1932-04-24 [P

Total Page:16

File Type:pdf, Size:1020Kb

1932-04-24 [P Stars and Drama Stage and Screen A Fiddler Washington’s Players “Street Singer^ Light Opera Share Programs of Week For Local Theatergoers ; What Various Dramatic Organizations Are Doing and to Do. iVictor McLaglen and “The Street Singer' in the Propose A Week of the Gilbert and Sullivan Songs, and Flesh, While Several of the Newest "THE CONTRAST”—Friday. Miss Constance Connor Brown, who was "On the Spot” at the National—Other News staff of TYLER'S play, "The then serving on the direction and is now di- Pictures Hold the Screens. Contrast,” which reflects the the University Theater of the at Wash- Washington Playhouses. as Sheridan's rector of dramatics George same period been moved to "School for Scandal,” but with ington University, has ROYALL rather than an make the revival this year. an American America.” 1 flash in a the laughs surge out BELASCO—Gilbert and Sullivan Operas. ually mentioned in it. since its back- FOX—"Young gondola English background, and which has been like an uproarious mirth symphony. The Gilbert and Sullivan festival ground, in part, is furnished the two-time winner of the gold produced only a few times since it was “HOLIDAY"—Tuesday. by medal Frank direction was that of the ever-rellable will be announced by the Civic Light Midwest racketeers, found 'n the play a award. Borzage, first given, in 1787. presented 'T'HE Columbia Players, thrice winners of his screen offer, Frank Tuttle. Club of Opera Co. promises at the Shu- rather startling story. It is another of has another by the Cue and Curtain George of the one-act play tour- at the Fox Theater this Besides the three principals, the cast city-wide bert Belasco this week four of the plays that will be seen in Wash- ings Washington Uni- nament, will close their 1931-32 season THE THE includes Thelma Todd, recently in the the of these two ington for the first time, under the week in "Young America." at the happiest operas Busi- versity next and Wednesday evenings one Four Mark Brothers’ “Monkey Tuesday masters, presented in the same excel- auspices of the National Theater Featured In it is Spencer Tracy, Wardman Park with the of Barry's Gary Grant, a young English- presentation Philip lent manner that characterized their Players. ©! the compelling screen personalities ness”; Theater Friday and Park Theater man; Irving Bacon, Claire Dodd and "Holiday” at Wardman at New Clifford Brooke. In of recent years; also Doris Kenyon in Saturday evenings Holland, presentation Erlanger's Theater, directing this play, Davison Clark. under the direction of Orris where the Gilbert has strict the role of the wife, and Tommy of this week, under York City, and Sul- paid attention to the speed The ends with "Holiday” ranges from delightfully ine ciev- production everything livan series ran for required in rendering the lines—and the uomon, the sponsorship of delirious and ridiculous dialogue to tense re- going along in fine fashion and with 41 weeks to ca- Players, it is announced, are for er youngster the District of Co- and and from gay New primed every one with his or her own mate. tragic scenes, audiences. one of the membered from lumbia Bicenten- Year and pacity fastest-moving performances “This Is the also features sev- parties to broken engagements eve- ever a “Over the Hill." Night" nial Commission. Tomorrow given by resident company. As eral new musical numbers, one of which postponed weddings. fine or- some of the “Young Amer- It is rot a Dor- ning this outstanding parts in “On name of and a play Tne cast includes Linda Beton, is bears the the picture, ganization will pre- the Spot" are types familiar to most ica” described about Revolution- othea Lewis; Julia Seton, Orrel Belle tuneful selection. sent "Trial by newspaper readers, the have an as the story of ary days, written Willard Miller; Players Claflin; Johnny Case, and "H. M. S. to youth at the cross- at a later date by Jury” opportunity "dig down deep" for of New Edward Seton, George Odell; Ned Seton. of a METROPOLITAN—"The Heart Pinafore.” These character studies. Leona Powers has a roads; lonely some student of Robert M. Miller; Susan Potter, Wilma old York.” will be repeated part to her Donald the 14-year boy the times, but is Wright; Nick Potter, S. Allen Poster; liking. Woods, and Wed- new will be to and his encoun- G'T'HE HEART OF NEW YORK,” a an actual play of Laura Cram. Elizabeth Michael; Seton Tuesday leading man. seen ad- with various ■*- evenings Ona Addle ters Warner Bros.’ picture, which is the period, written Cram, Gerald Flood; Delia, Iva Davis; nesday vantage. Munson, Hibbard, who and at Thursday'* Kathryn grown ups said to present