Noble Pursuit
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Howard J. Garber Letter Collection This Collection Was the Gift of Howard J
Howard J. Garber Letter Collection This collection was the gift of Howard J. Garber to Case Western Reserve University from 1979 to 1993. Dr. Howard Garber, who donated the materials in the Howard J. Garber Manuscript Collection, is a former Clevelander and alumnus of Case Western Reserve University. Between 1979 and 1993, Dr. Garber donated over 2,000 autograph letters, documents and books to the Department of Special Collections. Dr. Garber's interest in history, particularly British royalty led to his affinity for collecting manuscripts. The collection focuses primarily on political, historical and literary figures in Great Britain and includes signatures of all the Prime Ministers and First Lords of the Treasury. Many interesting items can be found in the collection, including letters from Elizabeth Barrett Browning and Robert Browning Thomas Hardy, Queen Victoria, Prince Albert, King George III, and Virginia Woolf. Descriptions of the Garber Collection books containing autographs and tipped-in letters can be found in the online catalog. Box 1 [oversize location noted in description] Abbott, Charles (1762-1832) English Jurist. • ALS, 1 p., n.d., n.p., to ? A'Beckett, Gilbert A. (1811-1856) Comic Writer. • ALS, 3p., April 7, 1848, Mount Temple, to Morris Barnett. Abercrombie, Lascelles. (1881-1938) Poet and Literary Critic. • A.L.S., 1 p., March 5, n.y., Sheffield, to M----? & Hughes. Aberdeen, George Hamilton Gordon (1784-1860) British Prime Minister. • ALS, 1 p., June 8, 1827, n.p., to Augustous John Fischer. • ANS, 1 p., August 9, 1839, n.p., to Mr. Wright. • ALS, 1 p., January 10, 1853, London, to Cosmos Innes. -
Austin Clarke Papers
Leabharlann Náisiúnta na hÉireann National Library of Ireland Collection List No. 83 Austin Clarke Papers (MSS 38,651-38,708) (Accession no. 5615) Correspondence, drafts of poetry, plays and prose, broadcast scripts, notebooks, press cuttings and miscellanea related to Austin Clarke and Joseph Campbell Compiled by Dr Mary Shine Thompson 2003 TABLE OF CONTENTS Introduction 7 Abbreviations 7 The Papers 7 Austin Clarke 8 I Correspendence 11 I.i Letters to Clarke 12 I.i.1 Names beginning with “A” 12 I.i.1.A General 12 I.i.1.B Abbey Theatre 13 I.i.1.C AE (George Russell) 13 I.i.1.D Andrew Melrose, Publishers 13 I.i.1.E American Irish Foundation 13 I.i.1.F Arena (Periodical) 13 I.i.1.G Ariel (Periodical) 13 I.i.1.H Arts Council of Ireland 14 I.i.2 Names beginning with “B” 14 I.i.2.A General 14 I.i.2.B John Betjeman 15 I.i.2.C Gordon Bottomley 16 I.i.2.D British Broadcasting Corporation 17 I.i.2.E British Council 17 I.i.2.F Hubert and Peggy Butler 17 I.i.3 Names beginning with “C” 17 I.i.3.A General 17 I.i.3.B Cahill and Company 20 I.i.3.C Joseph Campbell 20 I.i.3.D David H. Charles, solicitor 20 I.i.3.E Richard Church 20 I.i.3.F Padraic Colum 21 I.i.3.G Maurice Craig 21 I.i.3.H Curtis Brown, publisher 21 I.i.4 Names beginning with “D” 21 I.i.4.A General 21 I.i.4.B Leslie Daiken 23 I.i.4.C Aodh De Blacam 24 I.i.4.D Decca Record Company 24 I.i.4.E Alan Denson 24 I.i.4.F Dolmen Press 24 I.i.5 Names beginning with “E” 25 I.i.6 Names beginning with “F” 26 I.i.6.A General 26 I.i.6.B Padraic Fallon 28 2 I.i.6.C Robert Farren 28 I.i.6.D Frank Hollings Rare Books 29 I.i.7 Names beginning with “G” 29 I.i.7.A General 29 I.i.7.B George Allen and Unwin 31 I.i.7.C Monk Gibbon 32 I.i.8 Names beginning with “H” 32 I.i.8.A General 32 I.i.8.B Seamus Heaney 35 I.i.8.C John Hewitt 35 I.i.8.D F.R. -
Irish Copyright Licensing Agency CLG Mandated Author Rightholders
