Marketing Fragment 6 X 10.T65

Cambridge University Press 978-0-521-57357-3 - Janacek Studies Edited by Paul Wingfield Index More information

Index

Abbate, Carolyn, 119, 263 Ayrey, Craig, 200,243, 245, acoustic scale,249,251,252,253, 265n 254, 256,257, 260 Adelaide, 148, 155 Bach,Johann Sebastian,7,68 Festival,148–52,159,165 ‘Es ist genug’,249 Festival Theatre, 150,159 Bakala,Brˇetislav, 64n,76,176 South Australian Symphony Baker, James,246 Orchestra,150 Bakhtin,Mikhail Mikhailovich,68, State Opera of South Australia 71 (formerly New Opera of South Bardac,Emma (née Moyse) 265 Australia),148,150, 152, 159, Barraqué, Jean, 190–1,192, 193, 199, 160, 161 201, 208–9,210–11,213,215, Adès, Thomas,vii 235, 240–1,243, 254 Allman,Robert, 157 Bartók, Béla, 136n American Musicological Society, Bartoˇs, Frantiˇsek,127n 192 Bauer, Glen, 121n, 207n,245n Anderson, Ross, 149 Beach,David,246n Ansermet, Ernest,232,235 Beckerman, Michael, viii, 3n, 4n, 5, Antokoletz,Elliot,254n 55n, 104n,121n, 144n,183, Aristotle,74 184n,185–6,207n, 221,225n, Aristoxenus, 225–6,227 245n,247n, 248n Armﬁeld,Neil,164,165,166 Beethoven, Ludwig van,64,68,128, Arrighi, Luciana,159 202 Asher, Linda,110n Missa Solemnis, 143 Ashkenazy,Vladimir, 232 Symphony no. 5, 188,262 Auckland,155, 156 Symphony no. 6, 264 Auden,W.H., 8, 77–8 Bekenntnis,59 aufgehobene Tonalität, 247,248, Belfast,166 255 Bellini,Vincenzo, Norma,78 Austin,William,191 Bellman,Jonathan,122n

281

index

Bent, Ian,185, 204n,226n, 228n, Brixi,Frantiˇsek Xaver,Erat unus 244n, 246n cantor bonus,87 Berg,Alban,5, 6, 144 Brno, 29, 129n,143, 170–7,205, Lulu,9 207 Violin Concerto, 248–9,257 Beseda concerts, 173 Wozzeck, 9, 10, 64, 117 Brno National Theatre, 177 Berlin,166 Janácˇek Archive, 202n, 206n Staatsoper, 64n Publications Berlin Philharmonic Orchestra, Hudební besídka, 177 205 Lidové noviny, 68, 269 Berman, Laurence, 192,193, 196, Publishers 201, 210–11,212–14,218, Barviˇc, Jozˇa, 173 235–6,237 Benedictine Printing House, Berry,Wallace,227–8 172, 174,175–7 Bildungsroman, 262–3 Friends of Art Club, 30n, 37, Biss, Rod, 162n 173–5 Bizet, Georges,Carmen, 78, 123 Gregor, Josef, 177 Bjørnson, Maria, 157 Pazdírek,Oldrˇich, 172–3,175–7 Black, Leo, 189n Písˇa,Arnosˇt, 172 Blanks,Fred, 157,158, 165 Svoboda,Boleslav, 177 Blaˇzek,Zdenˇek, 80, 184, 185,206n, Winkler, Karl, 172,173 215n, 221n,223n, 224n,225n, Brod,Max,60,64,176n,205,206 247n Browne, Lindsay, 154 Bogart, Humphrey, 118 Bruckner,Anton, 11 Bojkovice (Moravia): Bunˇata, Bülow, Hans von, 170 Vladimír (publisher), 176 Burghauser, Jarmil,23n, 30n, 31, Bond,Russell,156 32n, 35n, 37n, 40n Bouis,Antonia,4n Butlin,Roger, 157 Boulez,Pierre, 189, 191,192, 193, 195, 198,200, 207, 232,237 Cadle,Guy, 163 Brahe,Tycho, 111 Campbell,Ian,161 Brahms,Johannes,5, 6, 7, 128,133, Canberra, 154 170, 245 Cˇapek,Karel, 111–12 Branberger, Jan, 177n,205 The Makropulos Aﬀair, 111–17, Brecht, Bertolt, 155 120, 125,165n Bridgewater, Tim, 162 Rossum’s Universal Robots, 111 Brisbane,166 Carter, Roy, 247n Briscoe,James,191 Casella,Alfredo, 205 Britten, Benjamin Cˇech,Svatopluk,The Fiddler’s Child, Billy Budd, 9, 14,16 37–40,42–3,55n Death in Venice, 159 Cˇelansky´, Ludvík, 205

