Toimintakertomus 2018 Sisällys
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WXXI Program Guide | May 2021
WXXI-TV | WORLD | CREATE | WXXI KIDS 24/7 | WXXI NEWS | WXXI CLASSICAL | WRUR 88.5 SEE CENTER PAGES OF CITY PROGRAMPUBLIC TELEVISION & PUBLIC RADIO FOR ROCHESTER LISTINGSFOR WXXI SHOW MAY/EARLY JUNE 2021 HIGHLIGHTS! WXXI-TV DAYTIME SCHEDULE MAY/EARLY JUNE PLEASE NOTE: WXXI-TV’s daytime schedule listed here runs from 6:00am to 7:00pm. The complete prime time television schedule begins on page 2. Saturday The PBS Kids programs below are shaded in gray. 6:00am Mister Roger’s Neighborhood 6:30am Arthur 7vam Molly of Denali Monday-Friday 7:30am Wild Kratts 6:00am Ready Jet Go! 8:00am Hero Elementary 6:30am Arthur 8:30am Xavier Riddle and the Secret Museum 7:00am Molly of Denali 9:00am Curious George 7:30am Wild Kratts 9:30am A Wider World 8:00am Hero Elementary 10:00am This Old House 8:30am Xavier Riddle and the Secret Museum 10:30am Ask This Old House 9:00am Curious George 11:00am Woodsmith Shop 9:30am Daniel Tiger’s Neighborhood 11:30am Ciao Italia 10:00am Donkey Hodie 12:00pm Lidia’s Kitchen 10:30am Elinor Wonders Why 12:30pm Christopher Kimball’s Milk Street Television 11:00am Sesame Street 1:00pm The Great British Baking Show 11:30am Pinkalicious & Peterrific 2:00pm America’s Test Kitchen 12:00pm Dinosaur Train 2:30pm Cook’s Country 12:30pm Clifford the Big Red Dog 3:00pm Second Opinion with Joan Lunden (WXXI) 1:00pm Sesame Street 3:30pm Rick Steves’ Europe 1:30pm Donkey Hodie 2:00pm Daniel Tiger’s Neighborhood Sunday 2:30pm Let’s Go Luna! 6:00am Mister Roger’s Neighborhood 3:00pm Nature Cat 6:30am Arthur 3:30pm Wild Kratts 7:00am Molly -
Wolverhampton & Black Country Cover
Wolverhampton Cover Online.qxp_Wolverhampton & Black Country Cover 30/03/2017 09:31 Page 1 LAURA MVULA - Your FREE essential entertainment guide for the Midlands INTERVIEW INSIDE WOLVERHAMPTON & BLACK COUNTRY WHAT’S ON WHAT’S COUNTRY BLACK & WOLVERHAMPTON Wolverhampton & Black Country ISSUE 376 APRIL 2017 ’ WhatFILM I COMEDY I THEATRE I GIGS I VISUAL ARTS I EVENTSs I FOOD Onwolverhamptonwhatson.co.uk APRIL 2017 APRIL inside: Your 16-pagelist week by week listings guide ENGLISH presentsTOURING two classic OPERA works PART OF WHAT’S ON MEDIA GROUP GROUP MEDIA ON WHAT’S OF PART in Wolverhampton StrictlyPASHA star KOVALEVbrings the romance of the rumba to the Midlands TWITTER @WHATSONWOLVES WOLVERHAMPTONWHATSON.CO.UK @WHATSONWOLVES TWITTER celebratingDISNEY 100 ON years ICE of magic at the Genting Arena TIM RICE AND ANDREW LLOYD WEBBER’S SMASH HIT MUSICAL AT THE GRAND Contents April Shrops.qxp_Layout 1 22/03/2017 20:10 Page 1 Birmingham@WHATSONBRUM Wolverhampton @WHATSONWOLVES Shropshire @WHATSONSHROPS staffordshire @WHATSONSTAFFS Worcestershire @WHATSONWORCS warwickshire @WHATSONWARWICKS Contents April Wolves.qxp_Layout 1 22/03/2017 21:16 Page 2 April 2017 Contents Russell Brand - contemplates the responsibilities of parenting at Victoria Hall, Stoke more on page 25 Laura Whitmore New Model Army La Cage aux Folles the list stars in brand new thriller at Yorkshire rock band bring John Partridge talks about his Your 16-page Shrewsbury’s Theatre Severn Winter to Bilston role in the hit West End musical week by week listings guide Interview page 8 page 17 Interview page 26 page 51 inside: 4. First Word 11. Food 16. Music 24. Comedy 28. -
Forum Musikbibliothek Forum Musikbibliothek Beiträge Und Informationen Aus Der Musikbibliothekarischen Praxis 2013 34