the most popular and by an author of Henry, C. N. McCullock, and Charles, Givney, Raymond Bramley, matinee. Forrest Orr, Burke misunderstood his misunderstood city in the world, New BOBBY GILBERT, those times, and Virginia Wilson. George Edwards. Clarke—in fact, the motives. It is a York, “in an entirely different manner,” might be called “a “Trial by Jury” whole company is ready for a week of Violinist, who is featured in the stage was the first vivid drama of is the current screen attraction at War- genuine antique. It is, m iact. me nrsi really high-powered drama. show at the Fox this week. NATIVITY SODALITY PLAYERS. written Two boyhood fears, ner Bros.' Metropolitan Theater. It American play on an American theme opera by matinees will be given—on Wed- and tri- was the an American author. '"THE Sodality Players, on Gilbert and Sulli- nesday and on Because of hopes adapted from Broadway play ever written by A Nativity Saturday. umphs. "Mendel, Inc.,” and its dramatic and The playwright, Royall Tyler, was a Wednesday and Thursday evenings, ARTHUR TRACY, van to arrest at- the mystery element in the play, and the at 8:30 tention. All the the Others in Doris Kenyon. comedy action transpires in a typical suitor for the hand of Abby Adams, o'clock, in the Nativity Audito- Better known to radio fans as "The Fay Templeton. peculiar ending, no advance synop- auaintness of the sis of supporting cast New York home. The action, in brief, of America’s second President, rium, 6000 Georgia avenue, will present Street who on the story is given. daughter Singer,” appears the stage all the are Ralph Bellamy, seryi Mercer, Ray- concerns a man who is given more to John Adams, and sister of America's the rollicking old farce “A Pull House" at the Palace this week. Elizabethan madrigals, grace "On the Spot" was rated by the New of the dance measures of mond Borzage and William Pawley. invention of a dishwashing device than sixth President, John Quincy Adams. as a benefit, under the direction of Luke and rhythm York dramatic critics as the "last word been converted •Hie play is by Fred Ballard. to gaining a livelihood for his family, Moving The writing of the play was inspired by Pegan. vesteryear have by in modern melodrama." j into a On the stage Fanchon and Marco The family has its trials, in the midst his chagrin at the loss of his sweetheart These players have given several dra- [ these wizards of light opera j Pictures for New Week. satire British present their "Greetings” idea, staged I of which there also are moments of Album to a rival whose veneer of foreign cul- matic performances in the past that rollicking upon juris- GAYETY—“Rainy Daisies.” Del con- have framed with a setting of by Larry Ceballos and introducing laughter. Success, when it comes, brings ture made him seem superior by reflected credit upon their ability, prudence, of the humor. Columbia Burle-k Chain, Lamberti, John and Harriet an end to financial worry, but a new trast to the hero, until the latter's among them "The Patsy" and "Her new screen version of "The originality and exquisite ^I^NOTHER BY ROBERT E. SHERWOOD. Circuit shows will Griffith, Buster and Brown. Dorothy series of amusing incidents. manly character had a chance to be Step-Husband.” Miracle Man,” a classic of the "H. M. S. Pinafore” is so well known step off at the Collenette Ballet. The cast the silent in Thieme and the The cast is composed of George Sid- appreciated. which will take part in j pictures 1919, which that any comment upon its irresistible Gayety Theater this week, starting with Phil guest conductor, of- and Dale of the Avon Com- is that the pro- present offering includes Gifford Kirk, made stars of Lon Chaney, ar.d its melodies seems Lampkin, ney, Smith HE loudly advertised movie ver- It particularly fitting THE story quaint the usual matinee this afternoon. fers a melodious overture and the Fox edy Four, Anna Appel, Aline MacMahon duction should be given in Washington Gertrude Lanman, Helen E. Reichhardt, Thomas Meighan and Betty Never has the story been has come superfluous. Daisies" is the bill. Ruth Hall as the sion of "Grand Hotel” for it Kathlyn M. Katherine Koontz, will be at the “Rainy the title, and the Movietonews completes and Donald Cook and by a group of university players, Dillon, Compson, presented I better told nor the scintillating music it B. show is romantic leads. up to expectations. Indeed, has been students of the theater who Joseph Flynn, Charles W. Cook and Warner-Earle Theater for the new more gloriously sung than by this or- described as a well balanced a Stanley Simons. The is next This PALACE—“But the Flesh Is Weak.” The bill also includes short-reel has actually passed them.
