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Trump Signals Restraint on Possible Iran Strike
NATION NFL TELEVISION Vaping illnesses Backup quarterback Burns’ ‘Country Music’ top 500 in US; Minshew, defense share series includes stories 8th death reported spotlight in Jags victory of Americans at war Page 8 Back page Pages 15-18 Imelda leaves 2 dead in Texas, others stranded and trapped » Page 9 Volume 78, No. 112A ©SS 2019 CONTINGENCY EDITION SATURDAY, SEPTEMBER 21, 2019 stripes.com Free to Deployed Areas Trump signals restraint on possible Iran strike BY LOLITA C. BALDOR Speaking in the Oval Office ahead of an Morrison. “Much easier to do it the other The U.S. response could Associated Press early afternoon meeting with his national way, and Iran knows that if they misbehave security team, Trump laid out new sanc- they are on borrowed time.” involve military, political WASHINGTON — President Donald tions on the Iranian central bank and said Trump spoke just before he gathered his and economic actions, and Trump signaled Friday that he’s not in- the easiest thing to do would be to launch national security team at the White House clined to authorize an immediate mili- military strikes. to discuss how to respond to the weekend the military options could tary strike on Iran in response to the “I think the strong person’s approach drone and missile attack on oil facilities in range from no action at all attacks on the Saudi oil industry, saying and the thing that does show strength Saudi Araba that the administration has he believes showing restraint “shows far would be showing a little bit of restraint,” to airstrikes or less visible blamed on Iran. -
The Apple Mobile Special Interest Group Has Its Second Meeting on 30Th July, 2020
The Apple mobile special interest group has its second meeting on 30th July, 2020. Five members were there. We started off discussing the fixed agenda topics for this meeting Photography o Those with iOS 13 can open the photo app quickly by swiping left from the lock screen. Another quick way is to bring the control panel onto the screen (swipe down from above the top right of an iPad screen or up from the bottom of an iPhone screen) then select the camera icon. Alternatively, locate the camera icon on the screen. Having the camera icon in the ‘dock’ is also handy as it then appears on every screen. o The camera has the ability to alter its default settings for focus and lighting by touching the yellow square that appears when the camera first starts or if you touch the screen. Touching and holding the yellow square allows fine adjustments for light. Touching the screen where you want the camera to focus on, changes the automatic option. o Once the photo is taken, try editing the result by touching the photo then touching edit. Have a play with all of the options and see the effect it has. You can discard changes at any time or save them as separate photos. Try ‘marking up’ making pen marks on a picture using an array of pens and colours. o Security of your photos should be top of mind. The best option is to store them in in a cloud computing service such as Apple Photos or Google Photos. In the photos settings, turn on ‘iCloud Photos’ to automatically send your photos to your iCloud account. -
The Legacy of American Photojournalism in Ken Burns's
Interfaces Image Texte Language 41 | 2019 Images / Memories The Legacy of American Photojournalism in Ken Burns’s Vietnam War Documentary Series Camille Rouquet Electronic version URL: http://journals.openedition.org/interfaces/647 DOI: 10.4000/interfaces.647 ISSN: 2647-6754 Publisher: Université de Bourgogne, Université de Paris, College of the Holy Cross Printed version Date of publication: 21 June 2019 Number of pages: 65-83 ISSN: 1164-6225 Electronic reference Camille Rouquet, “The Legacy of American Photojournalism in Ken Burns’s Vietnam War Documentary Series”, Interfaces [Online], 41 | 2019, Online since 21 June 2019, connection on 07 January 2021. URL: http://journals.openedition.org/interfaces/647 ; DOI: https://doi.org/10.4000/interfaces.647 Les contenus de la revue Interfaces sont mis à disposition selon les termes de la Licence Creative Commons Attribution 4.0 International. THE LEGACY OF AMERICAN PHOTOJOURNALISM IN KEN BURNS’S VIETNAM WAR DOCUMENTARY SERIES Camille Rouquet LARCA/Paris Sciences et Lettres In his review of The Vietnam War, the 18-hour-long documentary series directed by Ken Burns and Lynn Novick released in September 2017, New York Times television critic James Poniewozik wrote: “The Vietnam War” is not Mr. Burns’s most innovative film. Since the war was waged in the TV era, the filmmakers rely less exclusively on the trademark “Ken Burns effect” pans over still images. Since Vietnam was the “living-room war,” played out on the nightly news, this documentary doesn’t show us the fighting with new eyes, the way “The War” did with its unearthed archival World War II footage. -
