DOCSLIB.ORG

Ringing in the '90S by JEFF EIJJS Radecic Addresses Town Meeting Editor by MARK I.AWRENCE Cate with One Another, Said Prostko

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Ringing in the '90S by JEFF EIJJS Radecic Addresses Town Meeting Editor by MARK I.AWRENCE Cate with One Another, Said Prostko XNC>XVJLLE MEMPHJS NAS~VJ:LLE Heart Strings raises $158K Ringing in the '90s by JEFF EIJJS Radecic addresses Town Meeting Editor by MARK I.AWRENCE cate with one another, said Prostko. Almost $86,000 was raised by last Staff Writer Emily Whitcomb, from the Nash­ week's Nashville performance of Peri Jude Radecic, legislative di­ ville Women's Alliance, discussed HEART STRINGS: The National Tour, rector for the National Gay and the difficulties of giving lesbians according to steering committee Lesbian Task Force (NGLTF), and more access to the community. chair John Bridges. Along with the representatives from different seg­ "Our main thrust has been having more than $70,000 raised by the ments of the Nashville lesbian and coffeehouses and dances" to make Memphis performance three days gay community spoke at a Gay and up for the fact that lesbians do not earlier, AIDS-service organizations Lesbian Town Meeting on Monday. frequent bars as much as gay men. in the two cities will add 85% of the The meeting was sponsored by Whitcomb said she wants '·'to net profit to their coffers. the Tennessee Gay and Lesbian have a place for women to support The Nashville performance, in Alliance (T-GALA). According to women in their lifestyle,• but found the sold-out Polk Theatre of the Jack Prostko, a member of T­ it difficult to attract new people to Tennessee Performing Arts Center GALA's board of directors, one of events because of the low profile of (TPAC), was a tremendous success, the purposes of the meeting was to the community in Nashville. judging not only from the gross look for "the best way an organiza­ Ken Freedman, who performs as ticket receipts, but from the reac~ tion like T-GALA can represent the a female impersonator under the tions of the audience as well. community in Nashville." name Diana Hutton, spoke about "Everyone was just amazed and One of the early purposes of T­ the concerns of gay performers, thrilled by the whole evening," GALA was to reach out to the com­ especially female impersonators. Bridges said. "When you do an munity through a newspaper or Freedman said the community event such as this, the moment you Eva Willis Tata, center, and two other members of the HEART STRINGS cast perform "The television, Prostko said, but organi­ was split between those ~ho enjoy walk into the hall and see the room Trojan Horse Medley," one of the highlights of the musical revue's second act. The touring µ.tions such as Dare and the Gay going to see female impersonators, is crowded- and the parties before company raised atotal 01$156,000 during two Tennessee performances last week. - PHOTO Cable Network/Nashville have pro­ and those "who don't want to have are well-attended- you know the BY TOMMY LAWSON vided such services independently. anything to do with it." evening's a smashing success." "We need to have some other way "We are all gay and lesbian - we Bridges said donations are con­ said. "Minnie's elation backstage Memphis' Ellis Auditorium. An esti­ to focus T-GALA," he said. have that in common - but we are tinuing to come into the HEART , was as high a point for me as any­ mated $70,000 was raised during Prostko said the fact that others all different people,• said Freed­ STRINGS/Nashville office and that a thing that happened on stage." the show's Memphis stand. have stepped in to undertake such man. However, he was concerned final tally has yet to be determined. Sanders and Minnie Pearl, Among local celebrities partici­ projects is positive. •1 think it's a al?