The Lady in the Lake 4 5 by Raymond Chandler 6

Total Page:16

File Type:pdf, Size:1020Kb

The Lady in the Lake 4 5 by Raymond Chandler 6 Penguin Readers Factsheets level E Teacher’s notes 1 2 3 The Lady in the Lake 4 5 by Raymond Chandler 6 ELEMENTARY SUMMARY he Lady in the Lake, first published in 1943, is the As Chandler’s reputation grew, he was employed as a T fourth of Raymond Chandler’s great detective screenwriter in Hollywood, and after Humphrey Bogart stories featuring private detective Philip Marlowe. and Lauren Bacall starred in a film of The Big Sleep he As usual, Marlowe is employed to find a missing person, became world famous. In later life he became increasingly in this case the wife of Derace Kingsley, but in the course dependent on alcohol but he was recognized before he THE LADY IN LAKE of his investigation he uncovers a series of related crimes. died in 1959 as the outstanding writer of detective stories When Marlowe tries to interview Mrs Kingsley’s lover, in the USA. Lavery, he arouses the suspicions of a Doctor Almore, who lives opposite, and is warned off by a detective BACKGROUND AND THEMES named Degarmo. At Kingsley’s house in the mountains, Marlowe and the caretaker, Bill Chess, find the body of a The first detective stories were published in English in the woman in the lake, the face now unrecognizable but mid-nineteenth century, but they really became popular in apparently that of Chess’s wife, Muriel. the 1890s when Sir Arthur Conan Doyle created the private detective Sherlock Holmes. In the Sherlock Marlowe puts together the career of a woman called Holmes stories and those of writers like Agatha Christie Mildred Haviland. She was once married to Degarmo, was who followed Conan Doyle’s example, the attraction lies Dr Almore’s nurse when his wife died, and later married in the unusual characters of the amateur detectives who Bill Chess and changed her name. Was she really ‘the lady resolve the crimes, which are presented rather like in the lake’? puzzles. As a result such stories were given the name of When Marlowe sees a woman leaving Lavery’s house ‘Who dunnits?’ and finds him dead, he begins to doubt it. And when he Chandler, however, found these stories unrealistic. He has to take money to Kingsley’s wife and the same set out to create a new kind of mystery novel, where the woman appears, he guesses what happened. But so has crimes are committed by ‘the kind of people who commit someone else who can’t afford to let the truth come out! them in real life’ and use guns, not unusual poisons, and Before he can solve the mystery, Marlowe himself is in where they are solved by professionals like Marlowe. In danger. these novels, it is not especially important who committed the crimes; indeed, they are not always the work of the ABOUT RAYMOND CHANDLER same person. What matters is how the characters react to each other and how Marlowe eventually pieces the truth Raymond Chandler was born in Chicago in 1888, the son together in spite of threats to his own safety caused by of an American father and Anglo-Irish mother, but came to dishonest policemen and by the criminals themselves. England after their divorce and grew up in London. He worked as a civil servant and wrote book reviews and It was much easier to find a realistic background for a poetry before emigrating to California in 1912. After murder mystery in Los Angeles in the 1930s and 1940s service with the Canadian forces in the First World War, he than in England at that time. In Los Angeles, guns were returned to America, fell in love with a married woman, easily obtainable, and as a result of the laws against Cissie Pascal, and married her after her divorce in 1924. alcohol (the Prohibition laws) passed in 1920s, gangsters He became a successful businessman with an oil had taken over such activities. When the laws against company, but was sacked in 1932. It was only then, when alcohol were ended, gangsters moved into drugs. A he was out of work, that he started to write detective crooked doctor like Dr Almore in The Lady in the Lake, stories for Black Mask magazine. Out of these grew his supplying drugs to the rich, is a typical product of this first novel, The Big Sleep, published in 1939, which culture, as are spoilt rich women like Mrs Kingsley. It was introduced the character of Philip Marlowe. an atmosphere where the police were also likely to be corrupt. Degarmo in this novel is one of a number in Chandler’s work who think nothing of covering up crimes © Pearson Education 2000 level Penguin Readers Factsheets 2 Teacher’s notes and beating up citizens who get in their way (such as Chapters 3-5 Marlowe, for example). 