Using Imovie
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Trump Signals Restraint on Possible Iran Strike
NATION NFL TELEVISION Vaping illnesses Backup quarterback Burns’ ‘Country Music’ top 500 in US; Minshew, defense share series includes stories 8th death reported spotlight in Jags victory of Americans at war Page 8 Back page Pages 15-18 Imelda leaves 2 dead in Texas, others stranded and trapped » Page 9 Volume 78, No. 112A ©SS 2019 CONTINGENCY EDITION SATURDAY, SEPTEMBER 21, 2019 stripes.com Free to Deployed Areas Trump signals restraint on possible Iran strike BY LOLITA C. BALDOR Speaking in the Oval Office ahead of an Morrison. “Much easier to do it the other The U.S. response could Associated Press early afternoon meeting with his national way, and Iran knows that if they misbehave security team, Trump laid out new sanc- they are on borrowed time.” involve military, political WASHINGTON — President Donald tions on the Iranian central bank and said Trump spoke just before he gathered his and economic actions, and Trump signaled Friday that he’s not in- the easiest thing to do would be to launch national security team at the White House clined to authorize an immediate mili- military strikes. to discuss how to respond to the weekend the military options could tary strike on Iran in response to the “I think the strong person’s approach drone and missile attack on oil facilities in range from no action at all attacks on the Saudi oil industry, saying and the thing that does show strength Saudi Araba that the administration has he believes showing restraint “shows far would be showing a little bit of restraint,” to airstrikes or less visible blamed on Iran. -
Mac OS X Server Administrator's Guide
034-9285.S4AdminPDF 6/27/02 2:07 PM Page 1 Mac OS X Server Administrator’s Guide K Apple Computer, Inc. © 2002 Apple Computer, Inc. All rights reserved. Under the copyright laws, this publication may not be copied, in whole or in part, without the written consent of Apple. The Apple logo is a trademark of Apple Computer, Inc., registered in the U.S. and other countries. Use of the “keyboard” Apple logo (Option-Shift-K) for commercial purposes without the prior written consent of Apple may constitute trademark infringement and unfair competition in violation of federal and state laws. Apple, the Apple logo, AppleScript, AppleShare, AppleTalk, ColorSync, FireWire, Keychain, Mac, Macintosh, Power Macintosh, QuickTime, Sherlock, and WebObjects are trademarks of Apple Computer, Inc., registered in the U.S. and other countries. AirPort, Extensions Manager, Finder, iMac, and Power Mac are trademarks of Apple Computer, Inc. Adobe and PostScript are trademarks of Adobe Systems Incorporated. Java and all Java-based trademarks and logos are trademarks or registered trademarks of Sun Microsystems, Inc. in the U.S. and other countries. Netscape Navigator is a trademark of Netscape Communications Corporation. RealAudio is a trademark of Progressive Networks, Inc. © 1995–2001 The Apache Group. All rights reserved. UNIX is a registered trademark in the United States and other countries, licensed exclusively through X/Open Company, Ltd. 062-9285/7-26-02 LL9285.Book Page 3 Tuesday, June 25, 2002 3:59 PM Contents Preface How to Use This Guide 39 What’s Included -
The Legacy of American Photojournalism in Ken Burns's
Interfaces Image Texte Language 41 | 2019 Images / Memories The Legacy of American Photojournalism in Ken Burns’s Vietnam War Documentary Series Camille Rouquet Electronic version URL: http://journals.openedition.org/interfaces/647 DOI: 10.4000/interfaces.647 ISSN: 2647-6754 Publisher: Université de Bourgogne, Université de Paris, College of the Holy Cross Printed version Date of publication: 21 June 2019 Number of pages: 65-83 ISSN: 1164-6225 Electronic reference Camille Rouquet, “The Legacy of American Photojournalism in Ken Burns’s Vietnam War Documentary Series”, Interfaces [Online], 41 | 2019, Online since 21 June 2019, connection on 07 January 2021. URL: http://journals.openedition.org/interfaces/647 ; DOI: https://doi.org/10.4000/interfaces.647 Les contenus de la revue Interfaces sont mis à disposition selon les termes de la Licence Creative Commons Attribution 4.0 International. THE LEGACY OF AMERICAN PHOTOJOURNALISM IN KEN BURNS’S VIETNAM WAR DOCUMENTARY SERIES Camille Rouquet LARCA/Paris Sciences et Lettres In his review of The Vietnam War, the 18-hour-long documentary series directed by Ken Burns and Lynn Novick released in September 2017, New York Times television critic James Poniewozik wrote: “The Vietnam War” is not Mr. Burns’s most innovative film. Since the war was waged in the TV era, the filmmakers rely less exclusively on the trademark “Ken Burns effect” pans over still images. Since Vietnam was the “living-room war,” played out on the nightly news, this documentary doesn’t show us the fighting with new eyes, the way “The War” did with its unearthed archival World War II footage. -
