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EPMD Lil Crazy
Lil Crazy EPMD Hey young world, one two, one two Check it out y'all Uhh, shadz of lingo in the house E double's in the house with def squad On the funky fresh track with shadz of lingo Mic check one two, yo you got my nerves jumpin around And _humpin' around_ like bobby brown across town I ain't with that, so don't cramp my style Step off me, I'm hyped like I had a pound of coffee Yo how could you ask what I'm doin When I'm pursuin, gettin funky with my crew and My input brings vibes unknown like e.t. Makes me phone home to my family Cling, hello mom, I'm doin it, freakin more fame Than batman played by michael keaton I crossed over, let me name someone that's black With fame, and pockets that are fat Heyyy, erick sermon, he's one Packs a gun, that's bigger than malcolm's Out the window, I look for a punk to get stupid So I can shoot his ass like cupid E 2 bingos, down with the shadz of lingo Here to bust out the funky single Ahh shit, there goes my pager I'll see you later, because yo Every now and then, I get a little crazy One two how can I do it? I guess I'll spit the real Yo I pack much dick, with the cover made of steel hoe Yes yes, never fessed or settled for less One clown stepped, and got a hole in the fuckin chest From the a.k., somebody scream mayday Took the sucker out, cause he clowned me on a payday The funk is flowin to the maximum From the e double, while I kick the facts to them Check a chill brother with class, rough enough To run up and snatch the spine out a niggaz ass Grip the steel when caps peeled, here to chill -
Libraryonwheels Sparksinterest
EMI Records Aligns with Erick Sermon and Def Squad Label EMI Records (EMI have always wanted for Def /Chrysalis /SBK) today Squad Records. announced a label agreement with 1 look forward to working Def Squad Records, led with Davitt by rap recording artist/producer Sigerson and the Erick whole EMI team and to having Sermon. Under this a arrangement. Sermon will very successful'relationship submit artists together." exclusively to Sermon first made his mark EMI who concentrate on devel¬ in and the rap community as half of oping producing new the classic EPMD combo. Teachers from the Bethlehem Hills ~~HFhas since Released two Happy Child Care Center brouse through the Smart Start Bookmobile. label and will continue produc¬ solo Teachers selected books for students in their class. Keith albums. No Pressure and ing Redman, Murray and Double or other established artists. Nothin' on Def Jam Def In addition to and Squad will have offices and a finding pro¬ y ducing new talent, staff based out of the EMI including On Wheels New Das EFX, Redman and Keith Library Interest York Headquarters. * By MAURICE CROCKER Sparks Murray, Sermon has also chosen for the bookmobile are Commented Davitt pro¬ Community News Reporter The first stop of the book¬ Siger- duced singles for a diverse selected by the library heads at mobile was the son, president and CEO, EMI of each Bethlehem "Erick array artists such as Super- The branch. Happy Hills Child Care Center. Records, is always cat, Blackstreet, Forsyth County Some of the books are focused or His record Shaquille Library has started a new cho¬ "I think this is a good quality. -
Felix Issue 1103, 1998
