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saskatchewan arts board annual report 2000 - 2001

Our mission is to cultivate an environment in which the arts thrive for the benefit of everyone in .

Our vision is for the Arts Board to be essential to the province’s vibrant cultural life. In a collaborative and open spirit, the Arts Board supports creative expression through the arts and links Saskatchewan in an integrated network which reaches all people in all parts of the province. www.artsboard.sk.ca artist's statement

The visual design of the Saskatchewan Arts Board website began as a series of pencil sketches on paper: small scribble-like marks about 1 cm in size.

These marks were then enlarged and intentionally degenerated on a black-and-white photocopier. The small sketches were copied, enlarged, and then re-copied and enlarged numerous times. In this process, a unique texture is introduced into the image which originates from the contrast limitations and toner qualities of the machine.

As well, a custom type treatment was created for the top-level navigation text of the site. These fonts use multiple levels of opacity, and intend on speaking to the process of construction of the typeface form.

Garnet Hertz 1 saskatchewan arts board Colleen M. Bailey Chair ArtsSaskatchewan Board The Honourable The Honourable for Minister Responsible and Recreation Youth Culture, Respectfully submitted on behalf of the Saskatchewan Arts Saskatchewan Respectfully submitted on behalf of the Board: The Saskatchewan Arts reportThe Saskatchewan Board is pleased to submit its annual year the fiscal for April 1, 2000 to March 31, 2001. statements are financial Arts Saskatchewan The Board’s Auditor. the Provincial been audited by included and have Your Honour: Your The Honourable L.The Honourable Haverstock of Saskatchewan Lieutenant Governor tableL of contents

Message from the Chair 3

Message from the Executive Director 4

Goodbyes 6

Our Story 7

Who’s on Board 8

Behind the Scenes 9

Goals, Programs and Activities: 10

Increased Opportunities in the Arts for Saskatchewan People 10

¥ Global Grants Program 10

¥ Provincial Cultural Organizations Global Grant Program 12

¥ Gallery Grant Program 12

¥ Artist in Residence Grant Program 14

¥ Aboriginal Initiatives 14

Opportunity and Economic Security for Artists 16

¥ Individual Assistance Grant Program 17

¥ Project Assistance Grant Program 21

Enhanced Investments in the Arts 22

¥ Partnership Development 22

ts board ¥ Arts Stabilization Program 23

¥ Saskatchewan Foundation for the Arts 24

Awareness, Appreciation and Advocacy for the Arts 24

¥ Permanent Collection 25

A Vibrant and Effective Arts Board 29

¥ Jury Process 30

¥ Advisory Processes 32

Management’s Responsibility for Financial Information 33

Auditor’s Report 33 saskatchewan ar Financial Statements 34

2 3 saskatchewan arts board With the development of a strong business With the development and the and objectives plan, setting of goals partnershipsstrengthening of our with other of funding agencies and the Government begin to now the Board can Saskatchewan, of what can be the best advantage take funding system in Canada; one that benefits through the arts. in this province all citizens the arts, but increase funding for need to We that. beyond our goals go far are about They and a a broad-based community, building consensus which will place the arts in the hearts of us all, no matter where and lives no matter what our ethnicity, no live, we traditions. matter what our cultural this vision on The Arts achieve Board cannot its own; organizations it is only one of many involved. Our vision is based on a climate of amongst all those who dream of cooperation a stronger and more dynamic arts in Saskatchewan.community I look all to make to working with you forward this vision a reality. Colleen M. Bailey But despite our innovative successes, we successes, But despite our innovative to ensure that our to find ways continue must on, the pace with, and focuses funding keeps acute needs in some sectors of the especially individual artists. community, Saskatchewan has literally led the country has literally in Saskatchewan to support the artsfinding ways in large and art and in every form small communities, and starting with the early festivals music Arts to the Saskatchewan theatre groups, of the Board in 1948, and the establishment lottery led by system in 1972 that is now SaskCulture. We have much to be proud of. much have We Think of the the Joni Mitchell, Vanderhaeghe, work of Guy W.O.Theatre, Globe Mitchell, Wiens, Edith to name Ed Poitras, the Mendel Gallery, only a few. Our history in the arts and experience is no exception. nationally is known The Province the its artists,and internationally and for for community mobilized have in which we ways support to assist artists, arts organizations participate perform, and all who create, in our of our identity, the expressions and enjoy hopes and our individual and collective imaginations. Saskatchewan has always been a centre of been a centre has always Saskatchewan thinking. and creative innovation In a as community of areas such number technology and agricultural development, we and distribution, marketing cooperative ideas to leadership and new provided have the rest of Canada. message from the chair message message from the executive director

Our front cover this year says a lot about inclusion of the cultures and customs of current realities: a web home page as the Aboriginal peoples in all we do at the Board. front cover of a pretty traditional annual In short, the Arts Board needs to be part of report. We thought this was a neat touch, but the public dialogue regarding it goes beyond that. This picture may not be Saskatchewan’s past, present and future if it what we usually mean by convergence but is is to achieve its mission. a glimpse of what people today face in their environment: in dealing with arts, This mission compels us always to be aware entertainment and culture, and in of the opportunities for Saskatchewan people understanding who and where they are. In in the arts and be ready to advance and hearing and being heard by those who make exploit them in partnership with the decisions about public support and funding community. This year we have been for the arts, the arts community and the Arts improving our communications within Board face some very distinct challenges. government and the organization itself and The market place is a busy, noisy place. establishing stronger contact with a range of key decision-makers. Our web site This simple contrast hints at the changing development, supported by the provincial environment and the challenges facing an Department of Economic and Co-operative organization such as ours in maintaining its Development, has been a major step mission in the face of such change. It also forward, and it will continue to absorb a lot of prompts questions about the ability of the our communications resources for the next organization to assess these changes and to year or so. The site will be our main determine whether they are fundamental, as communications vehicle with the community evidence of long term trends, or ephemeral and a major source of news and information.

ts board issues which may vanish as quickly and effortlessly as they popped up. It has been said recently that the arts and the Arts Board are not on the radar screen. If There is no doubt that Saskatchewan society this is the case, perhaps a number of factors has changed around the Arts Board and that are at work. It could be that the instruments we need to cope with these changes if public are not sensitive enough to pick us up. We support for the arts is to continue, let alone need to help the radar operators adjust their increase. For example, the strategic plan settings and their sensitivities to pick up the which the Board developed this year contains arts, and to recognize them for what they an emphasis on the cultures of Aboriginal are: not as nuisances or as enemies but as peoples. This emphasis is driven by issues of friendlies, although ones that sometimes fairness and equity and also by a sense of come with a bit of a leading and cutting

saskatchewan ar the opportunities available to enrich the lives edge. By the same token, as a huge number and spirits of all Saskatchewan people by the of tiny contacts which get lost in the clutter or

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get misidentified, we need to consolidate our So, are we on the provincial radar screen? presence. We must form the critical mass on We know that our web site will show up on the screen that helps us to be clearly and computer screens across the province, and quickly identified. In the forthcoming year, the around the world. Maybe the simple truth is

Board will increase its work on this that artists and the arts are the radar ts board fundamental priority in partnership with the screens, describing not only what is, but also Saskatchewan Arts Alliance and SaskCulture what is to be. A simple truth whose impact as well as the arts community in general. when fully felt across our society will provide all the public resources we need. This year we developed three strategies that will advance our mission and in so doing Jeremy Morgan increase support for the arts: Advocate, Celebrate and Promote the Arts; Increase Support for the Arts; and, Embrace Diversity in our Programs and Services. When the rain stops will you tell us again

Based on the philosophy that underlies our about Tom and those seven guys Strategic Plan, these strategies will be increasingly mission and partnership based, be geared to keeping Saskatchewan artists working in Saskatchewan, support creativity ai .Alexander David T. at all levels and be linked to the goals and strategies of those whose support we are on canvasacrylic seeking. , 1999

My thanks to members of the Board of Directors, our staff and our many advisors. The dedication, inspiration and knowledge that they bring to their work is astonishing. Thanks also to colleagues and co-workers in the arts community and, in short, everyone who has helped us move forward this year. Home Building on the Prairies acrylic on paper acrylic Alicia Popoff , 1998 goodbyes

The Arts Board said goodbye to two of its Dr. Riddell was an active participant in the oldest friends and supporters this year. arts right up until the time of his death and attended many of the receptions, events and David Smith, fondly remembered by many in ceremonies held by the community. Dr. the arts community as the father of the Arts Riddell received a Lifetime Award for Board, passed away August 15 at the age of Excellence in the Arts at the inaugural 94 in Barrie, Ontario. ceremony in 1989.

"The Board was created to bring arts to the people of Saskatchewan at a time that the David Smith province had seemingly little to offer. Today cultural life in the province is strong and lively, and much of this springs from the work of David Smith’s creation, the Saskatchewan Arts Board. The Arts Board has not quite, in William Blake’s words, "builded here Jerusalem", but it ranks as one of the distinctive and enduring achievements of visionary women and men like David, committed to an ideal and with the worldly wisdom and zeal to achieve it."

Excerpt from Tribute to David From the Saskatchewan Arts Board Ð September 2000 ts board David was honoured in 1989 with our first Lifetime Award for Excellence in the Arts for r William Riddell Dr. his role in the establishment of the Saskatchewan Arts Board.

Dr. William Riddell passed away on May 27. Dr. Riddell is celebrated as the longest- serving Chair (1950 to 1964) in the Arts Board’s history and for his role in developing the Conservatory of Music and the Norman MacKenzie Art Gallery and his unfailing

saskatchewan ar encouragement and development of arts education in the province.

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Participants of the powwow held in September 2000 to celebrate the MacKenzie Art Gallery’s Exhibition The Powwow: An Art History Photo: Jill Nachtigall , 1999 Ovide Bighetty Northern Images acrylic on canvas But the Board also realizes that in order to realizes But the Board also work more effectively must we forward move before.than ever the Board This year plan outlining business prepared its first ever the goals for and objectives the strategic three years. the next Agency over The an implementation of these goals will require $2M of approximately increased investment to the arts which will primarily community Aboriginal artistsbenefit rural communities, and arts individual artists organizations, and children and youth.Saskatchewan’s We to work more our operations overhauled have pursuing and are aggressively effectively alternativewithin sources of funding both government. and outside the provincial The Arts 1991 and, this year, the creation and, this year, on rental to Saskatchewan Liquor and Gaming Authority on rental to Saskatchewan Greg Hardy House, Abandoned Farm of the artist gift oil on canvas, The Arts of the challenges Board is aware government the provincial faced that have the last decade.over by are encouraged We the recognition of the fundamental importance of arts of and culture to the lives through the the people of this province of a departmentestablishment of culture. are optimistic that the coordinated We department,approach of the new in of a conjunction with the development will set the stage for policy, cultural provincial us to broader role and allow the Arts Board’s of this better serve the communities province. The Act re-affirms arms- the Arts Board’s an increased for length status and provides mandate in the areas of accessibility, participation, input and community education, Aboriginal and ethnic arts. The enabling opportunitylegislation also provides to once amateur and again bring together community, unified arts artsprofessional into a stronger, community. Board Act, 1997 and Youth departmentof the new Culture, of Recreation. The government’s commitment to the arts The government’s and the people of this province community the remains strong and in 1998 resulted in passage of updated legislation, Our story begins in 1948 when the T.C. Our story begins in 1948 when the legislated the Douglas government Arts as Saskatchewan existence Board into North first funding agency of its America’s the Canada kind and almost a decade before the Arts, national the ArtsCouncil for Board’s counterpart, created. was our story who's on board

We’ve been extremely fortunate over the years to have individuals appointed to our Board who work tirelessly for the betterment of the arts and the arts community.