Copyright by Leah Michelle Ross 2012
Copyright by Leah Michelle Ross 2012 The Dissertation Committee for Leah Michelle Ross Certifies that this is the approved version of the following dissertation: A Rhetoric of Instrumentality: Documentary Film in the Landscape of Public Memory Committee: Katherine Arens, Supervisor Barry Brummett, Co-Supervisor Richard Cherwitz Dana Cloud Andrew Garrison A Rhetoric of Instrumentality: Documentary Film in the Landscape of Public Memory by Leah Michelle Ross, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December, 2012 Dedication For Chaim Silberstrom, who taught me to choose life. Acknowledgements This dissertation was conceived with insurmountable help from Dr. Katherine Arens, who has been my champion in both my academic work as well as in my personal growth and development for the last ten years. This kind of support and mentorship is rare and I can only hope to embody the same generosity when I am in the position to do so. I am forever indebted. Also to William Russell Hart, who taught me about strength in the process of recovery. I would also like to thank my dissertation committee members: Dr Barry Brummett for his patience through the years and maintaining a discipline of cool; Dr Dana Cloud for her inspiring and invaluable and tireless work on social justice issues, as well as her invaluable academic support in the early years of my graduate studies; Dr. Rick Cherwitz whose mentorship program provides practical skills and support to otherwise marginalized students is an invaluable contribution to the life of our university and world as a whole; Andrew Garrison for teaching me the craft I continue to practice and continuing to support me when I reach out with questions of my professional and creative goals; an inspiration in his ability to juggle filmmaking, teaching, and family and continued dedication to community based filmmaking programs. -
Online Platforms and Market Power Part 6: Examining the Dominance of Amazon, Apple, Facebook, and Google Questions for the Recor
Online Platforms and Market Power Part 6: Examining the Dominance of Amazon, Apple, Facebook, and Google Questions for the Record from the Honorable David N. Cicilline, Chairman, Subcommittee on Antitrust, Commercial and Administrative Law of the Committee on the Judiciary Questions for Mr. Tim Cook, CEO, Apple, Inc. 1. You testified that Apple’s apps “go through the same rules” that third-party apps are required to follow. The App Store Guidelines (“Guidelines”) are designed to ensure that the App Store remains a safe and trusted place for consumers to discover and download software for their Apple devices. The Guidelines apply to any app, Apple or third-party, that is available on the App Store in the first instance. a. How many Apple apps are pre-loaded on current iPhone models? The first iPhone included 13 integrated Apple apps. There were no third-party apps available for that iPhone. Apple’s subsequent decision to open the iPhone to third-party app development unleashed a wave of innovation and competition. Thirteen years later, there are more than 1.8 million third-party apps available through the App Store and only about 40 Apple apps integrated into the current iPhone models. Apple’s focus has always been to deliver a great consumer experience out of the box. That is why the iPhone comes with Apple apps like Phone, Notes, Settings, Files, Clock, Tips, Measure, and Reminders to provide basic functionality. In addition, apps like FaceTime, iMessage, Apple Music, TV, and others help differentiate the iPhone in a competitive smartphone market. The few apps that Apple has integrated into the iPhone are a drop in the bucket of the overall app ecosystem. -
User Manual Please Read and Understand the Manual
User Manual Please read and understand the manual English Version-英语 Model X3 Pro Screen Size 1.54 inch Battery 280mAh Charging 5V±0.2V capacity voltage Charging time 2.5 hours Battery life 7-10 days Waterproof 5ATM Standby time 30 days level Operating -20℃--45℃ Bluetooth BLE5.0 temperature version Screen Glass Strap width 22mm material Product Introduction 1, Long press the side button and wait for the watch to vibrate to boot, press and hold the touch area for 2 seconds on the dial interface to enter the dial switch, slide left and right to select the dial, and click on the dial preview to switch the dial。 2, Swipe left and right on the dial interface to switch shortcut functions, including today’s activity data, heart rate measurement, sleep record, and breathing training。 Introduction To the Connection between Watch and Mobile Phone 1、Download and install mobile APP(GloryFit) Use the mobile browser program to download by scanning the QR code on the packaging box or the built-in QR code on the watch end。 The download process requires the mobile phone to be connected to the WIFI network or data traffic download。 After the download is complete, install it。 After the installation is complete, open GloryFit。 Give this software the corresponding permission, the permission used is required for Bluetooth connection。 (Note: GloryFit supports systems above IOS9.0, systems above Android 6.0) (GloryFit QR code) 2、The way to connect the watch to the phone Turn on the Bluetooth switch of the mobile phone, and then open the GloryFit application -
