Biotechnology Applicable to Animal Production and Health in Asia

Total Page:16

File Type:pdf, Size:1020Kb

Biotechnology Applicable to Animal Production and Health in Asia BIOTECHNOLOGY APPLICABLE TO ANIMAL PRODUCTION AND HEALTH IN ASIA Proceedings of the Regional Workshop on Biotechnology in Animal Production and Health in Asia Bangkok, Thailand, 17-21October1988 Kasetsart University Food and Agriculture Organization of the United Nations Bangkok, Thailand Ill TABLE OF CONTENTS I. INTRODUCTION 1 Il. RECOMMENDATIONS 3 A. General Recommendations 3 B. Biotechnology in Animal Production 5 1. Embryo transfer (ET) and manipulation 6 2. Open nucleus breeding systems (ONBS) 6 3. Animal feeding and ruminant nutrition 7 4. Production related hormones 7 5. Immunology ofreproduction 8 6. Genetic engineering applied to farm animals 9 C. Biotechnology in Animal Health 9 1. Diagnostic Methods 9 2. Vaccine Production 10 D. FAO/UNDP Regional Project 11 Ill. ANNEXES 13 ANNEX A List of participants 15 ANNEX B Programme 21 ANNEX C Teclmical Papers Presented 25 1. Opening Statement H.A. Jasiorowski 27 OVERALL REVIEW 2. Application of Recombinant DNA K.S. Guise 32 Techniques in Animal Improvement 3. Review of Development of Biotechnology T.K. Mukherjee 53 in Animal ProduGtion and Health in Asia NUTRITION AND FEED RESOURCE DEVELOPMENT 4. Breeding and Biotechnology for R.B. Singh 69 Improvement of Livestock Feeds 5. Application of Biotechnology in I. F. Dalmacio 82 Improvement of Fibrous Crop Residues 6. Application of Biotechnology in Y.W. Ho et al . 93 Improvement of Fibrous Crop Residues: Anaerobic Rumen Fungi in the Utilisation of Fibrous Crop Residues as Feed Resource for Ruminant 7. Potential of Biotechnology in Animal C. Natarajan 97 Production and Health in India 8. Present Status of the Use of Genetically T.K. Mukherjee 101 Engineered Growth Hormones, and growth hormone gene in animals BREEDING/GENETICS/REPRODUCTION 9. Genetic Improvement of Livestock J. Hodges 116 in Developing Countries Using Open Nucleus Breeding System 10. Potential of Multiple Ovulation and P.N. Bhat 125 Embryo Transfer Technologies in Developing Countries in Asia 11. Embryo Transfer Technology in Cattle: M. Anwar et al . 145 Experience in Pakistan 12. Embryo Transfer Technology in Cattle: S. Singhajan et al. 149 Experiences in Thailand 13. Embryo Transfer Technology in Pigs: P. Chantaraprateep 153 Experiences in Thailand 14. Superovulation and Embryo Transfer W. Sharifuddin et al . 158 in Goats: The Malaysian Experience VACCINE PRODUCTION AND DISEASE DIAGNOSIS 15. Genetically Engineered Vaccines for K. Y amanouchi 163 Animal Disease - Present Status 16. Biotechnology in Animal Disease B.W~J. Mahy et al. 167 Diagnosis in Developing Countries: New Types of Diagnostic Methods, 17. DraftFAO/UNDPProject B.K. Soni 182 ANNEX D Country Reports Presented 193 1. China, People's Republic of Wang Ruixiang 195 2. India P.N. Bhat 197 3. Indonesia G. Gunawan 210 4. Korea, Republic of K. S. Im 218 5. Malaysia (presented by W. Sharifuddin) T.K. Mukherjee 221 6. Pakistan M. Anwar et al. 235 7. Thailand C. Satayapunt 237 1 A Regional Workshop on Biotechnology in Animal Production and Health in Asia was held from 17 to 21 October 1988 at the PAO Regional Office for Asia and the Pacific in Bangkok, Thailand. It was organized jointly by the F AO and the Kasetsart University, Thailand. Mr. S.S. Puri, F AO Assistant Director General and Regional Representative for Asia and the Pacific, in his opening address, said that more research in this highly promising and relatively new field should be carried out by the developing nations of this Region. Since problems of developing countries are very different from those of developed nations, sharing of high technology is becoming progressively difficult. Biotechnology as applied to livestock development of this Region can only be undertaken in this Region. He cited the case of the water buffalo as being particularly pertinent. The ubiquitous water buffalo is widely used throughout the Region as a draught animal for farm labour and as a source of meat and milk. It is, therefore, quite logical that scientists in the Region must take the lead in all aspects of biotechnology that relate to the required research improvement of livestock in the Region. Dr. H.A. Jasiorowski, DirectoroftheFAO Animal Production and Health Division told the Workshop participants that the improvement of livestock nutrition was another area where much work needs to be done within the