Greek Past”: Religion, Tradition, Self
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272916 Zaroulia Whatisourmot
Τι είν’ η πατρίδα μας; Performing ‘time out of joint’ at the National Theatre of Greece (2011-13) ‘We are going to open the chapter “Greece”. Our aim is to talk exclusively about our country.’1 (Anon 2011) With these words, in May 2011, the artistic director of the National Theatre of Greece Yiannis Houvardas launched the theatre’s programme for the autumn 2011 - spring 2013 period. The season under the title What is our motherland? (Τι ειν’ η πατρίδα μας;) featured works by Greek and non-Greek artists that focused on three areas: Greeks’ perceptions of themselves, non-Greeks’ views of the country and its people, and what Greece might signify in that particular historical moment. The What is our Motherland? Season that concluded Houvardas’s six-year tenure, included different kinds of events: performances, talks, rehearsed readings and exhibitions, they all offered a synchronic and diachronic perspective on the Greek nation.2 This article explores three performances of Greek plays that were programmed as part of that season: Lena Kitsopoulou’s Austras or Couch Grass (Άουστρας ή η Αγριαδα [2011]); Iakovos Kampanellis’s The Backyard of Miracles (Αυλή των Θαυμάτων, [1957/58]), and Spyridon Peresiadis’s Golfo (Γκόλφω, [1893/94]). These three texts offer insight into the performance of Greek national identity in markedly different historical moments: the pastoral drama Golfo was originally staged 1 All translations from Greek material are mine. The analysis is based on my experience as audience member of The Backyard of Miracles (February 2012) and Golfo (Epidaurus theatre, August 2013) as well as on the video recordings of the productions held at the library of the National Theatre in Athens; the reading of Austras is solely based on the video recording, the unpublished playscript and other documentation material available at the National Theatre library. -
Joann Gulizio
JOANN GULIZIO 5210A Leralynn Street Department of Classics Office: (512) 471-5742 Austin, TX 78751 University of Texas at Austin Cell: (843) 214-6645 [email protected] Austin, TX 78712 AREAS OF SPECIAL INTEREST Greek Archaeology Ancient Greek Religion Linear B Studies Mycenaean Ceramic Studies Minoan and Mycenaean Religion Latin Pedagogy EDUCATION University of Texas at Austin, Austin, TX Ph.D. in Classical Archaeology, 2011 Dissertation: Mycenaean Religion at Knossos M.A. in Classics, 2000 Thesis: Hermes and Ares in the Linear B Texts: The Continuity of their Cult from the Bronze Age to the Classical Period B.A. in Classics, 1998 Honor’s Thesis :Handmade Burnished Ware and the LH IIIB2/IIIC Early Transitional Phase American School of Classical Studies, Athens, Greece Regular Member, Bert Hodge Hill Fellow, 2002–2003 New York University, New York, NY B.A. in Classical Archaeology, 1993 PROFESSIONAL EXPERIENCE University of Texas at Austin, Department of Classics Lecturer and AI Coordinator: 2014-Present Research Fellow, Institute for the Study of Writing Systems and Decipherment: 2014-2016 Assists Director in the everyday operations of the Institute, including organizing bi-monthly seminars with scholars in various university departments, composing and distributing meeting minutes, maintaining organization of program archives, overseeing graduate student assistants. Lecturer: 2013–2014 College of Charleston, Department of Classics Special Adjunct Instructor: 2007–2013 University of Texas at Austin, Department of Classics Assistant Instructor: 2001–2007 Distance Education Instructor: 2004–2006 Teaching Assistant: 2000–2001 Research Assistant, Program in Aegean Scripts and Prehistory: 1999 PUBLICATIONS AND CONFERENCES Edited Book KE-RA-ME-JA: Studies Presented to Cynthia W. -
The Heritage of India Series
