A USER's GUIDE to GENERAL IDEA by PHILIP Monk
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Constellation & Correspondences
LIBRARY CONSTELLATION & CORRESPONDENCES AND NETWORKING BETWEEN ARTISTS ARCHIVES 1970 –1980 KATHY ACKER (RIPOFF RED & THE BLACK TARANTULA) MAC ADAMS ART & LANGUAGE DANA ATCHLEY (THE EXHIBITION COLORADO SPACEMAN) ANNA BANANA ROBERT BARRY JOHN JACK BAYLIN ALLAN BEALY PETER BENCHLEY KATHRYN BIGELOW BILL BISSETT MEL BOCHNER PAUL-ÉMILE BORDUAS GEORGE BOWERING AA BRONSON STU BROOMER DAVID BUCHAN HANK BULL IAN BURN WILLIAM BURROUGHS JAMES LEE BYARS SARAH CHARLESWORTH VICTOR COLEMAN (VIC D'OR) MARGARET COLEMAN MICHAEL CORRIS BRUNO CORMIER JUDITH COPITHORNE COUM KATE CRAIG (LADY BRUTE) MICHAEL CRANE ROBERT CUMMING GREG CURNOE LOWELL DARLING SHARON DAVIS GRAHAM DUBÉ JEAN-MARIE DELAVALLE JAN DIBBETS IRENE DOGMATIC JOHN DOWD LORIS ESSARY ANDRÉ FARKAS GERALD FERGUSON ROBERT FILLIOU HERVÉ FISCHER MAXINE GADD WILLIAM (BILL) GAGLIONE PEGGY GALE CLAUDE GAUVREAU GENERAL IDEA DAN GRAHAM PRESTON HELLER DOUGLAS HUEBLER JOHN HEWARD DICK NO. HIGGINS MILJENKO HORVAT IMAGE BANK CAROLE ITTER RICHARDS JARDEN RAY JOHNSON MARCEL JUST PATRICK KELLY GARRY NEILL KENNEDY ROY KIYOOKA RICHARD KOSTELANETZ JOSEPH KOSUTH GARY LEE-NOVA (ART RAT) NIGEL LENDON LES LEVINE GLENN LEWIS (FLAKEY ROSE HIPS) SOL LEWITT LUCY LIPPARD STEVE 36 LOCKARD CHIP LORD MARSHALORE TIM MANCUSI DAVID MCFADDEN MARSHALL MCLUHAN ALBERT MCNAMARA A.C. MCWHORTLES ANDREW MENARD ERIC METCALFE (DR. BRUTE) MICHAEL MORRIS (MARCEL DOT & MARCEL IDEA) NANCY MOSON SCARLET MUDWYLER IAN MURRAY STUART MURRAY MAURIZIO NANNUCCI OPAL L. NATIONS ROSS NEHER AL NEIL N.E. THING CO. ALEX NEUMANN NEW YORK CORRES SPONGE DANCE SCHOOL OF VANCOUVER HONEY NOVICK (MISS HONEY) FOOTSY NUTZLE (FUTZIE) ROBIN PAGE MIMI PAIGE POEM COMPANY MEL RAMSDEN MARCIA RESNICK RESIDENTS JEAN-PAUL RIOPELLE EDWARD ROBBINS CLIVE ROBERTSON ELLISON ROBERTSON MARTHA ROSLER EVELYN ROTH DAVID RUSHTON JIMMY DE SANA WILLOUGHBY SHARP TOM SHERMAN ROBERT 460 SAINTE-CATHERINE WEST, ROOM 508, SMITHSON ROBERT STEFANOTTY FRANÇOISE SULLIVAN MAYO THOMSON FERN TIGER TESS TINKLE JASNA MONTREAL, QUEBEC H3B 1A7 TIJARDOVIC SERGE TOUSIGNANT VINCENT TRASOV (VINCENT TARASOFF & MR. -
The Estate of General Idea: Ziggurat, 2017, Courtesy of Mitchell-Innes and Nash
Installation view of The Estate of General Idea: Ziggurat, 2017, Courtesy of Mitchell-Innes and Nash. © General Idea. The Estate of General Idea (1969-1994) had their first exhibition with the Mitchell-Innes & Nash Gallery on view in Chelsea through January 13, featuring several “ziggurat” paintings from the late 1960s, alongside works on paper, photographs and ephemera that highlight the central importance of the ziggurat form in the rich practice of General Idea. It got me thinking about the unique Canadian trio’s sumptuous praxis and how it evolved from humble roots in the underground of the early 1970s to its sophisticated position atop the contemporary art world of today. One could say that the ziggurat form is a perfect metaphor for a staircase of their own making that they ascended with grace and elegance, which is true. But they also had to aggressively lacerate and burn their way to the top, armed with real fire, an acerbic wit and a penchant for knowing where to apply pressure. Even the tragic loss of two thirds of their members along the way did not deter their rise, making the unlikely climb all the more heroic. General Idea, VB Gown from the 1984 Miss General Idea Pageant, Urban Armour for the Future, 1975, Gelatin Silver Print, 10 by 8 in. 25.4 by 20.3 cm, Courtesy Mitchell-Innes and Nash. © General Idea. The ancient architectural structure of steps leading up to a temple symbolizes a link between humans and the gods and can be found in cultures ranging from Mesopotamia to the Aztecs to the Navajos. -
The Sixties Counterculture and Public Space, 1964--1967
