Speeding up VP9 Intra Encoder with Hierarchical Deep Learning Based Partition Prediction Somdyuti Paul, Andrey Norkin, and Alan C
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Thumbor-Video-Engine Release 1.2.2
thumbor-video-engine Release 1.2.2 Aug 14, 2021 Contents 1 Installation 3 2 Setup 5 2.1 Contents.................................................6 2.2 License.................................................. 13 2.3 Indices and tables............................................ 13 i ii thumbor-video-engine, Release 1.2.2 thumbor-video-engine provides a thumbor engine that can read, crop, and transcode audio-less video files. It supports input and output of animated GIF, animated WebP, WebM (VP9) video, and MP4 (default H.264, but HEVC is also supported). Contents 1 thumbor-video-engine, Release 1.2.2 2 Contents CHAPTER 1 Installation pip install thumbor-video-engine Go to GitHub if you need to download or install from source, or to report any issues. 3 thumbor-video-engine, Release 1.2.2 4 Chapter 1. Installation CHAPTER 2 Setup In your thumbor configuration file, change the ENGINE setting to 'thumbor_video_engine.engines. video' to enable video support. This will allow thumbor to support video files in addition to whatever image formats it already supports. If the file passed to thumbor is an image, it will use the Engine specified by the configuration setting IMAGING_ENGINE (which defaults to 'thumbor.engines.pil'). To enable transcoding between formats, add 'thumbor_video_engine.filters.format' to your FILTERS setting. If 'thumbor.filters.format' is already present, replace it with the filter from this pack- age. ENGINE = 'thumbor_video_engine.engines.video' FILTERS = [ 'thumbor_video_engine.filters.format', 'thumbor_video_engine.filters.still', ] To enable automatic transcoding to animated gifs to webp, you can set FFMPEG_GIF_AUTO_WEBP to True. To use this feature you cannot set USE_GIFSICLE_ENGINE to True; this causes thumbor to bypass the custom ENGINE altogether. -
Opus, a Free, High-Quality Speech and Audio Codec
Opus, a free, high-quality speech and audio codec Jean-Marc Valin, Koen Vos, Timothy B. Terriberry, Gregory Maxwell 29 January 2014 Xiph.Org & Mozilla What is Opus? ● New highly-flexible speech and audio codec – Works for most audio applications ● Completely free – Royalty-free licensing – Open-source implementation ● IETF RFC 6716 (Sep. 2012) Xiph.Org & Mozilla Why a New Audio Codec? http://xkcd.com/927/ http://imgs.xkcd.com/comics/standards.png Xiph.Org & Mozilla Why Should You Care? ● Best-in-class performance within a wide range of bitrates and applications ● Adaptability to varying network conditions ● Will be deployed as part of WebRTC ● No licensing costs ● No incompatible flavours Xiph.Org & Mozilla History ● Jan. 2007: SILK project started at Skype ● Nov. 2007: CELT project started ● Mar. 2009: Skype asks IETF to create a WG ● Feb. 2010: WG created ● Jul. 2010: First prototype of SILK+CELT codec ● Dec 2011: Opus surpasses Vorbis and AAC ● Sep. 2012: Opus becomes RFC 6716 ● Dec. 2013: Version 1.1 of libopus released Xiph.Org & Mozilla Applications and Standards (2010) Application Codec VoIP with PSTN AMR-NB Wideband VoIP/videoconference AMR-WB High-quality videoconference G.719 Low-bitrate music streaming HE-AAC High-quality music streaming AAC-LC Low-delay broadcast AAC-ELD Network music performance Xiph.Org & Mozilla Applications and Standards (2013) Application Codec VoIP with PSTN Opus Wideband VoIP/videoconference Opus High-quality videoconference Opus Low-bitrate music streaming Opus High-quality music streaming Opus Low-delay -
Encoding H.264 Video for Streaming and Progressive Download
W4: KEY ENCODING SKILLS, TECHNOLOGIES TECHNIQUES STREAMING MEDIA EAST - 2019 Jan Ozer www.streaminglearningcenter.com [email protected]/ 276-235-8542 @janozer Agenda • Introduction • Lesson 5: How to build encoding • Lesson 1: Delivering to Computers, ladder with objective quality metrics Mobile, OTT, and Smart TVs • Lesson 6: Current status of CMAF • Lesson 2: Codec review • Lesson 7: Delivering with dynamic • Lesson 3: Delivering HEVC over and static packaging HLS • Lesson 4: Per-title encoding Lesson 1: Delivering to Computers, Mobile, OTT, and Smart TVs • Computers • Mobile • OTT • Smart TVs Choosing an ABR Format for Computers • Can be DASH or HLS • Factors • Off-the-shelf player vendor (JW Player, Bitmovin, THEOPlayer, etc.) • Encoding/transcoding vendor Choosing an ABR Format for