Wavelab Studio 6 – Operation Manual

Total Page:16

File Type:pdf, Size:1020Kb

Wavelab Studio 6 – Operation Manual Operation Manual Operation Manual by Anders Nordmark, Revision for WaveLab Studio by Stefan Zachau The information in this document is subject to change without notice and does not represent a commitment on the part of Steinberg Media Technologies GmbH. The software described by this document is subject to a License Agreement and may not be copied to other media except as specifically allowed in the License Agreement. No part of this publica- tion may be copied, reproduced or otherwise transmitted or recorded, for any purpose, without prior written permission by Steinberg Media Technologies GmbH. All product and company names are ™ or ® trademarks of their respective owners. Windows XP is a trademark of Microsoft Corporation. The Mac logo is a trademark used under license. Macintosh and Power Macintosh are registered trademarks. © Steinberg Media Technologies GmbH, 2006. All rights reserved. Table of Contents 7 Introduction 40 Selecting 8 Welcome! 44 Basic editing commands 8 Key command conventions 49 File handling in Wave windows 8 How you can reach us 56 Editing audio properties and file attributes 9 Installing and setting up 57 Playback and recording 10 Setting up the computer 58 Playing back 10 Installation procedure 63 Recording 11 Register your software! 68 Metering 11 Launching WaveLab Studio 69 Introduction 11 Program settings 69 The meters 13 Installing a CD/DVD recorder 14 Installation done! Where do I go next? 76 Off-line processing 14 About the Tracer application 77 Introduction 15 Overview 77 Applying processing 77 Level Normalizer 16 Get to know WaveLab Studio 78 Gain Change 16 The windows and what you can do with them 78 Loudness Normalizer 18 Find your way around in WaveLab Studio 80 Dynamics 19 Basic methods 82 Level envelope 20 Why you should read this chapter 83 Fade-in and fade-out 20 Getting help 83 Crossfade 20 Undo and Redo 85 Invert Phase 21 Working with windows 85 Reverse 23 Dockable control bars 85 Eliminate DC Offset 25 The status bar 85 Waveform Restorer 25 Speed menus 85 Time Stretch 26 Units of time and level 87 Pitch Correction 26 Setting values 88 Pitch Bend 28 Presets 89 Harmonization 29 About non-modal dialogs 90 Hi-fi Chorus 29 Using the computer keyboard 90 EQ 91 Convert sample rate 30 Editing in the Wave window 91 Support for reNOVAtor™ 31 About this chapter 31 Creating new empty documents 92 Master Section 31 Opening Waves 93 Introduction 33 Window overview and adjustments 93 The Master Section window 35 Setting the zoom factor 94 About the signal path 38 Navigating through the file 94 The Master level pane 38 Snapshots 96 The Effects pane 39 Setting the ruler start position 99 The Dithering pane 39 Working with a meter based display 101 Master Section presets 39 Setting the wave cursor position 102 Rendering 104 The Monitor window 107 Spectrum Display 108 Selecting Spectrum display mode 4 Table of Contents 110 Batch processing 181 Managing effects in the Plug-ins view 111 Introduction 182 The Meta Normalizer 112 Opening the Batch Processor 183 Groups 112 Overview of the Window 185 Using markers in the Montage 113 The Input tab – Assembling a list of files 187 Undo/Redo and History 116 Setting up the processing tasks to be performed 188 File handling in the Audio Montage 120 The Output tab – Settings for created files 191 Using video tracks 123 Scheduling 192 Mixing down – The Render function 124 Running and stopping the batch(es) 193 Preparing the Audio Montage for CD burning 124 Using presets for batch processing 196 Creating an Audio CD report 125 Batch file encoding 199 Burning an audio CD 126 Basic procedure 200 Introduction 200 Selecting a CD-R unit 127 Markers 200 Testing an audio CD before burning 128 Introduction 201 Writing a CD 129 Creating markers 202 The audio CD format – Background information 130 About the marker list 130 Marker appearance and visibility 204 Data CD/DVD Projects 130 Editing, converting and naming markers 205 Introduction 131 Moving and duplicating markers 205 Creating a new Data CD/DVD Project 131 Deleting markers 205 Source window settings 131 Operations involving markers 206 Destination window settings 207 The Write dialog for the Data CD/DVD 134 Using Auto Split 135 Introduction 208 Importing audio CD tracks 135 The Auto Split dialog 209 Importing audio CD tracks into WaveLab Studio 136 The Audio Montage 212 Creating labels 137 Introduction 