Board members are appointed by the Nominating Committee government through the Minister Colleen Bailey, Chair Terry Fenton Responsible for Culture with at least one- Margaret Morrisette third of the members chosen on the basis of Ruth Smillie input received directly from the community through a nomination process. Outgoing Board Members In one of his last official acts as Minister, the Faye Anderson Bradley Hunter Honourable Jack Hillson, announced the Grant McConnell appointment of a new Board. We'd like to Sonia Morris thank Minister Hillson for his work on behalf Burton SmokeyDay Susan Whitney of the arts and extend our congratulations and welcome to the Minister of the new Board Members department of Culture, Youth and Recreation, Colleen Bailey, Chair the Honourable Joanne Crofford. Margaret McKercher, Vice-Chair Trudi Barlow We’d also like to say goodbye to some Lon Borgerson Sherry Farrell Racette wonderful colleagues whose terms on the Alison Gillis Board were up and thank them for their David Millar Louise Halfe ts board efforts over the past two years in re- positioning the Agency. The development Gursh Madhur Ken Sagal and ratification of a three-year business plan Maggie Siggins and establishment of strategic priorities will Lyndon Tootoosis set the foundation for the new Board to build on and allow the Arts Board to better inform the community, government and the public of its goals and objectives.

We’d like to welcome new and returning members. The road ahead may be filled with challenges but we feel the climate is right to

saskatchewan ar move forward and strengthen the position of the arts community.

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behind the scenes

The Arts Board provides a wide range of

services to achieve its mandate. We give ts board grants to artists, arts organizations and cultural workers. We collect, preserve, lend and rent art. We provide advice to government, artists and the arts community and we receive it through a variety of advisory processes.

Through our professional, dedicated staff and consulting services we can provide Saskatchewan Arts Board Staff assistance in a wide range of areas. Artists l to r: Angela Birdsell, Performing Arts Consultant; Jeremy looking for ways to enhance their skills, Morgan, Executive Director; Gail Daggett, Art Rental organizations needing help through a difficult Officer; Doug Townsend, Visual and Media Arts time, communities wanting to develop local Consultant; Alicia McBride Folstad, Archives Clerk; Ron arts programming; all of these and more are McLellan, Information Systems Officer; Marie Amor, some of the ways we help strengthen the Finance Clerk; Catherine Macaulay, Curator; Donna arts in the province. Knouse, Records Clerk; Carle Steel, Grants Clerk; Marni Aubichon, Executive Assistant; Peter Sametz, Director of Operations; Gail Paul Armstrong, Literary and Multidisciplinary Arts Consultant

Photo: Don Hall

Audio and Visual Services, University of Regina goals,L programs & activities

In preparing its business plan the Board and Through our Global Grants, Provincial Cultural staff were prompted to reconsider our mission Organization Global Grants, Gallery Grants and and vision statement and refashion them with Artist in Residence Grants programs, arts the advice and comments of the community in organizations and communities are accessing mind. In particular, the Arts Board’s mission funding to support and develop arts activity statement reflects what we believe is a very across the province. Saskatchewan sensibility and history: it is to cultivate an environment where the arts will In addition to our funding programs, we provide flourish for the benefit of everyone in a wide range of services to increase access Saskatchewan. and serve the needs of the people and our community. Identification of gaps and initiatives The Arts Board has identified five goals for the to address those areas; providing advice and next three years and focused its resources on guidance on arts activity to decision-makers achievement of these goals. and others whose activities have an impact on our community; pursuing alternative sources of Goal One: Increased Opportunities in the funding; supporting developing arts Arts for Saskatchewan People programming; establishing and strengthening relationships with the wider arts community; all We believe the arts are important to the future are just some ways the Agency works to further growth and viability of our province. Consider its goals. the benefits of a strong and healthy arts community to the people of this province. The Global Grants Program arts provide a forum for understanding. They stimulate creativity and increase learning The Global Grants Program, which provides capacity in children and youth. They enhance funding to Saskatchewan arts organizations quality of life and sense of community. The arts active in the arts in the province, was

ts board provide opportunity for economic activity and introduced in 1999 and is nearing the end of its contribute positively to tourism in the province. first three-year cycle. Arts and culture are central to community life throughout Saskatchewan, particularly in A review of the program undertaken with the smaller communities and rural areas. advice and guidance of the groups it supports is scheduled for completion July 2001. The The scope of arts programming available in our recommendation to proceed with a full, multi- urban centres is broad and diverse. Individuals year program will result in considerable cost in rural communities and on farms who have savings and efficiencies related to jury process experienced and enjoyed the arts on a and administrative resources. community level, through a touring program or a visit to a larger centre are demanding access Total funding in the amount of $1,866,433 was

saskatchewan ar to a wider, more varied level of arts approved for 35 organizations to support their programming. operations and programming which reaches

10 saskatchewan arts board 11 , , winner Tent by Duncan by A Blue with Blood in It Kalifax , by Leona Theis and the Leona , by Children show off their creations at the off their Children show Activity Booth Little Gallery’s Photo: Veith Ulrike Sightlines written by Manitoba composer written by Prisoner in a Red-Rose Chain , a musical by Morris Ertman by , a musical and Ron children's author from Halifax.children's author from children The eager participantswere and musical in a lively presentation. The story incarnated of Batoche was in musical both as a new Saskatchewan during performers Saskatchewan by performed entitled and as an opera to Batoche Days Back Batoche Glen Buhr. The Station Arts located in Rosthern Centre is that CN Station renovated an award-winning seminar into an arthas been converted gallery, arts performing tea room and a space, theatre. Their summer theatre production of Meeting with Feheregyhazi Tibor Reed, directed by a great was Buck, director Deborah musical from all over record crowds success drawing Canada. book The work Saskatchewan-based of our recognition on to receive continues publishers a national and international basis. Coteau the Saskatoon Book Award Books published recipient, Poetry Award recipient, Award Poetry Philips. Elizabeth by the national Mr. Thornton a finalist for was nominated for and was Christie Book Award Children's for Award General's the Governor Literature. Jeffrey Press published Thistledown Moore's Writers Prize for of the 2000 Commonwealth Best First Book. Mozart at Orchestra’s The Regina Symphony to be a huge success Mission Ridge continues 2000. 8,000 in August of over a crowd drawing to to continue this popular event for Watch in a day-long fundraising in a day-long Wit was a feature concert a feature for was Tunes 'n Tales 'n Tunes The Globe Theatre hosted a special The Globe of performance from healthcare professionals workshop for across Saskatchewan. $15,000 was Over Care Inc. Regina Palliative for raised Arts in the Performing children that played Library/Art Public Theatre of the Moose Jaw as partMuseum Complex 2000 Festival of the Words.of songwriter well-known Brenda Baker, Saskatoon, shared the from and performer stage with Sheree Fitch, an award-winning La Troupe du Jour in Saskatoon conducted Troupe La workshops and playwright school tours, audiences francophone for performances across the province. From November 18, 2000 to January 21, 2001 November From Artthe MacKenzie Gallery presented an of thirteen from paintings exhibition exquisite the permanent collection of the National Gallery and the most celebrated of Canada by influential artists Impressionist of the movement. the only was The MacKenzie which included the exhibition for prairie venue works by: Claude Monet, Camille Pissaro, Eugene Boudin, Alfred Sisley, Cezanne, Paul Gogh, Paul Van Vincent Edgar Degas, Renoir. Gauguin, and Pierre-August Over 1,500 children participated 1,500 Over in an activity Little Gallery the the booth sponsored by for 2000. in May Prince Festival Albert Children’s children expressed festival During the 2 day making colorful and their creativity by masks. decorative communities and individuals in every corner in every and individuals of communities the province. 12 saskatchewan arts board accessible. and theirwork and makingwriters raising the publicwriting, profile ofwriters by flourish fosteringwriters excellence in tocreatean environmentworks where across theprovince, the Guild Writers fromall Boasting morethan650writers of theSaskatchewan Guild(SWG). Writers totheefforts dueinnosmallpart thriving community inSaskatchewanThe literary is this province. depth oftalentandcreativityavailable in guidance contributes tremendouslytothe provision of advice and opportunities, providing performance andexhibition andseminars, ofworkshops the delivery through emerging andestablished artists inassistinganddevelopingTheir work thatasmallercommunity may have.arts instances provide theonlyaccessto and active volunteer baseandinmany through thisprogram encompassalarge The sixorganizationsreceivingfunding CultureandRecreation. Sport, Saskatchewan Lotteries Trust Fundfor Board, withthebalancethrough which $148,901was paidby theArts program totaled$1,436,000in2000/01of Funding for this for adjudicationpurposes. Board that electedtotransfer totheArts cultural inthearts organizationsworking thoseprovincialthis new program supports withSaskCulture, Funded inpartnership Global GrantProgram Provincial CulturalOrganizations of 2001. Beethoven atBuffalo Pound inthesummer when itpremieresinitsnew format as oldandyoung alike delight andentertain installations, aperformance cabaret,artists ofexhibitions,series sitespecific This enabled theDunlop topresenta MillenniumFund. Council's Arts received fundingfromtheCanada acrossCanadawhich handful ofgalleries was oneofa Gallery The DunlopArt the province. in8communities across galleries theoperations of11 went tosupport Funding of$136,500fromthisprogram maximum flexibility andeaseinapplication. organizationstoprovide participating was designedin cooperation with CultureandRecreation, Fund for Sport, through theSaskatchewan Lotteries Trust withSaskCultureandpaid partnership Grant Program, fundedin The Gallery Board. the Arts Grant Program betransferredGallery to fundedthroughtheMuseumand galleries agencyby recommendingthatthe arts endorsedtheconceptofsingle further The 1999MuseumFundingReview Report GrantProgramGallery receiving fundingthroughthisprogram. they jointheothersixorganizations Association (SMEA)inthecomingyear as Saskatchewan MusicEducators We lookforward withthe toworking forms, onmany levels. inmany communities toexperience art programs Itstouring allow Saskatchewan. tosmallerurbancentresandrural art bring Councils(OSAC)of Saskatchewan Art volunteers theOrganization thatcomprise school centresandinexcess of1,000 councilsand77 The 55community arts ht:David Wanhella Photo: Battleford’s residency hosted by tocelebrateNorth theChapelGallery and Housingenjoy theactivitiesatanevent Culture Minister Responsible for MunicipalAffairs, andtheHonourable Jack Hillson, Board; Arts Saskatchewan Executive Director, Jeremy Morgan, EleanorCardoza; BattlefordNorth Program; inResidencefor the Artist Kevin Quinlan, l tor: saskatchewan arts board 13 Visual Visual Literary Saskatchewan Festival Inc. Festival Saskatchewan Performing Saskatoon $59,000 International Children's Festival Performing Saskatoon $5,000 Organization of Saskatchewan ArtsOrganization of Saskatchewan Councils Council Craft Saskatchewan Association Music Festival Saskatchewan Association Orchestral Saskatchewan Writers Saskatchewan Guild Multidisciplinary Performing Performing CARFAC Sask CARFAC Provincial Cultural Organizations Global Grant Program Recipients Global Grant Program Cultural Organizations Provincial Station Arts Centre GalleryThe Photographers Press Ltd.Thistledown Inc.Tribe Theatre Fifth Street Twenty ArtistsVideo Verite Centre Visual Performing Literary Performing Media Rosthern Saskatoon Visual Saskatoon Saskatoon Saskatoon $37,500 $4,000 Saskatoon $22,500 $80,500 $24,800 $20,000 Opera SaskatchewanOpera TheatrePersephone OrchestraRegina Symphony Rosemont Art GalleryWriting ExperienceSage Hill First Nations ArtistsSâkêwêwak Collective Inc. Book Awards Saskatchewan Visual FilmpoolSaskatchewan Performing Performing SocietySaskatoon Jazz Performing SocietySaskatoon Symphony Literary on the Shakespeare Literary Visual Regina Regina Regina Saskatoon Media Performing Performing Saskatoon Regina Regina Saskatoon $148,000 $148,000 $10,500 Saskatoon $20,000 Regina $52,500 $3,000 $30,000 $144,000 $18,479 $27,000 AKA Gallery Inc.Art Gallery of Swift Current BerryBuffalo PressChapel GalleryCoteau BooksTheatre Inc.Dancing Sky Dunlop Art Gallery Art GalleryEstevan and Museum VisualGlobe Theatre du Jour Inc.Troupe La VisualLittle Gallery Inc. LiteraryWords of Living Skies Festival Visual Performing ArtMacKenzie Gallery Visual Swift CurrentMendel Art Gallery Literary ArtMoose Jaw Museum Visual Saskatoon GroundNeutral Saskatoon Meacham Dance HorizonsNew Literary PerformingNorthern Saskatchewan Estevan Performing North Battleford $22,000 Visual Regina Visual Regina Saskatoon Visual $34,000 Visual Moose Jaw $23,000 Regina $38,600 $9,000 Performing $21,000 Visual Prince Albert Regina $93,000 Moose Jaw $31,500 Saskatoon $59,000 $12,500 Regina $215,000 Regina $42,500 $114,654 $38,000 $160,000 $61,000 $36,900 Global Grant Program Recipients (Adjudicated at the November 1999 deadline) Recipients (Adjudicated at the November Global Grant Program Participants of the powwow held in September 2000 to celebrate the MacKenzie Art Gallery’s Exhibition The Powwow: An Art History Photo: Jill Nachtigall