iOS • Native support (playback in the browser) • HTTP Live Streaming • Playback via an app • Any, including DASH, Smooth, HDS or RTMP Dynamic Streaming iOS Media Support Native App Codecs H.264 (High, Level 4.2), HEVC Any (Main10, Level 5 high) ABR formats HLS Any DRM FairPlay Any Captions CEA-608/708, WebVTT, IMSC1 Any HDR HDR10, DolbyVision ? http://bit.ly/hls_spec_2017 iOS Encoding Ladders H.264 HEVC http://bit.ly/hls_spec_2017 HEVC Hardware Support - iOS 3 % bit.ly/mobile_HEVC http://bit.ly/glob_med_2019 Android: Codec and ABR Format Support Codecs ABR VP8 (2.3+) • Multiple codecs and ABR H.264 (3+) HLS (3+) technologies • Serious cautions about HLS • DASH now close to 97% • HEVC VP9 (4.4+) DASH 4.4+ Via MSE • Main Profile Level 3 – mobile HEVC (5+) -
Google Chrome Browser Dropping H.264 Support 14 January 2011, by John Messina
Google Chrome Browser dropping H.264 support 14 January 2011, by John Messina with the codecs already supported by the open Chromium project. Specifically, we are supporting the WebM (VP8) and Theora video codecs, and will consider adding support for other high-quality open codecs in the future. Though H.264 plays an important role in video, as our goal is to enable open innovation, support for the codec will be removed and our resources directed towards completely open codec technologies." Since Google is developing the WebM technology, they can develop a good video standard using open source faster and better than a current standard video player can. The problem with H.264 is that it cost money and On January 11, Google announced that Chrome’s the patents for the technologies in H.264 are held HTML5 video support will change to match codecs by 27 companies, including Apple and Microsoft supported by the open source Chromium project. and controlled by MPEG LA. This makes H.264 Chrome will support the WebM (VP8) and Theora video expensive for content owners and software makers. codecs, and support for the H.264 codec will be removed to allow resources to focus on open codec Since Apple and Microsoft hold some of the technologies. patents for the H.264 technology and make money off the licensing fees, it's in their best interest not to change the technology in their browsers. (PhysOrg.com) -- Google will soon stop supporting There is however concerns that Apple and the H.264 video codec in their Chrome browser Microsoft's lack of support for WebM may impact and will support its own WebM and Ogg Theora the Chrome browser. -
Qoe Based Comparison of H.264/AVC and Webm/VP8 in Error-Prone Wireless Networkqoe Based Comparison of H.264/AVC and Webm/VP8 In
QoE based comparison of H.264/AVC and WebM/VP8 in an error-prone wireless network Omer Nawaz, Tahir Nawaz Minhas, Markus Fiedler Department of Technology and Aesthetics (DITE) Blekinge Institute of Technology Karlskrona, Sweden fomer.nawaz, tahir.nawaz.minhas, markus.fi[email protected] Abstract—Quality of Experience (QoE) management is a prime the subsequent inter-frames are dependent will result in more topic of research community nowadays as video streaming, quality loss as compared to lower priority frame. Hence, the online gaming and security applications are completely reliant traditional QoS metrics simply fails to analyze the network on the network service quality. Moreover, there are no standard models to map Quality of Service (QoS) into QoE. HTTP measurement’s impact on the end-user service satisfaction. media streaming is primarily used for such applications due The other approach to measure the user-satisfaction is by to its coherence with the Internet and simplified management. direct interaction via subjective assessment. But the downside The most common video codecs used for video streaming are is the time and cost associated with these qualitative subjective H.264/AVC and Google’s VP8. In this paper, we have analyzed assessments and their inability to be applied in real-time the performance of these two codecs from the perspective of QoE. The most common end-user medium for accessing video content networks. The objective measurement quality tools like Mean is via home based wireless networks. We have emulated an error- Squared Error (MSE), Peak signal-to-noise ratio (PSNR), prone wireless network with different scenarios involving packet Structural Similarity Index (SSIM), etc. -
Digital Audio Processor Vp-8
