Newsletter October 2019
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Reading Stephen King: Issues of Censorship, Student Choice, and Popular Literature
DOCUMENT RESUME ED 414 606 CS 216 137 AUTHOR Power, Brenda Miller, Ed.; Wilhelm, Jeffrey D., Ed.; Chandler, Kelly, Ed. TITLE Reading Stephen King: Issues of Censorship, Student Choice, and Popular Literature. INSTITUTION National Council of Teachers of English, Urbana, IL. ISBN ISBN-0-8141-3905-1 PUB DATE 1997-00-00 NOTE 246p. AVAILABLE FROM National Council of Teachers of English, 1111 W. Kenyon Road, Urbana, IL 61801-1096 (Stock No. 39051-0015: $14.95 members, $19.95 nonmembers). PUB TYPE Collected Works - General (020) Opinion Papers (120) EDRS PRICE MF01/PC10 Plus Postage. DESCRIPTORS *Censorship; Critical Thinking; *Fiction; Literature Appreciation; *Popular Culture; Public Schools; Reader Response; *Reading Material Selection; Reading Programs; Recreational Reading; Secondary Education; *Student Participation IDENTIFIERS *Contemporary Literature; Horror Fiction; *King (Stephen); Literary Canon; Response to Literature; Trade Books ABSTRACT This collection of essays grew out of the "Reading Stephen King Conference" held at the University of Mainin 1996. Stephen King's books have become a lightning rod for the tensions around issues of including "mass market" popular literature in middle and 1.i.gh school English classes and of who chooses what students read. King's fi'tion is among the most popular of "pop" literature, and among the most controversial. These essays spotlight the ways in which King's work intersects with the themes of the literary canon and its construction and maintenance, censorship in public schools, and the need for adolescent readers to be able to choose books in school reading programs. The essays and their authors are: (1) "Reading Stephen King: An Ethnography of an Event" (Brenda Miller Power); (2) "I Want to Be Typhoid Stevie" (Stephen King); (3) "King and Controversy in Classrooms: A Conversation between Teachers and Students" (Kelly Chandler and others); (4) "Of Cornflakes, Hot Dogs, Cabbages, and King" (Jeffrey D. -
A Description of Theme in Stephen King's Novel Carrie
A DESCRIPTION OF THEME IN STEPHEN KING’S NOVEL CARRIE A PAPER BY NAME : TAMARA REBECCA REG.NO : 142202013 DIPLOMA III ENGLISH STUDY PROGRAM FACULTY OFCULTURAL STUDIES UNIVERSITY OF SUMATERA UTARA MEDAN 2017 UNIVERSITAS SUMATERA UTARA Approved by Supervisor, Drs. Parlindungan Purba, M.Hum. NIP. 19630216 198903 1 003 Submitted to Faculty of Cultural Studies, University of North Sumatera In partial fulfillment of the requirements for Diploma-III in English Study Program Approved by Head of Diploma III English Study Program, Dra.SwesanaMardiaLubis.M.Hum. NIP. 19571002 198601 2 003 Approved by the Diploma-III English Study Program Faculty of Culture Studies, University of Sumatera Utara as a Paper for the Diploma-III Examination UNIVERSITAS SUMATERA UTARA Accepted by the board of examiners in partial fulfillment of the requirement for The Diploma-III Examination of the Diploma-III of English Study Program, Faculty of Cultural Studies, University of Sumatera Utara. The Examination is held on : Faculty of Culture Studies, University of Sumatera Utara Dean, Dr. Budi Agustono, M.S. NIP. 19600805198703 1 0001 Board of Examiners : Signed 1. Dra. SwesanaMardiaLubis, M.Hum( Head of ESP) ____________ 2. Drs. ParlindunganPurba, M.Hum( Supervisor ) ____________ 3. Drs. SiamirMarulafau, M.Hum ____________ UNIVERSITAS SUMATERA UTARA AUTHOR’S DECLARATION I am Tamara Rebecca declare that I am thesole author of this paper. Except where the reference is made in the text of this paper, this paper contains no material published elsewhere or extracted in whole or in part from a paper by which I have qualified for or awarded another degree. No other person’s work has been used without due acknowledgement in the main text of this paper. -
An Interview with Stephen King by John C. Tibbetts