Irish Copyright Licensing Agency CLG Mandated Author Rightholders Author Rightholder Name Ann Sheppard Adrian White Anna Donovan Adrienne Neiland Anna Heffernan Aidan Dundon Anna McPartlin The Estate of Aidan Higgins Anne Boyle Aidan O'Sullivan Anne Chambers Aidan P. Moran Anne Deegan Aidan Seery Anne Enright Aileen Pierce Anne Fogarty Áine Dillon Anne Gormley Áine Francis- Stack Anne Haverty Áine Ní Charthaigh Anne Holland Áine Uí Eadhra Anne Jones Aiveen McCarthy Anne Marie Herron Alan Dillon Anne Potts Alan Kramer Anne Purcell Alan Monaghan The Estate of Anne Schulman Alan O'Day Annetta Stack Alannah Hopkin Annie West Alexandra O'Dwyer Annmarie McCarthy Alice Coghlan Anthea Sullivan Alice Taylor Anthony Cronin Alison Mac Mahon Anthony J Leddin Alison Ospina Anthony Summers Allen Foster Antoinette Walker Allyson Prizeman Aodán Mac Suibhne Amanda Clarke Arlene Douglas Amanda Hearty Arnaud Bongrand Andrew B. Lyall Art Cosgrove Andrew Breeze Art J Hughes Andrew Carpenter Art Ó Súilleabháin Andrew Loxley Arthur McKeown Andrew Purcell Arthur Mitchell Andy Bielenberg Astrid Longhurst Angela Bourke Aubrey Dillon Malone Angela Doyle Aubrey Flegg Angela Griffin The Estate of Augustine Martin Angela Marie Burt Austin Currie Angela Rickard Avril O'Reilly Angela Wright Barry Brunt The Estate of Angus McBride Barry McGettigan The Estate of Anita Notaro Bart D. Daly Ann Harrow The Estate of Basil Chubb Ann O Riordan Ber O'Sullivan 1 Irish Copyright Licensing Agency CLG Mandated Author Rightholders Bernadette Andresso Brian Lennon Bernadette Bohan Brian Leonard Bernadette Cosgrove Brian McGilloway Bernadette Cunningham The Estate of Brian O'Nolan Bernadette Matthews Brian Priestley Bernadette McDonald Brianóg Brady Dawson Bernard Horgan Bríd Nic an Fhailigh Bernard MacLaverty Bried Bonner Bernard Mulchrone The Estate of Brigid Brophy Bernie McDonald Brigid Laffan Bernie Murray-Ryan Brigid Mayes Bernie Ruane Brigitte Le Juez Betty Stoutt Bronwen Braun Bill Rolston Bryan M.E. -
WRAP THESIS Mcdonagh 1998
University of Warwick institutional repository: http://go.warwick.ac.uk/wrap A Thesis Submitted for the Degree of PhD at the University of Warwick http://go.warwick.ac.uk/wrap/36345 This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. 'Narrating the Nation?': Post-Colonial Perspectives on Patrick Kavanagh's The Great Hunger (1942) and Brendan Kennelly's Cromwell (1983). John Kevin Mc Donagh. Submitted for the degree of Ph.D. The University of Warwick. The Centre for British and Comparative Cultural Studies. March, 1998. TABLE OF CONTENTS INTRODUCTION: 'The Nature of Irish Post-Colonialism' 1 1. The Nature of Irish Post-Colonialism 3 2. The Tomb of the Unknown Peasant 17 3. The Irish Theorists 27 4. Conclusion: A Post-Colonial Positioning 37 Endnotes 42 CHAPTER ONE: 'Kingdom or Colony?' 49 1.1 1Blitzophrenial: The Crisis of Irish Identity 50 1.2 The Nativist Reaction 68 1.3 The Counter-Revival 79 1.4 Ireland: An Imagined Community ? 85 1.5 Conclusion 92 Endnotes 95 CHAPTER TWO: 'Irish Poetry Since the Revival' 2.1 The Celtic Revival : The Cult of the Peasant 104 2.2 The Counter-Revival : The Peasant Unmasked 124 2.3 Conclusion 142 Endnotes 146 CHAPTER THREE: 'Patrick Kavanagh's The Great Hunger - The Poet as Revisionist' 3.1 The Context of The Great Hunger - The Production of the Poem 156 3.2 The Peasant 166 3.3 Sex and the Single Farmer 181 3.4 Motherhood 190 3.5 Catholic Ireland 199 3.6 Conclusion 206 Endnotes 209 CHAPTER FOUR: 'Brendan Kennelly's Cromwell - The Kavanagh Legacy'. -
Exploring the Productive Encounter Between the Poetic and the Political in Northern Ireland During the Troubles
Sarah Bufkin Cultural Studies--Honors Thesis 7 Nov At the Frontiers of Writing: Exploring the Productive Encounter Between the Poetic and the Political in Northern Ireland during the Troubles Sarah Bufkin Cultural Studies Honors Thesis Fall 2013 1 Sarah Bufkin Cultural Studies--Honors Thesis 7 Nov Table of Contents Introduction………………………………………………………………………………………………………………………….…..3 Chapter 1 The Belfast Group as a Collective Assemblage of Enunciation………………………………………………….11 Chapter 2 John Hewitt Stakes Out the Protestant Territorial Claim…………………………………………………………..26 Chapter 3 Louis MacNeice Revels in Contradiction and Displacement………………………………………………………47 Chapter 4 A Quest for Civil Rights Devolves into a Violent Sectarianism……………………………………………………89 Chapter 5 Understanding the Political Possibilities Internal to the Poem’s Act of Enunciation………………..133 Chapter 6 Seamus Heaney Names His (Catholic) Nation…………………………………………………………………………175 Chapter 7 Derek Mahon Attempts to Escape His Unionist Roots…………………………………………………………….218 Conclusion…………………………………………………………………………………………………………………………….246 