University of New Hampshire University of New Hampshire Scholars' Repository Doctoral Dissertations Student Scholarship Spring 2003 "Everybody get together": The sixties counterculture and public space, 1964--1967 Jill Katherine Silos University of New Hampshire, Durham Follow this and additional works at: https://scholars.unh.edu/dissertation Recommended Citation Silos, Jill Katherine, ""Everybody get together": The sixties counterculture and public space, 1964--1967" (2003). Doctoral Dissertations. 170. https://scholars.unh.edu/dissertation/170 This Dissertation is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
'Detecting the Past' Crime Writing Project
‘Detecting the Past’ Crime Fiction Project Database of Nazi-themed primary literature Dr. Katharina Hall Swansea University German-, English- and foreign-language crime novels (or novels using elements of the crime genre), which explore the history, memory and legacy of National Socialism. For further information see: http://www.swan.ac.uk/staff/academic/artshumanities/ltm/hallk/ Novels reviewed or discussed on Dr. Hall's 'Mrs. Peabody Investigates' international crime fiction blog are indicated in red, with an asterisk. Click the hyperlinks to see the posts concerned. ENGLISH-LANGUAGE Banks, Carla The Forest of Souls HarperCollins 2005 (UK) Bateman, Colin The Mystery Man* Headline 2009 (N.IRE) Binding, Tim Lying with the Enemy Picador 1998 (UK) (also pub. as Island Madness) Black, Cara Murder in the Marais Soho Press 1999 (USA) Murder in Montmatre Soho Press 2006 Aimee Leduc series Broderick, William The Sixth Lamentation* (see Time Warner 2004 [2003] (UK) discussion in comments section) Father Anselm series Brophy, Grace A Deadly Paradise Soho Press 2008 (US) Le Carré, John Call for the Dead* Penguin 2012 [1961] (UK) Penguin 2010 [1963] The Spy who Came in from the Cold* George Smiley #1 and #3 Sceptre 1999 [1968] A Small Town in Germany* Chabon, Michael The Final Solution Harper Perennial 2008 (USA) [2005] The Yiddish Policemen’s Union* Harper Perennial 2008 [2007] Cook, Thomas H. Instruments of Night Bantam 1999 (USA) Crispin, Edmund Holy Disorders Vintage 2007 [1946] (UK) Crombie, Deborah Where Memories Lie Macmillan 2009 [2008] -
And Others TITLE Four Years' Reading in Bibliotherapy, 1968 - 1S72
DOCUMENT RESUME ED 088 509 IA 000 343 AUTHOR Steffens, Elizabeth, Comp.; And Others TITLE Four Years' Reading in Bibliotherapy, 1968 - 1S72. INSTITUTION Santa Clara County Library, San Jose, Calif. PUB DATE 73 , NOTE 33p.; See also IR 000 342 through IR 000 345 EDRS PRICE HF-$0.75 HC-$1.85 DESCRIPTORS *Annotated Bibliographies; Bibliographies; *Bibliotherapy; *Institution Libraries IDENTIFIERS *Agnews State Hospital ABSTRACT Approximately 270 short stories, plays and prose excerpts which have been used successfully during the four years of the Agnews State Bibliotherapy Project from 1968-1973 are cited in this bibliography. The entries are arranged alphabetically by subject area. Some of the main topics covered are: adolescence, alcoholism, anger, compassion, courtship, family, fear, identity, justice, life and death, loneliness, love, marriage, parent-child, reality, revenge and self-concept. For most of the entries author, title, place of publication, publisher, date and a few words of annotation are given. The publication dates range from about 1925 to 1971. At the end of the bibliography is a selected list of poems and their sources. (JG) FOUR YEARS' READING IN BIBL1OTHERAPY 1968 - 1972 Compiled by Elizabeth Steffens, Clara Lack and BruceBettencourt Patients' Library Agnews State Hospital San Jose, California U.S. DEPARTMENT OF HEALTH, Eat/CATION £ WELFARE NATIONAL INSTITUTE OF EDUCATION THIS DOCUMENT HAS BEEN REPRO DUCED EXACTLY AS RECEIVED FROM THE PERSON OR ORGANIZATION ORIGIN. ATING IT. POINTS OF VIEW OR OPINIONS STATED DO NOT NECESSARILYEPRE IFY) SENT OFFICIAL NATIONAL INSTITUTE OF EDUCATION POSITION OR POLICY. 10 O 0 H The following bibliography is a complete list of short stories, poems, plays, and prose excerpts used successfully during the four years of the Agnews State Hospital Bibliotherapy Project, 1968-1972. -