Region. Without better nutrition for its livestock, Dr. Jasiorowski said, the production of adequate supplies of high-quality protein for the Region's population, which makes up 56 percent of the entire human race will continue to lag behind. He added that the advanced technology is available to do this work relatively quickly, at least in comparison to past decades, but scientists of the Region must work together in a network and take necessary leap forward and share the labour to reach an achievable target. Dr. S utham Areekul, Rec tor of the Kase ts art University, while addressing the Workshop, outlined the advantages of biotechnological research in developing countries. He identified genetic engineering and embryo transfer as major areas of thrust for developing countries. Another area of the thrust he identified was animal vaccines and diagnostics. He said embryo transfer and associated technologies were key to buffalo development. He cautioned the Workshop that while genetic engineering looked exciting and promising from the point of view of benefits, it also could do a lot of damage to environment and therefore it was imperative that researchers kept this in mind. The safeguard which are neededin undertaking genetic engineering work with bacteria and viruses must be enforced. The experiments should be so designed that facilities where such experiments are being done should be safe enough that there is no release of genetically engineered organisms in the environment and no problem addeq to already difficult situation for the ecology of the Region. 2 He welcomed the delegates from the countries abroad and hoped that they would have a very enjoyable Workshop. He hoped they would come up with specific recommendations which could be taken up in the institutions of the Region for the benefit of the poorest of the poor. He ·declared the Workshop opened. There were 19 invited experts from 10 countries. Their names and addresses, as well as those of the Organizing Committee, F AO Staff and Observers are given as Appendix 1 of this paper. The primary purpose of the Workshop was to enable selected experts in biotechnology applied to animal production and health from 8 Asian countries to consult and discuss current issues and to formulate a workplan for a Regional Network linking national institutes in the participating countries which are involved in biotechnology research and development. Biotechnology applied to animal production and health includes the topics of Breeding and Genetics, Reproduction, Nutrition, Lactation, Growth, Disease Diagnosis and Vaccine Production. Specifically, the Workshop : a) Reviewed the national capabilities for biotechnology applied to animal production and health. b) Reviewed the foreseen areas of biotechnology which are having or are likely to have an impact on the future development of animal production and health in the developing countries of Asia. c) Identified the specific topics of animal production and health in the countries of Asia which merit biotechnology research and development in the immediate, medium-term and long-term. d) Identified the special strengths of individual institutes engaged in biotechnology research applied to animal production and health. e) Formulated recommendations for institutionalized linkages of research for the de­ velopment of biotechnology for improving animal production and health in the Region. f) Drew up a 3-year workplan for a network which incorporates Technical Cooperation between Developing Countries in the areas ofresearch.projects, training, communica­ tions, equipment and pilot projects for application in practice. The Workshop discussed seventeen (17) technical papers on 4 major thrust areas of biotechnology : (a) Genetic Engineering for vaccine and diagnostic agent production. (b) Augmentation of feed resources through engineered micro-organism on different substrates. (c) Augmentation offertility - genetic improvement oflivestock through Multiple Ovula­ tion Embryo Transfer (MOET). (d) Genetic engineering for animal improvement and seven (7) country reports on status of biotechnology research in the Region. Recommendations were presented by individual experts, evaluating the need for further development of the biotechnology in livestock 3 production and health in Asian and Pacific Region. The Workshop adopted the following recommendations addressed to FAO Member Countries as well as to F AO : IL Recommendation A) General Recommendations It is recommended ToFAO 