Copyright by Leah Michelle Ross 2012
Copyright by Leah Michelle Ross 2012 The Dissertation Committee for Leah Michelle Ross Certifies that this is the approved version of the following dissertation: A Rhetoric of Instrumentality: Documentary Film in the Landscape of Public Memory Committee: Katherine Arens, Supervisor Barry Brummett, Co-Supervisor Richard Cherwitz Dana Cloud Andrew Garrison A Rhetoric of Instrumentality: Documentary Film in the Landscape of Public Memory by Leah Michelle Ross, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December, 2012 Dedication For Chaim Silberstrom, who taught me to choose life. Acknowledgements This dissertation was conceived with insurmountable help from Dr. Katherine Arens, who has been my champion in both my academic work as well as in my personal growth and development for the last ten years. This kind of support and mentorship is rare and I can only hope to embody the same generosity when I am in the position to do so. I am forever indebted. Also to William Russell Hart, who taught me about strength in the process of recovery. I would also like to thank my dissertation committee members: Dr Barry Brummett for his patience through the years and maintaining a discipline of cool; Dr Dana Cloud for her inspiring and invaluable and tireless work on social justice issues, as well as her invaluable academic support in the early years of my graduate studies; Dr. Rick Cherwitz whose mentorship program provides practical skills and support to otherwise marginalized students is an invaluable contribution to the life of our university and world as a whole; Andrew Garrison for teaching me the craft I continue to practice and continuing to support me when I reach out with questions of my professional and creative goals; an inspiration in his ability to juggle filmmaking, teaching, and family and continued dedication to community based filmmaking programs. -
2002 Nl February 2
VOLUME 31, NUMBER 2 MAIN LINE MACINTOSH USERS GROUP FEBRUARY 2020 FOUNDED MAY 1989 MEETINGS - SECOND SOME WEBSITES SATURDAY OF THE MONTH The 10 Best Wireless Routers of 2019. A tough technical subject, but this article should help. bit.ly/30Op3v4. FOCUS - SOFTWARE & iPHONE What You Need to Know About 5G in 2020. It’s coming, but slowly - and there are 2 SELF-DRIVING CARS varieties. nyti.ms/2uwrgyW. Our main speaker will be me (Mark Bazrod). The topic will be self-driving cars. How to Use Your iPhone as a The presentation will answer a number of questions, such as - Why do we need Pedometer. No need to buy an self driving cars? What is a self driving car? What are the levels of self driving expensive fitness tracker when cars? What is their history? Who's working on self-driving cars? What about the iPhone tracks your steps for Tesla cars? What progress are auto makers making? How and where are self free. bit.ly/36lrhDn. driving cars being tested? What accidents have they been involved in? What are How to free up iCloud storage the technological obstacles to their widespread use? What are the other space. This article gives you obstacles? What are their advantages and disadvantages? And what are the tips to try to stay within the free ethical issues? 5GB given by Apple. However, Mark is currently MLMUG Secretary and has been Newsletter Editor since 2004. He also has been going to 50GB costs only $1 President and Treasurer and a Board member. He has many times been a presenter to both per month. -
Fall 2021 Brochure
at Del Valle Education Center Fall Quarter Starts 9-13-21 www.auhsd.org/adulted Photo by Dean A. Jaggar 1988, All Rights Reserved Fall Registration See Our Articulation Classes Starts 8/11/21 @8am on page 20 in partnership with See Language Classes pages 12-15 To Our Acalanes Adult Education Community, Welcome back and know we have missed you! Acalanes Adult Education (AAE) is open for in-person learning starting this Fall, which begins Monday, September 13, 2021 and look forward to welcoming you back to our campus. Throughout this unique journey, the staff at AAE are grateful for your continued support of our programs and our steady enrollment during the 2020 - 2021 academic year via Distance Learning. We are honored to serve our community since 1945 and look forward to opening our doors this Fall! As reopening guidelines are fluid, visit auhsd.org/reopening for the most current guidance in alignment with state, local, and district protocols. The classroom setting may appear slightly different from the last time you were in one of our classes; however, we strive to provide you with an exceptional educational experience. As always, the health and safety of our students and staff are paramount. We look forward to coming together once again to Explore, Experience, and Learn. For the Fall term reopening, courses will be offered in a face-to-face/in-person fashion, as well as offered through an online format. Upon registering for courses, please note the option to enroll in your course for in-person or online instruction. Some courses may not have this option due to the nature of the course, so please check our website for up-to-date enrollment options. -
