DOCSLIB.ORG

Wavelab Pro 10.0.30 Table of Contents

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Wavelab Pro 10.0.30 Table of Contents Operation Manual Cristina Bachmann, Heiko Bischoff, Lillie Harris, Christina Kaboth, Insa Mingers, Matthias Obrecht, Sabine Pfeifer, Benjamin Schütte, Marita Sladek This PDF provides improved access for vision-impaired users. Please note that due to the complexity and number of images in this document, it is not possible to include text descriptions of images. The information in this document is subject to change without notice and does not represent a commitment on the part of Steinberg Media Technologies GmbH. The software described by this document is subject to a License Agreement and may not be copied to other media except as specifically allowed in the License Agreement. No part of this publication may be copied, reproduced, or otherwise transmitted or recorded, for any purpose, without prior written permission by Steinberg Media Technologies GmbH. Registered licensees of the product described herein may print one copy of this document for their personal use. All product and company names are ™ or ® trademarks of their respective owners. For more information, please visit www.steinberg.net/trademarks. © Steinberg Media Technologies GmbH, 2020. All rights reserved. WaveLab Pro_10.0.30_en-US_2020-03-25 Table of Contents 6 New Features 66 Project Handling 10 WaveLab Pro Introduction 66 Opening Files 10 Platform-Independent Documentation 67 WaveLab Projects 10 Help System 70 File Groups 11 Conventions 72 Value Editing 12 Key Commands 72 Drag Operations 73 Undoing and Redoing 13 Setting Up Your System 80 Zooming in the Workspace Window 13 Connecting the Equipment 85 Presets 13 Audio Cards and Background Playback 13 Latency 87 File Operations 14 ASIO-Guard 87 Recently Used Files 14 Defining Audio Connections 88 Favorite Files 20 CD/DVD Recorders 89 Save and Save As 20 Remote Devices 91 Templates 96 File Renaming 29 WaveLab Pro Concepts 96 Naming Schemes 29 General Editing Rules 98 Deleting Files 29 Startup Dialog 98 Temporary Files 30 Basic Window Handling 98 Work Folders vs. Document Folders 31 Selecting Audio 101 Copying Audio Information to the Clipboard 38 Sliders 101 Setting the Focus on the Current File 38 Renaming Items in Tables 38 File Browser 102 Playback 40 Tab Groups 102 Transport Bar 42 Peak Files 113 Starting Playback From the Ruler 43 Companion Files 113 Playback Scrubbing 44 Processing Precision 114 Timecode Window 44 EBU Loudness Standard R-128 115 Jog/Shuttle Function 116 Scroll During Playback 46 Workspace Window 117 Playback in the Audio Montage Window 46 Audio Editor 118 Speaker Configuration 46 Audio Montage 47 Batch Processor 120 Audio File Editing 47 Podcast Editor 120 Wave Window 47 DVD-Audio 128 Audio Editor Tabs 47 Script Editor 138 File Handling in the Audio Editor 48 Control Window 158 Changing the Audio Properties 49 File Tab 159 Metadata 50 Info Tab 164 Snapshots 52 Tool Windows 165 Mixing Down – Audio Files Rendering 52 Meter Windows 167 Silence Generator Dialog 52 Slide-Out Windows 169 Bleep Censor 53 Docking and Undocking Tool Windows and 170 Waveform Restoration with the Pen Tool Meter Windows 171 Audio Analysis 55 Command Bar 171 Analyze Tab 56 Status Bar 172 Global Analysis 57 Context Menus 181 Audio File Comparator 58 Time Ruler and Level Ruler 182 3D Frequency Analysis 62 Managing Tabs 185 Error Correction 64 Activating Full Screen Mode 185 Correction Tab 64 Log Window 3 WaveLab Pro 10.0.30 Table of Contents 188 Correcting Errors 366 Master Section 189 Offline Processing 366 Bypassing the Master Section 189 Process Tab 366 Master Section Window 191 Applying Processing 385 Rendering 191 Gain Dialog 393 Smart Bypass 192 Level Normalizer Dialog 395 Saving Master Section Presets 192 Loudness Normalizer 400 Monitoring Background Tasks 194 Pan Normalizer Dialog 401 Dropouts 