE MING DYNASTY 37 2.3.1 Before You Move On... ................................................................................... 40 Key Concepts ................................................................................................... 40 Test Yourself .................................................................................................... 41 2.4 EUROPE IN THE AGE OF DISCOVERY: ENGLAND AND FRANCE ........................ 41 2.4.1 England and France at War .......................................................................... -
Leo the African Pdf, Epub, Ebook
LEO THE AFRICAN PDF, EPUB, EBOOK Amin Maalouf | 368 pages | 22 Sep 1994 | Little, Brown Book Group | 9780349106007 | English | London, United Kingdom Leo the African PDF Book A scholarly translation into French with extensive notes. Views Read Edit View history. Read more Read less. Wikimedia Commons. Usually dispatched within 4 to 5 days. By signing up, you agree to our Privacy Notice. London: G. Leo the African was first published in French in , and the first English translation appeared several years later. See also: Description of Africa book. Amin Maalouf. Black, Crofton It is a curious habit of men, al-Wazzan notes, to name themselves after terrifying beasts instead of devoted animals. If the Amazon. Wiesbaden: Harrassowitz. This fictional work on a larger than life real life character. Help Learn to edit Community portal Recent changes Upload file. Maalouf's al-Wazzan is less passionate than the reader about his remarkable life. Report abuse. First paperback edition cover. I just can't help but recommending it to everybody. The original text of Pory's English translation together with an introduction and notes by the editor. The Song of Roland Book Analysis. Dewey Decimal. Another surviving work is a biographical encyclopedia of 25 major Islamic scholars and 5 major Jewish scholars. Historical reenactment History play Historical grand opera by historical figures. Helsinki: Finnish Academy of Science and Letters. Routledge, He is a poet to sultans and lover to wives, slave-girls and princesses. Hunwick, John O. He continued with his journey through Cairo and Aswan and across the Red Sea to Arabia , where he probably performed a pilgrimage to Mecca. -
The Ancients and the Postmoderns. Fredric Jameson. London & New York: Verso Press, 2015
The Ancients and the Postmoderns. Fredric Jameson. London & New York: Verso Press, 2015. Pp. 306 (cloth). Reviewed by Julian Murphet, University of New South Wales Late Jameson, a nebulous authorial entity I date from the publication of Brecht and Method (1998), has now eclipsed in sheer bulk and volume those other, older Jamesons (the mighty young scholar-Turk who wrote the mesmerizing sequence from Sartre (1961) to the essays collected in the two-volume Ideologies of Theory (1988); and the august theorist of the postmodern who spanned the period from the Adorno book, Late Marxism (1990), through to the assembled musings of The Cultural Turn (1998)—who to this day remain better known and more often cited than this extraordinarily prolific elder Jameson. One reason for that is that it has been difficult to reduce the later Jameson to anything like a consistent argumentative claim or position. If the early Jameson had stood for “taking Continental Theory seriously” and “always historicizing,” and the mid-career Jameson had inveigled us to “scan the cultural signs of the present for evidence of their underlying economic logic,” this later Jameson remains a more opaque thinker, though there is evidence of some persistent themes and motifs, and one underlying material fact. This latter—that “late Jameson” is exclusively a property of Verso Press, and has therefore been curated by a singular editorial agenda—bears some consideration. For whereas the other Jamesons built their formidable reputations in the established University presses (Princeton, Cornell, Yale, California, Duke, Indiana, Columbia), the likely absence of any rigorous process of academic peer review in the later Jameson volumes signals a retreat from those testing (and often exasperating) trials that mark lesser careers in the business. -
Barry Lawrence Ruderman Antique Maps Inc
Barry Lawrence Ruderman Antique Maps Inc. 7407 La Jolla Boulevard www.raremaps.com (858) 551-8500 La Jolla, CA 92037 [email protected] [Africa] Stock#: 46673 Map Maker: Ramusio Date: 1554 Place: Color: Uncolored Condition: VG Size: 15.5 x 11.5 inches Price: SOLD Description: Rare map of Africa, published by Jean Temporal. Rare early map of Africa, with south at the top, which appeared in Historiale description de l'Afrique, published by Jean Temporal. Geographically, this map is a close copy of the map Gastaldi/Ramusio map, which first appeared in 1554. In this edition of the map, the names have been translated into French, and the ships and sea monsters are engraved in a new, slightly larger style. This French edition is rare on the market--the complete book sold at Sothebys in London in 2003, where it sold for £21,600. Leo Africanus Joannes Leo Africanus (1494 - 1554) was born al-Hasan ibn Muhammad al-Wazzan al-Fasi. Leo Africanus was born as al-Hasan, son of Muhammad in Granada, Islamic Spain. He moved duringe early childhood to Fez, where he studied at the University of al-Qarawiyyin. As a young man he accompanied an uncle on a diplomatic mission, reaching as far as the city of Timbuktu (c. 1510). In 1517, when returning from a diplomatic mission to Constantinople on behalf of the Sultan of Fez Muhammad II, he found himself in the port of Rosetta during the Ottoman conquest of Egypt. He continued with his journey through Cairo and Aswan and across the Red Sea to Arabia, where he probably performed a pilgrimage to Mecca. -
BERNADETTE ANDREA Department of English University of California
Last updated: 4/26/19 BERNADETTE ANDREA Department of English University of California, Santa Barbara Santa Barbara, CA 93106-3170 [email protected] https://www.english.ucsb.edu/people/andrea-bernadette PROFESSIONAL APPOINTMENTS Professor, Dept. of English, University of California, Santa Barbara (UCSB), 2017–present. Core Faculty, Center for Middle Eastern Studies, UCSB, 2017–present. Affiliate Faculty, Comparative Literature Program, UCSB, 2017–present. Affiliate Faculty, Department of Feminist Studies, 2017–present. Celia Jacobs Endowed Professor in British Literature, University of Texas, San Antonio (UTSA), 2015–17. Professor, Department of English, UTSA, 2010–17. Associate Professor, Department of English, UTSA, 2004–10. Assistant Professor, Department of English, UTSA, 1998–2004. Assistant Professor, Department of English, West Virginia University, 1996–98. Administrative Director, Early Modern Center, UCSB, 2018–present. Graduate Advisor of Record (English Ph.D.), UTSA, 2014–17 Graduate Advisor of Record (English M.A.), UTSA, 2011–14. Provost Faculty Fellow, UTSA, 2007–9. Chair, Department of English, Classics, and Philosophy, UTSA, 2004–7. Administrative Intern, College of Fine Arts and Humanities, UTSA, Spring 2002. Editorial Co-editor, Early Modern Women: An Interdisciplinary Journal, 2017–present. Postdoctoral Visiting Scholar, Near Eastern Languages and Civilizations, University of Chicago, Su2005. Visiting Scholar, Department of English, University of North Carolina, Chapel Hill, Su2001. Postdoctoral Fellow, Department of English, University of British Columbia, Canada, 1995–96. ACADEMIC TRAINING Post-Secondary Degrees Ph.D. in English Language and Literature, Cornell University, 1990–95; degree conferred Jan. 1996. M.A. in English Language and Literature, Cornell University. August 1993. Specialization: Renaissance/Early Modern; Women’s Studies; Literary/Cultural Theory.