282

index

Charpentier, Marc Antoine,7 Images for orchestra, 189,197, Charpentier, Gustave,Louise,14 200, 205 Chekhov,Anton, 14 Jeux, 189–90,191,193, 195,197, Chew, Geoﬀrey, vii, 9n 198, 233 Chicago, 166 La mer, viii,184, 186–223,229–38, Chlubna, Osvald,64n, 76, 261 240–4,248,249–62,264–81 Chopin,Frédéric, 7, 128 Nocturnes, 205 Chopin,Kate, The Awakening, 270 Pelléas et Mélisande,7,8,9,10, Christchurch, 166 187, 200,205, 206,207 Christiansen, James,160 ‘Poe’Symphony, 265 Cillario,Carlo Felice,157 Prélude à l’après-midi d’un faune, Coad, Conal, 163 188, 191 Cologne, 189 String Quartet, 205 Cone, Edward, 228 Suite bergamasque, 205 Connell,Elizabeth,153–4,155 Three Sonatas,188 Cooke, Deryck, 244n Debussy, Lilly (née Texier), 265 Cooper, Grosvenor, 227 Defoe, Daniel,Moll Flanders, 268 Copley, John, 153,154, 155 Delius, Frederick, 5 Coppola, Piero, 188 Demel, Jiˇrí, 69n Covell, Roger, 156, 161 Dempsey, Gregory, 150,152, 158, Cox, David, 193, 209, 210–11,213, 160 241 Denygrová,Antonie,163 Crowe, David, 121n, 122n developing variation, 189 Dickens,Charles, Great Dahlhaus,Carl, 57n, 66–7 Expectations, 263 Danton, 102 direct discourse, 79–108 Danube, the,145,262, 268 dno scˇasovací (scˇasovací base),222–5 Dargomyzhsky,Alexander Dömling,Wolfgang, 194,208, Sergeyevich,Rusalka, 270 210–11,213, 241 Dart,William,163 Donizetti, Gaetano, Lucia de Davison, Peter, 163 Lammermoor,78 de Man, Paul, 200,245 Dostoyevsky, Fyodor Mikhail,16, Debussy, Claude, 3, 7, 8, 15n, 61,64, 56–66 67, 187–9,191,193, 194,195, Crime and Punishment,71 196, 197,199, 200,205, 206, Devils,71 208, 215,221, 236,237, 264,265 The Brothers Karamazov, 58n, 63 Children’s Corner, 205, 206,238 The Idiot,71 La chute de la maison Usher, 265 Notes from the House of the Dead, Deux arabesques, 205 56–65,68, 69–76,78, 108 En blanc et noir, 265 Notes from the Underground,70 Fêtes galantes, set 1,206 Poor People, 71–2

