Recent Cover Songs I Will Wait – Mumford & Sons Home – Phillip

Total Page：16

File Type：pdf, Size：1020Kb

Recent Cover Songs I Will Wait – Mumford & Sons Home – Phillip Phillips Stubborn Love – The Lumineers Nobody Knows – The Lumineers Mr. Tambourine Man – Bob Dylan Blackbird – The Beatles All My Trials – African-American Spiritual All Night Long – African-American Spiritual Man of Constant Sorrow – Dick Burnett I'll Fly Away – Albert Brumley Ginseng Sullivan – Norman Blake Country Roads – John Denver I'm Leaving on a Jet Plane – John Denver Come By the Hills – Gordon Smith/Irish Folksong Do Re Mi – Woody Guthrie This Land Is Your Land – Woody Guthrie Hard Travelin' Woody Guthrie Sail Away Ladies – American Folksong Pretty Saro – American Folksong Gallows Pole – American Folk Ballad Acres of Clams – Francis Henry/American Folksong Recent Instrumental Covers The Orange Blossom Special – Ervin Rouse Drowsy Maggie/Keep It Up – Irish Reels Ashokan Farewell – Jay Ungar Top O' the Candle/Haste to the Wedding – Irish Slip-jig and Traditional Jig Foggy Mountain Breakdown – Earl Scruggs Foggy Mountain Special – Lester Flatt & Earl Scruggs Love Is the Cause of my Mourning/Spootiskerry – Ancient Welsh Air and Scottish Reel The Mourne Mountains/The Humors of Ballymanus – Irish Reel and Slip-jig Eleanor Plunkett – Turlough O'Caralon One More River to Cross – American Fiddle Tune Good Health and Joy – American Fiddle Tune Recent Original Songs Smile Again Lifeboat The Miracle You Are The Charleston Massacre Twinkling Chasing You I'd Choose You To Be Alive – Text from an unknown child of Terezin Concentration Camp It Rained All Night Will it Be Enough? Hush-a-by Train Hullabaloo Dance for Love – Text by Civil War soldier William Straub Finding Home Fly Away The Progress Express The Richest Man.

Copy Link

Recommended publications

AC/DC You Shook Me All Night Long Adele Rolling in the Deep Al Green
AC/DC You Shook Me All Night Long Adele Rolling in the Deep Al Green Let's Stay Together Alabama Dixieland Delight Alan Jackson It's Five O'Clock Somewhere Alex Claire Too Close Alice in Chains No Excuses America Lonely People Sister Golden Hair American Authors The Best Day of My Life Avicii Hey Brother Bad Company Feel Like Making Love Can't Get Enough of Your Love Bastille Pompeii Ben Harper Steal My Kisses Bill Withers Ain't No Sunshine Lean on Me Billy Joel You May Be Right Don't Ask Me Why Just the Way You Are Only the Good Die Young Still Rock and Roll to Me Captain Jack Blake Shelton Boys 'Round Here God Gave Me You Bob Dylan Tangled Up in Blue The Man in Me To Make You Feel My Love You Belong to Me Knocking on Heaven's Door Don't Think Twice Bob Marley and the Wailers One Love Three Little Birds Bob Seger Old Time Rock & Roll Night Moves Turn the Page Bobby Darin Beyond the Sea Bon Jovi Dead or Alive Living on a Prayer You Give Love a Bad Name Brad Paisley She's Everything Bruce Springsteen Glory Days Bruno Mars Locked Out of Heaven Marry You Treasure Bryan Adams Summer of '69 Cat Stevens Wild World If You Want to Sing Out CCR Bad Moon Rising Down on the Corner Have You Ever Seen the Rain Looking Out My Backdoor Midnight Special Cee Lo Green Forget You Charlie Pride Kiss an Angel Good Morning Cheap Trick I Want You to Want Me Christina Perri A Thousand Years Counting Crows Mr.
