Dance Skills Middle (6-8)

Total Page:16

File Type:pdf, Size:1020Kb

Dance Skills Middle (6-8) TOOLS FOR LEARNING DANCE SKILLS MIDDLE (6-8) A PUBLIC SERVICE OF Created by: Brandon Herwick, Rich Wiles, Dr. Theresa Cone, Pam Powers, Shannon Maly, Ben Pirillo, Scott Williams, Deedi Boland-Brown, Bob Oats, Chris Walker, Alex O’Brien, Matt Bristol, Matt Johnson Special Contributions by: Aaron Hart, Brian Devore & Tammy Hanna Design: Jennifer Truong In partnership with the SUNY Cortland AMP Lab. OPEN is a Public Service Organization supported by US Games and BSN Sports. ©2019 These documents and all of the content provided by OPEN are available to all teachers, coaches and activity leaders without cost or obligation. Please print, copy, and share the content responsibly. The sale of this work by a third party is prohibited in any print or electronic format. Grade-Level Outcomes for K-12 Physical Education are used under license from SHAPE America. © SHAPE America, 2013, www.shapeamerica.org. All rights reserved. This module builds upon the learning and enjoyment that students experienced in the OPEN dance modules for grades K-2 and 3-5. The dances and activities build in complexity and ask students to use social and emotional strategies to create a positive learning environment. In order to help your students progress through this module, keep the environment fun and silly, while also maintaining high expectations for learning. Learning dance is ultimately a journey of self-expression. Perfecting every step is not what is important. Personal enjoyment, social engagement, and appreciation for all movement forms will ultimately keep dance as an important element of an individual’s physical literacy journey. Teach and reinforce skills and concepts while keeping the magic of movement alive. FOCUS OUTCOMES & RESOURCES PAGE STANDARDS Module Overview 1 Required Materials List 5 Activity Plans The Safety Dance Standard 1, 2, 3 7 Sports Picture Dance Standard 3, 4 9 Fist Pump Jump Jump Standard 1, 2, 4 11 Samoa Sasa Standard 1, 4 13 Crazy Bird (Baba Hou!) Standard 1, 3, 4 15 D’Hammerschmiedsgselln Standard 1, 2, 4, 5 17 The Appalachian Big Circle Standard 1, 5 19 Dance with Words Standard 1, 4, 5 21 Sample First Lesson Plan 23 Academic Language Posters 84 pages Sports Picture Activity Cards 30 pages (Fist Pump Jump, Jump; Samoa Sasa; Dance Activity Cards Crazy Bird; D’hammerschmiedsgselln; 5 sets Appalachian Big Circle) (11 pages total) Dance with Words Movement Cards 10 Pages Student Assessment Tools Self-Assessment Worksheet Holistic Performance Rubric Academic Language Quiz Dance w/Words Brainstorm Page Teacher Self-Eval & Reflection Guide Universal Design Adaptations 1 • Standard 1 [M1.6-8] Demonstrates correct rhythm and pattern for one of the following dance forms: folk, social, creative, line, or world dance (6); Demonstrates correct rhythm and pattern for a different dance form from among folk, social, creative, line, and world dance (7); Exhibits command of rhythm and timing by creating a movement sequence to music as an individual or in a group (8). • Standard 2 [M1.6-8] Creates open space by using locomotor movements (e.g., running, jumping & landing) in combination with movement (e.g., varying pathways; change of speed, direction, or pace) (6); Reduces open space by using locomotor movements (e.g., walking, jumping & landing, changing size and shape of the body) in combination with movement concepts (e.g., reducing the angle in the space, reducing distance between player and goal) (7); Opens and closes space during small-sided game play by combining locomotor movements with movement concepts (8). • Standard 2 [M12.6-8] Varies application of force during dance or gymnastic activities (6); Identifies and applies Newton’s laws of motion to various dance or movement activities (7); Describes and applies mechanical advantage(s) for a variety of movement patterns (8). • Standard 3 [M6.6-8] Participates in moderate to vigorous aerobic physical activity that includes intermittent or continuous aerobic physical activity of both moderate and vigorous intensity for at least 60 minutes per day (6); Participates in moderate to vigorous muscle- and bone-strengthening