<>ut prejudice within the commu­ The Broadway-style musical re­ known offstage and in Nashville pating in the Nashville show were good sign that so many people are nity against crOSS-Oressers. vue was narrated in Nashville by social circles as Sarah Ophelia Can­ television anchor Brenda Black­ working on their own toward cer­ "Personally, I've never had a Grand Ole Opry star and Country non, provided the narrative thread man; country music greats Tom T. tain goals.• tough time with that,• he said. "I Music Hall of Farner Minnie Pearl which connected the musical song­ Hall and Roseanne Cash; and Ten­ The danger of such activities, think there's a lot of misconceptions and the Rev. Edwin Sanders. and-dance numbers performed by nessee Repertory Theatre's Mac however, is that the community about drag anyway." For example, "Minnie Pearl and Ed Sanders the professional company. Pirkle. may "fragment and fly off in differ­ Freedman said it is difficult for per­ really warmed the hearts of the The Nashville performance fol­ Performing a ballet to the song ent directions" because members of formers to maintain romantic people in the audience," Bridges lowed a show earlier in the week at • continued on page 11 different groups do not communi- • continued on page 5 Radecic: work on US, Tennessee legislators NGLTF Legislative Director says future depends on organizing byJEFFELUS "The future depends on the direction taken by or­ Editor ganizations in the state," Radecic said. "There are a While lesbian and gay leaders throughout the coun­ number of things an individual can do in the process of try plot political strategies for a new decade, National creating change. For example, it is important to target Gay and Lesbian Task Force's (NGLTF) Capitol Hill legislators who are swing votes on particular issues or lobbyist said Tennessee's future depends upon choices who can be persuaded to vote with us on certain made today. matters." Peri Jude Radecic, NGLTF's legislative director and In addition to targeting specific lawmakers for lobby­ congressional lobbyist, said the future success of les­ ing efforts, Radecic recommended targeting others for bian and gay-oriented legislation depends upon the de(eat at the polls. electorate sending progressive representatives both to For those efforts to succeed, she said, it is imperative Washington and the statehouse. that leaders of lesbian and gay organizations have a Radecic was in Nashville earlier this week for an better understanding of the legislative process on the informal meeting with lesbian and gay leaders Sunday local, state and national levels. and a Monday night "Town Meeting" hosted by the "All members of these organizations should become Tennessee Gay and Lesbian Alliance CT-GALA). During familiar, more experienced, with the legislative proc­ an interview with Dare, Radecic discussed legislative ess. But it is vital the organization leaders understand strategies and the future of lesbian/gay activism in the it," she explained. state. • continued on page 5 2;:===========================.--------------- Qm?J----------------------------- the ha~r Limited enrollment. Just like clockwork Big events Small classes. Chattanooga Meeting, Belmont United Methodist Church. For enrollment information call: Fridays 8pm. (615) 228-0178 Sundays Phoenl1 (Gay Alcoholics Anonymous) living well with aids M1tropollta11 Community Churcll Open meeting. Memphis Lambda Center. Thursdays Worship service, Unitarian Church. 7:30pm. 5:30 and 10pm. Info 901 272-9549. Incest Survivors lnon,mous Closed SerlouslJ loller (Gay Alcoholics women's meeting. First Church Unity, Fran­ J.oan .'Ju_'I.ITl.Cl.f2.-dwbo"f}, M.S.N., R.N. Mondays Anonymous) Meeting. Memphis Lambda klin Rd, 6:30pm. Chattanooga CAREi Closed support Center. 8pm. Info 901 272-9549. Nashville CARES Visualization Group. • Counseling group. 6:30pm. Info 615 266-2422. 7:15pm. Info 615 385-1510. • Reiki Therapy Saturdays Alternatives (Alcoholics Anonymous) • Visualization for Health Thursdays Twlstlld Sisters (ACOA) Open meeting. Closed meeting for lesbians alll gay men, Gay/lnbla ■ AA Open meeting. Unitarian Memphis Lambda Center. Noon. Info 901 MCC.Bpm. 524 East Iris Dr. (615) 2'n.fHJ5 Church. 