talks, video and film screenings and a English River First Nations, in collaboration symposium titled Space Camp 2000: with St. Louis School, placed Simon Paul, a Uncertainty, Speculative Fictions and Art. Dene-speaking visual artist, in Patuanak to serve residents, teachers and students of the Saskatchewan's arts institutions not only community. The residency honoured and deliver a wide-range of arts programming for profiled the Dene language, cultural and our residents to experience and enjoy, but artistic point of view, and supplemented also undertake their activities in a cost- existing cultural information in the community effective manner. The Rosemont Art Gallery exploring both traditional art forms and new has been recognized nationally as having the technologies. The work with teachers and lowest administrative cost per visitor of any students also allowed an integration of Dene gallery in the country. worldview into existing curriculum.

Artist in Residence Grant Program Many Humboldt and area residents benefited from the Resident Writer Program in that The Artist in Residence Grant Program, community. Through the program, Resident funded in partnership with SaskCulture and Writer Allan Safarik provided workshops and paid through the Saskatchewan Lotteries readings in schools and other venues Trust Fund for Sport, Culture and Recreation, throughout the region, assisted with a is one of the ways the Arts Board assists Multicultural Readers Festival, brought in a communities at a grassroots level to develop wide range of writers for a variety of public local arts programming. A consultant has events, and edited two anthologies publishing been engaged to review the program and local writers, one featuring high school make recommendations by July 31, 2001 to writers. increase its effectiveness and impact. We’re very excited by future opportunities Funding is provided to a host or sponsor to presented by this program and in particular a hire an artist to work in the community for a unique proposal from the Beardy’s First period of one year. Artists are required to

ts board Nation at Duck Lake. Their residency spend 50% of their time on local arts activity program in the upcoming year builds on the and the other 50% doing their own work. In proven therapeutic value of the arts and will 2000/01 $250,000 was approved in support work in conjunction with programs operated of 10 Artist in Residence projects. by the justice system.

These programs have been very effective in Aboriginal Initiatives making artists and arts activities more accessible to people living on reserves and Adopted by the Arts Board in 1999, the inner city locations. An Arts Board funded Aboriginal Advisory Panel Report contains Artist in Residence Program in the Meadow 64 recommendations designed to ensure the Lake Tribal Council region has now been Board’s relationships with Saskatchewan’s adopted by the community and is being Aboriginal artists and communities are based

saskatchewan ar continued with its own resources. on the principles of inclusion and respect.