physical activity at least three times a week (7); Participates in moderate to vigorous aerobic and/or muscle- and bone- strengthening physical activity for at least 60 min/day at least five times a week (8). • Standard 3 [M14.6-8] Identifies major muscles used in selected physical activities (6); Describes how muscles pull on bones to create movement in pairs by relaxing and contracting (7); Explains how body systems interact with one another (e.g., blood transports nutrients from the digestive system, oxygen from the respiratory system) during physical activity (8). • Standard 4 [M1.6-8] Exhibits personal responsibility by using appropriate etiquette, demonstrating respect for facilities, and exhibiting safe behaviors (6); Exhibits responsible social behaviors by cooperating with classmates, demonstrating inclusive behaviors, and supporting classmates (7); Accepts responsibility for improving one’s own levels of physical activity and fitness (8). • Standard 4 [M4.6-8] Accepts differences among classmates in physical development, maturation, and varying skill levels by providing encouragement and positive feedback (6); Demonstrates cooperation skills by establishing rules and guidelines for resolving conflicts (7); Responds appropriately to participants’ ethical and unethical behavior during physical activity by using rules and guidelines for resolving conflicts (8). • Standard 4 [M6.6-8] Identifies the rules and etiquette for physical activities/games and dance activities (6); Demonstrates knowledge of rules/etiquette by self-officiating modified physical activities/games or following parameters to create or modify a dance (7); Applies rules/etiquette by acting as an official for modified physical activities/games & creating dance routines within a given set of parameters (8). • Standard 4 [M7.6-8] Uses physical activity and fitness equipment appropriately and safely, with the teacher’s guidance (6); Independently uses physical activity and exercise equipment appropriately and safely (7); Independently uses physical activity and fitness equipment appropriately and identifies specific safety concerns associated with the activity (8). • Standard 5 [M3.6-8] Recognizes individual challenges and copes in a positive way, such as extending effort, asking for help/feedback, and/or modifying the tasks (6); Generates positive strategies such as offering suggestions/assistance, leading/following others, and/or providing possible solutions when faced with a group challenge (7); Develops a plan of action and makes appropriate decisions based on that plan when faced with an individual challenge (8). 2 Each skill-building activity in this module is meant to be one part of a complete lesson. The authors recommend the following formula for creating a 30- to 45- minute lesson: Instant Activity (not on block plan) 5-10 minutes + Dance Activity with Debrief 10-15 minutes + Dance Activity with Debrief 10-15 minutes + Check for Understanding 5 minutes Important: Suggestions are what they say they are – suggestions. All OPEN materials are offered in MS Word format so that you can easily modify our suggestions to meet the needs of your students. Three types of assessment are provided as a part of this module. However, there are many different ways for teachers and students to assess and evaluate student learning and skill development. Holistic Performance Rubric The Holistic Rubric can be used as both a formative and summative assessment within the module. Providing students with the rubric’s criteria early in the module will allow for discussion and formative evaluation throughout activities and lessons. This Dual Holistic Rubric separates skill and SEL characteristics providing two sets of criteria to be evaluated separately. This rubric can be completed in full during the Module’s last lesson as a final holistic evaluation of each student’s performance. Academic Language Quiz Assess student knowledge with a short quiz focused on the academic language of Ultimate. Use the provided quiz as-is or as a template for creating a custom quiz. Dance with Words Brainstorming Page This page provides a road map for student work and documents their cooperative process. Use it as a dance project learning artifact. This tool also provides students with guidance as they work to explore and understand critical skill- themes and movement concepts. 