1. That in order to create conditions for sustained growth of research, development and large scale application of biotechnologies in the Region; it is necessary to improve research cooperation, coordination, planning, identification of priorities, training and exchange of informa­ tion. The Workshop recommended that a F AO network of collaborating centres in animal production and health biotechnology should be set up; 2. That following institutes should form the F AO network of collaborating centres in animal production and health biotechnology : India (i) Indian Veterinary Research Institute Izatnagar, UP 24 3122 (ii) National Dairy Research Institute Kamal, Haryana Indonesia (i) Research Institute for Animal Production
Recommended publications
  • “Until That Song Is Born”: an Ethnographic Investigation of Teaching and Learning Among Collaborative Songwriters in Nashville
    “UNTIL THAT SONG IS BORN”: AN ETHNOGRAPHIC INVESTIGATION OF TEACHING AND LEARNING AMONG COLLABORATIVE SONGWRITERS IN NASHVILLE By Stuart Chapman Hill A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of Music Education—Doctor of Philosophy 2016 ABSTRACT “UNTIL THAT SONG IS BORN”: AN ETHNOGRAPHIC INVESTIGATION OF TEACHING AND LEARNING AMONG COLLABORATIVE SONGWRITERS IN NASHVILLE By Stuart Chapman Hill With the intent of informing the practice of music educators who teach songwriting in K– 12 and college/university classrooms, the purpose of this research is to examine how professional songwriters in Nashville, Tennessee—one of songwriting’s professional “hubs”—teach and learn from one another in the process of engaging in collaborative songwriting. This study viewed songwriting as a form of “situated learning” (Lave & Wenger, 1991) and “situated practice” (Folkestad, 2012) whose investigation requires consideration of the professional culture that surrounds creative activity in a specific context (i.e., Nashville). The following research questions guided this study: (1) How do collaborative songwriters describe the process of being inducted to, and learning within, the practice of professional songwriting in Nashville, (2) What teaching and learning behaviors can be identified in the collaborative songwriting processes of Nashville songwriters, and (3) Who are the important actors in the process of learning to be a collaborative songwriter in Nashville, and what roles do they play (e.g., gatekeeper, mentor, role model)? This study combined elements of case study and ethnography. Data sources included observation of co-writing sessions, interviews with songwriters, and participation in and observation of open mic and writers’ nights.
    [Show full text]
  • A Multi-Level Analysis of Songwriter Career Strategies by Rachel S
    Changing Patterns of Cooperation in Occupational Communities: A Multi-Level Analysis of Songwriter Career Strategies By Rachel Skaggs Dissertation Submitted to the Faculty of the Graduate School of Vanderbilt University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY in Sociology August 10, 2018 Nashville, Tennessee Approved: Daniel B. Cornfield, PhD Shaul Kelner, PhD Joshua Murray, PhD Copyright © 2018 by Rachel Skaggs All Rights Reserved ii To my father, Donnie Skaggs, who I’ve watched pursue his songwriting dreams. To my mother, Rose Skaggs, who supports his dreams and mine. To David Carlson. His dreams and mine are intertwined. iii ACKNOWLEDGMENTS It is an overwhelming task to think of all of the support that people have given me in support of this dissertation. My dissertation is about collaboration, and I have been unmeasurably lucky to have collaborated with wonderful people. I want to begin by thanking every songwriter I interviewed. Without their trust and insight, I could not have conducted research that is as compelling, touching, and important as the project that has emerged. The generosity and openness of these people, most of whom were total strangers to me, is inspiring. Next, I must acknowledge the support of the Robert Penn Warren Center for the Humanities. As a dissertation fellow at the Warren Center, I was able to truly develop my ideas and focus on the work of writing a good dissertation. My fellow fellows at the Warren Center challenged me and supported me. Danielle Picard, Wietske Smeele, Sara Kollner, Alexandra Alekseyeva, David Vila, and James Phelan all contributed to the ways I think about my own work as I try to present it in a manner that is intelligible and meaningful to an interdisciplinary audience.
