Th of Kirke the Two He Avenly

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  • r s nt
  • I continu il ustration

influ nc of N Aryan East upon H llas a subj ct which hav discuss d in by inv stigation of a articular rsonag and pisod trust that this study will bring into still cl ar r romin nc fact that arl st and at sam tim most important links b tw n ast st subj ct is also
Po ms constitut of in strict continuation of my prior mythological s arch s and as I hav al ady tr at d s pa at y of Sun ion sos oon in and tars in and so in m th of Kirk two h av nly rotagonists ill a ar in clos conn xion alik ith

ac oth r and ith st llar host As pr viously sta d such inv stigations int nd d to

  • butions
  • and highly important study of

arc aic psychology mighty ha p of Hom r is h ptach rd
Po ms r s lv th ms lv s into a s v nfold asp ct which may d not d by t rms R ligion logy Folklor Archa logy History Humanity and Linguistic and v ry f om last word upon any th s divisions Inv stigators

  • chos this or that branch of
  • study in accord

anc wit th ir tast s and opp rtuniti s works with spad anoth r historically at d ciph rm nt a third on lin s of linguistic sci nc a fou th upon hos of comparativ myth logy th s lab urs truly valuabl va ious subj cts

  • int rtwin and int rp n t at
  • goal will

ach d but is not and m anwhil hall ll to r cogniz importanc of car ful and sci ntific ort in v ry portion of fi ld

uch of a st ictly inguistic charact r still r mains to don in study t xt of

  • and
  • Esp cially should all r c rri g

formulas and pith ts ith r obscur or appar ntly not pa ticularly appropriat r c iv car ful att ntion in a c mparativ point vi w unint lligibl and s mingly unsuitabl constantly survivals f om a prior stag and g n rally b com luminous by aid of comparison

ix

o ms of cours Ar an in charact r
Aryan l m nt how v r important is xc ptional

and s bordinat
Whil r j ct any imaginary moral graft d on a myth in a comparativ ly lat shall do w ll at sam tim to think of Natur as arli st Gosp l of is and of nobl st myths as adumbrating and s tting forth in a c rtain mann r infinit r aliti s Wh n Sokrat s in

  • has quot d
  • l g nd of dyss us in

Shad s and told how h ro saw inos holding a

sc ptr of gold and giving laws to d ad adds th s nobl and m morabl words Now I am p rsuad d of truth of th s things and I consid r how I shall pr s nt my soul whol and b for Judg in that day R nouncing honours at which world aims I d sir nly to know Truth and to liv as w ll as I can wh n tim com s to And to utmost of my pow r I xhort all oth r to do sam

R ON ON
R I IONS
S C IO
N

R

IR

S N

S

O
NO I S IR

V I I S IR
R NS OR ION

X

S

O

S

I OIN S IN
IR

A RE IATIO S

d

S

dd

d

S

ddd

S

d

S
S

bl l l

SECTION I
O with his ship s cr w having scap d fr m who d scrib d as b i g giant cannibals com s to irk own sist r of and daught r of H li s and P rs daught r of On third day
Isl wh r dw l aft r th ir a rival h ro r connoitr s and having notic d smok and flam afar in woodland tu ns to ship with a stag upon which company f ast N xt mor ing divid s his band and s nds

with to xplor country
T y find palac of irk in for st sur round d by tam and b witch d wolv s and lions Th y h ar godd ss singing as wo ks at a mighty and hail and bids th m nt r

  • ga s
  • alon r mains without and

aft r long watching r turns to Odyss us ith n ws that his f llows had disa p ar d in pa ac anwhil irk havi g s at d gu sts mak th m a m ss mix d with ha mful drugs which caus

th m to for t th i hom Wh n th hav drunk potion smit s th m with magic wand wh r upon th y b com swin and shut up in sti s but still r tain th ir human ind Odyss us now arms hims lf and s s out to r scu of his and on his way m ts ith rm s who in him how to b hav and giv s magic h rb by m ans of which wi nabl d to succ ssfull d fy nchantm nts of irk Having nt r d palac ro is s at d by godd ss on a goodly chair and giv n drugg d otion in a gold n cup smit s him with wand and bids him join his company in sty but is not b witch d and drawing sword springs