2 Sarah Bufkin Cultural Studies--Honors Thesis 7 Nov Introduction You were silly like us; your gift survived it all: The parish of rich women, physical decay, Yourself. Mad Ireland hurt you into poetry. Now Ireland has her madness and her weather still, For poetry makes nothing happen: it survives In the valley of its making where executives Would never want to tamper, flows on south From ranches of isolation and the busy griefs, Raw towns that we believe and die in; it survives, A way of happening, a mouth.1 So W.H. Auden wrote in his elegy for W.B. Yeats. His view that poetry does not do political work is one shared by many people, poets included. While some lines of verse may be held aloft as a rallying cry and others might memorialize those who have fallen, few sonnets directly exert a revolutionary fervor. -
ORMSBY, FRANK, 1947- Frank Ormsby Papers, Circa 1967-2012
ORMSBY, FRANK, 1947- Frank Ormsby papers, circa 1967-2012 Emory University Robert W. Woodruff Library Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Digital Material Available in this Collection Collection Stored Off-Site All or portions of this collection are housed off-site. Materials can still be requested but researchers should expect a delay of up to two business days for retrieval. Descriptive Summary Creator: Ormsby, Frank, 1947- Title: Frank Ormsby papers, circa 1967-2012 Call Number: Manuscript Collection No. 805 Extent: 26.25 linear feet (47 boxes) and 2 oversized papers boxes (OP) Abstract: Personal and literary papers of Irish poet Frank Ormsby. Language: Materials entirely in English. Administrative Information Restrictions on Access Series 7: Some diaries are closed to researchers until Frank Ormsby's death. Collection stored off-site. Researchers must contact the Rose Library in advance to access this collection. Terms Governing Use and Reproduction Special restrictions apply: Researchers may not quote from the diaries in series 7 without written permission from Ormsby. Related Materials in This Repository Seamus Heaney collection,, Michael Longley papers, Derek Mahon papers, Medbh McGuckian papers, Tom Paulin papers, Peter Fallon/Gallery Press papers. Emory Libraries provides copies of its finding aids for use only in research and private study. Copies supplied may not be copied for others or otherwise distributed without prior consent of the holding repository. Frank Ormsby papers, circa 1967-2012 Manuscript Collection No. 805 Source Purchase from Frank Ormsby, 1997. Additions purchased from Frank Ormsby in 2009 and 2013. -
Irish Studies Round the World ‐ 2006
Estudios Irlandeses , Number 2, 2007, pp. 233-250 ____________________________________________________________________________________________ AEDEI IRISH STUDIES ROUND THE WORLD ‐ 2006 David Pierce (ed.) Introduction by David Pierce ................................................................................................233 Re-Mapping Exile: Realities and Metaphors in Irish Literature and History ed. by Michael Böss, Irene Gilsenan Nordin and Britta Olinder Teresa Caneda ...........................................................................................................................235 District and Circle by Seamus Heaney Sabina Müller ............................................................................................................................238 The Thriller and Northern Ireland since 1969: Utterly Resigned Terror by Aaron Kelly Laura Pelaschiar ........................................................................................................................240 Brian Friel's Dramatic Artistry: 'The Work has Value' Ed. by Donald E. Morse, Csilla Bertha, and Mária Kurdi Lionel Pilkington ......................................................................................................................242 Samuel Beckett-100 Years ed. by Christopher Murray Samuel Beckett: Centenary Shadows by John Minihan Paul O'Hanrahan .......................................................................................................................244 The Irish in Us: Irishness, Performativity, and Popular -
Download Annual Report 1988