VP-8 DIGITAL AUDIO PROCESSOR TECHNICAL MANUAL ORSIS ® 600 Industrial Drive, New Bern, North Carolina, USA 28562 VP-8 Digital Audio Processor Technical Manual - 1st Edition - Revised [VP8GuiSetup_2_3_x(and above).exe] ©2009 Vorsis* Vorsis 600 Industrial Drive New Bern, North Carolina 28562 tel 252-638-7000 / fax 252-637-1285 * a division of Wheatstone Corporation VP-8 / Apr 2009 Attention! A TTENTION Federal Communications Commission (FCC) Compliance Notice: Radio Frequency Notice NOTE: This equipment has been tested and found to comply with the limits for a Class A digital device, pursuant to Part 15 of the FCC rules. These limits are designed to provide reasonable protection against harmful interference when the equipment is operated in a commercial environment. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instruction manual, may cause harmful interference to radio communications. Operation of this equipment in a residential area is likely to cause harmful interference in which case the user will be required to correct the interference at his own expense. This is a Class A product. In a domestic environment, this product may cause radio interference, in which case, the user may be required to take appropriate measures. This equipment must be installed and wired properly in order to assure compliance with FCC regulations. Caution! Any modifications not expressly approved in writing by Wheatstone could void the user's authority to operate this equipment. VP-8 / May 2008 READ ME! Making Audio Processing History In 2005 Wheatstone returned to its roots in audio processing with the creation of Vorsis, a new division of the company. -
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE Optimized AV1 Inter
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE Optimized AV1 Inter Prediction using Binary classification techniques A graduate project submitted in partial fulfillment of the requirements for the degree of Master of Science in Software Engineering by Alex Kit Romero May 2020 The graduate project of Alex Kit Romero is approved: ____________________________________ ____________ Dr. Katya Mkrtchyan Date ____________________________________ ____________ Dr. Kyle Dewey Date ____________________________________ ____________ Dr. John J. Noga, Chair Date California State University, Northridge ii Dedication This project is dedicated to all of the Computer Science professors that I have come in contact with other the years who have inspired and encouraged me to pursue a career in computer science. The words and wisdom of these professors are what pushed me to try harder and accomplish more than I ever thought possible. I would like to give a big thanks to the open source community and my fellow cohort of computer science co-workers for always being there with answers to my numerous questions and inquiries. Without their guidance and expertise, I could not have been successful. Lastly, I would like to thank my friends and family who have supported and uplifted me throughout the years. Thank you for believing in me and always telling me to never give up. iii Table of Contents Signature Page ................................................................................................................................ ii Dedication ..................................................................................................................................... -
Comparative Assessment of H.265/MPEG-HEVC, VP9, and H.264/MPEG-AVC Encoders for Low-Delay Video Applications
Pre-print of a paper to be published in SPIE Proceedings, vol. 9217, Applications of Digital Image Pro- cessing XXXVII Comparative Assessment of H.265/MPEG-HEVC, VP9, and H.264/MPEG-AVC Encoders for Low-Delay Video Applications Dan Grois*a, Detlev Marpea, Tung Nguyena, and Ofer Hadarb aImage Processing Department, Fraunhofer Heinrich-Hertz-Institute (HHI), Berlin, Germany bCommunication Systems Engineering Department, Ben-Gurion University of the Negev, Beer-Sheva, Israel ABSTRACT The popularity of low-delay video applications dramatically increased over the last years due to a rising demand for real- time video content (such as video conferencing or video surveillance), and also due to the increasing availability of rela- tively inexpensive heterogeneous devices (such as smartphones and tablets). To this end, this work presents a compara- tive assessment of the two latest video coding standards: H.265/MPEG-HEVC (High-Efficiency Video Coding), H.264/MPEG-AVC (Advanced Video Coding), and also of the VP9 proprietary video coding scheme. For evaluating H.264/MPEG-AVC, an