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Natalie Maines I'd Run Away Steve Earle and the Dukes
Titelliste der Sendung “Country Special” vom 28.4.2013 NATALIE MAINES I'D RUN AWAY STEVE EARLE AND THE DUKES AND DUCHESSES BURNIN' IT DOWN MIRANDA LAMBERT MAMA'S BROKEN HEART ZAC BROWN BAND JUMP RIGHT IN CONNOR CHRISTIAN AND SOUTHERN GOTHIC SHEETS DOWN BEAUSOLEIL AVEC MICHAEL DOUCET CHANSON DE CINQUANTE SOUS EMMYLOU HARRIS AND RODNEY CROWELL BULL RIDER THE GIBSON BROTHERS THEY CALLED IT MUSIC THE ROYS COAL MININ' MAN OLD CROW MEDICINE SHOW BACK HOME AGAIN DARIUS RUCKER feat. LADY ANTEBELLUM WAGON WHEEL GRETCHEN WILSON RIGHT ON TIME ASHLEY MONROE WEED INSTEAD OF ROSES WILLIE NELSON LET'S FACE THE MUSIC AND DANCE CHRIS YOUNG I CAN TAKE IT FROM THERE STEVE EARLE AND THE DUKES AND DUCHESSES 21ST CENTURY BLUES TOWNES VAN ZANDT PANCHO & LEFTY (alternate 1972 mix) STEVE EARLE AND THE DUKES AND DUCHESSES CALICO COUNTY SPICEWOOD SEVEN feat. BRENNEN LEIGH CRYSTAL TIME KACEY MUSGRAVES MERRY GO 'ROUND STEVE EARLE AND THE DUKES AND DUCHESSES THE LOW HIGHWAY FLATLANDERS HOMELAND REFUGEE STEVE EARLE AND THE DUKES AND DUCHESSES THAT ALL YOU GOT? ALLISON MOORER ALABAMA SONG TURNPIKE TROUBADOURS SOUTHEASTERN SON STEVE EARLE AND THE DUKES AND DUCHESSES LOVE'S GONNA BLOW MY WAY THE MASTERSONS CRASH TEST STEVE EARLE AND THE DUKES AND DUCHESSES REMEMBER ME JUSTIN TOWNES EARLE AM I THAT LONELY TONIGHT? GUY CLARK NEW CUT ROAD . -
Emmylou Harris and Rodney Crowell the Traveling Kind
Titelliste der Sendung “Country Special” vom 31.5.2015 EMMYLOU HARRIS AND RODNEY CROWELL THE TRAVELING KIND GRAM PARSONS/EMMYLOU HARRIS BRAND NEW HEARTACHE EMMYLOU HARRIS AND RODNEY CROWELL IF YOU LIVED HERE, YOU'D BE HOME BY NOW DOLLY PARTON/L. RONSTADT/EMMYLOU HARRIS WILDFLOWERS EMMYLOU HARRIS AND RODNEY CROWELL NO MEMORIES HANGING 'ROUND ROSANNE CASH WHEN THE MASTER CALLS THE ROLL EMMYLOU HARRIS AND RODNEY CROWELL BRING IT ON HOME TO MEMPHIS LUCINDA WILLIAMS I JUST WANTED TO SEE YOU SO BAD DOUG SEEGERS/EMMYLOU HARRIS SHE NORAH JONES IF THE LAW DON'T WANT YOU EMMYLOU HARRIS AND RODNEY CROWELL JUST PLEASING YOU MARK KNOPFLER/EMMYLOU HARRIS RED STAGGERWING EMMYLOU HARRIS AND RODNEY CROWELL YOU CAN'T SAY WE DIDN'T TRY SOLOMON BURKE/EMMYLOU HARRIS WE'RE GONNA HOLD ON EMMYLOU HARRIS/DON WILLIAMS IF I NEEDED YOU WILLIE NELSON AND MERLE HAGGARD IT'S ALL GOING TO POT WILLIE NELSON AND MERLE HAGGARD DJANGO AND JIMMIE JIMMIE RODGERS WAITING FOR A TRAIN BOB DYLAN MY BLUE EYED JANE WILLIE NELSON AND MERLE HAGGARD DON'T THINK TWICE, IT'S ALRIGHT ROSIE FLORES GIRL HAGGARD WILLIE NELSON AND MERLE HAGGARD UNFAIR WEATHER FRIEND BRUCE ROBISON WHAT WOULD WILLIE DO WILLIE NELSON AND MERLE HAGGARD/BOBBY BARE MISSING OL' JOHNNY CASH DJANGO REINHARDT NUAGES WILLIE NELSON AND MERLE HAGGARD ALICE IN HULALAND ASLEEP AT THE WHEEL/OLD CROW MEDICINE SHOW TIGER RAG POKEY LAFARGE SOMETHING IN THE WATER B.B. KING/WILLIE NELSON NIGHT LIFE WILLIE NELSON AND MERLE HAGGARD THE ONLY MAN WILDER THAN ME . -
Kelsea Ballerini Becomes Newest Member of Grand Ole Opry
