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Introduction The great photographer Angus McBean has stage performers of this era an enduring power been celebrated over the past fifty years chiefly that carried far beyond the confines of their for his romantic portraiture and playful use of playhouses. surrealism. There is some reason. He iconised Certainly, in a single session with a Yankee Vivien Leigh fully three years before she became Cleopatra in 1945, he transformed the image of Scarlett O’Hara and his most breathtaking image Stratford overnight, conjuring from the Prospero’s was adapted for her first appearance in Gone cell of his small Covent Garden studio the dazzle with the Wind. He lit the touchpaper for Audrey of the West End into the West Midlands. (It is Hepburn’s career when he picked her out of a significant that the then Shakespeare Memorial chorus line and half-buried her in a fake desert Theatre began transferring its productions to advertise sun-lotion. Moreover he so pleased to London shortly afterwards.) In succeeding The Beatles when they came to his studio that seasons, acknowledged since as the Stratford he went on to immortalise them on their first stage’s ‘renaissance’, his black-and-white magic LP cover as four mop-top gods smiling down continued to endow this rebirth with a glamour from a glass Olympus that was actually just a that was crucial in its further rise to not just stairwell in Soho. national but international pre-eminence. However, McBean (the name is pronounced Even as his photographs were created, to rhyme with thane) also revolutionised British McBean’s Shakespeare became ubiquitous. -
Cronin Ing:Maquetación 3.Qxd
Alberto Enrique D’Ottavio Cattani J Med Mov 5 (2009): 59-65 JMM Archibald Joseph Cronin: a Writing-Doctor Between Literature and Film Alberto Enrique D’Ottavio Cattani1,2 1Cátedra de Histología y Embriología. Facultad de Ciencias Médicas. 2Consejo de Investigaciones de la Universidad Nacional de Rosario (Argentina). Correspondence: Alberto Enrique D’Ottavio Cattani, Matheu 371. 2000 Rosario, Santa Fe (Argentina). e-mail: [email protected] Received 1 October 2008; modified 18 March 2009; accepted 19 March 2009 Summary This paper broaches the subject of the life and numerous cinematographic and TV adaptations of the vast and controversial liter- ary work of Scottish doctor Archibald Joseph Cronin (1896-1981). Through it, we intend to stress the influence his books and/or the films based on them had on many young generations who, under their shelter, chose a career in medicine. Prize-winning writer and PhD, in his works -formally adorned with his great talent for description and observation- he intermingles naturalism, conflicting passions, medical situations and social criticism. Beyond all discussion about his literary career and his repercussion on film, his influence on those who embraced Medicine following in the steps of his characters, many of whom were nothing more than a reflection of himself, is unquestionable. Keywords: Cronin, Doctor, Writer, Film, Literature. To AJ Cronin, whose works strengthened my decision to become a doctor 19 July, 1896. An only child, his mother was Jessie Montgomerie and his father Patrick Cronin. In an Life and work of Archibald Joseph Cronin apparently paradoxical way, following the death of his father, who professed Catholicism, Archibald was The writer-doctors whose works have been raised as a Catholic by his Protestant mother. -
Shakespeare on Audio (CD, Vinyl & Cassette)
Shakespeare on Audio (CD, Vinyl & Cassette) Historical Recordings & Anthologies Shakespeare recordings have been in evidence from the earliest days of the wax cylinder, through the short-playing 78 rpm shellac discs of the 1930s and the long-playing 33 1/3 rpm vinyl discs (LPs) and reel-to-reel tapes of the 1950s, to the widely available audio cassettes, compact discs (CDs), videotapes, and digital recordings of the present. Before Orson Welles’s innovative Mercury Text Records series issued by Columbia Records in 1938, no one had attempted to record full-length audio versions of Shakespeare. Previously only isolated passages from the plays had been