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The Dub Issue 15 August2017
AIRWAVES DUB GREEN FUTURES FESTIVAL RADIO + TuneIn Radio Thurs - 9-late - Cornerstone feat.Baps www.greenfuturesfestivals.org.uk/www.kingstongreenradi o.org.uk DESTINY RADIO 105.1FM www.destinyradio.uk FIRST WEDNESDAY of each month – 8-10pm – RIDDIM SHOW feat. Leo B. Strictly roots. Sat – 10-1am – Cornerstone feat.Baps Sun – 4-6pm – Sir Sambo Sound feat. King Lloyd, DJ Elvis and Jeni Dami Sun – 10-1am – DestaNation feat. Ras Hugo and Jah Sticks. Strictly roots. Wed – 10-midnight – Sir Sambo Sound NATURAL VIBEZ RADIO.COM Daddy Mark sessions Mon – 10-midnight Sun – 9-midday. Strictly roots. LOVERS ROCK RADIO.COM Mon - 10-midnight – Angela Grant aka Empress Vibez. Roots Reggae as well as lo Editorial Dub Dear Reader First comments, especially of gratitude, must go to Danny B of Soundworks and Nick Lokko of DAT Sound. First salute must go to them. When you read inside, you'll see why. May their days overflow with blessings. This will be the first issue available only online. But for those that want hard copies, contact Parchment Printers: £1 a copy! We've done well to have issued fourteen in hard copy, when you think that Fire! (of the Harlem Renaissance), Legitime Defense and Pan African were one issue publications - and Revue du Monde Noir was issued six times. We're lucky to have what they didn't have – the online link. So I salute again the support we have from Sista Mariana at Rastaites and Marco Fregnan of Reggaediscography. Another salute also to Ali Zion, for taking The Dub to Aylesbury (five venues) - and here, there and everywhere she goes. -
Steve Cropper | Primary Wave Music
STEVE CROPPER facebook.com/stevecropper twitter.com/officialcropper Image not found or type unknown youtube.com/channel/UCQk6gXkhbUNnhgXHaARGskg playitsteve.com en.wikipedia.org/wiki/Steve_Cropper open.spotify.com/artist/1gLCO8HDtmhp1eWmGcPl8S If Yankee Stadium is “the house that Babe Ruth built,” Stax Records is “the house that Booker T, and the MG’s built.” Integral to that potent combination is MG rhythm guitarist extraordinaire Steve Cropper. As a guitarist, A & R man, engineer, producer, songwriting partner of Otis Redding, Eddie Floyd and a dozen others and founding member of both Booker T. and the MG’s and The Mar-Keys, Cropper was literally involved in virtually every record issued by Stax from the fall of 1961 through year end 1970.Such credits assure Cropper of an honored place in the soul music hall of fame. As co-writer of (Sittin’ On) The Dock Of The Bay, Knock On Wood and In The Midnight Hour, Cropper is in line for immortality. Born on October 21, 1941 on a farm near Dora, Missouri, Steve Cropper moved with his family to Memphis at the age of nine. In Missouri he had been exposed to a wealth of country music and little else. In his adopted home, his thirsty ears amply drank of the fountain of Gospel, R & B and nascent Rock and Roll that thundered over the airwaves of both black and white Memphis radio. Bit by the music bug, Cropper acquired his first mail order guitar at the age of 14. Personal guitar heroes included Tal Farlow, Chuck Berry, Jimmy Reed, Chet Atkins, Lowman Pauling of the Five Royales and Billy Butler of the Bill Doggett band. -
Impex Records and Audio International Announce the Resurrection of an American Classic