ISSN 0173-5187 Forum Forum Musikbibliothek Forum Musikbibliothek Beiträge und Informationen aus der musikbibliothekarischen Praxis 2013 34. Jahrgang Beispiel eines reich ausgeschmück- ten Chorbuchs aus dem 16. Jahr- hundert mit sieben Messen, einer / 2013 3 Motette und einem deutschen geistlichen Lied als Nachtrag 3 (D-Mbs/Mus.ms. C, fol.41v–42r) Musikgeschichte im Spiegel von Liturgie und Herrschergunst – Die Digitalisierung der Chorbuch- sammlung der Bayerischen Staatsbibliothek 7 Die Musikbibliothek Peters: Ein kulturhistorischer Schatz für Leipzig 13 Autographen und Handschriften von M. I. Glinka in der Staatsbibliothek zu Berlin – Preußischer Kulturbesitz 18 Musikbibliothekarische Aus- und Fortbildung in Deutschland 24 ortus ortus _blau_FM_heft2/13_umschlag__hks ?+20%TF+45%ziffer Kopie.indd 1 14.10.13 14:22 Forum Musikbibliothek 3 / 2013 34. Jahrgang Forum Musikbibliothek Beiträge und Informationen aus der musikbibliothekarischen Praxis Herausgegeben von der AIBM/Gruppe Bundesrepublik Deutschland e. V. Redaktion Dr. Renate Hüsken, Frankfurt a. M. E-Mail [email protected] Schriftleitung Jürgen Diet (kommissarisch) c/o Bayerische Staatsbibliothek Musikabteilung Ludwigstr. 16 D-80539 München Fon +49 (0) 89 28638-2768 Bitte richten Sie Ihre Briefe und Fax +49 (0) 89 28638-2479 Anfragen ausschließlich an die Schrift- E-Mail [email protected] leitung, nicht an den Verlag! Unverlangt zugesandte Rezensions- Rezensionen Marina Gordienko exemplare können leider nicht zurück- E-Mail [email protected] geschickt werden. Internet www.aibm.info/publikationen/forum-musikbibliothek/ Dort auch Redaktionsschlüsse und Richtlinien zur Manuskriptgestaltung. Beirat Susanne Frintrop, München Marina Gordienko, Berlin Cornelia Grüneisen, Frankfurt a. M. Kristina Richts, Detmold Torsten Senkbeil, Lübeck Cordula Werbelow, Berlin Kathrin Winter, Mannheim Erscheinungsweise Jährlich 3 Hefte (März, Juli, November) Bezugsbedingungen Abonnementpreis Deutschland FM: 41,– EUR Jahresabonnement inkl. -
Fabulously Tidal — Issue 117, 1 January 2018
Fabulously Tidal — Issue 117, 1 January 2018 SPONSORED FEATURE — PHILIP SAWYERS' THIRD SYMPHONY Alice McVeigh: 'This is a fabulously tidal symphony, with wild expanses of differing moods, but it begins with a ripple of unease. We in the cello section were told to play the opening with as much stillness as possible, allowing the first theme to grow as it weaves into violins and violas, into threads of flute and oboe, and — from there — into a tempestuous section of interweaving themes. The argument descends into a woodwind quarrel, resolved by flute and oboe, decorated by horns — while the strings continue to niggle and churn away at any sense of calm. 'Then solo bassoon ignites a new, still tenser, section. The violins take over, lightly but resolutely, answered by middle strings conveying a sense of tenderness — but with a bitter aftertaste. (This is incidentally one of Sawyers' most characteristic strengths: a tenderness, never saccharine, often undermined by subtle discontent.) From the brass comes the first glimpse of escape: the powerful broken octave theme over which the other themes furiously contend. 'The cellos at the recapitulation, now deepened and enriched, are twisted by Sawyers into something passionate and grounded in lower brass, reinforced by timpani. The movement ends with the heavy brass seemingly triumphant over the strings' stubborn reiteration of the theme. Still, the lower strings' pessimism prevails. 'Tutti violins kick-start the second movement with a dramatic leap from their richest register, only yielding to keening solo oboe. 'The sobered strings leave the solo winds to mourn, yet, with characteristic Sawyers intensity, something is brewing at subterranean depths: eventually, the violas' chuntering is answered by full insistent brass, in a stormily ecstatic tantrum. -
