DOCSLIB.ORG

Wavelab Elements 9 – Operation Manual

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Operation Manual Cristina Bachmann, Heiko Bischoff, Christina Kaboth, Insa Mingers, Matthias Obrecht, Sabine Pfeifer, Kevin Quarshie, Benjamin Schütte This PDF provides improved access for vision-impaired users. Please note that due to the complexity and number of images in this document, it is not possible to include text descriptions of images. The information in this document is subject to change without notice and does not represent a commitment on the part of Steinberg Media Technologies GmbH. The software described by this document is subject to a License Agreement and may not be copied to other media except as specifically allowed in the License Agreement. No part of this publication may be copied, reproduced, or otherwise transmitted or recorded, for any purpose, without prior written permission by Steinberg Media Technologies GmbH. Registered licensees of the product described herein may print one copy of this document for their personal use. All product and company names are ™ or ® trademarks of their respective holders. For more information, please visit www.steinberg.net/trademarks. © Steinberg Media Technologies GmbH, 2016. All rights reserved. Table of Contents 6 Introduction 50 Project Handling 6 Help System 50 Opening Files 7 About the Program Versions 51 Value Editing 7 Conventions 51 Drag Operations 8 How You Can Reach Us 53 Undoing and Redoing Actions 10 Setting Up Your System 53 Zooming 10 Connecting Audio 59 Presets 10 Audio Cards and Background Playback 62 File Operations 11 Latency 62 Recently Used Files 11 Defining VST Audio Connections 62 Save and Save As 14 CD/DVD Recorders 64 Templates 14 Remote Devices 68 File Renaming 20 WaveLab Elements Concepts 69 Deleting Files 20 General Editing Rules 69 Temporary Files 20 Startup Dialog 69 Work Folders vs. Document Folders 21 Basic Window Handling 71 Setting the Focus on the Current File 22 Selecting Audio 72 Playback 26 Sliders 72 Transport Bar 27 Renaming Items in Tables 83 Starting Playback From the Ruler 27 File Browser 84 Using the Play Tool 28 Tab Groups 84 Playback Scrubbing 31 Peak Files 85 Scroll During Playback 31 Companion Files 86 Playback in the Audio Montage Window 33 Workspace Window 87 Audio File Editing 33 Audio Editor 87 Wave Window 34 Audio Montage 90 Audio Editor Tabs 34 Podcast Editor 101 File Handling in the Audio Editor 35 File Tab 120 Changing the Audio Properties 37 Info Tab 121 Meta-Data 38 Tool Windows 124 Silence Generator Dialog 38 Meter Windows 126 Waveform Restoration with the Pen Tool 39 Slide-Out Windows 127 Audio Analysis 39 Docking and Undocking Tool Windows and 127 Global Analysis Meter Windows 136 3D Frequency Analysis 41 Command Bar 42 Status Bar 43 Context Menus 44 Time Ruler and Level Ruler 48 Managing Tabs 49 Activating Full Screen Mode 3 139 Offline Processing 232 Markers 139 Applying Processing 233 Markers Window 139 Gain Dialog 235 About Creating Markers 140 Level Normalizer Dialog 236 Deleting Markers 141 Fades in Audio Files 237 Moving Markers 142 Crossfades 237 Navigating to Markers 143 Phase Inverting 238 Hiding Markers of a Specific Type 144 Reversing Audio 238 Converting Marker Types 144 DC Offset 238 Renaming Markers 145 Time Stretching 239 Selecting Markers 147 Pitch Shift 239 Selecting the Audio Between Markers 148 Resample 240 Binding Markers to Clips in the Audio 150 Audio Montage Montage 150 Montage Window 240 How Marker Information is Saved 153 Audio Montage Tabs 241 Metering 162 Signal Flow in the Audio Montage 241 Metering Window 163 Creating New Audio Montages 241 Meter Settings 164 Audio Montage Duplicates 242 Resetting the Meters 165 Creating an Audio Montage from an Audio 242 Level Meter File 244 Spectroscope 165 Import Options for Audio Montages 244 Oscilloscope 166 Missing Files in the Audio Montage Dialog 246 Writing Operations 167 Assembling the Audio Montage 246 Write Audio CD Dialog 172 Rearranging Clips 248 Erase Optical Media Dialog 175 Clip Editing 248 About Writing Audio Montages 180 Track Activity Indicator 250 Data CD/DVD Projects 181 Envelopes for Clips 254 Audio CD Formats 184 Fades and Crossfades in Audio Montages 188 Effects for Tracks, Clips, and the Montage 258 Loops Output 258 Basic Looping 197 About the CD Window 259 Refining Loops 200 Mixing Down – The Render Function 267 Looping Audio Which Is Not Very Well 200 Loudness Meta Normalizer Suited for Looping 202 Notes Window 270 Sample Attributes 203 Recording 273 Importing Audio CD Tracks 203 Setting Up the Recording Dialog 273 Import Audio CD Dialog 204 Dropping Markers During Recording 277 Importing Audio CD Tracks 204 Recording Dialog 277 Searching Track Names on the Internet 278 Submitting Track Names to the Internet 210 Master Section 278 Ultra-Safe Mode 210 Master Section Window 278 Converting Audio CD Tracks to an Audio 222 Rendering Montage 227 Saving a