Recommended publications
  • Welcome Home Mr Swanson Swedish Emigrants and Swedishness on Film Wallengren, Ann-Kristin; Merton, Charlotte
    Welcome Home Mr Swanson Swedish Emigrants and Swedishness on Film Wallengren, Ann-Kristin; Merton, Charlotte 2014 Document Version: Publisher's PDF, also known as Version of record Link to publication Citation for published version (APA): Wallengren, A-K., & Merton, C., (TRANS.) (2014). Welcome Home Mr Swanson: Swedish Emigrants and Swedishness on Film. Nordic Academic Press. Total number of authors: 2 General rights Unless other specific re-use rights are stated the following general rights apply: Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Read more about Creative commons licenses: https://creativecommons.org/licenses/ Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. LUND UNIVERSITY PO Box 117 221 00 Lund +46 46-222 00 00 welcome home mr swanson Welcome Home Mr Swanson Swedish Emigrants and Swedishness on Film Ann-Kristin Wallengren Translated by Charlotte Merton nordic academic press Welcome Home Mr Swanson Swedish Emigrants and Swedishness on Film Ann-Kristin Wallengren Translated by Charlotte Merton nordic academic press This book presents the results of the research project ‘Film and the Swedish Welfare State’, funded by the Bank of Sweden Tercentenary Foundation.
    [Show full text]
  • Cinelandia Films
    u 1 5 0 6 -A • j - . í- V ' ■/ Ayuntamiento de Madrid LA MARAVILLA DE UN CARRETE MENOR H í M P L E A N D O l o s C A ­ RRETES corrientes, no se podía construir una Kodak menor sin sacrificar su eficacia. Por lo tanto, diseñamos un carrete nuevo, para película de 8 exposi­ ciones en vez de 6. Y de este carrete menor ha salido una Kodak nueva, m ás eficaz. L a K O D A K SIX-16, que así se llama, toma fotografías de 6.5 x 11 cm., y es apenas mayor que las cámaras para “fotos” de ó X 9 cm. Nueva además por su estilo moderno, la facilidad con que se carga y su sen­ cillez de manejo. la Kodak Six-16 es, en lodo, de una novedad intrigante. Su precio con objetivo Kodak Anastigmá­ tico /.6.3, constituye una sorpresa. La Kodak Six-20 es lo mismo que la anterior, en todo menos en el tamaño de sus fotografías, que miden 6 x 9 cm. Ambas se pueden obtener en variedad de objetivos y obturadores, según los gustos ... y bolsillos. F á c i l d e c a r g a r . El nuevo res- paldoy el nuevo m ecanism o pura ¡ C l i c ! Con iin movimiento quctla el carrete hacen m ás fácil y m¿ís In Kodak al)ierta y lista. SOLO EASTMAN FABRICA LA KODAK rápido cargar csla Kodak. EASTMAN KODAK CO., ROCHESTER, N. V., E. U. A. Kod«k Arsentína, U * ., 434 Paso 438, Buenos Aires; Kodak Branleíra, Ltd., Caíxa Poslal 849, Rio d« Janeiro; Kodak Coíomblar^a, Ltd., Apartado $34.