    [Show full text]
  • Non-Monetary Indicators to Monitor SDG Targets 1.2 and 1.4. Standards
    ISSN 1680-8789 SERIES STATISTICS Non-monetary indicators to monitor SDG targets 1.2 and 1.4 Standards, availability, comparability and quality Maria Emma Santos Thank you for your interest in this ECLAC publication ECLAC Publications Please register if you would like to receive information on our editorial products and activities. When you register, you may specify your particular areas of interest and you will gain access to our products in other formats. www.cepal.org/en/suscripciones 99 Non-monetary indicators to monitor SDG targets 1.2 and 1.4 Standards, availability, comparability and quality Maria Emma Santos This document has been prepared by María Emma Santos, Consultant, under the supervision of Pablo Villatoro, Senior Statistics Assistant, and Xavier Mancero, Chief of the Social Statistics Unit of the Statistics Division of the Economic Commission for Latin America and the Caribbean (ECLAC). For the preparation of the document, inputs and comments were kindly provided by the Economic and Social Commission for Western Asia (ESCWA), the Economic Commission for Europe (ECE), the Economic and Social Commission for Asia and the Pacific (ESCAP) and the United Nations Human Settlements Programme (UN-Habitat), as implementing entities of the component “Poverty, including multi-dimensional poverty, and inequality statistics and indicators”, in the framework of the Programme on Statistics and Data of the tenth tranche of the United Nations Development Account. The views expressed in this document, which has been reproduced without formal editing, are those of the author and do not necessarily reflect the views of the Organization. United Nations publication ISSN 1680-8789 (electronic version) ISSN 1994-7364 (print version) LC/TS.2019/4 Distribution: L Copyright © United Nations, 2019 All rights reserved Printed at United Nations, Santiago S.18-01161 This publication should be cited as: M.E.
    [Show full text]
  • Songwriter-Music Publisher Agreements and Disagreements, 18 Hastings Comm
    Hastings Communications and Entertainment Law Journal Volume 18 | Number 1 Article 3 1-1-1995 Everything That Glitters Is Not Gold: Songwriter- Music Publisher Agreements and Disagreements Don E. Tomlinson Follow this and additional works at: https://repository.uchastings.edu/ hastings_comm_ent_law_journal Part of the Communications Law Commons, Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Don E. Tomlinson, Everything That Glitters Is Not Gold: Songwriter-Music Publisher Agreements and Disagreements, 18 Hastings Comm. & Ent. L.J. 85 (1995). Available at: https://repository.uchastings.edu/hastings_comm_ent_law_journal/vol18/iss1/3 This Article is brought to you for free and open access by the Law Journals at UC Hastings Scholarship Repository. It has been accepted for inclusion in Hastings Communications and Entertainment Law Journal by an authorized editor of UC Hastings Scholarship Repository. For more information, please contact [email protected]. Everything That Glitters Is Not Gold:* Songwriter-Music Publisher Agreements and Disagreements by DON E. TOMLINSON** Table of Contents I. Introduction ............................................ 87 A. The Fundamental Songwriting-Music Publishing Quid Pro Quo ...................................... 88 1. Advances Against Royalties .................... 88 2. Demonstration Recordings ..................... 89 3. Exploitation .................................... 90 4. "H it" Songs ..................................... 90 B. The
    [Show full text]
  • American Popular Music
    American Popular Music Larry Starr & Christopher Waterman Copyright © 2003, 2007 by Oxford University Press, Inc. This condensation of AMERICAN POPULAR MUSIC: FROM MINSTRELSY TO MP3 is a condensation of the book originally published in English in 2006 and is offered in this condensation by arrangement with Oxford University Press, Inc. Larry Starr is Professor of Music at the University of Washington. His previous publications include Clockwise from top: The Dickinson Songs of Aaron Bob Dylan and Joan Copland (2002), A Union of Baez on the road; Diana Ross sings to Diversities: Style in the Music of thousands; Louis Charles Ives (1992), and articles Armstrong and his in American Music, Perspectives trumpet; DJ Jazzy Jeff of New Music, Musical Quarterly, spins records; ‘NSync and Journal of Popular Music in concert; Elvis Studies. Christopher Waterman Presley sings and acts. is Dean of the School of Arts and Architecture at the University of California, Los Angeles. His previous publications include Jùjú: A Social History and Ethnography of an African Popular Music (1990) and articles in Ethnomusicology and Music Educator’s Journal. American Popular Music Larry Starr & Christopher Waterman CONTENTS � Introduction .............................................................................................. 3 CHAPTER 1: Streams of Tradition: The Sources of Popular Music ......................... 6 CHAPTER 2: Popular Music: Nineteenth and Early Twentieth Centuries .......... ... 1 2 An Early Pop Songwriter: Stephen Foster ........................................... 1 9 CHAPTER 3: Popular Jazz and Swing: America’s Original Art Form ...................... 2 0 CHAPTER 4: Tin Pan Alley: Creating “Musical Standards” ..................................... 2 6 CHAPTER 5: Early Music of the American South: “Race Records” and “Hillbilly Music” ....................................................................................... 3 0 CHAPTER 6: Rhythm & Blues: From Jump Blues to Doo-Wop ................................