Master Section Preset 231 Monitoring Background Tasks 280 WaveLab Exchange 231 Dropouts 280 WaveLab Elements as External Editor for Cubase 281 Cubase as External Editor for WaveLab Elements 4 283 Podcasts 283 Podcast Editor 288 Global Podcast Options 288 Creating a Podcast 289 Setting Up a FTP for Podcast Publishing 289 Publishing a Podcast 289 FTP Settings Dialog 291 Checking the Podcast 292 Customizing 292 Customizing the Wave Window and the Montage Window 293 Customizing Shortcuts 298 Customizing Command Bars 298 Plug-in Organization 307 Configuring the Software 307 Global Preferences 311 Audio Files Preferences 316 Audio Montages Preferences 319 Settings Management 320 Multi-User Settings 321 Plug-in Reference 321 Built-in Plug-ins 339 Steinberg VST 3 Plug-ins 357 Sonnox Restoration Toolkit 364 Legacy Plug-ins 364 Dithering Plug-ins 366 Index 5 Introduction Help System The detailed help system of WaveLab Elements enables you to look up interface features and get information from within the program. Accessing the Help System There are several ways of accessing the help system. • To open the WaveLab Elements help, select Help > Contents. • To open the manual in PDF format, select Help > PDF Documentation. • To show tooltips, move the mouse over an interface icon. • To open the help for an active dialog, click the question mark icon on the title bar (Windows) or in the dialog (Mac OS) to show the Help button, and then click the Help button, or press [F1] (Windows) or [Command]-[?] (Mac OS). • To use the menu help, move the mouse over a menu item. • To see information on what kind of editing can be performed when using the mouse and modifier keys in the Audio Montage window, move the mouse over the montage window. The help text is displayed on the info line at the bottom of the window. To open the “What’s This” help, you have the following possibilities: • In any window, press [Shift]-[F1] and move the mouse over an interface item, or select Help > What’s This?. • In a dialog, select the question mark icon on any title bar (Windows) or in the dialog (Mac OS), and move the mouse over an interface item or a menu option. • Some “What’s this” tooltips include a link to a dedicated help topic. RELATED LINKS Info Line on page 173 6 Introduction About the Program Versions About the Program Versions The documentation covers the operating systems Windows and Mac OS X. Features and settings that are specific to one of these platforms are clearly indicated. In all other cases, the descriptions and procedures in the documentation are valid for Windows and Mac OS X. Some points to consider: • The screenshots are taken from a Windows operating system. • Some functions that are available on the File menu on Windows operating systems can be found in the program name menu on Mac OS X operating systems. Conventions In our documentation, we use typographical elements and mark-ups to structure information. Typographical Elements The following typographical elements mark the following purposes. PREREQUISITE Requires you to complete an action or to fulfill a condition before starting a procedure. PROCEDURE Lists the steps that you must take to achieve a specific result. IMPORTANT Informs you about issues that might affect the system, the connected hardware, or that might bring a risk of data loss. NOTE Informs you about issues that you should consider. EXAMPLE Provides you with an example. RESULT Shows the result of the procedure. AFTER COMPLETING THIS TASK Informs you about actions or tasks that you can undertake after completing the procedure. 7 Introduction How You Can Reach Us RELATED LINKS Lists related topics that you can find in this documentation. Mark-Ups Bold text indicates the name of a menu, option, function, dialog, window, etc. EXAMPLE To open the Layout Options pop-up menu, click Layout Options in the top right corner of the Audio Editor. If bold text is separated by a greater-than symbol, this indicates a sequence of different menus to open. EXAMPLE Select File > Save As. Key Commands Many of the default key commands use modifier keys, some of which are different depending on the operating system. For example, the default key command for Undo is [Ctrl]-[Z] on Windows and [Command]-[Z] on Mac OS X. When key commands with modifier keys are described in this manual, they are shown with the Windows modifier key first, in the following way: • [Win modifier key]/[Mac modifier key]-[key] EXAMPLE [Ctrl]/[Command]-[Z] signifies: press [Ctrl] on Windows or [Command] on Mac OS X, then press [Z]. Similarly, [Alt]/[Option]-[X] signifies: press [Alt] on Windows or [Option] on Mac OS X, then press [X]. How You Can Reach Us On the Help menu in WaveLab Elements, you find items linking to additional information. 8 Introduction How You Can Reach Us The menu contains links to various Steinberg web pages.
Recommended publications
  • Command-Line Sound Editing Wednesday, December 7, 2016

