Flying High in Devotional Service - Part 3

Total Page:16

File Type:pdf, Size:1020Kb

Flying High in Devotional Service - Part 3 Flying High in Devotional Service - Part 3 Date: 2020-05-31 Author: Narahari Krishna das Hare Krishna Prabhujis and Matajis, Please accept my humble obeisances. All glories to Srila Prabhupada and Srila Gurudev. We saw the background of Jatayu and how he met Lord Rama on the Lord's enroute to Panchavati. We will continue to meditate on their interaction as follows. 2. Jatayu's affection for Dasaratha: In Kamba Ramayana (a retelling of Valmiki Ramayana in Tamil Language) it is explained that Jatayu in turn asked Lord Rama, His purpose of visit to the forest and the well-being of King Dasaratha. Lord Rama asked Lakshmana to explain all that happened. When Jatayu heard that Lord Rama was banished to the forest because of political intrigue by Kaikeyi and also King Dasaratha left his body, Jatayu fell unconscious. Lord Rama and Lakshmana shed tears and when those tears fell on his eyes like a shower, Jatayu regained consciousness. He then started crying loudly remembering his close friendship with Dasaratha. When Dasaratha fought against Sambarasura (a great demon), Jatayu protected Dasaratha using his big wings and in that incident both of them became close friends and their friendship continued ever since. During that war, Dasaratha told Jatayu, "I am the body and you are the soul, my life." Now Jatayu recollected all that and cried, "Yamaraj has acted out of ignorance by taking Dasaratha away. He is supposed to leave the body and take the soul. But he has left me (the soul) and taken away Dasaratha(body)." And Jatayu wanted to jump in fire and leave his body due to the grief of losing Dasaratha. However Lord Rama consoled him and said, " I am already in distress after losing my father. I don’t want to lose you also who are like my father”. Only then Jatayu was pacified. He then guided Rama, Lakshmana and Sita to Panchavati, leaving the rulership of the eagle community in Chitrakoota. 3. Jatayu's desire to take care of Mother Sita: Then on the way to Panchavati, Jatayu expressed his desire to take care of Sita, to Lord Rama [Ramayana 3.14.34]. so 'haṃ vāsasahāyas te bhaviṣyāmi yadīcchasi sītāṃ ca tāta rakṣiṣye tvayi yāte salakṣmaṇe "My dear boy, this impassable forest is a filled with predators and demons. At Your wish I can be guardian at Your residence. I can take care of Sita when You and Lakshmana go out." Lord Rama happily accepted the request of Jatayu. And Jatayu kept this word (to protect Mother Sita), till his last breath and sacrificed his life for the protection of Mother Sita. 4. Lord Rama's affection for Jatayu: Lord Rama was happy to hear about Jatayu's friendship with Dasaratha, revealed His love for Jatayu by hugging him and considered him like his father. The Lord felt as if His lost father Dasaratha has come back in the form of Jatayu. So Lord Rama considered Jatayu like His father [Ramayana 3.14.35]. jaṭāyuṣaṃ tu pratipūjya rāghavo mudā pariṣvajya ca saṃnato 'bhavat pitur hi śuśrāva sakhitvam ātmavāñ jaṭāyuṣā saṃkathitaṃ punaḥ punaḥ "Raghava revered Jatayu in His turn by gladly hugging and stood by him with his head bent, and the kind- natured Lord Rama very much regarded the friendship of His father with Jatayu that is repeatedly said by Jatayu ." Then in Panchavati, Lord Rama lived very happily for around 10 years in the company of Mother Sita and Lakshmana. And Jatayu was fortunate to get frequent association of Lord Rama during this period in Panchavati. We will continue to meditate further in the subsequent offerings, Rama willing. Thank you very much. Yours in the service of Srila Prabhupada and Srila Gurudev, Narahari Krishna das Chennai..
Recommended publications
  • Siya Ke Ram Free Download All Episodes Siya Ke Ram Free Download All Episodes
    siya ke ram free download all episodes Siya ke ram free download all episodes. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 66a852ed1f628474 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Siya Ke Ram All Episodes 1-326 Free Download and Watch (Full Review and Cast) Siya Ke Ram All Episode 1-326 Free Download or Watch, Review, and Cast: This is the most popular TV Show in India and Bangladesh. This show presents the epic Ramayana , the story of Lord Rama and Devi Sita from Sita’s perspective. It is premiered on 16 November 2015 and ended on 4 November 2016. Now it is available online. Do you want to watch Siya Ke Ram All Episode? And Searching on the internet? So this website will help you to watch all the episodes without any problem. You can also get full reviews and cast names from here. Anyway, today I am going to share all the methods to watch and download it.