  • upon With a gr at
  • clasps his kn s

and surmising that must Odyss us s ks his lov mak s sw ar that wi l not hurt him wh n nak d m anwhil four handmaids daught rs of w lls woods and iv rs busy th m s lv s hall pr par a m al and a bath of th m wash s anoints with oil and dr ss s h ro who how v r r fus s to tast banqu t ntil his comrad r stor d to man s s at which is don accordingly Odyss us th n r turns to

  • ship and conducts
  • and his f llows to

halls of irk wh r th y r main in ac and pl nty for a y ar wh n h ro s companions sug g st to him that it is tim to part irk cons nts and informs him that must s k Und rwo ld in ord r to consult soothsay r T ir sias giv s

him full dir ctions for p rilous journ y and at dawn cloth s him v ils h ad and pass s l ghtly away having s nt a br z to fill v ss l s sail h ro th n voyag s to Land of D ad and aft rwards r turns to abod of i k who again kindly nt tains him and his and h ars his story Having instruct d r sp cting s v al dang rs which await him dismiss s him at dawn with a favourabl wind

  • This bri f out in of
  • will s rv

to r fr sh r ad r s m mory r sp cting famous story and I would also r f him to xc ll nt

of tal by iss J E Har ison who has v ry ably illustrat d its asp ct in po try and art has not how v thought fit pass on of myth a task which I shall now

att mpt

v l p

SECTION II will facilitat inv stigati n to compar in first plac two myst rious godd ss s K k and a pro ss which sh ws that though is actuall a r dup ication of oth r that th y m r ly variant phas s of sam g at pow r p incipal points of r s mblanc b tw n th m as f llows
Each is a fair and lov ly godd ss in a r m t i land att nd d by handmaid ns
II Each is conn ct d with g ld silv r and w av s a ighty as sings
Each sp cially d c ib d as fai hai d
IV Each is sp cially styl d an awful g dd ss m tal s ch
V Each has a b autiful dw lli g surround d by w ods
VI Each l v s ro who unwillingly r turns pas i n and whom is p rmitt d to r tain
Each sw ars s l mnly not inj r h o
VII Each s s that is bath d and dr ss d

x

v x

x

  • v x
  • v

x

v x v

ach at dawn clad h rs lf in a gr shining rob ight of woof and gracious and about waist cas a fai gold n girdl and put a v il upon h ad
Each wh n h ro d art d s nt a w lcom br z to sp d him on his way dw lls in isl gygia nav l of but this circumstanc impli s no n c ssa y di r nc b tw n two godd ss s sinc nam m r ly m ans oc an and so in r al ty qually appli s to g n
Nors girt island and

  • nam s
  • and

r ad god stormy who r app ars in od rn tim s as w l kn wn or tidal riv r wav and Ogr variant phas s originally xp ssiv of t r or xcit d by

  • vast and t mp stuous
  • who app ars

in and as an archaic g is always conn ct d with a flood and his nam is quival nt to prim val in r f r c to uppos d pristin

  • wat ry chaos
  • fol owing Windisch

mann and Pict t bs rv s Son nom m m para t d riv c lui qui d signait primitiv m nt d lug dans idiom s ary ns sanscrit Pau amo gst his almost innum rabl valuabl

v

x

v
V

  • V
  • xxxv p l

littl scraps of bscur mythic p digr has s rv d fact that h ro El usis C ming Sun god was according to som son
Knowing daught r of according to oth rs son of but thus illus id ntity of two latt r Sun god constantly springs in mythic p digr from Oc an and som knowing light bringing nymph for primarily to s to know and darkn ss ignoranc uns n first point of r al di r nc b tw n two