    [Show full text]
  • President to Work with Business Heads
    THE WEATHER Feieeoat ef 0. 8. Watber BnMNN, Hartford ndr. colder In central and east pertkms tmright; Friday partly liamlirBtrr lEiirning eleady. (FOURTEEN PAGES) PRICE THREE CENTS'^ ASTMtMag Ml rage u.). MANCHESTER, CONN„ THURSDAY, DECEMBER 20, 1934. MONARCH IS NEEDED CONTINUE NRA PRESIDENT TO WORK FOR YEAR, SAY TO WAGE U. S. WARS j TRAM CHIEFS WITH BUSINESS HEADS -A LABOR TROUBLES Snggest That It Be Not State G. O. P. Leaders Ready to Examine Op Ito TOCLOSEPLANT Forced Upon Industry But Merits Program for R^ Be Accepted as Voluntary Study Foe*s Dispute co?ery Agreed Upon ky Loyal Employees Get An Ex- Action. Captams of Industry — Hartford, Dec. 20.— (A P)—Speedy•!> Developments, however, were said tra Week’s Pay Before the action by Republican leaders to to depend on the attitude of the Washington, Dee. 20.—(AP) — White Sulphur Springs, W. Va., take advantage' ot their strategic eight Senators who t’lough voting Governors Score Plan to position resulting from the break Irenee Du Pont told the Senate Dec. 20.— (AP)—America’s "big against Senator William E . munitions committee today "the Shutdown. between Governor Cross and the business” dispatched Its suggestions Old Guard bloc of Democratic Sen- Hagearty for the party leadership Place Relief Barden On only way to wage n war la to have today to President Roosevelt for ators was reported as Inevitable to- supported Raymond J. Devlin and Joseph P. Cooney, nominated for an absolute Monarch at the head of Soutbbridge, Moss., Dec. *20.- "the revival of the normal process- day. the government.” Though no Republican was able president pro tempore and clerk, States.
    [Show full text]
  • The Dark Side of Hollywood
    TCM Presents: The Dark Side of Hollywood Side of The Dark Presents: TCM I New York I November 20, 2018 New York Bonhams 580 Madison Avenue New York, NY 10022 24838 Presents +1 212 644 9001 bonhams.com The Dark Side of Hollywood AUCTIONEERS SINCE 1793 New York | November 20, 2018 TCM Presents... The Dark Side of Hollywood Tuesday November 20, 2018 at 1pm New York BONHAMS Please note that bids must be ILLUSTRATIONS REGISTRATION 580 Madison Avenue submitted no later than 4pm on Front cover: lot 191 IMPORTANT NOTICE New York, New York 10022 the day prior to the auction. New Inside front cover: lot 191 Please note that all customers, bonhams.com bidders must also provide proof Table of Contents: lot 179 irrespective of any previous activity of identity and address when Session page 1: lot 102 with Bonhams, are required to PREVIEW submitting bids. Session page 2: lot 131 complete the Bidder Registration Los Angeles Session page 3: lot 168 Form in advance of the sale. The Friday November 2, Please contact client services with Session page 4: lot 192 form can be found at the back of 10am to 5pm any bidding inquiries. Session page 5: lot 267 every catalogue and on our Saturday November 3, Session page 6: lot 263 website at www.bonhams.com and 12pm to 5pm Please see pages 152 to 155 Session page 7: lot 398 should be returned by email or Sunday November 4, for bidder information including Session page 8: lot 416 post to the specialist department 12pm to 5pm Conditions of Sale, after-sale Session page 9: lot 466 or to the bids department at collection and shipment.
    [Show full text]
  • P-26 Motion Picture Collection Repository: Seaver Center For
    P-26 Motion Picture Collection Repository: Seaver Center for Western History Research, Natural History Museum of Los Angeles County Span Dates: c.1872-1971, bulk 1890s-1930s Extent: 48 linear feet Language: Primarily English Conditions Governing Use: Permission to publish, quote or reproduce must be secured from the repository and the copyright holder Conditions Governing Access: Research is by appointment only Preferred Citation: Motion Picture Collection, Seaver Center for Western History Research, Los Angeles County Museum of Natural History Related Holdings: There are numerous related collections, and these can be found by consulting the Photo and General Collection guides available at the Seaver Center’s website. They include manuscripts in general collection 1095 (Motion Pictures Collection), general collection 1269 (Motion Picture Programs and Memorabilia), general collection 1286 (Movie Posters Collection), general collection 1287 (Movie Window Cards and Lobby Cards Collection), and general collection 1288 (Motion Picture Exhibitors’ Campaign Books). Seaver Center for Western History Research P-26 Abstract: The Motion Picture Collection is primarily a photograph collection. Actor and actress stills are represented, including portraits by studio photographers, film and set stills, and other images, as well as related programs, brochures and clippings. Early technology and experimental work in moving pictures is represented by images about camera and projection devices and their inventors. Items related to movie production include early laboratories, sound, lighting and make-up technology. These items form Photograph Collection P-26 in the Seaver Center for Western History Research. Scope and Content: The Motion Picture Collection is primarily a photograph collection. Actor and actress stills are represented (including portraits by studio photographers), film stills, set stills, and other images, as well as related programs, brochures and clippings.