Kelsea Ballerini Becomes Newest Member of Grand Ole Opry **MEDIA DOWNLOAD** Footage of Kelsea Ballerini’s Opry member induction available here: hps://vimeopro.com/user62979372/kelsea‑ballerini‑inducon Kelsea Ballerini inducted as a member of the Grand Ole Opry Kelsea Ballerini and Carrie Underwood performed Opry by Opry member Carrie Underwood member Trisha Yearwood’s 1992 hit “Walkaway Joe" Kelsea Ballerini becomes newest member of the Grand Ole Opry l to r: Grand Ole Opry's Sally Williams, Black River Entertainment's Kim and Terry Pegula,Kelsea Ballerini, Black River Entertainment's Gordon Kerr, Sandbox Entertainment's Jason Owen and Black River Entertainment's Rick Froio NASHVILLE, Tenn. (April 16, 2019) – Kelsea Ballerini was inducted as the newest and youngest current member of the Grand Ole Opry tonight by Carrie Underwood, an Opry member since 2008. Surprising the soldout Opry House crowd after Ballerini had performed a threesong set, Underwood took the stage and said to Ballerini, “You have accomplished so much in your career, and you will undoubtedly accomplish infinite amounts more in your life. Awards, number ones, sales ... this is better than all of that. This is the heart and soul of country music.” Presenting Ballerini with her Opry member award, Underwood cheered, “I am honored to introduce and induct the newest member of the Grand Ole Opry, Kelsea Ballerini.” After recounting her first visit to the Opry as a fan, her 2015 Opry debut, and subsequent Opry appearances, Ballerini held her award close and said, “Grand -
Kenny G Bio 2018
A phenomenally successful instrumentalist whose recordings routinely made the pop, R&B, and jazz charts during the 1980s and ’90s, Kenny G‘s sound became a staple on adult contemporary and smooth jazz radio stations. He’s a fine player with an attractive sound (influenced a bit by Grover Washington, Jr.) who often caresses melodies, putting a lot of emotion into his solos. Because he does not improvise much (sticking mostly to predictable melody statements), his music largely falls outside of jazz. However, because he is listed at the top of “contemporary jazz” charts and is identified with jazz in the minds of the mass public, he is classified as jazz. Kenny Gorelick started playing professionally with Barry White‘s Love Unlimited Orchestra in 1976. He recorded with Cold, Bold & Together (a Seattle-based funk group) and freelanced locally. After graduating from the University of Washington, Kenny G worked with Jeff Lorber Fusion, making two albums with the group. Soon he was signed to Arista, recording his debut as a leader in 1982. His fourth album, Duotones(which included the very popular “Songbird”), made him into a star. Soon he was in demand for guest appearances on recordings of such famous singers as Aretha Franklin, Whitney Houston, and Natalie Cole. Kenny G’s own records have sold remarkably well, particularly Breathless, which has easily topped eight million copies in the U.S.; his total album sales top 30 million copies. The holiday album Miracles, released in 1994, and 1996’s Moment continued the momentum of his massive commercial success. He also recorded his own version of the Celine Dion/Titanic smash “My Heart Will Go On” in 1998, but the following year he released Classics in the Key of G, a collection of jazz standards like “‘Round Midnight” and “Body and Soul,” possibly to reclaim some jazz credibility. -
June 2017 Newsletter