195 Envelope Dialog 402 Markers 196 Fades in Audio Files 402 Marker Types 197 Crossfades 403 Markers Window 198 Phase Inverting 407 Creating Markers 198 Reversing Audio 410 Deleting Markers 199 DC Offset 411 Moving Markers 199 Time Stretching 411 Moving Multiple Markers 202 Pitch Shift 413 Navigating to Markers 203 Pitch Quantizing Dialog 413 Hiding Markers of a Specific Type 204 Pitch Bend 413 Converting Marker Types 206 Resample 414 Renaming Markers 207 Effect Morphing 415 Selecting Markers 210 Audio Montage 415 Selecting the Audio Between Markers 210 Montage Window 416 Binding Markers to Clips in the Audio Montage 217 Audio Montage Tabs 416 Marker Import and Export 235 Signal Path in the Audio Montage 418 How Marker Information is Saved 235 Creating New Audio Montages 419 Metering 237 Audio Montage Duplicates 419 Meter Windows 240 Creating an Audio Montage from an Audio File 419 Real-Time vs. Non-Real-Time Metering 241 Import Options for Audio Montages 419 Metering Monitor Modes 242 Missing Files Dialog 420 Meter Settings 242 Assembling the Audio Montage 420 Multichannel Metering 254 Rearranging Clips 420 Resetting the Meters 260 Clip Editing 421 Using Presets in the Meter Windows 279 Audio Montages within Audio Montages 421 Level Meter 283 Managing Source Files of Clips 424 Loudness Meter 287 Track Activity Indicator 426 Phasescope 287 Envelopes for Clips 427 Spectroscope 296 Fades and Crossfades in Audio Montages 428 Spectrometer 304 Clip Time Stretching 430 Live Spectrogram 305 Clip Pitch Shifting 432 Bit Meter 305 Effects for Tracks, Clips, and the Montage 433 Oscilloscope Output 434 Wavescope 320 Reference Track 435 DVD-Audio 322 CD Markers 435 Structure of a DVD-Audio Project 323 CD Window 435 DVD-Audio Formats 330 Snapshots 436 DVD-Audio Format Considerations 331 Mixing Down – The Render Function 436 DVD-Audio Window 334 Loudness Meta Normalizer 438 Preparing a DVD-Audio 336 Navigator Window 439 Opening Audio Montages for Editing 337 Notes Window 440 Checking the DVD-Audio Conformity 337 Groups 339 Audio Montage Backups 441 Writing Operations 340 Multichannel Operations in the Audio Montage 441 Write Audio CD or DDP Dialog 350 Importing a Basic Audio CDs 443 Erase Optical Media Dialog 350 XML Export and Import of Audio Montages 443 Write Audio Montages 350 AES-31 Files Export and Import 456 Write DVD-Audio Function 459 Writing an Audio CD from a DDP Image 353 Recording 461 Data CD/DVD Projects 353 Setting Up the Recording Dialog 464 Audio CD Formats 354 Dropping Markers During Recording 354 Recording Dialog 468 Spectral Editing 360 Recording in the Audio Montage Window 468 Spectrogram 362 Live Input Rendering 469 Wavelet Display 470 Spectrogram Options Dialog 4 WaveLab Pro 10.0.30 Table of Contents 471 Spectrum Tab 581 Global Podcast Options 477 Spectrum Processing 581 Creating a Podcast 481 Audio Inpainting 582 Setting Up an FTP for Podcast Publishing 482 Spectrum Watermark 582 Publishing Podcasts 483 Master Section Processing 582 FTP Settings Dialog 485 Auto Split 584 Checking the Podcast 485 Auto Split in Audio Files 585 Customizing 488 Auto Split in Audio Montages 585 Workspace Layout 491 Loops 586 Customizing the Wave Window and the 491 Basic Looping Montage Window 492 Loop Refinement 588 Customizing Shortcuts 499 Looping Audio Which Is Not Very Well Suited 593 Customizing Command Bars for Looping 593 Plug-in Organization 502 Sample Attributes 600 Variables and Text Snippets 602 Scripting 504 Generating Signals 604 Touch Bar (macOS only) 504 Signal Generator 508 DTMF Generator 605 Configuring WaveLab Pro 605 Global Preferences 510 Importing Audio CD Tracks 611 Audio Files Preferences 510 Import Audio CD Dialog 617 Audio Montages Preferences 513 Importing Audio CD Tracks 622 Synchronizing WaveLab Pro Settings on Several 514 Searching Track Names on the Internet Computers 514 Submitting Track Names to the Internet 622 Multi-User