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Performers and participants alike enjoyed the performance of The Indian Factory as part of the High Tech Storytellers Festival presented by Tribe, AKA, TPG, and Video Verite in May 2000 Photo: Bradlee LaRocque Recreation and Culture Board Visual Onion Lake $25,000 Social Development AuthoritySocial Development Visual Dillion $25,000 Saskatchewan Writers Saskatchewan GuildWriters Guild Saskatchewan Literary Literary Kelvington Laureate Program Poet $25,000 $25,000 New Dance HorizonsNew Sports,Onion Lake Performing Regina $25,000 Artist Recipients in Residence Grant Program Inc.Association Culturelle de Bellevue Allied ArtsBattlefords Council First NationsBeardys and Okemasis Visual Common Weal Community Arts First NationEnglish River Health & Lake Meadow Multidisciplinary Visual Visual Lake Duck St. Isidore de Bellevue Visual $25,000 North Battleford Regina $25,000 Patuanak $25,000 $25,000 $25,000 AKA Gallery Inc.Art Gallery of Swift CurrentChapel GalleryDunlop Art Gallery Art GalleryEstevan and Museum Dean GalleryGodfrey Little Gallery Inc. ArtMoose Jaw Museum Visual GroundNeutral VisualRosemont Art Gallery Visual GalleryThe Photographers Visual Visual Visual Swift Current Visual Estevan Saskatoon Visual Visual Visual Regina North Battleford Visual Yorkton $9,068 Moose Jaw Prince Albert $16,422 $10,500 Saskatoon $10,500 Regina Regina $15,750 $18,375 $5,000 $15,000 $9,135 $11,000 $15,750 Gallery Grant Program Recipients Gallery Grant Program 16 saskatchewan arts board omte.Development of proposalsfor Committee. Advisory presence onthe Aboriginal provide inputintotheprocess througha Dumont InstitutehaveGabriel beeninvited to Saskatchewan IndianCultural Centreand The andSaskCulture. Canadian Heritage of Committee, Department Advisory Programming SectionandAboriginal Aboriginal Canada Councilfor theArts community have beendiscussed withthe andaccessby theAboriginal participation these gapsandstimulate increased toaddress for partnerships Opportunities Committee. Advisory and recommendationfromtheAboriginal deliberations distributed onthebasisofjury Proceedsfromthefundare Weed Band. Collective,Nations Artists Tribe andtheC- Agency provided grants toSâkêwêwak First A specialinitiatives fundestablished by the oftheAgency.continue tobe, apriority programming initiatives hasbeen,andwill resourcesforSecuring themuch needed initiatives andpursuingfundingopportunities. in implementingthediverse andwide-ranging established oftheAgency toguidetheefforts committee hasbeen A permanent communities isplannedfor next year. expanded tourincludingmany non-Aboriginal An Saskatchewan of2000. inthespring a 30-schooltourthroughnorthern themintoperformance resultedin and turning youth intaking theirexperiences andfeelings Company withdisadvantaged whosework of theSaskatchewan Native Theatre Considertheefforts cannot bedownplayed. promoting understandingandacceptance racial stereotypes, and removing barriers inconfronting ofthearts The importance ht:Debbie Hayward Photo: Yorkton inMarch2000 Library enjoy theactivitiesheldat Guild, Saskatchewan Writers fromthe which receives fundingsupport sponsored by theParkland Alliance Writers Participants atthe Lyndon Tootoosis Donnie Speidel Rodger Ross Sheila Orr L’HirondelleCheryl Duane Favel Leah Dorion Aboriginal Advisory Committee products would not exist. Saskatchewan’sand exporting cultural ofpromoting,distributing industry the thriving For withoutthemandtheircreative efforts, thelifeblood ofthecultural industries. artists: But morerecognitionisneeded for our advanced, technologicalage needed tomove forward inthishighly education, skills, motivation andinnovation Thecultural workforce hasthe rate. growing atmorethanthree timestheaverage the province employing 18,000people and of thefastest growing employment sectorsin Thecultural workforce isone of ourcountry. tothefutureeconomicprosperity industries ofthecultural theimportance and supporting Governments onalllevels arerecognizing andneighbours. economically andasfriends They contribute positively toourcommunities experience andenhanceourunderstanding. They make usthink,feel, our imaginations. They provoke, stimulate andstretch society. a personallevel but alsocollectively asa We notonlyon benefitfromtheirefforts life. isthecentreofavibrant cultural The artist Security for Artists Economic and Opportunity Goal Two: to four organizations. In 2000/01fundingof$34,500was allocated coming year. funding sourceswillcontinue inthe pilot projectsanddiscussionswithpotential Kid’s FunFestival,Write . saskatchewan arts board 17 Photo: Unknown Jane Stevenson’s Jane promote arts activity in the community. Our the most that have funding programs two are our Individual direct impact, however, Project Assistance and Assistance Grant Programs. Grant Individual Assistance Grant Program Program The Individual Assistance Grant artists to Saskatchewan to grants provides support art work in any new the creation of or formal to study in a travel, for form, setting or to research the arts.informal as a result of staff Due to cost savings the Arts to able vacancies, Board was increase the Individual Assistance Grant 10% this year. base by Program the With office space at lease for of a new ratification to Board will be able the the end of the year, into this cost-savings direct the annual into and retain the increased level program the future. The implementation of further and other cost efficiencies administrative the Board to allow measures may saving on its course of progressive continue increases. The total funding of $573,640 provided a broad to 79 individual artists for allowed spectrum of arts activity and in many cases the resulting work was on a local, its excellence for recognized or national level. provincial composers Neil Currie of Saskatchewan McIntyre of Regina Saskatoon, and David each had premieres of their first symphony the Saskatoon and by on the same evening respectively Orchestra Regina Symphony national broadcast. CBC for and recorded by Northern Saskatchewan International Film Festival, Children’s Film Festival by the by Film Festival Children’s presented at Flick:presented at International Participants in Participants Special Effects Make-Up Workshop, Make-Up Special Effects apply their newly-learned techniques The Arts Board’s funding programs directed funding programs The Arts Board’s to the activities of our arts institutions and and employment organizations provide opportunitiesperformance our artists. for The Artist to strives in Residence Program adequately compensate an artist to pursue while working to a year their work for Copyright issues have been central in the been central issues have Copyright and Internet the use of the web debate over technology. fair questions around From to moral copyright compensation for the Arts issues, copyright has been a Board leader in respecting and upholding the rights of our artists. Arts The Board has always right in the belief of an artist’s to fair operated compensation and as a regular process compensates the artists represented in the use of their workpermanent in collection for advertisements and the exhibitions, report.annual Public funding remains essential in allowing Public artists is not the to pursue their work but complete answer. Increased income through and marketing exhibition performance, and equitable opportunities, fair concerns, exposure; compensation, copyright be addressed in order all these areas must our artiststo keep working and living in this secure in the free to create, province livelihood. of a stable knowledge Enabling this to happen is one of the biggest the the Agency and forms challenges facing the Arts our vision for of Board. foundation While funding to the cultural industries cultural While funding to the has in recent years, increased significantly funding to the arts pace with has not kept a and on other provinces in funding levels national level. 18 saskatchewan arts board eadSu ei eia$9,512 $12,000 $12,000 $12,000 $12,000 Saskatoon Regina $7,000 $11,298 $12,000 Dundurn $12,000 Regina Asquith $12,000 $7,311 Literary Media Saskatoon Literary $8,000 $12,000 Saskatoon $12,000 MooseJaw Literary Regina Literary $3,780 Albert Prince $12,000 Saskatoon $12,000 $12,000 $12,000 Visual Visual Saskatoon Saskatoon $11,500 Visual Music Regina $12,000 Slade Arthur Visual $10,000 Gerald Saul Saskatoon Regina Media $12,000 Allan Safarik $12,000 Saskatoon Richards Harriet Ruddell $6,247 Rice Bruce Visual Visual $9,850 Allan Visual $12,000 Regina Saskatoon Leslie Potter/ $6,000 Literary Thelma Pepper Literary $12,000 Regina $12,000 Alison Norlen Literary $11,000 Literary Mueller Stuart Regina Regina Qu'Appelle Fort $12,000 Literary Bob Moyer Lumsden Ellen Moffat Literary Media Saskatoon Michael Milo Michael Maranda $20,000 Literary Beauval $9,000 Joanne Lyons Humboldt Regina Literary Visual Jefferson Little Visual Regina Shelley Leedahl Music Regina Judith Krause $20,000 $13,000 Visual Treena Kortje Barbara Klar $12,000 Visual Terry Jordan Visual Regina Visual Dennis Jackson Regina Visual Gerald Hill Visual Trevor Herriot Saskatoon Saskatoon Jennifer Hamilton Springwater Louise Halfe Dance Holly Fay Joel Fafard Music Linda Duvall Ben Campbell Visual Music Joanne Bristol Media Mel Bolen Beug Lorne Ryan Arnott CREATIVE B Robin Poitras David McIntyre WallLarson Doris Steven Heimbecker Neil Currie CREATIVE A Individual AssistanceGrantProgram Recipients rb n.Vsa akto $10,000 Saskatoon Visual $15,500 $7,000 $2,000 Saskatoon Regina Saskatoon Wanuskewin Park Heritage Visual Tribe Inc. Collective Sâkêwêwak FirstNationsArtists' Visual C-Weed BandPerforming Initiatives Aboriginal Arts lcaPpf Vsa akto $12,000 Saskatoon Visual Alicia Popoff saskatchewan arts board 19 Leesa StreiflerIan ToewsMarlis Wesseler C CREATIVE Damien BartlettMark BehrendSheri BenningMichael Bradford DiazFelipe VisualRisa HorowitzCheryl L'Hirondelle Literary Media NicholsonWynne O'FlanaganTerry Kristy Obrigewitsch TheatreLeanne Ollenberger Regina MusicDerek Pho Regina Literary Literary RichesStefan SaskatoonChristine ShawKrista Solheim Theatre Visual Saskatoon Visual DEVELOPMENT A PROFESSIONAL Literary SaskatoonJoan Borsa Visual Saskatoon Theatre Saskatoon $12,000 Visual DEVELOPMENT B PROFESSIONAL $12,000 $12,000 HouserTracy Dundurn Regina Saskatoon DEVELOPMENT C PROFESSIONAL $4,000 Saskatoon Visual LiteraryLisa Marie Baldwin Visual Saskatoon Regina $4,000 Margaret Bessai Dance $2,000 $4,000 SaskatoonRenée Brad DuWorsKerry Corinne Harle $4,000 $4,000 Regina Klein VisualTracey Regina $4,000 $3,945 ReginaCarri Lelliott $1,181 ReginaMichelle Rae Martin Dance $1,869 McCaslinTom $4,000 MusicElizabeth McLellan NormanTanya Visual SaskatoonCatrina PalamaraIain Rose $4,000 Music $4,000 Music Regina SchermanAmy $4,000 DanceCarol Thornton Saskatoon $3,000 Music VisualRESEARCH A Regina Visual FloodSandra $4,000 Music MusicRESEARCH B Regina Saskatoon Regina VisualBrenda Cleniuk Dance $7,500 $3,513 GRANT B TRAVEL Saskatoon Regina Bienfait KernGaye-Lynn Theatre Theatre Regina $2,555 Literary Regina $2,000 Saskatoon Regina $3,000 Visual $1,758 $3,000 Saskatoon Saskatoon $3,000 Regina Media $1,127 $2,000 $2,703 Music $4,000 Saskatoon $2,000 $2,000 Regina $881 $2,000 Saskatoon $5,000 $3,500 $1,000 20 saskatchewan arts board ue iyCnm ei eia$8,160 $7,270 Regina $10,000 Regina $5,000 $2,105 $4,200 $2,634 $4,200 $4,000 Performing Media $1,500 $3,567 Saskatoon $2,634 $3,000 $1,700 Saskatoon $3,484 Saskatoon Spiritwood Performing Regina Regina $6,000 Regina $3,000 Saskatoon $2,500 Saskatchewan Native Theatre Company Saskatoon Regina Performing Queer CityCinema $1,500 Performing Performing Regina Razors Curtain Performing Performing Regina Multidisciplinary PROJECTS B Saskatoon $685 Literary Performing Youth BalletCompany ofSaskatchewan Saskatoon Witchekan Lake Youth andCulture Saskatoon Performing Visual Saskatoon Whitecap Dakota/Sioux FirstNation $2,634 $5,000 Wanuskewin Park Heritage Performing Regina GagakuAssociation Visual Regina $2,000 South Saskatchewan Youth Orchestra Kathleen Solose Performing Literary SIFC EnglishDepartment Yorkton Literary Saskatoon Boy's Choir $2,500 Saskatchewan Native Theatre Company Performing Saskatoon Guild Regina Stitchery Regina Children'sFestival Regina Prairie Wind &Silver Sage Regina $1,000 Visual $1,110 Virtuosi Prairie $500 Literary Saskatoon PlainsIndian Northern Performing NeWest Review NeWest Review Pauline Minevich Media Performing Saskatoon Meadow Lake Tribal Council Estevan Godfrey DeanGallery DumontInstitute Gabriel Regina Multidisciplinary Saskatchewan International Flicks: Film and Video Department Susan Ferley Music Do It With Class Young Literary Dance andtheChild Saskatchewan ArtSchool Alba Kari PROJECTS A Project Assistance GrantProgram Amanda Shirley Mendenhall Marie TRAVEL GRANTC red fteGasad iulVlMre$1,900 $5,000 $4,000 Val Marie OnionLake $1,000 Meadow Lake Visual $2,888 Visual $3,000 Media Saskatoon Friends oftheGrasslands Regina Association Artists' Media Regina Performing Office ofEducation Performing Children's FilmFestival Inc. People's Theatre Conference International gift of Morris andJacquigift ofMorris Shumiatcher onwood, acrylic Untitled, John Miller 1957 saskatchewan arts board 21 Velvet Devil Velvet Photo: Theatre Globe in the Arts The arts to our positively not only contribute role in a growing also play but quality of life economic prosperity.the province’s Cultural tourism tourism is one of the fastest-growing funded allowed for a great diversity and diversity a great for funded allowed of projects.variety from Trust Breach of a critically-acclaimedLaRonge recorded CD and tours performances held and have across North America. internationalRegina hosted two performing arts in the summer. conferences The Dance drew and the Child International Conference dancers and teachers of all ages from around the world.Tuba The International a world featured and Euphonium Conference premiere of a specially-commissioned piece Elizabeth composer, Saskatchewan by Raum. The Regina Gagaku Association presented classical of ancient Japanese an evening of its the first event and dance, music kind in Canada. as translated Literally the concert 21 'elegant music,' featured Yokohama and dancers from the musicians of Japan.Gagaku Kai orchestra Beautiful brought an and haunting, the performance ancient and highly important artistic artformand cultural to Regina audiences. funding assisted the South Project Grant to participate Orchestra Youth Saskatchewan at the Millennium as the host Orchestra in Aberdeen, Scotland. Festival Youth The Choir joined choirs from Saskatoon Boys a week around the world for at exchange and cultural music of choral Minnesota. 2000 in Collegeville, AmericaFest Goal Three: Enhanced Investments Andrea Menard in the Andrea Menard which she River in a DryRiver Land The Velvet Devil The Velvet Andrea Menard thrilled with her audiences production of The total funding of $108,061 provided to The total funding of $108,061 provided the 31 artists, organizations and collectives The Project Assistance Grant Program The Project Assistance Grant funding to individuals and artsprovides specific short-term for groups activities. Arts are eligible organizations and groups and are equally successful accessing primary impacts the program’s funding but are on artists of artists or collectives working on a project, production or in collaboration performance. Project Assistance Grant Program Project Trevor Herriott’s book Herriott’s Trevor the age of eighty received at Thelma Pepper Arts from the Saskatchewan her fifth grant the last 15 years.Board over body Her new in a long-term life explores of photographs residents can live how care home to show in spite of severe lives full and abundant disabilities. or cognitive physical An eightieth The Thelma hosted by birthday party for GalleryPhotographers was in Saskatoon the people from all over attended by well to the talent of this tribute paying province artist.incredible both wrote and starred in.both wrote and starred up Her follow Tourism at the Cultural performance Symposium in January 2001 sent "chills of one of the spine" in the words my down attendees. Book Awards: Saskatchewan two received as Regina Book Award and Year Book of the the Governor as a nomination for well Non-Fiction. for Award General’s In March national recognition from 2001 he received the awarded and was Trust Writers the Prize. Biography Drainie-Taylor 22 saskatchewan arts board required tomeet theneedsofarts Yet fundingremainssignificantly lower than Saskatchewan for a total leverage of$7.50. province andanadditional$6.42from within $1.08fromsourcesoutsidethe a further orreceiving results inthecommunity earning Board throughtheArts provincial treasury dollarinvested byEvery the inthearts key meansoflevering otherinvestment. Public continues to bea fundingfor thearts attendance inexcess of10,000. in 5different venues inSaskatoon,had productions local, nationalandinternational an event spanning10days andpresenting FringeThe SaskatoonInternational Festival, positive economicimpact. achievement inadditiontogenerating forum for musical talentandpersonal Saskatchewan communities providing a are able toreachintocountless Music Festival Associationanditsmembers Inthisway theSaskatchewan everywhere. volunteers for thebenefitofmusic lovers togetherthousandsofperformers and bring Across thisvast province 49music festivals Excellence inMarch2001. Campaign Award atthe Tourism Awards of receipt ofthePromotional/Marketing the province’s with industry tourism thriving event was recognized for itscontribution to The viewers attention. andinternational event for 80,000 Saskatoonattracting nearly exhibition, Gallery’s JoniMitchell The MendelArt success. andtheatresplaygalleries alargeroleinthat sectors intheprovince, andourfestivals, Voices , was amajorcommunity community arts. initiativesin theareasofAboriginal and discussionsonjointopportunities preliminary with thenationalfundingbody hasalsoledto relationship This closerworking province. inthe needs anddynamicsofthearts community andsensitizingtheCouncilto Canada Council’s programs withthelocal looking atways toincreaseawareness ofthe the restofcountry, Boardis theArts institutions iscomparatively low inrelationto from Saskatchewan’s andarts artists Recognizing thatthenumber ofapplications Saskatchewan fromSeptember 11to15. hold itsfall BoardofDirectors meetingin inMay,Arts theCouncilannouncedplansto staff membersoftheCanadaCouncilfor the spin-off ofthevisitby theChair, Directorand Asapositive were amajorfocus thisyear. developmentRelationship andpartnership Saskatchewan.rural andculturein ofarts stress theimportance Rural Economy withSaskCultureinMarchto presentation totheActionCommitteeon time since1996andmadeasubsequent government caucusinAugust for thefirst Boardappearedbefore the TheArts arts. forour efforts increasedpublic fundingtothe decision makers atalllevels in isimportant Regular contactwithgovernment and Partnership Development this province. in sourcesoffundingtothearts alternative several initiatives designedtobring Boardhasbeeninvolveddemand, theArts in cannot beexpected tofullymeetthegrowing Recognizingthatgovernment community. saskatchewan arts board 23 at capitalizing on that trend and injecting at capitalizing on that the arts needed cash into much community. Arts Program Stabilization in the The Arts Board has been involved to introduce an artsmove stabilization the initial since to Saskatchewan program discussions in 1995. the federal the announcement by Following of $500,000 of its contribution government the provincial 2000, in May 5 years over confirmedgovernment its participation 2000 through matching funding in December and identified the ArtsBoard as its agent in this initiative. Armstrong, LiteraryGail Paul and Multidisciplinary Arts Consultant at the Arts Board, has been seconded to the program Manager.as Program year the next Over she will assist the Arts Stabilization Board and its efforts to development with program secure participation the corporate from community. working and capital will provide The program technical assistance to larger arts organizations and, recognizing arts options to landscape, Saskatchewan’s smaller for program implement a parallel institutions are being evaluated. the Arts Foundation for Saskatchewan issues respecting the There are many including fundraising, Foundation structure start- and operational administrative up costs that need detailed examination. The Arts Board will be in a position to move in the with this initiative forward upcoming year. University of Regina University May 2000 MLAMay Reception Culture and Housing at the Culture and Photo:Visual Services and Don Hall, Audio Responsible for Municipal Affairs, Municipal for Responsible Board and the Honourable , Clay and the Honourable Board Minister Colleen Bailey, Arts Saskatchewan Chair of the Studies show that donations to the artsStudies show from individual and corporate sources are increasing nation-wide. The Arts and Saskatchewan Stabilization Program Arts the are aimed for initiatives Foundation The establishment of the new department of the new The establishment approach to arts a more cohesive allows and culture. to exploring look forward We opportunities cross-departmental for arts in the areas of wellness, initiatives education and Aboriginal arts with the Department in the upcoming year. The two organizations are continuing The two discussions on their long-term relationship can work together to they and ways strengthen arts and culture in the province through a united front. At the local level, SaskCulture and the SaskCulture and At the local level, Arts their Saskatchewan Board continued strong partnership. A joint reception for held in Assembly Members of the Legislative 30 over a huge success drawing was May MLAs and 130 members of the arts community. members of provided event The opportunitythe community to discuss the role of arts and its impact with and culture the province. for policy and decision-makers National and international are perspectives equally important arts to a well-rounded community. the Chair and Attendance by Arts of the Saskatchewan Director Executive Funders Meeting in Board at the National ArtsWorld Summit in April and the first-ever perspectives valuable December provided and problems issues, on the and knowledge and patterns, of the funding levels solutions, arts and arts funding agencies on a national and international basis. l to r: Richard Raum (Trombone) Susan Sametz (Piano & Harpsicord) Elizabeth Raum (Oboe) and Erika Raum (Violin) shown after a performance at the CBC Galleria (and broadcast in November 2000)