    Command-Line Sound Editing Wednesday, December 7, 2016

    21m.380 Music and Technology Recording Techniques & Audio Production Workshop: Command-line sound editing Wednesday, December 7, 2016 1 Student presentation (pa1) • 2 Subject evaluation 3 Group picture 4 Why edit sound on the command line? Figure 1. Graphical representation of sound • We are used to editing sound graphically. • But for many operations, we do not actually need to see the waveform! 4.1 Potential applications • • • • • • • • • • • • • • • • 1 of 11 21m.380 · Workshop: Command-line sound editing · Wed, 12/7/2016 4.2 Advantages • No visual belief system (what you hear is what you hear) • Faster (no need to load guis or waveforms) • Efficient batch-processing (applying editing sequence to multiple files) • Self-documenting (simply save an editing sequence to a script) • Imaginative (might give you different ideas of what’s possible) • Way cooler (let’s face it) © 4.3 Software packages On Debian-based gnu/Linux systems (e.g., Ubuntu), install any of the below packages via apt, e.g., sudo apt-get install mplayer. Program .deb package Function mplayer mplayer Play any media file Table 1. Command-line programs for sndfile-info sndfile-programs playing, converting, and editing me- Metadata retrieval dia files sndfile-convert sndfile-programs Bit depth conversion sndfile-resample samplerate-programs Resampling lame lame Mp3 encoder flac flac Flac encoder oggenc vorbis-tools Ogg Vorbis encoder ffmpeg ffmpeg Media conversion tool mencoder mencoder Media conversion tool sox sox Sound editor ecasound ecasound Sound editor 4.4 Real-world
  • UR824 Getting Started Contents English PRECAUTIONS

    UR824 Getting Started Contents English PRECAUTIONS

    USB AUDIO INTERFACE EN DE FR ES IT JA FCC INFORMATION (U.S.A.) 1. IMPORTANT NOTICE: regulations does not guarantee that interference DO NOT MODIFY THIS UNIT! will not occur in all installations. If this product is This product, when installed as indicated in the found to be the source of interference, which can instructions contained in this manual, meets FCC be determined by turning the unit “OFF” and “ON”, requirements. Modifications not expressly please try to eliminate the problem by using one of approved by Yamaha may void your authority, the following measures: granted by the FCC, to use the product. Relocate either this product or the device that is being affected by the interference. 2. IMPORTANT: When connecting this product to accessories and/or another product use only high Utilize power outlets that are on different branch quality shielded cables. Cable/s supplied with this (circuit breaker or fuse) circuits or install AC line product MUST be used. Follow all installation filter/s. instructions. Failure to follow instructions could void In the case of radio or TV interference, relocate/ your FCC authorization to use this product in the reorient the antenna. If the antenna lead-in is 300 USA. ohm ribbon lead, change the lead-in to co-axial type cable. 3. NOTE: This product has been tested and found to comply with the requirements listed in FCC If these corrective measures do not produce Regulations, Part 15 for Class “B” digital devices. satisfactory results, please contact the local retailer Compliance with these requirements provides a authorized to distribute this type of product.
  • Photo Editing