THE HERITAGE OF INDIA SERIES T The Right Reverend V. S. AZARIAH, t [ of Dornakal. E-J-J j Bishop I J. N. FARQUHAR, M.A., D.Litt. (Oxon.). Already published. The Heart of Buddhism. K. J. SAUNDERS, M.A. Asoka. J. M. MACPHAIL, M.A., M.D. Indian Painting. PRINCIPAL PERCY BROWN, Calcutta. Kanarese Literature, 2nd ed. E. P. RICE, B.A. The Samkhya System. A. BERRIEDALE KEITH, D.C.L., D.Litt. Psalms of Maratha Saints. NICOL MACNICOL, M.A., D.Litt. A History of Hindi Literature. F. E. KEAY, M.A., D.Litt. The Karma-MImamsa. A. BERRIEDALE KEITH, D.C.L., D.Litt. Hymns of the Tamil Saivite Saints. F. KINGSBURY, B.A., and G. E. PHILLIPS, M.A. Rabindranath Tagore. E. J. THOMPSON, B.A., M.C. Hymns from the Rigveda. A. A. MACDONELL, M.A., Ph.D., Hon. LL.D. Gotama Buddha. K. J. SAUNDERS, M.A. Subjects proposed and volumes under Preparation. SANSKRIT AND PALI LITERATURE. Anthology of Mahayana Literature. Selections from the Upanishads. Scenes from the Ramayana. Selections from the Mahabharata. THE PHILOSOPHIES. An Introduction to Hindu Philosophy. J. N FARQUHAR and PRINCIPAL JOHN MCKENZIE, Bombay. The Philosophy of the Upanishads. Sankara's Vedanta. A. K. SHARMA, M.A., Patiala. Ramanuja's Vedanta. The Buddhist System. FINE ART AND MUSIC. Indian Architecture. R. L. EWING, B.A., Madras. Indian Sculpture. Insein, Burma. BIOGRAPHIES OF EMINENT INDIANS. Calcutta. V. SLACK, M.A., Tulsi Das. VERNACULAR LITERATURE. and K. T. PAUL, The Kurral. H. A. POPLBY, B.A., Madras, T> A Calcutta M. of the Alvars. -
Joann Gulizio
JOANN GULIZIO 4515 Avenue G, Unit B Department of Classics Office: (512) 471-5742 Austin, TX 78751 University of Texas at Austin Home: (512) 524-0160 [email protected] Austin, TX 78712 Cell: (843) 214-6645 AREAS OF SPECIAL INTEREST Greek Archaeology Ancient Greek Religion Linear B Studies Mycenaean Ceramic Studies Minoan and Mycenaean Religion Latin Pedagogy EDUCATION University of Texas at Austin, Austin, TX Ph.D. in Classical Archaeology, 2011 Dissertation: Mycenaean Religion at Knossos M.A. in Classics, 2000 Thesis: Hermes and Ares in the Linear B Texts: The Continuity of their Cult from the Bronze Age to the Classical Period B.A. in Classics, 1998 Honor’s Thesis : Handmade Burnished Ware and the LH IIIB2/IIIC Early Transitional Phase American School of Classical Studies, Athens, Greece Regular Member, Bert Hodge Hill Fellow, 2002–2003 New York University, New York, NY B.A. in Classical Archaeology, 1993 PROFESSIONAL EXPERIENCE University of Texas at Austin, Department of Classics Lecturer: 2013–Present College of Charleston, Department of Classics Special Adjunct Instructor: 2007–2013 University of Texas at Austin, Department of Classics Assistant Instructor: 2001–2007 Distance Education Instructor: 2004–2006 Teaching Assistant: 2000–2001 Research Assistant, Program in Aegean Scripts and Prehistory: 1999 PUBLICATIONS AND CONFERENCES Edited Book KE-RA-ME-JA: Studies Presented to Cynthia W. Shelmerdine, (co-edited with Dimitri Nakassis and Sarah James). INSTAP Academic Press, (in press). Book Chapters Chapter 6: “The Pottery,” (co-authored with Cynthia W. Shelmerdine). In Iklaina I: The Archaeological Survey, edited by Michael Cosmopoulos, (in progress). Appendix: “The Catalogue of Sites,” (co-authored with Michael Cosmopoulos, Jennifer Glaubius and Cynthia W. -
The Romanization of Attic Ritual Space in the Age of Augustus
The Romanization of Attic Ritual Space in the Age of Augustus Item Type text; Electronic Thesis Authors Benavides, Makayla Lorraine Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction, presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 30/09/2021 14:30:47 Link to Item http://hdl.handle.net/10150/633170 THE ROMANIZATION OF ATTIC RITUAL SPACE IN THE AGE OF AUGUSTUS by Makayla Benavides ____________________________ Copyright © Makayla Benavides 2019 A Thesis Submitted to the Faculty of the DEPARTMENT OF RELIGIOUS STUDIES AND CLASSICS In Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2019 1 7 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Master's Committee, we certify that we have read the thesis prepared by Makayla Benavides titled The Romanizationof Attic Ritual Space in the Age ofAugustus and recommend that it be accepted as fulfillingthe dissertation requirement for the Master's Degree. Date: .r- / - :.?CJ/ 5f David Soren Date: S - I - 2..o I � Mary E Voyatzis David Gilman Romano Date: ----- [Committee Member Name} Final approval and acceptance of this thesis is contingent upon the candidate's submission of the final copies of the thesis to the Graduate College. I hereby certify that I have read this thesis prepared under my direction and recommend that it be accepted as fulfillingthe Master's requirement. -