[Show full text]
1988 Tour of North America
1988 TOUR OF NORTH AMERICA Interstate 88 Tour, part 1: Summer Tour of North America. JUNE 7 Concord, California Concord Pavilion 9 Sacramento, California Cal Expo Amphitheatre 10 Berkeley, California Greek Theatre, University Of California 11 Mountain View, California Shoreline Amphitheatre 13 Salt Lake City, Utah Park West, Park City 15 Denver, Colorado Fiddler's Green Amphitheatre 17 St Louis, Missouri The Muny, Forest Park 18 East Troy, Wisconsin Alpine Valley Music Theatre 21 Cuyahoga Falls, Ohio Blossom Music Center 22 Cincinnati, Ohio Riverbend Music Center 24 Holmdel, New Jersey Garden State Performing Arts Center 25 Holmdel, New Jersey Garden State Performing Arts Center 26 Saratoga Springs, New York Saratoga Performing Arts Center 28 Canandaigua, New York Finger Lakes Performing Arts Center 30 Wantagh, New York Jones Beach Theater, Jones Beach State Park JULY 1 Wantagh, New York Jones Beach Theater, Jones Beach State Park 2 Mansfield, Massachussetts Great Woods Performing Arts Center 3 Old Orchard Beach, Maine Old Orchard Beach Ballpark 6 Philadelphia, Pennsylvania Frederick Mann Music Center 8 Montreal, Quebec, Canada Forum de Montréal 9 Ottawa, Ontario, Canada Ottawa Civic Centre Arena 11 Hamilton, Ontario, Canada Copps Coliseum 13 Charlevoix, Michigan Castle Fares Music Theatre 14 Chicago, Illinois Poplar Creek Music Theatre, Hoffman Estates 15 Indianapolis, Indiana Indiana State Fairground Grandstand 17 Rochester, Michigan Meadowbrook Music Theatre, Oakland University 18 Rochester, Michigan Meadowbrook Music Theatre, Oakland
[Show full text]
Jerry Garcia Song Book – Ver
JERRY GARCIA SONG BOOK – VER. 9 1. After Midnight 46. Chimes of Freedom 92. Freight Train 137. It Must Have Been The 2. Aiko-Aiko 47. blank page 93. Friend of the Devil Roses 3. Alabama Getaway 48. China Cat Sunflower 94. Georgia on My Mind 138. It Takes a lot to Laugh, It 4. All Along the 49. I Know You Rider 95. Get Back Takes a Train to Cry Watchtower 50. China Doll 96. Get Out of My Life 139. It's a Long, Long Way to 5. Alligator 51. Cold Rain and Snow 97. Gimme Some Lovin' the Top of the World 6. Althea 52. Comes A Time 98. Gloria 140. It's All Over Now 7. Amazing Grace 53. Corina 99. Goin' Down the Road 141. It's All Over Now Baby 8. And It Stoned Me 54. Cosmic Charlie Feelin' Bad Blue 9. Arkansas Traveler 55. Crazy Fingers 100. Golden Road 142. It's No Use 10. Around and Around 56. Crazy Love 101. Gomorrah 143. It's Too Late 11. Attics of My Life 57. Cumberland Blues 102. Gone Home 144. I've Been All Around This 12. Baba O’Riley --> 58. Dancing in the Streets 103. Good Lovin' World Tomorrow Never Knows 59. Dark Hollow 104. Good Morning Little 145. Jack-A-Roe 13. Ballad of a Thin Man 60. Dark Star Schoolgirl 146. Jack Straw 14. Beat it on Down The Line 61. Dawg’s Waltz 105. Good Time Blues 147. Jenny Jenkins 15. Believe It Or Not 62. Day Job 106.
[Show full text]
Still on the Road 1990 Us Fall Tour
STILL ON THE ROAD 1990 US FALL TOUR OCTOBER 11 Brookville, New York Tilles Center, C.W. Post College 12 Springfield, Massachusetts Paramount Performing Arts Center 13 West Point, New York Eisenhower Hall Theater 15 New York City, New York The Beacon Theatre 16 New York City, New York The Beacon Theatre 17 New York City, New York The Beacon Theatre 18 New York City, New York The Beacon Theatre 19 New York City, New York The Beacon Theatre 21 Richmond, Virginia Richmond Mosque 22 Pittsburg, Pennsylvania Syria Mosque 23 Charleston, West Virginia Municipal Auditorium 25 Oxford, Mississippi Ted Smith Coliseum, University of Mississippi 26 Tuscaloosa, Alabama Coleman Coliseum 27 Nashville, Tennessee Memorial Hall, Vanderbilt University 28 Athens, Georgia Coliseum, University of Georgia 30 Boone, North Carolina Appalachian State College, Varsity Gymnasium 31 Charlotte, North Carolina Ovens Auditorium NOVEMBER 2 Lexington, Kentucky Memorial Coliseum 3 Carbondale, Illinois SIU Arena 4 St. Louis, Missouri Fox Theater 6 DeKalb, Illinois Chick Evans Fieldhouse, University of Northern Illinois 8 Iowa City, Iowa Carver-Hawkeye Auditorium 9 Chicago, Illinois Fox Theater 10 Milwaukee, Wisconsin Riverside Theater 12 East Lansing, Michigan Wharton Center, University of Michigan 13 Dayton, Ohio University of Dayton Arena 14 Normal, Illinois Brayden Auditorium 16 Columbus, Ohio Palace Theater 17 Cleveland, Ohio Music Hall 18 Detroit, Michigan The Fox Theater Bob Dylan 1990: US Fall Tour 11530 Rose And Gilbert Tilles Performing Arts Center C.W. Post College, Long Island University Brookville, New York 11 October 1990 1. Marines' Hymn (Jacques Offenbach) 2. Masters Of War 3. Tomorrow Is A Long Time 4.