available, performed by fabled stage actors such as E.H. Sothern and Julia Marlowe, Herbert Beerbohm-Tree, Ellen Terry and a few others and recorded between 1890 and the First World War. Between the wars, Hamlet’s “O what a rogue and peasant slave…” and “How all occasions do inform…” and Macbeth’s “Is this a dagger…?” were recorded on 78s by such stars as Henry Ainley and John Barrymore, and included with other famous soliloquies and educational intent on Johnston Forbes-Robertson’s two-disc How to Speak Shakespeare (Columbia, 1928). These recordings existed almost entirely for the purpose of preserving a famous actor’s reading of a set speech. The custom of recording speeches and brief duologues by great actors, although partly a matter of technology and packaging (a speech can fill one side of a 78 rpm disk), reflects a cultural reality as well, an attitude toward Shakespeare that sees his plays as predominantly a collection of purple passages and wise saws. -
Mapping the British Biopic: Evolution, Conventions, Reception and Masculinities
Mapping the British Biopic: Evolution, Conventions, Reception and Masculinities Matthew Robinson A thesis submitted in partial fulfilment of the requirements of the University of the West of England, Bristol for the degree of Doctor of Philosophy Faculty of Arts, Creative Industries and Education, University of the West of England, Bristol June 2016 90,792 words Contents Abstract 2 Chapter One: Introduction 3 Chapter Two: Critical Review 24 Chapter Three: Producing the British Biopic 1900-2014 63 Chapter Four: The Reception of the British Biopic 121 Chapter Five: Conventions and Themes of the British 154 Biopic Chapter Six: This is His Story: ‘Wounded’ Men and 200 Homosocial Bonds Chapter Seven: The Contemporary British Biopic 1: 219 Wounded Men Chapter Eight: The Contemporary British Biopic 2: 263 Homosocial Recoveries Chapter Nine: Conclusion 310 Bibliography 323 General Filmography 355 Appendix One: Timeline of the British Biopic 1900-2014 360 Appendix Two: Distribution of Gender and Professional 390 Field in the British Biopic 1900-2014 Appendix Three: Column and Pie Charts of Gender and 391 Profession Distribution in British Biopics Appendix Four: Biopic Production as Proportion of Total 394 UK Film Production Previously Published Material 395 1 Abstract This thesis offers a revaluation of the British biopic, which has often been subsumed into the broader ‘historical film’ category, identifying a critical neglect despite its successful presence throughout the history of the British film industry. It argues that the biopic is a necessary category because producers, reviewers and cinemagoers have significant investments in biographical subjects, and because biopics construct a ‘public history’ for a broad audience. -
'BBC Handbook 1976 Incorporating the Annual Report and Accounts 1974-75
'BBC Handbook 1976 Incorporating the Annual Report and Accounts 1974-75 www.americanradiohistory.com www.americanradiohistory.com www.americanradiohistory.com 9L61 310oQPu-BH Dgg www.americanradiohistory.com BBC Handbook 1976 incorporating the Annual Report and Accounts 1974 -75 British Broadcasting Corporation www.americanradiohistory.com Published by the British Broadcasting Corporation 35 Marylebone High Street, London W 1 M 4AA ISBN 563 12891 7 First published 1975 © BBC 1975 Printed in England by The Whitefriars Press Ltd London & Tonbridge Illustrated section printed by Sir Joseph Causton & Sons Ltd, London www.americanradiohistory.com Contents Foreword Sir Michael Swann 7 Tables Part one World radio and television receivers 54 Annual Report and Accounts External broadcasting 65 1974 - 75 Annual Report of the Broadcasting Council for Scotland 105 Introductory 9 Annual Report of the Broadcasting Council for Wales 110 Programmes 21 Appendices 115 Television 21 I Hours of output: television 116 Radio 25 Hours of output: radio 117 Party political broadcasts and broadcasts II Programme analysis television networks by Members of Parliament 32 118 News 34 Programme analysis radio networks 119 III School broadcasting 120 Religious broadcasting 35 IV Hours of broadcasting in the External Educational broadcasting 37 Services 123 Northern Ireland 42 V Rebroadcasts of External Services 124 English regional broadcasting 43 _Network production centres 44 Part two The English television regions 47 Programme review Appeals for charity 48 Audience -
