Death in Venice Death in Venice

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RELEASE DATE MARCH 2014 Britten DEATH IN VENICE English National Opera Gustav von Aschenbach John Graham-Hall Traveller/Elderly Fop/ Andrew Shore Gondolier/Barber/ Hotel Manager Player/Dionysus Apollo Tim Mead Tadzio Sam Zaldivar The Polish Mother Laura Caldow Her Two Daughters Mia Angelina Mather/Xhuliana Shehu The Governess Joyce Henderson Jaschiu, Tadzio’s friend Marcio Teixeira Orchestra and Chorus of the English National Opera Director: Deborah Warner Conductor: Edward Gardner Recorded live at The London Coliseum, June 2013 1 x DVD / 1 x Blu-ray Catalogue numbers: OA1130 D / OA BD7141 D Dealer price: £17.01 (DVD) / £20.41 (BLU-RAY) Barcodes: 809478011309 (DVD) / 809478071419 (BLU-RAY) Running time: 153 minutes Subtitles: EN/FR/DE/KO Sound format: 2.0LPCM + 5.1(5.0) DTS Deborah Warner’s beautiful and evocative production of Britten’s final operatic masterpiece has been acclaimed as an ‘exquisitely achieved marriage of music, drama and design’ ( The Independent ). In Britten’s luminous and compelling interpretation of Thomas Mann’s classic novella, the ageing writer Gustav von Aschenbach’s infatuation with the Polish boy Tadzio and his subsequent decline are portrayed in a ‘remarkable and harrowingly believable’ performance ( The Guardian ) by John Graham-Hall, who had already won golden opinions for singing the role of Aschenbach at La Scala. The superb ENO chorus and orchestra are conducted by Edward Gardner, a long-standing champion of Britten’s music. - Deborah Warner's universally acclaimed 2007 production , recorded live by Sky TV at ENO in 2013 . - Britten's final masterpiece, based on the famous Thomas Mann novella. - Stunning central performance by John Graham -Hall as Aschenbac h. What the press said: ‘‘ ... the glory of this unmissable ENO revival is that the honours are so obviously shared, and not even John Graham-Hall's remarkable Aschenbach manages to eclipse Edward Gardner's exemplary conducting, let alone Deborah Warner's compelling staging – worth the price of admission alone. ’’ The Guardian ‘‘ ENO’s new music director Edward Gardner makes a welcome arrival at the Coliseum for this production of Britten’s final opera. His reading combines finesse and nuance with dynamism, and makes for a magical performance of the score. All in all a great night for ENO, and for Britten. ’’ The Stage Related product: THE RAPE OF LUCRETIA (ENO) OABD7135D/ OA1123D GLORIANA (ROH) OA1124D/ OABD7134D PETER GRIMES (Glyndebourne) OA1103D/ OABD7119D .

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Benjamin Britten and Luchino Visconti: Iterations of Thomas Mann's Death in Venice James M
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 Benjamin Britten and Luchino Visconti: Iterations of Thomas Mann's Death in Venice James M. Larner Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES BENJAMIN BRITTEN AND LUCHINO VISCONTI: ITERATIONS OF THOMAS MANN’S DEATH IN VENICE By JAMES M. LARNER A Dissertation submitted to the Interdisciplinary Program in the Humanities in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Summer Semester, 2006 The members of the Committee approve the Dissertation of James M. Larner defended on 17 April 2006. Caroline Picart Professor Directing Dissertation Jane Piper Clendinning Outside Committee Member William Cloonan Committee Member Raymond Fleming Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii This dissertation is lovingly dedicated to my wife Janet and my daughter Katie. Their patience, support, and love have been the one constant throughout the years of this project. Both of them have made many sacrifices in order for me to continue my education and this dedication does not begin to acknowledge or repay the debt I owe them. I only hope they know how much I appreciate all they have done and how much I love them. iii ACKNOWLEDGEMENTS I wish to thank the four members of my dissertation committee for their role in the completion of this document. The guidance of Kay Picart as director of the committee was crucial to the success of this project.
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