    Photo Editing

    All recommendations are from: http://www.mediabistro.com/10000words/7-essential-multimedia-tools-and-their_b376 Photo Editing Paid Free Photoshop Splashup Photoshop may be the industry leader when it comes to photo editing and graphic design, but Splashup, a free online tool, has many of the same capabilities at a much cheaper price. Splashup has lots of the tools you’d expect to find in Photoshop and has a similar layout, which is a bonus for those looking to get started right away. Requires free registration; Flash-based interface; resize; crop; layers; flip; sharpen; blur; color effects; special effects Fotoflexer/Photobucket Crop; resize; rotate; flip; hue/saturation/lightness; contrast; various Photoshop-like effects Photoshop Express Requires free registration; 2 GB storage; crop; rotate; resize; auto correct; exposure correction; red-eye removal; retouching; saturation; white balance; sharpen; color correction; various other effects Picnik “Auto-fix”; rotate; crop; resize; exposure correction; color correction; sharpen; red-eye correction Pic Resize Resize; crop; rotate; brightness/contrast; conversion; other effects Snipshot Resize; crop; enhancement features; exposure, contrast, saturation, hue and sharpness correction; rotate; grayscale rsizr For quick cropping and resizing EasyCropper For quick cropping and resizing Pixenate Enhancement features; crop; resize; rotate; color effects FlauntR Requires free registration; resize; rotate; crop; various effects LunaPic Similar to Microsoft Paint; many features including crop, scale
  • Pro Audio for Print Layout 1 9/14/11 12:04 AM Page 356

    Pro Audio for Print Layout 1 9/14/11 12:04 AM Page 356

    356-443 Pro Audio for Print_Layout 1 9/14/11 12:04 AM Page 356 PRO AUDIO 356 Large Diaphragm Microphones www.BandH.com C414 XLS C214 C414 XLII Accurate, beautifully detailed pickup of any acoustic Cost-effective alternative to the dual-diaphragm Unrivaled up-front sound is well-known for classic instrument. Nine pickup patterns. Controls can be C414, delivers the pristine sound reproduction of music recording or drum ambience miking. Nine disabled for trouble-free use in live-sound applications the classic condenser mic, in a single-pattern pickup patterns enable the perfect setting for every and permanent installations. Three switchable cardioid design. Features low-cut filter switch, application. Three switchable bass cut filters and different bass cut filters and three pre-attenuation 20dB pad switch and dynamic range of 152 dB. three pre-attenuation levels. All controls can be levels. Peak Hold LED displays even shortest overload Includes case, pop filter, windscreen, and easily disabled, Dynamic range of 152 dB. Includes peaks. Dynamic range of 152 dB. Includes case, pop shockmount. case, pop filter, windscreen, and shockmount. filter, windscreen, and shockmount. #AKC214 ..................................................399.00 #AKC414XLII .............................................999.00 #AKC414XLS..................................................949.99 #AKC214MP (Matched Stereo Pair)...............899.00 #AKC414XLIIST (Matched Stereo Pair).........2099.00 Perception Series C2000B AT2020 High quality recording mic with elegantly styled True condenser mics, they deliver clear sound with Effectively isolates source signals while providing die-cast metal housing and silver-gray finish, the accurate sonic detail. Switchable 20dB and switchable a fast transient response and high 144dB SPL C2000B has an almost ruler-flat response that bass cut filter.
  • Best Recording Software for Mac