    [Show full text]
  • Atlanta Fest–Christian Music That
    ENTERTAINMENTpage 9 Technique • Friday, June 29, 2001 • 9 Christian rock? Play with Passion Atlanta Fest, held this year at Six Arms and the Man at DramaTech ENTERTAINMENT Flags, was even bigger and better than explores both war and romance. See last year’s. Page 11 the preview. Page 11 Technique • Friday, June 29, 2001 Machine showcases Static-X’s varied talents and styles By Austin Chen industrial and techno. Charac- matured from the last album as Ears bled for days afterwards terized by Wayne’s urgently well, showing signs of more dy- screaming vocals and comple- namism and complexity. Artist: Static-X mented by the band’s frenzied The album opens with a short Album: Machine guitar crunchings, the music ex- track named “Bien Venidos” Label: Warner Bros. Records presses a certain dark and sar- which features a little mariachi Rating: yyyy donic humor that appeals to fans. instrumental number before Death Trip showed us just how pummeling you with an on- Static-X’s sophomore release brutally loud and aggressive metal slaught of nonstop “kick-ass.” Machine rides into town with is supposed to be. Highlights include “Get To The guitars (and vocals) blazing. If While Machine generally ad- Gone,” “This Is Not,” “Ostego you are a fan of Blink 182, The heres to the same formula that Undead,” and “...In A Bag” which Backstreet Boys, or even Britta- made Death Trip so appealing, just flat-out rock, while tracks ny Spears, then this album would namely the fiercely dense gui- like “Permanence” and “Ma- probably frighten you. With tars and highly abrasive vocals, chine” comment on the banali- that said, while this album is not the new album displays a very ty of art and society.
    [Show full text]
  • Middle Class Music in Suburban Nowhere Land: Emo and the Performance of Masculinity
    MIDDLE CLASS MUSIC IN SUBURBAN NOWHERE LAND: EMO AND THE PERFORMANCE OF MASCULINITY Matthew J. Aslaksen A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Jeremy Wallach, Advisor Becca Cragin Angela Nelson ii Abstract Jeremy Wallach, Advisor Emo is an emotional form that attracts a great deal of ridicule from much of the punk and indie music communities. Emo is short for “emotional punk” or “emotional hardcore,” but because of the amount of evolution it has undergone it has become a very difficult genre to define. This genre is well known for its almost whiny sound and its preoccupation with relationship problems and emotional instability. As a result, it is seen by many within the more underground music community as an inauthentic emotionally indulgent form of music. Emo has also very recently become a form that has gained widespread mainstream media appeal with bands such as Dashboard Confessional, Taking Back Sunday, and My Chemical Romance. It is generally consumed by a younger teenaged to early college audience, and it is largely performed by suburban middle class artists. Overall, I have argued that emo represents challenge to conventional norms of hegemonic middle-class masculinity, a challenge which has come about as a result of feelings of discontent with the emotional repression of this masculinity. In this work I have performed multiple interviews that include both performers and audience members who participate in this type of music. The questions that I ask the subjects of my ethnographic research focus on the meaning of this particular performance to both the audience and performers.