THE BABA BULLETIN The Bay Area Bluegrass Association 5820 Misty Meadow, League City, TX 77573 June 2017 30 Years of Bluegrass Volume 30, Issue 12 PRESIDENT’S MESSAGE WHAT? B.A.B.A. is 30 years old?? Man, what talent at the Texas State Mandolin INSIDE: Championship. What a contest. Congratulations to Sam Armstrong. (Yep that's Scott's son.) I watched Upcoming Shows him grow up around Texas bluegrass and BABA. Supporting Bands He'll be a great Champion. Here are the winners: Membership 1st Place: Sam Armstrong - (Millican, Tx) Pick Your News 2nd Place: Nathaniel Dalzell - (Richardson, Tx) Stringing You Along 3rd Place: Mike McCarthy - (Austin, Tx) Special Events Thanks again to all the sponsors and all the volunteers. You made this a Bluegrass Venues st huge success. The Guitar contest is July 1 . Make plans to go! If you Monthly Jams haven't been to Pearl, you're missing a Texas treasure. Bring the RV Festival Flyers and make a weekend trip. Swap ‘n’ Shop Bluegrass Radio Thanks to the bands last month: Rose and the Thorns, White Dove, and Thinkin’ & Grinnin’ Southern Style (well we tried anyway). They put on a fine show! More cool stuff Advertise here!! You won't want to miss this month's show. Sabine River Bend, our friends from East Texas, will be heating it up. Southern Style and Pet Rooster will also perform - it’s Dr. Phil’s farewell performance :( I need to thank you, the BABA members, for your support. Without you and your support there wouldn't be a BABA show and jam every month. -
Sweet & Lowdown Repertoire
SWEET & LOWDOWN REPERTOIRE COUNTRY 87 Southbound – Wayne Hancock Johnny Yuma – Johnny Cash Always Late with Your Kisses – Lefty Jolene – Dolly Parton Frizzell Keep on Truckin’ Big River – Johnny Cash Lonesome Town – Ricky Nelson Blistered – Johnny Cash Long Black Veil Blue Eyes Crying in the Rain – E Willie Lost Highway – Hank Williams Nelson Lover's Rock – Johnny Horton Bright Lights and Blonde... – Ray Price Lovesick Blues – Hank Williams Bring It on Down – Bob Wills Mama Tried – Merle Haggard Cannonball Blues – Carter Family Memphis Yodel – Jimmy Rodgers Cannonball Rag – Muleskinner Blues – Jimmie Rodgers Cocaine Blues – Johnny Cash My Bucket's Got a Hole in It – Hank Cowboys Sweetheart – Patsy Montana Williams Crazy – Patsy Cline Nine Pound Hammer – Merle Travis Dark as a Dungeon – Merle Travis One Woman Man – Johnny Horton Delhia – Johnny Cash Orange Blossom Special – Johnny Cash Doin’ My Time – Flatt And Scruggs Pistol Packin Mama – Al Dexter Don't Ever Leave Me Again – Patsy Cline Please Don't Leave Me Again – Patsy Cline Don't Take Your Guns to Town – Johnny Poncho Pony – Patsy Montana Cash Ramblin' Man – Hank Williams Folsom Prison Blues – Johnny Cash Ring of Fire – Johnny Cash Ghost Riders in the Sky – Johnny Cash Sadie Brown – Jimmie Rodgers Hello Darlin – Conway Twitty Setting the Woods on Fire – Hank Williams Hey Good Lookin’ – Hank Williams Sitting on Top of the World Home of the Blues – Johnny Cash Sixteen Tons – Merle Travis Honky Tonk Man – Johnny Horton Steel Guitar Rag Honky Tonkin' – Hank Williams Sunday Morning Coming -
February 2019
Columbus Folk Music Society February 2019 Daniel Dye & the Miller Road Band Featured at Inside this issue Daniel Dye interview ................... 1 Feb. 23 Coffeehouse Daniel Dye Interview ................... 2,3 Valentine Concert ....................... 4 Daniel Dye is an "extraordinary do, and give us some exam- COFF Festival Volunteers ............ 4 singer-songwriter" who produc- ples of the songs you perform. COFF 2019 Headliners ................. 5 es “powerful short stories through simply beautiful lyrics” Thank You, Donors…………………….6 —WYSO Public Radio Daniel Dye: It’s folk music that Following Our Own ..................... 