283

index

Dowd, Ronald, 157 Fauré,Gabriel, 7 Downes,Edward, 153,154 Fibich, Zdeneˇk, 37 Drabkin,William, 204n,226n, 228n, Blaník,48 244n, 246n Firkusˇný, Leosˇ, 63n Dresden, 166 Firkusˇný,Tatiana,184–5n Drlík,F.,176 Flaubert, Gustave, Madame Bovary, Dunsby, Jonathan,265,272 264, 267 Durand,Jacques, 190n Foerster, Josef Dusˇa, Ferdisˇ,176 Eva, 268 Düsseldorf, 166 Legend of Happiness,54 Dvorˇák,Antonín, 6, 8, 15, 37, 64, Fonseca,Isabel,122n 128, 170,172, 206 formalism,4, 67, 68, 262 Dimitrij, 48n Forte,Allen, 245–6 The Golden Spinning Wheel, 48, Fowler, Henry, 227 55, 184n Frank,Joseph, 56–7 The Jacobin,87 Fretwell, Elizabeth,155,156 Nature,54 Freud, Sigmund, 263 The Noon Witch, 48, 55, 184n Furtwängler,Wilhelm, 205 Rusalka, 112, 270 The Water Goblin, 48,55, 184n Gard, Robert, 153, 158,159 The Wild Dove, 48, 55, 184n,269 Garrett, David, 154n Dyk,Viktor, 63 Gestehen,59 Gifford, Henry, 56n Eco, Umberto, The Name of the Rose, Gilson, Paul, La mer, 187 68, 70 Glyndebourne, 166 Edinburgh Festival, 149 Festival,156,157 Edmonds,Thomas, 151, 160 Goethe,Johann Wolfgang von, 71 Edwards,Gale,163 Gogol,Nikolai Vasilyevich, 67 Eimert, Herbert, 189, 198, 199 Dead Souls,56 Eisenstein,Sergei Mikhailovich, 74 Taras Bulba, 43–4,46, 55 Eisler, Hanns,vii Golden Section, 136n, 195–7,236–7 Elder, Mark, 157 Gousset, Bruno, 198 Eliot,George,The Mill on the Floss, Gozenpud,Abram,66n 270 Greager, Richard, 163 Elisˇka, Radomil, 37n, 40n Green, Douglass, 192,215 Erben, Karel, 48, 55 Greimas,A. J., 268 Everist,Mark, 265n Griffiths, Dai, 184n extended tonality, 248–9,251, 257 Grundgestalt, 245 Gurney, Ivor, 5 Fábián,Ladislaus,188 Gyger, David, 153,154, 158, 160, Faltusˇ, Leosˇ,60n 163, 165n

284

index

Haag, Stefan,149, 150 Impressionism,191 Hamburger, Paul, 40n Ives,Charles,5 Hammet,Dashiell,The Maltese Falcon, 118 Jackendoff, Roy, 228–9 Hannan, Eilene, 155, 157 jádro (kernel), 248,256 Hanslick, Eduard, 68 Jakobik,Albert, 194–5,209, Harris,Geoffrey, 160 210–11 Hauptmann, Moritz, 184, 226 Janácˇek, Leoˇs Haydn, Joseph, 1 Works Healey, Ken, 160, 161 The Adventures of the Vixen Hegel, Georg Wilhelm Friedrich, 66, Bystrouˇska, 13, 16, 34, 95–101, 226 110, 120,125, 130,136, 139–43, Ästhetik, Part III,226 144, 146–7,156–7,164, 166, Heine,Heinrich,70 207, 245,268 Helfert,Vladimír, 80 Amarus, 175 Hellmesberger Quartet, 170 Anna Karenina, 268 Helmholtz,Hermann, 184,225 The Ballad of Blaník, 36, 48–55, Hemingway, Ernest,‘The Hills Like 207 White Elephants’,110 The Beginning of a Romance, Herbart, Johann,144 79–80,81–2,93 Higonnet,Margaret,267 Capriccio, 7, 18n, 34–5 Hince,Kenneth,151,161 Concertino,7,34 Hindemith, Paul,Die Harmonie der The Danube, 207,266, 269 Welt, 112 Detvan Songs (Brigand Ballads), Hoad,Brian,154,156,158 133–6,141,146 Hoffmann, E. T.A. The Diary of One Who Atlantis,66 Disappeared, 11, 13, 16, 17n, Dschinnistan,66 68–9,72, 121, 122–3,125, Hofmann,Josef, 170 175–6 Hokusai,Katsushika,The Hollow of Exaudi Deus, 170, 172 the Wave off Kanagawa, 191,194 The Excursions of Mr Broucˇek, Hollander, Hans,40, 80 29–30,89–92,148–52,156, 159, Holloway, Robin, vii 165, 166 Homer, 58 Fairy Tale,36 Howat, Roy, 192,193n, 194,195–7, Fate, 6, 9, 13–14,86–9, 166 199, 201,208–15,218,220, The Fiddler’s Child, 36, 37–43,48, 236–7,241 55, 175 Howell, Roger, 160 From the House of the Dead, vii,8, Hrábal,Bohumír,‘Romance’,121 12, 13, 14–16,57, 60–5,73–8, Hrubý, Jaromír (alias H.Jarosˇ), 56n, 79, 101,108, 166 60 Glagolitic Mass, 7, 11, 13, 113,149