8pm. 27~7379. leslllaa Adult C~lldra11 of llcohollcs Nashville, 1N 37204 320-8508 Phoenl1 (Gay Alcoholics Anonymous) (ACOA) Meeting. Bpm. Info 615 385-4TT6. Open meeting. Memphis Lambda Center. 8pm. Info 901 272-9549. Fridays Friday, October 6 Knoxville luahollcs lnollflllOIS Closed meeting, Discussion SURVIVING WELL WITH Kowalski Chiropractic Clinic Sundays MCC. 5pm. AIDS.Steve Pieters will speak about living ·sundays Agape Newllf• Church Sunday School, llcohollcs AnollflllOUS Program Study with AIDS and about alternative treat­ · Dr. Deborah Kowalski M1tropollta1 Community Churcll 9:3Dam. Worship service, 11am. Info 901 Group Meeting, Belmont United Methodist. ments. Metropolitan Community Church 7:30 pm. Chiropractic Physician Worship service, 6pm. Corner Weisgarber & 27~1872. / Nashville, 131 15th Ave North, Nash­ Lonas. Info 615 521-6546. · HolJ Trinity Community Churcll Wor­ ville. Free. 7pm. Info 615 320-0288. ship service, 11am. 1216 Forrest Ave. Info Saturdays 108 Harding Place, Belle Meade Mondays 901 72~9443. lncNt Survivors lnollJIIIOIII Open (615) 352-1234 aids R•po .. laonlllll PWA Support Into th• Ught(Women'sAlcoholicsAnony­ meeting. First Church Unity, Franklin Rd, Saturday, October 7 Gro~. 7-8:30pm. Info 615 523-AIDS. ·mous) Meeting. Memphis Lambda Center. 5:30pm. · Discussion SURVIVING WELL WITH Gay Gratitude Grau, Open, nonsmoking Noon. Info 901 27~7379. Metropolitan Community Church Com­ AIDS.Sieve Pieters will speak about living Alcoholics Anonymous. Tennessee Valley Phoenl1 (Gay Alcoholics Anonymous) munity Dinner, all you can eat. 7:30pm. $5. with AIDS and about alternative treat­ Unituian Church, 3219 Kingston Pike. 7pm. Open meeting. Memphis Lambda Center. Info 615 320--0288. ments. Sponsored by Metropolitan ABBY R RlmENFELD 8pm. Info 901 272-9549. Sundays Community Church /Tri-Cities, at Hol­ ATIORNEY AT IAW Tuesdays aids Rapa .. laonlll• Circle of Love Metropolltan Community Churcll Wor­ ston Valley Unitarian Church, Johnson family illd friends support group, 8pm. Info ship services, 11am and ?pm. Info 615 320- City. Free. Potluck, 5:30pm, presenta­ WATIS, UNDER.WOOD & RuBENFELD 615 523-AIDS.
Load more

Recommended publications
  • Roditi, Edouard (1910-1992) by John Mcfarland
    Roditi, Edouard (1910-1992) by John McFarland Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2006 glbtq, Inc. Reprinted from http://www.glbtq.com Poet, translator, literary and art critic, and short story writer, Edouard Roditi was associated with most of the twentieth-century's avant-garde literary movements from Surrealism to post-modernism. For more than sixty years, he produced such an astonishing variety of smart, lively, and moving poetry and prose that nobody objected when he dubbed himself "The Pharaoh of Eclecticism." A member of several predominantly homosexual social circles, Roditi maintained friendships with literary and artistic figures ranging from Paul Bowles and Jean Cocteau to Paul Tchelitchew and Christian Dior. His art and literary criticism held artists and writers to the very highest standards and insisted that intense but uncritical infatuation with flashy new trends could end in disappointment and heartbreak. His Internationalist Birthright Roditi was born in Paris on June 6, 1910. He was the beneficiary of a remarkably rich confluence of heritages--Jewish, German, Italian, French, Spanish, and Greek--and was truly international, both American and European. His father, Oscar, an Italian born in Constantinople, had become a United States citizen after his father emigrated to America and gained citizenship. Although Oscar's father had left the family behind in Europe, all the family in Europe became citizens when he did by virtue of the citizenship statutes in force at that time. Roditi's mother, Violet, had an equally rich family history. She was born in France but became an English citizen in her youth. When she married Oscar, she too became a United States citizen.