Photo: Chris Haynes

In the interim, the funds being held in trust to service 20 years ago". One of the biggest transfer to the Foundation upon its challenges facing the Saskatchewan Arts establishment are not sitting idle. The Brian Board is ensuring this happens. Because as Painchaud Memorial Fund provided funding a Board, a staff and a community, we know to Sage Hill Writing Experience to sponsor a that only with the active participation and scholarship in Brian Painchaud’s name. support of all the people of this province will we ensure the long-term viability and growth The Fred Mennie and Jane Turnbull Evans of the arts for our future generations. Memorial Funds have accumulated enough interest that awards will be available in A comprehensive strategy-driven accordance with the funds’ intents at the communications plan is central to October 2001 grant deadline. achievement of the Board’s goals. With the business plan now complete, the Arts Board Goal Four: Awareness, Appreciation and is ready to move forward with a plan that will Advocacy for the Arts provide focus and context for our work in this area while maximizing the use of our limited The arts community in Saskatchewan is budget dollars. The communications strategy vibrant, expanding and a major influence on is scheduled for completion in the our society as a whole. The benefits of the fall of 2001. arts reach well beyond employment, tourism and their growing contribution to our A primary factor in our improved province's economic well-being. communications ability is the introduction of our new website at www.artsboard.sk.ca. Exposure to the arts has been proven to Developed with matching funding from the increase learning capacity in children and Economic and Co-operative Development youth. The arts have been used to bring Department, the Arts Board’s website people together in our sparsely populated includes granting information, procedures province through barn dances, community and applications; a searchable database of ts board plays, powwows and trading or crafts fairs the Permanent Collection; the opportunity to since our pioneers first settled on this land. enroll in the Board’s Art Rental Program; The history, culture and traditions of our news and updates on the arts community; province and our people have been events, activities and information on issues in preserved for our children and their children the arts; the Agency's initiatives, plans and and their children's children through our announcements; a virtual scavenger hunt stories, books, plays, poems, films, paintings, targeted to youth; and a showcase including song and dance. clips, readings and on-line exhibitions encompassing the abundance of talent in our And yet sadly the benefits of the arts are not province. The website will be refined and always known in the wider population. In the expanded on an ongoing basis to ensure the words of one of our friends, John Hobday, information it contains is relevant, interesting,

saskatchewan ar Executive Director of the Samuel and Saidye timely and broadly accessible. Bronfman Family Foundation "the arts should have reached the status of essential public 24 saskatchewan arts board 25 A Blue with Blood in It You Would Make a Good Make Would You ) promote the excellence of an artist’s work but artist’s of an promote the excellence within and excitement interest also stimulate the wider community. the for Watch Award Lifetime of a re-vamped inauguration in the coming year. Book (Saskatchewan Award Poetry Awards) Elizabeth Phillips for Memorial Award Evans Turnbull The Jane in Craft (Saskatchewan Innovation for Craft Council Annemarie Buchmann-Gerber Production Best Experimental for Award Motion Picture Industry (Saskatchewan Association) Britski for Jason Lawyer Collection Permanent ArtsThe Saskatchewan Board started collecting art to in the earlyway 50's as a preserve the history of the arts and artists in this province. collection today The 580 2300 works by encompasses over artists the Saskatchewan and is estimated by $2.4M. Board to be worth over beyond of the collection goes well The value and is used however, that of dollars, in our efforts and to promote extensively access to the arts.provide As a resource to through loans of scholars and researchers, and exhibitions, artworks tours and public for through our art the collection rental program, and the enjoyment for is made accessible education of the people of this province and beyond. 91 artworks on 21 loans to local and out-of- over by galleries viewed province were 120,000 people nation-wide. re- The with artist Photo: Lori Weidenhammer Lori Weidenhammer, at the Dunlop Artat the Dunlop Gallery, participate entitled in workshop Sherwood Village Sherwood Branch Gallery Sheldon Williams High School students High School Williams Sheldon Alternative Prom Photographs Alternative Prom The arts in Saskatchewan have a lot to The arts have in Saskatchewan artists with Saskatchewan’s celebrate to shine.continuing In addition to its own Excellence in the Arts, the for Award Lifetime Arts sponsorship or funding Board provides and awards of events to a number to honour the in this province established work of our artists and arts organizations. and not only recognize These events Arts that has seen education is an area the past decade. increased attention over recognition of the importanceThe growing the arts in the education system has play activity in arts expanded been the basis for education on a national level. The Agency’s on preliminary focused activities this year gatheringresearch, information and analysis opportunitiesof trends, and issues. The its to expand Board will be looking at ways role in arts the coming year education over through areas such as eligibility and priority of new development within current programs, with the and joint initiatives programs education and post-secondary education systems. Raising the profile of the arts, increasing visibility of the Agency and the arts closer ties with forming community, and developing groups, community-based to be some of messages will continue key year. next objectives main the Board’s In addition to addressing the funding needs In addition to addressing Arts the Board recognizes of the community, the area of advocacy. its increasing role in more comprehensive As a beginning to a held with meetings were program, advocacy a senior officials, Cabinet Ministers and to the government made presentation was item was caucus and a basic information to stakeholders. distributed Gail Daggett, Art Rental Officer talks about the works being displayed in their school to a group of Grade 8 students from Esterhazy High School