    [Show full text]
  • Examining Concept Albums' Methods of Constructing Meaning in the Digital Age Mario Alonzo Dozal University of Texas at El Paso, [email protected]
    University of Texas at El Paso DigitalCommons@UTEP Open Access Theses & Dissertations 2012-01-01 This Is The Art Form: Examining Concept Albums' Methods Of Constructing Meaning In The Digital Age Mario Alonzo Dozal University of Texas at El Paso, [email protected] Follow this and additional works at: https://digitalcommons.utep.edu/open_etd Part of the Communication Commons, and the Music Commons Recommended Citation Dozal, Mario Alonzo, "This Is The Art Form: Examining Concept Albums' Methods Of Constructing Meaning In The Digital Age" (2012). Open Access Theses & Dissertations. 2076. https://digitalcommons.utep.edu/open_etd/2076 This is brought to you for free and open access by DigitalCommons@UTEP. It has been accepted for inclusion in Open Access Theses & Dissertations by an authorized administrator of DigitalCommons@UTEP. For more information, please contact [email protected]. THIS IS THE ART FORM: EXAMINING CONCEPT ALBUMS’ METHODS OF CONSTRUCTING MEANING IN THE DIGITAL AGE MARIO ALONZO DOZAL Department of Communication APPROVED: _______________________________ Roberto Avant-Mier, Ph.D., Chair _______________________________ Richard D. Pineda, Ph.D. _______________________________ Jeffrey Sirkin, Ph.D. _______________________________ Benjamin Flores, Ph.D. Interim Dean of the Graduate School Copyright © by Mario Alonzo Dozal 2012 Dedicated to Grandma, Grandpa, Mom, and Dad. THIS IS THE ART FORM: EXAMINING CONCEPT ALBUMS’ METHODS OF CONSTRUCTING MEANING IN THE DIGITAL AGE By MARIO ALONZO DOZAL MA THESIS Presented to the Faculty of the Graduate School of The University of Texas at El Paso in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Department of Communication THE UNIVERSITY OF TEXAS AT EL PASO May 2012 Acknowledgements First and foremost, my family deserves a million thanks because without them my accomplishments would mean nothing.
    [Show full text]
  • Mere Christianity by C.S
    Mere Christianity By C.S. Lewis Contents: Book Cover (Front) (Back) Scan / Edit Notes Preface Book I. Right And Wrong As A Clue To The Meaning Of The Universe 1. The Law of Human Nature 2. Some Objections 3. The Reality of the Law 4. What Lies Behind the Law 5. We Have Cause to Be Uneasy Book II What Christians Believe 1. The Rival Conceptions of God 2. The Invasion 3. The Shocking Alternative 4. The Perfect Penitent 5. The Practical Conclusion Book III. Christian Behaviour 1. The Three Parts of Morality 2. The "Cardinal Virtues" 3. Social Morality 4. Morality and Psychoanalysis 5. Sexual Morality 6. Christian Marriage 7. Forgiveness 8. The Great Sin 9. Charity 10. Hope 11. Faith 12. Faith Book IV. Beyond Personality: Or First Steps In The Doctrine Of The Trinity 1. Making and Begetting 2. The Three-Personal God 3. Time and Beyond Time 4. Good Infection 5. The Obstinate Toy Soldiers 6. Two Notes 7. Let's Pretend 8. Is Christianity Hard or Easy? 9. Counting the Cost 10. Nice People or New Men 11. The New Men Scan / Edit Notes Versions available and duly posted: Format: v1.0 (Text) Format: v1.0 (PDB - open format) Format: v1.5 (HTML) Format: v1.5 (PDF - no security) Format: v1.5 (PRC - for MobiPocket Reader - pictures included) Genera: Religion / Christian - Theology Extra's: Pictures Included (for all versions) Copyright: 1952 First Scanned: 2002 Posted to: alt.binaries.e-book Note: 1. The Html, Text and Pdb versions are bundled together in one zip file.