Autograph Auction - Day 1 Saturday 15 February 2014 12:00
Autograph Auction - Day 1 Saturday 15 February 2014 12:00 International Autograph Auctions (IAA) Office address Foxhall Business Centre Foxhall Road NG7 6LH International Autograph Auctions (IAA) (Autograph Auction - Day 1) Catalogue - Downloaded from UKAuctioneers.com Lot: 1 BOXING: Selection of vintage signed postcard photographs, ALI MUHAMMAD: (1942- ) American Boxer, World and a few smaller, by various boxers, mainly British and some Heavyweight Champion. Bold, dark vintage pencil signature of them champions, including Len Harvey, Jack Doyle, Freddie ('Cassius Clay') on a page contained in a small oblong 12mo Mills, Al Phillips, Len Bennett, Bobby Boland, Stan Hawthorne, autograph album. Beneath his signature Clay has added the Bert Hornby, Laurie Buxton, Frank Tierney, Johnny Williams, words Next World Champ in his hand. The autograph album Billy Thompson, Jimmy Wilde (magazine photograph, FR) etc. also includes twenty other signatures by a variety of different Each of the images depict the subjects in boxing poses. FR to famous individuals including Harold Macmillan and his wife G, 24 Dorothy, Eleanor Roosevelt, Adam Faith, Harry Secombe, Estimate: £100.00 - £120.00 Richard Beeching, members of the Bolshoi Ballet etc. Ali's signature is very slightly smudged. The album lacking the spine and back cover, about VG Each of the signatures were Lot: 6 obtained by the vendor's father who was the Banqueting BOXING: Selection of vintage signed postcard photographs, Manager of the Victoria Hotel in Nottingham. Ali was at the and a few smaller, by various boxers, mainly British and some Victoria Hotel in Nottingham on 28th May 1963 ahead of the of them champions, including Tommy Farr, Ken Shaw, Joe British Middleweight Championship fight between George Beckett, Ronnie Burr, Jock Taylor, Gwyn Williams, Chris Aldridge and Mick Leahy which also took place in Nottingham. -
Full Dramatisation with Samuel West As Faust and Toby Jones As
CLASSIC DRAMA Full dramatisation with Samuel West as Faust and Toby Jones as Mephistopheles Part 1 1 Prologue in Heaven 6:56 2 The First Part of the Tragedy – Scene 1: Night 5:38 3 Enter the Spirit 5:19 4 Exit Wagner. Faust alone 6:46 5 Scene 2: Outside the City Gate 4:50 6 Scene 3: Faust’s Study 3:24 7 Enter Mephistopheles 7:34 8 Scene 4: Faust’s Study 5:29 9 Mephistopheles: ‘It’s done!’ 5:13 10 Scene 5: A Witch’s Kitchen 7:40 11 Scene 6: A Street 2:45 12 Scene 6a 0:29 13 Scene 7: Gretchen’s Room 4:05 2 14 Scene 9: The Neighbour’s House 5:26 15 Scene 10: A Garden 4:44 16 Scene 11: A Summerhouse 0:54 17 Scene 12: Forest and Cavern 3:47 18 Scene 12a: Gretchen’s Song 3:39 19 Scene 13: Martha’s Garden 3:34 20 Scene 14: At the Well 2:16 21 Scene 16: The Street in Front of Gretchen’s House 5:03 22 Scene 17: Cathedral 1:47 23 Scene 18: Walpurgis Night 10:37 24 Scene 19: Gloomy Day. A Field 1:14 25 Scene 20: A Dungeon 9:23 3 Part 2 26 Scene 1: A Pleasant Landscape 3:24 27 Scene 2: Throne Room of the Imperial Palace 6:16 28 Scene 3: A Pleasure Garden 3:53 29 Scene 4: A Gloomy Gallery 4:23 30 Scene 6: Great Hall 7:27 31 Act II Scene 1: High-vaulted Narrow Gothic Room… 4:36 32 Scene 2: Laboratory 7:34 33 Scene 3: Classical Walpurgis Night 1:51 34 Scene 3b: On the Upper Peneus 3:25 35 Scene 3c: On the Lower Peneus 4:16 36 Scene 3d: On the Upper Peneus, as before 4:35 37 Scene 3e: Mephistopheles Climbing 3:53 4 38 Scene 4: Rocky Bays of the Aegean Sea 9:19 39 Act III Scene 1: Before the Palace of Menelaus… 5:39 40 Phorkyas (Mephistopheles) appears 8:04 41 Scene 2: Inner Courtyard of a Castle 5:33 42 Scene 2a: In Front of a Series of Rocky Caves 4:22 43 Act IV Scene 1: High Mountains 4:56 44 Act V Scene 1: A Palace 3:22 45 Scene 2: Dead of Night 3:49 46 Scene 3a: Midnight 0:44 47 Scene 3b: Faust’s Room 5:11 48 Scene 4: Great Forecourt of the Palace 13:37 Total time: 3:59:13 5 Johann Wolfgang von Goethe (1749–1832) Though Goethe’s Faust is considered compromising Goethe’s original. -