    Best Recording Software for Mac

    Best Recording Software For Mac Conical and picky Vassili barbeques some lustrums so noiselessly! Which Chuck peregrinates so precisely that Damien neoterize her complications? Caulicolous and unbewailed Mervin densifies his crypts testimonialize proliferate inalienably. It has sent too out for best recording software mac, and working with thousands of The process is an apple disclaims any video editor inside a plugin lets you run tons of extra material but also. If you will consider to a diverse collection, drums with its range of great tutorials quicker way you can add effects while broadcasters may grab one! The network looking for mac app update of music recording solution when using a very easy way to go for that? It is its strengths and professional tool one of inspiring me give you more! Just came with mac screen in the best possible within that is not permitted through our efforts. Pick one pro drastically changes in the desktop app, etc to end of the chance. This software options that it? For retina resolution was produced only what things i release the pillars of. Logic for uploading large files and very soon as it a variety of our apps for free mac, for free version of. So many file gets bigger and boost both are aspiring to create the better. Best music recording software for Mac Macworld UK. Xbox game with ableton. Dvd audio files in addition to important for best daw developed for screencasting tool for best recording software? Reason for other audio tracks for best recording software mac is a lot from gb can get creative expertise is available.
  • Soundtrap & Audacity

    Soundtrap & Audacity

    Audio Editing Basics Soundtrap & Audacity - jstaveley Welcome To Audio Editing Basics The purpose of this collection of slides is to engage with some very basic ideas about audio editing, how you could approach it, and some language to help you navigate your software and workspace. Please check out our video tutorials and other resources for more information. You can email questions &/or requests for new or different training modules to [email protected] Overall Process It is important to prepare for and engage with each step along the way. You have already recorded your content - and now you need to prepare it for presentation. There are many steps you could take - but, remember: if you did the work before recording, there will be less need to edit, mix and master during this stage. Use your ears and your perspective - and trust them when deciding which steps you need to take for each audio production piece you produce. Once you have gathered your tape - decide which parts you want to keep, make them as audible as possible through editing - and then arrange them the way you want us to hear them. Audio that has been edited poorly can sound choppy if you don’t cut/paste (etc) carefully - using volume fading where required, and listening back to each change you make along the way before moving on to the next task. It’s like making a collage with magazines - you cut all the pieces into the shapes you want, then stick them on the paper where you want them...and then photocopy to make a final, single image that incorporates all the small images.
  • Virtual Instrument Software

    Virtual Instrument Software

    350 VIRTUAL INSTRUMENT SOFTWARE TOONTRACK EZ DRUMMER TOONTRACK EXPANSIONS • 7000 sounds at 16-bit/44.1kHz equiv. Expansions require EZdrummer to 5GB of uncompressed WAV files or Superior Drummer 2.0 • Instant access to more than 8000 ELECTRONIC-EZX ........Classic, circuit bent MIDI drum patterns with prelistening and resampled electronic drums ...................39.99 • Multiple microphone control CLAUSTROPHOBIC ......R&B, Hip Hop and Pop expansion ..................39.99 • Operates in General MIDI TWISTED-KIT ...............Junkyard sounds, unique/conventional ..........39.99 • Internal mixer allows stereo and NASHVILLE...................Traditional country and bluegrass .................39.99 multitrack routing into the host DRUMKIT-FROM-HELL..Heavy metal and rock drums .........................39.99 through one single plug-in VINTAGE-ROCK ............Ludwig Keystone drumset...............................39.99 JAZZ-EZX .....................Jazz expansion with samples performed • Recorded at Avatar Studios, New York by Roy “Futureman” Wooten ..........................39.99 by world-class drummers and producers FUNKMASTERS ............Clyde Stubblefield and John “Jabo” Starks funk 39.99 • Humanizer function combines METALHEADS ...............Extreme Metal - Tomas Haake/ drum hit randomizing and non-cycling SUPPORTS: Daniel Bergstrand (Meshuggah) ....................39.99 LATIN-PERCUSSION ....Lain percussion expansion .............................39.99 • Add your own MIDI files to the library THE-CLASSIC...............'70s rock-contemporary
  • Linux As a Mature Digital Audio Workstation in Academic Electroacoustic Studios – Is Linux Ready for Prime Time?

    Linux As a Mature Digital Audio Workstation in Academic Electroacoustic Studios – Is Linux Ready for Prime Time?