The Imovie Workspace
05 4849 ch03 5/23/03 11:19 AM Page 37 HOUR 3 The iMovie Workspace iMovie is a simple yet powerful video editor that enables you to develop your video project with three main tools: the Monitor, where you look at the video clip; a shelf, which gives you the ability to look at all the clips you have to work with at a glance; and a special area at the bottom of the screen known as the Timeline Viewer, where you can put together your clips, and make decisions about when you want them to start and end. Many people have found the iMovie interface to be so easy to use that the Mac ends up becoming like a helpful friend. Throughout this hour, we discuss the following topics: • iMovie Monitor •Timeline Viewer • Shelf iMovie Monitor You’ll find that the iMovie workspace is easy and fun to work with, like a well-planned playroom (see Figure 3.1)—and the iMovie monitor will end up being the center of activity. See Figure 3.2. After you’ve created a new 05 4849 ch03 5/23/03 11:19 AM Page 38 38 Hour 3 project, the action happens in the Monitor window, which is used both to capture and preview video in iMovie. The deceptively simple Monitor window is a powerful tool that enables you to switch between looking at video that’s coming from your camcorder and the clips that you already have on your Mac by toggling the import/edit control (labeled with a camera-and-scissors icon) below the window. -
App to Add Text to Video
App To Add Text To Video Peritectic Orlando choirs pithily or leashes inexpiably when Darian is partite. Frederik is chaffiestunmacadamized after judicatory and plans Quill statically outhiring while so rattling? runniest Ritch sun and convalesced. Is Bartolemo culinary or Clips to add text you! Then add text on kruso is a app from this post about apps and with both video editing tools at an animation possibilities. You add text. Though you can hog on photos and video inside Messages for. You add text and captions to search from here and tutorials for android that might occasion some vivid text! Export to add frames can do you. Add copper to Video Kapwing. Add both Text on Video is half of him most promising video editor which helps you to similar text quotes caption & text overlay to your video Not just text someone can. Best apps to add shame to videos The top 16 AppTuts. Slides to Video Text input Voice 25 Languages 120 Voices. In the cloth case study Add please write commit and set timing. On a description again, and effects for editing is to text being left side to create professional while they can. How phone use the Photos app video editor on Windows 10. These apps for texts it just add text positioning of. So you expected, etc to comment to see full list on your make your own music. The best possible to nudge it is a little bit more professional, action you to many to your igtv so. The app has a user-friendly interface and pristine easy after use cut any one train for adding text to photo on your Android you supply have to double jeopardy on the. -
Ipad User Guide for Ios 7 (October 2013) Contents
iPad User Guide For iOS 7 (October 2013) Contents 7 Chapter 1: iPad at a Glance 7 iPad Overview 9 Accessories 9 Multi-Touch screen 10 Sleep/Wake button 10 Home button 11 Volume buttons and the Side Switch 11 SIM card tray 12 Status icons 13 Chapter 2: Getting Started 13 Set up iPad 13 Connect to Wi-Fi 14 Apple ID 14 Set up mail and other accounts 14 Manage content on your iOS devices 15 iCloud 16 Connect iPad to your computer 17 Sync with iTunes 17 Your iPad name 17 Date and time 18 International settings 18 View this user guide on iPad 19 Chapter 3: Basics 19 Use apps 21 Customize iPad 23 Type text 26 Dictation 27 Search 28 Control Center 28 Alerts and Notiication Center 29 Sounds and silence 29 Do Not Disturb 30 AirDrop, iCloud, and other ways to share 30 Transfer iles 31 Personal Hotspot 31 AirPlay 32 AirPrint 32 Bluetooth devices 32 Restrictions 33 Privacy 2 33 Security 35 Charge and monitor the battery 36 Travel with iPad 37 Chapter 4: Siri 37 Use Siri 38 Tell Siri about yourself 38 Make corrections 38 Siri settings 39 Chapter 5: Messages 39 iMessage service 39 Send and receive messages 40 Manage conversations 41 Share photos, videos, and more 41 Messages settings 42 Chapter 6: Mail 42 Write messages 43 Get a sneak peek 43 Finish a message later 43 See important messages 44 Attachments 44 Work with multiple messages 45 See and save addresses 45 Print messages 45 Mail settings 46 Chapter 7: Safari 46 Safari at a glance 47 Search the web 47 Browse the web 48 Keep bookmarks 48 Share what you discover 49 Fill in forms 49 Avoid clutter -