open-source x264 encoder was selected, which has a multi-pass encoding mode, similarly to VP9. According to experimental results, which were obtained by using similar low-delay configurations for all three examined representative encoders, it was observed that H.265/MPEG-HEVC provides significant average bit-rate sav- ings of 32.5%, and 40.8%, relative to VP9 and x264 for the 1-pass encoding, and average bit-rate savings of 32.6%, and 42.2% for the 2-pass encoding, respectively. On the other hand, compared to the x264 encoder, typical low-delay encod- ing times of the VP9 encoder, are about 2,000 times higher for the 1-pass encoding, and are about 400 times higher for the 2-pass encoding. -
AVC, HEVC, VP9, AVS2 Or AV1? — a Comparative Study of State-Of-The-Art Video Encoders on 4K Videos
AVC, HEVC, VP9, AVS2 or AV1? | A Comparative Study of State-of-the-art Video Encoders on 4K Videos Zhuoran Li, Zhengfang Duanmu, Wentao Liu, and Zhou Wang University of Waterloo, Waterloo, ON N2L 3G1, Canada fz777li,zduanmu,w238liu,[email protected] Abstract. 4K, ultra high-definition (UHD), and higher resolution video contents have become increasingly popular recently. The largely increased data rate casts great challenges to video compression and communication technologies. Emerging video coding methods are claimed to achieve su- perior performance for high-resolution video content, but thorough and independent validations are lacking. In this study, we carry out an in- dependent and so far the most comprehensive subjective testing and performance evaluation on videos of diverse resolutions, bit rates and content variations, and compressed by popular and emerging video cod- ing methods including H.264/AVC, H.265/HEVC, VP9, AVS2 and AV1. Our statistical analysis derived from a total of more than 36,000 raw sub- jective ratings on 1,200 test videos suggests that significant improvement in terms of rate-quality performance against the AVC encoder has been achieved by state-of-the-art encoders, and such improvement is increas- ingly manifest with the increase of resolution. Furthermore, we evaluate state-of-the-art objective video quality assessment models, and our re- sults show that the SSIMplus measure performs the best in predicting 4K subjective video quality. The database will be made available online to the public to facilitate future video encoding and video quality research. Keywords: Video compression, quality-of-experience, subjective qual- ity assessment, objective quality assessment, 4K video, ultra-high-definition (UHD), video coding standard 1 Introduction 4K, ultra high-definition (UHD), and higher resolution video contents have en- joyed a remarkable growth in recent years. -
Performance Comparison of AV1, JEM, VP9, and HEVC Encoders
To be published in Applications of Digital Image Processing XL, edited by Andrew G. Tescher, Proceedings of SPIE Vol. 10396 © 2017 SPIE Performance Comparison of AV1, JEM, VP9, and HEVC Encoders Dan Grois, Tung Nguyen, and Detlev Marpe Video Coding & Analytics Department Fraunhofer Institute for Telecommunications – Heinrich Hertz Institute, Berlin, Germany [email protected],{tung.nguyen,detlev.marpe}@hhi.fraunhofer.de ABSTRACT This work presents a performance evaluation of the current status of two distinct lines of development in future video coding technology: the so-called AV1 video codec of the industry-driven Alliance for Open Media (AOM) and the Joint Exploration Test Model (JEM), as developed and studied by the Joint Video Exploration Team (JVET) on Future Video Coding of ITU-T VCEG and ISO/IEC MPEG. As a reference, this study also includes reference encoders of the respective starting points of development, as given by the first encoder release of AV1/VP9 for the AOM-driven technology, and the HM reference encoder of the HEVC standard for the JVET activities. For a large variety of video sources ranging from UHD over HD to 360° content, the compression capability of the different video coding technology has been evaluated by using a Random Access setting along with the JVET common test conditions. As an outcome of this study, it was observed that the latest AV1 release achieved average bit-rate savings of ~17% relative to VP9 at the expense of a factor of ~117 in encoder run time. On the other hand, the latest JEM release provides an average bit-rate saving of ~30% relative to HM with a factor of ~10.5 in encoder run time. -
VP8 Vs VP9 – Is This About Quality Or Bitrate?