  • is daught r
  • g dd ss s is in par ntag

of Atlas Enduring who hims lf upholds ta l pillars which k p arth and sky asund r Atlas is a p rsonification of that p w r which sustains h av n ab v arth in kosmic o d r s lar H akl s ssay d task but aft r a tim at night was f ign to r tir in favour of mor during Atlas who thus and also b caus at night luna and st llar h av n which upb ars com s into fu l st pro n nc is mo a nocturnal than a diurnal p rsonag and h nc po t appli s to

  • p culia pith t
  • a titl which

sha s with and and which as Gladston not s s ms to imply in som for a formidabl injurious craft ss s Butch r and Lang r nd r x r ssion wis and t rribl but I

r f r to t ansla it by t rm bal ful for highly myst rious Cav rn solar mythology
Egyptia dw ll ng of alypso is r mot in that yst ious which towa ds W st is form d by und fin d bl nding of Ov rs a mar

agnum sin in which solar and luna ba qu s sai Oc an prop r which of unknown and awful va tn ss nrings world idgard and Und rs a invisibl and fathoml ss to man and in which gold n solar boat cup disapp ars l k Kirk although thus dw ll ng afar is p culiarly l abl to sway of H rm s Wind p w r upon clouds who is abl to blot fr m h av n and so to d stroy in a mom nt b auty of cav And thus wh n H rm s is s nt to with a command it is in his charact r of A g iphont s who can put out thousand

  • starry y s of Arg s
  • which o bs

Gl aming h av n puts in p acock s tail
H rm s as Z us m ss g r w l kn ws his pow r and although int rvi w b tw n him and is mark d by a charming court sy on both sid s wh n gr at slay r of A gos d parts his final word to godd ss is Sp d him dyss us now up n his path and hav r gard unto wrath of Z us l st haply ang r d and b a hard on th h r aft r

N v l v

V

v
V

v

oth irk and w ll acquaint d with riv r Styx at ful which was con

with Und rs a and b ing a f atur in r al of d ath and darkn ss b cam v ry typ of dr ad ns n and thus suppli d a conc pt for most sol mn oaths although upon whol a mor t nd d id al than Kirk is n c s arily to a gr at xt nt distinctly lunar inasmuch as mo n always

is and must h ad of ight light is also as will furth r app ar consid rably mor Aryan in cha than sist r godd ss basis of myth is too wid to monopolis d by any sp cial rac of mankind and th r for som of stori s conn ct d with it A yan in origin hilst oth s not form r class has b n su fici nt y r f rr d to by Aryan mythologists and Sir G W Cox w ll

  • says of d lling of
  • that it is hom

of Tara Bai Star maid n of Hindu f lklor b ing who can n ith r grow old nor and witch ry of whos lull ng songs no mortal may with stand is m di val tradition ntic s ill fat d abod of Ursula Littl bright myriad star maid ns to which V nus of as o pos d to wh r fairy qu n k s Thomas Rim r a not

v x

S

xx

lb fl b k v v b

unwilling prison r maj sty b auty d grada ti n and h rror of Night qu n combin d in varying phas s of a singl con pt H kat in long car r from H siod to Shaksp r

  • V
  • b b

S

  • b
  • v W

pl

S CTION III will d sirabl in n xt plac to dis ntangl from story a parasitic ov rgrowth of imaginary morality This which is v ry di r nt f om that of Kirk has b n chi fly wov n around luckl ss comrad s Odyss us and pr s nts a notabl instanc of h dl ssn ss with which form a judg m nt and of facility with which an anci nt rror is hand d down from to Thus l arn that
S krat s s s b ast f rm only a symbol mad to gr din ss Stoics find a s mon r ad

hand Circ is for t m incarnation of b st lik irrationality discov rs in dr ad aught r of H lios an imp rsonation of animal p tit orac b com s quit s v r ly virtuous wh n cal s his fri nd s att ntion to what sup pos s w r admirabl obj cts b lli
Ho r it s ms wrot his po ms much for sam moral r asons which induc d Johnson to com os Int mp ranc d v lop d in various ways produc s dismal r sults at