3 Lesson Skill Activity Suggested Academic Language The Safety Dance + Fist Action, Beat, Choreography, Cues, Dance, 8 Count, 1 Pump Jump Jump Locomotor Skills Beat, Choreography, Cues, Dance, 8 Count, Elements of Sports Picture Dance + 2 Dance, Locomotor Skills, Muscular endurance, Non- Fist Pump Jump Jump Locomotor Skills Fist Pump Jump Jump + Action, Beat, Choreography, Cues, Culture, Dance, 3 Samoa Sasa 8 Count, Polynesian Dance with Words + Attack, Beat, Choreography, Cues, Dance, 8-Count, Flow, 4 Samoa Sasa Locomotor Skills, Non-Locomotor Skills, Quality, Weight Samoa Sasa + Crazy Action, Beat, Choreography, Cues, Dance, 8 Count, 5 Bird Grapevine, Locomotor Skills, Non-Locomotor skills, Pivot The Safety Dance + Action, Beat, Choreography, Cues, Dance, 8 Count, 6 Crazy Bird Grapevine, Locomotor Skills, Non-Locomotor skills, Pivot 6-count, 3/4 time, Beat, Choreography, Count, Counter- Crazy Bird + 7 Clockwise, Clockwise, Cues, Culture, Partner, Tempo, D’hammerschmiedsgselln Time 6-count, 3/4 time, Beat, Choreography, Count, Counter- Sports Picture Dance
Recommended publications
  • Campfire Songs
    Antelope Books In collaboration with W1-609-17-2 Productions Antelope Books In collaboration with W1-609-17-2 Productions Four Reasons to Sing Loud SCOUT OATH 1. If God gave you a good voice, sing loud. On my honor, I will do my best He deserves to hear it. To do my duty to God and my country And to obey the Scout Law; 2. If God gave you a good voice, sing loud. To help other people at all times; We deserve to hear it. To keep myself physically strong, 3. If God did not give you a beautiful singing voice, sing loud. Mentally awake and morally straight. Who is man to judge what God has given you? SCOUT LAW OUTDOOR CODE 4. If God did not give you a beautiful singing voice, sing out A Scout is: As an American loud, sing out strong… God deserves to hear it. Trustworthy I will do my best to - He has no one to blame but Himself! Loyal Be clean in my outdoor manners Helpful Be careful with fire Friendly Be considerate in the outdoors Courteous Be conservation minded Kind Obedient SCOUT MOTTO Cheerful Be prepared! Thrifty Brave SCOUT SLOGAN Clean Do a good turn daily! Reverent Four Reasons to Sing Loud SCOUT OATH 1. If God gave you a good voice, sing loud. On my honor, I will do my best He deserves to hear it. To do my duty to God and my country And to obey the Scout Law; 2. If God gave you a good voice, sing loud.
    [Show full text]
  • SERMONS “WE CAN DANCE IF WE WANT TO” 1 Scripture Lessons: 2 Samuel 6:1-19 This Sermon Was Preached by the Rev
    FIRST (SCOTS) SERMONS “WE CAN DANCE IF WE WANT TO” 1 Scripture Lessons: 2 Samuel 6:1-19 This sermon was preached by The Rev. Maggie F. Beamguard on Sunday, July 12, 2015 at First (Scots) Presbyterian Church in Charleston, South Carolina. When was the last time you were invited to dance? Whether it is the chicken dance or the waltz, disco or shag, the two step or the up-town funk, ballet, tap, jazz or contemporary - dancing is: feeling the rhythm, moving to the beat, shaking it off, self-expression. But dancing is also about knowing who is leading and who is going to step where and when or turn first. Once David becomes the King of Israel, he leads by uniting Saul’s tribal confederation under one capitol in the newly captured city of Jerusalem. This will not only be a political hub, but a religious center. And so he arranges to bring the Ark of the Covenant to the city of David. For all these years the Ark of the Covenant has served as the chief symbol of God’s presence and tribal unity in Israel. The Ark is the symbol of God’s presence with God’s people going all the way back to days of Moses. The Ark journeys through the wilderness in Sinai and armies carry it into battle. But it also falls into the hands of enemies and is lost for stretches at a time. King David will bring this powerful symbol of God’s presence to the new capitol. King David choreographs its arrival, as any head of state would, as if a dignitary were coming to town.