Making Photo Slideshows Handout.Pages
MAKING PHOTO SLIDESHOWS with iMovie WHAT YOU NEED 1.Photos – JPEGs o Scan prints, slides, and film strips in the Studio o Use photos from iPhoto, iPhone or iPad 2.Sound – Use music and sound effects from iMovie, add music from iTunes, or import your own music 3.Video Files – your slideshow can include short video clips, too! CREATE NEW PROJECT 1. Open iMovie 2.from the Projects page, select Create New > Movie IMPORTING PHOTOS 1. To Import from iPhoto: Under Libraries, click on iPhoto or Photos 2.To import from iPhone, iPad or external drive: click on arrow to Import Media, under Devices, select the device 3.To import from Computer Files, click on arrow Import Media to open directory of files on computer 4.Use Shift+Click or Command+Click to select multiple photos, then click Import Selected 5.Drag photos to Timeline 6.Move the Settings slider to see Timeline photos as 1 frame EDITING AND ADJUSTMENTS Click on the photo to select it, then in the Adjustments Panel at the top of the Preview screen: o Color Balance — to correct white or skin tone balance o Color Correction — to adjust brightness, saturation or temperature o Crop – Crop to Fit; Crop to Fill or Ken Burns (zoom in/out) effect ▪ For Portrait photos, select crop to fit to see entire photo o Clip Filter — to apply special filters such as black & white, sepia, noir, duotone o Clip Information — to change duration of photo To change the duration of the screen time: o Click on the photo in the Timeline and drag the sides to desired time; or o Click once on a photo or selection of photos, select the Info tab, change the duration and press enter. -
PTO Tips for Apple Photos
Tips for working in the Apple Photos Library Importing using Image Capture 1. From Finder, go to the Applications folder 2. Double Click on “ImageCapture.app” 3. Plug your phone into your computer 4. Image capture should recognize your device in the upper left corner: 5. You will see the photos and videos the app has found on your phone’s camera. 6. In the Import To window, you can select where you want the imported items to be saved. You can import to: a. Pictures folder (usually the default location) b. Photos app (which would be directly into your Photos Library) PictureThisOrganized.com December 2018 7. To select individual items to be imported, just click on each one. And then select Import. 8. To select all of them, select Import All. 9. While the program is importing files, you will see a blue bar. When complete, it goes away Creating Albums The Apple Photos app already organizes different types of media into albums for you in the Album entitled “Media Types.” You’ll see the different categories (e.g. Videos, Selfies, Live Photos, Panoramas, Bursts, and Screenshots). These albums are the same on your Mac computer and your devices. PictureThisOrganized.com December 2018 You can also create your own albums: custom albums and smart albums. Custom albums are the easiest and most straightforward type to create, because you manually add photos to the albums. These albums are identified in the left menu by the key photo icon. Creating a Custom Album From a Selection: 1. Highlight a group of photos that you want to place in an album 2. -
Managing Photos
Tech Coach Corner – Got a little time? Get organized and find that photo fast! by LTCL Coach Suzanne Logan Ever find yourself scrolling like mad to find that one super cute photo to share with friends? What if there was a better way to find and backup photos? There are many ways to get organized and here are just a few tips for organizing your photos. Both Apple Photos and Google Photos will do some of the organizing for you. The default is to see all the photos in the order they were taken. You can mark the ones that you want as “Favorites” (select the Star or Heart icon) and make your own Albums. There will be some automatic categories for albums, like People, Pets and Places but you can add your own based on your interests. For the location albums to work, you need to have your Location setting “on” for the Camera app. [Check in Settings>Location>App Permission for Android or Settings>Privacy>Location Services for Apple iOS to see which apps are using your Location and select “on” for “Camera”.] Once you put a photo in a labeled Album, it will still show up in the time sequenced photos. Android: After you Swipe Up on the selected photo, you have choices of: Add to album, Move to Archive, Delete from device, Order photo, Use as, Slideshow or Print. If you swipe back down to the main view of the photo, you can select the icons across the bottom, which are, from left to right, Share, Edit, Google Lens (on Pixel phones) and Delete. -