213 Introduction 137 The Audio Montage window 213 Using the Label Editor 139 Assembling the Montage 215 Positioning objects 144 Zooming and navigating 217 Defining user variables 147 Playing back 218 Printing labels 150 Recording 220 Analysis 151 Rearranging clips 221 Global analysis 160 Editing in the Clips view 225 3D Frequency Analysis 162 Managing clips and source files 164 The volume envelope 228 Generating signals 170 Using fades and crossfades in the Montage 229 Audio Signal Generator 174 The pan envelope 230 DTMF Generator 175 Transforming clips 177 Adding effects to tracks and clips 5 Table of Contents 231 Synchronizing WaveLab Studio to ex- 276 Troubleshooting ternal devices 277 General problems 232 Introduction 277 Problems with opening files 232 MTC sync 277 Problems with saving files 278 Recording problems 235 Sampling and creating loops 278 Playback problems 236 Introduction 279 Editing problems 236 Using WaveLab Studio with Steinberg HALion 279 Troubleshooting and precautions 236 Editing sample attributes 279 Problems and solutions 237 Basic looping 279 Questions and Answers 238 Using the Crossfade Looper 280 Day to day precautions for trouble-free CD writing 242 Using the Loop Tone Equalizer 280 Hardware and setup issues 244 Requirements 282 Key commands 245 This is what you need… 283 File handling 245 Computer requirements 283 Wave display mode 246 About audio cards 283 View 246 About the System Information feature 283 Zooming 247 Customizing 283 Processing 284 Playback and cursor position 248 What is customizing? 284 Selecting 248 Preferences 285 Editing and Recording 248 Folder editing 285 Markers 249 Saving the window layout 285 Miscellaneous 249 Styling WaveLab Studio – Wave windows 251 Styling WaveLab Studio – Audio Montage win- 286 Index dows 254 Working with window layouts 254 Setting default size and position for windows 255 Creating a Favorites menu 255 Customizable key commands 257 Organizing plug-in processors 260 Plug-in processor reference 261 About WaveLab Studio plug-ins 264 VST Plug-ins 6 Table of Contents 1 Introduction Welcome! Congratulations on your choice of WaveLab Studio, which is the audio editor of choice, not only in top-of-the- line mastering and restoration facilities, but also for any serious engineer or musician. WaveLab Studio is continuously developed and refined, in collaboration with our users – from professional audio en- gineers to hobbyists. Your input helps making this pro- gram one of the most flexible and user-friendly ever! Find out about the ease of use and workflow that makes working with WaveLab Studio so effective. Steinberg has always shown a strong commitment to pro- tect the investment of loyal customers. WaveLab Studio follows this route by making use of the Steinberg key to preserve your competitive advantage. Your Steinberg Team. Key command conventions Many of the default key commands in WaveLab Studio use modifier keys. For example, the default key command for Undo is [Ctrl]-[Z] under Windows. When key commands with modifier keys are described in this manual, they are shown with the Windows modifier key first, in the following way: [Win modifier key]-[key] For example, [Ctrl-[Z] means "press [Ctrl] , then press [Z]". Similarly, [Alt]-[X] means "press [Alt] then press [X]". How you can reach us After having installed and launched the program, you will find a number of useful Steinberg Web links on the Help menu (“Steinberg on the internet” submenu). These allow you to get online support, check for updates, get answers to frequently asked questions, etc. ! These features require that you have a working Inter- net connection. 8 Introduction 2 Installing and setting up Setting up the computer The Steinberg Key is, in fact, a little computer on which your Steinberg software licenses are stored. All hardware- Before proceeding, your computer should be set up and protected Steinberg products use the same type of key, the following items should be installed: and you can store more than one license on one key. Also, licenses can (within certain limits) be transferred between •Windows (see “This is what you need…” on page 245 for de- keys – which is helpful, e.g. if you want to sell a piece of tails on which version to use). software. • The audio card and its driver. • If you already own copy-protected Steinberg software, Checking the audio card you must remove any existing Steinberg Keys from the computer’s USB port before starting the WaveLab Studio To make