    [Show full text]
  • O-Week Edition. February 23Rd 2011
    O-WEEK EDITION. FEBRUARY 23RD 2011 ? SEND YOUR MAIL TO: letters [email protected] HONI FROM THE VAULT S.R.C. President’s Message to Freshers, March 1946 The first academic year to begin in peace time has as its chief characteristic by far a record number THE of first-year students. Not only is the number exceptionally large, but its composition is also EDITORIAL extraordinary, because of the large number of Heeeeere’s Honi! returned servicemen and women it contains. Welcome (back) to university, and To all who are starting off this year, I wish to welcome to this, the very first edition of Honi extend a very hearty welcome. You have all one Soit* for 2011. thing in common now, namely the membership O-Week) of this University, and this will be the most One of the boys in my year ten English class and recap important feature of your life in the next few once described university as “one long y’all on the years. party,” and to be honest he wasn’t too far considerable goings from the truth. Uni can be an incredibly on around campus and the Your stay at the University will not be fully positive and social environment, but it’s easy to world over the break, just in time worthwhile if you only want to take away your feel overwhelmed and isolated even in the midst for you to drop some knowledge at degree and your knowledge, and not give of thousands of people. To that end, we’ve your first tute.
    [Show full text]
  • 1978-05-22 P MACHO MAN Village People RCA 7" Vinyl Single 103106 1978-05-22 P MORE LIKE in the MOVIES Dr
    1978-05-22 P MACHO MAN Village People RCA 7" vinyl single 103106 1978-05-22 P MORE LIKE IN THE MOVIES Dr. Hook EMI 7" vinyl single CP 11706 1978-05-22 P COUNT ON ME Jefferson Starship RCA 7" vinyl single 103070 1978-05-22 P THE STRANGER Billy Joel CBS 7" vinyl single BA 222406 1978-05-22 P YANKEE DOODLE DANDY Paul Jabara AST 7" vinyl single NB 005 1978-05-22 P BABY HOLD ON Eddie Money CBS 7" vinyl single BA 222383 1978-05-22 P RIVERS OF BABYLON Boney M WEA 7" vinyl single 45-1872 1978-05-22 P WEREWOLVES OF LONDON Warren Zevon WEA 7" vinyl single E 45472 1978-05-22 P BAT OUT OF HELL Meat Loaf CBS 7" vinyl single ES 280 1978-05-22 P THIS TIME I'M IN IT FOR LOVE Player POL 7" vinyl single 6078 902 1978-05-22 P TWO DOORS DOWN Dolly Parton RCA 7" vinyl single 103100 1978-05-22 P MR. BLUE SKY Electric Light Orchestra (ELO) FES 7" vinyl single K 7039 1978-05-22 P HEY LORD, DON'T ASK ME QUESTIONS Graham Parker & the Rumour POL 7" vinyl single 6059 199 1978-05-22 P DUST IN THE WIND Kansas CBS 7" vinyl single ES 278 1978-05-22 P SORRY, I'M A LADY Baccara RCA 7" vinyl single 102991 1978-05-22 P WORDS ARE NOT ENOUGH Jon English POL 7" vinyl single 2079 121 1978-05-22 P I WAS ONLY JOKING Rod Stewart WEA 7" vinyl single WB 6865 1978-05-22 P MATCHSTALK MEN AND MATCHTALK CATS AND DOGS Brian and Michael AST 7" vinyl single AP 1961 1978-05-22 P IT'S SO EASY Linda Ronstadt WEA 7" vinyl single EF 90042 1978-05-22 P HERE AM I Bonnie Tyler RCA 7" vinyl single 1031126 1978-05-22 P IMAGINATION Marcia Hines POL 7" vinyl single MS 513 1978-05-29 P BBBBBBBBBBBBBOOGIE
    [Show full text]
  • "Eustace the Monk" and Compositional Techniques
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2013 An original composition, Symphony No. 1, "Eustace the Monk" and compositional techniques used to elicit musical humor Samuel Howard Stokes Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Stokes, Samuel Howard, "An original composition, Symphony No. 1, "Eustace the Monk" and compositional techniques used to elicit musical humor" (2013). LSU Doctoral Dissertations. 1053. https://digitalcommons.lsu.edu/gradschool_dissertations/1053 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. AN ORIGINAL COMPOSITION, SYMPHONY NO. 1, "EUSTACE THE MONK" AND COMPOSITIONAL TECHNIQUES USED TO ELICIT MUSICAL HUMOR A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College In partial fulfillment of the Requirements of the degree of Doctor of Philosophy in The School of Music by Samuel Stokes B.M., University of Central Missouri, 2002 M.A., University of Central Missouri, 2005 M.M., The Florida State University, 2006 May 2013 ACKNOWLEDGMENTS I would like to thank Dinos Constantinides for his valuable guidance and enthusiasm in my development as a composer. He has expanded my horizons by making me think outside of the box while leaving me enough room to find my own compositional voice.