COLOUR EXTRAVAGANZA SUMMER SOUNDS GOT SOME SPARE TIME? Sixty-page Guide to the Jumbo $f Bumper Issue Festivals Crossword Interview with the Rector Campus Renaissance Game y the Tunnels "of IC 1 'I ^ Trip to Le Mans 7 ' W- & the Embrace War Massive Film Preview Thailand Travel Diaries IN GO EOUS FULL C 4 2 GAME 24 June 1998 24 June 1998 GAME 59 Automatic seating in Great Hall opens 1 9 18 unexpectedly during The Rector nicks your exam, killing fff parking space. Miss a go. Felix finds out that you bunged the builders to you're fc Rich old fo work Faster. "start small antiques shop. £2 million. Back one. ii : 1 1 John Foster electro- cutes himself while cutting IC Radio's JCR feed. Go »zzle all the Forward one. nove to the is. The End. P©r/-D®(aia@ You Bung folders to TTafeDts iMmk faster. 213 [?®0B[jafi®Drjfl 40 is (SoOOogj® gtssrjiBGariy tsm<s5xps@G(§tlI ITCD® esiDDorpo/Js Bs a DDD®<3CM?GII (SDB(Sorjaai„ (pAsasamG aracil f?QflrjTi@Gfi®OTjaD Y®E]'RS fifelaL rpDaecsS V®QO wafccs (MJDDD Haglfe G® sGairGo (SRBarjDDo GBa@to G® §GapG„ i You give the Sheffield building a face-lift, it still looks horrible. Conference Hey ho, miss a go. Office doesn't buy new flow furniture. ir failing Take an extra I. Move go. steps back. start Place one Infamou chunk of asbestos raer shopS<ee| player on this square, », roll a die, and try your Southsid luck at the CAMPUS £0.5 mil nuclear reactor ^ RENAISSANCE GAME ^ ill. -
Illegal the Untold Truth Mp3, Flac, Wma
Illegal The Untold Truth mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: The Untold Truth Country: US Released: 1993 MP3 version RAR size: 1704 mb FLAC version RAR size: 1675 mb WMA version RAR size: 1429 mb Rating: 4.3 Votes: 922 Other Formats: AHX MIDI ASF WMA DMF MP4 MMF Tracklist Hide Credits Back In The Day A1 5:12 Producer – Colin Wolfe Illegal Will Rock A2 5:01 Producer – Diamond D Head Or Gut A3 3:57 Producer – Erick Sermon CrumbSnatcher A4 3:55 Featuring – Diamond DProducer – Diamond D We Getz Buzy A5 3:50 Featuring – Erick SermonProducer – Erick Sermon Stick Em' Up A6 4:26 Producer – Colin Wolfe Understand The Flow B1 4:48 Producer – Dallas Austin On Da M.I.C. B2 4:50 Featuring – AG, Lord FinesseProducer – Lord Finesse Ban Da Iggidy B3 4:14 Producer – Dallas Austin Lights, Camera, Action B4 5:03 Producer – Spearhead X Interlude B5 0:29 Producer – E-Locc, Spearhead X If U Want It B6 5:11 Producer – Biz Markie, Cool V Credits Executive-Producer – Dallas Austin Notes This listing is for the plain clear tape. Barcode and Other Identifiers Barcode: 75444-37002-4 8 Other versions Category Artist Title (Format) Label Category Country Year The Untold Truth (CD, 75444-37002-2 Illegal Rowdy Records 75444-37002-2 US 1993 Album) The Untold Truth (CD, 75444-37002-2 Illegal Rowdy Records 75444-37002-2 US 1993 Album, Club) The Untold Truth (LP, 75444-37002-1 Illegal Rowdy Records 75444-37002-1 US 1993 Album) The Untold Truth (Cass, AC 7002 Illegal Rowdy Records AC 7002 US 1993 Album, Club, Red) The Untold Truth (Cass, 75444-37002-4 Illegal Rowdy Records 75444-37002-4 US 1993 Album, Red) Related Music albums to The Untold Truth by Illegal TLC - Now & Forever - The Hits (Bonus DVD) Def Squad Presents Erick Onasis - Def Squad Presents Erick Onasis Erick Sermon - Bomdigi EPMD - Business Never Personal Erick Sermon - Hittin' Switches Keith Murray - The Most Beautifullest Hits Erick Sermon - To Tha Girlz D.I.T.C. -
A Hip-Hop Copying Paradigm for All of Us