    [Show full text]
  • Fall 2016 Graduate Seminars Fall 2016
    Fall 2016 Graduate Seminars Fall 2016 ENG 751 R: Nineteenth-Century American Literature: Nineteenth-Century Temporalities Benjamin Reiss Tuesdays 4-7 pm Concepts of time structure every field of inquiry, from relativity in physics to rhythm in music, from deep time in geology to the periodization of art, literature, and history. Some systems of time are derived from the natural world (the cycle of seasons, the rising and falling of the sun, circadian rhythms), whereas others are completely culturally constructed (seven days in a week, sixty seconds in a minute, twelve days of Christmas, etc.) This course will explore how conceptions of time such as periodization, lineage, and contemporaneity structure our understanding of literary works; how we can grasp the temporal experience of reading as a part of interpretation; and how literature of the American nineteenth century reflected and responded to contemporaneous temporal systems. These latter developments include industrial time, notions of progress and history, sacred time, domestic timekeeping, geological time, and standardized time, each of which influenced notions of race, ability, sexuality, gender, and national identity. Literary authors to be studied will likely include Cooper, Melville, Whitman, Stowe, Hawthorne, Thoreau, Douglass, Jewett, Twain, Bellamy, and Gilman. Critics and theorists will include Karl Marx, G.W.F. Hegel, Benedict Anderson, Johannes Fabian, E. P. Thompson, Jack Halberstam, Michelle Wright, Paul Gilroy, Wai Chee Dimock, Dana Luciano, Cody Marrs, and Virginia
    [Show full text]
  • The University of Delaware Library Is in the Process of Converting Its
    The University of Delaware Library is in the process of converting its legacy HTML, PDF, and word processed finding aids into Encoded Archival Description (EAD) and migrating them into a new XTF-based delivery system. During this conversion many finding aids will direct you to an older version of the Special Collections website. For additional information, please contact Special Collections at: http://library.udel.edu/spec/askspec/ Special Collections University of Delaware Library 181 South College Avenue Newark, DE 19717-5267 USA (302) 831-2229 Charles Henri Ford Letters to Ted Joans 1964 - 1987 (bulk dates 1964-1965, 1975-1987) Manuscript Collection Number 292 Accessioned: Purchase, 1993. Extent: 55 items (.1 linear ft.) Content: Letters, posters, brochures, announcements, clippings, and poems. Access: The collection is open for research. Processed: January 1994 by Anita A. Wellner. Biographical Notes Charles Henri Ford Poet, artist, filmmaker, and editor, Charles Henri Ford was born on February 10, 1913, in Brookhaven, Mississippi. In 1929, having dropped out of high school, Ford began his literary career as co-editor, with Parker Tyler, of Blues: a magazine of new rhythms (1929-1930). Published in Columbus, Mississippi, this literary magazine showcased the new schools of modern art and literature, publishing such contemporary writers as Gertrude Stein, William Carlos Williams, Erskine Caldwell, Ezra Pound, and e. e. cummings. By 1931 Charles Henri Ford had left the United States for France, the beginning of his world travels. During his first few years abroad, Ford wrote his only novel, the classic The Young and the Evil (Obelisk, 1933). Since that time, Ford has lived in Morocco, Italy, France, Crete, and New York City; and his poetry, films, and artwork have reflected his international travels and multicultural experiences.
    [Show full text]
  • Understanding Criticism: an Institutional Ecology of Usamerican Literary Criticism
    Understanding Criticism: An Institutional Ecology of USAmerican Literary Criticism By Andrew Joseph Hines Dissertation Submitted to the Faculty of the Graduate School of Vanderbilt University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY in English August, 2015 Nashville, Tennessee Approved: Michael Kreyling, Ph.D. Houston A. Baker Jr., Ph.D. Dana D. Nelson, Ph.D. Jonathan Flatley, Ph.D. Copyright © 2015 by Andrew Hines All Rights Reserved ii For Keegan iii Acknowledgments Institutions and pedagogical actions play a pivotal, but often forgotten role in the development of literary criticism and theory. In some sense, the goal of this dissertation is to account for both the effects of and development of this gap in disciplinary history and in the process of doing literary criticism. Yet, if there is any genre of academic writing that is a consistent exception to this rule, it is the acknowledgments: a place where a critic tracks her encounters with institutional life and the unforgettable, invaluable actions of mentors, colleagues, and friends. Such entries are always woefully partial. Still acknowledgments remain the thing that many compose as they walk to and from campus. To imagine the ways we can give thanks to those who made the work possible is to imagine the completion of the work. Without this act of gratitude, the work could not be. I began this project as an undergraduate in the Department of English at the University of Pennsylvania. Herman Beavers introduced me to the Southern Agrarians and encouraged me to pursue how that group’s ideas impacted their literature and the literary criticism they would come to develop.