sure the audio card will work as expected, you installation routine. can perform the following two tests: • If you are using other copy-protected Steinberg prod- • Use the software included with the audio card to make ucts, you may want to transfer all licenses for your applica- sure you can record and play back without problems. tions to only one Steinberg Key, thus using only one USB • Use the Media Player application (included with Win- port of your computer. More information on the transfer of dows and described in the Windows documentation) to licenses between keys can be found in the help for the record and play back audio. Syncrosoft License Control Center (which can be found in the Start/Programs menu of your computer). Colors ! The Steinberg Key must not be plugged in before the At this point you might want to check and for example installation of WaveLab Studio.
Recommended publications
  • Towards User-Tailored Creative Applications of Concatenative Synthesis in Electronic Dance Music
    MUME 2016 - The Fourth International Workshop on Musical Metacreation, ISBN #978-0-86491-397-5 Towards User-Tailored Creative Applications of Concatenative Synthesis in Electronic Dance Music Carthach´ O´ Nuanain,´ Sergi Jorda,` Perfecto Herrera Music Technology Group Universitat Pompeu Fabra Barcelona [email protected] Abstract speech synthesis (Hunt and Black 1996), where the descrip- tions need to be extremely accurate in producing effective The ecosystem of concatenative synthesis systems is reconstructions of natural speech. Music tends to be a bit large, diverse and oftentimes esoteric. In this article, more forgiving. Indeed, depending on the goals of the com- we examine many of its key works, attempting to poser, accuracy is not always the intended thought in mind. summarise, compare and categorise their characteristic traits. We observe that many existing systems have not Informally, we begin with some music, we deconstruct it, taken into account any user other than the designer of we describe it symbolically using some numerical descrip- the system. Subsequently we position our own imple- tors and then put it back together in some new form. It is mentation in this ecosystem as geared specifically with related to granular synthesis (Roads 2004), but operates on electronic dance music producers in mind. Through in- longer, more descriptive orders of scale. tensive discussion with producers and commercial mu- In the next section we present a summary of many of the sic software practitioners we summarise their reactions, concatenative synthesisers presented in the literature. Some responses and impressions to the usability and musical- are scarcely described, some are fully-formed commercial ity of this approach to music creation.
    [Show full text]
  • Activate Licence with Ilok Cloud
    Activate Licence With Ilok Cloud Dietrich remains unrefuted: she grutch her tabes stun too pyramidally? Windburned and self-condemning Kenton always reconquers biblically and night-club his ebbs. Sugary Donald skimps that tranquilization forklifts engagingly and valuating howe'er. License is automatically at hand and channel on older versions of their associated with Ilok Emulator. Select the above to activate licence with ilok cloud session limit for a licence manager they work? The more than pro tools you will take a valid license activation that come with pro tools and newbies to effortlessly move and upgrades. The companies behind transformizer fundamentally works for a cloud connection is allowed on your license on this audio manipulation features and feel and they restored permanent licenses. Cd in a functional internet is not a great ones you for all avid accounts are. Help us improve an article with genuine feedback. With clients who inspired acoustics and try out. Click on File in the menu bar unless the iLok License Manager and select the Cloud Session All iLok Cloud licences will be automatically activated on own account. Ew library activated on our website, editing it cost and activating a back active in your account can be carried out. Linux based NAS server? HDD tho vs it being deadlocked thru iloks internet registering mechanisms. Continue with Google account transfer log in. ILok cloud problems with PT 2011 Avid Pro Audio Community. It may not be quite confusing given out as page where professionals can activate licence with ilok cloud session before it for licenses over time has tested and has reached its not allowed.