Settings 515 Ultra-Safe Mode 623 External Editors 515 Converting Audio CD Tracks to an Audio 624 Alternative External File Browser Montage 625 External Tools 516 Video 628 Index 516 Video Track 517 Video Clip Editing 518 Video Window 519 Video File Compatibility 520 Frame Rates 522 WaveLab Exchange 522 WaveLab Pro as External Editor for Cubase/ Nuendo 523 Cubase/Nuendo as External Editor for WaveLab Pro 524 Batch Processing 525 Batch Processor Window 532 Offline Processors 534 Working with the Batch Processor 540 Watch Folders 553 XML Files in Batch Processing 560 Batch Conversion 560 Batch Conversion Dialog 561 Batch Converting Files 562 Batch Renaming 562 Batch Renaming Dialog 562 Batch Renaming Files 564 Batch Renaming Markers 565 Batch Renaming Clips 567 Renaming Operation Categories and Types 571 List of Renaming Operations 571 Preview Section 571 Range Parameters 573 Previewing and Performing All Renaming Operations 573 Regular Expressions 577 Podcasts 577 Podcast Editor 5 WaveLab Pro 10.0.30 New Features New Features in Version 10.0.30 Highlights Naming Scheme Attribute to Create Folder Structure ● The new Folder Separators naming scheme attribute allows you to create a folder structure according to the specified naming scheme. See Naming Scheme Dialog. Copying Clips to Other Tracks ● You can now copy all clips or only selected clips of a track to another track. See Copying Clips to Other Tracks. Bounce Clips ● You can now render multiple clips to a single clip and the effects of a single clip to the clip. See Bounce Selected Clips. More New Features Reveal File in File Explorer/macOS Finder ● The Reveal File in File Explorer/macOS Finder option is now also available in the File Browser window when you right-click in the file list. See File Browser Window. New Variables for Naming Schemes ● As naming scheme attributes, you can now add hours, minutes, seconds, day, month, year, and Master Section preset name. See Naming Schemes. Play Back a New Time Selection from the Beginning of the Selection ● Play from Start of New Time Selection now allows you to play back a new time selection from the beginning of the selection. See Transport Bar.
Load more

Recommended publications
  • Activate Licence with Ilok Cloud
    Activate Licence With Ilok Cloud Dietrich remains unrefuted: she grutch her tabes stun too pyramidally? Windburned and self-condemning Kenton always reconquers biblically and night-club his ebbs. Sugary Donald skimps that tranquilization forklifts engagingly and valuating howe'er. License is automatically at hand and channel on older versions of their associated with Ilok Emulator. Select the above to activate licence with ilok cloud session limit for a licence manager they work? The more than pro tools you will take a valid license activation that come with pro tools and newbies to effortlessly move and upgrades. The companies behind transformizer fundamentally works for a cloud connection is allowed on your license on this audio manipulation features and feel and they restored permanent licenses. Cd in a functional internet is not a great ones you for all avid accounts are. Help us improve an article with genuine feedback. With clients who inspired acoustics and try out. Click on File in the menu bar unless the iLok License Manager and select the Cloud Session All iLok Cloud licences will be automatically activated on own account. Ew library activated on our website, editing it cost and activating a back active in your account can be carried out. Linux based NAS server? HDD tho vs it being deadlocked thru iloks internet registering mechanisms. Continue with Google account transfer log in. ILok cloud problems with PT 2011 Avid Pro Audio Community. It may not be quite confusing given out as page where professionals can activate licence with ilok cloud session before it for licenses over time has tested and has reached its not allowed.