    [Show full text]
  • Entire Issue Volume 32, Number 1
    The Primary Source Volume 32 | Issue 1 Article 6 2013 Entire Issue Volume 32, Number 1 Follow this and additional works at: https://aquila.usm.edu/theprimarysource Part of the Archival Science Commons Recommended Citation (2013) "Entire Issue Volume 32, Number 1," The Primary Source: Vol. 32 : Iss. 1 , Article 6. DOI: 10.18785/ps.3201.06 Available at: https://aquila.usm.edu/theprimarysource/vol32/iss1/6 This Complete Issue is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in The rP imary Source by an authorized editor of The Aquila Digital Community. For more information, please contact [email protected]. Diverse Collections in the Mississippi University for Women Archives Derek Webb, University Archivist, Mississippi University for Women In the history of higher education in America, Mississippi University for Women (MUW) occupies a peculiar, though rarely acknowledged, position. The University's history provides uniquely fertile ground for studies of diverse groups and their interactions in institutions of higher education, but the lack of a functioning archives has long impeded such study. It was a pioneer in women's colleges, intended to serve the educational needs of all economic classes, teaching Latin and penmanship alongside dressmaking and stenography. It also offers the distinctive perspective of a college explicitly founded for white women that underwent integration in the 1960s, which is still largely unexplored in MUW's case. Finally, it is distinctive in being both the first publicly funded women's college in the United States, and also the last one.
    [Show full text]
  • Finding Aid for the Charles Henri Ford Collection (MUM01791)
    University of Mississippi eGrove Archives & Special Collections: Finding Aids Library November 2020 Finding Aid for the Charles Henri Ford Collection (MUM01791) Follow this and additional works at: https://egrove.olemiss.edu/finding_aids Recommended Citation Charles Henri Ford Collection (MUM01791), Archives and Special Collections, J.D. Williams Library, The University of Mississippi This Finding Aid is brought to you for free and open access by the Library at eGrove. It has been accepted for inclusion in Archives & Special Collections: Finding Aids by an authorized administrator of eGrove. For more information, please contact [email protected]. University of Mississippi Libraries Finding Aid for the Charles Henri Ford Collection MUM01791 TABLE OF CONTENTS SUMMARY INFORMATION Summary Information Repository University of Mississippi Libraries Biographical Note Creator Scope and Content Ford, Charles Henri Administrative Information Title Related Materials Charles Henri Ford Collection Controlled Access Headings ID Collection Inventory MUM01791 Date March 1989-March 1996 Extent 1.0 Linear foot (1 box) Language of Materials English Abstract Letters, photographs, postcards and transcripts from author Charles Henri Ford addressed to Robert Sharrard (and others) about different published work. Preferred Citation Charles Henri Ford Collection (MUM01791), Archives and Special Collections, J.D. Williams Library, The University of Mississippi Return to Table of Contents » BIOGRAPHICAL NOTE Charles Henri Ford (1913-2002) was born Charles Henry Ford in Brookhaven, Miss., and later changed the spelling of his middle name. He lived in New York, Paris, and Nepal. Ford was a homosexual, and was the longtime partner of artist Pavel Tchelitchew. Ford founded the little magazine Blues as a teenager and later served as editor of the Surrealist magazine View in New York City.