Pace University DigitalCommons@Pace Pace Law Faculty Publications School of Law 2011 No Bitin’ Allowed: A Hip-Hop Copying Paradigm for All of Us Horace E. Anderson Jr. Elisabeth Haub School of Law at Pace University Follow this and additional works at: https://digitalcommons.pace.edu/lawfaculty Part of the Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Horace E. Anderson, Jr., No Bitin’ Allowed: A Hip-Hop Copying Paradigm for All of Us, 20 Tex. Intell. Prop. L.J. 115 (2011), http://digitalcommons.pace.edu/lawfaculty/818/. This Article is brought to you for free and open access by the School of Law at DigitalCommons@Pace. It has been accepted for inclusion in Pace Law Faculty Publications by an authorized administrator of DigitalCommons@Pace. For more information, please contact [email protected]. No Bitin' Allowed: A Hip-Hop Copying Paradigm for All of Us Horace E. Anderson, Jr: I. History and Purpose of Copyright Act's Regulation of Copying ..................................................................................... 119 II. Impact of Technology ................................................................... 126 A. The Act of Copying and Attitudes Toward Copying ........... 126 B. Suggestions from the Literature for Bridging the Gap ......... 127 III. Potential Influence of Norms-Based Approaches to Regulation of Copying ................................................................. 129 IV. The Hip-Hop Imitation Paradigm ............................................... -
EPMD Bomdigi
Bomdigi EPMD I'll just sway... This's the way it goes down Def squad Nine-pound Check this here The e gets wicked, no need for the biscuit The green-eyed funkdafied brother coming wicked I sets the party off just like tanqueray The funk lord, nobody else could swing this way I put the loc to the motion, drop the funk coast to coast and I buck like shot, 'cause I know I got cha opin Check the soup, I dogg the mic like snoop I get swift like h-town, when I knock da boots (daaat's right) I'm dynamite with this mic I show like doug e. and I rock the mic lovely The afrodesiac, bringin the do-wah-diddy To your city, on the zapp side with the vibe I'm stone cold like bobby and ralph t I come with the game of death, without bruce lee The irregular speakin, for those mc's who be tweakin Catch me at the beacon just freakin Brothers can't see me 'cause my style's the bom-digi-bom-uh-dang-a-dang-digi / repeat 2x ... Brothers can't see me It goes one for the trouble, two for the show Aiyyo, I'm gettin airplay like the most beautiful I'm the mack, I made goldy turn chrome When I induce my styles upon the microphone (yeah) I goes down for y'all in broad daylight Weeded, rockin the mic like ta-dow and psych Today is a green day, so it's blazin To specify it, I get big-up from jamaicans Hey, the e-r-i-c-k gets down for the public More doper than janet jackson's stomach Ask anybody, who's the dopest producer? I think of cruise, I'm never too much like I'm luther My style is the craziest No crew is fadin us You got beef with my squad you better dare that -
Intellectual Property Law Section of the State Bar of Texas the University of Texas School of Law