“We Walk Your Dog at Night!”: An Interview with Stephen King by John C. Tibbetts Stephen King is a phenomenon. He is without question the most popular writer of horror fiction of all time. In l973 he was living with his family in a trailor in Hampden, Maine, struggling to make a living as a high school teacher, when he published his first novel, Carrie, a tale of a girl with telekinetic powers. Its sales in hardcover were modest (l3,000) but enough to inspire a paperback reprint and a popular film adaption by Brian De Palma in l976. His “breakthrough” book, Salem's Lot, came out that year and quickly sold 3,000,000 copies. Within the next four years The Shining, The Stand, Night Shift, and The Dead Zone—all best-selling horror fiction—established King as the reigning Master of the Macabre. When he co- authored The Talisman in l984 with Peter Straub [See the Straub interview elsewhere in these pages], it was a publishing event unparalleled in modern times. Today over l00 million copies of his books are in print. King's work is frankly derivative of the traditions of l9th century gothic horror. Carrie is written in the style of the "epistolary" novel of the late l8th century. Salem's Lot is an update on Bram Stoker's vampire novel, Dracula. Christine is a variant on Oscar Wilde's The Portrait of Dorian Gray. Pet Sematary is a retelling of W. W. Jacobs' "The Monkey's Paw." And The Dark Half draws from the rich vein of "doppelganger" stories by Poe, Hoffmann, and Stevenson. -
Book Review of Novel Carrie by Stephen King
BOOK REVIEW OF NOVEL CARRIE BY STEPHEN KING A FINAL PROJECT In Partial Fulfillment of the Requirement For S-1 Degree in American Cultural Studies in English Department Faculty of Humanities Diponegoro University Submitted by: BRIAN WICAKSONO 13020110141017 FACULTY OF HUMANITIES DIPONEGORO UNIVERSITY SEMARANG 2015 PRONOUNCEMENT The writer states thruthfully that this project is compiled by himself without taking any results from other researchers in S-1, S-2, S-3, and in diploma degree of any universities. In addition, the writer ascertains that he does not take the material from other project or someone’s work except for the references mentioned. Semarang, 26 January 2015 Brian Wicaksono MOTTO AND DEDICATION Dimana ada kemauan, di situ ada jalan. (My Grandma, Hj. Sri Sundari) Stop saying these negative things about yourself. Look in the mirror and find something about yourself that’s positive and celebrate that! (Tyra Banks) This paper is dedicated to: My beloved parents My Grandparents My only one brother My only one sister And my friends APPROVAL Approved by: The Advisor, Arido Laksono, S.S, M.Hum NIP. 197507111999031002 VALIDATION Accepted and approved by: Strata 1 Final Project Examination Committee Faculty of Humanities Diponegoro University On February 2015 Chair Person Second Member Dra. Wiwiek Sundari, M.Hum Prof. Dr. Nurdien H.K, M.A NIP. 195906071990032001 NIP. 195211031980121001 First Member Third Member Dra. Arida Widyastuti, M.Hum Dra. R.Aj. Atrinawati, M.Hum NIP. 196306071989032001 NIP. 196101011990012001 ACKNOWLEDGEMENTS Praise be to the Almighty of the universe, who has given strength, blessing and true spirit, so this final project on “Book Review of Novel Carrie by Stephen King” comes to a completion. -
By Stephen King (Discussion Questions)
11/22/1963 By Stephen King (Discussion Questions) About the Author: Stephen King was born in Portland, Maine in 1947 and grew up in Durham, Maine. He attended the University of Maine at Orono, where he wrote a weekly column for the school newspaper, The Maine Campus. He was also active in student politics, serving as a member of the Student Senate, and supporting the anti-war movement. King graduated from the University of Maine at Orono in 1970, with a B.A. in English. He married Tabitha Spruce in 1971. King sprang onto the literary scene with the publication of Carrie (Doubleday, 1974) which was later made into a movie. The success of Carrie allowed him to leave his high school teaching position and write full-time. Other bestselling novels followed including The Shining, The Stand and The Dead Zone. Stephen King is known as a prolific writer of horror, suspense, science fiction and fantasy. His books have sold more than 350 million copies worldwide and many of his literature has been adapted to the screen and television. As of 2011, he had written and published 49 novels, including seven under the pen name Richard Bachman, five non-fiction books, and nine collections of short stories. Book Summary: Winner, 2012 Thriller Award for Best Novel Dallas, 11/22/63: Three shots ring out. President John F. Kennedy is dead. Life can turn on a dime—or stumble into the extraordinary, as it does for Jake Epping, a high school English teacher in a Maine town. While grading essays by his GED students, Jake reads a gruesome, enthralling piece penned by janitor Harry Dunning: fifty years ago, Harry somehow survived his father’s sledgehammer slaughter of his entire family. -