7 He’ll be joined at the Feb. 23 combines guitar, banjo, violin, Save the Date .............................. 7 CFMS Coffeehouse by the Mil- cello, viola, harmonica, and man- New Members……..…………………..7 ler Road Band, which includes dolin, and since the Miller Road his classically-trained nephews and nieces. They will join him Band is classically trained, you Special points of interest for an "Americana/Folk/Roots" can hear some of this influence sound that "takes you back in • Folk Festival Headliners (p. 5) as well. All of our songs are orig- time." (Buckeye Music Maga- • Bill Cohen Presents a pre- inal. I write the lyrics and melody, zine) Valentine Concert (p. 6) and the band adds layers of har- The following is Bill Cohen’s interview with Daniel Dye. monies and various instrumental parts. Bill Cohen: Many of our mem- Bill Cohen: At your February bers are not acquainted with 23 show at our coffeehouse, you and your music, so please continued on p. 2 describe the style of music you www.columbusfolkmusicsociety.org 1 Contact us at: Voicemail 614-470-3963 Columbus Folk Music Society February 2019 Daniel Dye and the Miller Road Band performing Daniel Dye interview, continued from p. -
Live and Die Down to the River to Pray (Oh Brother
THE AVETT BROTHERS Live and Die GEORGE HARRISON If Not For You PETE SEEGER If I had a Hammer ALISON KRAUSS Down to The River to Pray GEORGE HARRISON My Sweet Lord RICHIE HAVENS Here Comes The Sun (Oh Brother Where Art Thou?) GILLIAN WELCH Dear Someone RUFUS WAINWRIGHT Hallelujah THE BAND The Weight GILLIAN WELCH I’ll Fly Away (Oh Brother Where Art Thou?) RYAN ADAMS When The Stars Go Blue BONNIE RAITT Angel From Montgomery GRATEFUL DEAD Cold Rain And Snow THE SHINS New Slang BIG STAR 13 HANK WILLIAMS Jambalaya TOWNES VAN ZANDT I’ll Be Here In The Morning BLIND WILLIE JOHNSON John The Revelator JACKSON BROWN These Days TOWNES VAN ZANDT White Freightliner Blues BOB DYLAN Lay, Lady Lay JOAN BAEZ House of The Rising Sun THE TRIO Do I Ever Cross Your Mind BON IVER Skinny Love JOHN DENVER Take Me Home, Country Roads THE VELVET UNDERGROUND Pale Blue Eyes BRUCE SPRINGSTEEN I’m on Fire JOHNNY CASH Ring of Fire THE ZOMBIES This Will Be Our Year THE BYRDS You Aint Going Nowhere JOHN PRINE/ BONNIE RAITT Up Above My Head VAN MORRISON Astral Weeks CANNED HEAT Going Up The Country JONI MITCHELL California WILCO California Stars THE CARTER FAMILY Keep on the Sunny Side JOSE GONZALEZ Heartbeats WILLIE NELSON Always on My Mind CAT POWER Sea of Love THE KINKS Strangers WOODY GUTHRIE Hard Travelin’ CAT STEVENS Here Comes My Baby LED ZEPPELIN Tangerine DOLLY PARTON Jolene LOUDON WAINWRIGHT Daughter DUSTY SPRINGFIELD Son Of A Preacher Man LOUVIN BROTHERS My Baby’s Gone EAGLES One of These Nights LOUVIN BROTHERS You’re Running Wild EDWARD SHARPE Home THE LUMINEERS Ho Hey EVERLY BROTHERS All I Have To Do Is Dream NEIL YOUNG Harvest Moon EVERLY BROTHERS Down In The Willow Garden NEIL YOUNG Unknown Legend THE FACES Ooh La La OLD CROW MEDICINE SHOW Wagon Wheel FAIRPORT CONVENTION Who Knows Where the Time Goes? PAUL SIMON Diamonds on the Soles of Her Shoes FLEET FOXES Mykonos PAUL SIMON Me and Julio Down by The Schoolyard FLEETWOOD MAC Never Going Back Again PENNY & QUARTERS You And Me . -
Old Crow Medicine Show Announce July 1St Release of Remedy Via Ato Records