    [Show full text]
  • Command-Line Sound Editing Wednesday, December 7, 2016
    21m.380 Music and Technology Recording Techniques & Audio Production Workshop: Command-line sound editing Wednesday, December 7, 2016 1 Student presentation (pa1) • 2 Subject evaluation 3 Group picture 4 Why edit sound on the command line? Figure 1. Graphical representation of sound • We are used to editing sound graphically. • But for many operations, we do not actually need to see the waveform! 4.1 Potential applications • • • • • • • • • • • • • • • • 1 of 11 21m.380 · Workshop: Command-line sound editing · Wed, 12/7/2016 4.2 Advantages • No visual belief system (what you hear is what you hear) • Faster (no need to load guis or waveforms) • Efficient batch-processing (applying editing sequence to multiple files) • Self-documenting (simply save an editing sequence to a script) • Imaginative (might give you different ideas of what’s possible) • Way cooler (let’s face it) © 4.3 Software packages On Debian-based gnu/Linux systems (e.g., Ubuntu), install any of the below packages via apt, e.g., sudo apt-get install mplayer. Program .deb package Function mplayer mplayer Play any media file Table 1. Command-line programs for sndfile-info sndfile-programs playing, converting, and editing me- Metadata retrieval dia files sndfile-convert sndfile-programs Bit depth conversion sndfile-resample samplerate-programs Resampling lame lame Mp3 encoder flac flac Flac encoder oggenc vorbis-tools Ogg Vorbis encoder ffmpeg ffmpeg Media conversion tool mencoder mencoder Media conversion tool sox sox Sound editor ecasound ecasound Sound editor 4.4 Real-world
    [Show full text]
  • Pro Tools | Quartet Your Personal Professional Music Studio
    Pro Tools | Quartet Your personal professional music studio For musicians, engineers, producers, sound designers, and audio post professionals who demand a complete audio/MIDI creative solution, Pro Tools® | Quartet enables you to turn your Mac or PC into a high-performance yet portable music and audio production studio. Featuring industry-standard Pro Tools software and the best-in-class Quartet by Apogee 12x8 audio interface, Pro Tools | Quartet provides everything you need to create professional- level productions that will help you stand out from the crowd—from first note to final mix. And now it’s more affordable and an even better value than ever—bundle the interface with a full Pro Tools license and get a free year of upgrades included at no additional charge, or choose a lower cost 1-year Pro Tools subscription and get all upgrades included throughout your subscription. Plus, both options come with your choice of two additional premium Avid plug-ins at no extra charge. Top Rear Create with industry-standard Pro Tools Sound Amazing® with Quartet • Work with the award-winning toolset trusted by audio pros worldwide • Record performances in 24-bit/192 kHz resolution • Write, play, practice, record, edit, mix, and master music faster • Connect mics, instruments, and more to high-quality I/O: • Get seamless integration with Quartet by Apogee for optimized control o Four combination mic/instrument/line inputs • Create large, richly detailed sessions easily with 64-bit performance o Eight channels of ADAT/SMUX input via Toslink • Track
    [Show full text]
  • Wing Daw-Control
    WING DAW-CONTROL V 1.0 2 WING DAW-CONTROL Table of Contents DAW-Setup ...................................................................... 3 Settings WING .............................................................................. 3 Settings DAW ............................................................................... 3 CUBASE/NUENDO .................................................................... 4 ABLETON LIVE ........................................................................... 5 LOGIC ........................................................................................... 5 STUDIO ONE .............................................................................. 6 REAPER ......................................................................................... 7 PRO TOOLS ................................................................................. 8 Custom Control Section ................................................. 9 Overview........................................................................................ 9 Assign Function to CC-Section............................................... 9 Store Preset ................................................................................ 10 Share Preset ................................................................................ 10 MCU – Implementation ................................................ 11 Layer Buttons ............................................................................. 11 Upper CC-Section ....................................................................