10 Image and Communication in the Seleucid
93695_Hellenistic_Court:Layout 1 8/11/17 08:53 Page 231 10 IMAGE AND COMMUNICATION IN THE SELEUCID KINGDOM: THE KING, THE COURT AND THE CITIES Paola Ceccarelli 1. Introduction The balance of power on which the Hellenistic kingdoms rested was delicate. In the first instance, the king’s power depended on his personal charisma, confirmed by his continued success, especially in war, which implied divine support.1 Other important factors included the king’s perceived ability to distribute justice and bring peace to his subjects and, rather paradoxically, legitimacy through descent.2 All these elements impacted on the king’s ability to mobilize a consensus around his decisions. The reactions caused by Alexander’s request in 324 that the poleis readmit exiles, or the trouble that Philip V took, in 219 and again in 214, when asking the city of Larissa to admit new citizens into their ranks, show that no king could in all cases simply give orders.3 The issue may have been particularly acute for the Seleucid kings, whose rule, to use Austin’s words, ‘depended on a judicious blend of pressure and persuasion’.4 Issues of communication between the king and his subjects were thus of fundamental importance; historical narratives as well as countless anecdotes testify to the delicate balance between royal distance on the one hand and attention to specific individuals and communities on the other.5 Accessibility and punctilious attention to the correspondence are part of the image of the ideal king presented by the Hellenistic literature on kingship, and against this ideal all Hellenistic kings, from Philip and Alexander to the successors, were measured;6 whether they successfully managed to live up to it is of course a different matter. -
Phosphate Analysis and Evidence for Industry at Iklaina
Phosphate Analysis and Evidence for Industry at Iklaina: Implications for Mycenaean Economies and State Formation by Madeline Topor An honors thesis submitted in partial fulfillment of the honors requirement for the degree of Bachelor of Arts Department of Anthropology University of Michigan April 2021 2 © 2021 Madeline Topor 3 Acknowledgments First I would like to thank my thesis advisor Dr. Michael Galaty, who guided me through the process of completing an honors thesis. I am grateful to have been able to learn so much about Mycenaean archaeology and research from him. I would not have been able to complete this thesis without his insightful comments and advice on writing, in addition to discussions about Mycenaean archaeology and soil chemistry. I am also thankful for his help in the lab and for teaching me how to conduct phosphate analysis. I want to thank Dr. Alicia Ventresca Miller as well for her constructive feedback as a second reader for my thesis. I would like to thank Dr. Michael Cosmopoulos, director of the Iklaina Archaeological Project, for allowing me to work with the soil samples collected by Dr. Michael Galaty from the site. I would also like to thank my AUGMENT mentor Erina Baci for reading my thesis and providing constructive feedback. Her advice on the writing process was especially valuable and helped me to improve my thesis. A special thanks to the Department of Anthropology and the Museum of Anthropological Archaeology for providing me with the knowledge, encouragement, and support to pursue and complete an honors thesis. I am grateful for all the opportunities I had to participate in archaeological fieldwork and research over the years. -
Amphiaraos, the Healer and Protector of Attika
