Pilgrimage a Story About Northeast Texas
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Cannibalism in Contact Narratives and the Evolution of the Wendigo Michelle Lietz
Eastern Michigan University DigitalCommons@EMU Master's Theses, and Doctoral Dissertations, and Master's Theses and Doctoral Dissertations Graduate Capstone Projects 3-1-2016 Cannibalism in contact narratives and the evolution of the wendigo Michelle Lietz Follow this and additional works at: http://commons.emich.edu/theses Part of the English Language and Literature Commons Recommended Citation Lietz, Michelle, "Cannibalism in contact narratives and the evolution of the wendigo" (2016). Master's Theses and Doctoral Dissertations. 671. http://commons.emich.edu/theses/671 This Open Access Thesis is brought to you for free and open access by the Master's Theses, and Doctoral Dissertations, and Graduate Capstone Projects at DigitalCommons@EMU. It has been accepted for inclusion in Master's Theses and Doctoral Dissertations by an authorized administrator of DigitalCommons@EMU. For more information, please contact [email protected]. Cannibalism in Contact Narratives and the Evolution of the Wendigo by Michelle Lietz Thesis Submitted to the Department of English Language and Literature Eastern Michigan University in partial fulfillment of the requirements for the degree of MASTER OF ARTS in Literature Thesis Committee: Abby Coykendall, Ph.D., First Reader Lori Burlingame, Ph.D., Second Reader March 1, 2016 Ypsilanti, Michigan ii Dedication I dedicate this thesis to my kind and caring sisters, and my grounding father. For my mother: thank you for beginning my love of words and for every time reading “one more chapter.” And for every person who has reminded me to guard my spirit during long winters. iii Acknowledgments I am deeply indebted to Dr. Lori Burlingame, for reading all of my papers over and over again, for always letting me take up her office hours with long talks about Alexie, Erdrich, Harjo, Silko and Ortiz, and supporting everything I’ve done with unwavering confidence. -
Regimes of Truth in the X-Files
Edith Cowan University Research Online Theses: Doctorates and Masters Theses 1-1-1999 Aliens, bodies and conspiracies: Regimes of truth in The X-files Leanne McRae Edith Cowan University Follow this and additional works at: https://ro.ecu.edu.au/theses Part of the Film and Media Studies Commons Recommended Citation McRae, L. (1999). Aliens, bodies and conspiracies: Regimes of truth in The X-files. https://ro.ecu.edu.au/ theses/1247 This Thesis is posted at Research Online. https://ro.ecu.edu.au/theses/1247 Edith Cowan University Research Online Theses: Doctorates and Masters Theses 1999 Aliens, bodies and conspiracies : regimes of truth in The -fiX les Leanne McRae Edith Cowan University Recommended Citation McRae, L. (1999). Aliens, bodies and conspiracies : regimes of truth in The X-files. Retrieved from http://ro.ecu.edu.au/theses/1247 This Thesis is posted at Research Online. http://ro.ecu.edu.au/theses/1247 Edith Cowan University Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorize you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. Where the reproduction of such material is done without attribution of authorship, with false attribution of authorship or the authorship is treated in a derogatory manner, this may be a breach of the author’s moral rights contained in Part IX of the Copyright Act 1968 (Cth). -
Haunted Detectives: the Mysteries of American Trauma
HAUNTED DETECTIVES: THE MYSTERIES OF AMERICAN TRAUMA DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Brian R. Hauser, B.A., M.A. The Ohio State University 2008 Dissertation Committee: Approved by Professor Jared Gardner, Adviser Professor James Phelan ____________________________________ Professor Linda Mizejewski Adviser English Graduate Program Copyright by Brian R. Hauser 2008 ABSTRACT In this dissertation, I investigate American motion picture narratives from the 1990s in which detectives encounter the supernatural. These narratives did not originate during this decade, but there were a remarkable number of them compared to previous periods. I argue that the supernatural is often analogous to personal, national, or cultural trauma. I further suggest that a detective investigating the supernatural stands in for the psychoanalyst, who studies and treats this trauma. I then trace the origins of the supernatural detective in history, as well as in British and American popular fiction. To begin, I discuss Tim Burton’s Sleepy Hollow (1999) as an example of a supernatural detective, who is himself traumatized but who also manages to solve the supernatural mystery in the eponymous village. That solution points to the obscured narrative of women’s rights in the early-American republic. Next, I suggest that spaces can be traumatized like people. I introduce the concept of the chronotope of the traumatized space, which I then apply to Shirley Jackson’s The Haunting of Hill House (1959) and its various film and television adaptations to argue that these influential haunted house tales have helped repress scientific research into the paranormal as a reputable field of inquiry and the paranormal researcher as an admirable calling. -