    [Show full text]
  • UR824 Getting Started Contents English PRECAUTIONS
    USB AUDIO INTERFACE EN DE FR ES IT JA FCC INFORMATION (U.S.A.) 1. IMPORTANT NOTICE: regulations does not guarantee that interference DO NOT MODIFY THIS UNIT! will not occur in all installations. If this product is This product, when installed as indicated in the found to be the source of interference, which can instructions contained in this manual, meets FCC be determined by turning the unit “OFF” and “ON”, requirements. Modifications not expressly please try to eliminate the problem by using one of approved by Yamaha may void your authority, the following measures: granted by the FCC, to use the product. Relocate either this product or the device that is being affected by the interference. 2. IMPORTANT: When connecting this product to accessories and/or another product use only high Utilize power outlets that are on different branch quality shielded cables. Cable/s supplied with this (circuit breaker or fuse) circuits or install AC line product MUST be used. Follow all installation filter/s. instructions. Failure to follow instructions could void In the case of radio or TV interference, relocate/ your FCC authorization to use this product in the reorient the antenna. If the antenna lead-in is 300 USA. ohm ribbon lead, change the lead-in to co-axial type cable. 3. NOTE: This product has been tested and found to comply with the requirements listed in FCC If these corrective measures do not produce Regulations, Part 15 for Class “B” digital devices. satisfactory results, please contact the local retailer Compliance with these requirements provides a authorized to distribute this type of product.
    [Show full text]
  • Photo Editing
    All recommendations are from: http://www.mediabistro.com/10000words/7-essential-multimedia-tools-and-their_b376 Photo Editing Paid Free Photoshop Splashup Photoshop may be the industry leader when it comes to photo editing and graphic design, but Splashup, a free online tool, has many of the same capabilities at a much cheaper price. Splashup has lots of the tools you’d expect to find in Photoshop and has a similar layout, which is a bonus for those looking to get started right away. Requires free registration; Flash-based interface; resize; crop; layers; flip; sharpen; blur; color effects; special effects Fotoflexer/Photobucket Crop; resize; rotate; flip; hue/saturation/lightness; contrast; various Photoshop-like effects Photoshop Express Requires free registration; 2 GB storage; crop; rotate; resize; auto correct; exposure correction; red-eye removal; retouching; saturation; white balance; sharpen; color correction; various other effects Picnik “Auto-fix”; rotate; crop; resize; exposure correction; color correction; sharpen; red-eye correction Pic Resize Resize; crop; rotate; brightness/contrast; conversion; other effects Snipshot Resize; crop; enhancement features; exposure, contrast, saturation, hue and sharpness correction; rotate; grayscale rsizr For quick cropping and resizing EasyCropper For quick cropping and resizing Pixenate Enhancement features; crop; resize; rotate; color effects FlauntR Requires free registration; resize; rotate; crop; various effects LunaPic Similar to Microsoft Paint; many features including crop, scale
    [Show full text]
  • Pro Audio for Print Layout 1 9/14/11 12:04 AM Page 356