1 Put students into groups of four. Each group writes three questions that they would like to ask each of the The Lady in the Lake is told, like all the Marlowe novels, following people: Mrs Kingsley, Dr Almore, Mildred in the first person, which enables us to identify with the Haviland, Detective Degarmo. Students in one group hero. As he gradually uncovers layers of corruption and as play the four characters and the other group asks their new crimes take place, we follow the course of events at questions. The characters must try to tell the truth. the same speed, ask the same questions as he does and 2 Ask each group to say who they think is the lady in the like him, are forced to change our minds until we reach the lake and who killed her; who killed Mrs Almore; and same conclusions and solve the mystery. When the who killed Lavery. But do not tell them if they are right Hollywood actor Robert Montgomery made a film of The or wrong! Lady in the Lake in 1947 with himself as Marlowe, he Chapters 6-8 carried this idea so far that he made the camera follow Put students into groups of four. Say they are going to Marlowe’s eyes so he was only seen in a mirror. Chandler make a film of The Lady in the Lake. Ask them to talk described the film as ‘a cheap Hollywood trick’. No doubt about this question: Which actors will play the parts of Marlowe, Degarmo, Jim Patton and Mildred Haviland? Chandler was annoyed because he had written better screenplays himself and Marlowe represented his own ACTIVITIES AFTER READING THE BOOK values and attitude to life. Ask students to look up clue and connect in their Marlowe is still the most famous ‘private eye’, more dictionaries. Ask them if they guessed the ending of the interesting than any of the many imitations. He is honest, book. Then ask them to work in pairs to find clues in the story: loyal, brave and single-minded in his pursuit of the truth. But we can identify with him and find him attractive (a) for the idea that Mrs Kingsley, not Mildred Haviland, because he is not a saint. He likes a drink, and pretty girls, was the lady in the lake; and above all, very important since he is telling his own (b) to connect Degarmo with the murder of Mrs Almore story, he has a sense of humour, often directed at himself. and of Mildred. Communicative activities Glossary The following teacher-led activities cover the same It will be useful for your students to know the following new words. sections of text as the exercises at the back of the reader, They are practised in the ‘Before You Read’ sections of exercises at the back of the book. (Definitions are based on those in the Longman and supplement those exercises. Further supplementary Active Study Dictionary.) exercises, covering shorter sections of the book, can be found on the photocopiable Student’s Activities pages of Chapters 1-2 this Factsheet. These are primarily for use with class body (n) all of a person readers, but with the exception of pair/groupwork lady (n) a woman questions, can also be used by students working alone in lake (n) a large area of water lit (past tense of light) (v) to make something burn a self-access centre. murder (v) to kill somebody THE LADY IN LAKE private detective (n) people pay this detective money for their work ACTIVITIES BEFORE READING THE BOOK suicide (n) this is when somebody doesn’t want to live and ends their Put students into pairs and tell them to look at the life pictures in the first four chapters of the book. One student trouble (n) difficulty chooses a picture and tells the other student what is in it. whisky (n) a strong drink The other student finds the picture in the book. The Chapters 3-5 second student then finds another picture and tells the cover up (v) not to tell people about something first student about it, which he/she has to find. drug (n) people take this to change the way they feel nurse (n) this person helps doctors in their work Ask students to look up guess in their dictionaries. Tell the shoot (v) to kill somebody with a gun pairs that two of the people in these pictures kill other Chapters 6-8 people in the story. Then ask them to guess which they pretend (v) to say that you are somebody or something when you are are and to write down their guesses. not scarf (n) people wear this round their neck (the part of the body ACTIVITIES AFTER READING A SECTION below the head) to keep them warm throat (n) the front of somebody’s neck (the part of the body below Chapters 1-2 the head) Ask students to work in pairs.