4/27/2020 VP8 vs VP9 - Is this about Quality or Bitrate? • BlogGeek.me PRODUCTS SERVICES ABOUT BLOG VP8 vs VP9 – Is this about Quality or Bitrate? Technology 09/05/2016 Both. VP8 and VP9 are video codecs developed and pushed by Google. Up until recently, we had only VP8 in Chrome’s WebRTC implementation and now, we have both VP8 and VP9. This lead me to several interesting conversations with customers around if and when to adopt VP9 – or should they use H.264 instead (but that’s a story for another post). This whole VP8 vs VP9 topic is usually misunderstood, so let me try to put some order in things. First things ƒrst: 1. VP8 is currently the default video codec in WebRTC. Without checking, it is probably safe to say that 90% or more of all WebRTC video sessions use VP8 2. VP9 is o∆cially and publicly available from Chrome 49 or so (give or take a version). But it isn’t the default codec in WebRTC. Yet 3. VP8 is on par with H.264 4. VP9 is better than VP8 when it comes to resultant quality of the compressed video https://bloggeek.me/vp8-vs-vp9-quality-or-bitrate/ 1/5 4/27/2020 VP8 vs VP9 - Is this about Quality or Bitrate? • BlogGeek.me 5. VP8 takes up less resources (=CPU) to compress video With that in mind, the following can be deduced: You can use the migration to VP9 for one of two things (or both): 1. Improve the quality of your video experience 2. -
Telestream Cloud High Quality Video Encoding Service in the Cloud
Telestream Cloud High quality video encoding service in the cloud Telestream Cloud is a high quality, video encoding software-as-a-service (SaaS) in the cloud, offering fast and powerful encoding for your workflow. Telestream Cloud pricing is structured as pay-as-you-go monthly subscriptions for quick scaling as your workflow changes with no upfront expenses. Who uses Telestream Cloud? Telestream Cloud’s elegantly simple user interface scales quickly and seamlessly for media professionals who utilize video transcoding heavily in their business like: ■ Advertising agencies ■ On-line broadcasters ■ Gaming ■ Entertainment ■ OTT service provider for media streaming ■ Boutique post production studios For content creators and video producers, Telestream Cloud encoding cloud service is pay-as-you-go, and allows you to collocate video files with your other cloud services across multiple cloud storage options. The service provides high quality output in most formats to meet the needs of: ■ Small businesses ■ Houses of worship ■ Digital marketing ■ Education ■ Nonprofits Telestream Cloud provides unlimited scalability to address peak demand times and encoding requirements for large files for video pros who work in: ■ Broadcast networks ■ Broadcast news or sports ■ Cable service providers ■ Large post-production houses Telestream Cloud is a complementary service to the Vantage platform. During peak demand times, Cloud service can offset the workload. The service also allows easy collaboration of projects across multiple sites or remote locations. Why choose Telestream Cloud? The best video encoding quality for all formats & codecs: An extensive set of encoding profiles built-in for all major formats to ensure the output is optimized for the highest quality.