    [Show full text]
  • Myth of Sisyphus 1
    Camus: The Myth of Sisyphus 1 Albert Camus (1913-1960) gives a quite different account of philosophy and politics of existentialism from that of Sartre. Perhaps the most striking difference from Sartre is his conception of the absurd. For Sartre absurdity belongs to the world prior to activity of consciousness, while Camus’s idea of the absurd is closer to Kierkegaard and Nietzsche—the absurd is a direct consequence of the absence of God. Without God the discrepancy between human aspirations and the world is acute. The human condition is characterized by the probability of suffering and the certainty of death—a fate which human reason cannot accept as reasonable. In the face of this absurdity, the universal reason of the Enlightenment has nothing to say. In The Myth of Sisyphus Camus elucidates this concept of the absurd. The absurd comes with the realization that the world is not rational: “At this point of his effort man stands face to face with the irrational. He feels within him his longing for happiness and for reason. The absurd is born of this confrontation between the human need and the unreasonable silence of the world” (28). This confrontation is epitomized in The Plague (1947) in the painful death of a child. The arbitrariness of the plague parallels the absurdity of existence. The absurdity of existence raises the question of suicide and the meaning of life thus becomes “the only truly serious philosophical problem.” The myth of Sisyphus is a potent image of futility. Camus’ response is that only the ‘lucid’ recognition of the absurdity of existence liberates us from belief in another life and permits us to live for the instant, for the beauty, pleasure and the ‘implacable grandeur’ of existence.
    [Show full text]
  • Motorcycle Operator Manual Was Produced
    For Course Information go to: PREFACE Because operating a motorcycle is different than operating a motor vehicle, the Motorcycle Operator Manual was produced. The manual is an important tool for the inexperienced rider to gain the information necessary to operate a motorcycle safely in traffic. Even the experienced rider can find something new in this manual. Education and public awareness are the keys to reducing the number of motorcyclists killed and injured on our highways. The Motorcycle Ohio (MO) program, offered by the Ohio Department of Public Safety, provides motorcycle safety courses for riders, as well as public information campaigns. Information on the course is included in this manual or you can email the Motorcycle Ohio office at [email protected]. Research comparing MO graduates and untrained motorcyclists has found that course graduates involved in crashes are more likely to be helmeted, insured and unimpaired. The motorcycle crash problem is complex. A variety of countermeasures have been implemented over the past several years to effectively reduce the number of fatalities and injuries associated with motorcycle crashes in Ohio. The Ohio Department of Public Safety is making every effort possible to provide the programs and education to reduce the tragedies suffered on our roadways by motorcyclists. Reading this manual and gaining the knowledge required to operate a motorcycle safely will add to the enjoyment you experience as a motorcycle rider. To schedule a road test, visit www.ohiodrivingtest.com.r Ohio, CONTENTS
    [Show full text]
  • A Narrative Inquiry of Protest Songs: Comparing the Anti-War Music of Vietnam and Iraq Sophia K
    University of Arkansas, Fayetteville ScholarWorks@UARK Sociology and Criminal Justice Undergraduate Sociology and Criminal Justice Honors Theses 5-2016 A Narrative Inquiry of Protest Songs: Comparing the Anti-War Music of Vietnam and Iraq Sophia K. Yanik University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/sociuht Part of the Politics and Social Change Commons Recommended Citation Yanik, Sophia K., "A Narrative Inquiry of Protest Songs: Comparing the Anti-War Music of Vietnam and Iraq" (2016). Sociology and Criminal Justice Undergraduate Honors Theses. 2. http://scholarworks.uark.edu/sociuht/2 This Thesis is brought to you for free and open access by the Sociology and Criminal Justice at ScholarWorks@UARK. It has been accepted for inclusion in Sociology and Criminal Justice Undergraduate Honors Theses by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. A Narrative Inquiry of Protest Songs: Comparing the Anti-War Music of Vietnam and Iraq An Honors Thesis submitted in partial fulfillment of the requirements of Honors Studies in Sociology by Sophie Yanik Spring 2016 Sociology J. William Fulbright College of Arts and Sciences The University of Arkansas Yanik 1 Abstract This research examines the social role of protest music in wartime eras through lyrical content analysis. By analyzing songs across the Vietnam War era and the Iraq War era, the shifting role of protest music across generations reveals not only how this music influences and encourages different social aggregates, but also how it adapts to remain relevant in a continuously modernizing American society.
    [Show full text]