I

v

roy and bard n xt proc ds to show quid virtus quid sapi ntia us a att rn charact r Odyss us xhibits b for nobis
This vi w is d l ghtfully absurd x mplar and all mor so b caus it is so grav l and hon stly advanc d by a and worldl ng lik orac Odyss us having v ry judiciously avoid d g tting

hims lf kill d at roy most prop rl wish s to com his ducation by trav l w mak rand tour and r turn to vastly improv d torum urb s mor s Aft r pa ing a round of visits amongst yklop s i k
Shad s of

  • ad
  • Skylla Cha ybdis and

would naturally r turn hom r pl t with irtu as arry Sa dford hims lf But alas v n this grand x mplar had no upon his infatuat d com

  • rad s
  • continu s Horac to his fri nd

acqu int d ith voic s of Sir ns and cu s of Circ this was no doubt strictly tru of which if
Ulyss s had foo shly and gr dil drunk with his companions

  • d
  • p

l

But suppos som
Fath r of
Church Cl m nt of A xandria T rtull an

or Augustin had said to him How dar you hold up an x m lar of virtu a wand ring vagabond who liv d in adult ry first with f mal and th n with anoth r pr t nding whil that d sir d no thi g so much as to r turn to his wif And this story Circ and Ulyss s is most profoundly oral not m r ly in its incid nts but sp cially in this that only sinn r party was Ulyss s hims lf who scap d scot fr with many advantag hilst his uno nding f i nds w r s v r ly p nish d To avoid t lling forc of argum nts such as th s wh n appli d to gods g n rally lat r Pagan philosoph rs w r f ign to ak r fug may hop in som cas s unwillingly in tangl d jungl s of Plato is wh r th y and p rish d mis ra ly but had th y b n Comparativ ythol gists th y would had an asy r ply to this obj c ion of th ir Christian ppon nts fro to luckl ss comrad s h ro hav had to b ar many a taunt and point moral

  • until r ach
  • of ilton and swinish

multitud of Burk
But wh n turn to story its lf find no fault stat d or impli d against party by nl ss ind d it is a fault to d c iv d by sup rhuman pow r Th r is no sugg stion that th y drank of cup gr dily in sty th y did not njoy acorns and mast and fruit of corn l tr wh r on wallowing swin do always batt n h ro mou ns th ir hapl ss cas and a passag p haps un xc ll d in b auty by any in w l

po m d scrib s how th w r mor than r stor d to th ir for r stat not pardon d for th had don no wrong
It is tru that hog as of most nous animals is sac d V nus and that cording to Pythag r an doctrin s bas d upon a

  • misconc ption of this story lustful
  • trans

But th is no sugg stion in w r s inish in f rm d into hogs tal that band of such s ns nor again is any sp cial str ss laid upon th ir b ing turn d into for round palac of godd ss w r b witch d wolv s and lion and

  • f ar of
  • was that irk would su l

chang us to swin wolv s ions to guard gr at hous
I n d not how v r nlarg furth r upon this point for ind d mo nt r m mb r that story what v r its subs qu nt l m nts may is ba d upon obs rvation of atural ph nom na which it f qu ntly r lat s with a t uly curious

  • curacy
  • at onc that s rious y pr dicat

moral ty or immorality of p rsonifi d Sun or his att ndants of oon or of Ni ht is absurd Fro th ir long and m lancholy d gradation in this con gods hav b n at l ngth and it is no long r n c ssary to r gard Jupi r b oad bright h av n lov s countl ss nymphs as Solomon of a ha m I am v ry far f om ith r sa ing or

