Jazzweek with Airplay Data Powered by Jazzweek.Com • March 16, 2009 Volume 5, Number 16 • $7.95
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Reggie Workman Working Man
APRIL 2018—ISSUE 192 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM REGGIE WORKMAN WORKING MAN JIM JONNY RICHARD EDDIE McNEELY KING WYANDS JEFFERSON Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East APRIL 2018—ISSUE 192 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : JIM Mcneely 6 by ken dryden [email protected] Andrey Henkin: [email protected] Artist Feature : JONNY KING 7 by donald elfman General Inquiries: [email protected] ON The COver : REGGIE WORKMAN 8 by john pietaro Advertising: [email protected] Encore : RICHARD WYANDS by marilyn lester Calendar: 10 [email protected] VOXNews: Lest WE Forget : EDDIE JEFFERSON 10 by ori dagan [email protected] LAbel Spotlight : MINUS ZERO by george grella US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or vOXNEWS 11 by suzanne lorge money order to the address above or email [email protected] Obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIvAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD REviews 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, Suzanne -
Dedicated to the Needs of the Music/Rec Albums
DEDICATED TO THE NEEDS OF THE MUSIC/REC STRY SEPTEMBER 10, (977 $1.75 SINGLES ALBUMS RITA COOLIDGE, "WE'RE ALL ALONE" (prod. by ALAN O'DAY, "STARTED OUT DANCING, LINDA RONSTADT, "SIMPLE DREAMS." David Anderle) (writer: Boz Scaggs) ENDED UP MAKING LOVE" (prod. by From the album artwork to the record (Boz Scaggs, ASCAP) (3:38). This Steve Barri) (writer: O'Day) (WB, contained within, this is Ronstadt's superb Scaggs ballad was never a ASCAP) (3:21). "Undercover Angel" finest achievement to date. She is in single for the writer, but should be brought O'Day to number one with classic form with Roy Orbison's "Blue Coolidge's second straight pop hit. his first record, and this disco -ori- Bayou," Buddy Holly's "It's So Eeasy" She sings it with feeling and re- ented 'ollow-up has the same play- and the Stones' "Tumbling Dice" while straint. With her album in the top 20, ful eroticism and hook -filled struc- the ballads reflect an introspective side top 40 should react quickly. A&M ture. Look for a speedy chart return. with a sparse arrangement underpin- 1965. Pacific 002 (Atlantic). ning her voice. Asylum 6E-104 (7.98). JIMMY BUFFETT, "CHANGES IN LATITUDES, ART GARFUNKEL, "CRYING IN MY SLEEP" DARYL HALL AND JOHN OATES, CHANGES IN ATTITUDES" (prod. by (prod. by Art Garfunkel & Barry "BEAUTY ON A BACKSTREET." The Norbert Putnam) (writer: Jimmy Buf- Beckett) (writer: Jimmy Webb) (Can- group continues to ride the peak of fett) (Coral Reefer / Outer Banks, opy, ASCAP) (4:00). The first offering their success with this strong follow-up BMI) (3:15). -
WARNER BROS. / WEA RECORDS 1970 to 1982