Children's Book and Media Review Publishers
Children's Book and Media Review Volume 12 Issue 3 Article 7 1991 Publishers Children's Book Review Follow this and additional works at: https://scholarsarchive.byu.edu/cbmr BYU ScholarsArchive Citation Review, Children's Book (1991) "Publishers," Children's Book and Media Review: Vol. 12 : Iss. 3 , Article 7. Available at: https://scholarsarchive.byu.edu/cbmr/vol12/iss3/7 This Publisher is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in Children's Book and Media Review by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Review: Publishers Children's Book Review 41 Book Publishers ALFRED A. KNOPF, 201 E 50th Street New York, NY 10022 ATHENEUM PUBS., Div. of Macmillan Publishing Co., Inc., 866 Third Ave., New York, NY 10022 BRADBURY PRESS, Div. of Macmillan Pub. Co., 866 Third Ave., New York, NY 10022 CHARLES SCRIBNER'S & SONS, See Macmillan Publishing Group. CLARION BOOKS, Div. of Houghton Mifflin, 2 Park Street, Boston, MA 02107 CROWN PUBLISHERS, One Park Avenue, New York, NY 10016 DELL PUBLISHING 1 Dag Hammarskjold Plaza, New York, NY 10017 DIAL BOOKS FOR YOUNG READERS, Div. of Penguin USA, 375 Hudson Street, New York, NY 10014 DUTTON CHILDREN'S BOOKS, See E. P. Dutton. DUTTON, E. P., Div. of Penguin USA, 375 Hudson St., New York, NY 10014 FARRAR, STRAUS & GIROUX, 19 Union Square, W., New York, NY 10003 FOUR WINDS PRESS, See Macmillan Publishing Co. FRANKLIN WATTS, Affil. of Grolier Inc., 387 Park Ave. -
Section Cube #Category ISBN* Title Author Publisher Year
Section Cube #Category ISBN* Title Author Publisher Year PublishedVolume* Translated/Edited By Design A1 n/a 3-8228-7039-0 Design of the 20th Century Charlotte and Peter Fiell Benedikt Taschen Verlag GmbH 1999 Susanne Husemann, Cologne Design A1 n/a 3-8228-5057-8 Industrial Design A-Z Charlotte and Peter Fiell Taschen GmbH 2006 Susanne Husemann, Cologne Raymond Loewy. Pioneer of American Industrial Design A1 n/a 3-7913-1066-6 International Design Center, Berlin March March 1990 Angela Schonberger Ed. Angela Schonberger Design Design A1 n/a The American Design Adventure Arthur J. Pulos Massachusetts Institute of Technology AUP 201A: Theories of Architecture. Winter 1994 Design A2 Theories, Principles, & FundamentalsCourse Reader Sylvia Lavin 1994 Winter Class Reader Design A2 Theories, Principles, & Fundamentalsn/a Design and Planning 2 Doon School of Fine Arts Hastings House, Publishers, Inc., New York 1967 Martin Krampen and Peter Seitz Design A2 Theories, Principles, & Fundamentalsn/a Education of Vision edited by: Gyorgy Kepes George Braziller, Inc. 1965 Vision and Value Series Gyorgy Kepes Form, Space, and Vision. Discovering Design Design A2 Theories, Principles, & Fundamentalsn/a Graham Collier Prentice-Hall International Inc. Second Edition Through Drawing Design A2 Theories, Principles, & Fundamentals Mission Communications Prescott C. Mabon Bell Telephone Laboratories, Inc. 1975 Design A2 Theories, Principles, & Fundamentalsn/a Module, Proportion, Symmetry, Rhythm edited by: Gyorgy Kepes George Braziller, Inc. 1966 Vision and Value Series Gyorgy Kepes Space Geometrics. Its Application to the Study of Design A2 Theories, Principles, & Fundamentalsn/a Mary Claire Rogers 1960 Mathematics Design A2 Theories, Principles, & Fundamentalsn/a Structure in Art and in Science edited by: Gyorgy Kepes George Braziller, Inc. -
MANGAARD C.V 2019 (6Pg)
ANNETTE MANGAARD Film/Video/Installation/Photography Born: Lille Værløse, Denmark. Canadian Citizen Education: MFA, Gold Medal Award, OCAD University 2017 BIO Annette Mangaard is a Danish born Canadian media artist and filmmaker who has recently completed her Masters in Interdisciplinary Art, Media and Design. Her installation work has been shown around the world including: the Armoury Gallery, Olympic Site in Sydney Australia; Pearson International Airport, Toronto; South-on Sea, Liverpool and Manchester, UK; Universidad Nacional de Río Negro, Patagonia, Argentina; and Whitefish Lake, First Nations, Ontario. Mangaard