18423 Cmp.Pdf
® GRAN TEATRE DEL LICEU LA PROEZARougeDE UNA LARGA DURACiÓNMagnéticLIGERA COMO UNA PLUMA Ei o u <Ú Ei o u 1 Temporada 1998-99 CONSORCI DEL GRAN TEATRE DEL LICEU GENERALITAT DE CATALUNYA AJUNTAME T DE BARCELO A Ei MI ISTERIO DE C LTURA o u DIPUTACIÓ DE BARCELO A innova.,tion <Ú lANCOME Ei o --99-- u .§ LANCOME 4£) � PARIS � � ® Die Zauberflote ingspiel n do actos Libreto de Emmanuel chikaneder Música de Wolfgang Amadeu Mozart Teatre Victòria Vierne 11 de 21 núm. -i turno , junio, h., función 1, E Sábado, 12 de junio, 21 h., función núm. -i9 (precio populares) Domingo, 13 de junio, 17 h., función núm. -i2. turno T Martes, 15 de junio, 21 h., función núm. -i3, turno A Miércoles, 16 de junio, 21 h., función núm. 50 (precios populares) Jueves, 17 de junio, 21 h., función núm. -i4, turno B 18 21 45 Vierne , de junio, h., función núm. (precios populares) Sábado, 19 de junio, 21 h., función núm. -i6, turno e Domingo, 20 de junio, 17 h., función núm. 47 (precios populares) Martes, 22 de junio, 21 h., función núm. -i8, turno D I Indice 9 Reparto 10 Resumen argumental 32 Papageno en el centro del universo de la Zauberflote 50 Eclecticismo y unidad en La flauta màuica 72 Biografías 95 Grabaciones 103 Cronología liceísta 107 Próximas funcione ® Die Zauberfl óte ara 1 ro Harry Peeters Kon (an tin Corny (día 12, 16,18 Y 20 le junio) Tamino Jo ep Bros Claude Pia (día 12.16. 18 �. 20 ci junio) Orador Robert Holzer Sacerdotes Cristóbal Viñas, Vicenç Esteve l adrid Reina de la Noche Cyndia Sieden Milagros Poblador (día 12. -
Diszkográfia Az Első Kötethez
© Typotex Kiadó Diszkográfia az első kötethez Janet Baker: Full Circle Her last year in Opera Gluck: Alceste. The Royal Opera Covent Garden Donizetti: Stuart Maria. English National Opera Gluck: Orfeo ed Euridice. Glyndebourne Festival Opera Felvétel: 1992 Warner, NVC ARTS, 2006, DVD 50-51011-4855-2-7 Beethoven: Fidelio Waltraud Meier, Plácido Domingo, Falk Stuckmann, René Pape, Soile Isokoski, Werner Güra, Kwangchul Youn Chor der Deutschen Staatsoper Berlin, Staatskapelle Berlin Vezényel: Daniel Barenboim Felvétel: Groβer Sendesaal, Berlin, May/June 1999 Teldec, 1999, 2 CD 3984-25249-2 Beethoven: Fidelio Dietrich Fischer-Dieskau, Hans Sotin, René Kollo, Gundula Janowitz, Manfred Jungwirth, Lucia Popp, Adolf Dallapozza, Karl Terkal, Alfred Sramek Wiener Staatsoperchor, Wiener Philharmoniker Vezényel: Leonard Bernstein Felvétel: Wien, Musikverein, Groβer Saal, 2/1978 Deutsche Grammophon, 1978, 2 CD 419 438-2 Beethoven: Fidelio Leonie Rysanek, Judith Blegen, Jon Vickers, Walter Berry, Giorgio Tozzi, Murray Dickie, John Macurdy, Leo Goeke, Robert Goodloe Orchestra e coro dell’Opera di San Francisco Vezényel: Karl Böhm Élő felvétel: 29. 11. 1968, San Francisco Melodram, 1990, 2 CD 27086 Beethoven: Fidelio Michael Schade, Elizabeth Norberg-Schulz, Matthias Hölle, Deborah Voigt, www.interkonyv.hu © Fodor Géza jogutóda © Typotex Kiadó 248 • Mi szól a lemezen? Günter von Kannen, Andreas Schulist, Wielfried Vorwol, Ben Heppner, Thomas Quasthoff Symphonieorchester und Chor des Bayerischen Rundfunks, Bavarian Radio Symphony Orchestra and Chorus -
Quick Guide to the Eurovision Song Contest 2018