An Chomhairle Ealaíon An Seachtú Tuarascáil Bhliantúil is Tríocha maille le Cuntais don bhlian dár chríoch 31ú Nollag 1988. Tiolacadh don Rialtas agus leagadh faoi bhráid gach Tí den Oireachtas de bhun Altanna 6 (3) agus 7 (1) den Acht Ealaíon 1951. Thirty-seventh Annual Report and Accounts for the year ended 31st December 1988. Presented to the Government and laid before each House of the Oireachtas pursuant to Sections 6 (3) and 7 (1) of the Arts Act 1951. ISBN 0 906627 29 X ISSN 0790-1593 The Arts Council regrets that this Report for 1988, which was ready for printing in 1989, could not be released until the Comptroller and Auditor General had reported on the Council's 1988 Accounts. Draft Accounts were submitted for audit in April 1989. The Comptroller and Auditor General's Report is dated 21st December 1989. Members Members (Until December 1988) (From December 1988) Máirtín McCullough, Chairman Colm Ó hEocha, Chairman John Banville Dermot Bolger Vivienne Bogan Michael Colgan David Byers Máire de Paor Patrick Dawson Bríd Dukes Máire de Paor Arthur Gibney Bríd Dukes Patrick Hall Vincent Ferguson Charles Hennessy Mairéad Furlong Ted Hickey Garry Hynes Richard Keamey Barry McGovern Proinsias Mac Aonghusa Rosemarie Mulcahy Larry McCluskey Tom Munnelly Paul McGuinness Patrick J. Murphy Míchéal O'Siadhail Seán Ó Mordha Donald Potter Michael Smith Eric Sweeney Michael Taylor Kathleen Watkins Staff Director Adrian Munnelly Officers Literature, Arts Festivals and Community Arts Laurence Cassidy Visual Arts Medb Ruane Visual Arts/Exhibitions -
Sergeant of Outposts Sergeant of Outposts: One Editor's Role in Post-War British Poetry 1944 - 1981
SERGEANT OF OUTPOSTS SERGEANT OF OUTPOSTS: ONE EDITOR'S ROLE IN POST-WAR BRITISH POETRY 1944 - 1981 By BROCE MILLER MEYER, B.A., M.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfilment of the Requirements for the Degree Doctor of Philosophy McMaster University .July 1988 DOCTOR OF PHILOSOPHY {1988) McMASTER UNIVERSITY (English) Hamilton, Ontario TITLE: Sergeant of Outposts: One Editor's Role in Post-War Poetry. AUTHOR: Bruce Miller Meyer, B.A. (University of Toronto) M.A. (University of Toronto) SUPERVISOR: Dr. B. John NUMBER OF PAGES: iv, 312 ii ABSTRACT Poetry magazines are a reflection of the trends and the pressures of their ages: such was the case with Howard Sergeant's Outposts. Howard Sergeant was the longest continuous editor of a single literary magazine in the English language. Founded in 194) under the pressures of the Second World War, Outposts continued under his editorial direction until ill-health forced him to relinquish the reins in 1986. Between 1944 and 1986, Sergeant and Outposts played a key role in many of the major trends, groups and movements that shaped modern British poetry. Begun as a poetry and critical journal with a wartime "Apocalyptic'' slant, Sergeant's Outposts evolved through the changes which encompassed the Nee-Romantics, the Personalists, The Movement, the Mavericks, The Group, the pop poets, and the Martians and Narrative poets of the Eighties. Sergeant was among the first to recognize these changes in British poetry, and his magazine is a cross section of the currents and counter-currents of the period. -
Special Collections, LIU Post, Brookville, NY 11548 IRISH
Special Collections, LIU Post, Brookville, NY 11548 IRISH CONTEMPORARY POETS Holdings List B Boland, Eavan Anna Liffey. Dublin, 1997. 27/ 250 copies. Signed. A Christmas Chalice. Buffalo, 1994. Christmas Broadside. 1700 copies. [Poem Card]. Collected Poems. Manchester, 1995. 1st edition. Signed. The Emigrant Irish. London [1994?]. Poems on the Underground. [Broadside]. In a Time of Violence. New York, 1994. 1st American edition. Signed. Introducing Eavan Boland. Princeton, New Jersey, 1981. 1st edition. The Journey. Deerfield, Massachusetts/Dublin, 1983. 300 copies. Signed. Limitations. New York, 2000. 57/75 copies. Signed. Limitations. New York, 2000. 25 copies. Signed. Object Lessons; the life of the woman and the poet in our time. Manchester, 1995. 