has completed more then 16 films in more than a decade as an independent filmmaker. Her feature length experimental documentary on photographer Suzy Lake and the history of feminism screened as part of the INTRODUCING SUZY LAKE exhibition October 2014 through March 2015 at the Art Gallery of Ontario. Mangaard was nominated for a Gemini for Best Director of a Documentary for her one hour documentary, GENERAL IDEA: ART, AIDS, AND THE FIN DE SIECLE about the celebrated Canadian artists collective which premiered at Hot Doc’s in Toronto then went on to garner accolades around the world. Mangaard’s one hour documentary KINNGAIT: RIDING LIGHT INTO THE WORLD, about the changing face of the Inuit artists of Cape Dorset premiered at the Art Gallery of Ontario and was invited to Australia for a special screening celebrating Canada Day with the Canadian High Commission. Mangaard’s body of work was presented as a retrospective at the Palais de Glace, Buenos Aires, Argentina in 2009 and at the PAFID, Patagonia, Argentina in 2013. In 1990 Mangaard was invited to present solo screenings of her films at the Pacific Cinematheque in Vancouver, Canada and in 1991 at the Kino Arsenal Cinematheque in Berlin, West Germany. -
Leveled Books by Reading Level
A Curly and His Friends Tony Mitton Rigby A Do You Want to Be My Friend? Eric Carle Scholastic A Friends Lesly Wing Jan Rigby A Goodnight Bobbie Alison Hawes Rigby A I Like Gay Su Pinnell Scholastic A Look! Now Look! Jan Pritchett Rigby A Scaredy Cat Fay Robinson Rigby A School Gay Su Pinnell Scholastic A That's Mine! Claire Llewllyn Rigby A Things Birds Eat, The Betrey Chessen Scholastic A Time for School Maria Fleming A We Are Playing Jan Pritchett Rigby B Big and Little Jacob Cesaro Rigby B Bobbie and the Monster Monica Hughes Rigby B Bobbie and the Parade Monica Hughes Rigby B Curly Finds a Home Tony Mitton Rigby B Curly Is Hungry Tony Mitton Rigby B Eat It, Print It Stephanie Varnali Rigby B Explore in a Cave Dana Meachen Rau Abrams and Company B Gifts for Everyone Claire Llewllyn Rigby B Going Shopping Alison Hawes Rigby B Have You Seen My Cat? Eric Carle Scholastic B I Like Dogs Barbara Mitchelhill Rigby B Juggling Alison Hawes Rigby B Max Gets Ready Fay Robinson Rigby B Mixing Colors Isabel Bissett Rigby B Monster Soup Paul Shipton Rigby B Mud! Charnan Simon Houghton Mifflin B Ned's Noise Machine Monica Hughes Rigby B Pet Vet, The Marcia Leonard Houghton Mifflin B Playhouse, The Monica Hughes Rigby B Shells Coral White Rigby B Wash Day Sydnie Meltzer Kleinhenz Scholastic B What Can You See? Simon Browne Rigby B What Is It? Fay Robinson Rigby B What's in the Box? Nancy Ianni Rigby B Where Is Eric? Anne Bauers Rigby B Who Lives in a Tree? Susan Canizares Scholastic B Wings Paloma Kennedey Rigby C At Last! Alison Hawes Rigby C Baby -
John Boyle, Greg Curnoe and Joyce Wieland: Erotic Art and English Canadian Nationalism
John Boyle, Greg Curnoe and Joyce Wieland: Erotic Art and English Canadian Nationalism by Matthew Purvis A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Cultural Mediations Carleton University Ottawa, Ontario © 2020, Matthew Purvis i Abstract This dissertation concerns the relation between eroticism and nationalism in the work of a set of English Canadian artists in the mid-1960s-70s, namely John Boyle, Greg Curnoe, and Joyce Wieland. It contends that within their bodies of work there are ways of imagining nationalism and eroticism that are often formally or conceptually interrelated, either by strategy or figuration, and at times indistinguishable. This was evident in the content of their work, in the models that they established for interpreting it and present in more and less overt forms in some of the ways of imagining an English Canadian nationalism that surrounded them. The dissertation contextualizes the three artists in the terms of erotic art prevalent in the twentieth century and makes a case for them as part of a uniquely Canadian mode of decadence. Constructing my case largely from the published and unpublished writing of the three subjects and how these played against their reception, I have attempted to elaborate their artistic models and processes, as well as their understandings of eroticism and nationalism, situating them within the discourses on English Canadian nationalism and its potentially morbid prospects. Rather than treating this as a primarily cultural or socio-political issue, it is treated as both an epistemic and formal one. -