    [Show full text]
  • THE PRIVATE LIFE of GRETA GARBO Digitized by the Internet Archive
    '• ' 1/ • • \ t* i THE PRIVATE LIFE OF GRETA GARBO Digitized by the Internet Archive in 2017 with funding from Media History Digital Library https://archive.org/details/privatelifeofgreOOunse Two Homes: The second house from the right in the lower picture is Blekingegaten 32, Stockholm, where Greta Garbo was born; the upper picture shows her former home at Beverly Hills. Courtesy of Fred R. Morgan Compare these two studies of Greta Garbo. The one above was made during her first American role, in Ibanez’s The Torrent. © MOM While this one was taken during the production of a recent picture. Note the dyed black hair in the one on the left. © MGM The Greta Garbo of to-day: Portrait of the greatest screen actress. printed at the Country Life Press, garden c i t y, n. y., u. s. a. COPYRIGHT, 1931 BY RILLA PAGE PALMBORG ALL RIGHTS RESERVED FIRST EDITION THE PRIVATE LIFE OF GRETA GARBO INTRODUCTION No picture star in the world has aroused the curiosity about her private life that Greta Garbo has. No picture star in the world but Greta Garbo has been able to keep her private life so nearly a closed book. The stories written about the great Swedish star tell almost nothing about the real Garbo as she is to-day. Very little is known about her childhood in Sweden. “I was born. I had a father and mother. I lived in a house. I went to school. What does it matter?” she says in answer to questions about her early life. During her romance with Jack Gilbert, Garbo did give a few interviews.
    [Show full text]
  • Welcome Home Mr Swanson Swedish Emigrants and Swedishness on Film Wallengren, Ann-Kristin; Merton, Charlotte
    Welcome Home Mr Swanson Swedish Emigrants and Swedishness on Film Wallengren, Ann-Kristin; Merton, Charlotte 2014 Document Version: Publisher's PDF, also known as Version of record Link to publication Citation for published version (APA): Wallengren, A-K., & Merton, C., (TRANS.) (2014). Welcome Home Mr Swanson: Swedish Emigrants and Swedishness on Film. Nordic Academic Press. Total number of authors: 2 General rights Unless other specific re-use rights are stated the following general rights apply: Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Read more about Creative commons licenses: https://creativecommons.org/licenses/ Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. LUND UNIVERSITY PO Box 117 221 00 Lund +46 46-222 00 00 welcome home mr swanson Welcome Home Mr Swanson Swedish Emigrants and Swedishness on Film Ann-Kristin Wallengren Translated by Charlotte Merton nordic academic press Welcome Home Mr Swanson Swedish Emigrants and Swedishness on Film Ann-Kristin Wallengren Translated by Charlotte Merton nordic academic press This book presents the results of the research project ‘Film and the Swedish Welfare State’, funded by the Bank of Sweden Tercentenary Foundation.
    [Show full text]
  • Coversheet for Thesis in Sussex Research Online
    A University of Sussex DPhil thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details NNoo CCrriinnoolliinnee--CCoovveerreedd LLaaddyy:: SSttaarrddoomm,, AAggeennccyy,, aanndd tthhee CCaarreeeerr ooff BBaarrbbaarraa SSttaannwwyycckk Linda Berkvens DPhil thesis submitted to the University of Sussex March 2011 1 I hereby declare that this thesis has not been and will not be, submitted whole or in part to another University for the award of any other degree. Signature:………………………………………………………………………………………. 2 Acknowledgements I am grateful to the following people for all their support, feedback, and encouragement: Dr. Frank Krutnik, Dr. Thomas Austin, Dr. Michael Hammond, Dr. Niall Richardson, my PhD- buddy Rosemary Shirley, Sharif Mowlabocus, the DPhil student organizers of the MeCCSA Postgraduate Conference 2008, Constance McCormick-Van Wyck, Jenny Romero at the Margaret Herrick Library, Sandra Joy Lee and Jonathan Auxier at the Warner Bros. Archives, Ned Comstock at the Cinematic Arts Library and Dace Taube at the Regional History Center at the University of Southern California, staff at the BFI, University of Sussex Library and Special Collections, Paley Center in New York and Los Angeles, EYE Film Instituut Nederland library, my DPhil friends in the School of Media, Film, and Music, Nick Till, Sarah Maddox, Tamar Jeffers McDonald, Martin Shingler, Kate & Rachel, Charlotte, and Willemijn.