  • k bj v
  • ll

Z

x
SECTION at pr s nt day th r x sts any anci nt tak s story of k and Odyss us to a gr at xt nt m r ly stripping

sup rnatural l m nt aft r fashion in which som sa s tr at Four Gosp ls I will not att mpt to disturb his r pos or

d d l l d l d

him trac in p ac voyag of h r up dit rran an and in tim bring him back again
But having got rid of crud m al st it is p rhaps d si abl to n tic how his br th r in

  • rro
  • Platonist has d alt with rk sto y

I hav notic d that N Pla nism xt nd d and

of cours cr at d Chri tian
Eu m ism Lik v ry oth phas of mind it aris s v ry simply and naturally An anci nt story v n rabl and hallow d d sc nds to a compa ativ ly lat and r gard it with a ctionat r v r nc It not truth but it contains truth arry hav l ng c as d b li v it l t rally

  • occultl
  • not our appar ntl simpl anci nt

  • in r alit as full of pro
  • st ri s sa s

found significanc as any of your boast d myths tr at d of om r or siod So rat that th y as I will show nay mor so t achings and int r r tations w r conn ct d with liv s of Abraham and Jos ph and

  • oth rs but
  • world not to outdon

tr at d th ir ntir mythol gy in a similar fa hi n syst m has but fault it is found d on unsupport d fancy and arbitrar ass rtion
That

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  • Religion and Reconciliation in Greek Cities (2010)

    Religion and Reconciliation in Greek Cities (2010)

    Religion and Reconciliation in Greek Cities AMERICAN PHILOLOGICAL ASSOCIATION american classical studies volume 54 Series Editor Kathryn J. Gutzwiller Studies in Classical History and Society Meyer Reinhold Sextus Empiricus The Transmission and Recovery of Pyrrhonism Luciano Floridi The Augustan Succession An Historical Commentary on Cassius Dio’s Roman History Books 55 56 (9 B.C. A.D. 14) Peter Michael Swan Greek Mythography in the Roman World Alan Cameron Virgil Recomposed The Mythological and Secular Centos in Antiquity Scott McGill Representing Agrippina Constructions of Female Power in the Early Roman Empire Judith Ginsburg Figuring Genre in Roman Satire Catherine Keane Homer’s Cosmic Fabrication Choice and Design in the Iliad Bruce Heiden Hyperides Funeral Oration Judson Herrman Religion and Reconciliation in Greek Cities The Sacred Laws of Selinus and Cyrene Noel Robertson Religion and Reconciliation in Greek Cities The Sacred Laws of Selinus and Cyrene NOEL ROBERTSON 1 2010 3 Oxford University Press, Inc., publishes works that further Oxford University’s objective of excellence in research, scholarship, and education. Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Copyright q 2010 by the American Philological Association Published by Oxford University Press, Inc. 198 Madison Avenue, New York, New York 10016 www.oup.com Oxford is a registered trademark of Oxford University Press. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press.
  • Robert Graves the White Goddess

    Robert Graves the White Goddess

    ROBERT GRAVES THE WHITE GODDESS IN DEDICATION All saints revile her, and all sober men Ruled by the God Apollo's golden mean— In scorn of which I sailed to find her In distant regions likeliest to hold her Whom I desired above all things to know, Sister of the mirage and echo. It was a virtue not to stay, To go my headstrong and heroic way Seeking her out at the volcano's head, Among pack ice, or where the track had faded Beyond the cavern of the seven sleepers: Whose broad high brow was white as any leper's, Whose eyes were blue, with rowan-berry lips, With hair curled honey-coloured to white hips. Green sap of Spring in the young wood a-stir Will celebrate the Mountain Mother, And every song-bird shout awhile for her; But I am gifted, even in November Rawest of seasons, with so huge a sense Of her nakedly worn magnificence I forget cruelty and past betrayal, Careless of where the next bright bolt may fall. FOREWORD am grateful to Philip and Sally Graves, Christopher Hawkes, John Knittel, Valentin Iremonger, Max Mallowan, E. M. Parr, Joshua IPodro, Lynette Roberts, Martin Seymour-Smith, John Heath-Stubbs and numerous correspondents, who have supplied me with source- material for this book: and to Kenneth Gay who has helped me to arrange it. Yet since the first edition appeared in 1946, no expert in ancient Irish or Welsh has offered me the least help in refining my argument, or pointed out any of the errors which are bound to have crept into the text, or even acknowledged my letters.
  • A Dictionary of Mythology —