    [Show full text]
  • The Globalization of K-Pop: the Interplay of External and Internal Forces
    THE GLOBALIZATION OF K-POP: THE INTERPLAY OF EXTERNAL AND INTERNAL FORCES Master Thesis presented by Hiu Yan Kong Furtwangen University MBA WS14/16 Matriculation Number 249536 May, 2016 Sworn Statement I hereby solemnly declare on my oath that the work presented has been carried out by me alone without any form of illicit assistance. All sources used have been fully quoted. (Signature, Date) Abstract This thesis aims to provide a comprehensive and systematic analysis about the growing popularity of Korean pop music (K-pop) worldwide in recent years. On one hand, the international expansion of K-pop can be understood as a result of the strategic planning and business execution that are created and carried out by the entertainment agencies. On the other hand, external circumstances such as the rise of social media also create a wide array of opportunities for K-pop to broaden its global appeal. The research explores the ways how the interplay between external circumstances and organizational strategies has jointly contributed to the global circulation of K-pop. The research starts with providing a general descriptive overview of K-pop. Following that, quantitative methods are applied to measure and assess the international recognition and global spread of K-pop. Next, a systematic approach is used to identify and analyze factors and forces that have important influences and implications on K-pop’s globalization. The analysis is carried out based on three levels of business environment which are macro, operating, and internal level. PEST analysis is applied to identify critical macro-environmental factors including political, economic, socio-cultural, and technological.
    [Show full text]
  • MASCHINE 2 Manual
    MASCHINE MIKRO MK3 MANUAL Disclaimer The information in this document is subject to change without notice and does not represent a commitment on the part of Native Instruments GmbH. The software described by this docu- ment is subject to a License Agreement and may not be copied to other media. No part of this publication may be copied, reproduced or otherwise transmitted or recorded, for any purpose, without prior written permission by Native Instruments GmbH, hereinafter referred to as Native Instruments. “Native Instruments”, “NI” and associated logos are (registered) trademarks of Native Instru- ments GmbH. ASIO, VST, HALion and Cubase are registered trademarks of Steinberg Media Technologies GmbH. All other product and company names are trademarks™ or registered® trademarks of their re- spective holders. Use of them does not imply any affiliation with or endorsement by them. Document authored by: David Gover and Nico Sidi. Software version: 2.7.8 (09/2018) Hardware version: MASCHINE MIKRO MK3 Special thanks to the Beta Test Team, who were invaluable not just in tracking down bugs, but in making this a better product. Contact NATIVE INSTRUMENTS GmbH NATIVE INSTRUMENTS North America, Inc. Schlesische Str. 29-30 6725 Sunset Boulevard D-10997 Berlin 5th Floor Germany Los Angeles, CA 90028 www.native-instruments.de USA www.native-instruments.com NATIVE INSTRUMENTS K.K. NATIVE INSTRUMENTS UK Limited YO Building 3F 18 Phipp Street Jingumae 6-7-15, Shibuya-ku, London EC2A 4NU Tokyo 150-0001 UK Japan www.native-instruments.co.uk www.native-instruments.co.jp NATIVE INSTRUMENTS FRANCE SARL SHENZHEN NATIVE INSTRUMENTS COMPANY Limited 113 Rue Saint-Maur 5F, Shenzhen Zimao Center 75011 Paris 111 Taizi Road, Nanshan District, Shenzhen, France Guangdong www.native-instruments.com China www.native-instruments.com © NATIVE INSTRUMENTS GmbH, 2018.
    [Show full text]
  • Pro Tools | Quartet Your Personal Professional Music Studio
    Pro Tools | Quartet Your personal professional music studio For musicians, engineers, producers, sound designers, and audio post professionals who demand a complete audio/MIDI creative solution, Pro Tools® | Quartet enables you to turn your Mac or PC into a high-performance yet portable music and audio production studio. Featuring industry-standard Pro Tools software and the best-in-class Quartet by Apogee 12x8 audio interface, Pro Tools | Quartet provides everything you need to create professional- level productions that will help you stand out from the crowd—from first note to final mix. And now it’s more affordable and an even better value than ever—bundle the interface with a full Pro Tools license and get a free year of upgrades included at no additional charge, or choose a lower cost 1-year Pro Tools subscription and get all upgrades included throughout your subscription. Plus, both options come with your choice of two additional premium Avid plug-ins at no extra charge. Top Rear Create with industry-standard Pro Tools Sound Amazing® with Quartet • Work with the award-winning toolset trusted by audio pros worldwide • Record performances in 24-bit/192 kHz resolution • Write, play, practice, record, edit, mix, and master music faster • Connect mics, instruments, and more to high-quality I/O: • Get seamless integration with Quartet by Apogee for optimized control o Four combination mic/instrument/line inputs • Create large, richly detailed sessions easily with 64-bit performance o Eight channels of ADAT/SMUX input via Toslink • Track
    [Show full text]
  • Wing Daw-Control
    WING DAW-CONTROL V 1.0 2 WING DAW-CONTROL Table of Contents DAW-Setup ...................................................................... 3 Settings WING .............................................................................. 3 Settings DAW ............................................................................... 3 CUBASE/NUENDO .................................................................... 4 ABLETON LIVE ........................................................................... 5 LOGIC ........................................................................................... 5 STUDIO ONE .............................................................................. 6 REAPER ......................................................................................... 7 PRO TOOLS ................................................................................. 8 Custom Control Section ................................................. 9 Overview........................................................................................ 9 Assign Function to CC-Section............................................... 9 Store Preset ................................................................................ 10 Share Preset ................................................................................ 10 MCU – Implementation ................................................ 11 Layer Buttons ............................................................................. 11 Upper CC-Section ....................................................................