    Linux as a Mature Digital Audio Workstation in Academic Electroacoustic Studios – Is Linux Ready for Prime Time? Ivica Ico Bukvic College-Conservatory of Music, University of Cincinnati [email protected] http://meowing.ccm.uc.edu/~ico/ Abstract members of the most prestigious top-10 chart. Linux is also used in a small but steadily growing number of multimedia GNU/Linux is an umbrella term that encompasses a consumer devices (Lionstracks Multimedia Station, revolutionary sociological and economical doctrine as well Hartman Neuron, Digeo’s Moxi) and handhelds (Sharp’s as now ubiquitous computer operating system and allied Zaurus). software that personifies this principle. Although Linux Through the comparably brisk advancements of the most quickly gained a strong following, its first attempt at prominent desktop environments (namely Gnome and K entering the consumer market was a disappointing flop Desktop Environment a.k.a. KDE) as well as the primarily due to the unrealistic corporate hype that accompanying software suite, Linux managed to carve out a ultimately backfired relegating Linux as a mere sub-par niche desktop market. Purportedly surpassing the Apple UNIX clone. Despite the initial commercial failure, Linux user-base, Linux now stands proud as the second most continued to evolve unabated by the corporate agenda. widespread desktop operating system in the World. Yet, Now, armed with proven stability, versatile software, and an apart from the boastful achievements in the various markets, unbeatable value Linux is ready to challenge, if not in the realm of sound production and audio editing its supersede the reigning champions of the desktop computer widespread acceptance has been conspicuously absent, or market.
  • Wavelab 5 Brochure (Englisch)

    Wavelab 5 Brochure (Englisch)

    WAVELAB 5 FEATURES General Features Audio-Montage Features DVD Audio Authoring • Real-time processing with 32-bit Floating Point accuracy • Innovative, clip-oriented editing system with • Full DVD Audio support including high resolution stereo and surround formats (all channel modes • ASIO, WDM and MME driver support outstanding performance defined in the DVD Audio specification are supported) • Support for 8-, 16-, 20-, 24-, 32-bit files with up to • Support for any output configuration from mono to • 16-bit and 24-bit resolution with up to 192 kHz 192 kHz resolution eight channels, including all standard surround formats sampling rate. WaveLab can create DVD-A disks up • Support for WAV, AIFF, AU, Ensoniq Paris 24 bit, • Direct import of split and interleaved surround files to "stereo, 24 bit, 192kHz" and "5.1, 24 bit, 48kHz", Sound Designer II, Ulaw, MP3, MP2 (M.U.S.I.C.A.M.), into separate tracks and "5.1, 16 bit, 96kHz" • Clips can be processed with up to 10 virtual effects • High resolution surround support with up to 24-bit WMA, AVI Audio, Sun/Java etc. and 48 kHz for all six channels (24- bit/96 kHz 6- • Support of Redbook Audio CD and DVD Audio • Track-based effects with up to 10 virtual effects channel surround requires MLP encoding – currently • Track volume control and surround panner with automation not supported by WaveLab 5) Now including-A Authoring full • Proprietary file format: OSQ for loss-less compression DVD of audio files for archiving • Track level meter • DVD Audio creation directly from Audio Montage • Any number
  • Adobe Audition CS6 Classroom in a Book

    Adobe Audition CS6 Classroom in a Book

    ptg8274462 Adobe® Audition® CS6 CLASSROOM IN A BOOK® The official training workbook from Adobe Systems ptg8274462 Adobe® Audition® CS6 Classroom in a Book® © 2013 Adobe Systems Incorporated and its licensors. All rights reserved. If this guide is distributed with software that includes an end user license agreement, this guide, as well as the software described in it, is furnished under license and may be used or copied only in accordance with the terms of such license. Except as permitted by any such license, no part of this guide may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, recording, or otherwise, without the prior written permission of Adobe Systems Incorporated. Please note that the content in this guide is protected under copyright law even if it is not distributed with software that includes an end user license agreement. The content of this guide is furnished for informational use only, is subject to change without notice, and should not be construed as a commitment by Adobe Systems Incorporated. Adobe Systems Incorporated assumes no responsi- bility or liability for any errors or inaccuracies that may appear in the informational content contained in this guide. Please remember that existing artwork or images that you may want to include in your project may be protected under copyright law. The unauthorized incorporation of such material into your new work could be a violation of the rights of the copyright owner. Please be sure to obtain any permission required from the copyright owner. All sound examples provided with the lessons are copyright 2013 by Craig Anderton.
  • RTW Mastering Tools V4.0 | RTW Loudness Tools V4.0