INTELLECTUAL PROPERTY LAW SECTION OF THE STATE BAR OF TEXAS THE UNIVERSITY OF TEXAS SCHOOL OF LAW STRENGTH OF THE INTERNATIONAL TRADE COMMISSION AS A PATENT VENUE ChristopherA. Cotropia ENDING DILUTION DOUBLESPEAK: REVIVING THE CONCEPT OF ECONOMIC HARM IN THE DILUTION ACTION Alexander Dworkowitz MODERNIZING COPYRIGHT LAW Miriam Bitton NO BITIN' ALLOWED: A HIP-HOP COPYING PARADIGM FOR ALL OF US Horace E. Anderson, Jr. STATE BAR SECTION NEWS TEXAS INTELLECTUAL PROPERTY LAW JOURNAL The University of Texas School of Law Volume 20 Fall 2011 Number 1 ARTICLES STRENGTH OF THE INTERNATIONAL TRADE COMMISSION AS A PATENT 1 VENUE Christopher A. Cotropia ENDING DILUTION DOUBLESPEAK: REVIVING THE CONCEPT OF 25 ECONOMIC HARM IN THE DILUTION ACTION Alexander Dworkowitz MODERNIZING COPYRIGHT LAW 65 Miriam Bitton No BITIN' ALLOWED: A HIP-HOP COPYING PARADIGM FOR ALL OF US 115 Horace E. Anderson, Jr. STATE BAR SECTION NEWS 179 Preparedat the University of Texas School of Law (U.S. ISSN #1068-1000) Copyright 2011 State Bar of Texas, Intellectual Property Law Section 1 TEXAS INTELLECTUAL PROPERTY LAW JOURNAL The University of Texas School of Law Volume 20 Fall 2011 Number 1 The State Bar of Texas Intellectual Property Law Section Editor JAMES M. SELLERS The University of Texas School of Law Editor-in-Chief JESSICA ACHTSAM Executive Articles Editor Managing Editor Executive Submissions Editor BRIAN TALBOT CUMINGS SHANNON M. KIDD MICHELLE FRIEDMAN MURRAY Publications Editor Administrative Editor Technology Editor COURTNEY JONES JAMES WANG JOSEPH FINDLEY Chief Articles Editors Symposium Editors Associate Editors JENNIFER GEORG BAILEY HARRIS MICHAEL DENNY CONRAD Hsu JEFF SOFFER LEEANN GAO BENJAMIN PEI ROBERT HOPKINS XIAOXIAO XUE ANDREA KELLEY BRUCE PINEGAR ZACHARY POPOVICH LINDSEY POWERS JEFF WEIDEMEYER Staff Editors JESSE ADLAND CHELSEA YOUNG GRATE THOMAS SCHIANO ERIC BACUS SEAN M. -
No Bitin' Allowed a Hip-Hop Copying Paradigm for All Of
20 Tex. Intell. Prop. L.J. 115 Texas Intellectual Property Law Journal Fall, 2011 Article NO BITIN’ ALLOWED: A HIP-HOP COPYING PARADIGM FOR ALL OF US Horace E. Anderson, Jr.a1 Copyright (c) 2011 Intellectual Property Law Section of the State Bar of Texas; Horace E. Anderson, Jr. I. History and Purpose of Copyright Act’s Regulation of Copying 119 II. Impact of Technology 126 A. The Act of Copying and Attitudes Toward Copying 126 B. Suggestions from the Literature for Bridging the Gap 127 III. Potential Influence of Norms-Based Approaches to Regulation of Copying 129 IV. The Hip-Hop Imitation Paradigm 131 A. Structure 131 1. Biting 131 2. Beat Jacking 133 3. Ghosting 135 4. Quoting 136 5. Sampling 139 B. The Trademark Connection 140 C. The Authors’ Rights Connection 142 D. The New Style - What the Future of Copyright Could Look Like 143 V. Conclusion 143 VI. Appendix A 145 VII. Appendix B 157 VIII. Appendix C 163 *116 Introduction I’m not a biter, I’m a writer for myself and others. I say a B.I.G. verse, I’m only biggin’ up my brother1 It is long past time to reform the Copyright Act. The law of copyright in the United States is at one of its periodic inflection points. In the past, major technological change and major shifts in the way copyrightable works were used have rightly led to major changes in the law. The invention of the printing press prompted the first codification of copyright. The popularity of the player piano contributed to a reevaluation of how musical works should be protected.2 The dawn of the computer age led to an explicit expansion of copyrightable subject matter to include computer programs.3 These are but a few examples of past inflection points; the current one demands a similar level of change. -
Liste Collection En Vente CD Vinyl Hip Hop Funk Soul Crunk Gfunk Jazz Rnb HIP HOP MUSIC MUSEUM PRIX Négociable En Lot