    [Show full text]
  • Raja Ravi Varma 145
    viii PREFACE Preface i When Was Modernism ii PREFACE Preface iii When Was Modernism Essays on Contemporary Cultural Practice in India Geeta Kapur iv PREFACE Published by Tulika 35 A/1 (third floor), Shahpur Jat, New Delhi 110 049, India © Geeta Kapur First published in India (hardback) 2000 First reprint (paperback) 2001 Second reprint 2007 ISBN: 81-89487-24-8 Designed by Alpana Khare, typeset in Sabon and Univers Condensed at Tulika Print Communication Services, processed at Cirrus Repro, and printed at Pauls Press Preface v For Vivan vi PREFACE Preface vii Contents Preface ix Artists and ArtWork 1 Body as Gesture: Women Artists at Work 3 Elegy for an Unclaimed Beloved: Nasreen Mohamedi 1937–1990 61 Mid-Century Ironies: K.G. Subramanyan 87 Representational Dilemmas of a Nineteenth-Century Painter: Raja Ravi Varma 145 Film/Narratives 179 Articulating the Self in History: Ghatak’s Jukti Takko ar Gappo 181 Sovereign Subject: Ray’s Apu 201 Revelation and Doubt in Sant Tukaram and Devi 233 Frames of Reference 265 Detours from the Contemporary 267 National/Modern: Preliminaries 283 When Was Modernism in Indian Art? 297 New Internationalism 325 Globalization: Navigating the Void 339 Dismantled Norms: Apropos an Indian/Asian Avantgarde 365 List of Illustrations 415 Index 430 viii PREFACE Preface ix Preface The core of this book of essays was formed while I held a fellowship at the Nehru Memorial Museum and Library at Teen Murti, New Delhi. The project for the fellowship began with a set of essays on Indian cinema that marked a depar- ture in my own interpretative work on contemporary art.
    [Show full text]
  • Svetasvatara Upanishad
    Adhyathma Ramayanam An English Translation by P.R.Ramachander <[email protected] > Vol. 2 Aranya Kandam Kishkinda Kandam Sundara Kandam Edited by T.N.Sethumadhavan <[email protected] > 3. Aranya Kandam (Chapter on forests) Synopsis: (Aranya Kanda is the story of Ramayana , when Rama, Sita and Lakshmana enter the deep forest It starts with the salvation of Virada a Rakshasa , Sara Bhanga a saint, meeting with sages to find out problems , going to hermitage of Sutheeshna who is a disciple of Agasthya, visiting hermitage of Agasthya and taking from him , the Kodanda bow left by Indra, the great prayer of Agasthya, going and settling down in Panchavati where he meets Jatayu, clearing the philosophical doubts of Lakshmana(Rama Gita) , meeting and teasing Soorpanaka the sister of Ravana, cutting off her nose, ears and breats by Lakshmana when she tries to harm Sita, Killing of Khara, Dhooshana and Trisiras and their army of 14000 people in one and half hours, Soorpanaka’s complaint to Ravana suggesting him to kidnap Sita, his visit to Maricha , Rama telling the real Sita to hide in fire and replace herself with a Maya Sita, Rama running to catch the golden deer, the false alam given by Maricha, the kidnapping of Sita, Fight of Jatayu with Rama, Jatayu’s defeat , Rama doing funeral rites to Jatayu and granting him salvation, The prayer of Jatayu, Rama’s giving salvation to Khabanda ,Khabanda’s great prayer , Rama’s meeting with Sabari who gives him hints as to how to proceed further.) Oh girl, oh parrot which is at the top , Who is with
    [Show full text]
  • Sugriva's Role in Ramayana
    ROLES IN RAMAYANA HANUMAN’S ROLE IN RAMAYANA Hanuman's role in the battle between Rama and Ravana is huge. He is the one who flies cross the oceans (he is Wind's child), locates the exact place where Sita is imprisoned and brings this information back to Rama. While within the demon fort on his quest for Sita, he sets the entire place on fire and warns Ravana about an impending attack unless Sita is returned unharmed. During the Rama-Ravana battle, Hanuman not only kills several demon generals but also brings Rama's brother back to life. How does he do that? Well, it so happens that Rama's brother is mortally wounded by Ravana's son, and the monkey-army-physician opines that the only things that can save the life of the younger prince are four specific herbs that grow on the Himalayan slopes. The catch? The battle is raging on in Lanka, across the southernmost tip of the country while the Himalayas are far up north, and the herbs are needed within the next few hours, before the new day dawns. Hanuman leaps up into the air, flies northwards at lightning speed, and alights atop the Himalayas. This is where things start to become confusing: the monkey- physician had said that medicine herbs glow in their own light and that it should be easy, therefore, to spot them. What Hanuman sees, however, is an entire mountain aglow with herbs of all kinds, each emitting its own peculiar light. Being unable to identify the exact four herbs that the physician had described, Hanuman uproots the entire mountain and carries it back to the battlefield.
