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General Info.Indd
General Information • Landmarks Beyond the obvious crowd-pleasers, New York City landmarks Guggenheim (Map 17) is one of New York’s most unique are super-subjective. One person’s favorite cobblestoned and distinctive buildings (apparently there’s some art alley is some developer’s idea of prime real estate. Bits of old inside, too). The Cathedral of St. John the Divine (Map New York disappear to differing amounts of fanfare and 18) has a very medieval vibe and is the world’s largest make room for whatever it is we’ll be romanticizing in the unfinished cathedral—a much cooler destination than the future. Ain’t that the circle of life? The landmarks discussed eternally crowded St. Patrick’s Cathedral (Map 12). are highly idiosyncratic choices, and this list is by no means complete or even logical, but we’ve included an array of places, from world famous to little known, all worth visiting. Great Public Buildings Once upon a time, the city felt that public buildings should inspire civic pride through great architecture. Coolest Skyscrapers Head downtown to view City Hall (Map 3) (1812), Most visitors to New York go to the top of the Empire State Tweed Courthouse (Map 3) (1881), Jefferson Market Building (Map 9), but it’s far more familiar to New Yorkers Courthouse (Map 5) (1877—now a library), the Municipal from afar—as a directional guide, or as a tip-off to obscure Building (Map 3) (1914), and a host of other court- holidays (orange & white means it’s time to celebrate houses built in the early 20th century. -
Roditi, Edouard (1910-1992) by John Mcfarland
Roditi, Edouard (1910-1992) by John McFarland Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2006 glbtq, Inc. Reprinted from http://www.glbtq.com Poet, translator, literary and art critic, and short story writer, Edouard Roditi was associated with most of the twentieth-century's avant-garde literary movements from Surrealism to post-modernism. For more than sixty years, he produced such an astonishing variety of smart, lively, and moving poetry and prose that nobody objected when he dubbed himself "The Pharaoh of Eclecticism." A member of several predominantly homosexual social circles, Roditi maintained friendships with literary and artistic figures ranging from Paul Bowles and Jean Cocteau to Paul Tchelitchew and Christian Dior. His art and literary criticism held artists and writers to the very highest standards and insisted that intense but uncritical infatuation with flashy new trends could end in disappointment and heartbreak. His Internationalist Birthright Roditi was born in Paris on June 6, 1910. He was the beneficiary of a remarkably rich confluence of heritages--Jewish, German, Italian, French, Spanish, and Greek--and was truly international, both American and European. His father, Oscar, an Italian born in Constantinople, had become a United States citizen after his father emigrated to America and gained citizenship. Although Oscar's father had left the family behind in Europe, all the family in Europe became citizens when he did by virtue of the citizenship statutes in force at that time. Roditi's mother, Violet, had an equally rich family history. She was born in France but became an English citizen in her youth. When she married Oscar, she too became a United States citizen. -
LGBTQ Organizations Unite in Calling for Transformational Change in Policing
LGBTQ Organizations Unite in Calling for Transformational Change in Policing Black people have been killed, Black people are dying at the hands of police, our country is in crisis, and we all need to take action. We cannot sit on the sidelines, we cannot acquiesce, and we cannot assign responsibility to others. We, as leaders in the LGBTQ movement, must rise up and call for structural change, for divestment of police resources and reinvestment in communities, and for long-term transformational change. Now is the time to take action, and this letter amplifies our strong calls for urgent and immediate action to be taken. Ongoing police brutality and systemic racism have plagued this nation for generations and have been captured on video and laid bare to the public in the United States and around the world. In 2019, more than 1,000 people were killed at the hands of the police.1 We mourn the unacceptable and untimely deaths of Michael Brown, Tamir Rice, Sandra Bland, Philando Castile, Eric Garner, Stephon Clark, Freddie Gray, George Floyd, Breonna Taylor, Mya Hall, Tony McDade, Rayshard Brooks, and many more who were gone too soon. We have seen with increased frequency the shocking video footage of police brutality. Officers have been recorded instigating violence, screaming obscenities, dragging individuals out of cars, using unnecessary force, holding individuals at gunpoint, and kneeling on peoples’ necks to the desperate plea of “I can’t breathe.” These occurrences are stark reminders of a police system that needs structural changes, deconstruction, and transformation. No one should fear for their lives when they are pulled over by the police. -
Fall 2016 Graduate Seminars Fall 2016