    [Show full text]
  • Nuendo Live 2.0.0
    Operation Manual Cristina Bachmann, Heiko Bischoff, Lillie Harris, Christina Kaboth, Insa Mingers, Matthias Obrecht, Sabine Pfeifer, Benjamin Schütte, Marita Sladek This PDF provides improved access for vision-impaired users. Please note that due to the complexity and number of images in this document, it is not possible to include text descriptions of images. The information in this document is subject to change without notice and does not represent a commitment on the part of Steinberg Media Technologies GmbH. The software described by this document is subject to a License Agreement and may not be copied to other media except as specifically allowed in the License Agreement. No part of this publication may be copied, reproduced, or otherwise transmitted or recorded, for any purpose, without prior written permission by Steinberg Media Technologies GmbH. Registered licensees of the product described herein may print one copy of this document for their personal use. All product and company names are ™ or ® trademarks of their respective owners. For more information, please visit www.steinberg.net/trademarks. © Steinberg Media Technologies GmbH, 2018. All rights reserved. Nuendo Live_2.0.0_en-US_2018-09-12 Table of Contents 4 Introduction 37 Editing Audio Events 4 Platform-Independent Documentation 37 Global Editing 4 Conventions 37 Selecting Events 5 How You Can Reach Us 38 Splitting Events 38 Trimming the Event Start and End 6 Setting Up Nuendo Live 38 Selecting Ranges 6 Setting Up Nuendo Live for Recording 39 Moving Events and Range Selections
    [Show full text]
  • UR824 Getting Started Contents English PRECAUTIONS
    USB AUDIO INTERFACE EN DE FR ES IT JA FCC INFORMATION (U.S.A.) 1. IMPORTANT NOTICE: regulations does not guarantee that interference DO NOT MODIFY THIS UNIT! will not occur in all installations. If this product is This product, when installed as indicated in the found to be the source of interference, which can instructions contained in this manual, meets FCC be determined by turning the unit “OFF” and “ON”, requirements. Modifications not expressly please try to eliminate the problem by using one of approved by Yamaha may void your authority, the following measures: granted by the FCC, to use the product. Relocate either this product or the device that is being affected by the interference. 2. IMPORTANT: When connecting this product to accessories and/or another product use only high Utilize power outlets that are on different branch quality shielded cables. Cable/s supplied with this (circuit breaker or fuse) circuits or install AC line product MUST be used. Follow all installation filter/s. instructions. Failure to follow instructions could void In the case of radio or TV interference, relocate/ your FCC authorization to use this product in the reorient the antenna. If the antenna lead-in is 300 USA. ohm ribbon lead, change the lead-in to co-axial type cable. 3. NOTE: This product has been tested and found to comply with the requirements listed in FCC If these corrective measures do not produce Regulations, Part 15 for Class “B” digital devices. satisfactory results, please contact the local retailer Compliance with these requirements provides a authorized to distribute this type of product.