    [Show full text]
  • The Ramayana by R.K. Narayan
    Table of Contents About the Author Title Page Copyright Page Introduction Dedication Chapter 1 - RAMA’S INITIATION Chapter 2 - THE WEDDING Chapter 3 - TWO PROMISES REVIVED Chapter 4 - ENCOUNTERS IN EXILE Chapter 5 - THE GRAND TORMENTOR Chapter 6 - VALI Chapter 7 - WHEN THE RAINS CEASE Chapter 8 - MEMENTO FROM RAMA Chapter 9 - RAVANA IN COUNCIL Chapter 10 - ACROSS THE OCEAN Chapter 11 - THE SIEGE OF LANKA Chapter 12 - RAMA AND RAVANA IN BATTLE Chapter 13 - INTERLUDE Chapter 14 - THE CORONATION Epilogue Glossary THE RAMAYANA R. K. NARAYAN was born on October 10, 1906, in Madras, South India, and educated there and at Maharaja’s College in Mysore. His first novel, Swami and Friends (1935), and its successor, The Bachelor of Arts (1937), are both set in the fictional territory of Malgudi, of which John Updike wrote, “Few writers since Dickens can match the effect of colorful teeming that Narayan’s fictional city of Malgudi conveys; its population is as sharply chiseled as a temple frieze, and as endless, with always, one feels, more characters round the corner.” Narayan wrote many more novels set in Malgudi, including The English Teacher (1945), The Financial Expert (1952), and The Guide (1958), which won him the Sahitya Akademi (India’s National Academy of Letters) Award, his country’s highest honor. His collections of short fiction include A Horse and Two Goats, Malgudi Days, and Under the Banyan Tree. Graham Greene, Narayan’s friend and literary champion, said, “He has offered me a second home. Without him I could never have known what it is like to be Indian.” Narayan’s fiction earned him comparisons to the work of writers including Anton Chekhov, William Faulkner, O.
    [Show full text]
  • The Ramayana
    The Ramayana Inspirations Theater Camp Summer 2016 Script and Songs by Torsti Rovainen Rights held by Rovainen Musicals Story based on the ancient Indian epic of The Ramayana Some spoken lines in Scene IIIB from a translation of The Kurontokai (The Ancient Epic of Love) Script printed on post-consumer recycled paper using less environmentally damaging inks Rovainen Musicals Inspirations Theater Camps and Clubs http://rovainenmusicals.com Scene Synopsis / Song List ACT I (Overture) 0.0: Street scene in modern-day India: Boy playing gets into fight, comforted by Grandmother who sings The Ramayana along with Demon and Human Narrators. Describes creation of world of yakshas and Rakshasas, rakshasas initially peaceful; how Ravana came to be; Rakshasas beginning to prey on humans; the no-man's land between Rakshasa & human territory; Rama & Lakshmana's roles along with Vibishina I Opening Village Bazaar Bazaar Song II Rama learns he to become king in How To Be King Sung by Dasaratha his ministers; overheard by Kaikeyi's servants Manthara and Suchara; Manthara and Suchara discuss the news of Rama's planned kingship. III Sita's rooms; she is arguing with her father about her rejecting suitors. He reflects on how they used to get along in the Lullaby and Then You'd Grow. Maidservants enter for You Should Marry Transitions to brief balcony scene where Rama and Sita see each other and are enamored; brief song (at end of You Should Marry) III.B Having met Sita, Rama is smitten; Lakshamana and the other warriors try to persuade Rama not to marry her, instead to stay single and a warrior in Love Just Makes Things Worse IV Bowlifting ceremony; Rama and Sita decide to marry V Beha Din Ayo Bollywood-inspired short song and dance showing Ayodhya celebrating the upcoming wed- ding VI Manthara and Suchara persuade Kaikeyi to have Rama banished and Bharatha put on throne He Promised You VII Na Jane Rama's Mother, Viswamithra, Sumanthra, nobles, and townsfolk singing to Rama to stay.