Recommended publications
  • The High Window Ebook Free Download Fast-Talking, Trouble-Seeking Private Eye Philip Marlowe Is a Different Kind of Detective: a Moral Man in an Amoral World
    The High Window Ebook Free Download Fast-talking, trouble-seeking private eye Philip Marlowe is a different kind of detective: a moral man in an amoral world. California in the 1940s and 1950s is as beautiful as a ripe fruit and rotten to the core, and Marlowe must struggle to retain his integrity amidst the corruption he encounters daily. In The High Window, Marlowe starts out on the trail of a single stolen coin and ends up knee-deep in bodies. His client, a dried-up husk of a woman, wants him to recover a rare gold coin called a Brasher Doubloon, missing from her late husband’s collection. That’s the simple part. But Marlowe finds that everyone who handles the coin suffers a run of very bad luck: they always end up dead. If Marlowe doesn’t wrap this one up fast, he’s going to end up in jail—or worse, in a box in the ground. Starring Toby Stephens, this thrilling dramatization by Robin Brooks retains all the wry humor of Chandler’s serpentine suspense novel.2 CDs. 1 hr 26 mins. Audio CD: 1 pages Publisher: BBC Books; Unabridged edition (October 20, 2011) Language: English ISBN-10: 1408427664 ISBN-13: 978-1408427668 Product Dimensions: 5 x 0.4 x 5.5 inches Shipping Weight: 0.8 ounces (View shipping rates and policies) Average Customer Review: 4.4 out of 5 stars  See all reviews (106 customer reviews) Best Sellers Rank: #1,427,514 in Books (See Top 100 in Books) #2 in Books > Books on CD > Authors, A-Z > ( C ) > Chandler, Raymond #2476 in Books > Books on CD > Mystery & Thrillers #5176 in Books > Books on CD > Literature & Fiction > General The High Window by Raymond Chandler The "HighWindow" begins one hot day in Pasadena, when "everythingthat grew was perfectly still in the breathless air they get overthere on what they call a nice cool day." If we don't know we arein a Philip Marlowe novel yet, we do as soon as we meet his newclient--a wealthy, obese widow named Mrs.
    [Show full text]
  • XXXI:4) Robert Montgomery, LADY in the LAKE (1947, 105 Min)
    September 22, 2015 (XXXI:4) Robert Montgomery, LADY IN THE LAKE (1947, 105 min) (The version of this handout on the website has color images and hot urls.) Directed by Robert Montgomery Written by Steve Fisher (screenplay) based on the novel by Raymond Chandler Produced by George Haight Music by David Snell and Maurice Goldman (uncredited) Cinematography by Paul Vogel Film Editing by Gene Ruggiero Art Direction by E. Preston Ames and Cedric Gibbons Special Effects by A. Arnold Gillespie Robert Montgomery ... Phillip Marlowe Audrey Totter ... Adrienne Fromsett Lloyd Nolan ... Lt. DeGarmot Tom Tully ... Capt. Kane Leon Ames ... Derace Kingsby Jayne Meadows ... Mildred Havelend Pink Horse, 1947 Lady in the Lake, 1945 They Were Expendable, Dick Simmons ... Chris Lavery 1941 Here Comes Mr. Jordan, 1939 Fast and Loose, 1938 Three Morris Ankrum ... Eugene Grayson Loves Has Nancy, 1937 Ever Since Eve, 1937 Night Must Fall, Lila Leeds ... Receptionist 1936 Petticoat Fever, 1935 Biography of a Bachelor Girl, 1934 William Roberts ... Artist Riptide, 1933 Night Flight, 1932 Faithless, 1931 The Man in Kathleen Lockhart ... Mrs. Grayson Possession, 1931 Shipmates, 1930 War Nurse, 1930 Our Blushing Ellay Mort ... Chrystal Kingsby Brides, 1930 The Big House, 1929 Their Own Desire, 1929 Three Eddie Acuff ... Ed, the Coroner (uncredited) Live Ghosts, 1929 The Single Standard. Robert Montgomery (director, actor) (b. May 21, 1904 in Steve Fisher (writer, screenplay) (b. August 29, 1912 in Marine Fishkill Landing, New York—d. September 27, 1981, age 77, in City, Michigan—d. March 27, age 67, in Canoga Park, California) Washington Heights, New York) was nominated for two Academy wrote for 98 various stories for film and television including Awards, once in 1942 for Best Actor in a Leading Role for Here Fantasy Island (TV Series, 11 episodes from 1978 - 1981), 1978 Comes Mr.