Fall 2016 Graduate Seminars Fall 2016 ENG 751 R: Nineteenth-Century American Literature: Nineteenth-Century Temporalities Benjamin Reiss Tuesdays 4-7 pm Concepts of time structure every field of inquiry, from relativity in physics to rhythm in music, from deep time in geology to the periodization of art, literature, and history. Some systems of time are derived from the natural world (the cycle of seasons, the rising and falling of the sun, circadian rhythms), whereas others are completely culturally constructed (seven days in a week, sixty seconds in a minute, twelve days of Christmas, etc.) This course will explore how conceptions of time such as periodization, lineage, and contemporaneity structure our understanding of literary works; how we can grasp the temporal experience of reading as a part of interpretation; and how literature of the American nineteenth century reflected and responded to contemporaneous temporal systems. These latter developments include industrial time, notions of progress and history, sacred time, domestic timekeeping, geological time, and standardized time, each of which influenced notions of race, ability, sexuality, gender, and national identity. Literary authors to be studied will likely include Cooper, Melville, Whitman, Stowe, Hawthorne, Thoreau, Douglass, Jewett, Twain, Bellamy, and Gilman. Critics and theorists will include Karl Marx, G.W.F. Hegel, Benedict Anderson, Johannes Fabian, E. P. Thompson, Jack Halberstam, Michelle Wright, Paul Gilroy, Wai Chee Dimock, Dana Luciano, Cody Marrs, and Virginia -
Ringing in the '90S by JEFF EIJJS Radecic Addresses Town Meeting Editor by MARK I.AWRENCE Cate with One Another, Said Prostko
XNC>XVJLLE MEMPHJS NAS~VJ:LLE Heart Strings raises $158K Ringing in the '90s by JEFF EIJJS Radecic addresses Town Meeting Editor by MARK I.AWRENCE cate with one another, said Prostko. Almost $86,000 was raised by last Staff Writer Emily Whitcomb, from the Nash week's Nashville performance of Peri Jude Radecic, legislative di ville Women's Alliance, discussed HEART STRINGS: The National Tour, rector for the National Gay and the difficulties of giving lesbians according to steering committee Lesbian Task Force (NGLTF), and more access to the community. chair John Bridges. Along with the representatives from different seg "Our main thrust has been having more than $70,000 raised by the ments of the Nashville lesbian and coffeehouses and dances" to make Memphis performance three days gay community spoke at a Gay and up for the fact that lesbians do not earlier, AIDS-service organizations Lesbian Town Meeting on Monday. frequent bars as much as gay men. in the two cities will add 85% of the The meeting was sponsored by Whitcomb said she wants '·'to net profit to their coffers. the Tennessee Gay and Lesbian have a place for women to support The Nashville performance, in Alliance (T-GALA). According to women in their lifestyle,• but found the sold-out Polk Theatre of the Jack Prostko, a member of T it difficult to attract new people to Tennessee Performing Arts Center GALA's board of directors, one of events because of the low profile of (TPAC), was a tremendous success, the purposes of the meeting was to the community in Nashville. -
The University of Delaware Library Is in the Process of Converting Its
The University of Delaware Library is in the process of converting its legacy HTML, PDF, and word processed finding aids into Encoded Archival Description (EAD) and migrating them into a new XTF-based delivery system. During this conversion many finding aids will direct you to an older version of the Special Collections website. For additional information, please contact Special Collections at: http://library.udel.edu/spec/askspec/ Special Collections University of Delaware Library 181 South College Avenue Newark, DE 19717-5267 USA (302) 831-2229 Charles Henri Ford Letters to Ted Joans 1964 - 1987 (bulk dates 1964-1965, 1975-1987) Manuscript Collection Number 292 Accessioned: Purchase, 1993. Extent: 55 items (.1 linear ft.) Content: Letters, posters, brochures, announcements, clippings, and poems. Access: The collection is open for research. Processed: January 1994 by Anita A. Wellner. Biographical Notes Charles Henri Ford Poet, artist, filmmaker, and editor, Charles Henri Ford was born on February 10, 1913, in Brookhaven, Mississippi. In 1929, having dropped out of high school, Ford began his literary career as co-editor, with Parker Tyler, of Blues: a magazine of new rhythms (1929-1930). Published in Columbus, Mississippi, this literary magazine showcased the new schools of modern art and literature, publishing such contemporary writers as Gertrude Stein, William Carlos Williams, Erskine Caldwell, Ezra Pound, and e. e. cummings. By 1931 Charles Henri Ford had left the United States for France, the beginning of his world travels. During his first few years abroad, Ford wrote his only novel, the classic The Young and the Evil (Obelisk, 1933). Since that time, Ford has lived in Morocco, Italy, France, Crete, and New York City; and his poetry, films, and artwork have reflected his international travels and multicultural experiences. -
Nostalgia, Utopia, and Desire in the New York Lesbian Bar