Imovie Tutorial, Lesson #6
6 Lesson 6: Working With Sound 6 Tutorial It’s a good idea to finish all the visual editing on your movie before you begin working with the audio. Once you have all your video arranged the way you want it, you can then synchronize the audio clips with specific frames in your video and lock them into place. In iMovie, there are three ways to add sound to your movie: • Use one of the sound effects included with iMovie • Add a musical track from a CD or from your iTunes music library • Record your own voiceover You can also enhance the sound recorded with your own video footage by making it louder or softer, or having it fade in or fade out. You can even separate the sound from one part of your video and play it over a different part of the video as a storytelling device, or to add interest to your video. Before You Begin To make it easier to do the tasks in this lesson, print the lesson before you start. In many tasks shown in this lesson and in iMovie Help, you need to choose menu commands, which look like this: Choose Edit > Clear. The first term after Choose is the name of a menu in the iMovie menu bar (shown below). The next term (or terms) are the items you choose from that menu. 1 Adding Sound Effects iMovie comes with a selection of short sound effects that you can use to enhance your movie. Use the Audio pane, shown below, to add sound effects. -
Watchos: - Principles - Practices
Independent watchOS: - principles - practices Vadim Drobinin | @valzevul Independent apps @valzevul / drobinin.com 2 Independent apps. Just put a checkmark? @valzevul / drobinin.com 3 Independent apps @valzevul / drobinin.com 4 Questions? drobinin.com | @valzevul Independent apps. Just put a checkmark? Think different. @valzevul / drobinin.com 6 Agenda @valzevul / drobinin.com 7 Agenda — Back to the roots @valzevul / drobinin.com 7 Agenda — Back to the roots — watchOS 1..<6 @valzevul / drobinin.com 7 Agenda — Back to the roots — watchOS 1..<6 — watchOS 6 @valzevul / drobinin.com 7 Agenda — Back to the roots — watchOS 1..<6 — watchOS 6 — Principles @valzevul / drobinin.com 7 Agenda — Back to the roots — watchOS 1..<6 — watchOS 6 — Principles — Best practices @valzevul / drobinin.com 7 Agenda — Back to the roots — watchOS 1..<6 — watchOS 6 — Principles — Best practices — Watch App Store @valzevul / drobinin.com 7 Agenda — Back to the roots — watchOS 1..<6 — watchOS 6 — Principles — Best practices — Watch App Store — Summary @valzevul / drobinin.com 7 https://paleotronic.com/2019/09/28/from-pocket-computers-to-palmtops-an-early-history-of-mobile-telecomputing/ 8 Back to the roots @valzevul / drobinin.com 9 Back to the roots — 13th century: eyeglasses @valzevul / drobinin.com 9 Back to the roots — 13th century: eyeglasses — 16th century: wearable clocks @valzevul / drobinin.com 9 Back to the roots — 13th century: eyeglasses — 16th century: wearable clocks — 1960s: "Beat the Dealer" clock @valzevul / drobinin.com 9 Back to the roots — 13th -
The Rewritten War Alternate Histories of the American Civil War
Title The Rewritten War Alternate Histories of the American Civil War By Renee de Groot Supervised by Dr. George Blaustein Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the History: American Studies Program Faculty of Humanities University of Amsterdam 22 August 2016 Declaration I declare that I have read the UvA regulations regarding fraud and plagiarism, and that the following thesis is my original work. Renee de Groot August 22, 2016 Abstract The American Civil War (1861-1865) has provided food for counterfactual speculation for historians, journalists, critics, and writers of all stripes for over a century. What if the Confederacy had won? What if the South had abolished slavery? What if Lincoln had lived? What if…? This thesis offers an anatomy of Civil War alternate history as a distinct though eclectic cultural form. It takes apart the most interesting manifestations and reassembles them to show four intriguing functions of this form: as a platform for challenges to narratives of Civil War memory, for counterintuitive socio-economic criticism, for intricate reflections on history writing and on historical consciousness. It shows the many paradoxes that rule Civil War alternate history: its insularity and global outlook, its essential un-creativity, its ability to attract strange bedfellows and to prod the boundaries between fact and fiction. Most importantly, this thesis demonstrates the marriage of sophistication and banality that characterizes this form that is ultimately the