    [Show full text]
  • PDF Download Lady in the Lake Ebook Free Download
    LADY IN THE LAKE PDF, EPUB, EBOOK Raymond Chandler | 266 pages | 01 Nov 2005 | Random House USA Inc | 9780394758251 | English | New York, United States The Lady of the Lake - The Witcher Wiki Perdita opens it without permission, which leads the spirit of Viola to choke her to death. After finding his second wife dead, Arthur believes the trunk is cursed and throws it in the lake with the eldest sister's spirit trapped inside. In the original Henry James story, their roles are entirely reversed and it is likely Flanagan made this change in order to better suit the source characters' characteristics. Viola has haunted the grounds of Bly Manor for nearly years. It is unknown when Miles and Flora first encountered the spirit but the little girl is deeply aware of how dangerous she is and Flora uses a faceless doll in order to track where she is at all times. In her bedroom, she has an exact replica of the manor and the surrounding areas in her room represent the various locations on the property. Her dresser represents the lake. When the doll is under the dresser, it means that Viola is in the lake but when she is in the middle of the room, it means she is on her way to the house. When Dani is walking the halls at night, the doll is seen heading towards the forbidden wing of the house. It is Flora's way of ensuring that the people she cares about stay safe from the woman who trapped several spirits in Bly Manor.
    [Show full text]
  • The Hero Is Hardboiled
    Page 1 of 3 The Hero Is Hard-Boiled 'The Big Sleep' introduced Philip Marlowe and a new kind of mystery novel By LEONARD CASSUTO August 26, 2006 Raymond Chandler was the rare mystery writer who didn't care whodunit. "The Big Sleep," his first novel, appeared in 1939 and introduced Philip Marlowe, a detective who shows at least as much talent for wisecracks as for sleuthing. Marlowe's weathered dignity set the course of American detective fiction for generations. When Leigh Brackett collaborated on the screenplay for "The Big Sleep" in 1946 with William Faulkner (yes, that William Faulkner), the two found themselves so stymied by the plot turns that they couldn't tell who had murdered the chauffeur. Director Howard Hawks sent Chandler a telegram asking him who knocks the character off. "No idea," Chandler cabled in response. A grimy story involving pornography, drugs, and a particularly nasty hired killer in the employ of organized crime, "The Big Sleep" offers none of the clean, cathartic redemption that typically ended detective stories. "Crusts and fragments of greasy newspaper" litter Chandler's Depression-era Los Angeles, along with used condoms and "oil-scummed water." Marlowe solves the murders, more or less, but the solution doesn't leach the "hidden sadism" (as Chandler later called it) from his surroundings. A sordid mystery with a plot so incoherent that you can't tell who killed whom would not appear destined for classic status. In fact, "The Big Sleep" had a rocky debut. Though issued by the prestigious publisher Alfred A. Knopf, the novel sold a meager 12,500 copies in the U.S.