285

index

Janácˇek, Leoˇs (cont.) Suite for Strings, 6, 176–7 Her Stepdaughter (Jenu˚fa), 6, 54, Taras Bulba, 36, 43–8,55, 207, 82–5, 86,101, 110, 130,150, 266 152–6,157, 158,161, 164,166, Ten Czech Hymns, 172 171, 173–4,268 Violin Concerto,‘The Pilgrimage Idyll, 6, 129 of a Soul’,60n In memoriam, 18–21,22, 23 ‘The Wild Duck’,173 In the Mists, 30–4,35, 175 Youth, 13, 177,269 Intermezzo erotico (no. 13 of The Zdenka Variations, 21–2 Diary of One Who Writings Disappeared), 176 Analyses of Dvoˇrák’s The Water Jealousy,54 Goblin, The Noon Witch, The Kát’a Kabanová, 9, 13, 16, 29, Golden Spinning Wheel and The 92–5, 122,150, 157–9,161–5, Wild Dove, 184n,269 166, 204,207, 267, 268,270 Analysis of Debussy’s La mer, viii, Lachian Dances,6 184, 186–7,202–23,229–38, The Makropulos Aﬀair, 9, 12, 13, 240–4,248, 249–62,264, 16–17,101–8,109–10,111–26, 266–81 148, 159–61,164, 165, 166, Analytical marginalia to 267–8 Debussy’s Children’s Corner, Male-voice Choruses, 172,173 206, 238 March of the Blue Boys, 177 ‘The Bases of Musical Scˇasování’, Marycˇka Magdónova, 268 221 Moravian Folk Poetry in Songs, ‘Bedrˇich Smetana on Musical 130–3,135, 145–6 Forms’,215 Nursery Rhymes,13 Complete Harmony Manual, 185, On an Overgrown Path, 22–6 186, 206,207, 221, 223n,225n, Piano Sonata,1.X.1905, 23–5, 248 26–9, 32 The Composition of Chords and Piano Trio, after Tolstoy’s The Their Connections, 185 Kreutzer Sonata, 268 ‘Compositional Work in Folk- Pieces for Organ, nos. 1 and 2, 173, song’,238, 252 174 ‘Concertino’,34n Sˇárka, 79,81 ‘The Fiddler’s Child’,37, 40–1 Silesian Songs, 136–9,146,177 ‘How Ideas Came About’,237 Sinfonietta, 7, 13, 149 ‘How Musical Talent Manifests Souvenir,35 Itself’,221 String Quartet no. 1, after ‘In Search of Antonín Dvorˇák’, Tolstoy’s The Kreutzer Sonata, 206 13, 65, 246, 268 ‘Interview for Literární sveˇt, String Quartet no. 2, 13 8.3.1928’,2n, 9n, 64