Photo: unknown

introduction of jointly-curated exhibitions Saskatchewan art to visitors from Canada with OSAC in the upcoming year, and abroad. targeted to rural and remote areas of the province, will substantially increase the The program is starting to develop in rural visibility and awareness of this valuable Saskatchewan and includes Esterhazy High Saskatchewan treasure. School as a client. In addition to installing 5 artworks in the school, staff made a Our art rental program has been instrumental presentation to grade 8 students on the in increasing access to the collection. The artworks, artists, medium, history and program has experienced steady, technique of the art being displayed in their progressive growth over the past 3 years and school. allows government, corporate and non-profit organizations to display art in public areas in The program's success, however, is built on a very cost-effective way. the diversity and beauty of our vault's contents. One percent of the Arts Board's Since 1998/99 our art rental program has annual appropriation is directed to the grown from 48 contracts renting out 600 acquisition of new works for the collection, a artworks with revenue generation of $46,723 level much more impressive when you to 60 art rental contracts with a total of 703 consider that the Board spends only 7.3% works and an increase to $67,856 in annually on administrative costs. revenue. But our services in this program go well beyond just "renting art". Our The collection is further enhanced by professional staff will visit your office and donations of works from individuals, artists make recommendations as to the pieces and and organizations in a process, overseen by types of work that will suit your office décor, our Permanent Collection Advisory Panel, lighting and personal preferences. designed to ensure that the permanent collection only includes works that A major factor in increasing accessibility to encompass the true dynamics of the values

ts board the permanent collection and the artists of of excellence and artistic achievement in this Saskatchewan is the placing of works in province. highly visible locations. This year the

Saskatchewan Arts Board provided works for Permanent Collection Advisory Panel Government House's receiving room, Grant McConnell, Chair boardroom and hallways which will be Tim Nowlin viewed by diplomats and dignitaries from Sheila Orr Heather Smith around the world including Prince Charles in his forthcoming visit to our province.

We've also placed works in the Globe Theatre lobby to complement its newly

saskatchewan ar renovated interior and in the caucus and committee meeting rooms of the provincial legislature, ideal locations to showcase 26 saskatchewan arts board 27 , 2000 , 1998 1991 ,1999 , 1998 , 1996 , 1998 , 1976 John Floch and, Tales glaze clay, raku Liquor and Gaming Authority on rental to Saskatchewan ,1995 ,1998 , 2000 , 1999 , 1999 , 1995 , 1999 silver print silver Ann Harbuz Horses in Pasture Don Hall Host Cutter print silver Don Hall Chalice Dated 1608 print silver Don Hall Mass Biretta Tridentine oil on canvas Konopaki Rodney The Locksmith mixed media mixed Christine Lynn Loons under the Moon acrylic on canvas Sheila Nourse Ideatus Cylynder Cycle mixed media mixed Sheila Nourse On line media mixed Pee-Ace Kevin Reflections Ilfochrome Alicia Popoff Home Building on the Prairies acrylic on paper Jamie Slingerland A Sense of Place: Crossing Level glaze clay, Loren Teed Tulips oil on canvas Daniel Unger Devotion oil on panel acrylic on canvas Brenda Pelkey pond , 1999 , 1983 , 1990 , 2000 , 2000 , 1997 , 2000 , 1997 , 1999 Paul M.Paul Sasso , 1999 1999 , 2000 and , 2000 Purchases T.David Alexander tell us again about stops will you When the rain guys and those seven Tom fieldstone Arnott Ryan Reiminiscents of an object Acquisitions acrylic on canvas Arnott Ryan Untitled (Stone Bread #2) corn broom and hammerhead Ovide Bighetty Northern Images acrylic on canvas Dennis Bruce Homage to the Mothers Heather M. Cline, Hosaluk, Michael Megan Courtney Broner, Immelman, Amanda Matthew Harding acrylic on canvas cast metal, carved and turned steel, copper, wood, lettering, burning, paint, stain, transfer wood brass, leaf and ink silver Curtis Daviduke Hillside Aspen Stubble media mixed Linda Duvall of Separation Pain video projection on sand Gagne Teresa Sauceboat IV The Passion Prophet The Passion earthenware, glaze Jim Graham Cloudy Day on canvas acrylic, graphite Gary Greer El Tigre mixed media mixed Linda Duvall Traduccion/Translation maple stainless steel, brass, earthenware, glaze Teresa Gagne Teresa Sauceboat IV, Ann Newdigate Then there was Mrs. Rorschach’s dream, 1988 watercolour crayon, acrylic on canvas Gift of the artist

Ruth Welsh Followed by a projective taste, 1988 Roses,1996 acrylic, watercolour crayon on canvas oil on canvas But the unhappy medium would Jerry Whitehead not go away, 1988 We Unite in Form, 2000 acrylic, watercolour crayon, acrylic on canvas felt pen, gouache on canvas

Debbie Wozniak-Bonk Untitled, 1985 Father, brothers, first love, 1999 mixed media on paper oil on canvas Untitled Debbie Wozniak-Bonk mixed media on paper Relic, 1997 acrylic on canvas Untitled mixed media on paper

Donations Untitled, 1985 mixed media on paper Gift of David T. Alexander: Untitled, 1985 David T. Alexander mixed media on paper Iceland Obelisks, 1998 acrylic on canvas Untitled, 1985 mixed media on paper

Gift of the Gould Family: Untitled, 1985 McGregor Hone mixed media on paper Untitled, 1954 watercolour, ink on paper Untitled, 1985 mixed media on paper Jack Sures Untitled Virtue Drapes, 1985 clay, glaze mixed media on paper Untitled, 1986 Gift of Rodney Konopaki: mixed media on panel

ts board Rodney Konopaki Untitled, 1977 Mickey's Monkey, 1992 mixed media on paper graphite on paper Untitled, 1977 Gift of Ann Newdigate: mixed media on paper Untitled, 1977 Note: all works are by Ann Newdigate mixed media on paper Diamonds are a Girl's Best Friend, 1985 Untitled, 1977 acrylic, paper collage, coloured pencil, ink, mixed media on paper felt pen on canvas Marathon, 1989 The first to arrive were some mixed media on paper unwelcome memories, 1988 acrylic, watercolour crayon, gouache, Marathon 3, 1989 graphite on canvas watercolour on paper saskatchewan ar

Then there was Mrs. Rorschach's dream , 1988 Marathon 4, 1989 watercolour crayon, acrylic on canvas mixed media on paper

28 29 saskatchewan arts board Goal Five: Vibrant and Effective A Arts Board ArtsThe Saskatchewan has a long Board and proud history of service people of to the this province. the Agency 50 years over For has been instrumental in establishing, our local artistssupporting and developing and arts organizations. to The Board's ability to respond and adapt needs of the arts the ever-changing and our programs has allowed community as they today activities to remain as relevant ago. 50 years were of the development With plan and a system of continuous a business and efficiencies in improvement for review the Arts and Board's operations positioned to management, the Board is well to serve the artscontinue into the future. efforts to locate suitable extensive Following lease office space the Agency entered into a propertyfor at 2131 Broad Street. The cost as a result of the reduction in rental savings charges will be directed to our Individual to support Program Assistance Grant the last year.increase approved In addition to opens our upcoming move the cost savings, up all kinds of opportunities Arts the for Board to increase its visibility. Street-level of artwork displays window signage, the interest of passersby designed to attract and promotion of arts activities and events will all help in our efforts to stimulate in the wider community. awareness a plans to establish The Board also finalized stronger presence in Saskatoon. A one- person office will be opened in the Village early in the Saskatoon Community year.new in small investment relatively Our increased accessibility of the rent will provide 1966 1999 oil on canvas 1979 1984 Debbie Wozniak-Bonk 1987 1997 Father, brothers, first love, brothers, Father, 1999 1979 1957 1957 1970 1988 1988 Margaret Vanderhaeghe Margaret in the Garden, Patriarch Gift of Margaret Vanderhaeghe: Gift of Margaret acrylic on canvas Vanderhaeghe Margaret Transplant, acrylic on canvas Ann Harbuz Untitled, acrylic, ink on masonite Ann Harbuz Village), Untitled (Prairie acrylic on canvas Gift of Morris and Jacqui Shumiatcher: Gift of Brenda Pelkey: Brenda Pelkey field/ocean/field, Ilfochrome masonite acrylic, ink on linen over John Miller Untitled, acrylic on wood John Miller Untitled, acrylic on canvas Peters Kenneth Come And See Mommy Mommy found, What Cherry And all that I Have etching (artist's proof) Second in Line I, media on paper mixed Second in Line II,1987 media on paper mixed Xhosa, watercolour Xhosa, on paper watercolour And Later the Heavens did fall, Linda Duvall Pain of Separation, 1997 video projection on sand

Agency to its clients and the arts right path’, they're saying, ‘don't stop now.’ communities of Saskatoon and surrounding That's invaluable. Making art is not easy, but areas. The Board will have a staff presence the Arts Board is always there with you, in the Saskatoon location on at least a part- whispering in your ear, ‘We're proud of you.’ time basis. I can't tell you how much that means. It really does give you the courage to create, to Jury Process innovate, to pursue excellence."