    [Show full text]
  • Introduction: the Case
    C H A P T E R O N E Introduction: The Case From William Powell to Humphrey Bogart—or debonair to tough; from Bruce Willis to William Petersen—or wisecracking to wise: the celluloid de- tective has evolved over time, processing society’s fears about crime and artic- ulating debates about law enforcement and justice. The 1980s saw cinematic justice exacted by muscle and firepower; today it is pursued with science and brainpower—or what Agatha Christie’s sleuth Hercule Poirot called using “the little grey cells.” In the mid-1980s, William Petersen starred as detective Will Graham in Manhunter (Mann 1986), the first film adaptation of Thomas Harris’s novel Red Dragon (1981), which introduced the world to Dr. Hannibal “The Cannibal” Lector. The film was ahead of its time, bring- ing the criminalist and that which he hunts—the serial killer—to the big screen several years before the genre became pervasive in the mid-1990s. Today William Petersen produces and stars in one of the most popular tele- vision drama series in the world, airing in 100 countries: CSI: Crime Scene In- vestigation (Cole 3). Like Manhunter, CSI centers on the investigations of its detectives, including Gil Grissom (played by Petersen), who are criminal- ists—detectives who specialize in the analysis of physical evidence. The criminalist is a modern-day incarnation of the classical sleuth first envisioned by Edgar Allan Poe in the 1840s with C. Auguste Dupin, the hero of a handful of “tales of ratiocination,” and popularized by Sir Arthur 3 © 2006 State University of New York Press, Albany FIGURE 1.
    [Show full text]
  • Raymond Chandler's Last Novel: Some Observations on the "Priva, Te Eye" Tradition
    RAYMOND CHANDLER'S LAST NOVEL: SOME OBSERVATIONS ON THE "PRIVA, TE EYE" TRADITION HAROLD OREL At one moment in that popular "private eye" novel of 1942, The High Window, the hero refers to himself as a "cockeyed, careless, clubfooted, dissipated investigator. " Philip Marlowe knows that the odds are against him. "See me and you meet the best cops in town, " he muses. "Why despair? Why be lonely? Call Marlowe and watch the wagon come. " The frustration implicit in such name-calling of one's self is, how­ ever, a passing mood. Marlowe knows that he is not so hopeless as all that. He knows it because he knows who he is, and what he believes in. His ethics are consistent and an awesome thing to watch, because this cock­ eyed and careless investigator succeeds where the police fail, and does so because, being true to himself, he cannot then be false to any man. When he lectures a cynical Detective-Lieutenant, Jesse Breeze, his anger flares up: 'Until you guys own your own souls you don't own mine. Until you guys can be trusted every time and always, in all times and conditions, to seek the truth out and find it and let the chips fall where they may—until that time comes, I have a right to listen to my conscience, and protect my cli­ ent the best way I can. Until I'm sure you won't do him more harm than you'll do the truth good. Or until I'm hauled before somebody that can make me talk.
    [Show full text]
  • Techniques Used to Establish the First Person Narrator and Perspective in Double Indemnity and Murder, My Sweet
    ISSN 2380-5064 | Arsenal is published by the Augusta University Libraries | http://guides.augusta.edu/arsenal Volume 1, Issue 2 (2017) Techniques Used to Establish the First Person Narrator and Perspective in Double Indemnity and Murder, My Sweet Breana Walton Citation Walton, B. (2017). Techniques Used to Establish the First Person Narrator and Perspective in Double Indemnity and Murder, My Sweet. Arsenal: The undergraduate research journal of Augusta University, 1(2), 23-29. http://doi.org/10.21633/issn.2380.5064/s.2017.1.02.23 This open access article is distributed under a Creative Commons Attribution- NonCommercial-NoDerivs 2.0 Generic License (https://creativecommons.org/licenses/by-nc-nd/2.0/) ISSN 2380-5064 10.21633/issn.2380.5064/s.2017.1.02.23 Techniques Used to Establish the First Person Narrator and Perspective in Double Indemnity and Murder, My Sweet Breana Walton Department of English and Foreign Languages Faculty Mentor: Tim Sadenwasser, Department of English and Foreign Languages and Honors Program; Todd Hoffman, Department of English and Foreign Languages ABSTRACT Directed by Billy Wilder (1944) and Edward Dmytryk (1944) respectively, the films noir Double Indemnity and Murder, My Sweet each have a storyline that unfolds from a first person perspective as told by a narrator. The techniques used in the films establish this first person perspective through which the films are understood. Both films include voice over as a technique, which determines who the narrator is and the amount of information withheld or disclosed to the audience. Establishing the visual perspective of the narrator is portrayed through differently for each film.