I REPRESSION SHOWN by CARRIE WHITE in STEPHEN KING's CARRIE a THESIS in Partial Fulfilment of the Requirements for the Strata
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Diponegoro University Institutional Repository REPRESSION SHOWN BY CARRIE WHITE IN STEPHEN KING’S CARRIE A THESIS In Partial Fulfilment of the Requirements for The Strata-1 Degree Majoring Literature in English Department Faculty of Humanities Diponegoro University Submitted by: TEJO BAYU AJI NIM: 13020111140125 FACULTY OF HUMANITIES DIPONEGORO UNIVERSITY SEMARANG 2017 i PRONOUNCEMENT The writer states truthfully that this project is compiled by himself without taking any results from other researchers in any university, in S-1, S-2, and S-3 degree and diploma. In addition, the writer ascertains that he does not take the material from other publications or someone’s work except for the references mentioned in the bibliography. Semarang, July 16, 2017 Tejo Bayu Aji ii MOTTO AND DEDICATION A bit of madness is key To give us new colors to see Who knows where it will lead us? And that’s why they need us So bring on the rebels The ripples from pebbles The painters, and poets, and plays And here’s to the fools who dream Crazy as they may seem Here’s to the hearts that break Here’s to the mess we make – Audition (The Fools Who Dream), from the motion picture La La Land This paper is dedicated to my beloved mom and dad and the family I chose along the road; my friends, thank you for the abundant support iii REPRESSION SHOWN BY CARRIE WHITE IN STEPHEN KING’S CARRIE Written by Tejo Bayu Aji NIM: 13020111140125 is approved by the thesis advisor On 8th August 2017 Thesis Advisor Dra. -
This Is Just a Test to See What This Computer Can Do
Tony Magistrale Professor, Department of English 301 Old Mill University of Vermont Burlington, VT 05405-0114 802.656.4039 [email protected] Employment History 1997-present Professor of English, University of Vermont. 2009-2012 Chair, English Department, University of Vermont 2004-09 Associate Chair, English Department, University of Vermont 2005-09 Research Consultant for novelist Stephen King 1999-2004 Director, Undergraduate Advising, English Department, University of Vermont 1989-97 Associate Professor of English [tenured 1989], University of Vermont. 1988-91 Director, Freshman Composition Program, University of Vermont. 1983-89 Assistant Professor of English, University of Vermont. 1982-83 Fulbright Post-Doctoral Fellow, University of Milan, Italy. 1981-82 Visiting Lecturer, University of Vermont. 1979-80 Mellon Pre-Doctoral Fellow, University of Pittsburgh. 1974-76 Lecturer, Erie Community College, Buffalo, New York. Educational Record 1981 Ph.D. University of Pittsburgh. 1976 M.A. English, University of Pittsburgh. 1 1974 B.A. English, cum laude, Allegheny College, Meadville, Pennsylvania. Honors and Awards 2020 Winner of the Carl Bode Award for Outstanding Article (“The Vietnamization of Stephen King”) published in the Journal of American Culture, AY 2020. Unanimous selection of an international award selected by editors of the journal and administrative staff of the Popular Culture Association. 2019 “The Lunch” one of six finalists for the 2019 Jack Grapes Poetry Prize. 1200 entries of two poems each from poets worldwide (over 75 countries and 47 of the 50 U.S. states), comprising more than 2000 poems in an international competition judged by three major American poets: https://www.culturalweekly.com/2019-jack-grapes-poetry-prize-winners/ 2017 Tourism Award of Excellence from Destination Mansfield-Richland County, Ohio for The Shawshank Experience: Tracking the History of the World’s Most Popular Movie. -
A Face of Horror in Stephen King's Carrie