    [Show full text]
  • Elysiumbooks
    E L Y S I U M B O O K S Autumn 2020 1. ANDROS, Phil (Sam Steward). Heksering = Das Tolle Männerkarussell = Ring-around-the-rosy. København: Eos (1968). Uncommon collection of Steward's erotic stories published in Danish. The collection also includes "Ring-around the rosy" in English. Very good in very good jacket with light wear. Warmly inscribed by the author to his longtime friend Doug Martin on title page. $350. 2. ANONYMOUS. The Story of a Virgin. [Paris 1899].16pp. The Victorian-era erotic pamphlet detailing the exploits of twelve year old Maud and her incestuous relationship with her father. The tale is set on a Southern plantation with twelve slaves, some of whom are eventually led into the erotic entanglements of young Maud. The story ends with her father engaged in carnal intercourse with her and one of the male slaves simultaneously. Very good in original pale green wrappers, light sunning to edges. The work is quite rare, with no institutional copies and only a passing reference in Mendes (Clandestine Erotic Fiction in English 1800-1930: A Bibliographical Study @35). $275. 3. ANONYMOUS. Seated male nude. Vintage photograph of a seated male nude (9 1/2" x 7 3/4"), small hand ink stamp on verso, dated ‘58. Very good, light wear to edges. $350. 4. AIMECOUPS. Les Homosexualités d’un Prince: Messes antiques: Flagellations suggestives. Paris: En vente chez tous les libraires, [1907- 1911]. The quite rare first edition of this gay erotic novel, which had a political dimension in advocating freedom of sexual expres- sion- “Qu’autrui nous laisse donc jouir en paix et qu’il jouisse lui-même en toute tranquillité...” Very good in original wrappers.
    [Show full text]
  • Literary Miscellany
    Literary Miscellany Chiefly Recent Acquisitions. Catalogue 316 WILLIAM REESE COMPANY 409 TEMPLE STREET NEW HAVEN, CT. 06511 USA 203.789.8081 FAX: 203.865.7653 [email protected] www.williamreesecompany.com TERMS Material herein is offered subject to prior sale. All items are as described, but are considered to be sent subject to approval unless otherwise noted. Notice of return must be given within ten days unless specific arrangements are made prior to shipment. All returns must be made conscientiously and expediently. Connecticut residents must be billed state sales tax. Postage and insurance are billed to all non-prepaid domestic orders. Orders shipped outside of the United States are sent by air or courier, unless otherwise requested, with full charges billed at our discretion. The usual courtesy discount is extended only to recognized booksellers who offer reciprocal opportunities from their catalogues or stock. We have 24 hour telephone answering, and a Fax machine for receipt of orders or messages. Catalogue orders should be e-mailed to: [email protected] We do not maintain an open bookshop, and a considerable portion of our literature inventory is situated in our adjunct office and warehouse in Hamden, CT. Hence, a minimum of 24 hours notice is necessary prior to some items in this catalogue being made available for shipping or inspection (by appointment) in our main offices on Temple Street. We accept payment via Mastercard or Visa, and require the account number, expiration date, CVC code, full billing name, address and telephone number in order to process payment. Institutional billing requirements may, as always, be accommodated upon request.
    [Show full text]
  • A Queer History of Modeling Work! Elspeth H
    A Queer History of Modeling Work! Elspeth H. Brown Work! 218-77755_ch00_4P.indd 1 02/25/19 2:33 pm WoDuke University Press Durham and London 218-77755_ch00_4P.indd 2 02/25/19 2:33 pm A ueer History of Modeling Wo rk! . 218-77755_ch00_4P.indd 3 02/25/19 2:33 pm © . All rights reserved. Printed in Korea by Four Colour Print Group, Louisville, Kentucky. Designed by Courtney Leigh Baker Typeset in Garamond Premier Pro by Westchester Publishing Services Library of Congress Cataloging- in- Publication Data Names: Brown, Elspeth H., [date] author. Title: Work! : a queer history of modeling / Elspeth H. Brown. Other titles: Queer history of modeling Description: Durham : Duke University Press, . | Includes bibliographical references and index. Identiers: (print) | (ebook) (ebook) (hardcover : alk. paper) (pbk. : alk. paper) Subjects: : Photography of women— Social aspects— United States. | Fashion photography— United States— History—th century. | Commercial photography— United States— History—th century. | Models (Persons)— United States. | Women in popu lar culture— United States— History— th century. | Femininity in popu lar culture— United States— History—th century. | Sex in advertising— United States— History—th century. | Queer theory. Classication: . (ebook) | . (print) | /.— dc rec ord available at https:// lccn . loc . gov / Duke University Press gratefully acknowledges the Social Sciences and Humanities Research Council of Canada, which provided funds toward the publication of this book. Cover art: Donyale Luna,