[Show full text]
“The Times They Are A-Changin'”: Flexible Meter and Text Expression in 1960S and 70S Singer-Songwriter Music by Nancy Eliz
“The Times They Are A-Changin’”: Flexible Meter and Text Expression in 1960s and 70s Singer-Songwriter Music by Nancy Elizabeth Murphy B.Mus., The University of Western Ontario, 2003 M.A., The University of Western Ontario, 2007 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE AND POSTDOCTORAL STUDIES (Music) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) December 2015 © Nancy Elizabeth Murphy, 2015 Abstract The 1960s and 70s saw the flowering of the singer-songwriter style, which featured acoustic performances by artists who were the composers and lyricists of their own music. Reflecting their culture, their songs carried messages of personal and political significance. But their music is of technical as well as of social interest. Like classical art song, it often highlights lyrical meaning with various sorts of metric irregularities. In this dissertation, I closely analyze twenty-seven songs by Bob Dylan, Paul Simon, Buffy Sainte-Marie, Joni Mitchell, and Cat Stevens, in order to characterize the metric style of their songwriting and demonstrate their use of meter as an expressive device. To describe meter in this music requires theories more flexible than those usually applied to groove-based music. The analyses in this dissertation draw not only from theories of meter as a hierarchy of beat streams, but also upon theories of metrical process and prosody, in order to create transcriptions, to describe precisely listeners' sensations of meter, and to propose expressive rationales for metric settings. As an introduction to the style and the theoretical issues, Chapter 1 considers the problems of conceiving of meter in the expressively timed context of Mitchell’s “The Fiddle and the Drum.” Chapter 2 examines the existing methods for analyzing meter in music and poetry, in order to find some productive ways to analyze this metrically fluctuant repertoire.
[Show full text]
MUS 125 SYLLABUS(Spring 2016)
SYLLABUS MUS 125 HISTORY OF ROCK MUSIC - 3 CREDIT HOURS WESTERN NEVADA COLLEGE Monday and Wednesday at 11:00pm to 12:15pm First class: January 25, 2016 Final class and final exam: May 19, 2016 Last day to drop this class and receive a “W” is: April 01, 2016 Instructor: John Shipley, my email is: [email protected] I do not have an office at WNC to meet students in, but you can text or call my cell phone at 775/219-9434 and I will make time to assist you with anything pertaining to this class. Cell Phones And Other Electronic Communication Devices: As a courtesy to others, please turn off and store all cell phones and other electronic communications devices when in this class. Also, if you use a laptop to take notes in this class, please make sure the noise emitted by the keyboard does not disturb other students. *** NO CLASS IS TO BE RECORDED, BY ANY MEANS, WITHOUT THE PRIOR APPROVAL OF YOUR INSTRUCTOR. *** Required Materials: 1) Rock 'n Roll, Origins and Innovators by Timothy Jones and Jim McIntosh 2) A Pandora Apple Music or Spotify account or access to the music presented in class, i.e. your own or friend’s record/CD collection. Another resource is YouTube.com, much of the music used in this class can be found on that website. Remember downloading audio files from file sharing websites is illegal and is theft of the songwriters of this great music. COURSE DESCRIPTION: The History of Rock Music is open to all students at WNC with no pre-requisites.