275 의사학 제29권 제1호(통권 제64호) 2020년 4월 Korean J Med Hist 29ː275-310 April 2020 ⓒ대한의사학회 http://dx.doi.org/10.13081/kjmh.2020.29.275 pISSN 1225-505X, eISSN 2093-5609 Amphiaraos, the Healer and Protector of Attika LEE Sangduk* 1. Introduction 2. The Amphiareion at Oropos 3. Amphiaraos from Thebes: Change of Character from Mantic to Healing 4. Dispute over the Territory and another Amphiareion at Rhamnous 5. Promoting the Athenian Amphiaraos as the Healer and Protector of Attika 6. Conclusions 1. Introduction Ancient Greek medicine has only enjoyed a marginal role in the history of medicine. Scientific aspect of medicine was more of interest, so its history was mainly aimed at tracing back the birth of scientific thoughts. Therefore, the focus of ancient Greek medicine was given mainly to investigating the surviving Hippocratic corpus and its philosophy. The healing gods of the Greek world and their magical treatments seemed This work was supported by the Ministry of Education of the Republic of Korea and the National Research Foundation of Korea (NRF-2019S1A6A3A04058286). * Research Professor, Ancient Greek History, the HK+ Institute for Integrated Medical Humanities, the Institute of Humanities, Kyung Hee University, Korea / email: [email protected] 275│ 醫史學 제29권 제1호(통권 제64호) 275-310, 2020년 4월 │275 LEE Sangduk : Amphiaraos, the Healer and Protector of Attika less appealing to the researchers. Visiting the sanctuaries for healing was taken to be private and personal. Asklepios was the only healing god that managed to receive some attention due to his fame. Development in archaeology also appealed to the researchers to study the healing sanctuaries. -
Performances of Ancient Greek Tragedy and Hellenikotita: the Making O F a Greek Aesthetic Style of Performance 1919-1967
Performances of Ancient Greek Tragedy and Hellenikotita: The Making o f a Greek Aesthetic Style of Performance 1919-1967 Ioanna Roilou-Panagodimitrakopoulou M.A. in Theatre Strudies M.A. in Modem Drama Submitted for a Ph.D thesis Department of Theatre Studies Lancaster University March 2003 ProQuest Number: 11003681 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 11003681 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Performances o f Ancient Greek Tragedy and Hellenikotita: The Making o f a Greek Aesthetic Style o f Performance 1919-1967 Ioanna Roilou-Panagodimittakopoulou M.A. in Theatre Studies, M.A. in Modem Drama Submitted for a Ph.D thesis Department a Theatre Studies Lancaster University March 2003 Abstract This t hesis s tudies t he p henomenon o f t he p roduction o ft ragedy i n G reece d uring t he period 1919-1967 in relation to the constitution of Greek culture during this period and the ideologem of hellenikotita. It argues that theatre in Greece through the productions of tragedy proposed an aesthetic framework of performances of tragedy that could be recognised as ‘purely Greek’ within which the styles of productions moved. -
Brief Presentation of Activities
Brief presentation Of activities Contents 1 - Sound, music and visual compositions. (1992 - 2014). 2 - Studio19st sound team discography, multimedia productions & digital audio/video files. (1996 - 2010). 3 - Sound design. (1992 - 2014). 4 - Works for discography, multimedia productions & digital audio/video files. (1995 – 2014). 5 - Selection of works for sound and music production, The sound & for dance performances and theatre plays. multimedia team of (1995-2014). Studio 19 is a creative group mainly concerned 6 - Sound and music production works, for films, video with composing, recording, designing, and multimedia processing and (1995 - 2013). producing music, sound and audiovisual material 7 - Live Performances. for performances, (1995 – 2014). movies, the music industry, multimedia and plastic art 8 - Mission for external recordings.. installations. In their work, the recording- (1995 - 2012). multimedia studio is used as one of the main instruments for 9 - Studies - Applications.. sound, music and (1984 - 2010). visual synthesis. They have collaborated with musicians, composers, directors Works for audio & music production: Recording, editing, editing, mixing, mastering, music programming, and plastic artists sound design and live performances in concerts, performances, art installations. using different kinds of technologies in order to contribute to Works for producing visual materials: processing and editing visual materials (static and animated), the creational mastering, authoring for multimedia applications. process. Visual -