The 100% Unofficial Quick Guide to the Eurovision Song Contest 2018 O Guia Rápido 100% Não-Oficial do Eurovision Song Contest 2018 for Commentators Broadcasters Media & Fans Compiled by Lisa-Jayne Lewis & Samantha Ross Compilado por Lisa-Jayne Lewis e Samantha Ross with Eleanor Chalkley & Rachel Humphrey 2018 Host City: Lisbon Since the Neolithic period, people have been making their homes where the Tagus meets the Atlantic. The sheltered harbour conditions have made Lisbon a major port for two millennia, and as a result of the maritime exploits of the Age of Discoveries Lisbon became the centre of an imperial Portugal. Modern Lisbon is a diverse, exciting, creative city where the ancient and modern mix, and adventure hides around every corner. 2018 Venue: The Altice Arena Sitting like a beautiful UFO on the banks of the River Tagus, the Altice Arena has hosted events as diverse as technology forum Web Summit, the 2002 World Fencing Championships and Kylie Minogue’s Portuguese debut concert. With a maximum capacity of 20000 people and an innovative wooden internal structure intended to invoke the form of Portuguese carrack, the arena was constructed specially for Expo ‘98 and very well served by the Lisbon public transport system. 2018 Hosts: Sílvia Alberto, Filomena Cautela, Catarina Furtado, Daniela Ruah Sílvia Alberto is a graduate of both Lisbon Film and Theatre School and RTP’s Clube Disney. She has hosted Portugal’s edition of Dancing With The Stars and since 2008 has been the face of Festival da Cançao. Filomena Cautela is the funniest person on Portuguese TV. -
Rautavaara Rubáiyát, Balada, Canto V Four Songs from Rasputin
RAUTAVAARA RUBÁIYÁT, BALADA, CANTO V FOUR SONGS FROM RASPUTIN GERALD FINLEY MIKA POHJONEN HELSINKI MUSIC CENTRE CHOIR HELSINKI PHILHARMONIC ORCHESTRA JOHN STORGÅRDS 1 he process of musical composition is always a mysterious and essentially inexplicable thing. Einojuhani Rautavaara is one of the many composers to emphasise its unconscious dimensions, its T likeness to a mystery. He has often said that in the process of the birth of his compositions he is the midwife, not the mother; the mediator, not the creator. Sometimes the interval between impulse and implementation can be unexpectedly long. Rautavaara noted that he first came across the poetry of Persian mathematician, astronomer and philosopher Omar Khayyam (1048–1131) as a music student in his 20s in 1949 and immediately decided that he would one day set that poetry to music. But it took 63 years for him to act on that impulse: when Wigmore Hall in London commissioned him to write a song cycle for Gerald Finley, he responded with Rubáiyát (2014/15). The intervening decades span almost an entire human life and a brilliant career with a huge output in a succession of styles that has made Rautavaara one of the most frequently performed composers of our time. His development progressed from early Neo-Classicism to dodecaphony and serialist experiments in the late 1950s, then to a freer and more varied style often described as ‘Neo-Romantic’ or ‘post-modern’ in the late 1960s, and finally to his late style, a synthesis of all that had gone before. Through all this, the idea of setting Khayyam to music remained on the back burner. -
Handel's Harp