    [Show full text]
  • Swedish American Genealogist
    Swedish American Genealogist Volume 27 | Number 3 Article 1 9-1-2007 Full Issue Vol. 27 No. 3 Follow this and additional works at: https://digitalcommons.augustana.edu/swensonsag Part of the Genealogy Commons, and the Scandinavian Studies Commons Recommended Citation (2007) "Full Issue Vol. 27 No. 3," Swedish American Genealogist: Vol. 27 : No. 3 , Article 1. Available at: https://digitalcommons.augustana.edu/swensonsag/vol27/iss3/1 This Full Issue is brought to you for free and open access by the Swenson Swedish Immigration Research Center at Augustana Digital Commons. It has been accepted for inclusion in Swedish American Genealogist by an authorized editor of Augustana Digital Commons. For more information, please contact [email protected]. (ISSN 0275-9314) A journal devoted to Swedish American biography, genealogy, and personal history Volume XXVIISeptember 2007 No.3 CONTENTS Family Ties to the Dakota Uprising. Part 2 ...... 1 by Helene Leaf Copyright © 2007 (ISSN 0275-9314) A memory of Nils William Olsson ........................ 5 by Robert P. Anderson Swedish American Genealogist “The Honorable Exception”: Elder Blomberg .. 7 Publisher: by John Norton Swenson Swedish Immigration Research Center Augustana College, Rock Island, IL 61201-2296 Handwriting Example XV ................................... 10 Telephone: 309-794-7204. Fax: 309-794-7443 E-mail: [email protected] News from the Swenson Center ........................ 11 Web address: http://www.augustana.edu/swenson/ by Elisabeth Thorsell Editor: Elisabeth Thorsell Bits & Pieces .......................................................... 13 Hästskovägen 45, 177 39 Järfälla, Sweden E-mail: [email protected] A Family from Östra Husby ................................ 14 By Anders Köhler Contributing Editor: Peter S. Craig. J.D., F.A.S.G., Washington, D.C.
    [Show full text]
  • Nordic Film Cultures and Cinemas of Elsewhere S
    AND ARNE LUNDE STENPORT WESTERSTAHL ANNA EDITED BY Traditions in World Cinema General Editors: Linda Badley and R. Barton Palmer Founding Editor: Steven Jay Schneider This series introduces diverse and fascinating movements in world cinema. Each volume concentrates on a set of films from a different national, regional or, in some cases, cross-cultural cinema which constitute a particular tradition. NORDIC FILM CULTURES AND CINEMAS OF ELSEWHERE EDITED BY ANNA WESTERSTAHL STENPORT AND ARNE LUNDE ‘Jamie Steele skillfully combines an impressively researched industrial study with attentive close AND CINEMAS OF ELSEWHERE readings of selected works by the best-known francophone Belgian directors. The book fills a major NORDIC FILM CULTURES gap in scholarship on francophone Belgian cinema and insightfully contributes to a growing body of NORDIC FILM CULTURES work on regional and transnational French-language cinematic productions.’ AND CINEMAS OF ELSEWHERE Michael Gott, University of Cincinnati Considers transnational, national and regional concepts within contemporary EDITED BY ANNA WESTERSTAHL STENPORT AND ARNE LUNDE francophone Belgian cinema Francophone Belgian Cinema provides an original critical analysis of filmmaking in an oft-neglected ‘national’ and regional cinema. The book draws key distinctions between the local, regional, national and transnational conceptual approaches in both representational and industrial terms. Alongside the Dardenne brothers, this book considers four promising Francophone Belgian filmmakers who have received limited critical attention in academic publications on contemporary European cinema: Joachim Lafosse, Olivier Masset-Depasse, Lucas Belvaux and Bouli Lanners. Exploring these filmmakers’ themes of post-industrialism, paternalism, the fractured nuclear family and spatial dynamics, as well as their work in the more commercial road movie and polar genres, Jamie Steele analyses their stylistic continuities and filiation.