    A Dictionary of Mythology —

    Ex-libris Ernest Rudge 22500629148 CASSELL’S POCKET REFERENCE LIBRARY A Dictionary of Mythology — Cassell’s Pocket Reference Library The first Six Volumes are : English Dictionary Poetical Quotations Proverbs and Maxims Dictionary of Mythology Gazetteer of the British Isles The Pocket Doctor Others are in active preparation In two Bindings—Cloth and Leather A DICTIONARY MYTHOLOGYOF BEING A CONCISE GUIDE TO THE MYTHS OF GREECE AND ROME, BABYLONIA, EGYPT, AMERICA, SCANDINAVIA, & GREAT BRITAIN BY LEWIS SPENCE, M.A. Author of “ The Mythologies of Ancient Mexico and Peru,” etc. i CASSELL AND COMPANY, LTD. London, New York, Toronto and Melbourne 1910 ca') zz-^y . a k. WELLCOME INS77Tint \ LIBRARY Coll. W^iMOmeo Coll. No. _Zv_^ _ii ALL RIGHTS RESERVED INTRODUCTION Our grandfathers regarded the study of mythology as a necessary adjunct to a polite education, without a knowledge of which neither the classical nor the more modem poets could be read with understanding. But it is now recognised that upon mythology and folklore rests the basis of the new science of Comparative Religion. The evolution of religion from mythology has now been made plain. It is a law of evolution that, though the parent types which precede certain forms are doomed to perish, they yet bequeath to their descendants certain of their characteristics ; and although mythology has perished (in the civilised world, at least), it has left an indelible stamp not only upon modem religions, but also upon local and national custom. The work of Fruger, Lang, Immerwahr, and others has revolutionised mythology, and has evolved from the unexplained mass of tales of forty years ago a definite and systematic science.
  • The World of Greek Religion and Mythology

    The World of Greek Religion and Mythology

    Wissenschaftliche Untersuchungen zum Neuen Testament Herausgeber/Editor Jörg Frey (Zürich) Mitherausgeber/Associate Editors Markus Bockmuehl (Oxford) ∙ James A. Kelhoffer (Uppsala) Tobias Nicklas (Regensburg) ∙ Janet Spittler (Charlottesville, VA) J. Ross Wagner (Durham, NC) 433 Jan N. Bremmer The World of Greek Religion and Mythology Collected Essays II Mohr Siebeck Jan N. Bremmer, born 1944; Emeritus Professor of Religious Studies at the University of Groningen. orcid.org/0000-0001-8400-7143 ISBN 978-3-16-154451-4 / eISBN 978-3-16-158949-2 DOI 10.1628/978-3-16-158949-2 ISSN 0512-1604 / eISSN 2568-7476 (Wissenschaftliche Untersuchungen zum Neuen Testament) The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbiblio- graphie; detailed bibliographic data are available at http://dnb.dnb.de. © 2019 Mohr Siebeck Tübingen, Germany. www.mohrsiebeck.com This book may not be reproduced, in whole or in part, in any form (beyond that permitt- ed by copyright law) without the publisher’s written permission. This applies particular- ly to reproductions, translations and storage and processing in electronic systems. The book was typeset using Stempel Garamond typeface and printed on non-aging pa- per by Gulde Druck in Tübingen. It was bound by Buchbinderei Spinner in Ottersweier. Printed in Germany. in memoriam Walter Burkert (1931–2015) Albert Henrichs (1942–2017) Christiane Sourvinou-Inwood (1945–2007) Preface It is a pleasure for me to offer here the second volume of my Collected Essays, containing a sizable part of my writings on Greek religion and mythology.1 Greek religion is not a subject that has always held my interest and attention.
  • Theogony Translated by Hugh G