HANDEL’S HARP MAXINE EILANDER SEATTLE BAROQUE ORCHESTRA STEPHEN STUBBS CYNDIA SIEDEN SOPRANO e t r o p a L n i t r a M : o t o h P ACD2 2541 ATM A Classique GEORGE FRIDERIC HANDEL (1685-1759) MAXINE EILANDER HARPE BAROQUE | BAROQUE HARP CYNDIA SIEDEN SOPRANO THE SEATTLE BAROQUE ORCHESTRA INGRID MATTHEWS PREMIER VIOLON | CONCERTMISTRESS STEPHEN STUBBS DIRECTION ET LUTH | CONDUCTOR AND LUTE 1 | “Praise the Lord with cheerful noise” Esther [ 5:50 ] SEATTLE BAROQUE ORCHESTRA SOPRANO , CORDES ET HARPE SOLO | SOPRANO STRINGS , AND HARP SOLO PREMIERS VIOLONS | FIRST VIOLINS : 2 | Symphony Saul [ 2:57 ] Ingrid Matthews, James Garlick, Courtney Kuroda SOLO DE HARPE | HARP SOLO DEUXIÈMES VIOLONS | SECOND VIOLINS : Concerto pour harpe en si bémol majeur | Harp Concerto in Bb Alexander’s Feast [ 12:00 ] Tekla Cunningham, Steve Creswell, Olga G. Hauptman CORDES , DEUX FLÛTES À BEC ET HARPE SOLO | STRINGS , TWO RECORDERS , HARP SOLO 3 | Allegro moderato [ 6:06 ] 4 | Larghetto [ 3:30 ] 5 | Allegro moderato [ 2:24 ] ALTOS | VIOLAS : Margriet Tindemans, Steve Creswell, Ruth Sereque 6 | “Tune your harps to cheerful strains” Esther [ 4:10 ] SOPRANO , CORDES EN PIZZICATO , HAUTBOIS ET HARPE | SOPRANO , PIZZICATO STRINGS , OBOE , HARP VIOLONCELLES | CELLOS : Nathan Whittacker, Karen Fardal, Page Smith 7 | Sinfonia &“V’adoro pupille” Giulio Cesare [ 6:16 ] FLÛTES | FLUTES : SOPRANO , CORDES AVEC SOURDINE , VIOLE DE GAMBE , THÉORBE , HARPE , HAUTBOIS ET BASSON SOPRANO , STRINGS WITH SORDINI , VIOLA DA GAMBA , THEORBO , HARP , OBOE , BASSOON Courtney Westcott, Janet See FLÛTES TRAVERSIÈRES | RECORDERS : 8 | “Lascia ch’io pianga” Rinaldo [ 4:00 ] Vicki Boeckman, Sand Dalton SOLO DE HARPE | HARP SOLO [ARR . -
Is the Traditional Approach to the Problem of the Printed Editions of Bruckner's Symphonies Valid Today?
Juan I. Cahis Moctezuma 1948 Santiago (Vitacura), CHILE IS THE TRADITIONAL APPROACH TO THE PROBLEM OF THE PRINTED EDITIONS OF BRUCKNER'S SYMPHONIES VALID TODAY? An attempt to find how many different symphonies Bruckner wrote, to explode some myths, and to remove today's confusion about the subject with the help of a new approach. By Juan I. Cahis. (XI-1996, VII-1998, PT2) The author's current address is: Moctezuma 1948, Santiago (Vitacura), CHILE (South America); Phone: +56-(2)-218-5897 (home), Fax: +56-(2)-219-4325, Email: jiclbch @ibm.net. Inscripciones No. 81.297 y No. 82.653 Santiago de Chile, TODOS LOS DERECHOS RESERVADOS, ALL RIGHTS RESERVED, @ Copyright Juan Ignacio Cahis Llugany. File: BRUCKTR3.DOC 1. Introduction some cases, is that he wanted to update his symphonies to the mastery he attained when composing his Fifth Sym- The different existing analyses of the editions of phony. Because of this attitude, during the years 1876 to Bruckner's Symphonies, have created considerable confu- 1880 he revised extensively the Second, Third and Fourth sion, making it today very difficult for the composer's admir- Symphonies; moreover, during the last years of his life he ers and performers to understand which and how many recomposed the First Symphony. symphonies he really wrote; or to be convinced if it is now possible to hear a Bruckner Symphony as the composer In other cases, he revised his symphonies to really created it. Following the recent publication by Profes- make them more palatable to the public and to the orches- sor Leopold Nowak of almost all the different versions of tras of his time. -
Symphonic Dances