1 Liste collection en vente CD Vinyl Hip Hop Funk Soul crunk GFunk Jazz Rnb HIP HOP MUSIC MUSEUM PRIX négociable en lot Type Prix Nom de l’artiste Nom de l’album de Genre Année Etat Qté média + de hits disco funk 2CD Funk 2001 1 12 2pac How do u want it CD Single Hip Hop 1996 1 5,50 2pac Ru still down 2CD Hip Hop 1997 1 14 2pac Until the end of time CD Single Hip Hop 2001 1 1,30 2pac Until the end of time CD Hip Hop 2001 0 5,99 2 pac Loyal to the game CD Hip Hop 2004 1 4,99 2 Pac Part 1 THUG CD Digi Hip Hop 2007 1 12 50 Cent Get Rich or Die Trying CD Hip Hop 2003 1 2,90 50 CENT The new breed CD DVD Hip Hop 2003 1 6 50 Cent The Massacre CD Hip Hop 2005 1 1,90 50 Cent The Massacre CD dvd Hip Hop 2005 0 7,99 50 Cent Curtis CD Hip Hop 2007 0 3,50 50 Cent After Curtis CD Diggi Hip Hop 2007 1 4 50 Cent Self District CD Hip Hop 2009 0 3,50 100% Ragga Dj Ewone CD 2005 1 7 Reggaetton 504 BOYZ BALLERS CD Hip Hop 2002 US 1 6 Aaliyah One In A Million CD Hip Hop 1996 1 14,99 Aaliyah I refuse & more than a CD single RNB 2001 1 8 woman Aaliyah feat Timbaland We need a resolution CD Single RNB 2001 1 5,60 2 Aaliyah More than a woman Vinyl Hip HOP 2001 1 5 Aaliyah CD Hip Hop 2001 2 4,99 Aaliyah Don’t know what to tell ya CD Single RNB 2002 1 4,30 Aaliyah I care for you 2CD RNB 2002 1 11 AG The dirty version CD Hip Hop 1999 Neuf 1 4 A motown special VINYL Funk 1977 1 3,50 disco album Akon Konvikt mixtape vol 2 CD Digi Hip Hop 1 4 Akon trouble CD Hip hop 2004 1 4,20 Akon Konvicted CD Hip Hop 2006 1 1,99 Akon Freedom CD Hip Hop 2008 1 2 Al green I cant stop CD Jazz 2003 1 1,90 Alicia Keys Songs in a minor (coffret CD Single Hip Hop 2001 1 25 Taiwan) album TAIWAN Maxi Alici Keys The Diary of CD Hip Hop 2004 1 4,95 Allstars deejay’s Mix dj crazy b dee nasty 2CD MIX 2002 1 3,90 eanov pone lbr Alyson Williams CD RNB 1992 1 3,99 Archie Bell Tightening it up CD Funk 1994 Us 10 6,50 Artmature Hip Hop VOL 2 CD Hip Hop 2015 1 19 Art Porter Pocket city CD Funk 1992 1 7 Ashanti CD RNB 2002 1 6 Asher Roth I love college VINYL Hip Hop 2009 1 8,99 A.S.M. -
3. SMACK THAT – EMINEM (Feat. Eminem) [Akon:] Shady Convict
3. SMACK THAT – EMINEM thing on Get a little drink on (feat. Eminem) They gonna flip for this Akon shit You can bank on it! [Akon:] Pedicure, manicure kitty-cat claws Shady The way she climbs up and down them poles Convict Looking like one of them putty-cat dolls Upfront Trying to hold my woodie back through my Akon draws Slim Shady Steps upstage didn't think I saw Creeps up behind me and she's like "You're!" I see the one, because she be that lady! Hey! I'm like ya I know lets cut to the chase I feel you creeping, I can see it from my No time to waste back to my place shadow Plus from the club to the crib it's like a mile Why don't you pop in my Lamborghini away Gallardo Or more like a palace, shall I say Maybe go to my place and just kick it like Plus I got pal if your gal is game TaeBo In fact he's the one singing the song that's And possibly bend you over look back and playing watch me "Akon!" [Chorus (2X):] [Akon:] Smack that all on the floor I feel you creeping, I can see it from my Smack that give me some more shadow Smack that 'till you get sore Why don't you pop in my Lamborghini Smack that oh-oh! Gallardo Maybe go to my place and just kick it like Upfront style ready to attack now TaeBo Pull in the parking lot slow with the lac down And possibly bend you over look back and Convicts got the whole thing packed now watch me Step in the club now and wardrobe intact now! I feel it down and cracked now (ooh) [Chorus] I see it dull and backed now I'm gonna call her, than I pull the mack down Eminem is rollin', d and em rollin' bo Money -