286

index

‘Introduction to the Collection Koussevitsky, Sergei, 188,232, 234, Moravian Love Songs’,238 235 ‘Lecture Notes from 1922–3’,261 Kraus, Otakar, 153 ‘My Opinion about Scˇasování Kreisler, Fritz, 170 (Rhythm)’,185,221,223n,224n Krˇenek, Ernst,65 ‘The National Theatre in Brno’, Jonny spielt auf,64 170–1 Krˇicˇková, Pavla, The Drowned Girl, ‘The Note (Frantisˇek Bartoˇs in 269 memoriam)’,145 Kuna, Milan,172n ‘On Folk-song’,129 Kundera, Ludvík, 23n, 30n, 31, 32n, ‘On Key in Folk-song’,186,246 35n, 110,113, 174n, 175 ‘On the Concept of Key’,247 Kundera, Milan, Testaments ‘Scˇasování in Folk-song’,221 Betrayed, 110, 126 ‘Seven Rooks’,2–3 Kvapil,Jaroslav (composer), Cycle of ‘Studies in Music Theory’,225 Songs, 175 Janácˇková, Olga, 6,14 Kvapil,Jaroslav (librettist),Rusalka, Janácˇková,Veˇra, 113 270 Janácˇková, Zdenka (née Schulzová), Kvapil,Radoslav, 30n 123, 176n Kvapilová, Hana, 171 Jarocinski,Stefan,191 Kyas,Vojteˇch, 170n jednoduché reakce (simple reactions),261 Lalo, Pierre, 187 Jenis, Eva, 162 Laloy, Louis,187,188, 202 Jeremiásˇ, Otakar, The Brothers Lecián, Jaroslav, 176n Karamazov,63 Lees,Allan, 153 Joachim,Joseph, 170 Leipzig, 129n, 143,173 Jones, John, 58n, 72 Neues Theater, 64n Publishers Kafka,Franz, 72, 112 Engelmann & Mühlberg, 172, Kalda, Ozef, The Diary of One Who 174, 175 Disappeared, 68–9,70 C. G. Röder, 172 Karajan, Herbert von, 232, 234,235 Lerdahl,Fred,228–9 Kazaras, Peter, 163 Lesure, François, 221n Kelly, Frances, 151 liquidation, 240 Kentish, Jane, 70n Liszt,Franz, 206, 245 Kepler, Johannes,111 Literaturoper, 57,63, 77 Kodály, Zoltán,Háry János, 151 Lockspeiser, Edward, 188, 191,202 komplikacˇní skladba (complicated London, 166 work), 204, 260–1 Covent Garden, 153 Koppel-Winther, Lone,153,155, English National Opera, 152 156 Sadler’s Wells,11

287

index

Lorenz,Alfred, 204 Miller, Nancy, 268 Lorre, Peter, 118 Monet, Claude, 191 Louÿs,Pierre,Sanguines, 199 Monnard, Jean-François, 195, 233, Luther, Mark, 163 235 Monteverdi, Claudio, 7, 10 Mabary, Judy, 55n Morgan,Robert,199–200 Macdonald, Hugh, viii,208n Moshinsky, Elijah,159,160 Macdonnell,Justin,148,149,150–1 Motiv, 226 Mackerras,Charles, 11, 149,152, Mozart,Wolfgang Amadeus, 10, 68, 155, 162,165 144, 198 Maeterlinck,Maurice,14 Don Giovanni, 78, 151 Mahler, Gustav, 4, 6, 54, 245 Idomeneo, 148 Symphony no. 6, 263–4,266 Munich, 64n Symphony no. 9, 262–3 Musorgsky, Modest, 3, 4, 5, 10, 11, Mallarmé, Stéphane,200 65–8 Mann, Thomas, 59 Boris Godunov, 8–9, 66, 67, 117 Mann,William,149–50 Myers, Rollo, 191n Massenet, Jules, 7 Matula,Antonín, 69n nadrˇazení (‘superiorisation’), 238, Mauclair, Camille,‘Mer belle aux 253, 255,256 Îles Sanguinaires’,198–9 nápeˇvky mluvy (speech melodies), McDuﬀ, David, 69n viii, 36, 79–108,144 McGill,David,155 náporov´y spoj (impact connection), Medlyn,Margaret,163 223, 224–5 Medvedev, Pavel Nikolayevich, 68n Nattiez,Jean-Jacques, 263 Meiningen Orchestra, 170 Neˇmcová,Alena, 143n,207n, 236n Melbourne, 148, 154, 155,156, 159, Neumann,Frantisˇek, 177 166 New Zealand Opera Company, 155 Melnikova, Marina,60n, 61–2,73, New Zealand Symphony Orchestra, 74 155–6,162 melodické disonance (melodic Newcomb,Anthony, 262–3,265 dissonances), 223 Nichols,Roger, 189n,192–3 Menotti, Gian Carlo,161 Nielsen, Carl, Symphony no. 4, 206 Messiaen, Olivier, 67, 190 Nietzsche,Friedrich,7 Meyer, Leonard, 128n, 227 Michelet, Jules, La mer, 264 O’Brien, Grace, 187n Middenway, Ralph, 160 O’Brien, Maire, 187n Mikeska,Jan,69n Omsk (Siberia), 57 Millais,John Everett, Ophelia, opeˇtné poznávání/opeˇt poznat (re- 268 recognition,to re-recognise), Miller, Jonathan,156 238