October 2017 This Will Be Held at 6.30Pm and Priced at £5.00 with Children PASTORAL WORKER for the Free and Proceeds to Christian Aid
THE The Magazine For Beckminster Methodist Church OCTOBER - NOVEMBER 2017 PRICELESS! With ships the sea was sprinkled far and nigh, Like stars in heaven, and joyously it showed. William Wordsworth Photo by John Holt In this issue Dear Friends Stewards’ Musings Harvest Festival Who Guards the Guardians? Charles Wesley - Poet and Hymn Writer Part Two Corny Jokes and Amazing Technology Beckminsterama Beckminster Beach Shades of Dr Finlay Neighbours When Britannia ruled the waves Fancy a Flutter? Greenbelt 2017 The Lighter Side of Ageing Beckminster Methodist Church, Birches Barn Road, Penn Fields, Wolverhampton, WV3 7BQ. 01902 344910 Dear Friends Greetings in the name of Jesus Christ, I write to you as your new Minister, stepping into the line of many colleagues who have ministered to and with you over many years. When I first came to visit in February and saw the list of those men and women who have had pastoral responsibilities of looking after your congregation, I felt so privileged and humbled that I should be counted as one of them. First, let me tell you about myself. My name is Paul Nzacahayo. I was born in Rwanda but the My plans, at least for the immediate future, are UK has been my home for the last 24 years. I twofold: to listen to the congregation's stories studied Theology both in Rwanda and and see where people are. Opening my eyes Edinburgh, Scotland, and also Business and my ears requires that I restrain myself in Administration in the same city as well. I am how much I do the talking, and a deliberate also interested in Psychology. -
Shakespeare Promptbooks LIBRARY of the UNIVERSITY of ILLINOIS at URBANA-CHAMPAIGN
JL llv Shakespeare Promptbooks LIBRARY OF THE UNIVERSITY OF ILLINOIS AT URBANA-CHAMPAIGN x792.9 cop. 3 REFERENCE The Shakespeare Promptbooks University of Illinois Press, Urbana and London, 1965 The Shakespeare Promptbooks A Descriptive Catalogue CHARLES H. SHATTUCK .U!UC © 1965 by the Board of Trustees of the University of Illinois. Manu- factured in the United States of America. Library of Congress Catalog Card No. 65-11737. C*V3 Preface and Acknowledgments The terminal date of this catalogue of Shakespeare promptbooks is the year 1961. But this is not the real end of it. The Festival Thea- tres of the three Stratfords, whose books I have accounted for, have already added four seasons, and presumably they will march on to the millennium, accumulating more (and ever more illuminating) rec- ords of their productions. A fourth Stratford in New Zealand has been rumored. The newly established National Theatre in England, New York's Shakespeare in the Park, and many another festival theatre yet to be created or to be professionalized, besides independent produc- tions in usual frequency, will swell the records of the future. Nor is the catalogue final for the theatre of the more remote past. Although I have combed the well-known depositories of theatrical ana and canvassed by mail several hundred libraries, museums, and histor- ical societies where older promptbooks might be stored, undoubtedly I have missed a good many. Some now in private hands will eventually drift into public collections. Some now buried unrecognized in the general shelves of library stacks, or even taken for junk and scheduled for the dustbin, may become known for what they are and be moved to prouder places. -
L DTNT Records Relating to the Hull New Theatre 1939- 2008