    [Show full text]
  • Charles Henri Ford David Zwirner
    David Zwirner New York London Hong Kong Charles Henri Ford Artist Biography Born and raised in Mississippi, the ambitious poet, writer, and artist Charles Henri Ford (1908–2002) dropped out of high school and began publishing a literary magazine, Blues: A Magazine of New Rhythms, which included work by William Carlos Williams, Gertrude Stein, and Paul Bowles. Before turning twenty, his first poem appeared in The New Yorker. After a brief stint in New York, where he met writers Parker Tyler and Djuna Barnes, he made his way to Paris. Associating with Gertrude Stein’s literary and artistic crowd, he met the Russian-born artist and set designer Pavel Tchelitchew, who soon became his life partner. In 1933, a Parisian press published The Young and Evil, a highly experimental novel co-authored by Ford and Tyler that was banned in the United States for its blatantly homosexual themes. Returning to New York in 1934, Ford introduced Tchelitchew to his broad social circle, which included the photographer George Platt Lynes; cultural impresario Lincoln Kirstein; and his sister, the model and actress Ruth. By the end of the decade, Ford had published the first of sixteen full-length books of poems, The Garden of Disorder, with an introduction by William Carlos Williams. From 1940 to 1947, Ford and Tyler published View magazine. A combination of articles, stories, and images, the periodical was credited with introducing Surrealism to the American public. Contributions by the likes of Joseph Cornell, André Breton, Max Ernst, and Lincoln Kirstein populated the pages. Returning to Europe in 1952, Ford turned his attention to his artmaking practices.
    [Show full text]
  • The Young and Evil the Young and Evil
    the young and evil the young and evil QUEER MODERNISM IN NEW YORK, 1930–1955 EDITED BY JARRETT EARNEST No Strangers ANN REYNOLDS Oh it isn’t a world for scissors, for mallets; but for needle, thread and for paste: it is such a world for we were only being yes apart, not together, and that is the making of it. The making of us. — Charles Henri Ford and Parker Tyler 1 Near the dead center of the novel The Young and Evil (1933) is a letter from Karel to Julian, written as the two men prepare to move on to other lovers: “There was an unmaking of it, it being we. We were not, not either, not all, not together, not apart and it is discouraging but it is good too for I am loving him, I am finding out again with someone entirely different oh so much so that there is nothing now but the writing of it. So here.” 2 The Young and Evil is a roman à clef based, in part, on letters written and sent between Parker Tyler and Charles Henri Ford in the relatively early days of their friendship, before and after Ford arrived in New York in 1930. Karel is Tyler; Julian is Ford. Many of the novel’s other characters are based on mutual friends and lovers, including Kathleen Tankersley Young and Lionel Abel. At the time, and over time, some resisted identifi- cation with their fictional counterparts or even with the worlds depicted in the novel, which underscores how distinctions between reality and illusion, life and art, are relative, mutable, and constituted by different desires—and how the ways in which one perceives oneself and may be perceived by others are not inevitably the same.
    [Show full text]
  • Parker Tyler
    Parker Tyler: An Inventory of His Collection at the Harry Ransom Center Descriptive Summary Creator: Parker Tyler Tyler, Parker, 1904-1974 Title: Parker Tyler Collection Dates: 1910-1982 Extent: 59 document boxes, 4 oversize boxes (osb) (24.78 linear feet), 4 oversize folders (osf), 9 galley files (gf) Abstract: The Parker Tyler collection was created between 1910 and 1982 and comprises correspondence, manuscripts, proofs, photographs, diaries, clippings, and printed material documenting the life and career of the American film and art critic, poet and essayist Parker Tyler (1904-1974). Call Number: Manuscript Collection MS-04300 Language: English, French, and Russian Access: Open for research. A small group of poems and letters are too fragile to handle. The original pages have been removed and replaced with photocopies. The originals are restricted from use and noted in the finding aid. Researchers must create an online Research Account and agree to the Materials Use Policy before using archival materials. Use Policies: Ransom Center collections may contain material with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certain information pertaining to identifiable living individuals represented in the collections without the consent of those individuals may have legal ramifications (e.g., a cause of action under common law for invasion of privacy may arise if facts concerning an individual's private life are published that would be deemed highly offensive to a reasonable person) for which the Ransom Center and The University of Texas at Austin assume no responsibility.
    [Show full text]