“SCULLY, WHAT ARE YOU WEARING?”: the PROBLEM of FEMINISM, SUBVERSION, and HETERONORMATIVITY in the X-FILES by LACY HODGES A
“SCULLY, WHAT ARE YOU WEARING?”: THE PROBLEM OF FEMINISM, SUBVERSION, AND HETERONORMATIVITY IN THE X-FILES By LACY HODGES A THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS UNIVERSITY OF FLORIDA 2005 Copyright 2005 by Lacy Hodges ACKNOWLEDGMENTS I would like to thank the English Department at the University of Florida for allowing me this opportunity. Thanks especially go to Dr. Andrew Gordon for his guidance, support, and encouragement, as well Dr. Brandon Kershner for his additional support throughout this project. I would also like to thank my parents for their continued support, even after I abandoned a possibly lucrative career for a much more personally fulfilling one. My sincerest gratitude also goes out to Erin, for laughter, honest criticism, and, while always encouraging me, never letting me take myself too seriously. iii TABLE OF CONTENTS page ACKNOWLEDGMENTS ............................................................................................. iii ABSTRACT....................................................................................................................v CHAPTER 1 INTRODUCTION....................................................................................................1 2 “THE FBI’S MOST UNWANTED”: MULDER AND SCULLY AS LONE HERO.......................................................................................................................6 3 “I DO NOT GAZE AT SCULLY”: SCULLY, SEXUALITY, AND VISUAL -
Vampires, Archetypes, and Postmodern Turns in Late-1980S and ‘90S Cult TV Shows
Sorcha Ní Fhlainn Manchester Metropolitan University United Kingdom A Very Special Vampire Episode: Vampires, archetypes, and postmodern turns in late-1980s and ‘90s cult TV shows ABSTRACT This article evaluates the importance of the TV vampire onscreen in science fiction, gothic, and horror-based cult TV series from the late 1980s to the late 1990s. The inclusion of the vampire as a peripheral character in series including Quantum Leap, The X-Files, Tales from the Crypt and Friday the 13th: The Series indicates, in light of postmodern cultural turns, that there exists an imperative to re-evaluate, satirize and reflexively explore the vampire as a necessary and evolving stock gothic character within the narrative and generic frameworks of each show. In looking at these postmodern vampiric evaluations in their own right, where the vampire is featured as the ‘monster of the week’, this article argues that these understudied yet apposite representations of the television vampire, prior to and following on from the success of Coppola’s Bram Stoker’s Dracula (1992), documents a distinct cultural shift and maturation in representing vampires in non-vampire based gothic television shows. Whether it is to reify, satirize and re-mould the vampire as a variant of ‘the Dracula template’ on the small screen, or to move beyond mere stock conventions, these specific vampire episodes document the continuing fluidity of screen vampires through TV’s episodic ‘creature feature’ framework, and offer differing and dynamic alternative representations of undeath beyond vampire-centric TV shows. KEYWORDS Vampires; The X-Files; Quantum Leap; Friday the 13th: The Series; Tales from the Crypt; Dracula; adaptation; subjectivity; bricolage; guest stars. -
The X-Files, I Want to Believe: Mundo Posible O Mundo Presente?*
Universidad de Medellín Conspiración y nuda vida ¿The X-Files, I want to believe: mundo posible o mundo presente?* Luis Nitrihual Valdebenito** Juan Manuel Fierro Bustos*** Carlos Reyes Velásquez**** Francisco Henríquez Morales***** Recibido: 2017-04-22 Enviado a pares: 2017-05-25 Aprobado por pares: 2017-07-18 Aceptado: 2017-07-25 DOI: 10.22395/angr.v16n31a3 Resumen El presente artículo problematiza, en general, la conspiración como una estructura política y narrativa fundamental de la Modernidad. A través de un análisis fílmico de la serie The X-Files, I want to believe, planteamos como objetivo revelar como el tópico de la conspiración, en un nivel superficial, es un articulador de la trama de la serie, pero en un nivel profundo y amplio entendemos la conspiración como una estrategia articuladora de la vida moderna y, en este marco, del control biopolítico. Así entonces, el artículo muestra cómo la estructura argumentativa de la serie propone tramas y personajes a través de los cuales el poder gubernamental interviene los cuerpos y el espacio, quita y permite la vida, distorsiona la realidad, informa y desinforma. Todo es parte de una estrategia global de confabulación y ocultamiento de la verdad. En conclusión, la serie de televisión permite observar los regímenes de hipervisibilidad e intervención de la máquina gubernamental actual y es, en esta medida, un punto de entrada para reconocer problemas sociales y políticos de total actualidad. Palabras clave: series de televisión; cine; conspiración; nuda vida; control; Archivos Secretos X; estado de excepción; biopolítica. * Artículo producto de los proyectos de investigación FONDECYT n.