    [Show full text]
  • JAGOS MUSIC Is Pleased to Present the Wavos! Scramble up the Killers, Green Day and Depeche Mode and You're Getting a Taste for the Wavos
    JAGOS Music LLC PO Box 70730 Myrtle Beach, SC 29572 (347) 837-5515 JAGOS MUSIC is pleased to present The Wavos! Scramble up The Killers, Green Day and Depeche Mode and you're getting a taste for The Wavos. Their live show is all-out rocktronic dance-pop, powerpop meets goth electronica, an authentic ‘80s & ‘90s new wave alterna-rock dance party that won’t quit. The Wavos specialize in colliding musical styles, blurring the lines between rock & dance music, pop & darkwave, guitar trio & synthpop, never forgetting that great songs are what it’s all about. Ride the wave, it’s what you crave! Contact & Bookings: Gordon Smith (347) 837-5515 [email protected] Web Sites: www.thewavos.com www.facebook.com/thewavos www.youtube.com/jagosmusic www.twitter.com/thewavos www.myspace.com/thewavos www.itunes.com www.cdbaby.com/Artist/thewavos http://www.thewavos.com [email protected] FACT SHEET Ride the wave, it’s what you crave! Scramble up The Killers, Green Day, Depeche Mode, you're getting a taste for The Wavos: rocktronic dance-pop with a chewy ‘80s alternawave center. Artist Information Biography “Make no mistake, these guys are more than a cover band,” says the Sun News. The Wavos have a fantastic time playing their favorite songs by Billy Idol, The Killers, Beastie Boys, Depeche Mode, Green Day, The Cars, New Order, Devo, Ramones, Nine Inch Nails and so many more. Then they'll throw in a couple of original WAVOS songs and you'll just know it's a new wave band that you can't quite name… Or, depending on the venue, the band will treat its audience to a full set of their own songs.
    [Show full text]
  • Line of Duty Ep.2 Post Production Script
    Line of Duty – Ep.2 LINE OF DUTY EP.2 POST PRODUCTION SCRIPT 1 Line of Duty – Ep.2 MUSIC IN 2M1 10:00:00 CAPTION: PREVIOUSLY (OVER BLACK) 10:00:03 GATES running over to the mugging. CHIEF CONSTABLE (V.O.) Officer of the year ... CUT TO: 10:00:04 GATES punching the MUGGER. CHIEF CONSTABLE (CONT – V.O.) ... Detective Chief... CUT TO: 10:00:06 GATES receiving his award. CHIEF INSPECTOR (CONT – V.O.) ... Inspector Anthony Gates. 10:00:08 CREDIT OVER BLACK: LENNIE JAMES ARNOTT (V.O.) Flat... CUT TO: 10:00:11 ARNOTT talking into the radio. ARNOTT (CONT) ...56 CUT TO: 10:00:11 An explosion coming from within the flat. CUT TO: 10:00:12 AMIR lying dead on the ground, the BABY crying still strapped to him. Screaming can be heard. CUT TO: 10:00:14 ARNOTT looks on in shock. Screaming / crying continues. CUT TO: 10:00:15 ARNOTT adjusts the number 6 on the front door to number 9. Screaming / crying continues. CUT TO: 10:00:15 HASTINGS shows ARNOTT around. HASTINGS Welcome to Anticorruption. ARNOTT This will be good for me. 2 Line of Duty – Ep.2 HASTINGS It wasn’t your fault son. 10:00:19 CREDIT OVER BLACK: MARTIN COMPSTON VICKY McCLURE FLEMING (V.O.) Hit-and-run? CUT TO: 10:00:22 FLEMING (CONT) Why us? FLEMING and JANSON look at a photograph of the victim of the hit and run. JANSON Because we've got a big sign over our heads saying "CID -- dump your crap here".