The establishment of the Saskatchewan Arts Board arms-length from government was Jurors based on the recognition of the often INDIVIDUAL ASSISTANCE controversial nature of the arts. Allowing Literary Media artists to create in an atmosphere free from Cliff Burns Larry Bauman the influence and pressures of politics has David Carpenter Donna Caruso enabled the diverse range of programming Joanne Gerber Ron Jacobs available to the people of our province today. Sylvia Legris Garnet Hertz Dave Margoshes Sheila Petty Bruce Rice Christine Ramsay The Arts Board itself also realizes the need for arts activity to be supported on the basis Performing Visual of creativity and excellence. Granting Sharon Bakker Renée Baert Gary Cristall Edison Del Canto programs are assessed by panels of Patricia Dewar George Glenn professionals with the required experience Angus Ferguson Jeannie Mah and expertise to judge the mix of mediums, Marnie Gladwell Sheila Orr genres, techniques and artistic level Peter Groom Morgan Wood contained in the applications before them. Tracy Houser Gerald Lenton-Young Decisions of the jury are then ratified by the Skip Kutz Board. Elizabeth Raum David Scott

ts board An added benefit of the jury process is the sign of encouragement an artist or arts PROJECT ASSISTANCE GRANT PROGRAM organization receives from a jury's Visual and Media Performing endorsement of their work. The words of Joan Borsa Sharon Bakker Jeari Czapla Robin Schlaht, a Regina-based filmmaker, in David Craig Sue Ditta Pierre Guerin response to his thoughts of what the Arts Dominic Hardy Russell Kelley Board has meant to him, sums it up best: Ron Jacobs Aleksandra Koerbler Donna Kriekle David Scott "Beyond the very important funding which Sheila Orr Paul Seesequasis Andrew Wilhelm-Boyles the Saskatchewan Arts Board provides, I Ryan Rice sometimes think that its equally important Literary contribution to the arts in Saskatchewan is Miki Andrejevic courage -- a grant from the Arts Board Jane Billinghurst saskatchewan ar Cliff Burns means that a jury of artists has recognized Sylvia Legris the relevance of one's pursuit.‘You're on the Dave Margoshes Sue Stewart 30 saskatchewan arts board 31

Christine Lynn Jerry Whitehead Loons under the Moon, 1996 acrylic on canvas We Unite in Form, 2000 on rental to the Office of the Associate Deputy Minister of Municipal Government acrylic on canvas on rental to SIAST Visual and Media Barry Ace Craig David Marla Gerein Cheryl Meszaros Wallace Keith Miki Andrejevic Billinghurst Jane Sanders Pat Performing Russell Kelley Koerbler Aleksandra Greg Nelson Wernikowski Connie Moker Literary GLOBAL GRANT PROGRAM GRANT GLOBAL the 2000-2001 for awarded Global Grants at the November adjudicated were fiscal year 1999 deadline. GALLERY GRANT PROGRAM GRANT GALLERY Joan Borsa Craig David Sue Ditta Dominic Hardy Rice Ryan PROVINCIAL CULTURAL ORGANIZATION ORGANIZATION CULTURAL PROVINCIAL GRANT PROGRAM GLOBAL Dean Bauche Karen Haggman Colin King ARTIST IN RESIDENCE GRANT PROGRAM IN RESIDENCE GRANT ARTIST Creighton Valerie MartinDawn McNaughton Judy Ellen Moffat Allan Safarik Veith Ulrike 32 saskatchewan arts board with both the Arts Alliance andSaskCulture. with boththeArts Alliance andisformalizing our relationship closelywith theSaskatchewanworks Arts and TheBoardsupports and concerns. community toheartheirideas, issues arts representatives fromvarious sectorsofthe with The Boardmeetsregularly community bothformally andinformally. number ofways toobtaintheinputof Committeesthe Boardemploys a Advisory Nominating andPermanent Collection Advisory,In additiontotheAboriginal wider community. rather on theinputof, andbenefitto, the individual's orgroup's thoughtsandideasbut Agency arenotbasedonany one ensure thevisionandfuturedirectionsof processes Advisory Board anditsactivities. forsense ofownership the andsupport meaningful, relevant andtoinstilla service Board'sabilitytoprovide to theArts Connection withthecommunity isimperative community. rapidly changing, highly-advanced arts innovative today's insightsneededtoserve and Boardtogaintheexpertise Arts processesallow the Advisory knowledge. access awidelevel ofexperience and The Board'smandaterecognizes theneedto process itself. on thedisciplinethey areadjudicatinginthe isasked toprovideEach jury directfeedback programs, policiesandstrategic directions. Board recommendationsandadviceonits Juries alsoplay roleinproviding the acrucial Advisory Processes clay, glaze Level Crossing, A SenseofPlace: James Slingerland Saskatchewan Publishers Group Saskatchewan Orchestral Association Saskatchewan Cultural ExchangeSociety Saskatchewan Craft Council Councils Organization ofSaskatchewan Arts Guild Saskatchewan Writers Saskatchewan MusicFestival Association CARFAC Saskatchewan Participants Grants Program Working Group Provincial CulturalOrganizations Global Joyce Wells, Saskatchewan BookAwards Don Stein,New DanceHorizons Pat Middleton,ReginaSymphony Orchestra Helen Marzolf, Gallery DunlopArt Michael Maranda, Press Buffalo Berry Knight,Opera SaskatchewanDoris Angela Gelinas, Globe Theatre CoteauBooks Nik Burton, Blondeau, Lori Tribe Estevan Byrne, Gallery Brenda Barry Art Group Participants Global GrantsProgram Review Working out in2001. inResidencePrograms beingcarried Artist reviews oftheIndividualAssistance and willbeamajorcomponentofthe by artists Participation Grant Programs. and Gallery Provincial Cultural OrganizationGlobalGrant Program andshapedthedevelopment ofthe recommend changestotheGlobalGrants Boardstafftoreviewworked withArts and Groups ofclientsandpotential and Museum 2000 33 ts board

Management’s Responsibility for Financial Information

Management of the Saskatchewan Arts Board is responsible for the preparation and presentation of the financial statements and other financial information reported by the board of directors. This obligates management to use its best judgment in preparing and presenting financial information in accordance with established board policy and principles which are acceptable to the accounting profession.

The Board has established a system of internal controls to govern the management and accountability of financial resources entrusted to it. Management relies upon the system of internal controls to ensure that financial transactions are accurately recorded on a timely basis, are properly approved and result in reliable financial statements. It is, therefore, responsible for all amounts reported therein, including valuations determined externally by specialists. Management believes that the existing system of internal control provides a reasonable assurance that the assets are safeguarded and that the financial records are reliable for preparing financial information and maintaining accountability for assets.

Management is responsible for providing reasonable assurance to the Board and the general public through the saskatchewan ar Legislature that the Board’s financial information satisfies standards of validity and reliability. This requires that quantitative data be based on relevant parameters of measurement that are consistently applied over time. Management provides the Board with the necessary information for it to make governance decisions at the highest meaningful level in connection with the objectives articulated in The Arts Board Act, 1997. Audit Committee Management discharges its responsibility for financial information under the stewardship of the Board and its Audit David Millar, Chair Committee. In accordance with Article 28 of The Arts Board Act, 1997, the Board’s financial statements are audited annually by the Provincial Auditor or any other auditor or firm of auditors appointed by the Lieutenant Governor in Sherry Farrell Racette Council. The Audit Committee is available to meet with the designated auditors as required. Colleen Bailey, Ex-officio

On behalf of Management:

Jeremy Morgan Peter Sametz Executive Director Director of Operations

Auditor’s Report

To the Members of the Legislative Assembly of Saskatchewan

I have audited the statement of financial position of the Saskatchewan Arts Board as at March 31, 2001 and the statement of operations and net financial assets and the statement of cash flows for the year then ended. The Board’s management is responsible for preparing these financial statements for Treasury Board’s approval. My responsibility is to express an opinion on these financial statements based on my audit.

I conducted my audit in accordance with Canadian generally accepted auditing standards. Those standards require that I plan and perform an audit to obtain reasonable assurance whether the financial statements are free of material misstatement. An audit also includes assessing the accounting principles used and significant estimates made by management, as well as evaluating the overall financial statement presentation.

In my opinion, these financial statements present fairly, in all material respects, the financial position of the Board as at March 31, 2001 and the results of its operations and the changes in its financial position for the year then ended in accordance with Canadian generally accepted accounting principles.

Regina, Saskatchewan G.F.Wendel, CMA, CA June 12, 2001 Acting Provincial Auditor STATEMENT OF FINANCIAL POSITION - Statement 1 As at March 31 2001 2000

Financial assets: Cash - Operations $ 429,368 $ 464,954 Cash - Designated Funds (Note 5) 130,943 109,731 Prepaid Expenses 5,100 7,006 Accounts Receivable 87,780 54,216 $ 653,191 $ 635,907

Liabilities: Accounts payable ¥ Grants payable $ 295,837 $ 286,737 ¥ Accrued payable 35,662 34,426 ¥ Other 38,296 33,962 Unearned Revenue ¥ Permanent collection rental fees 8,270 8,938 $ 378,065 $ 364,063 Net financial assets $ 275,126 $ 271,844

Net financial assets represented by: Accumulated operating results $ 354,670 $ 366,618 Investment in tangible capital assets (Note 4a) (79,544) (94,774) $ 275,126 $ 271,844 Permanent collection (Note 3) $1,657,371 $ 1,587,653

ts board (See accompanying notes to the financial statements) saskatchewan ar

34 35 ts board

STATEMENT OF OPERATIONS & NET FINANCIAL ASSETS - Statement 2 For the Year Ended March 31, 2001 2001 2000

Revenues: Government of Saskatchewan - General Revenue Fund $ 3,742,000 $ 3,727,000 SaskCulture Inc. 421,500 370,000 Other contributions 39,621 17,716 Interest and other revenue 66,102 89,659 Permanent collection ¥ Rental fees & other 67,856 56,301 saskatchewan ar ¥ Donations of art and archives (Notes 2(c) & 3) 26,350 12,075 4,363,429 4,272,751

Expenses: Grants & transfers ¥ Global $ 2,015,334 $ 2,011,900 ¥ Gallery 136,500 130,000 ¥ Project 140,918 130,500 ¥ Artists-in-Residence 250,000 200,000 ¥ Individual Assistance 572,962 502,209 ¥ Other 22,500 15,800 Permanent Collection ¥ Purchases 43,368 31,211 ¥ Donations 26,350 12,075 Program Delivery ¥ Grants 443,167 395,628 ¥ Permanent Collection 177,342 159,901 Operations 460,668 387,511 Communications 86,268 89,774 4,375,377 4,066,509

Net operating results (11,948) 206,242 Net change in capital assets: ¥ Purchases of tangible assets (9,450) (21,484) ¥ Loss on asset disposition 2,475 0 ¥ Amortization 22,205 23,350 Surplus for the year 3,282 208,108 Net financial assets, beginning of year 271,844 63,736 Net financial assets, end of year 275,126 271,844