Journal of Scientific Computing ISSN NO: 1524-2560 A Face of Horror in Stephen King’s Carrie 1#Dr. SUDHIR V. NIKAM, Head, PG Department of English B.N.N.College, Bhiwandi, Mumbai 2*Mr. RAJKIRAN J. BIRAJE, Shri Shahaji Chhatrapati Mahavidyala, Dasara Chowk, Kolhapur. PhD scholar ( Mumbai University) Modern horror fiction would not be complete without the landmark works and ideas of author Stephen King. When someone thinks of Stephen King, the most popular horror fiction author of the century, it is likely that they would imagine the blood, gore, supernatural elements and suspense for which he is known. The present research paper has purpose to introspect the formula of horror applied in the novel Carrie. It is hard to believe in living in an old orthodox ultra-religious family in a progressive world. Even a sane and rational being would suffer if he is thrown or grown up in such a fanatic family. This is exactly what Stephen King portrays in Carrie. A serious of unfortunate events in the past deeply traumatizes Carrie psychologically and results in Carrie turning into the monster figure of the story. In horror fiction at least one character is given a supernatural power and Carrie falls under this category through the character Carrie white. The relationship between normality and the monster is the key element in every horror story and this is what we can experience in this novel. This paper also talks about anxiety theories made by Freudian and these are reality anxiety and moral anxiety through the characters Carrie and Margaret. -
Stephen King, Gothic Stereotypes, And
“Sometimes Being a Bitch is All a Woman Has”: Stephen King, Gothic Stereotypes, and the Representation of Women A thesis presented to the faculty of the College of Arts and Sciences of Ohio University In partial fulfillment of the requirements for the degree Master of Arts Kimberly S. Beal June 2012 © 2012 Kimberly S. Beal. All Rights Reserved. 2 This thesis titled “Sometimes Being a Bitch is All a Woman Has”: Stephen King, Gothic Stereotypes, and the Representation of Women by KIMBERLY S. BEAL has been approved for the Department of English and the College of Arts and Sciences by Joanne Lipson Freed Visiting Assistant Professor of English Howard Dewald Interim Dean, College of Arts and Sciences 3 ABSTRACT BEAL, KIMBERLY S., M.A., June 2012, English “Sometimes Being a Bitch is All a Woman Has”: Stephen King, Gothic Stereotypes, and the Representation of Women Director of Thesis: Joanne Lipson Freed Stephen King has been lauded for his creation of realistic and believable male and child characters. Many critics, however, question his ability to do the same with female characters, pointing out that King recycles the same female stereotypes over and over in his fiction. However, a closer look at his female characters reveals not only that his use of female stereotypes, which correspond to the classic Gothic female stereotypes, is part of a larger overall pattern of the use of Gothic elements, but also that there are five female characters, Annie Wilkes from Misery, Jessie Burlingame from Gerald’s Game, Dolores Claiborne from Dolores Claiborne, Rose Daniels from Rose Madder, and Lisey Landon from Lisey’s Story, who do not fit into these stereotypes. -
First-Run Smoking Presentations in U.S. Movies 1999-2003
UCSF Tobacco Control Policy Making: United States Title First-Run Smoking Presentations in U.S. Movies 1999-2003 Permalink https://escholarship.org/uc/item/5hj06178 Authors Polansky, Jonathan R. Glantz, Stanton A., PhD Publication Date 2004-03-09 eScholarship.org Powered by the California Digital Library University of California First-Run Smoking Presentations in U.S. Movies 1999-2003 Jonathan R. Polansky Stanton Glantz, PhD CENTER FOR TOBACCO CONTROL RESEARCH AND EDUCATION UNIVERSITY OF CALIFORNIA, SAN FRANCISCO SAN FRANCISCO, CA 94143 March 2004 EXECUTIVE SUMMARY * Smoking among American adults fell by half between 1950 and 2002, yet smoking on U.S. movie screens reached historic heights in 2002, topping levels observed a half century earlier.1 Tobacco’s comeback in movies has serious public health implications, because smoking on screen stimulates adolescents to start smoking,2,3 accounting for an estimated 52% of adolescent smoking initiation. Equally important, researchers have observed a dose-response relationship between teens’ exposure to on-screen smoking