AUSTRALIAN RECORD LABELS WARNER BROS. / WEA RECORDS 1970 to 1982 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, APRIL 2019 WARNER BROS. / WEA RECORDS, 1970–1982 A BRIEF WARNER BROS. / WEA HISTORY WIKIPEDIA TELLS US THAT... WEA’S ROOTS DATE BACK TO THE FOUNDING OF WARNER BROS. RECORDS IN 1958 AS A DIVISION OF WARNER BROS. PICTURES. IN 1963, WARNER BROS. RECORDS PURCHASED FRANK SINATRA’S REPRISE RECORDS. AFTER WARNER BROS. WAS SOLD TO SEVEN ARTS PRODUCTIONS IN 1967 (FORMING WARNER BROS.-SEVEN ARTS), IT PURCHASED ATLANTIC RECORDS AS WELL AS ITS SUBSIDIARY ATCO RECORDS. IN 1969, THE WARNER BROS.-SEVEN ARTS COMPANY WAS SOLD TO THE KINNEY NATIONAL COMPANY. KINNEY MUSIC INTERNATIONAL (LATER CHANGING ITS NAME TO WARNER COMMUNICATIONS) COMBINED THE OPERATIONS OF ALL OF ITS RECORD LABELS, AND KINNEY CEO STEVE ROSS LED THE GROUP THROUGH ITS MOST SUCCESSFUL PERIOD, UNTIL HIS DEATH IN 1994. IN 1969, ELEKTRA RECORDS BOSS JAC HOLZMAN APPROACHED ATLANTIC'S JERRY WEXLER TO SET UP A JOINT DISTRIBUTION NETWORK FOR WARNER, ELEKTRA, AND ATLANTIC. ATLANTIC RECORDS ALSO AGREED TO ASSIST WARNER BROS. IN ESTABLISHING OVERSEAS DIVISIONS, BUT RIVALRY WAS STILL A FACTOR —WHEN WARNER EXECUTIVE PHIL ROSE ARRIVED IN AUSTRALIA TO BEGIN SETTING UP AN AUSTRALIAN SUBSIDIARY, HE DISCOVERED THAT ONLY ONE WEEK EARLIER ATLANTIC HAD SIGNED A NEW FOUR-YEAR DISTRIBUTION DEAL WITH FESTIVAL RECORDS. IN MARCH 1972, KINNEY MUSIC INTERNATIONAL WAS RENAMED WEA MUSIC INTERNATIONAL. DURING THE 1970S, THE WARNER GROUP BUILT UP A COMMANDING POSITION IN THE MUSIC INDUSTRY. IN 1970, IT BOUGHT ELEKTRA (FOUNDED BY HOLZMAN IN 1950) FOR $10 MILLION, ALONG WITH THE BUDGET CLASSICAL MUSIC LABEL NONESUCH RECORDS. -
BARRY HARRIS NEA Jazz Master (1989)
Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. BARRY HARRIS NEA Jazz Master (1989) Interviewee: Barry Harris (December 19, 1929 - ) Interviewer: Aaron Graves with recording engineer Ken Kimery Date: August 20th, 2010 Repository: Archives Center, National Museum of American History Description: Transcript, 36 pp. Graves: My name is Aaron Graves, today is August the 20th 2010. We’re here at the University of the Streets with Master Barry Harris. And we’re going to ask Mr. Harris, if you would to give us – state your name for us. Harris: Okay. Barry D. Harris. The “D” stands for Doyle. Barry Doyle Harris. Graves: Barry Doyle Harris. Harris: That’s right. Graves: That’s new to the world? Harris: All Irish all the way. Graves: Irish? Harris: Irish and English and Scottish. And born – when – December 15th, 1929. Graves: Mm-hm. Harris: In a little cabin. [laughs] Graves: When – where were you born? Harris: Where was I born? For additional information contact the Archives Center at 202.633.3270 or [email protected] Graves: Where were you born? Harris: I was born in Herman Kiefer Hospital in Detroit. You know, so Detroit was really my home, you know for quite a few years. Graves: So, mother and father. What’s your mother and father’s names? Harris: Mother’s named Bessie, father’s named Melvin. Graves: Melvin. Harris: That’s right, as you know. Graves: Alright. So who named you? Do you know who named you – your name is Barry Doyle… Harris: Don’t ask me. -
His Majesty King Funk / up with Donald Byrd Mp3, Flac, Wma
Grant Green His Majesty King Funk / Up With Donald Byrd mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: His Majesty King Funk / Up With Donald Byrd Country: US Released: 1995 Style: Soul-Jazz MP3 version RAR size: 1171 mb FLAC version RAR size: 1688 mb WMA version RAR size: 1326 mb Rating: 4.6 Votes: 158 Other Formats: AAC TTA VQF AHX ADX RA AU Tracklist 1 –Grant Green The Selma March 8:23 2 –Grant Green Willow Weep For Me 9:59 3 –Grant Green The Cantaloupe Woman 4:52 4 –Grant Green That Lucky Old Sun (Just Rolls Around Heaven All Day) 5:17 5 –Grant Green Daddy Grapes 4:32 6 –Donald Byrd Blind Man, Blind Man 2:51 7 –Donald Byrd Boom, Boom 4:21 8 –Donald Byrd House Of The Rising Sun 5:05 9 –Donald Byrd See, See, Rider 3:58 10 –Donald Byrd Cantaloupe Island 6:46 11 –Donald Byrd Bossa 7:56 12 –Donald Byrd Sometimes I Feel Like A Motherless Child 5:13 13 –Donald Byrd You've Been Talkin' 'bout Me Baby 2:39 14 –Donald Byrd My Babe 2:48 Credits Arranged By, Conductor – Claus Ogerman (tracks: 6 to 14) Bass – Bob Cranshaw (tracks: 6 to 14), Ron Carter (tracks: 6 to 14) Bongos, Congas – Candido Camero* Drums – Ben Dixon (tracks: 1 to 5), Grady Tate (tracks: 6 to 14) Guitar – Grant Green (tracks: 1 to 5), Kenny Burrell (tracks: 6 to 14) Organ – Larry Young (tracks: 1 to 5) Piano – Herbie Hancock (tracks: 6 to 14) Producer – Creed Taylor Tenor Saxophone – Jimmy Heath (tracks: 6 to 14), Stanley Turrentine (tracks: 6 to 14) Tenor Saxophone, Flute – Harold Vick (tracks: 1 to 5) Trumpet – Donald Byrd (tracks: 6 to 14) Vocals – The Donald -
JACK Dejohnette NEA Jazz Master (2112)
Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. JACK DeJOHNETTE NEA Jazz Master (2112) Interviewee: Jack DeJohnette (August 9, 1942 - ) Interviewer: Dr. Anthony Brown with sound engineer Ken Kimery Date: November, 10-11th, 2011 Repository: Archives Center, National Museum of American History Description: Transcript, pp. 107 Brown: Today is November 10th, 2011, and this is The Smithsonian Oral History Interview with NEA Jazz Master, percussionist, pianist, bandleader, composer, arranger, educator, and my hero, Jack DeJohnette, in his house in Silver Hollow, Upstate New York. How are you doing today, Mr. DeJohnette? DeJohnette: I'm doing great! Brown: Great, great. DeJohnette: Great. Brown: If we could start the interview by you stating your full name, full birth name, birthplace and birth date? DeJohnette: Okay. Jack DeJohnette…born in Chicago, Illinois in the county of Cook, August 9th, 1942. Brown: And if you could tell us the names of your parents. For additional information contact the Archives Center at 202.633.3270 or [email protected] 1 DeJohnette: Yeah, my mother's name was Eva Jeanette Wood and my father's name is Jack DeJohnette Sr. in that case. Brown: Oh, so you're a Jr.? DeJohnette: Yeah, I'm a Jr. Brown: No middle name? DeJohnette: No. Brown: And do you know where your parents are originally from? DeJohnette: Yeah, my mother was from Lionel, Georgia. My father was from Oak Ridge, Louisiana. Brown: And did they meet and marry in Chicago, do you know anything about that? DeJohnette: Mm-hmm. -
Jazz-Inside-Magazine-2020-01
Eric Nemeyer’s WWW.JAZZINSIDEMAGAZINE.COM December-Janauary 2020 Interviews DaveDave StrykerStryker Jazz Standard, Jan 24--26 LewisLewis NashNash omprehensive DirectoryDirectory of NY ClubS, ConcertS HaroldHarold MabernMabern KnowingKnowing HowHow toto StayStay OutOut ofof thethe WayWay TheThe FinalFinal InterviewInterview To Advertise CALL: 215-887-8880 December 2015 Jazz Inside Magazine www.JazzInsideMagazine.com 1 COVER-2-JI-15-12.pub Wednesday, December 09, 2015 15:43 page 1 MagentaYellowBlacCyank ORDER THIS 200+ Page Book + CD - Only $19.95 Call 215-887-8880 To Advertise CALL: 215-887-8880 December-January 2020 Jazz Inside Magazine www.JazzInsideMagazine.com 1 Eric Nemeyer’s Jazz Inside Magazine ISSN: 2150-3419 (print) • ISSN 2150-3427 (online) December-January 2020 – Volume 10, Number 7 Cover Photo and photo and at right of Harold Mabern By Eric Nemeyer Publisher: Eric Nemeyer Editor: Wendi Li Marketing Director: Cheryl Powers Advertising Sales & Marketing: Eric Nemeyer Circulation: Susan Brodsky Photo Editor: Joe Patitucci Layout and Design: Gail Gentry Contributors: Eric Nemeyer, Ken Weiss, Joe Patitucci. ADVERTISING SALES 215-887-8880 Eric Nemeyer – [email protected] ADVERTISING in Jazz Inside™ Magazine (print and online) Jazz Inside™ Magazine provides its advertisers with a unique opportunity to reach a highly specialized and committed jazz readership. Call our Advertising Sales Depart- ment at 215-887-8880 for media kit, rates and information. SUBSCRIPTION INFORMATION SUBMITTING PRODUCTS FOR REVIEW Jazz Inside™ Magazine | Enthusiasm Corporation Jazz Inside™ (published monthly). To order a subscription, call 215-887-8880 or visit Companies or individuals seeking reviews of their recordings, books, videos, software P.O. Box 8811, Elkins Park, PA 19027 Jazz Inside on the Internet at www.jazzinsidemagazine.com. -
Instead Draws Upon a Much More Generic Sort of Free-Jazz Tenor Saxophone Musical Vocabulary
1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. JIMMY COBB NEA Jazz Master (2009) Interviewees: Jimmy Cobb (January 20, 1929 – May 24, 2020) and Eleana Steinberg Cobb Interviewer: William Brower with recording engineer Ken Kimery Date: July 26-27, 2010 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 120 pp. Brower: It is Monday, July 26th, the year 2010. I am William Alston Brower. I am here to interview Jimmy Cobb on behalf of the Smithsonian Jazz Oral History Program. We’re in New York City at the Wells Hotel. Mr. Cobb, if you could – we want to go from the beginning. So would you introduce us to your parents? Jimmy: My mother is Katherine Bivens Cobb, and my father is Wilbur Cobb. They met somewhere around before I was born and got married and had me. He’s from Carolina somewhere, and she’s from southern Maryland. How they got together, I’m not really sure about that. That’s how it happened. They tell me I was born in Corcoran Street – 1515 Corcoran Street – in the basement. But I’m not really sure of that even. Sometime I have to try to check that out myself. Every time I go by there I look and say, well, maybe that was where it was. Brower: That’s in northwest Washington [D.C.] Jimmy: Yeah, northwest, 1515. In fact, in Corcoran Street, I lived in two or three – over my lifetime, I lived in about three blocks of Corcoran Street. -
Sonny Red Oral History 2020
BLUESVILLE: THE JOURNEY OF SONNY RED Anders Svanoe INTRODUCTION The first time I heard Sonny Red on record, I wondered, “Who is this guy?” Luckily for me, I had stumbled on Curtis Fuller's New Trombone, which started the nine-year (and still counting) love affair with Sonny Red (a.k.a. Sylvester Kyner). That particular record really caught my attention, since I had never heard that much trombone and alto saxophone pairing on the front line. But there was something almost suspicious in how these two masterful musicians blended and embellished every note together as if they were one. It seemed they knew each other well. Almost too well. Red's organic sound on the alto saxophone was a perfect match for Curtis Fuller. I couldn't explain why I liked it so much, other than to say it was captivating, heartfelt and real. Imperfectly perfect, if you can say that. In the following weeks I looked for additional record dates that featured Sonny, but found very few sessions available on CD. Not even Out Of the Blue, perhaps Red's finest effort, was available in the U.S. Now Sonny's albums are finally resurfacing on CD, and are beginning to attract positive attention. When these albums first came out in the late 1950s and early 1960s, they were sadly overlooked. This was a common problem for bebop alto players recording in the 1950s: there were just too many other great alto players recording a similar type of music, and Red's style somehow got lost in the mix. -
Lew TABACKIN: Tatsuya TAKAHASHI
This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Lew TABACKIN: "Lew Tabackin" Lew Tabackin -ts,fl; Bob Dougherty -b; Bill Goodwin -d; recorded December 19, 1974 in Tokyo 11925 BYE BYE BLUES 7.22 RCA 6271 11926 SOLILOQUI 6.00 --- 21816 COME RAIN OR COME SHINE 7.36 --- 21817 MORNING 6.12 --- 21818 HOW DEEP IS THE OCEAN 5.52 --- 21821 LET THE TAPE ROLL 5.42 --- Lew Tabackin -ts; recorded December 19, 1974 in Tokyo 21822 GHOST OF A CHANCE 5.52 --- "Dual Nature" Lew Tabackin -fl,afl,ts[2]; Don Friedman -p; Bob Daugherty -b; Shelly Manne -d, perc; recorded August 31 and September 03, 1976 in Hollywood 69549 EUTERPE 7.15 Empathy EMP1001 69550 YELLOW IS MEOOW 5.48 --- 69551 OUT OF THIS WORLD 9.40 --- 69552 NO DUES BLUES (2) 9.22 --- 69553 MY IDEAL (2) 6.52 --- 69554 RUSSIAN LULLABY (2) 5.47 --- "Trackin'" Lew Tabackin -ts,fl; Toshiko Akiyoshi -p; Bob Daugherty -b; Shelly Manne -d; recorded September 03, 1976 in Hollywood 17075 I'M ALL SMILES 6.35 RCA RDC-3 17076 COTTON TAIL 5.49 --- 17077 TRACKIN' 6.16 --- 17078 SUMMERTIME 4.42 --- "Rites of Pan" Lew Tabackin -fl; Toshiko Akiyoshi -p; John Heard -b; Shelly Manne -d; recorded September 26 and 27, 1977 in Los Angeles 64263 BE-BOP 2.24 Inner City IC6052 64264 JITTERBUG WALTZ 6.39 --- 64265 RITES OF PAN 5.09 --- 64266 NIGHT NYMPH 2.17 --- 64267 ELUSIVE DREAM 4.05 --- Lew Tabackin -fl; Toshiko Akiyoshi -p; Bob Dougherty -b; Shelly Manne -d; recorded February 1978 in Los Angeles 64261 -
Express Music Auction