Cosmopoulos CV
1 CURRICULUM VITAE Michael B. Cosmopoulos CONTENTS [N.B. BLUE UNDERLINED TEXT CONTAINS CLICKABLE LINKS TO ONLINE MATERIALS] GENERAL INFORMATION Personal Information 3 Education 3 Academic Positions 3 Archaeological Field Positions 4 Awards, Fellowships and Academic Honors 4 Societies and Professional Organizations 5 Computer Skills 5 Languages 5 RESEARCH Areas of Specialty - Research Interests 6 Publications and Papers Delivered at Conferences Books 6 Journal Co-Edited 7 Articles and Field Reports 8 Chapters in Edited Books 10 Book Reviews 12 Papers Presented at Conferences 12 Other Contributions to Research 14 External Research Grants 15 TEACHING Undegraduate Courses Taught 16 Graduate Courses and Seminars Taught 17 Graduate Theses Supervision 17 Graduate Student Mentoring 18 Teaching-Related Service 19 Teaching Award and Honors 19 Use of Instructional Technologies 19 External Teaching Grants 20 2 SERVICE AND ADMINISTRATION Committee Membership 20 Study-In-Greece Programs Created 21 Greek Culture Centers Established and Directed 21 OUTREACH Public Lectures Presented 22 Public Events Organized 22 Publications for the Public 23 Electronic Publications 23 Film Directed and Produced 23 Media Contributions 24 3 GENERAL INFORMATION PERSONAL PLACE AND DATE OF BIRTH Athens, Greece, 1963 ADDRESS Department of Anthropology and Archaeology, University of Missouri-St. Louis, St. Louis, MO. 63121. Tel. (314) 516-6241, email: [email protected] EDUCATION 1986-1989 Ph.D. Classical Archaeology, Art History & Archaeology, Washington U. in St. Louis 1988 Associate Member, American School of Classical Studies at Athens 1985-1986 M.A., Art History and Archaeology, Washington U. in St. Louis 1981-1985 B.A. (summa cum laude), History and Archaeology, U. -
Αthens and Attica in Prehistory Proceedings of the International Conference Athens, 27-31 May 2015
Αthens and Attica in Prehistory Proceedings of the International Conference Athens, 27-31 May 2015 edited by Nikolas Papadimitriou James C. Wright Sylvian Fachard Naya Polychronakou-Sgouritsa Eleni Andrikou Archaeopress Archaeology Archaeopress Publishing Ltd Summertown Pavilion 18-24 Middle Way Summertown Oxford OX2 7LG www.archaeopress.com ISBN 978-1-78969-671-4 ISBN 978-1-78969-672-1 (ePdf) © 2020 Archaeopress Publishing, Oxford, UK Language editing: Anastasia Lampropoulou Layout: Nasi Anagnostopoulou/Grafi & Chroma Cover: Bend, Nasi Anagnostopoulou/Grafi & Chroma (layout) Maps I-IV, GIS and Layout: Sylvian Fachard & Evan Levine (with the collaboration of Elli Konstantina Portelanou, Ephorate of Antiquities of East Attica) Cover image: Detail of a relief ivory plaque from the large Mycenaean chamber tomb of Spata. National Archaeological Museum, Athens, Department of Collection of Prehistoric, Egyptian, Cypriot and Near Eastern Antiquities, no. Π 2046. © Hellenic Ministry of Culture and Sports, Archaeological Receipts Fund All rights reserved. No part of this publication may be reproduced or transmitted, in any form or by any means, electronic, mechanical, photocopying, or otherwise, without the prior permission of the publisher. Printed in the Netherlands by Printforce This book is available direct from Archaeopress or from our website www.archaeopress.com Publication Sponsors Institute for Aegean Prehistory The American School of Classical Studies at Athens The J.F. Costopoulos Foundation Conference Organized by The American School of Classical Studies at Athens National and Kapodistrian University of Athens - Department of Archaeology and History of Art Museum of Cycladic Art – N.P. Goulandris Foundation Hellenic Ministry of Culture and Sports - Ephorate of Antiquities of East Attica Conference venues National and Kapodistrian University of Athens (opening ceremony) Cotsen Hall, American School of Classical Studies at Athens (presentations) Museum of Cycladic Art (poster session) Organizing Committee* Professor James C.