    [Show full text]
  • Doctor of Philosophy
    A thesis submitted in total fulfilment of the requirements for the degree of Doctor of Philosophy School of Social Sciences University of Western Sydney March 2007 ii CONTENTS LIST OF TABLES........................................................................................ VIII LIST OF FIGURES ...................................................................................... VIII LIST OF PHOTOGRAPHS ............................................................................ IX ACKNOWLEDGMENTS................................................................................. X STATEMENT OF AUTHORSHIP .................................................................. XI PRESENTATION OF RESEARCH............................................................... XII SUMMARY ..................................................................................................XIV CHAPTER 1 INTRODUCING MUSIC FESTIVALS AS POSTMODERN SITES OF CONSUMPTION.............................................................................1 1.1 The Aim of the Research ................................................................................................................. 6 1.2 Consumer Society............................................................................................................................. 8 1.3 Consuming ‘Youth’........................................................................................................................ 10 1.4 Defining Youth ..............................................................................................................................
    [Show full text]
  • The Art of Being Human First Edition
    The Art of Being Human First Edition Michael Wesch Michael Wesch Copyright © 2018 Michael Wesch Cover Design by Ashley Flowers All rights reserved. ISBN: 1724963678 ISBN-13: 978-1724963673 ii The Art of Being Human TO BABY GEORGE For reminding me that falling and failing is fun and fascinating. iii Michael Wesch iv The Art of Being Human FIRST EDITION The following chapters were written to accompany the free and open Introduction to Cultural Anthropology course available at ANTH101.com. This book is designed as a loose framework for more and better chapters in future editions. If you would like to share some work that you think would be appropriate for the book, please contact the author at [email protected]. v Michael Wesch vi The Art of Being Human Praise from students: "Coming into this class I was not all that thrilled. Leaving this class, I almost cried because I would miss it so much. Never in my life have I taken a class that helps you grow as much as I did in this class." "I learned more about everything and myself than in all my other courses combined." "I was concerned this class would be off-putting but I needed the hours. It changed my views drastically and made me think from a different point of view." "It really had opened my eyes in seeing the world and the people around me differently." "I enjoyed participating in all 10 challenges; they were true challenges for me and I am so thankful to have gone out of my comfort zone, tried something new, and found others in this world." "This class really pushed me outside my comfort
    [Show full text]
  • Looking for Fair Use in the DMCA's Safety Dance Ira S
    The University of Akron IdeaExchange@UAkron Akron Intellectual Property Journal Akron Law Journals March 2016 Looking for Fair Use in the DMCA's Safety Dance Ira S. Nathenson Please take a moment to share how this work helps you through this survey. Your feedback will be important as we plan further development of our repository. Follow this and additional works at: https://ideaexchange.uakron.edu/akronintellectualproperty Part of the Intellectual Property Law Commons Recommended Citation Nathenson, Ira S. (2009) "Looking for Fair Use in the DMCA's Safety Dance," Akron Intellectual Property Journal: Vol. 3 : Iss. 1 , Article 5. Available at: https://ideaexchange.uakron.edu/akronintellectualproperty/vol3/iss1/5 This Article is brought to you for free and open access by Akron Law Journals at IdeaExchange@UAkron, the institutional repository of The nivU ersity of Akron in Akron, Ohio, USA. It has been accepted for inclusion in Akron Intellectual Property Journal by an authorized administrator of IdeaExchange@UAkron. For more information, please contact [email protected], [email protected]. Nathenson: Looking for Fair Use in the DMCA's Safety Dance LOOKING FOR FAIR USE IN THE DMCA's SAFETY DANCE Ira S. Nathenson* We can dance if we want to. We can leave yourfriends behind 'Causeyour friends don 't dance and if they don't dance, Well, they're no friends of mine. - Men Without Hats, "The Safety Dance"' INTRODUCTION ............................................................................. 122 I. A NEW DANCE SENSATION ................................................. 128 A. Uncertainty regarding intermediaries ......................... 129 B. A statutory "solution" ................................................. 131 C. A discordant note, and Senator Ashcroft's am endm ent .................................................................. 133 II.