    Theogony Translated by Hugh G

    Hesiod: Theogony translated by Hugh G. Evelyn-White (1914) [Note: the letters ll refer to lines.) (ll. 1-25) From the Heliconian Muses let us begin to sing, who hold the great and holy mount of Helicon, and dance on soft feet about the deep-blue spring and the altar of the almighty son of Cronos, and, when they have washed their tender bodies in Permessus or in the Horse's Spring or Olmeius, make their fair, lovely dances upon highest Helicon and move with vigorous feet. Thence they arise and go abroad by night, veiled in thick mist, and utter their song with lovely voice, praising Zeus the aegis- holder and queenly Hera of Argos who walks on golden sandals and the daughter of Zeus the aegis-holder bright-eyed Athene, and Phoebus Apollo, and Artemis who delights in arrows, and Poseidon the earth-holder who shakes the earth, and reverend Themis and quick-glancing Aphrodite, and Hebe with the crown of gold, and fair Dione, Leto, Iapetus, and Cronos the crafty counsellor, Eos and great Helius and bright Selene, Earth too, and great Oceanus, and dark Night, and the holy race of all the other deathless ones that are for ever. And one day they taught Hesiod glorious song while he was shepherding his lambs under holy Helicon, and this word first the goddesses said to me -- the Muses of Olympus, daughters of Zeus who holds the aegis: (ll. 26-28) `Shepherds of the wilderness, wretched things of shame, mere bellies, we know how to speak many false things as though they were true; but we know, when we will, to utter true things.' (ll.
  • 16191712.Pdf

    16191712.Pdf

    PDF hosted at the Radboud Repository of the Radboud University Nijmegen The following full text is a publisher's version. For additional information about this publication click this link. http://hdl.handle.net/2066/107264 Please be advised that this information was generated on 2017-12-06 and may be subject to change. ä* F. J. M. DE WAELE THE MAGIC STAFF OR ROD IN GRAECO-ITALIAN ANTIQUITY THE MAGIC STAFF OR ROD IN GRAECO - ITALIAN ANTIQUITY Wünschelruten sind hier, sie zeigen am Stamm nicht die Schätze, Nur in der fühlenden Hand regt sich das magische Reis* (GOETHE). THE MAGIC STAFF OR ROD IN GRAECO-ITALIAN ANTIQUITY PROEFSCHRIFT TER VERKRIJGING VAN DEN GRAAD VAN DOCTOR IN DE LETTEREN EN WIJSBEGEERTE AAN DE NIJMEEGSCHE KEIZER KAREL UNI­ VERSITEIT OP GEZAG VAN DEN RECTOR MAGNIFICUS DR. W. MULDER, HOOGLEERAAR IN DE FACULTEIT DER GODGELEERDHEID, VOLGENS BESLUIT VAN DEN SENAAT DER UNIVERSITEIT IN HET OPENBAAR TE VERDEDIGEN OP MAANDAG 7 FEBRUARI I937 DES NAMIDDAGS TE 4 UUR DOOR FERDINAND JOZEF MARIA DE WAELE, GEBOREN TE SlNAAI (VLAANDEREN). ERASMUS GENT MCMXXVII CARISSIMIS PARENTIBUS ET FRATRI, STUDIORUM CLASSICORUM SOCIO. ij het afsluiten van mijne akademische studie denk ik dankbaar B terug aan allen die mij in deze vele jaren hun voorlichting, hun steun, hun vriendschap hebben geschonken als <ptta άωρα, τά μοι fool Ονρανίωνες όλβια ποιήσειαν. Diep erkentelijk vermeld ik allereerst de gastvrijheid, die mij, stamgenoot uit een vreemden staat, hier te lande werd verleend en vooral beschouw ik het als een onschatbaar voorrecht dat ik in Noord- Nederland mijne akademische studie mocht voltooien. Voor die wetenschappelijke gastvrijheid dank ik U in eerste plaats, hoogleeraren der Utrechtsche Universiteit.
  • Hekate : Her Role and Character in Greek Literature from Before the Fifth