288

index

Oster, Ernst, 226n Prerauer, Maria, 151–2,153n,154n, Ostoja-Kotkowski,Stanislaus,149, 157n,158n, 164 151 Prévost, the Abbé, Manon Lescaut, ostranenie (defamiliarisation), 67, 68, 70 68, 74 prˇidat (to add), 238–9,241,243 Ostrcˇil,Otakar, 42,175 prˇipojené dno scˇasovací (attached Ostrovsky,Alexander Nikolayevich, scˇasovací base),224 65 Procházka,Frantisˇek, 63 The Storm, 267 Procházka,Jaroslav, 56n,60n,63n, 64n, 73n, 74, 75n Paris, 143,166, 183,187 Procházková, Jarmila,60n Durand,195,202,206 prolínání (percolation), 3, 223, 248 Parks, Richard, 199, 219 Propp,Vladimir, 262 Parry, David, 162 Proust,Marcel,200 Pasler, Jann,195, 196,233 Puccini,Giacomo, 7, 15n Pavlík,Frantisˇek, 29 La Bohème,15 Perth,166 Madame Butterﬂy, 154 Pirandello, Luigi, 14 Tosca,8,78 Pommer, Max, 193–4,208,210–11 Purcell, Henry, 7 Pople,Anthony, 184n,200n, 247n, Pushkin,Alexander Sergeyevich, 248–9,257,263n 56 Porter,Andrew, 150, 152 Putnam,Ashley, 162 Portland,166 Pountney,David,157 Racek, 80, 129n,176n, 185n,186n, Prague, 64n, 69n, 112,123, 129n, 205, 206,221n, 238n,246n, 143, 148,175, 188,205, 236n 261n Conservatory, 207 Raisbeck, Rosina,158, 159 Czech Philharmonic Orchestra, Rameau,Jean Philippe, 7 170, 175,177, 205 Rattle,Simon, 48n Hlahol Choral Society, 172n realism,vii–viii,10, 58, 66, 67–78 National Theatre,149,270 Reger, Max, 206 Publications Reicha,Anton, 143, 183 Cecilia, 170 Rektorys,Artusˇ, 174, 175,176n, Literární sveˇt,2n 205n,206n Publishers Réti, Rudolf, 244–5,246 Hudební matice, 37, 171, 175, Richardson, Marilyn, 151,158, 165 176n Richardson, Samuel, Clarissa, 268 Urbánek,Mojmír, 174 Richter, Hans,170 Preissová, Gabriela Riemann, Hugo, 225, 226 The Farmer’s Woman, 268 Rimmon-Kenan, Shlomith, 79n, 83n Her Stepdaughter, 268 Robertson, Patrick, 156