Vassar College Digital Window @ Vassar Senior Capstone Projects 2019 “It’s your future, don’t miss it”: nostalgia, utopia, and desire in the New York lesbian bar Zoe Wennerholm Vassar College Follow this and additional works at: https://digitalwindow.vassar.edu/senior_capstone Recommended Citation Wennerholm, Zoe, "“It’s your future, don’t miss it”: nostalgia, utopia, and desire in the New York lesbian bar" (2019). Senior Capstone Projects. 897. https://digitalwindow.vassar.edu/senior_capstone/897 This Open Access is brought to you for free and open access by Digital Window @ Vassar. It has been accepted for inclusion in Senior Capstone Projects by an authorized administrator of Digital Window @ Vassar. For more information, please contact [email protected]. “It’s Your Future, Don’t Miss It”: Nostalgia, Utopia, and Desire in the New York Lesbian Bar Zoe Wennerholm April 26, 2019 Senior Thesis Submitted in partial fulfillment of the requirements for the Bachelor of Arts in Urban Studies ________________________ Advisor, Lisa Brawley Table of Contents Acknowledgements………………………………………………………………………….3 Introduction………………………………………………………………………………….4 Chapter 1: History: A Brief Review of Lesbian Bars in the 20th and 21st Century American Urban Landscape……………………………………………………………………………9 Chapter 2: Loss: Lesbian Bar Closings and Their Affective Reverberations………………29 Chapter 3: Desire: The Lesbian Bar in the Queer Imaginary……………………………….47 Conclusion………………………………………………………………………………….52 References Cited……………………………………………………………………………55 Appendix 1: Interview with Gwen Shockey…………………………………………………60 Appendix 2: Timeline of New York Lesbian Bars…………………………………………73 2 Acknowledgements I would like to express my deepest gratitude to Professor Lisa Brawley, whose guidance and encouragement always came at exactly the right time. My heartfelt thanks also goes to Gwen Shockey, whose enthusiasm and willingness to speak with a naïve young dyke made me feel understood and inspired. -
Entire Issue Volume 32, Number 1
The Primary Source Volume 32 | Issue 1 Article 6 2013 Entire Issue Volume 32, Number 1 Follow this and additional works at: https://aquila.usm.edu/theprimarysource Part of the Archival Science Commons Recommended Citation (2013) "Entire Issue Volume 32, Number 1," The Primary Source: Vol. 32 : Iss. 1 , Article 6. DOI: 10.18785/ps.3201.06 Available at: https://aquila.usm.edu/theprimarysource/vol32/iss1/6 This Complete Issue is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in The rP imary Source by an authorized editor of The Aquila Digital Community. For more information, please contact [email protected]. Diverse Collections in the Mississippi University for Women Archives Derek Webb, University Archivist, Mississippi University for Women In the history of higher education in America, Mississippi University for Women (MUW) occupies a peculiar, though rarely acknowledged, position. The University's history provides uniquely fertile ground for studies of diverse groups and their interactions in institutions of higher education, but the lack of a functioning archives has long impeded such study. It was a pioneer in women's colleges, intended to serve the educational needs of all economic classes, teaching Latin and penmanship alongside dressmaking and stenography. It also offers the distinctive perspective of a college explicitly founded for white women that underwent integration in the 1960s, which is still largely unexplored in MUW's case. Finally, it is distinctive in being both the first publicly funded women's college in the United States, and also the last one. -
Value Inquiry Book Series
Beauvoir in Time Value Inquiry Book Series Founding Editor Robert Ginsberg Executive Editor Leonidas Donskis† Managing Editor J.D. Mininger volume 348 Philosophy, Literature, and Politics Edited by J.D. Mininger (lcc International University) The titles published in this series are listed at brill.com/vibs and brill.com/plp Beauvoir in Time By Meryl Altman leiden | boston This is an open access title distributed under the terms of the CC BY-NC-ND 4.0 license, which permits any non-commercial use, distribution, and reproduction in any medium, provided no alterations are made and the original author(s) and source are credited. Further information and the complete license text can be found at https://creativecommons.org/licenses/by-nc-nd/4.0/ The terms of the CC license apply only to the original material. The use of material from other sources (indicated by a reference) such as diagrams, illustrations, photos and text samples may require further permission from the respective copyright holder. An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. More information about the initiative can be found at www. knowledgeunlatched.org. Cover illustration: Simone de Beauvoir in Beijing 1955. Photograph under CC0 1.0 license. The Library of Congress Cataloging-in-Publication Data is available online at http://catalog.loc.gov LC record available at http://lccn.loc.gov/2020023509 Typeface for the Latin, Greek, and Cyrillic scripts: “Brill”. See and download: brill.com/brill-typeface. ISSN 0929-8436 isbn 978-90-04-43120-1 (hardback) isbn 978-90-04-43121-8 (e-book) Copyright 2020 by Meryl Altman. -
Finding Aid for the Charles Henri Ford Collection (MUM01791)