(See accompanying notes to the financial statements) 36 saskatchewan arts board (See accompanying notestothefinancialstatements) o h erEddMrh3,2001 For the Year Ended March 31, STATEMENT OFCASHFLOWS -Statement3 ahpsto,edo er 6,1 574,685 $ 256,999 560,311 $ 574,685 317,686 ofthefollowingCash includedintheStatementofFlows iscomprised amounts: Cash position,endofyear (14,374) Cash position,beginningofyear Net (decrease)increaseincashfromoperating activities Cash flows fromoperating activities: ah-Oeain 2,6 464,954 109,731 $ 429,368 $ 130,943 Cash -DesignatedFunds Cash -Operations Cash Disbursements: Cash receipts: upir tes3403366,135 535,968 157,423 374,003 2,877,093 652,347 161,722 3,129,114 Suppliers &Others Space &Accommodation &Benefits Salary Grant Payments es&Ohr 1081177,525 349,780 150,841 409,971 3,727,000 $ $3,742,000 Fees &Other SaskCulture Inc. General Revenue Fund-Appropriation 6,1 $574,685 560,311 $ ,1,8 3,936,619 4,317,186 ,0,1 4,254,305 4,302,812 012000 2001 The significantpoliciesareasfollows: These financialstatementshave beenpreparedinaccordancewithgenerally acceptedaccountingprinciples. SignificantAccountingPolicies 2. BoardwasThe Saskatchewan established pursuantto Arts Purpose&Authority 1. Act. oftheagencyasindicatedin tofulfillingthepurposes financial transactions areconductedwhichpertain TheActcontinues BoardFundthroughwhichall theSaskatchewan Arts of everyone inSaskatchewan. BoardAct,1997 The Arts )Grant expenses f) DesignatedAssets e) Tangible CapitalAssets d) Permanent Collection c) theResultsofOperations andNetFinancialAssets Reporting b) TheBasisofAccounting a) the amountofgrant canbeestimated. Grants areexpensed whenapproved and by theBoard, theapplicanthasmeteligibilitycriteria Theseamountsarenotavailable withoutapproval for otherpurposes of the Board. contributors. designating theseamounts, theBoardtakes intoaccounttheamountsandstatedpreferences of In designatesamountsfromcashtobeallocatedforThe Boardperiodically specifiedpurposes. asfollows: areamortized Equipmentandfurnishings 10% ofcost. method,withanestimatedresidualvalue by of usingthestraightis determined lineamortization Netbookvalue ofequipmentandfurnishings isdetailedinNote4(a). of equipmentandfurnishings Thenetbookvalue arerecordedatcostlessaccumulated amortization. Equipment andfurnishings andarchives for collectionare recordedasrevenue ofart Donatedworks thepermanent at ii) Permanent collectionpurchasesarechargedasanexpense intheStatementofOperations & i) are acquiredthroughpurchase, commission,donation,orbequest. Works inthecollection inform, enlighten,andenhancethelives ofpresentandfuturegenerations. andrelatedarchives inallforms inorderto Boardmaintainsacollectionofartworks The Arts assets. Theseadjustmentsreconciletheresultsofoperations tothechangeinnetfinancial theyear. during difference between thecostofcapitalassetsconsumedandacquired Theresultsofoperations arethenadjustedwithinthestatementfor the or expenses over revenues. andtheexcess amortized, ofrevenues over expenses theyear,capital assetsconsumedduring i.e. revenuesThe statementofoperations andnetfinancialassetsreports for theyear, thecostof ontheexpense basisofaccounting. The financialstatementsarereported unsig 10years 6years 4years Furnishings Other equipment Electronic equipment Statement ofOperations &NetFinancialAssets. their fair market value atthetimeofdonationwithacorrespondingchargetoexpenses inthe Net FinancialAssetsintheyear ofpurchase. teAt.Itexists tocultivate thrive for anenvironment thebenefit inwhichthearts (the Act). The Arts BoardAct The Arts Ithasbeencontinued under . 37 saskatchewan arts board 38 saskatchewan arts board .Tangible CapitalAssets 4. Permanent Collection 3. )Equipment and Furnishings a) Cash g) )Land b) te qimn 9753,6 5105,2 27618,061 40,628 32,766 153,212 36,085 $ 50,827 $115,890 193,840 15,140 35,822 $151,975 34,565 28,582 150,490 $ $120,051 49,705 186,312 $148,633 Electronic Equipment Other Equipment Furnishings au.Thevalue ofthecollectiondisclosedinfinancialstatementsatthattimewas $810,847. value. Association ofCanada,andassignedavalue of$1,513,157,excluding frames, onthebasisofmarket collectionwas appraised byIn March1994,thepermanent Dealers membersoftheProfessional Art andarchives works (2000 -$31,211)andreceived valued donations ofart at$26,350(2000-$12,075). for collectiontotaling$43,368 theyear thepermanent ofart During theBoardpurchasedworks $2,475. Capital assets are comprised ofthefollowing Capitalassetsarecomprised amounts: $2,475. Thelossondisposition was the Boarddisposedofcapitalassestsinamount$21,441(2000-$0). In2001 totaling$9,450(2000-$21,484). theyearDuring theBoardpurchasedequipmentandfurnishings (2000-4.25%to4.82%) 4.85% to5.5%. Theinterestrates range from moneyCash consistsofinterest-bearing ondepositwiththebank. oa 8,5 3516$7,4 36623188$94,774 301,868 $396,642 statements. Thecurrentmarket asoftheissuancefinancial value ofthelandhasnotbeendetermined of $1. 79,544 $ Boardtoacquire, provincial landsidentifiedintheOrder-in-Councilforto sell,andtheArts thetotalvalue $305,106 In July, Saskatchewan 1998,Order-in-Council485/98authorized Environment andResourceManagement 384,650 $ for the yearThe amortization ended March31,2001was $22,205(2000-$23,350). Total rhvs2,7 24,970 1,562,683 $ 27,470 1,629,901 $ Archives Art otAcmltdNtBo otAcmltdNetBook Accumulated Cost NetBook Accumulated Cost mriainVleAotzto Value Amortization Value Amortization 012000 2001 ,5,7 1,587,653 $ 1,657,371 $ 012000 2001 .Commitments 9. natureoftheseinstruments. the short-term The fair values ofthecash,accountsreceivable, andaccounts payable value approximate dueto theircarrying Board’s consistofcash,accountsreceivable,The Arts significantfinancialinstruments andaccountspayable. FinancialInstruments 8. Thesetransactions arerecordedatagreed uponexchange amounts. courseofoperations. normal The following table theBoard’s summarizes transactions withotherGovernment agencies thatareinthe Government agencies. Thesefinancialstatementsincludetransactions withother related sinceallarecontrolledby theGovernment. All Government ofSaskatchewan boardsandcommissionsare corporations, agenciessuchasdepartments, RelatedParty Transactions 7. year theBoard’s totalcontributions were $37,065(2000-$21,857). the During Thisplanisfullyfunded. Employee contributions were unchangedat5%ofgross salary. 1, 1999. Board’s for contribution rate increasedfrom5%to6%ofgross eligible salary employees, retroactive toOctober requirements areestablished by Funding Employees make contributions tothePublic Employees Pension Plan,adefined-contribution plan. Pension Plan 6. Thecomparative year-end allocationbalancesareasfollows: from thesefundsin2001(2000-$300). Therewere nodisbursements allocated by interestof$6,211(2000-$4,719). theBoardcollectively earned Thetotalofamountsdesignatedand In 2001theBoarddesignated$15,000fromcash(2000-$996). DesignatedFunds 5. )Grants a) $1,876,433), subjecttotheavailability offundingfor thispurpose. theyearDuring theBoardapproved grants of$1,866,433for thesubsequentyear (2000- te ud ,6 2,240 2,534 0 2,363 3,601 21,825 2,673 3,798 23,021 15,201 79,531 $ 83,887 $ Other Funds Painchaud Fund Cicanski-Creighton Fund StabilizationFund Arts Fred MennieFund Jane Turnbull Evans Fund Memorial Revenues Expenses ake 92618,093 19,206 34,865 3,136 37,108 3,468 148,224 $ 143,068 $ Saskatchewan Workers CompensationBoard SaskTel Saskatchewan CentreoftheArts ManagementCorp. Saskatchewan Property emnn olcin5,6 43,758 56,169 Permanent Collection The Superannuation (Supplementary Provisions)The Superannuation Act (Supplementary 3,4 109,731 $ 130,943 $ 012000 2001 012000 2001 . During theyear, During the . 39 saskatchewan arts board 40 saskatchewan arts board Certain 2000balances haveCertain beenreclassifiedtoconform withthecurrentyear’s presentation. Comparative Amounts 12. The budget for the2000/01year was approved by 28,2000. theBoardonApril (expenses over revenues) Excess ofrevenues over expenses Total expenses Expenses Total revenue March 31by objectasfollows: for theyearExpenses ontheStatementofOperations &NetFinancialAssets are reported ended ComparisonofPlannedandActualResultsby Object 11. Boardfor paidafee thispurpose. of$15,000(2000-$15,000)totheArts SaskCulture Inc. In2001 tobepaidsixorganizations. $1,287,099 (2000-$1,247,900)onbehalfofSaskCultureInc. In2001theBoardadjudicatedfundingof theyearDuring theagreement was extended toMarch31,2001. involving theassessmentandfundingofprovincial cultural organizations for endingMarch 31,2000. theperiod tooutlinenew principles In 1997theBoardenteredintoa3-year protocolagreement withSaskCultureInc. Protocol Agreement 10. te 4,3 7,7 163,676 12,075 370,000 173,579 144,130 3,727,000 421,500 26,350 $ 421,500 0 3,742,000 $ 3,742,000 $ Other &Archives Donations ofArt SaskCulture Inc. General Revenue Fund Revenues rns&Tases$31345$31824$2,990,409 $ 3,138,214 $ 3,173,475 $ Operations Permanent Collection Grants & Transfers )Operating leaseobligations b) rnigadpooin 2505,8 62,693 54,667 12,075 96,042 34,745 31,211 574,779 209,888 52,883 73,994 26,350 120,377 35,485 43,368 52,500 62,500 682,267 202,439 0 188,000 32,400 43,455 700,427 217,350 andpromotion Printing Travel andmeetings Programs andservices andequipment Furniture Office andadministration andbenefits Salaries Donations Acquisitions rprisLd Futureminimum leasepayments pursuanttooperating leasesare: Ltd. Properties andenteredintoaleasefor ManagementCorporation new officespacefrom Property Talisman itsleaseforSubsequent toyear end,theBoardterminated officespacewithSaskatchewan 050 67,600 67,600 67,600 67,600 77,102 Subsequently 11,267 2005/06 Leases Operating 2004/05 2003/04 2002/03 2001/02 Fiscal Year 1247 1,4)$206,242 $ (11,948) $ (162,477) $ $4,272,751 4,363,429 $ 4,307,630 $ ugtAta Actual Actual Budget ,7,0 ,7,7 4,066,509 4,375,377 4,470,107 012000 2001 $358,769 saskatchewan arts board