    [Show full text]
  • American Heritage Center
    UNIVERSITY OF WYOMING AMERICAN HERITAGE CENTER GUIDE TO ENTERTAINMENT INDUSTRY RESOURCES Child actress Mary Jane Irving with Bessie Barriscale and Ben Alexander in the 1918 silent film Heart of Rachel. Mary Jane Irving papers, American Heritage Center. Compiled by D. Claudia Thompson and Shaun A. Hayes 2009 PREFACE When the University of Wyoming began collecting the papers of national entertainment figures in the 1970s, it was one of only a handful of repositories actively engaged in the field. Business and industry, science, family history, even print literature were all recognized as legitimate fields of study while prejudice remained against mere entertainment as a source of scholarship. There are two arguments to be made against this narrow vision. In the first place, entertainment is very much an industry. It employs thousands. It requires vast capital expenditure, and it lives or dies on profit. In the second place, popular culture is more universal than any other field. Each individual’s experience is unique, but one common thread running throughout humanity is the desire to be taken out of ourselves, to share with our neighbors some story of humor or adventure. This is the basis for entertainment. The Entertainment Industry collections at the American Heritage Center focus on the twentieth century. During the twentieth century, entertainment in the United States changed radically due to advances in communications technology. The development of radio made it possible for the first time for people on both coasts to listen to a performance simultaneously. The delivery of entertainment thus became immensely cheaper and, at the same time, the fame of individual performers grew.
    [Show full text]
  • Farewell, My Lovely
    Raymond Chandler Farewell, My Lovely Introduction 'Where do you think I've been these last eight years?' He looked quite pleased with himself. 'Prison. Malloy's the name. Moose Malloy. The Great Bend bank job - that was me. On my own, too. Forty thousand dollars.' If anyone could rob a bank on his own, it's Moose Malloy. He's as hard as stone and as big as a bus. Now he's out of prison, and he wants two things: to know who gave his name to the police eight years ago, and to find his girlfriend. Moose means trouble, and it's the sort of trouble a private detective should stay away from. So of course Philip Marlowe runs straight into it: trouble with the police, trouble with women, trouble with almost every criminal in California . And trouble with murder. Even when he tries to walk away from it, this sort of trouble just follows him around ... Raymond Chandler is one of the greatest modern detective writers. He turned the American crime story into a kind of art. He was born in 1888 in Chicago, Illinois, but was brought up and educated in England. He worked as a reporter in London before returning, in 1912, to the USA. After fighting in France during World War I, he lived and worked in California. He lost his job in 1932. Then he started to write crime stories for magazines. His first book, The Big Sleep (1939), was about a private detective, Philip Marlowe. It was a great success, and he wrote about Marlowe in many other books, including Farewell, My Lovely (1940), The High Window (1942), The Lady in the Lake (1944) and The Long Goodbye (1953).
    [Show full text]
  • Catalog Sixty-Eight the CELLULOID PAPER TRAIL
    catalog Books Royal sixty-eight Ca talog Sixty-Eight talog Royal Books THE CELLULOID PAPER TRAIL Oak Knoll Press is pleased to announce the publication of Terms and Conditions Kevin R. Johnson’s The Celluloid All books are first editions unless indicated otherwise. Paper Trail. The first book All items in wrappers or without dust jackets advertised have glassine covers, and all dust jackets are protected ever published on film script by new archival covers. Single, unframed photographs identification and description, housed in new, archival mats. lavishly illustrated and detailed. In many cases, more detailed physical descriptions for archives, manuscripts, film scripts, and other ephemeral Designed for any book scholar, items can be found on our website. including collectors, archivists, Any item is returnable within 30 days for a full refund. librarians, and dealers. Books may be reserved by telephone, or email, and are subject to prior sale. Payment can be made by credit card Available now at royalbooks.com/cpt or, if preferred, by check or money order with an invoice. or by calling 410.366.7329. Libraries and institutions may be billed according to preference. Reciprocal courtesies extended to dealers. Please feel free to let us know if you would like your copy signed or inscribed by the author. We accept credit card payments by VISA, MASTERCARD, AMERICAN EXPRESS, DISCOVER, and PAYPAL. Shipments are made via USPS priority mail or Fedex Ground unless other arrangements are requested. All shipments are fully insured. Shipping is free within the United States. For international destinations, shipping is $60 for the first book and $10 for each thereafter.