    [Show full text]
  • Ramayan Ki Kathayen, Pandemic and the Hindu Way of Life and the Contribution of Hindu Women, Amongst Others
    Hindu Sevika Samiti (UK) Mahila Shibir 2020 East and South Midlands Vibhag FOREWORD INSPIRING AND UNPRECEDENTED INITIATIVE In an era of mass consumerism - not only of material goods - but of information, where society continues to be led by dominant and parochial ideas, the struggle to make our stories heard, has been limited. But the tides are slowly turning and is being led by the collaborative strength of empowered Hindu women from within our community. The Covid-19 pandemic has at once forced us to cancel our core programs - which for decades had brought us together to pursue our mission to develop value-based leaders - but also allowed us the opportunity to collaborate in other, more innovative ways. It gives me immense pride that Hindu Sevika Samiti (UK) have set a new precedent for the trajectory of our work. As a follow up to the successful Mahila Shibirs in seven vibhags attended by over 500 participants, 342 Mahila sevikas came together to write 411 articles on seven different topics which will be presented in the form of seven e-books. I am very delighted to launch this collection which explores topics such as: The uniqueness of Bharat, Ramayan ki Kathayen, Pandemic and the Hindu way of life and The contribution of Hindu women, amongst others. From writing to editing, content checking to proofreading, the entire project was conducted by our Sevikas. This project has revealed hidden talents of many mahilas in writing essays and articles. We hope that these skills are further encouraged and nurtured to become good writers which our community badly lacks.
    [Show full text]
  • Essence of Valmiki Ramayana in Four Parts So Far of Baala-Ayodhya-Aranya- and Now the Kishkindha
    ESSENCE OF VALMIKI KISHKINDHA RAMAYANA Translated and interpreted byV.D.N.Rao, former General Manager, India Trade Promotion Organization, Ministry of Commerce, Govt. of India, Pragati Maidan, New Delhi, now at Chennai 1 Other Scripts by the same Author: Essence of Puranas:-Maha Bhagavata, Vishnu Purana, Matsya Purana, Varaha Purana, Kurma Purana, Vamana Purana, Narada Purana, Padma Purana; Shiva Purana, Linga Purana, Skanda Purana, Markandeya Purana, Devi Bhagavata;Brahma Purana, Brahma Vaivarta Purana, Agni Purana, Bhavishya Purana, Nilamata Purana; Shri Kamakshi Vilasa Dwadasha Divya Sahasranaama: a) Devi Chaturvidha Sahasra naama: Lakshmi, Lalitha, Saraswati, Gayatri; b) Chaturvidha Shiva Sahasra naama-Linga-Shiva-Brahma Puranas and Maha Bhagavata; c) Trividha Vishnu and Yugala Radha-Krishna Sahasra naama-Padma-Skanda- Maha Bharata and Narada Purana. Stotra Kavacha- A Shield of Prayers -Purana Saaraamsha; Select Stories from Puranas Essence of Dharma Sindhu - Dharma Bindu - Shiva Sahasra Lingarchana-Essence of Paraashara Smriti- Essence of Pradhana Tirtha Mahima Essence of Upanishads : Brihadaranyaka , Katha, Tittiriya, Isha, Svetashwara of Yajur Veda- Chhandogya and Kena of Saama Veda-Atreya and Kausheetaki of Rig Veda-Mundaka, Mandukya and Prashna of Atharva Veda ; Also ‘Upanishad Saaraamsa’ -Essence of Maha Narayanopanishad; Essence of Maitri Upanishad Essence of Virat Parva of Maha Bharata- Essence of Bharat Yatra Smriti Essence of Brahma Sutras Essence of Sankhya Parijnaana- Essence of Knowledge of Numbers for students Essence
    [Show full text]
  • Synopsis on Ramayana Excerpts