Blackout Method Man Zip
1 / 2 Blackout Method Man Zip United States Official CELINE online store. Explore and buy all the latest collections: handbags, leather goods, ready to wear, shoes, jewellery and sunglasses.. wutang is for the children zip up hoodie for babies and toddlers. TheZombieMovement. 5 out of 5 ... METHODMAN REDMAN "blackout" CD 1999 rap hip hop.. Contact Method Barricade & Construction Supply When you need ... A man rammed a car into two Capitol Police officers at a barricade outside the U. Remove ... Buy Direct and for sale LED Blackout Traffic Signs MUTCD compliant for all roads ... Other than that, the supplies are minimal and include some small zip ties (got .... New piano method . ... Niemals soll man einen Menschen kränken , den man liebt . Zeisner ... No blackout . ... Zip goes a million , Nothing matters while we love .. Nov 28, 2019 — Method Man & Redman - Blackout! (1999) {Def Jam Recordings} · 01. A Special Joint (Intro) · 02. Blackout · 03. Mi Casa · 04. Y.O.U. · 05. 4 Seasons. Blackout Method Man Zip. The album has sold 1,575,000 copies to date.. Blackout is also considered a landmark for both rappers and for East Coast Hip Hop.. LINCOLN CO-PILOT360™ 1.5 PLUS ... Lincoln Aviator Black Label model shown. Available at participating Lincoln Black Label Dealers only. A man is shown .... ... available for free download as a zip file from Loud.com Check it out! 1) Intro feat. Method Man 2) Watch Ur Mouf (Wu-Tang Exclusive) 3) State ... Feb 9, 2013 — Method Man & Redman - Blackout! (1999) · 01 - A Special Joint (Intro) · 02 - Blackout · 03 - Mi Casa · 04 - Y.O.U. -
Crooked Shakespeare
- SPORTS FORUM SJSU hockey club team Top 10 reasons it's better to be an SJSU Spartan battles Trojans than a Stanford Cardinal over weekend Page 6 Page 2 'SPARTAN DAIL I )A1 IA’(, Tuesday /9)9 Volume 113Vo. 23 Serving San Jose State University Since 1934 October 5, Photos by David Holler/Spartan Daily Left, Elliott Peele (right), wrestles Eric Jung Above, Lucinda Dobinson makes fun of as Lilly Small watches during a scene from Elliott Peele during a break between acts. The "Shakespeare's Shorts: The Complete Works play intertwines different Shakespeare plays (Almost)." while making them modern. Crooked Shakespeare Comedy skews By view Clarissa Aljentera of Daily stall writer classics In the rushed opening scene, on stage, actor Elliott GC curtains only to be Peele body dies, hg the stopped by the real sad everybody Emerging stage from huge story but dies, it's a from behind the audience. _14 that everybody you have to in black Joe the curtain These dies." realize cape, Boxers, a he appeared words were blue Nikes black shirt Play referring sung after each Once and a draped in a the characters scene in the curtains wide-brimrned murdered. on stage the ered the open, the hat. the They were part that were stage covered audience words in of is the setting with wooden discov- e play for the boxes, hakespeare's entire I Y. which Complete Shorts: The In a Works comic performance, which opened (Almost)" cast of the the last weekend not "Shakespeare's University at only brings Shorts" Pla Theatre.