    [Show full text]
  • Adela Rogers St. Johns
    Adela Rogers St. Johns Also Known As: Nora Adela Rogers, Adela Rogers Saint Johns, Adela Rogers St. John Lived: May 20, 1894 - August 10, 1988 Worked as: journalist, novelist, screenwriter, source author, writer Worked In: United States by Anne Morey Adela Rogers St. Johns delighted in the fact that James Quirk of Photoplay called her “the mother-confessor of Hollywood” (St. Johns 1976, 11). Her California birth, close association with William Randolph Hearst, and unconventional upbringing gave her an unusual vantage point on the social mores of Hollywood as was born in the 1910s and assumed its mature form in the 1920s. Indeed, St. Johns may be said to have been the most influential of the chroniclers of the Hollywood story of rise and fall inasmuch as she wrote the narrative that became the template for the motion picture What Price Hollywood? (1932) and its later iterations as A Star Is Born (1937, 1954, 1976). She both reported on Hollywood and fictionalized the lives of the stars she covered; thus her significance was as an observer of Hollywood rather than as a participant in it. St. Johns was the daughter of noted defense attorney Earl Rogers, who raised her without the help of his estranged wife, which may explain the daughter’s claim to have no attachment to her mother (Chance 311), a situation that figures in her novel about a free-thinking daughter of an alcoholic lawyer, first adapted as A Free Soul (1926) and later filmed with Norma Shearer in 1931. Through her father, St. Johns became acquainted with various “sporting” types: bootleggers, gamblers, and the prizefighter she said she received her last spanking for kissing (St.
    [Show full text]
  • Greta Garbo Retrospective Schedule
    67a^ The Museum of Modern Art i West 53 Street, New York, N.Y. 10019 Tel. 245-3200 Cable; Modernart GRETA GARBO RETROSPECTIVE July 25 - August 22, I968 Thursday, July 25 THE KISS* 1929. Directed by Jacques Feyder. With Greta Garbo, 2, 5:50 & 8 Conrad Nagel, Lew Ayres, Anders Randolf. 65 min. PBTBR THE TRAMP* (Luffar-Petter). 1922. Written, produced, directed by Erik A. Petschler. With Erik A. Petschler, Greta Gustafsson (Garbo),, Helmer Larsson. A five-minute excerpt from the first feature film in which Greta Garbo appeared. Two short promotion films made by Greta Garbo while an employee of PUB (The Paul U. BergstrtJm Department Store, Stockholm): HOW NOT TO DRESS.* 1921, directed by Captain Ragnar Ring for PUB, with Greta Gustafsson (Garbo), 1 min. HOW NOT TO EAT.* 1922, directed by Captain Ragnar Ring for the Consumers' Cooperative Association of Stockholm, with Greta Gustafsson (Garbo) and Lars Hanson, 1 min. Friday, July 26 GOSTA BERLING'S SAGA.* I92I+, Directed by Mauritz Stiller. With 2 & 5:50 Greta Garbo. Lars Hanson. French titles. Print courtesy of the Cinfimathfeque Royale de Belgique. I65 min. Saturday, July 2? JOYLESS STREET* (DIE FREUDLOSE GASSE). I925. Directed by G. W. 3 & 5:30 Pabst. With Greta Garbo, Werner Krauss, Asta Nielsen. English titles. 90 min. Sunday, July 28 THE TORRENT.* I926. Directed by Monta Bell. With Greta Garbo, 2 & 5:50 Ricardo CorteZ; Gertrude 01mstead. 75 min. Monday, July 29 THE TEMPTRESS.* I926. Directed by Fred Niblo and Mauritz Stiller. 2 & 5:50 With Greta Garbo, Antonio Moreno, Roy D'Arcy. 95 min.
    [Show full text]