    [Show full text]
  • A Homage to Raymond Chandler Downloaded from by Guest on 30 September 2021
    L INE BY LINE jonah raskin The Master of Nasty A homage to Raymond Chandler Downloaded from http://online.ucpress.edu/boom/article-pdf/2/4/87/381441/boom_2012_2_4_87.pdf by guest on 30 September 2021 Raymond Chandler relished finding names for his quirky characters, including Philip Marlowe, the pipe-smoking, chess-playing private eye—a literary kinsman to Sam Spade, Dashiell Hammett’s solitary sleuth—whom I first met in the pages of fiction as a teenager and whom I have known more than fifty years. Sometimes the names are dead giveaways about the morality or immorality of the character, sometimes they’re opaque, but I’ve always found them intriguing and an open invitation to try to solve the mystery myself. In his first novel, The Big Sleep (1939) Chandler calls the bellicose gangster Eddie Mars, the smut peddler Arthur Gwynn Geiger, and the top cop Captain Cronjager. In The High Window (1942), Lois Magic is the femme fatale, Linda Conquest is a torch singer, and Leslie Murdoch is the effete son of a nasty heiress who has murdered her own husband and brainwashed Merle Davis (a wholesome girl from the Midwest and a victim of sexual assault) into thinking she’s guilty of the crime. Nice people, Marlowe observes wryly. Born in Chicago in 1888, near the end of the Victorian era, raised in England among elite Edwardians, and transplanted to Los Angeles in 1913, Chandler saw California through the eyes of an English eccentric. A veteran of World War I who was wounded in action in France, and a child of Prohibition and Depression America, he recognized that crime was an industry in both boom and bust times, and a rich field for a writer.
    [Show full text]
  • Raymond Chandler and His Ambiguous Relationships to Women: a Search for Hidden Meanings Within His Crime Novels
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE Lyuba Pervushina provided by Jagiellonian Univeristy Repository Minsk State Linguistics University Richard R. E. Kania Jacksonville State University of Alabama Raymond Chandler and His Ambiguous Relationships to Women: A Search for Hidden Meanings within His Crime Novels Raymond Chandler (1888-1959) is recognized today as one of the greats of American crime fiction. In the “hard-boiled” pattern of Dashiell Hammett, he is often described as a realistic writer of the American scene in the 1940s. And a dark vision it is, filled with betrayal and dishonesty, wherein even the protagonist is not a hero. A Chandler detective may have more integrity than the other characters in the story, but not that much more. His clients have hidden agendas and devious motives, especially the women. None are pure, some even are diabolical and evil. Chandler began writing crime fiction in his mid-forties, but had been writ­ ing poetry and essays since his college days in England (MacShane 1976: 23). He modeled his first crime stories on those of Dashiell Hammett, whose writing he admired, and sought to have them published in Black Mask, a very suc­ cessful “pulp” magazine where Hammett also published some of his fiction (MacShane 1976: 48-49). His first published short story was “Blackmailers Don’t Shoot,” which he later described as “pure pastiche” (MacShane 1976: 51). In 1939, after five years of writing short stories for various pulps, he produced his first novel, The Big Sleep (MacShane 1976: 61; Freeman 2007: 174-175,177).
    [Show full text]