º 1141289 y FONDECYT n.º 1161253, PLU n.º 1110 y PLU n.º 120010 financiados por el Consejo Nacional de Ciencia y Tecnología. -
TITLE CALL NUMBER for Film Information, Follow This Link: Www
For film information, follow this link: www.imdb.com TITLE FORMAT CALL NUMBER (500) days of Summer DVD PN 1997.2 .F58 2009 (Un)qualified: how God uses broken people to do big things AB CD BV 4598.2 .F87 2016 *Batteries not included DVD PN 1997 .B377 B377 1999 21 DVD PN 1997.2 .A149 A149 2008 300 DVD PN 1997.2 .E79 T4744 2007 1408 DVD PN 1995.9 .H6 F6878446 2007 2012 DVD PN 1997.2 .T835 2010 2 fast 2 furious DVD PN 1997 .F377 F377 2003 2 guns BLU-RAY PN 1997.2 .A12 2013 2 guns DVD PN 1997.2 .A12 2013 2nd chance AB CD PS 3566 .A822 A614 2002 3:10 to Yuma DVD PN 1997.2 .A138 A138 2007 3 comedy film favorites. Dodgeball DVD PN 1995.9 .C55 V38 2014 V.3 3 comedy film favorites. The internship DVD PN 1995.9 .C55 V38 2014 V.1 3 comedy film favorites. The watch DVD PN 1995.9 .C55 V38 2014 V.2 3 days to kill DVD PN 1997.2 .A15 2014 4 classic film favorites : Affair to remember DVD PN 1997 .A1 F68 2014 V.1 4 classic film favorites : Laura DVD PN 1997 .A1 F68 2014 V.2 4 classic film favorites : A letter to three wives DVD PN 1997 .A1 F68 2014 V.3 4 classic film favorites : The three faces of Eve DVD PN 1997 .A1 F68 2014 V.4 4 film favorites. Western collective DVD PN 1997 .Y68 2010 4 Film favorites: Girl's night collection: Chasing liberty DVD PN 1997 .E88 2010 V.4 4 Film favorites: Girl's night collection: Cinderella story DVD PN 1997 .E88 2010 V.1 4 Film favorites: Girl's night collection: Sisterhood of the traveling pants DVD PN 1997 .E88 2010 V.3 4 Film favorites: Girl's night collection: What a girl wants DVD PN 1997 .E88 2010 V.2 4 for Texas DVD PN 1995.9 .W4 F62 2005 The 5th wave DVD PN 1997.2 .A15 2016 The 6th day DVD PN 1997 .S597 S597 2001 9-1-1. -
Star Channels, September 9-15
SEPTEMBER 9 - 15, 2018 staradvertiser.com KIDDING AROUND Jeff (Jim Carrey) thinks Mr. Pickles should address death on the show, but his producer disagrees in the premiere of Kidding. Carrey stars as a beloved children’s television personality who begins to unravel in the wake of personal tragedy in this freshman series, which also stars Judy Greer, Frank Langella and Catherine Keener. Airing Sunday, Sept. 9, on Showtime. – ¶Olelo has helped us broaden our message and our mission to the community. LYNNE WAIHEE, President, Read to Me International ;rikhob]bg`ob]^hikh]n\mbhglniihkm%p^k^a^eibg`K^Z]MhF^Bgm^kgZmbhgZe olelo.org laZk^ma^bkik^l^gmZmbhglpbmai^hie^Zeeho^kma^phke]' ON THE COVER | KIDDING Funny, not funny Jim Carrey’s ‘Kidding’ mixes Created by Dave Holstein (“Weeds”) and through it. As a result, he begins to unravel, directed by Michael Gondry (“The Science of which, according to the official release, is “as comedy and drama Sleep,” 2006), the show also stars renowned hilarious as it is heartbreaking.” Onscreen, Jeff stage actor and Tony Award winner Frank may be sweet, but when the lights go dark and By Kyla Brewer Langella (“Frost/Nixon,” 2008) as Seb, the ex- the cameras turn off, his pent-up anger begins TV Media ecutive producer of “Mr. Pickles’ Puppet Time.” to surface. Academy Award nominee Catherine Keener Things look bleak for Mr. Pickles, but, accord- irst, there was Howdy Doody. Then came (“Being John Malkovich,” 1999) portrays Jeff’s ing to Carrey, the message of the series is a Captain Kangaroo, the beloved Mr. -
Pilot Earth Skills Earth Kills Murphy's Law Twilight's Last Gleaming His Sister's Keeper Contents Under Pressure Day Trip Unity