University of Mississippi eGrove Archives & Special Collections: Finding Aids Library November 2020 Finding Aid for the Charles Henri Ford Collection (MUM01791) Follow this and additional works at: https://egrove.olemiss.edu/finding_aids Recommended Citation Charles Henri Ford Collection (MUM01791), Archives and Special Collections, J.D. Williams Library, The University of Mississippi This Finding Aid is brought to you for free and open access by the Library at eGrove. It has been accepted for inclusion in Archives & Special Collections: Finding Aids by an authorized administrator of eGrove. For more information, please contact [email protected]. University of Mississippi Libraries Finding Aid for the Charles Henri Ford Collection MUM01791 TABLE OF CONTENTS SUMMARY INFORMATION Summary Information Repository University of Mississippi Libraries Biographical Note Creator Scope and Content Ford, Charles Henri Administrative Information Title Related Materials Charles Henri Ford Collection Controlled Access Headings ID Collection Inventory MUM01791 Date March 1989-March 1996 Extent 1.0 Linear foot (1 box) Language of Materials English Abstract Letters, photographs, postcards and transcripts from author Charles Henri Ford addressed to Robert Sharrard (and others) about different published work. Preferred Citation Charles Henri Ford Collection (MUM01791), Archives and Special Collections, J.D. Williams Library, The University of Mississippi Return to Table of Contents » BIOGRAPHICAL NOTE Charles Henri Ford (1913-2002) was born Charles Henry Ford in Brookhaven, Miss., and later changed the spelling of his middle name. He lived in New York, Paris, and Nepal. Ford was a homosexual, and was the longtime partner of artist Pavel Tchelitchew. Ford founded the little magazine Blues as a teenager and later served as editor of the Surrealist magazine View in New York City. -
Elysiumbooks
E L Y S I U M B O O K S Autumn 2020 1. ANDROS, Phil (Sam Steward). Heksering = Das Tolle Männerkarussell = Ring-around-the-rosy. København: Eos (1968). Uncommon collection of Steward's erotic stories published in Danish. The collection also includes "Ring-around the rosy" in English. Very good in very good jacket with light wear. Warmly inscribed by the author to his longtime friend Doug Martin on title page. $350. 2. ANONYMOUS. The Story of a Virgin. [Paris 1899].16pp. The Victorian-era erotic pamphlet detailing the exploits of twelve year old Maud and her incestuous relationship with her father. The tale is set on a Southern plantation with twelve slaves, some of whom are eventually led into the erotic entanglements of young Maud. The story ends with her father engaged in carnal intercourse with her and one of the male slaves simultaneously. Very good in original pale green wrappers, light sunning to edges. The work is quite rare, with no institutional copies and only a passing reference in Mendes (Clandestine Erotic Fiction in English 1800-1930: A Bibliographical Study @35). $275. 3. ANONYMOUS. Seated male nude. Vintage photograph of a seated male nude (9 1/2" x 7 3/4"), small hand ink stamp on verso, dated ‘58. Very good, light wear to edges. $350. 4. AIMECOUPS. Les Homosexualités d’un Prince: Messes antiques: Flagellations suggestives. Paris: En vente chez tous les libraires, [1907- 1911]. The quite rare first edition of this gay erotic novel, which had a political dimension in advocating freedom of sexual expres- sion- “Qu’autrui nous laisse donc jouir en paix et qu’il jouisse lui-même en toute tranquillité...” Very good in original wrappers. -
Literary Miscellany
Literary Miscellany Chiefly Recent Acquisitions. Catalogue 316 WILLIAM REESE COMPANY 409 TEMPLE STREET NEW HAVEN, CT. 06511 USA 203.789.8081 FAX: 203.865.7653 [email protected] www.williamreesecompany.com TERMS Material herein is offered subject to prior sale. All items are as described, but are considered to be sent subject to approval unless otherwise noted. Notice of return must be given within ten days unless specific arrangements are made prior to shipment. All returns must be made conscientiously and expediently. Connecticut residents must be billed state sales tax. Postage and insurance are billed to all non-prepaid domestic orders. Orders shipped outside of the United States are sent by air or courier, unless otherwise requested, with full charges billed at our discretion. The usual courtesy discount is extended only to recognized booksellers who offer reciprocal opportunities from their catalogues or stock. We have 24 hour telephone answering, and a Fax machine for receipt of orders or messages. Catalogue orders should be e-mailed to: [email protected] We do not maintain an open bookshop, and a considerable portion of our literature inventory is situated in our adjunct office and warehouse in Hamden, CT. Hence, a minimum of 24 hours notice is necessary prior to some items in this catalogue being made available for shipping or inspection (by appointment) in our main offices on Temple Street. We accept payment via Mastercard or Visa, and require the account number, expiration date, CVC code, full billing name, address and telephone number in order to process payment. Institutional billing requirements may, as always, be accommodated upon request.