1st Edition. [Autobiography]. Object Lessons; the life of the woman and the poet in our time. New York/London, 1995. Signed. [Autobiography]. An Origin Like Water; collected poems, 1967-1987. New York/London, 1996. Signed. Bolger, Dermot A Dublin Bloom; an original free adaptation of James Joyce's Ulysses. Dublin, 1994. Signed. [Play]. Internal Exiles, poems. Mountrath, Portlaoise, 1986. Ist edition. Signed. A New Primer for Irish Schools. [by] Demot Bolger and Michael O'Loughlin. Dublin, 1985. 1st edition. 3/80 copies. Signed by both authors. Night Shift. Dingle , Kerry, 1985. 1st edition. Signed. [Novel] Brett, Heather Abigail Brown. Galway, 1991. 1st edition. 1st book. C Campbell, John Corner Kingdom. Belfast, 1999. 1st edition. Inscribed to Irish poet, Robert Greacen. The Rose and the Blade; new and selected poems 1957-1997. Belfast, 1997. Inscribed. Cannon, Moya Golden Lane. Galway, 2000. 1801/2001 copies. Signed by author and by artist, Kathleen Furey. -
University of Newcastle
UNIVERSITY OF NEWCASTLE NEWCASTLE UNIVERSITY`LIBRARY 097 52629 3 ---------------------------- Thesºs L6li b AN EXEMPLARY PROTESTANT: A STUDY OF THE MYTH OF JOHN HEWITT AND ITS PLACE WITHIN CONTEMPORARY LITERARY DEBATE IN NORTHERN IRELAND A DISSERTATION SUBMITTED TO THE FACULTY OF ARTS IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF ENGLISH LITERARY AND LINGUISTICS STUDIES BY SARAH FERRIS NEWCASTLE UPON TYNE APRIL, 1998 11 ABSTRACT This thesis is an epistemological study of John Hewitt's place in critical dialogue on Northern Irish writing and offers a telling perspective on changing attitudes to Protestant cultures after the Troubles re-emerged in 1968. Hewitt's work is of crucial importance because of his insistently biographical style, and the length of his career which began soon after Northern Ireland was founded. The approach consists of close textual analysis of Hewitt's body of work and of material available in public archives, unpublished private sources, and from interviews with his acquaintances and professional associates. Chapters One and Two are a comparative study of Hewitt's, partly self-constructed, presentation as a martyr and the tarnishing of Samuel Ferguson's relationship to Ireland. Ö Analysis of criticism of Ferguson by Robert O'Driscoll, Greagoir Will and David Cairns and Shaun Richards reveals that he was increasingly traduced as a reactionary Protestant and purloiner of Ireland's cultural assets for the Ascendancy. A parallel study of Hewitt shows that he metamorphosed from neglected `exile' to `father of modern Ulster poetry', exemplary Protestant and icon of cultural liberalism. Chapters Three to Seven examine the use of Hewitt by Northern intellectuals, primarily Edna Longley, Michael Longley, Gerald Dawe, Tom Clyde and Frank Ormsby. -
I Published Works
Leabharlann Náisiúnta na hÉireann National Library of Ireland Collection List No. 144 Paul Durcan Papers (MS 45,757- MS 45,857; MS 45,875- MS 45,885; MS L 143- 158) (Accession No. 6618) Literary papers of the poet Paul Durcan comprising material related to his work as a poet, both in print and performance, and material related to his journalistic and broadcast work in newspapers and on television between 1967 and 2006. The collection also includes a significant collection of correspondence, ephemera and newspapers. Complied by Louise Kennedy, March 2009 0 CONTENTS INTRODUCTION ....................................................................................4 BIBLIOGRAPHIES .................................................................................8 I. PUBLISHED WORKS .......................................................................10 I.i Collections ........................................................................................10 I.i.1 Endsville .......................................................................................................10 I.i.2 O Westport in the Light of Asia Minor .........................................................10 I.i.3 Teresa’s Bar .................................................................................................11 I.i.4 Sam’s Cross: Poems.....................................................................................11 I.i.5 Jesus, Break His Fall....................................................................................12 I.i.6 Ark of the North: