Wavelab Elements 7 Help 1

Total Page:16

File Type:pdf, Size:1020Kb

Wavelab Elements 7 Help 1 Getting into the details The information in this document is subject to change without notice and does not represent a commitment on the part of Steinberg Media Technologies GmbH. The software described by this document is subject to a License Agreement and may not be copied to other media except as specifically allowed in the License Agreement. No part of this publication may be copied, reproduced or otherwise transmitted or recorded, for any purpose, without prior written permission by Steinberg Media Technologies GmbH. All product and company names are ™ or ® trademarks of their respective owners. Windows XP is a trademark of Microsoft Corporation. Windows Vista and Windows 7 are registered trademarks or trademarks of Microsoft Corporation in the United States and/or other countries. The Mac logo is a trademark used under license. Macintosh and Power Macintosh are registered trademarks. MP3SURROUND and the MP3SURROUND logo are registered trademarks of Thomson SA, registered in the US and other countries, and are used under license from Thomson Licensing SAS. Release Date: November 29, 2011 © Steinberg Media Technologies GmbH, 2011. All rights reserved. Contents 1 WaveLab Elements 7 Help 1 2 Getting Help 3 2.1 Help menu ........................................ 4 3 Using the interface 5 3.1 About Tool Windows .................................. 6 3.2 Adjusting Envelopes .................................. 7 3.3 Command bars ..................................... 8 3.4 Context menus ..................................... 9 3.5 Docking windows ................................... 9 3.6 Double clicking ..................................... 11 3.7 Dragging operations .................................. 11 3.8 Playback shortcuts ................................... 14 3.9 Select-clicking ..................................... 14 3.10 Shortcut system .................................... 15 3.11 Sliders .......................................... 16 3.12 Status Bar ........................................ 17 3.13 Switcher window .................................... 18 3.14 Tab Groups ....................................... 18 3.15 Transport controls ................................... 20 3.16 Value editing ....................................... 21 3.17 Workspaces ....................................... 21 3.18 Zooming and scrolling ................................. 23 4 WaveLab Elements Concepts 25 4.1 Features Overview ................................... 25 4.2 Analysis ......................................... 26 4.2.1 Global analysis ................................ 27 4.2.2 3D Frequency Analysis ............................ 28 4.2.3 VU Meter .................................... 29 4.2.4 Spectroscope ................................. 29 4.2.5 Oscilloscope .................................. 30 4.3 Authoring CDs and DVDs .............................. 30 4.4 Markers .......................................... 31 4.4.1 Marker types .................................. 34 4.5 Metering ......................................... 34 4.5.1 VU Meter .................................... 35 4.5.2 Spectroscope ................................. 36 4.5.3 Oscilloscope .................................. 36 4.6 Offline processing ................................... 37 4.6.1 Change Level ................................. 38 4.6.2 Level envelope ................................. 39 ii CONTENTS 4.6.3 Normalize Level ................................ 39 4.6.4 Silence Generator .............................. 40 4.6.5 Loop Tone Uniformizer ............................ 40 4.6.6 Pitch correction ................................ 41 4.6.7 Time stretching ................................ 41 4.6.8 Loop Tweaker ................................. 42 4.6.9 Presets ..................................... 43 4.6.10 Rendering ................................... 45 4.7 Presets .......................................... 46 4.8 Rendering ........................................ 48 5 Audio File editing 51 5.1 Offline processing ................................... 53 5.1.1 Change Level ................................. 54 5.1.2 Level envelope ................................. 55 5.1.3 Normalize Level ................................ 55 5.1.4 Silence Generator .............................. 56 5.1.5 Loop Tone Uniformizer ............................ 56 5.1.6 Pitch correction ................................ 57 5.1.7 Time stretching ................................ 57 5.1.8 Loop Tweaker ................................. 58 5.1.9 Presets ..................................... 59 5.1.10 Rendering ................................... 61 5.2 Analysis ......................................... 62 5.2.1 Global analysis ................................ 63 5.2.2 3D Frequency Analysis ............................ 64 5.2.3 VU Meter .................................... 65 5.2.4 Spectroscope ................................. 66 5.2.5 Oscilloscope .................................. 66 5.3 Metering ......................................... 66 5.3.1 VU Meter .................................... 67 5.3.2 Spectroscope ................................. 68 5.3.3 Oscilloscope .................................. 68 5.4 Transport controls ................................... 69 5.5 Specific tool windows ................................. 70 5.5.1 Metadata window ............................... 70 5.5.2 Sample attributes ............................... 70 5.5.3 Marker Window ................................ 71 5.5.4 File Browser .................................. 72 5.6 Shared tool windows ................................. 73 5.6.1 VU Meter .................................... 73 5.6.2 Oscilloscope .................................. 74 5.6.3 Spectroscope ................................. 74 5.7 Peak Files ........................................ 75 6 Audio Montages 77 6.1 Metering ......................................... 81 6.1.1 VU Meter .................................... 81 6.1.2 Spectroscope ................................. 82 6.1.3 Oscilloscope .................................. 82 6.2 Transport controls ................................... 83 6.3 Specific tool windows ................................. 84 6.3.1 File Browser .................................. 84 6.3.2 Focused Clip window ............................ 85 WaveLab Elements 7 CONTENTS iii 6.3.3 Marker Window ................................ 86 6.3.4 CD ........................................ 87 6.3.5 Effects ..................................... 88 6.3.6 Notes ...................................... 89 6.4 Shared tool windows ................................. 89 6.4.1 VU Meter .................................... 90 6.4.2 Oscilloscope .................................. 91 6.4.3 Spectroscope ................................. 91 6.5 Audio Montage Colors ................................ 91 7 Podcasts 93 7.1 FTP site ......................................... 95 7.2 Episodes menu ..................................... 95 7.3 Publish menu ...................................... 95 7.4 Specific tool windows ................................. 96 7.4.1 File Browser .................................. 97 8 Master Section 99 8.1 Render Wave window .................................100 8.2 Render Montage window ...............................101 8.3 Plug-ins settings ....................................101 9 Interface Elements 103 9.1 Dialogs ..........................................103 9.1.1 Insert link ....................................105 9.1.2 Audio File Format Dialog . 105 9.1.3 Audio Montage properties . 106 9.1.4 Audio properties dialog . 106 9.1.5 Audio Streaming Settings . 107 9.1.6 Batch Conversion ...............................107 9.1.7 CD Text Editor .................................108 9.1.8 CD-Text Browser ...............................108 9.1.9 Customize Commands ............................109 9.1.10 Data CD/DVD .................................109 9.1.11 Document list dialog .............................111 9.1.12 Folder Preferences dialog . 111 9.1.13 Frequency range ...............................112 9.1.14 FTP site .....................................112 9.1.15 Change Level .................................113 9.1.16 File attributes (OGG/WMA) . 113 9.1.17 Global analysis ................................113 9.1.18 Import Audio CD ...............................114 9.1.19 Level envelope .................................115 9.1.20 Loop Tone Uniformizer ............................115 9.1.21 Global Preferences ..............................116 9.1.22 Save Master Section Preset . 117 9.1.23 Audio Montage Preferences . 118 9.1.24 Adjust CD Pauses ..............................118 9.1.25 MP2 encoding .................................118 9.1.26 MP3 attributes .................................119 9.1.27 MP3 encoding .................................119 9.1.28 Normalize Level ................................119 9.1.29 OGG encoding ................................120 9.1.30 Mix dialog ....................................120 WaveLab Elements 7 iv CONTENTS 9.1.31 Pitch correction ................................120 9.1.32 Podcast options ................................121 9.1.33 Recording Dialog ...............................121 9.1.34 Remote control devices . 122 9.1.34.1 CC121 Advanced Integration Controller . 123 9.1.35 Rename File dialog ..............................126 9.1.36 CD Text Editor .................................126 9.1.37 Render Montage window . 126 9.1.38 Render Wave window ............................127 9.1.39 Sample attributes
Recommended publications
  • Command-Line Sound Editing Wednesday, December 7, 2016
    21m.380 Music and Technology Recording Techniques & Audio Production Workshop: Command-line sound editing Wednesday, December 7, 2016 1 Student presentation (pa1) • 2 Subject evaluation 3 Group picture 4 Why edit sound on the command line? Figure 1. Graphical representation of sound • We are used to editing sound graphically. • But for many operations, we do not actually need to see the waveform! 4.1 Potential applications • • • • • • • • • • • • • • • • 1 of 11 21m.380 · Workshop: Command-line sound editing · Wed, 12/7/2016 4.2 Advantages • No visual belief system (what you hear is what you hear) • Faster (no need to load guis or waveforms) • Efficient batch-processing (applying editing sequence to multiple files) • Self-documenting (simply save an editing sequence to a script) • Imaginative (might give you different ideas of what’s possible) • Way cooler (let’s face it) © 4.3 Software packages On Debian-based gnu/Linux systems (e.g., Ubuntu), install any of the below packages via apt, e.g., sudo apt-get install mplayer. Program .deb package Function mplayer mplayer Play any media file Table 1. Command-line programs for sndfile-info sndfile-programs playing, converting, and editing me- Metadata retrieval dia files sndfile-convert sndfile-programs Bit depth conversion sndfile-resample samplerate-programs Resampling lame lame Mp3 encoder flac flac Flac encoder oggenc vorbis-tools Ogg Vorbis encoder ffmpeg ffmpeg Media conversion tool mencoder mencoder Media conversion tool sox sox Sound editor ecasound ecasound Sound editor 4.4 Real-world
    [Show full text]
  • Website Specifications 20130106
    Wowza Media Server® 3.6 Technical Specifications Wowza Media Server® software delivers market-leading functionality, reliability, and flexibility for streaming to any screen across a wide range of industries. Streaming Delivery Adobe Flash® RTMP Flash Player Multi-Protocol, Multi (RTMPE, RTMPT, RTMPTE, RTMPS) Adobe® AIR® Client Adobe Flash HTTP Dynamic Streaming (HDS) RTMP-compatible players HDS-compatible players Apple® HTTP Live Streaming (HLS) iPhone®, iPod®, iPad® (iOS 3.0 or later) QuickTime® Player (10.0 or later) Safari® (4.0 or later on Mac OS X version 10.6) Roku® streaming devices and other HLS-compatible players MPEG DASH DASH-264 Compatible Players Microsoft® Smooth Streaming Silverlight® 3 or later RTSP/RTP Quicktime Player VideoLAN VLC media player 3GPP-compatible mobile devices Other RTSP/RTP-compliant players MPEG2 Transport Protocol (MPEG-TS) IPTV set-top boxes Live Streaming RTMP Video: H.264, VP6, Sorenson Spark®, Screen Video v1 & v2 Compatible Encoding Audio: AAC, AAC-LC, HE-AAC, MP3, Speex, NellyMoser ASAO Inputs RTSP/RTP Video: H.264, H.263 Audio: AAC, AAC-LC, HE-AAC, MP3, Speex MPEG-TS Video: H.264 Audio: AAC, AAC-LC, HE-AAC, E-AC-3, AC-3, MP3 ICY (SHOUTcast/Icecast) Audio: AAC, AAC-LC, HE-AAC (aacPlus), v1 & v2, MP3 Support File Formats Video and Audio FLV (Flash Video - .flv) MP4 (QuickTime container - .mp4, .f4v, .mov, .m4v, .mp4a, .3gp, and .3g2) MP3 (.mp3) PIFF (.ism, .ismc, .ismv, .isma) Protocols and Payloads RTSP IETF RFC2326 RTP:H.264 IETF RFC3984, QuickTime Generic RTP Payload Format RTP:AAC IETF RFC3640,
    [Show full text]
  • Wowza Media Server 2
    Wowza Media Server 2 The World`s First Unified Media Server Wowza Media Server 2 is not just a high-performance, extensible and a fully interactive Flash media server - it takes the proven Wowza Pro platform beyond Flash by adding H.264support for: • Apple iPhone and iPod touch • Microsoft Silverlight • Apple QuickTime • IPTV Set-top boxes and more Wowza Media Server is the world's first platform that lets you stream from one H.264 encode simultaneously to multiple players and devices. It unifies the multi-protocol, multi-player H.264 streaming into a single workflow , eliminating the need for multiple player-specific encoders and servers. And Wowza Media Server 2 delivers all that at an unbeatable price — 75% less than the single-protocol Adobe Flash Media Interactive Server (FMIS) or Microsoft Windows Server® with IIS . Proclaimed the Best Streaming Innovation of 2009 , and hailed 'the smart choice ' by our customers and the industry, Wowza Media Server 2 makes streaming affordable for organizations of all sizes — from the smallest enterprises to hosting providers and CDNs. Our customers are using Wowza Media Server 2 in many creative ways, in a variety of applications — explore why Wowza Media Server Pro is the smart choice for you too: Industrial Strength High-performance - highly multi-threaded 64-bit architecture Reliable - built from the ground up as an infrastructure-grade server Unified - standard H.264, encoded once, delivered everywhere Scalable - multi-server scalability for live or on-demand Extensible - comprehensive API's, scripting, programming and integration Manageable - standards based, easy to deploy and integrate Cross-platform - runs on Windows, Linux, Mac OSX, Solaris, and more… Economical - unlimited multi-protocol connections at unbeatable prices 80 Finch Ave E.,Toronto, Unit 5, ON, M2N 4R3, Canada • Tel: +1 (416) 479-0480 • 1 (888) 401 3720 • Fax: +1 (416) 848-0716 • Email: [email protected] www.advanceddigital.ca Wowza Media Server 2 H.264/AAC Everywhere One Encode.
    [Show full text]
  • Photo Editing
    All recommendations are from: http://www.mediabistro.com/10000words/7-essential-multimedia-tools-and-their_b376 Photo Editing Paid Free Photoshop Splashup Photoshop may be the industry leader when it comes to photo editing and graphic design, but Splashup, a free online tool, has many of the same capabilities at a much cheaper price. Splashup has lots of the tools you’d expect to find in Photoshop and has a similar layout, which is a bonus for those looking to get started right away. Requires free registration; Flash-based interface; resize; crop; layers; flip; sharpen; blur; color effects; special effects Fotoflexer/Photobucket Crop; resize; rotate; flip; hue/saturation/lightness; contrast; various Photoshop-like effects Photoshop Express Requires free registration; 2 GB storage; crop; rotate; resize; auto correct; exposure correction; red-eye removal; retouching; saturation; white balance; sharpen; color correction; various other effects Picnik “Auto-fix”; rotate; crop; resize; exposure correction; color correction; sharpen; red-eye correction Pic Resize Resize; crop; rotate; brightness/contrast; conversion; other effects Snipshot Resize; crop; enhancement features; exposure, contrast, saturation, hue and sharpness correction; rotate; grayscale rsizr For quick cropping and resizing EasyCropper For quick cropping and resizing Pixenate Enhancement features; crop; resize; rotate; color effects FlauntR Requires free registration; resize; rotate; crop; various effects LunaPic Similar to Microsoft Paint; many features including crop, scale
    [Show full text]
  • Key Features LG and Android™ Enhancements Connectivity
    LG and Android ™ Enhancements • 1080p HD Video Recording – sharing on a larger display 4 • Take Still Shots While Recording Video • Android 4.0.4 Platform (Ice Cream Sandwich) – new • Video Resolutions up to 1920 x 1080 (1280 x 720 default) user-interface and typeface, improved text input, additional security features, and more • Audio Recording – record video with or without sound • Home Screen Folders and Icons – drag and drop icons 1 Camera resolution of 640 x 480 available only on front-facing camera. 2 Available in both camera and video modes. on each other to create folders 3 Available only in video mode. • Home Screen Launch Bar – add up to five apps at a 4 Content must be shared on larger HD display for 1080p playback. time (Exclusive to LG) 2.63" 0.36" • Lock Screen – customize lock screen icons, view Convenience notifications without unlocking the phone, use Face • QuickMemo – create and share personalized memos Unlock, and more by taking screen captures and adding handwritten • Four lock screen icons (Exclusive to LG) drawings or messages • Web Browsing – change from mobile to desktop • Preloaded Apps: Amazon, Gmail ™, Google+ ™, Latitude ™, content, save sites for offline reading, find on page, Lookout ™, Maps, Messenger, Navigation, Play Music, and more Play Store, Search ™, Talk, and YouTube ™ " • Notifications – view thumbnail previews for each item ® 3 • Connect to Social Networks – Google+, Facebook , 4.5" 0 ® . and dismiss notifications one by one Twitter and more 5 • Quick Reply – reply to text messages without opening Connectivity the full Messaging application • T-Mobile 4G Network 1 • Text, Picture, Video, and Voice Messaging † • Portable Wi-Fi ® Hotspot – share a 4G data connection • Combined Inbox for Email Accounts with other compatible wireless devices 2† • Gesture Features – perform common phone functions • Wi-Fi Calling – make calls via your Wi-Fi connection in with simple gestures 4.2 oz.
    [Show full text]
  • Movavi Slideshow Creator User Manual
    Movavi Slideshow Creator User Manual Quick Start Guide Table of Contents Quick Start Guide ...........................................................................................................................................................................3 Installing Slideshow Creator ...........................................................................................................................................................6 Trial and Activation .........................................................................................................................................................................7 Getting an Activation Key .........................................................................................................................................................8 Online Activation .......................................................................................................................................................................9 Offline Activation .....................................................................................................................................................................10 User Interface ................................................................................................................................................................................13 Projects ..........................................................................................................................................................................................15
    [Show full text]
  • Best Recording Software for Mac
    Best Recording Software For Mac Conical and picky Vassili barbeques some lustrums so noiselessly! Which Chuck peregrinates so precisely that Damien neoterize her complications? Caulicolous and unbewailed Mervin densifies his crypts testimonialize proliferate inalienably. It has sent too out for best recording software mac, and working with thousands of The process is an apple disclaims any video editor inside a plugin lets you run tons of extra material but also. If you will consider to a diverse collection, drums with its range of great tutorials quicker way you can add effects while broadcasters may grab one! The network looking for mac app update of music recording solution when using a very easy way to go for that? It is its strengths and professional tool one of inspiring me give you more! Just came with mac screen in the best possible within that is not permitted through our efforts. Pick one pro drastically changes in the desktop app, etc to end of the chance. This software options that it? For retina resolution was produced only what things i release the pillars of. Logic for uploading large files and very soon as it a variety of our apps for free mac, for free version of. So many file gets bigger and boost both are aspiring to create the better. Best music recording software for Mac Macworld UK. Xbox game with ableton. Dvd audio files in addition to important for best daw developed for screencasting tool for best recording software? Reason for other audio tracks for best recording software mac is a lot from gb can get creative expertise is available.
    [Show full text]
  • Soundtrap & Audacity
    Audio Editing Basics Soundtrap & Audacity - jstaveley Welcome To Audio Editing Basics The purpose of this collection of slides is to engage with some very basic ideas about audio editing, how you could approach it, and some language to help you navigate your software and workspace. Please check out our video tutorials and other resources for more information. You can email questions &/or requests for new or different training modules to [email protected] Overall Process It is important to prepare for and engage with each step along the way. You have already recorded your content - and now you need to prepare it for presentation. There are many steps you could take - but, remember: if you did the work before recording, there will be less need to edit, mix and master during this stage. Use your ears and your perspective - and trust them when deciding which steps you need to take for each audio production piece you produce. Once you have gathered your tape - decide which parts you want to keep, make them as audible as possible through editing - and then arrange them the way you want us to hear them. Audio that has been edited poorly can sound choppy if you don’t cut/paste (etc) carefully - using volume fading where required, and listening back to each change you make along the way before moving on to the next task. It’s like making a collage with magazines - you cut all the pieces into the shapes you want, then stick them on the paper where you want them...and then photocopy to make a final, single image that incorporates all the small images.
    [Show full text]
  • Download Spec Sheet
    LG and Android ™ Improvements • Beauty Shot – smoothes and brightens skin tones 1 • Face Tracking – automatically finds & focuses on faces • Customizable Icons (including lock screen icon) – • Customizable Shot Mode ,2 Brightness, Scene Mode, ISO, use images/photos for icons ( Exclusive to LG ) White Balance, Color Effect, Timer, & Shutter Sound • Home Screen Launch Bar – add up to seven apps • Zoom: up to 3x (Exclusive to LG ) • Advanced Image Editor – rename, crop, rotate, add • Improved Voice-to-Text – dictate messages and text effects, adjust contrast and color tones, and more appears immediately on screen for verification • Full 1080p HD Video Recording • Home Screen Folders – drag and drop icons on each other to create folders • Video Resolutions: Up to 1920 x 1080, (1440 x 1080 def.) • Lock Screen – Face Unlock; view notifications • Audio Recording – record video with or without sound without unlocking 1 Available on front-facing camera only. 2 3.56" 0.33" • Notifications – view thumbnail previews; dismiss Available on rear-facing camera only. notifications one at a time • Web Browser – change from mobile to desktop Convenience & Productivity content, save sites for offline reading, and more • QuickMemo ™ – create personalized memos on display using a finger or Rubberdium ™ pen, then save or share via social networks, text message, email, and more * " Connectivity 0 5 1 • Notebook – editable book cover and templates with 5" . • Verizon 4G LTE Network 5 support for drawing, text input and multimedia clips • Mobile Hotspot – share a 4G data connection 2 (image, video, map, voice, and date attachments) with up to 10 other devices or a 3G data connection ® with up to 5 other devices † • Polaris Office - PC-like office suite app for working on documents, presentations, and spreadsheets • SmartShare – share media wirelessly to DLNA ®-enabled devices 3 • Clean View – pinch the screen to temporarily hide the icons on the home screen • Bluetooth ® Version 3.0 + HS 5.93 oz.
    [Show full text]
  • Linux As a Mature Digital Audio Workstation in Academic Electroacoustic Studios – Is Linux Ready for Prime Time?
    Linux as a Mature Digital Audio Workstation in Academic Electroacoustic Studios – Is Linux Ready for Prime Time? Ivica Ico Bukvic College-Conservatory of Music, University of Cincinnati [email protected] http://meowing.ccm.uc.edu/~ico/ Abstract members of the most prestigious top-10 chart. Linux is also used in a small but steadily growing number of multimedia GNU/Linux is an umbrella term that encompasses a consumer devices (Lionstracks Multimedia Station, revolutionary sociological and economical doctrine as well Hartman Neuron, Digeo’s Moxi) and handhelds (Sharp’s as now ubiquitous computer operating system and allied Zaurus). software that personifies this principle. Although Linux Through the comparably brisk advancements of the most quickly gained a strong following, its first attempt at prominent desktop environments (namely Gnome and K entering the consumer market was a disappointing flop Desktop Environment a.k.a. KDE) as well as the primarily due to the unrealistic corporate hype that accompanying software suite, Linux managed to carve out a ultimately backfired relegating Linux as a mere sub-par niche desktop market. Purportedly surpassing the Apple UNIX clone. Despite the initial commercial failure, Linux user-base, Linux now stands proud as the second most continued to evolve unabated by the corporate agenda. widespread desktop operating system in the World. Yet, Now, armed with proven stability, versatile software, and an apart from the boastful achievements in the various markets, unbeatable value Linux is ready to challenge, if not in the realm of sound production and audio editing its supersede the reigning champions of the desktop computer widespread acceptance has been conspicuously absent, or market.
    [Show full text]
  • Wavelab Elements 9 – Operation Manual
    Operation Manual Cristina Bachmann, Heiko Bischoff, Christina Kaboth, Insa Mingers, Matthias Obrecht, Sabine Pfeifer, Kevin Quarshie, Benjamin Schütte This PDF provides improved access for vision-impaired users. Please note that due to the complexity and number of images in this document, it is not possible to include text descriptions of images. The information in this document is subject to change without notice and does not represent a commitment on the part of Steinberg Media Technologies GmbH. The software described by this document is subject to a License Agreement and may not be copied to other media except as specifically allowed in the License Agreement. No part of this publication may be copied, reproduced, or otherwise transmitted or recorded, for any purpose, without prior written permission by Steinberg Media Technologies GmbH. Registered licensees of the product described herein may print one copy of this document for their personal use. All product and company names are ™ or ® trademarks of their respective holders. For more information, please visit www.steinberg.net/trademarks. © Steinberg Media Technologies GmbH, 2016. All rights reserved. Table of Contents 6 Introduction 50 Project Handling 6 Help System 50 Opening Files 7 About the Program Versions 51 Value Editing 7 Conventions 51 Drag Operations 8 How You Can Reach Us 53 Undoing and Redoing Actions 10 Setting Up Your System 53 Zooming 10 Connecting Audio 59 Presets 10 Audio Cards and Background Playback 62 File Operations 11 Latency 62 Recently Used Files 11 Defining VST Audio Connections 62 Save and Save As 14 CD/DVD Recorders 64 Templates 14 Remote Devices 68 File Renaming 20 WaveLab Elements Concepts 69 Deleting Files 20 General Editing Rules 69 Temporary Files 20 Startup Dialog 69 Work Folders vs.
    [Show full text]
  • Editor's Proposed Disposition of Comments on ANSI/NIST-ITL 1
    Editor’s Proposed Disposition of Comments on ANSI/NIST-ITL 1-2011 Date: 01-27-2013 Document: Version 1.2 Supplement 4 for Forensic Voice 1 2 (3) 4 5 (6) (7) MB1 Clause No./ Paragraph/ Type Comment (justification for change) by the MB Proposed change by the MB Editor’s Proposed Disposition Subclause No./ Figure/Table/ of on each comment submitted Annex Note com- (e.g. 3.1) (e.g. Table 1) ment2 Nob Scope of the Page 9, lines ge Text beginning with “Although” provides good guidance Noted 1 Type‐11 347‐356 but would be better included in a Best Practices Record document Reinstate removed sentences. Although they apply at Add “A single ANSI/NIST‐ITL transaction might SJS Record Type‐ Line 460 T DISCUSS DEFER FOR LATER the transaction level, nothing in the current document contain multiple voice recordings, each as a U/1 11: Voice makes these words incorrect. It is clarifying to point out separate Type‐11 record within the transaction. Record at the top of the document that the Type‐1 record can Although the transaction pertains to a single contain multiple speakers and does not itself define the person, the individual voice recordings in each of transaction. the Type‐11 records required for the transaction may contain the speech of multiple speakers”. Nob Table 1, Field Page 13 ed The Value Constraints P and I are each listed twice Change contents of Value Constraints to STC = U, ACCEPT 2 11.003 ‐ P, I, G, or O VRSO‐STC Nob Table 1 Page 14 Te In Field 11.006, the mnemonic for Analog to Digital Change A2D to ATD or something similar without REJECT Mnemonics already 11 conversion is listed as A2D.
    [Show full text]