    Hekate : Her Role and Character in Greek Literature from Before the Fifth

    HEKATE : HER ROLE AND CHARACTER IN GREEK LITERATURE FROM BEFORE THE FIFTH CENTURY B.C. HEKATE : HER ROLE AND CHARACTER IN GREEK LITERATURE FROM BEFORE THE FIFTH CENTURY B.C. by CAROL M. MOONEY, B.A. A Thesis Submitted to the Faculty of Graduate Studies in Partial Fulfilment of the Requirements for the Degree Master of Arts McMaster University February, 1971 MASTER OF ARTS (1971) McMASTER UNIVERSITY (Classics) Hamilton, Ontario TITLE: Hekate: Her Role and Character in Greek Literature from before the Fifth Century B.C. AUTHOR: Carol M. Mooney, B.A. (Bishop's University) SUPERVISOR: Dr. T. F. Hoey NUMBER OF PAGES: iv; 96 SCOPE ~~ CONTENTS: This is a discussion of Hekate as she is repre­ sented in the Theogony and the Homeric Hymn to Demeter. In it I attempt to demonstrate that the more familiar sinister aspects of the goddess are not present in her early Greek form, as the literary evidence of the period reveals. This involves an inquiry into the problem of Hekate's original homeland and, as far as can be determined, her character there, as well as the examination of her role in each of the above mentioned poems and a discussion of the possi­ bility that the passages dealing with Hekate are interpolated. ii Acknowledgements I wish to express my warmest thanks to Dr. T. F. Hoey, my supervisor, for his helpful guidance and encouragement throughout the writing of this thesis and to Professor H. F. Guite for reading the script and offering many valuable suggestions and comments. Also I would like to thank Alan Booth for his assistance in the reading of German texts and Miss E.
  • An Exploration of Myth and Medea Danielle Leibu Dleibu@Wellesley.Edu

    An Exploration of Myth and Medea Danielle Leibu [email protected]

    Wellesley College Wellesley College Digital Scholarship and Archive Honors Thesis Collection 2019 Myth, Magic, and Murderous Mothers: An Exploration of Myth and Medea Danielle Leibu [email protected] Follow this and additional works at: https://repository.wellesley.edu/thesiscollection Recommended Citation Leibu, Danielle, "Myth, Magic, and Murderous Mothers: An Exploration of Myth and Medea" (2019). Honors Thesis Collection. 654. https://repository.wellesley.edu/thesiscollection/654 This Dissertation/Thesis is brought to you for free and open access by Wellesley College Digital Scholarship and Archive. It has been accepted for inclusion in Honors Thesis Collection by an authorized administrator of Wellesley College Digital Scholarship and Archive. For more information, please contact [email protected]. Myth, Magic, and Murderous Mothers: An Exploration of Myth and Medea Danielle Miranda Leibu Submitted in Partial Fulfillment of the Prerequisite for Honors in The Classical Studies Department under the advisement of Kate Gilhuly April 2019 © 2019 Danielle Miranda Leibu Acknowledgements I am obligated to thank my brother, Jonathan, for letting me steal his mythology books and for forcing me to watch the Jason and the Argonauts (1963) film when we were children; without him, I probably never would have entered the field of Classics. I would like to thank Professor Gilhuly for her endless patience and endless edits, as well for indulging in my obsession with myth and sorceresses by letting me work on this thesis. I would also like to thank Professor Dougherty for encouraging me to make a book that would fly (spoiler alert: it did not), as well as to thank Katherine Ruffin for her endless support, for all of her book arts expertise, and for keeping me grounded artistically.