    Thailand Tour Ramayana Excerpts for Chonburi performance on 24th March 2014 Introduction We welcome you to ________- This afternoon, we the members of Kalakshetra will be presenting before you a few excerpts from Ramayana. In all Rukmini Devi’s major productions such as Kumara sambhavam, Sita Swayamvaram, Paduka Pattabhisekam, Sabari Moksham, Choodamani Pradhaanam, Maha Pattabhisekam, Shyama, Koorma Avataram, Meenakshi Vijayam, Rukmini Devi employed Kathakali technique in a greater or smaller measure having regard for the demands of the situation – where vigorous male action was required and also where elaborate miming was in order, as in the case of Soorpanaka, Ravana, Monkey Characters and Asuras. Her introduction of Kathakali modes of action and expression in her compositions, which are predominantly in the Bharatanatyam style is again a tribute to her artistic ability. This combination, she managed with consummate skill, without sacrificing the purity of each style. The coming together of these two styles has enhanced the dramatic power of her productions Rukmini Devi exhibited true dramatic imagination in her characterization of non-human beings such as Hanuman, Vali, Sugreeva, Jatayu and action such as Sethubandhanam, Sagaravarnana, Lankadahanam, etc. with the help of Kathakali technique. Now we shall move on to group choreography and Patrapravesham. The entry of the character is known as Patrapravesham and has been a practice to introduce the principal characters in the natakas like Kuchipudi, Bhagavata Mela, Yaksha gana and Kathakali. In Kathakali we call it ‘Teera Nokku.’ Order Dharu Jatayu Hunters Dance Hanuman Vali Sagaravarnana Sethubandhanam Thillana Dharu Four girls in the court of Dashratha perform Dharu, which is predominantly the expression of Nritta and concludes with the verse describing the merits of the great king, as he is about to discuss the marriage of his elder son, Rama.
    [Show full text]
  • Ramayana 2020 Student Cast List-POST
    RAM CAST LIST TITLE: Ramayana 2020 YEAR: 2020 GR FIRST CHARACTER 1 CHARACTER 2 CHARACTER 3 12 AnMei Hanuman 12 Braeden Prince Rama 12 Ceci Parvati 12 Connor King Ravana 12 Fiona Jatayu Prithi the Monkey 12 Haley Princess Sita 12 Jeremy Maricha Bonkers the Monkey 12 Ksenia Queen Mandodari 12 Maverick Prince Lakshmana 12 Noah Shiva 12 Paola Bonehead 12 Rachel Sampati Renu the Monkey 12 Rowan Surpanakha Deepa the Monkey 12 Tabitha Prince Angad Invocation Dancer 12 Tessa Banana Nose the MonkeyGoddess Saraswati 11 Ami Prince Meghnad 11 Corey King Janaka of MithilaNila the Monkey 11 Kahlan Lord Vibishana 11 Kira Bheel Chief Hobbit the Monkey 11 Octavio Prince Bharata Thunder the Monkey 11 Oliver King Dasharatha of AyodhyaKing Sugriva 11 Ronan Prince Aksha Nikumbha Monster 11 Sammy Hooknose 11 Sara Queen Kaikei Flea the Monkey 11 Savannah Queen Sumitra Nala the Monkey 11 Violet Trijata the Oracle 10 Addy Bhutta Demon Choir 10 Alyssa Medicine Woman Demon Choir 10 Amirah Invocation Dancer Demon Court Dance Demonini 10 Ben Guha Chief Demon Choir 10 Blythe Invocation Dancer Demon Court Dance Demonini 10 Grace Invocation Dancer Demon Court Dance Demonini 10 Jimmy Prince Shatrughna Kong the Monkey Kabandha Monster 10 Kayla Queen Kausalya Demon Choir 10 Liana King Jambavan Mantara 10 Summer Guhani Demon Choir 9 Cecily Nishada Elder 2 Demon Cook 9 Eve Invocation Dancer Demon Court Dance Demonini 9 Bella Nishada Elder 3 Demonini 9 Jacob Demon Demon Cook 9 JT Demon 9 Mariah Goddess Demon Choir 9 Sam Invocation Dancer Golden Deer White Monkey 9 Sandy Nishada
    [Show full text]