    [Show full text]
  • The Winners AWA R DS 2018 Readers Vote for Quality, Innovation and Creativity in Audio Design REWARDING QUALITY and INNOVATION
    Awards The winners AWA R DS 2018 Readers vote for quality, innovation and creativity in audio design REWARDING QUALITY AND INNOVATION Interface(A-D/D-A) AWA R DS 2018 WINNER Antelope Audio Discrete 8 INTERFACE(A-D/D-A) Antelope Audio Discrete 8 REWARDING QUALITY AND INNOVATION As well as equipping their interfaces with a range of FPGA processing to run real time emulations of classic effects and processing, Antelope have turned their attention to the very front end of the signal chain. Putting that same FPGA power to work on modelling classic microphone responses built on some specially developed microphones, they now offer some compelling bundles built around the microphones and their Discrete 8 interface. Antelope’s offer includes two microphones — a large diaphragm condenser and a small diaphragm condenser. The LDC goes by the name of ‘Edge’ and features dual diaphragms, with the output of each side of the capsule available separately on a 5 pin XLR. The ‘Verge’ SDC is a fixed pattern cardioid. The Premium Plus bundle gets you one Edge microphone, six Verge mics, and up to eight essential characters of the originals.” channels worth of FPGA FX with four instances in each channel. Resolution’s Jon Thornton said: “I was able to compare a number of www.antelopeaudio.com original microphones to the emulations, including a U87, R121, DPA4006 and a KM184. And in every case the emulations bring out most of the Others nominated: Focusrite Red 8Pre, Grace Design m900, RME ADI-2 DAC Analogue mixer/controller AWA R DS 2018 WINNER ANALOGUE MIXER/CONTROLLER API Legacy AXS API Legacy AXS REWARDING QUALITY AND INNOVATION The Legacy AXS is The 500 slot above the small fader can a modular accommodate a 550A 3-Band EQ, 550b inline console, 4-Band EQ, 560 10-Band built with API’s Graphic EQ or 565 traditional Filter Bank (or, attention to indeed, any VPR analogue quality.
    [Show full text]
  • Pro Audio for Print Layout 1 9/14/11 12:04 AM Page 356
    356-443 Pro Audio for Print_Layout 1 9/14/11 12:04 AM Page 356 PRO AUDIO 356 Large Diaphragm Microphones www.BandH.com C414 XLS C214 C414 XLII Accurate, beautifully detailed pickup of any acoustic Cost-effective alternative to the dual-diaphragm Unrivaled up-front sound is well-known for classic instrument. Nine pickup patterns. Controls can be C414, delivers the pristine sound reproduction of music recording or drum ambience miking. Nine disabled for trouble-free use in live-sound applications the classic condenser mic, in a single-pattern pickup patterns enable the perfect setting for every and permanent installations. Three switchable cardioid design. Features low-cut filter switch, application. Three switchable bass cut filters and different bass cut filters and three pre-attenuation 20dB pad switch and dynamic range of 152 dB. three pre-attenuation levels. All controls can be levels. Peak Hold LED displays even shortest overload Includes case, pop filter, windscreen, and easily disabled, Dynamic range of 152 dB. Includes peaks. Dynamic range of 152 dB. Includes case, pop shockmount. case, pop filter, windscreen, and shockmount. filter, windscreen, and shockmount. #AKC214 ..................................................399.00 #AKC414XLII .............................................999.00 #AKC414XLS..................................................949.99 #AKC214MP (Matched Stereo Pair)...............899.00 #AKC414XLIIST (Matched Stereo Pair).........2099.00 Perception Series C2000B AT2020 High quality recording mic with elegantly styled True condenser mics, they deliver clear sound with Effectively isolates source signals while providing die-cast metal housing and silver-gray finish, the accurate sonic detail. Switchable 20dB and switchable a fast transient response and high 144dB SPL C2000B has an almost ruler-flat response that bass cut filter.