289

index

Rolf, Marie, 187n, 192n,198–9,209, schwebende Tonalität, 247, 248 210–11,212n,218n, 236 Sˇeda,Jaroslav, 129n Rosé Quartet, 170 Sedlácˇek,Václav, 177 Rousseau,Jeans-Jacques, Seelig, Joseph, 161, 164 Confessions,70 Selver, Paul,165n rozlisˇování (differentiation), 238–9, Shakespeare,William,58 252 Hamlet, 58n, 268–9 Rubinstein,Anton, 170 Shaw, George Bernard, Back to Methuselah, 112n St Petersburg, 61n Shklovsky,Viktor, Theory of Prose, Sádecký, Zdeneˇk, 96 67 Sadie,Stanley, 65n, 183n,193n, 265n Shostakovich,Dimitri, 4,5 Samson, Jim, 262 Lady Macbeth of the Mtsensk Samuels, Robert, 263–4,266,267 District, 9, 269 Sander,August, 10 Testimony,4 Satie,Erik,5 Sibelius, Jean, 15n scˇasovací vrstvy (scˇasovací layers), Kullervo Symphony, 15n 222–3,225 Silsbury, Elizabeth,159–60 scˇasování, 127n, 221–5,229,236, Simeone, Nigel, viii,22n, 30n, 170n, 239, 273 172n, 173n,177n scˇasovka, 127,221 Simpson,Adrienne,viii,149n, 150n, scˇasovka výsledná (resultant 161n, 162n scˇasovka), 223, 225 Skoumal Zdeneˇk, viii,245–6 Schachter, Carl, 227,228, 229 slozˇité reakce (complex reactions), Schäfer, Frantisˇek, 22, 23n 204, 260–1 Schenker, Heinrich, 201, 204,226, Smazcny, Jan, 55n 227, 228,229, 246, 247 Smetana,Bedrˇich, 6, 8, 64, 128,215 Scher, Steven, 263n The Brandenburgers in Bohemia, Schiller, Friedrich,Die Räuber, 58n 48 Schoenberg,Arnold, 143, 183,189, My Country,‘Blaník’,48 240, 244,247, 248, 255,257 Söderström, Elisabeth, 159,160–1 ‘Brahms the Progressive’,57n Solti, Georg, 232 Five Orchestral Pieces, Op.16,263 souzvuk prostný (simple chord), 223 Harmonielehre, 247n souzvuk výsledný (resultant chord), Schubert, Franz, 4, 6, 7, 128,132, 133 222 Schumann,Clara (née Wieck),170 souzvuk vztaˇzný (subordinate Schumann,Robert, 5, 6, 7, 133, 197, chord), 223 262 Sˇpálová, Sonˇa (alias Alexander Overture, Scherzo and Finale, 266 Insarov), Lola, 262, 269 Symphony no. 2, 262, 263 Spoleto Festival (USA),152 Symphony no. 4, 197 Stalin,Joseph, 16

290

index

Stamogiannou,Dimitra, 23n taktové typy (bar types),224–5,234, Staram,Walther, 188, 205 236 Stecker, Karel,206n Talich,Václav, 205 Sˇteˇdronˇ, Bohumír, 80,127n Tasker, John,149, 151 Sˇteˇdronˇ, Miloˇs, viii, 60n, 79n, 183n, Tausky,Margaret, 2–3n 187n,204, 205, 206,247n Tausky,Vilem, 2–3n Steel,Anthony, 148, 149 Taylor, Lindis,164 Steglich,Rudolf,227 Tchaikovsky, Pyotr Ilich, 4, 6 Stein, Leonard, 244n,247n ‘Manfred’Symphony, 46n Steiner, George, 56, 58 The Queen of Spades, 244n, Sˇteˇpán,Václav, 30n, 32, 34 268–9 Sterne, Laurence, Tristram Shandy, The Voyevoda,45 68 Teˇsnohlídek, Rudolf, The Vixen Stevens,Ron, 153, 156,157, 158 Bystrousˇka, 97n Stösslová, Kamila,65n, 75, 122–3, Thomas, Patrick, 150 176, 204,205, 270–1 Thompson, Oscar, 188 Strakhov, N. N., 56n Thomsen-Muchová, Geraldine,42n, Straková, Theodora, 127n 113n,183n Strang, Gerald, 244n Thomson, Brian,159 Strauss,Richard, 15n, 161 Tintner, Georg, 155 Elektra, 8, 186,206 Tolstoy,Leo, 56,58,59,60,65,67,71, Salome,8 78 Till Eulenspiegel,40 Anna Karenina, 264,267 Symphonia Domestica, 224n The Kreuzter Sonata, 65, 268 Stravinsky, Igor, 5, 67, 98, 143, 155, War and Peace,56 200 Toronto, 166 Renard,15 Toscanini,Arturo, 188,232, 235 Street,Alan, 263, 264 Trezise, Simon, 187n, 188n,200–2, Strindberg,August, 14 207, 208,209–15,218,220, 221, Suk, Josef, Ripening,54 240, 242,243, 253,255, 256, Sullivan,Arthur, Iolanthe, 151 257, 260,264, 265–7,271–2 Susskind,Charles, 176n Trojan,Jan,35,138n Sydney, 148,154, 155,156, 166 Turner, Joseph, 191 Elizabethan Trust Sydney Tyrrell,John,47–8,60,63n,65n, Orchestra,157 80n, 81n, 88n, 112n,123n, Opera Australia (formerly 165n,171n, 174n, 183,185n, Australian Opera), 148, 152–3, 204n,205n, 245, 270n,271, 272 154, 155,156, 157,160, 164,166 Sydney Opera House, 148,150, ujednocení (consolidation), 239 152–3,157,164 unendliche Melodie,67 Symbolism,191,264–5 Ursatz, 228