Hugo Marsh Neil Thomas Plant (Director) Shuttleworth (Director) (Director) Express Music Auction 5th April 2018 at 10:00 Viewing: 4th April 2018 10:00 - 16:00 Otherwise by Appointment David Martin David Howe Music Music Saleroom One 81 Greenham Business Park, NEWBURY RG19 6HW Telephone: 01635 580595 Fax: 0871 714 6905 Email: [email protected] www.specialauctionservices.com Buyers Premium: 17.5% plus Value Added Tax making a total of 21% of the Hammer Price Internet Buyers Premium: 20.5% plus Value Added Tax making a total of 24.6% of the Hammer Price 1. Funk / Soul LPs, approximate- 5. 12” Singles, approximately 9. Soul / Funk LPs, approximate- ly seventy five Albums with artists in- seventy 12” singles of various genres ly eighty albums with artists including cluding Weather Report, Black Heat, with artists including Prince, Madon- Leon Bibb, 5th Dimension, Funkadel- Parliament, Lakeside, Bar-Kays, The na, A-Ha, Tears For Fears, Fun Boy ic, Detroit Emeralds, Dramatics, Hues Dells and more. Various years and con- Three, Madness and more - various Corporation and more - various years ditions £50-80 years and conditions £20-30 and conditions £50-80 2. Soul / Blues LPs, approximate- 6. Female Artist LPs, approxi- 10. Jazz Fusion / Funk LPs, ap- ly eighty albums with artists including mately eighty albums of various genres proximately seventy albums with art- Gilberto Gil, Ben E King, Z Z Hill, Billy and by mainly female artists including ists including Alphonze Mouzon, Bud- Preston, Solomon Burke and more - Doris Troy, Kate Bush, Kiki Dee Joni dy Miles, Grover Washington, Herbie various years and conditions £50-80 Mitchell, Amii Stewart, Shirley Brown, Hancock, Jimmy Smith, Quincy Jones Ann Peebles and more - various years and more - various years and condi- and conditions £40-60 tions £50-80 3. -
First Fusion
APRIL 2014 - ISSUE 144 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM LENNY WHITE FIRST FUSION BILL • LISA • ANDREW • CHESKY • EVENT LASWELL MEZZACAPPA WHITE RECORDS CALENDAR April 10, 2014 Chick Corea April 9, Solo Piano 2014 BUIKATHE TOWN HALL 123 W. 43RD ST. B/T 6TH & BROADWAY (212) 840-2824 WWW.THETOWNHALL.ORG APRIL 2014 ROY HARGROVE GARY BURTON & SAVION GLOVER PLAYING FOR JIM HALL: STANLEY CLARKE ERIC HARLAND’S APR 1 - 6 MAKOTO OZONE & FRIENDS WITH BILL FRISELL, JULIAN LAGE, & FRIENDS VOYAGER DUETS DEE DEE BRIDGEWATER, SCOTT COLLEY, JOEY BARON APR 22 - 27 W/ JASON MORAN APR 8 - 13 KENNY BARRON + MORE + FRIENDS FEAT. CHRIS POTTER, APR 29 - 30 APR 15 - 17 GREG OSBY, LARRY GOLDINGS, BILL STEWART, RUSSELL MALONE, ADAM ROGERS, BILL CHARLAP & MORE APR 18 - 20 PURCHASE JAZZ ORCHESTRA FEAT. GARY SMULYAN APR 7 • BERKLEE GLOBAL JAZZ INSTITUTE FEAT. MIGUEL ZENÓN APR 14 DENNIS CHAMBERS & GRAFFITI APR 21 • JJ SANSAVERINO APR 28 SUNDAY BRUNCH BRAD SHEPIK & HIS NYU ENSEMBLE APR 6 “EAST MEETS WEST BRUNCH SERIES”: MANAMI MORITA APR 13 • THE ARCHI-TET (AKIHIRO YAMAMOTO) APR 20 • KYOKO OYOBE GROUP APR 27 131 WEST THIRD STREET NEW YORK CITY 212.475.8595 WWW.BLUENOTE JAZZ.COM TWO SHOWS NIGHTLY FRIDAY & SATURDAY SUNDAY BRUNCH 8PM & 10:30PM TELECHARGE.COM LATE NIGHTS: 12:30AM 11:30AM & 1:30PM TERMS, CONDITIONS AND RESTRICTIONS APPLY “BEST JAZZ CLUBS OF THE YEAR 2012” SMOKE JAZZ & SUPPER CLUB • HARLEM, NEW YORK CITY FEATURED ARTISTS / 7:00, 9:00 & 10:30pm ONE NIGHT ONLY / 7:00, 9:00 & 10:30pm Fri & Sat, Apr 4 & 5 Wed, Apr 2 SMOKE Smoke’s 15th Anniversary