[Show full text]
O Brother, Where Art Thou?" As a Modern Odyssey
"O Brother, Where Art Thou?" as a Modern Odyssey Pepić, Antonio Master's thesis / Diplomski rad 2019 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: Josip Juraj Strossmayer University of Osijek, Faculty of Humanities and Social Sciences / Sveučilište Josipa Jurja Strossmayera u Osijeku, Filozofski fakultet Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:142:171492 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-09-29 Repository / Repozitorij: FFOS-repository - Repository of the Faculty of Humanities and Social Sciences Osijek Sveučilište J.J. Strossmayera u Osijeku Filozofski fakultet Osijek Studij: Dvopredmetni sveučilišni diplomski studij engleskog jezika i književnosti – prevoditeljski smjer i nakladništvo Antonio Pepić “Tko je ovdje lud?” kao suvremena odiseja Diplomski rad Mentor: doc. dr. sc. Ljubica Matek Osijek, 2019. Sveučilište J.J. Strossmayera u Osijeku Filozofski fakultet Osijek Odsjek za engleski jezik i književnost Studij: Dvopredmetni sveučilišni diplomski studij engleskog jezika i književnosti – prevoditeljski smjer i nakladništva Antonio Pepić “Tko je ovdje lud?” kao suvremena odiseja Diplomski rad Znanstveno područje: humanističke znanosti Znanstveno polje: filologija Znanstvena grana: anglistika Mentor: doc. dr. sc. Ljubica Matek Osijek, 2019. J.J. Strossmayer University of Osijek Faculty of Humanities and Social Sciences Study Programme: Double Major MA Study Programme in English Language and Literature – English Translation and Interpreting Studies and
[Show full text]
Freewheelin-On-Line Take Seven
freewheelin-on-line take seven Freewheelin’ 205 September 2002 The French painter Pierre Bonnard (1867 – 1947) was shackled with an obsessive love for his wife. Consequently, she appears in a lot of his paintings – indeed if you look closely you can see her head, bathed in blue, in the bottom right hand corner of this cover which is taken from a painting by Bonnard. The purpose of the blue above her head is that it matches the blue of the sky and thus it places her close to heaven. The painting is however called ‘The Open Window’ so Pierre, being the jealous kind, wants to draw the viewer away from gloating at his wife towards what is going on outside his lounge in the South of France. Outside the window in my picture, I have Dylan, looking like a deranged gardener with a guitar, walking towards Bonnard’s wife with intent. Pierre won’t be too pleased about that but there is a joint obsession on display here: ours with Dylan and Bonnard’s with his wife. The difference is that our obsession cannot be as intense as Bonnard’s. Of course it can’t. Can it? But hold on a minute, Dylan isn’t looking at Pierre’s wife at all – he is looking straight at us. As Alfred Hitchcock might say: ‘It’s a take!’. 2 Freewheelin-on-line take seven (freewheelin’ 205) Page 4 Magnetic Movements by Chris Cooper 8 Fistful Of Tapes By The Two Riders 11 20 Pounds Of Headlines by Mark Carter The continuing chronicle of Bob Dylan in the Press 14 Wonder Boy by Richard Lewis 16 Hipsters, Flipsters & Finger Poppin’ Daddies by CP Lee 20 It Takes A Lot To Laugh by Mark Carter
[Show full text]
The Burnett Banner, St Nicholas House, 68 Station Road, Banchory, AB31 5YJ, SCOTLAND Em Ail: Info@ Leysestate.Co.Uk Fax: 00 44 1330 823749
TTHHEE BBUURRNNEETTTT BANNER BAN NER Burnett Newsletter Edition No 1 April 2007 (including House of Burnett News) (including House of Burnett News) THE NEW BURNETT BANNER This is the first edition of the new Burnett Banner and I trust that all readers will accept that it is the first attempt. I am grateful to Joyce Burnett Crone for her previous successes with the newsletter and we will endeavour to maintain past standards. However, the content must largely come from our readers and I hope to receive articles, news and photographs of any matters related to the name of Burnett and that the future editions will succeed because of your contributions. If you have any items which you wish to be have included in any future edition, please send them to: The Burnett Banner, St Nicholas House, 68 Station Road, Banchory, AB31 5YJ, SCOTLAND Em ail: info@ leysestate.co.uk Fax: 00 44 1330 823749 Any relevant articles are welcome and if you wish to ask questions which may attract answers from readers of the Banner, please submit them. Although we may need to amend any articles for inclusion in the Banner, please submit all material in the form which you would prefer it to be reproduced. The editor’s decision is final! The website will develop and so we welcome any comment or suggestions for its improvement. James C. A. Burnett of Leys A NEW GENERATION AT CRATHES! Amaryllis Susan Rohays was born November 24th 2006 in Aberdeen and is the first child of Alexander and Vinny Burnett of Leys The editor hopes that he will not be accused of using his prerogative to draw attention to this new member of the family! THE HOUSE OF BURNETT NORTH CAROLINA A NOTE FROM THE SECRETARY SCOTTISH SOCIETY pring is upon us and the Highland Games will be In light of the many Scots in North Carolina and in south- starting soon.