Pilot Earth Skills Earth Kills Murphy's Law Twilight's Last Gleaming His Sister's Keeper Contents Under Pressure Day Trip Unity Day I Am Become Death The Calm We Are Grounders Pilot Murmurations The Dead Don't Stay Dead Hero Complex A Crowd Of Demons Diabolic Downward Spiral What Ever Happened To Baby Jane Hypnos The Comfort Of Death Sins Of The Fathers The Elysian Fields Lazarus Pilot The New And Improved Carl Morrissey Becoming Trial By Fire White Light Wake-Up Call Voices Carry Weight Of The World Suffer The Children As Fate Would Have It Life Interrupted Carrier Rebirth Hidden Lockdown The Fifth Page Mommy's Bosses The New World Being Tom Baldwin Gone Graduation Day The Home Front Blink The Ballad Of Kevin And Tess The Starzl Mutation The Gospel According To Collier Terrible Swift Sword Fifty-Fifty The Wrath Of Graham Fear Itself Audrey Parker's Come And Gone The Truth And Nothing But The Truth Try The Pie The Marked Till We Have Built Jerusalem No Exit Daddy's Little Girl One Of Us Ghost In The Machine Tiny Machines The Great Leap Forward Now Is Not The End Bridge And Tunnel Time And Tide The Blitzkrieg Button The Iron Ceiling A Sin To Err Snafu Valediction The Lady In The Lake A View In The Dark Better Angels Smoke And Mirrors The Atomic Job Life Of The Party Monsters The Edge Of Mystery A Little Song And Dance Hollywood Ending Assembling A Universe Pilot 0-8-4 The Asset Eye Spy Girl In The Flower Dress FZZT The Hub The Well Repairs The Bridge The Magical Place Seeds TRACKS TAHITI Yes Men End Of The Beginning Turn, Turn, Turn Providence The Only Light In The Darkness Nothing Personal Ragtag Beginning Of The End Shadows Heavy Is The Head Making Friends And Influencing People Face My Enemy A Hen In The Wolf House A Fractured House The Writing On The Wall The Things We Bury Ye Who Enter Here What They Become Aftershocks Who You Really Are One Of Us Love In The Time Of Hydra One Door Closes Afterlife Melinda Frenemy Of My Enemy The Dirty Half Dozen Scars SOS Laws Of Nature Purpose In The Machine A Wanted (Inhu)man Devils You Know 4,722 Hours Among Us Hide.. -
E P I S O D E S
E P I S O D E S.. S 1 9 9 3 - 2 0 0 2 .. Season 1 (1993-1994) Main article: The X-Files (season 1) Prod. # # Title Written by Directed by Original airdate code September 10, 1 1 "Pilot"** Chris Carter Robert Mandel 1X79 1993 Agent Dana Scully (Gillian Anderson) is assigned to work with Agent Fox Mulder (David Duchovny) on the X-Files in an attempt to debunk his work on the paranormal. Their first case has them investigating apparent alien abductions. A near comatose man, Billy Miles, is taking his classmates, including Theresa Nemman, into the woods, where they are killed in a flash of bright light. September 17, 2 2 "Deep Throat"** Chris Carter Daniel Sackheim 1X01 1993 Mulder & Scully travel to Idaho in order to investigate the disappearance of a military test pilot. They observe unusual aircraft activity, prompting Mulder to proclaim the existence of a government conspiracy. Mulder sneaks onto the military base and is spotlighted by one of the craft, but is captured by soldiers and has his memory erased before he is released. Glen Morgan & James September 24, 3 3 "Squeeze" Harry Longstreet 1X02 Wong 1993 Mulder and Scully investigate a series of murders where there appears to be no tangible method for the murderer’s entrance and escape. Eugene Victor Tooms, a seemingly normal janitor, is suspected by Mulder to be a mutant who kills his victims and extracts their livers in order to prolong his existence. Alex Gansa & Howard 4 4 "Conduit" Daniel Sackheim October 1, 1993 1X03 Gordon As Section Chief Scott Blevins expresses his concern with the direction of the X-Files department, Mulder becomes obsessed with solving a case that closely parallels an ‘encounter’ he experienced as a child. -
X-Files CCG Spoiler List
X‐Files CCG Spoiler List 1 X‐Files CCG Spoiler List Premiere Edition.............................................................................................................................. 2 Combat.........................................................................................................................................................................2 Sites ............................................................................................................................................................................10 Bluffs ..........................................................................................................................................................................17 X‐Files.........................................................................................................................................................................23 Agents ........................................................................................................................................................................28 Witnesses...................................................................................................................................................................33 Events.........................................................................................................................................................................39 Equipment.................................................................................................................................................................57