and smoking initiation: the greater teens’ exposure to smoking in movies, the more likely they are to start smoking. Conversely, if their exposure to smoking in movies were reduced, proportionately fewer teens would likely start smoking. To track smoking trends at the movies, previous analyses have studied the U.S. motion picture industry’s top-grossing films with the heaviest advertising support, deepest audience penetration, and highest box office earnings.4,5 This report is the first to examine the U.S. movie industry’s total output. It is also the first to identify smoking movies, tobacco incidents and tobacco impressions with the companies that produced and/or distributed the films — and with their parent corporations, which claim responsibility for tobacco content choices.† Examining Hollywood’s product line-up, before and after the public voted at the box office, sheds light on individual studios’ content decisions and industry-wide production patterns amenable to policy reform. -
A Brief Analysis of Sister Carrie's Character
English Language Teaching www.ccsenet.org/elt A Brief Analysis of Sister Carrie’s Character Hanying Yu Foreign Language Departmen A Ba teachers College, Gu cheng, Pi Xian, Cheng du 611700, China E-mail: [email protected] Abstract Carrie is always dreaming while the rocking chair is rocking again and again, this is the deep impression on us after we read Sister Carrie which is the first novel of Theodore Dreiser. In this novel the protagonist Sister Carrie is a controversial person. This paper tries to analyze the character of Sister Carrie in order to find out why what she has finally achieved is just extreme void and unhappiness, and shed light on how the author calls warmly for human intuitive knowledge, attacks vigorously the society of money omnipotent, and further more exposes bourgeois society’s darkness. Keywords: Sister Carrie, Character Theodore Herman Albert Dreiser (1871-1945) is a great American naturalism writer in twenty century. Sister Carrie is his first novel which reflects the bourgeois social reality between later nineteen and early twenty century deeply and vividly. This novel describes that Carrie Meeber, namely, Sister Carrie, leaves her Wisconsin home to go to live with her married sister. She is young, beautiful but poor and she is full of ignorant and unrealistic fantasy to the better life in Chicago. After a short stay with her meager sister Minnie, she goes to live with Charles Drouet, a “drummer” or salesman, whom she meets on the train to Chicago, without marrying him. Then introduced by Drouet, she meets George Hurstwood, the manager of a famous and deluxe salon. -
Stephen King's Vampire Kingdom. Supernatural EVIL and Human Evil
Stephen King’s Vampire Kingdom. Supernatural EVIL and Human evil in TV adaptations of Salem’s Lot (1979, 2004) ‘Beneath the postcard camouflage there’s little good in small towns. Mostly boredom, interspersed with a dull, mindless, moronic evil’ (Salem’s Lot, 2004) First published in October 1975, Salem’s Lot is one of Stephen King’s most enduring novels. King critic Douglas Winter considers it ‘the single most influential of his books’ (1989:43), while screenwriter Peter Filardi, who would adapt it for TV in 2004, has described it as ‘a modern literary classic’ (Gross 2004: 10). Not only did the novel achieve longevity in its own right, but also the story of a small American community torn asunder by the arrival of a supernatural force became something of an archetypal Stephen King narrative to which he would return many times during his career. In Salem’s Lot the catalyst is the arrival of Kurt Barlow, an ancient European vampire, but in later works King has had the destructive force be extra-terrestrial (IT, 1985, The Tommyknockers, 1987 and Under the Dome, 2009), demonic (Needful Things, 1991), cosmic forces of fate (Insomnia, 1994) and inter-dimensional (‘The Mist’ 1980) Possibly because its structure became a King archetype, or due to its enduring appeal and the fact that it is one of King’s earliest works, Salem’s Lot is unusual in the canon of King adaptations by being adapted twice, once in 1979 and once in 2004. Both were miniseries for television, the first directed by Tobe Hooper and the second by Mikael Salomon.