FOR IMMEDIATE RELEASE APRIL 2014 OLD CROW MEDICINE SHOW ANNOUNCE JULY 1ST RELEASE OF REMEDY VIA ATO RECORDS BAND ANNOUNCES BIGGEST HEADLINING TOUR TO DATE “SWEET AMARILLO”, FIRST SINGLE, OUT NOW + ALBUM AVAILABLE TO PRE-ORDER Nashville, TN – Heavily celebrated Grammy Award winning band Old Crow Medicine Show has announced their upcoming new album Remedy, due out July 1 via ATO Records. Remedy is full of catchy melodies, quirky and often humorous lyrics, all executed with mesmerizing musicianship. Ten years after the massive success of folk anthem “Wagon Wheel”, which started as a track on a Bob Dylan work tape later finished by fiddler/band leader Ketch Secor, Remedy features a new Dylan/Old Crow penned collaboration on the new track “Sweet Amarillo” one of the album’s many highlights. Remedy also features the return of producer Ted Hutt (Flogging Molly, Dropkick Murphys, Gaslight Anthem), who produced 2012’s highly praised Carry Me Back. Long before the resurgence of folk and roots rock, Old Crow Medicine Show was performing their fiery style of amped up old-time music, cultivating a diverse fan base who thrive on the band’s energetic performances. The songs on Remedy are chock full of the same raw energy, swagger and drive that has made rabid fans of everyone from hipsters to college students to traditional music purists. “This is country music for people who think country music needs a whoopin'’ says Secor, who adds, “Country music that knows how deep its roots run--- from the dirtiest blues to the folkiest folk, the songwriters, the crooners and the Outlaws, to the Opry stage; it's all here”. -
Using Pop Soundtrack As Narrative Counterpoint Or Complement Margaret Dudasik Honors College, Pace University
Pace University DigitalCommons@Pace Honors College Theses Pforzheimer Honors College 5-1-2013 Genre as Bait: Using Pop Soundtrack as Narrative Counterpoint or Complement Margaret Dudasik Honors College, Pace University Follow this and additional works at: http://digitalcommons.pace.edu/honorscollege_theses Part of the Film and Media Studies Commons Recommended Citation Dudasik, Margaret, "Genre as Bait: Using Pop Soundtrack as Narrative Counterpoint or Complement" (2013). Honors College Theses. Paper 127. http://digitalcommons.pace.edu/honorscollege_theses/127 This Thesis is brought to you for free and open access by the Pforzheimer Honors College at DigitalCommons@Pace. It has been accepted for inclusion in Honors College Theses by an authorized administrator of DigitalCommons@Pace. For more information, please contact [email protected]. Genre as Bait: Using Pop Soundtrack as Narrative Counterpoint or Complement By: Margaret Dudasik May 15, 2013 BA Film & Screen Studies/ BFA Musical Theatre Dr. Ruth Johnston Film & Screen Studies, Dyson College of Arts and Sciences 1 Abstract There is much argument against using pre-existing music in film, Ian Garwood noting three potential problems with the pop song: obtrusiveness, cultural relevance, and distance from the narrative (103-106). It is believed that lyrics and cultural connotations can distract from the action, but it is my belief that these elements only aid narrative. By examining the cinematic functions of the soundtracks of O Brother Where Are Thou? (2000) and Marie Antoinette (2006), I will argue that using pre-existing music in film is actually more effective than a score composed specifically for a film. Film theorist Claudia Gorbman notes that film scores have “temporal, spatial, dramatic, structural, denotative, [and] connotative” abilities” (22), and it is my belief that pop music is just as economical in forming character, conveying setting, and furthering plot. -