291

index

vagrant chord, 247 Parsifal,8 Vallas,Léon, 187n,188 Der Ring des Nibelungen, 78, 265 Vancouver, 166 Tristan und Isolde, 8, 14, 78, 247, Vásˇa,Pavel, 128n 268 Vaughan, Denis, 161 Warren-Smith, Neil, 158 Venice, 2 Wasiolek,Edward, 58n Verdi, Giuseppe,Rigoletto, 155, Webern,Anton, 7, 191 271–2 Wehrle,Albert, 68n verismo, 8 Wellington, 155, 156, 166 Versalle, Richard, 109,110 Festival,161 Veselý,Adolf, 18n, 262n Michael Fowler Centre,162 Veselý, Frantisˇek, 174 Wells,H.G., The Food of the Gods, Veselý, Richard, 205n 112n Vicˇar, Jan, 69n Wenk,Arthur, 197–8 Vienna,129n, 143, 173 Westphal,Rudolf, 225,226n Universal Edition, 171,173 Wexford Festival, 157 Vienna Philharmonic Orchestra, Whittall,Arnold, 265n 170 whole-tone collection, 96,194,198, Vilain,Robert, vii,9n 249, 253,255, 257, 260 Vlissingen, 2 Williams,Bernard, 126 Vogel, Jaroslav, 42, 44, 45, 46, 47, 52, Wingfield, Paul, viii,18n, 23n, 31n, 55, 80, 113n, 174n,175, 183, 80n, 108, 113n,127n, 136n 269 Winther, John, 153 Volek,Jaroslav, 121n,183–4 Wolf,Hugo, 7, 132, 133 Volkov, Solomon, Testimony,4 Wolff, Hellmuth,191–2 Vrchlicky, ´ Jaroslav,‘The Ballad of Wordsworth,William,5 Blaník’,48–54,55n výbeˇr (selection), 238, 239,240, Yeston, Maury, 225–6,227, 229 242–3,245, 252,253, 258,260 Ysaÿe,Eugène,170 vyccíteˇné motivy (‘felt’motives), 244 vymysˇlené motivy (fabricated Zˇalud, Berthold,173 motives),244 zárˇez (incision), 4n Vyslouzˇil, Jiˇrí, 40n, 129n,185n, Zemánek,Vilém,175,205 186n, 221n,238n, 246n,261n Zemanová, Mirka, 2n, 9n, 34n, 37n, vyspeˇlost (maturity), 240,259, 260 171n, 221n,237n, 244n Zeyer, Julius, Sˇárka, 79, 81 Wagner, Richard, 4, 6, 7, 8, 10, 16–17, Zhukovsky,Vasili Andreyevich,A 67, 68, 128, 200 Tale ofTsar Berendei,36 Der fliegende Holländer, 268 zhusˇtování (thickening),248

292