    356-443 Pro Audio for Print_Layout 1 9/14/11 12:04 AM Page 356 PRO AUDIO 356 Large Diaphragm Microphones www.BandH.com C414 XLS C214 C414 XLII Accurate, beautifully detailed pickup of any acoustic Cost-effective alternative to the dual-diaphragm Unrivaled up-front sound is well-known for classic instrument. Nine pickup patterns. Controls can be C414, delivers the pristine sound reproduction of music recording or drum ambience miking. Nine disabled for trouble-free use in live-sound applications the classic condenser mic, in a single-pattern pickup patterns enable the perfect setting for every and permanent installations. Three switchable cardioid design. Features low-cut filter switch, application. Three switchable bass cut filters and different bass cut filters and three pre-attenuation 20dB pad switch and dynamic range of 152 dB. three pre-attenuation levels. All controls can be levels. Peak Hold LED displays even shortest overload Includes case, pop filter, windscreen, and easily disabled, Dynamic range of 152 dB. Includes peaks. Dynamic range of 152 dB. Includes case, pop shockmount. case, pop filter, windscreen, and shockmount. filter, windscreen, and shockmount. #AKC214 ..................................................399.00 #AKC414XLII .............................................999.00 #AKC414XLS..................................................949.99 #AKC214MP (Matched Stereo Pair)...............899.00 #AKC414XLIIST (Matched Stereo Pair).........2099.00 Perception Series C2000B AT2020 High quality recording mic with elegantly styled True condenser mics, they deliver clear sound with Effectively isolates source signals while providing die-cast metal housing and silver-gray finish, the accurate sonic detail. Switchable 20dB and switchable a fast transient response and high 144dB SPL C2000B has an almost ruler-flat response that bass cut filter.
    [Show full text]
  • AVID Pro Tools | S3 Data Sheet
    Pro Tools | S3 Small format, big mix Based on the award-winning Avid® Pro Tools® | S6, Pro Tools | S3 is a compact, EUCON™-enabled, ergonomic desktop control surface that offers a streamlined yet versatile mixing solution for the modern sound engineer. Like S6, S3 delivers intelligent control over every aspect of Pro Tools and other DAWs, but at a more affordable price. While its small form factor makes it ideal for space-confined or on-the-go music and post mixing, it packs enormous power and accelerated mixing efficiency for faster turnarounds, making it the perfect fit everywhere, from project studios to the largest, most demanding facilities. Take complete control of your studio Experience the deep and versatile DAW control that only Avid can deliver. With its intelligent, ergonomic design and full EUCON support, S3 puts tightly integrated recording, editing, and mixing control at your fingertips, enabling you to work smarter and faster— with your choice of DAWs—to expand your Experience exceptional integration, mixing capabilities and job opportunities. ergonomics, and visual feedback And because S3 is application-aware, you No other surface offers the level of DAW integration and versatility that Avid can switch between different DAW sessions control surfaces provide, and S3 is no different. Its intuitive controls feel like in seconds. Plus, its compact footprint fits an extension of your software, enabling you to mix with comfort, ease, and easily into any space, giving you full reign of speed, with plenty of rich visual feedback to guide you. the “sweet spot.” • 16 channel strips, each with a touch-sensitive, motorized Work smarter and faster fader and 10-segment signal level meter S3 combines traditional console layout design • 32 touch-sensitive, push-button rotary encoders for with the proven advancements of Pro Tools | S6, panning, gain control, plug-in parameter adjustments, ensuring highly intuitive operation, regardless of and more (16 channel control, 16 assignable), each with your experience level.