Impex Records and Audio International Announce the Resurrection of an American Classic “When Johnny Cash comes on the radio, no one changes the station. It’s a voice, a name with a soul that cuts across all boundaries and it’s a voice we all believe. Yours is a voice that speaks for the saints and the sinners – it’s like branch water for the soul. Long may you sing out. Loud.” – Tom Waits audio int‘l p. o. box 560 229 60407 frankfurt/m. germany www.audio-intl.com Catalog: IMP 6008 Format: 180-gram LP tel: 49-69-503570 mobile: 49-170-8565465 Available Spring 2011 fax: 49-69-504733 To order/preorder, please contact your favorite audiophile dealer. Jennifer Warnes, Famous Blue Raincoat. Shout-Cisco (three 200g 45rpm LPs). Joan Baez, In Concert. Vanguard-Cisco (180g LP). The 20th Anniversary reissue of Warnes’ stunning Now-iconic performances, recorded live at college renditions from the songbook of Leonard Cohen. concerts throughout 1961-62. The Cisco 45 rpm LPs define the state of the art in vinyl playback. Holly Cole, Temptation. Classic Records (LP). The distinctive Canadian songstress and her loyal Jennifer Warnes, The Hunter. combo in smoky, jazz-fired takes on the songs of Private-Cisco (200g LP). Tom Waits. Warnes’ post-Famous Blue Raincoat release that also showcases her own vivid songwriting talents in an Crosby, Stills, Nash & Young, Déjá Vu. exquisite performance and recording. Atlantic-Classic (200g LP). A classic: Great songs, great performances, Doc Watson, Home Again. Vanguard-Cisco great sound. The best country guitar-picker of his day plays folk ballads, bluegrass, and gospel classics. -
Wavelength (November 1984)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 11-1984 Wavelength (November 1984) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (November 1984) 49 https://scholarworks.uno.edu/wavelength/49 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. I I ~N0 . 49 n N<MMBER · 1984 ...) ;.~ ·........ , 'I ~- . '· .... ,, . ----' . ~ ~'.J ··~... ..... 1be First Song • t "•·..· ofRock W, Roll • The Singer .: ~~-4 • The Songwriter The Band ,. · ... r tucp c .once,.ts PROUDLY PR·ESENTS ••••••••• • • • • • • • •• • • • • • • • • • • • • • • ••••••••• • • • • • • • •• • • • • • • • • • • • • • •• • • • • • • • • • • • ••••••••••• • •• • • • • • • • ••• •• • • • • • •• •• • •• • • • •• ••• •• • • •• •••• ••• •• ••••••••••• •••••••••••• • • • •••• • ••••••••••••••• • • • • • ••• • •••••••••••••••• •••••• •••••••• •••••• •• ••••••••••••••• •••••••• •••• .• .••••••••••••••••••:·.···············•·····•••·• ·!'··············:·••• •••••••••••• • • • • • • • ...........• • ••••••••••••• .....•••••••••••••••·.········:· • ·.·········· .....·.·········· ..............••••••••••••••••·.·········· ............ '!.·······•.:..• ... :-=~=···· ····:·:·• • •• • •• • • • •• • • • • • •••••• • • • •• • -
Amii Stewart
Amii Stewart Ha iniziato le lezioni di ballo quando aveva 9 anni. Dopo 8 anni ha vinto una borsa di studi presso la prima scuola delle belle arte a Washington D.C. “Workshops For Careers In The Arts”, perfezionando il suo talento naturale per il ballo, recitazione ed il canto sotto la tutela di Mike Malone, Lewis Johnson, Debbie Allen, Charles Augins, Robert Hooks e Bernice Regan. Dal 1975 al 1978 Musicals “Bubbling Brown Sugar”: come ballerina nelle Compagnie di Miami e Broadway. Poi nella Compagnia di Londra come Interprete, Assistente della Coreografia e della Regia. “Toby Time”: Interprete, New York. “All God’s Children”: Assistente Coreografa, Prima Ballerina nello Special televisivo per il canale londinese BBC. Discografia: L.P. “Knock On Wood”, (otto millioni di dischi venduti, n°1 in tutte le classifiche mondiali.) Video: “Knock On Wood”, “Light My Fire” Premi: “Migliore artista europea per il Disco Music”, Nomina alla Grammy Awards, “Migliore esibizione” nel “Tokyo Music Festival””. Dal 1979 al 1981 Discografia: L.p.:“Paradise Bird”, (più di 500.000 copie vendute,) prodotto da Barry Lang 45 giri: “Jealousy “- “Light My Fire” (premiati con dischi d’oro) prodotto da Barry Lang L.p.: “I’m Gonna Get Your Love”, prodotto da Narada Michael Walden. Tour Promozionale: U.S., Europa, Messico, Sud America, Japone, Canada. Televisione: U.S.: “The Merv Griffin Show”, “The Dinah Shore Show” e “Soul Train”, Presentatrice dello spettacolo “Midnight Special”. U.K.: “The Terry Woogan Show”, “Top Of The Pops”, e “The Royal Command Performance” per la Regina D’Ingilterra. Video : “Paradise Bird”,”Jealousy’‘, My Girl My Guy’ (duetto con Johnny Bristol). -