Download Artist
EdLittlefield,Jr. MyWesternHome Ed Littlefield, Jr.'s self-proclaimed objective is to reach the kind of transcendence in his music that brings him to tears. He sings cowboy songs, accompanying himself on acoustic guitar, mandolin, fiddle, mandocello, pedal steel guitar, dobro, piano, bass, and backing vocals. My Western Home is his second solo album and features cowboy classics both traditional (“Get Along, Little Doggies” and “Red River Valley”) and modern (“Darcy Farrow” and “Four Strong Winds”).! ! ! ! ! ! “The way I play the songs, the way I arrange them, is how I imagine cowboys would have, just sitting around the camp fire playing for fun, with no thought to whether they would get airplay.” ! As evidence, listen to his version of “Spanish Is A Loving Tongue,” running 15 minutes. The acoustic lead guitar was re- corded in one long first take without edits. " You gotta figure there's more going on here than a rehash of out takes from some old Sons of The Pioneers chestnuts volume pedals immediately. The intona- extracted from a Roy Rogers matinee tion, I could hear it right away.” shoot-em-up. In a voice that's weathered, ! Born into a family which became one wistful and a little weary, he brings to of the largest holders of ranch land in the traditional cowboy songs a new vibrancy west, Ed and his brother fell in love with like rain drops dancing in desert dust. the land and ultimately chose to live in ! Grateful Dead drummer Mickey the country. That family business, the Hart says Ed's music “ just glistens. -
Eric Hartzog Senior Guitar Recital
THE BELHAVEN UNIVERSITY DEPARTMENT OF MUSIC Dr. Stephen W. Sachs, Chair presents Eric Hartzog Senior Guitar Recital Tuesday, November 20, 2012 • 7:30 p.m. Belhaven University Center for the Arts • Concert Hall There will be a reception after the evening program. Please come and greet the performers. Please refrain from the use of all flash and still photography during the concert. Please turn off all pagers and cell phones. PROGRAM Heart of Life John Mayer • b. 1977 Old ‘82 Eric Hartzog • b. 1989 Satin Doll Duke Ellington • 1899 - 1974 Human Nature Michael Jackson • 1958 - 2009 Eric Hartzog, Mr. Dennis Bonds, Jazz Guitars INTERMISSION Waiting on the World to Change John Mayer Eric Hartzog, Mr. Dennis Bonds, Jazz Guitars Belief John Mayer Eric Hartzog, Mr. Dennis Bonds, Scott Foreman, Jazz Guitars Blues Jam Dennis Bonds • b. 1969 & E. Hartzog Voodoo Chile Jimi Hendrix • 1942 - 1970 Change the World Eric Clapton • b. 1945 Eric Hartzog, Mr. Dennis Bonds, Jazz Guitars PROGRAM NOTES The Heart of Life Old ‘82 John Mayer based a lot of his music around his An Eric Hartzog original, this is loosely based on personal relationships and in The Heart of Life, a very special memory for me! Though the title you can’t help but see that being poured out. To suggests that it’s about my father’s old 1982 me, I think it means that no matter how bad pickup truck, it is really about the precious time things are, no matter how bad it hurts, no matter I spent with him during those years.