Hull History Centre: Records relating to the Hull New Theatre L DTNT Records relating to the Hull New Theatre 1939- 2008 Historical Background: The New Theatre which stands on Kingston Square, Hull, opened on the 16th of October 1939 with the Hull Repertory Company production of 'Me and My Girl'. Peppino Santangelo came to the city in 1924 to join the Hull Repertory Company based at the Little Theatre in Kingston Square. After turning the struggling company around, Peppino, organised the reconstruction of the former Assembly Rooms which had first been built by R. H. Sharp over 100 years earlier in 1834 into the New Theatre. Not even the outbreak of the Second World War could halt Peppino’s dream and as the theatre’s first manager, he told crowds of 1939: ‘I have made plans for your future entertainment, always bearing in mind that we are at war and that laughter and not tears should be the dominant feature.’ Performances continued throughout the war when West End productions arrived to escape the bombing in London. The theatre bar was reinforced as a bomb shelter and the building received only one direct hit, in May 1941, which destroyed the front row of stalls and all the props and costumes of the visiting Sadler’s Wells Opera Company. In the late 1960s the Theatre's stage was deepened and the orchestra pit enlarged, whilst at the same time the auditorium was improved with new seating. The theatre closed in January 2016 to undergo a huge £15.9m revamp of the venue, which would see improvements to backstage areas including a new fly tower, used for scenery, lighting and stage effects, a larger stage, and more seating. -
Picture Show Annual (1949)
/a:oh j'luZ'Z £1 A f • . .i R n n u lu ‘t 1Q4Q ^v. Cyd Charisse and Margaret Our Cover Picture : David in " Bonnie Prince O’Brien in “ The Unfinished Niven Dance.” Charlie/' (M.-G.-M.) (London.) " — — — 4 1912—"David Garrick.” was made at the Hepworth Studios. The scene is the famous inn, “The Cheshire Cheese.” W. G. Saunders is on the left, as Dr. Johnson, at the table are Sir Charles Wyndham, in the title role, and Hay Plumb, who directed the film and took the part of Bill)' Banter. Below : Cecil Hepworth, a snapshot taken during the 1914-1918 war. Those Were the Days^ present. Cecil Hepworth is in London as it is Thursday and his day for attending his London office. His absence, however, means that there will be no interior photography and, therefore, the comedy must be written for exteriors only. This dictates the Une of. research through the comic papers. Presently Johnny Butt is out of his chair and the scenario, production, editorial and casting departments have been in conference for six and a half minutes. Back to the studio for the cameraman and Vi Hopson " Outdoor costume, please—what, Alma Taylor doing nothing.’ Come on—print frock—sunbonnet—some- thing in the village.” To horse and away. On the lawn of the ” Red Lion ” by the river at /~\NE fine day—not from the opera but from the past Shepperton, Boy meets Girl. Next scene a country lane. one of the well-remembered happy days of the Cut the country lane—do the scene in a punt—there are care-free infancy of the films . -
Two Day Autograph Auction - Day 1 Saturday 14 July 2012 11:00
Two Day Autograph Auction - Day 1 Saturday 14 July 2012 11:00 International Autograph Auctions (IAA) Radisson Edwardian Heathrow Hotel 140 Bath Road Heathrow UB3 5AW International Autograph Auctions (IAA) (Two Day Autograph Auction - Day 1 ) Catalogue - Downloaded from UKAuctioneers.com Lot: 1 Chariots of Fire (1981). A vintage postcard photograph showing LIDDELL ERIC: (1902-1945) Scottish Athlete & Missionary. Abrahams crossing the line at the conclusion of the 100 metre Gold medallist in the men's 400 metres at the 1924 Summer sprint final to become the Olympic Champion at the Olympic Olympics in Paris and one of the subjects of the Oscar winning Games of 1924 in Paris, signed in later years by Abrahams in film Chariots of Fire (1981). An excellent, lengthy A.L.S., Eric H. blue ink to the verso, adding the date of the race and his Liddell, three pages, 4to, Tientsin, China, 19th February 1926, winning time, 10.6 seconds, in his hand beneath his signature. to Mr. Chilvers. Liddell states that his correspondent's letter Scarce. Two very small, light stains to the verso, close to, but reached him some time ago and hopes that he hasn't left it too not affecting, the signature, otherwise VG long before replying, continuing 'I find it a bit difficult to know Estimate: £100.00 - £120.00 what to start with as I do not know what opportunity you get for practising…The simplest way will be by numbering the various points. (1) Remember warmth is one of the things that all sprint Lot: 3 athletes need.