    RTW Mastering Tools V4.0 | RTW Loudness Tools V4.0

    Release Notes Masterclass PlugIns Series EN RTW Mastering Tools V4.0 | RTW Loudness Tools V4.0 Software version: 4.0 Build Number: 4.0-0062 Build Date: February 10th, 2016 New Features • Offline Bouncing is now supported. It allows the accelerated measurement of the I, Mmax, Smax, TPmax, and LRA values via export or rendering of the audio file. • Additional installation as “stand-alone” application for measuring audio data without DAW. • Support of TASA and SAWA Cinema Loudness standards for Leq(m) measurement of Stereo and 5.1 audio signals. Corresponding presets for SAWA and TASA are included. • The spectral frequency distribution of single channels, channel pairs or groups up to 7.1 measured with the Real Time Analyzer ( RTA ) can now be controlled on 122 bands plus H band (1/12 octave) . The included low frequency mode allows the optimized control of low frequencies. Updates • Support of the optimized and resources sparing OpenGL® rendering to reduce CPU utilization. • When using the Mastering Tools with Pro Tools, the channels of multi-channel tracks (e. g. 5.1) will be allocated automatically. There is no need of hand operated routing in this case. Release Notes EN | RTW Masterclass PlugIns Page 1 of 5 Compatibility Platforms: • Windows ® 7 to 10: VST2.4, VST3, RTAS, AAX, Stand-alone Compatibility testing performed with: – Sequoia 12, Samplitude Pro X, Samplitude Pro X II, Pyramix 9 (VST2.4) – Cubase 7 to 8.5, Nuendo 6 to 7, WaveLab 8.5 Premiere Pro CC 2015 (VST3) – Pro Tools 10 (RTAS) – Media Composer 8 (AAX) – Pro Tools 11, Pro Tools 12 (AAX) • Mac OS X® 10.6.
  • ANALYSIS of ZERO-LEVEL SAMPLE PADDING of VARIOUS MP3 CODECS by JOSH BERMAN B.S., University of Colorado, Denver, 2013 a Thesis S

    ANALYSIS of ZERO-LEVEL SAMPLE PADDING of VARIOUS MP3 CODECS by JOSH BERMAN B.S., University of Colorado, Denver, 2013 a Thesis S

    ANALYSIS OF ZERO-LEVEL SAMPLE PADDING OF VARIOUS MP3 CODECS By JOSH BERMAN B.S., University of Colorado, Denver, 2013 A thesis submitted to the Faculty of the Graduate School of the University of Colorado, in partial fulfillment of the requirements for the degree of Masters of Science Recording Arts 2015 © 2015 JOSH BERMAN ALL RIGHTS RESERVED ii This thesis for the Master of Science Degree by Josh Berman has been approved by the Recording Arts Program By Lorne Bregitzer Jeff Smith Catalin Grigoras, Chair 11/20/2015 iii Berman, Josh (M.S. Recording Arts) Analysis of Zero-Level Sample Padding of Various MP3 Codecs Thesis directed by Assistant Professor Catalin Grigoras ABSTRACT As part of the MP3 compression process, the codec used will often pad the beginning and end of a file with “zero-level samples”, or silence. The number of zero-level samples (ZLS) varies by codec used, sample rate, and bit depth of the compression. Each re-compression of a file in the MP3 format will typically add more silence to the beginning and/or end of the file. By creating multiple generations of files using various audio editors/codecs, we hope to be able to determine the generation of MP3 compression of the files based solely off of the number of ZLS at the beginning and end of the file. The form and content of this abstract are approved. I recommend its publication. Approved: Catalin Grigoras iv ACKNOWLEDGEMENTS I’d like to thank my family, first and foremost, for being so awesome and supportive throughout my education.