[Show full text]
The Recording Sessions
Bob Dylan: The Recording Sessions by Michael Krogsgaard, compiled from files available at http://www.punkhart.com/dylan/sessions.html 1 2 Some general information regarding the different sources made available for the study: 1. The Columbia Studios Recording Diaries are books, which for each day of the year (since 1941) list every planned session in the different studios. Information includes: time of the day, name of the studio, name of the producer and the engineers and the name of the artist. For the New York studios one diary is missing, that which covers the period January 1967 to December 1970. For the Nashville studios, the diary for the period 1969 to 1971 is missing. 2. Recording Sheets are lists made during each session and put into each tape box. The sheet records the date, the studio, the artist, which tracks were recorded and the CO number (Columbia's own reference number) for each composition (of which, more later). Each recorded take is marked as complete (C), with a short false start(b) or a long false start (B). It is indicated on these sheet which takes are removed to other tapes for further use. 3. The Tape Boxes themselves also usually contain information about each take and which takes are removed for further use. 4. CO Cards contain information about the CO (CO=Columbia) number and title for each composition and usually also the recording date. The CO numbers are basically a secure identification of each composition but they are not always chronological (for instance: the CO numbers for songs recorded in Nashville are generally higher than CO numbers for songs recorded at the same time in New York), and, confusingly, sometimes one composition has several CO numbers, especially (but not always) if it has been recorded several times at different sessions.
[Show full text]
Still on the Road: 2002 Europe Spring Tour
STILL ON THE ROAD 2002 EUROPE SPRING TOUR APRIL 5 Stockholm, Sweden Globe Arena 7 Oslo, Norway Spektrum 8 Copenhagen, Denmark Forum 9 Hamburg, Germany Alsterdorfer Sporthalle 11 Berlin, Germany Arena 12 Leipzig, Germany Messehalle 7 13 Hannover, Germany Stadionsporthalle 15 Frankfurt, Germany Jahrhunderthalle 16 Stuttgart, Germany Hanns Martin Schleyerhalle 17 Munich, Germany Olympiahalle 19 Ravenna, Italy Palazzo Mauro de André 20 Milan, Italy Forum di Assago 21 Zürich, Switzerland Hallenstadion 23 Innsbruck, Austria Olympiahalle 24 Nuremberg, Germany Frankenhalle 25 Strasbourg, France Hall Rhenus 27 Oberhausen, Germany Arena 28 Brussels, Belgium Vorst Nationaal 29 Paris, France Zénith 30 Paris, France Zénith MAY 2 Rotterdam, The Netherlands Sportpaleis Ahoy 4 Brighton, England Brighton Centre 5 Bournemouth, England Bournemouth International Centre 6 Cardiff, Wales Cardiff International Arena 8 Newcastle, England Telewest Arena 9 Manchester, England Manchester Evening News Arena 10 Birmingham, England National Exhibition Centre Arena 11 London, England Docklands Arena 12 London, England Docklands Arena Bob Dylan: Still On The Road – 2002 Europe Spring Tour Bob Dylan: Still On The Road – 2002 Europe Spring Tour 23750 Globe Arena Stockholm, Sweden 5 April 2002 1. Humming Bird (Johnnie Wright, Jim Anglin & Jack Anglin) 2. The Times They Are A-Changin' 3. It's Alright, Ma (I'm Only Bleeding) 4. Don't Think Twice, It's All Right 5. Man Of Constant Sorrow (trad. arr. Carter Stanley) 6. Lay Lady Lay 7. Solid Rock 8. Positively 4th Street 9. Tweedle Dee & Tweedle Dum 10. Make You Feel My Love 11. Maggie's Farm 12. Summer Days 13. Sugar Baby 14. Drifter's Escape 15.
[Show full text]
How Am I Doing, Babe? Bob Dylan 1988
HOW AM I DOING, BABE? BOB DYLAN 1988 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES, RELEASES, TAPES & BOOKS. © 2000 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. How Am I Doing Babe? — Bob Dylan 1988 CONTENTS 1 A SHORT SUBJECTIVE RETROSPECTIVE .......................................................................................................... 2 2 THE YEAR AT A GLANCE ....................................................................................................................................... 2 3 CALENDAR .................................................................................................................................................................. 3 4 RECORDINGS ............................................................................................................................................................. 4 5 TRAVELING WILBURYS VOL. 1 ............................................................................................................................ 4 6 START OF THE NEVER-ENDING TOUR: INTERSTATE 88 .............................................................................. 5 6.1 INTRODUCTION ...................................................................................................................................................... 5 6.2 THE MUSICIANS ....................................................................................................................................................
[Show full text]