ADELAIDE SYMPHONY ORCHESTRA SEASON 2019 MASTER SERIES 6 Symphonic Dances August Fri 16, 8pm Sat 17, 6.30pm PRESENTING PARTNER Adelaide Town Hall 2 MASTER SERIES 6 Symphonic Dances August Dalia Stasevska Conductor Fri 16, 8pm Louis Lortie Piano Sat 17, 6.30pm Adelaide Town Hall John Adams The Chairman Dances: Foxtrot for Orchestra Ravel Piano Concerto in G Allegramente Adagio assai Presto Louis Lortie Piano Interval Rachmaninov Symphonic Dances, Op.45 Non allegro Andante con moto (Tempo di valse) Lento assai - Allegro vivace Duration Listen Later This concert runs for approximately 1 hour This concert will be recorded for delayed and 50 minutes, including 20 minute interval. broadcast on ABC Classic. You can hear it again at 2pm, 25 Aug, and at 11am, 9 Nov. Classical Conversation One hour prior to Master Series concerts in the Meeting Hall. Join ASO Principal Cello Simon Cobcroft and ASO Double Bassist Belinda Kendall-Smith as they connect the musical worlds of John Adams, Ravel and Rachmaninov. The ASO acknowledges the Traditional Custodians of the lands on which we live, learn and work. We pay our respects to the Kaurna people of the Adelaide Plains and all Aboriginal and Torres Strait Islander Elders, past, present and future. 3 Vincent Ciccarello Managing Director Good evening and welcome to tonight’s Notwithstanding our concertmaster, concert which marks the ASO debut women are significantly underrepresented of Finnish-Ukrainian conductor, in leadership positions in the orchestra. Dalia Stasevska. Things may be changing but there is still much work to do. Ms Stasevska is one of a growing number of young women conductors Girls and women are finally able to who are making a huge impression consider a career as a professional on the international orchestra scene. -
Jonathan Roozeman's Biography
Jonathan Roozeman, violonchelo “Jonathan Roozeman proved a virtuoso” New York Times Finnish-Dutch cellist and rising star, Jonathan Roozeman is already establishing himself as a player of exceptional musical integrity. His phenomenal, expansive and versatile sound lends itself not only to works of the core classical repertory, but those by Kabalevsky, Kokkonen, Vieuxtemps and Sallinen. He has been recognized by top conductors including Valery Gergiev, Sakari Oramo, Esa-Pekka Salonen, Osmo Vänskä, Dima Slobodeniouk, Jukka-Pekka Saraste and Santtu-Matias Rouvali, and been invited by leading orchestras including: The Mariinsky Orchestra, St Petersburg Philharmonic Orchestra, and Finnish Radio Symphony Orchestra. Engagements in 2019/20 include: a return to the Finnish Radio Symphony Orchestra under Esa-Pekka Salonen, hr- Sinfonieorchester with Christoph Eschenbach, Orquesta Sinfonica de Euskadi conducted by Edo de Waart, Tampere Philharmonic, Gulbenkian Orchestra, Polish National Radio Symphony, and a performance of Alexey Shor’s Cello Concerto with the Armenian State Symphony Orchestra. Jonathan will return to the Ark Hills Festival in Tokyo which will include chamber performances with Fumiaki Miura and Nobuyuki Tsujii and a collaboration with Fumiaki Miura and Varvara in Spain. He will also appear at the Baroque on the Edge Festival in London together with bass guitarist, Lauri Porra, presenting their ‘Bach Reimagined’ project. Highlights in previous seasons include; his debut with the BBC Symphony Orchestra under Dalia Stasevska, a return to the White Nights Festival and appearances in Schloss Elmau as part of the Verbier Festival Residency for a recital and performance of the rarely performed Monn Cello Concerto in G Minor. Other engagements have included dates with the Japan Philharmonic Orchestra and Helsinki Philharmonic Orchestra, Tapiola Sinfonietta, China National Symphony Orchestra and a debut recital tour in Canada which included the prestigious Vancouver Recital Series.