The Cider Press: Extracting Forensic Artifacts from Apple Continuity Heather Mahalik | @Heathermahalik | Smarterforensics.Com Sarah Edwards | @Iamevltwin | Mac4n6.Com
THE CIDER PRESS: EXTRACTING FORENSIC ARTIFACTS FROM APPLE CONTINUITY HEATHER MAHALIK | @HEATHERMAHALIK | SMARTERFORENSICS.COM SARAH EDWARDS | @IAMEVLTWIN | MAC4N6.COM © 2017 Sarah Edwards and Heather Mahalik WHO THE HECK ARE WE? HEATHER MAHALIK SARAH EDWARDS • SANS SENIOR INSTRUCTOR AND AUTHOR • SANS CERTIFIED INSTRUCTOR AND AUTHOR • DIRECTOR OF FORENSIC ENGINEERING, • MOBILE FORENSICS ENGINEER AT PARSONS MANTECH CARD CORPORATION • SMARTPHONE NERD • MAC NERD © 2017 Sarah Edwards and Heather Mahalik WHAT IS CONTINUITY? • “SEAMLESS” INTERACTION BETWEEN ALL APPLE DEVICES: • MACS • IPHONE • IPAD • APPLE WATCH • SOFTWARE REQUIREMENTS: • WI-FI & BLUETOOTH ON • SIGNED IN ON ALL DEVICES WITH ICLOUD ACCOUNT • “HANDOFF” SET TO ON • HARDWARE REQUIREMENTS: • MACOS 10.10+ (MACBOOK EARLY 2015) • IOS 8+ (IPHONE 5+) • WATCHOS3 - (SERIES 1+) © 2017 Sarah Edwards and Heather Mahalik THE METHOD TO OUR MADNESS • IPHONE 7 IOS 10.3.2 • JAILBROKEN IPHONE 7 IOS 10.1.1 • APPLE WATCH OS 3.1.3 • APPLE WATCH 2 OS 3.1 • MACBOOK PRO X 2 (10.12.3 & 10.12.5) © 2017 Sarah Edwards and Heather Mahalik CONNECTED DEVICES - BLUETOOTH IDENTIFIERS - MAC • /LIBRARY/PREFERENCES/COM.APPLE.BLUETOOTH.PLIST • MATCH GUID -> GET MAC ADDRESS -> ASSOCIATE WITH DEVICE © 2017 Sarah Edwards and Heather Mahalik CONNECTED DEVICES - BLUETOOTH IDENTIFIERS - MAC • ~/LIBRARY/PREFERENCES/BYHOST/COM.APPLE.BLUETOOTH.<HW_UUID>.PLIST • ASSOCIATE WITH A SPECIFIC USER © 2017 Sarah Edwards and Heather Mahalik CONNECTED DEVICES - BLUETOOTH IDENTIFIERS - IOS • /LIBRARY/MOBLEBLUETOOTH/COM.APPLE.MOBILEBLUETOOTH.LEDEVICES.PAIRED.DB -
702 Your Apps and the Future of Macos Security 04 Final D
#WWDC18 •Your Apps and the Future of macOS Security Pierre-Olivier Martel, Security Engineering Manager Kelly Yancey, OS Security Garrett Jacobson, Trusted Execution © 2018 Apple Inc. All rights reserved. Redistribution or public display not permitted without written permission from Apple. • System Security Improvements • User Consent for Data Access • Enhanced Runtime Protections • Developer ID and Notarized Apps •System Security Improvements System Security Improvements Extension to System Integrity Protection • Stronger code signing enforcement for platform binaries • Libraries/Frameworks/Plugins loaded by system processes must be signed by Apple Exceptions for legacy system extension points Trusted Event Dispatching Most security decisions are made through system UI • User intent (open/save dialogs, drag and drop) • User consent (security dialogs, configuration changes) Need to differentiate between the user deciding and software impersonating them New approval mechanism for users to enable software controlling the UI on their behalf Configurable in the Security and Privacy preference pane, in the Accessibility list Trusted Event Dispatching Trusted Event Dispatching Impacted APIs IOHIDPostEvent(…); IOHIDSetMouseLocation(io_connect_t connect, int x, int y); CGEvent.post(tap: CGEventTapLocation) CGEventTap.tapCreate(…, options: CGEventTapOptions, …) // when called without .listenOnly Safari / WebKit Safari • Sandbox adoption for the app and satellite processes WebKit • Audit and removal of risky dependencies from existing sandboxes -
The Rewritten War Alternate Histories of the American Civil War
Title The Rewritten War Alternate Histories of the American Civil War By Renee de Groot Supervised by Dr. George Blaustein Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the History: American Studies Program Faculty of Humanities University of Amsterdam 22 August 2016 Declaration I declare that I have read the UvA regulations regarding fraud and plagiarism, and that the following thesis is my original work. Renee de Groot August 22, 2016 Abstract The American Civil War (1861-1865) has provided food for counterfactual speculation for historians, journalists, critics, and writers of all stripes for over a century. What if the Confederacy had won? What if the South had abolished slavery? What if Lincoln had lived? What if…? This thesis offers an anatomy of Civil War alternate history as a distinct though eclectic cultural form. It takes apart the most interesting manifestations and reassembles them to show four intriguing functions of this form: as a platform for challenges to narratives of Civil War memory, for counterintuitive socio-economic criticism, for intricate reflections on history writing and on historical consciousness. It shows the many paradoxes that rule Civil War alternate history: its insularity and global outlook, its essential un-creativity, its ability to attract strange bedfellows and to prod the boundaries between fact and fiction. Most importantly, this thesis demonstrates the marriage of sophistication and banality that characterizes this form that is ultimately the