    [Show full text]
  • Wavelab Pro 10.0.30 Table Des Matières
    Mode d'emploi Cristina Bachmann, Heiko Bischoff, Lillie Harris, Christina Kaboth, Insa Mingers, Matthias Obrecht, Sabine Pfeifer, Benjamin Schütte, Marita Sladek Ce document PDF a été amélioré pour être plus facile d’accès aux personnes malvoyantes. En raison du grand nombre d’images qu’il contient et de leur complexité, veuillez noter qu’il n’a pas été possible d’intégrer de descriptions textuelles des images. Les informations contenues dans ce document sont sujettes à modification sans préavis et n’engagent aucunement la responsabilité de Steinberg Media Technologies GmbH. Le logiciel décrit dans ce document fait l’objet d’un Accord de Licence et ne peut être copié sur un autre support sauf si cela est autorisé spécifiquement par l’Accord de Licence. Aucune partie de cette publication ne peut être copiée, reproduite ni même transmise ou enregistrée, sans la permission écrite préalable de Steinberg Media Technologies GmbH. Les détenteurs enregistrés de la licence du produit décrit ci-après sont autorisés à imprimer une copie du présent document pour leur usage personnel. Tous les noms de produits et de sociétés sont des marques déposées ™ ou ® de leurs propriétaires respectifs. Pour de plus amples informations, rendez-vous sur le site www.steinberg.net/trademarks. © Steinberg Media Technologies GmbH, 2020. Tous droits réservés. WaveLab Pro_10.0.30_fr-FR_2020-03-25 Table des matières 6 Nouvelles fonctionnalités 70 Gestion des projets 10 WaveLab Pro Introduction 70 Ouvrir des fichiers 10 Documentation et systèmes d'exploitation 71 Projets
    [Show full text]
  • Burn Baby Burn Muziek Op Cd Zetten Gratis Epub, Ebook
    BURN BABY BURN MUZIEK OP CD ZETTEN GRATIS Auteur: Vet Martijn Aantal pagina's: 191 pagina's Verschijningsdatum: 9999-01-01 Uitgever: Pearson Benelux EAN: 9789043011945 Taal: nl Link: Download hier De 100 grootste jaren 70 hits Shoemaker houdt van een lekker vol geluid, maar overdrijft dit gelukkig nergens. De kracht van zijn muziek schuilt in de eenvoud. Zijn liedjes bestaan uit simpele, catchy melodieën die zich onmiddellijk in je hoofd nestelen. Shoemaker heeft de songs voorzien van een sobere, hechte productie waarin zijn gitaarspel, net als zijn stem, licht schurend de boventoon voeren. Daarnaast komt er af en toe, als aangename accent, een orgeltje, een bluesharp of een diepdonkere gospelstem om de hoek, om de downtempo liedjes even licht op te tillen. En de muzikanten? Luister naar de samenstelling van zijn band en het water loopt je in de mond: Tommy MacLuckie electric guitar, harmony vocal , Trina Shoemaker harmony vocal, shaker, backing vocal , Ryan Donohue bass , Michael Barras drums , Trevor Brooks piano, organ , John Milham drums , Rosalind Gonsalver harmony vocal , Daro n Douglas violin en Mike Voelker drums. Begeleid door deze rockers verhaalt Capps op klassieke wijze over tal van vreemde vogels die het zuiden bevolken, zoals muzikante Washboard Lisa en cr azy Bobby Long, hij bezingt dus vooral de zelfkant van de samenleving, onderwerpen van iedereen en van alle tijden. Deze twaalf songs zijn allemaal hoogtepunten. Kortweg : Op "If You Knew My Mind" staan songs die diep geworteld zijn in de New Orleans-traditie en daarom in de collectie van geen enkele roots-liefhebber mogen ontbreken, gewoon een super-intense prachtplaat! De maanden september en oktober zullen, wat mij betreft, door het leven gaan als een overkill aan American Roots muziek releases.
    [Show full text]
  • Beat Producing Software Free Mac
    Beat producing software free mac Three of the best beat making software we reviewed are the top 10 Free Beat Making Software for Mac below. Hotstepper is free and easy to use beat making software which is compatible with both Mac and Windows. The software includes 12 channels. It's powerful, simple to learn, and completely free. But if you fancy something Best Mac music software: GarageBand Download: Mac App. Here are 15 Free Music Production Software programs for Mac, Windows, This covers creating melodies and beats, synthesizing and mixing. Free music production software for Mac, Windows, Linux, and Ubuntu. Link: Free Software Programs for Mac OS X Exporting & Tracking Out Beats. LMMS is a free open source "beat making" software similar to FL studio. LMMS Website Does this work. ◅= Best Music Production Software Best Beat Making Program for Mac and PC The best free app is NanoStudio, imo. It's a paid app on iOS but free on Mac. Also, as Ankit says Garageband is nearly free and really amazing. NanoStudio -. Here are ten of the best free beat making software. To download If you have a Mac computer, Apple's Garageband is perfect for you. It's your. TopTenREVIEWS is the most popular review site for Beat Making With beat making software, you can create music in the comfort of your . Mac OS X . 5 Best Free Video Editing Software for Windows and Mac · How to. Review the top online beat maker and music production software out there. Mac & PC compatible, and one of the most flexible softwares out there.
    [Show full text]