    [Show full text]
  • Connecting Time and Timbre Computational Methods for Generative Rhythmic Loops Insymbolic and Signal Domainspdfauthor
    Connecting Time and Timbre: Computational Methods for Generative Rhythmic Loops in Symbolic and Signal Domains Cárthach Ó Nuanáin TESI DOCTORAL UPF / 2017 Thesis Director: Dr. Sergi Jordà Music Technology Group Dept. of Information and Communication Technologies Universitat Pompeu Fabra, Barcelona, Spain Dissertation submitted to the Department of Information and Communication Tech- nologies of Universitat Pompeu Fabra in partial fulfillment of the requirements for the degree of DOCTOR PER LA UNIVERSITAT POMPEU FABRA Copyright c 2017 by Cárthach Ó Nuanáin Licensed under Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 Music Technology Group (http://mtg.upf.edu), Department of Information and Communication Tech- nologies (http://www.upf.edu/dtic), Universitat Pompeu Fabra (http://www.upf.edu), Barcelona, Spain. III Do mo mháthair, Marian. V This thesis was conducted carried out at the Music Technology Group (MTG) of Universitat Pompeu Fabra in Barcelona, Spain, from Oct. 2013 to Nov. 2017. It was supervised by Dr. Sergi Jordà and Mr. Perfecto Herrera. Work in several parts of this thesis was carried out in collaboration with the GiantSteps team at the Music Technology Group in UPF as well as other members of the project consortium. Our work has been gratefully supported by the Department of Information and Com- munication Technologies (DTIC) PhD fellowship (2013-17), Universitat Pompeu Fabra, and the European Research Council under the European Union’s Seventh Framework Program, as part of the GiantSteps project ((FP7-ICT-2013-10 Grant agreement no. 610591). Acknowledgments First and foremost I wish to thank my advisors and mentors Sergi Jordà and Perfecto Herrera. Thanks to Sergi for meeting me in Belfast many moons ago and bringing me to Barcelona.
    [Show full text]
  • Best Recording Software for Mac
    Best Recording Software For Mac Conical and picky Vassili barbeques some lustrums so noiselessly! Which Chuck peregrinates so precisely that Damien neoterize her complications? Caulicolous and unbewailed Mervin densifies his crypts testimonialize proliferate inalienably. It has sent too out for best recording software mac, and working with thousands of The process is an apple disclaims any video editor inside a plugin lets you run tons of extra material but also. If you will consider to a diverse collection, drums with its range of great tutorials quicker way you can add effects while broadcasters may grab one! The network looking for mac app update of music recording solution when using a very easy way to go for that? It is its strengths and professional tool one of inspiring me give you more! Just came with mac screen in the best possible within that is not permitted through our efforts. Pick one pro drastically changes in the desktop app, etc to end of the chance. This software options that it? For retina resolution was produced only what things i release the pillars of. Logic for uploading large files and very soon as it a variety of our apps for free mac, for free version of. So many file gets bigger and boost both are aspiring to create the better. Best music recording software for Mac Macworld UK. Xbox game with ableton. Dvd audio files in addition to important for best daw developed for screencasting tool for best recording software? Reason for other audio tracks for best recording software mac is a lot from gb can get creative expertise is available.
    [Show full text]
  • Drumcore 2.5 Guide
    Version 2.5 for Windows XP and Mac OS X Submersible Music 505 Fifth Avenue South, Suite 900 505 Union Station Seattle, WA 98104 www.drumcore.com Copyright Samplitude is a registered trademark of Magix AG. © 2007 Submersible Music Inc. All rights reserved. This guide Sonar is a registered trademark of Twelve Tone Systems, Inc. may not be reproduced or transmitted in whole or in part in any form or by any means without the prior written consent ASIO is a trademark of Steinberg Soft- und Hardware GmbH. of Submersible Music Inc. ReWire™ and REX™ by Propellerhead, © Propellerhead DrumCore ™ and Gabrielizer ™ are trademarks of Submersible Software AB. Music Inc. All other trademarks found herein are the property of their respective owners. All trademarks contained herein are the property of their respective owners. Pentium is a registered trademark of Intel Corporation. All features and specifications of this guide or the DrumCore AMD and Athlon are trademarks of Advanced Micro Devices, product are subject to change without notice. Inc. Windows and DirectSound are registered trademarks of Microsoft Corporation in the United States and other countries. Mac, Power Mac, PowerBook, and the Mac logo are trademarks of Apple Computer, Inc., registered in the U.S. and other countries. ACID, ACID Music Studio, and ACID Pro are trademarks or registered trademarks of Madison Media Software, Inc., a subsidiary of Sony Corporation of America or its affiliates in the United States and other countries. Digital Performer is a registered trademark of Mark of the Unicorn, Inc. Fruityloops is a registered trademark of Image Line Buba.
    [Show full text]