William L. Gresham Library Books Stored in the Marion E. Wade
William L. Gresham Library Books stored in Wade Center Book Collection # Andreas, Osborn. Joseph Conrad: A Study in Non-Conformity. New York: Philosophical Library, 1959. The Apocrypha. London: Society for Promoting Christian Knowledge, [1900]. Aurand, Jr. A. Monroe. Popular Home Remedies and Superstitions of the Pennsylvania Germans. Harrisburg, PA: The Aurand Press, 1941. Aurand, Jr. A. Monroe. Pennsylvania-German Dialect Stories and Poems. Harrisburg, PA: The Aurand Press, 1938. The Authentic Librettos of the Italian Operas. New York: Crown Publishers, 1939. Ausubel, Nathan, ed. A Treasury of Jewish Folklore: The Stories, Traditions, Legends, Humor, Wisdom and Folk Songs of the Jewish People. New York: Crown Publishers, 1960. # Benoit, Hubert. The Supreme Doctrine: Psychological Studies in Zen Thought. New York: Pantheon Books, 1955. Blakney, Raymond, ed/trans. Meister Eckhart: A Modern Translation. New York: Harper & Brothers Publishers, 1941. Blyth, R. H. Zen in English Literature and Oriental Classics. Tokyo: The Hokuseido Press, 1948. Borrow, George. Lavengro: The Scholar, The Gipsy, The Priest. New York: E. P. Dutton & Co., 1921. Mystery Writers of America. The Mystery Writer's Handbook. New York: Harper & Brothers, 1956. Brookfield, Charles M. & Oliver Griswold. They All Called It Tropical: True Tales of the Romantic Evergaldes National Park, Cape Sable and the Florida Keys Miami, Florida: The Data Press, 1949. Brunton, Paul. The Secret Path: A Technique of Spiritual Self-Discovery for the Modern World. New York: E. P. Dutton & Co., Inc., 1958. # Brunton, Paul. The Hidden Teaching Beyond Yoga. London: Rider & Company, 1941. # Buber, Martin. Hasidism. New York: Philosophical Library, 1948. # indicates inscription and/or annotations Marion E. -
AA Bronson Radical Asshole '…The Use of Irony Was Itself Serious
AA Bronson Radical Asshole ‘…the use of irony was itself serious…’ – AA Bronson on General Idea, in The Confession of AA Bronson (2011) AA Bronson thinks his butt is revolutionary. That may be the case – I haven’t tried it – but I’m not quoting him fairly. He thinks all assholes are revolutionary. In this he joins proto-queer thinker Guy Hocquenghem, who argued that the liberation of anal pleasure from shame was one way to remake society as a whole. Homosexuality is dangerous, he claimed in Homosexual Desire (1972), because it shows that eroticism is not tied to reproduction. Male receptivity further disturbs the masculine/feminine, active/passive oppositions which uphold patriarchal authority and by extension marriage or other systems of ownership. This undoing of gendered mastery finds echoes in Bronson’s earlier work as a member of General Idea. From their mock beauty pageants in which the artist becomes feminised commodity, to their pose as pampered poodles, they mercilessly satirised the singular (straight male) artistic genius as a myth of the media and marketplace. But the deaths of his partners and collaborators Jorge Zontal and Felix Partz from AIDS in 1994, and his reversion to working alone, caused not only a personal but an artistic crisis for Bronson. How could he represent himself without betraying the group’s critique of the artist as gifted individual? While his most recent work has sought to memorialise those lost to the pandemic and histories of homophobic persecution, his decision to summon the queerly departed by posing, like Joseph Beuys, as a shaman, appears to abandon the principles of GI.