    [Show full text]
  • GAIN -God and I Now
    !1 GAIN -God And I Now- Neville Berkowitz PersonalEmpowerment.co !2 GAIN -God And I Now- Neville Berkowitz PersonalEmpowerment.co Johannesburg July 2019 !3 Contents page no. 6 Introduction,confessions,explanation and Superheroes 11 You are a Light Being 12 Where did we go wrong? 14 Your spiritual journey 19 Abundance 21 Acceptance 22 Action 22 Adversity 24 Appreciation 25 Attention 25 Attitude 26 Authenticity 27 Awareness 27 Being 28 Best 28 Charity 30 Coincidences 30 Compassion 31 Dignity 32 Energy 32 Enlightenment 33 Enthusiasm 33 Faith 33 Giving and Generosity 34 Goal 35 Godlike 36 Gratitude 37 Growth 39 Happiness 40 Harmony 41 Healing 43 Hope 44 Humility 46 Imagination 47 Integrity 48 Intention 49 Intuition 50 Joy 51 Judgement 53 Kindness 53 Knowledge 56 Leadership 58 Life 60 Listening 61 Loss 63 Love 64 Manifestation 65 Meaning 67 Meditation 68 Mindfullness 69 Miracle !4 Contents page no. 70 Nobility 71 Non- Acceptance 72 Non- Attachment 74 Non- Judgment 76 Non- Resistance 77 Now 77 Opportunity 78 Passion 79 Patience 79 Peace 80 Perception 81 Perspective 82 Power 83 Praise 87 Prayer 88 Present moment of Now 89 Principles 90 Prosperity 92 Problems 93 Purpose 95 Questions 95 Reality 97 Recognition 98 Regret 98 Relationships 99 Religion 101 Responsibility 102 Sabbath 102 Secret 103 Security 105 Self belief 106 Self esteem 107 Self Love 108 Sensuality 109 Service 109 Silence and stillness 111 Simplicity 112 Smile 112 Strength 114 Success 115 Suffering 116 Support 118 Surrender 119 Synchronicity 119 Teacher 120 Thoughts 121 Tolerance 122 Transcendence 123 Transparent 124 Trust 125 Truth 126 Understanding !5 Contents page no.
    [Show full text]
  • Phonics Maths Creative Story Mon Sing Hello Song Hello! | Super
    Phonics Maths Creative Story Mon Sing hello song My favourite cake is carrot cake. Little Red Riding Hood made some cakes for This is a very different version of Little Red Riding Hello! | Super Simple Songs What is your favourite cake? her Grandma. Hood on you tube https://www.youtube.com/watch?v=tVlcKp3bWH8 Can you ask the members of your Enjoy! With your child talk about people who are family what is their favourite cake? Can you remember how you made a tally https://www.youtube.com/watch?v=vewVqfMc_Hs special to them You could make a tally chart of the chart to find out the most favourite cake Who are the people you like to see? What cake that is the most favourite. Put a that people eat at your house? What was do you do when you see them? Do mark next to each cake as you ask it? you wave? Give them a hug? Give them a someone and the cake that has the kiss? How do you keep in touch with them? most marks is the favourite. Could you make some cakes with a grown Do you use the phone? Do you have a up for the people that live in your house? You can never have enough stories! computer? Do you meet them? How do Maybe you could make the cakes that were people say hello in other countries? What the favourite! about your pets? Do they say hello to you? At bedtime snuggle up and share another story with your child Tues The Secret Handshake Play a game with your secret Make your own telephone This is a very different version of Little Red Riding At the moment touching needs to be kept handshake moves.
    [Show full text]