  • Ramakatha Rasavahini II 7 Preface for This Edition 8 This Book 9 the Inner Meaning 11 Chapter 1
    Ramakatha Rasavahini II Stream of Sacred Sweetness Sathya Sai Baba Contents Ramakatha Rasavahini II 7 Preface for this Edition 8 This Book 9 The Inner Meaning 11 Chapter 1. The Dandaka Forest 12 The fool Jayanta 12 A visit to the sage Athri’s hermitage 12 A stay at a beautiful hermitage 13 An encounter with Viradha, the ogre 14 Sarabhanga immolates himself 14 Sutheekshna adores Rama 15 On to Agastya’s ashram 16 Agastya asks not to be deluded into egotism 17 The story of the curse on Dandaka Forest 18 On to Dandaka Forest 18 Chapter 2. Panchavati 20 Lakshmana’s sense of duty 20 Rama constantly has visitors 21 Rama discourses on spiritual matters 22 Surpanakha falls for Lakshmana 23 Surpanakha is punished 24 The demons want revenge 25 The demons kill each other! 26 Ascetic sages visit Rama 27 Ravana hears Surpanakha’s story 28 Chapter 3. The Wily Villain 30 The thoughts of Ravana and Vibhishana 30 Ravana enlists Maricha’s help 30 Rama and Sita discuss their plans 31 The deer entices the brothers 32 Rama stalks and kills the deer 33 Caught between two loyalties 34 Sita is kidnapped! 35 Jatayu tries to save Sita 35 The brothers lament Sita’s disappearance 36 Lakshmana realizes the truth 37 Rama assents 38 Study the Ramayana closely! 39 Jatayu tells them what he knows 39 Ajamukhi loses her limbs 40 Rama kills Kabanda 40 Sabari tells her story 41 Rama admires devotion 42 Sabari tells what she knows 43 Chapter 4. An Ally Accepted 45 Hanuman meets the brothers 45 The brothers meet Sugriva 46 Lakshmana identifies some of the jewels 47 Sugriva tells his story 47 The story of the curse on Vali 49 Rama exhibits his power 50 Sugriva pours out his feelings 51 The battle between Vali and Sugriva 52 Rama kills His devotee, Vali 54 Rama consoles Tara 56 The search for Sita is delayed by weather 57 Chapter 5.
    [Show full text]
  • Jatayu - Wikipedia, the Free Encyclopedia
    ג'טאיו http://www.collect.co.il/content.aspx?id=175 جاتايو جتـايو http://www.theater.ir/fa/news.php?id=6939 जटाय ԃ جٹای http://uh.learnpunjabi.org/default.aspx जटाय ԃ ਜਟਾਯੁ http://h2p.learnpunjabi.org/default.aspx جٹا یُُفرشتہ ਜਟਾਯੁ ਫ਼ਰਿਸ਼ਤਾ http://g2s.learnpunjabi.org/default.aspx ジャターユ ジャターユ天使 http://www.weblio.jp/content/%E3%82%B8%E3%83%A3%E3%82%BF%E3%83%BC%E3%83%A6 http://blog.livedoor.jp/innocense0703-light_version/archives/4951804.html Jatayu - Wikipedia, the free encyclopedia https://en.wikipedia.org/wiki/Jatayu Jatayu From Wikipedia, the free encyclopedia In the Indian epic Ramayana , Jatayu (Sanskrit: जटायुः Jat āyu , Telugu: Jatayuvu , Tamil: Chatayu , Thai: Sadayu , Malay: Jentayu or Chentayu , Indonesian: Burung Jatayu meaning "Jatayu bird") is the youngest son of Aruna and also have a brother called Sampaati. A demi-god who has the form of a Vulture, he was an old friend of Dasharatha (Rama's father). He tries to rescue Sita from Ravana when Ravana is on his way to Lanka after kidnapping Sita. Jatayu fought valiantly with Ravana, but as Jatayu was very old Ravana soon got the better of him. As Rama and Lakshmana chanced upon the stricken and dying Jatayu in their search for Sita, he informs them of the fight between him and Ravana and the direction in which Ravana had gone (i.e., south). Jatayu and his brother Sampati, when young, used to compete as to who could fly higher. On one such instance Jatayu flew so high that he was about to get seared by Ravana fighting with the sun's flames.
    [Show full text]