Tony Bird Bird of Paradise Mp3, Flac, Wma
Tony Bird Bird Of Paradise mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Bird Of Paradise Country: Canada Released: 1978 Style: Contemporary Jazz MP3 version RAR size: 1427 mb FLAC version RAR size: 1791 mb WMA version RAR size: 1780 mb Rating: 4.6 Votes: 187 Other Formats: AHX FLAC MOD WMA MOD WMA MP1 Tracklist A1 Bird Of Paradise 4:01 A2 Zambezi Zimbabwe 3:16 A3 Nothing But Time 4:25 A4 Black Brother 3:34 A5 There's A Bright Dawn 2:32 B1 She Loves Someone 2:14 B2 The Cape Of Flowers 3:57 B3 Won't Be Travelin' On 2:10 B4 The Mynah Birds 3:26 B5 How Much More Do You Want 5:06 Credits Accordion – Dominic Cortese Acoustic Guitar – Tony Bird Bass – Joel Reiff Bass [Fender] – Frank Centeino, John Siegler, Stu Woods Drums – Christopher Parks, Richard Crooks Drums [Snare] – Barry Lazarowitz Guitar, Banjo – Arlen Roth Keyboards, Percussion, Producer – John Lissauer Percussion – "Crusher" Bennett*, Falumi Prince Saxophone, Clarinet – Morris Goldberg Other versions Category Artist Title (Format) Label Category Country Year JC 34988 Tony Bird Bird Of Paradise (LP, Album) Columbia JC 34988 US 1978 Bird Of Paradise (LP, Album, CBS S 82498 Tony Bird CBS CBS S 82498 UK Unknown W/Lbl) Bird Of Paradise (LP, Album, JC 34988 Tony Bird Columbia JC 34988 US 1978 Promo) PC 34988 Tony Bird Bird Of Paradise (LP, Album) Columbia PC 34988 Canada 1978 Related Music albums to Bird Of Paradise by Tony Bird Big Bird - Don't Cry Big Bird Amii Stewart - Paradise Bird Gunslinging Bird - Bird Streets - Bird Streets Panchito And His Orchestra - Roman Guitar / The Bird Pachanga Tom Morris - Love Is a Bird To Carry Us Johnny Bass - the bird Pete Donnelly - Face The Bird Snowy White - Bird Of Paradise Bird Of Paradise - Pom Fritz Choke Bird Of Paradise - Fundamentals Of Movement Roger Williams - Yellow Bird / Almost Paradise. -
Reggie Workman Working Man
APRIL 2018—ISSUE 192 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM REGGIE WORKMAN WORKING MAN JIM JONNY RICHARD EDDIE McNEELY KING WYANDS JEFFERSON Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East APRIL 2018—ISSUE 192 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : JIM Mcneely 6 by ken dryden [email protected] Andrey Henkin: [email protected] Artist Feature : JONNY KING 7 by donald elfman General Inquiries: [email protected] ON The COver : REGGIE WORKMAN 8 by john pietaro Advertising: [email protected] Encore : RICHARD WYANDS by marilyn lester Calendar: 10 [email protected] VOXNews: Lest WE Forget : EDDIE JEFFERSON 10 by ori dagan [email protected] LAbel Spotlight : MINUS ZERO by george grella US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or vOXNEWS 11 by suzanne lorge money order to the address above or email [email protected] Obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIvAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD REviews 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, Suzanne -
WWOZ Presents Jazz Festing in Place 2021
8 days of archival WWOZ presents Jazz Festing in Place 2021 Jazz Fest broadcasts LISTEN LIVE at 90.7FM or online at wwoz.org SUPPORT WWOZ: wwoz.org/donate Produced in conjunction with Archive of the New Orleans Jazz & Heritage Foundation Thursday Friday Saturday Sunday Thursday Friday Saturday Sunday April 22 April 23 April 24 April 25 April 29 April 30 May 1 May 2 11:00 am Kermit Ruffins & the Big Sam’s Funky Glen David Andrews Mahalia Jackson Bonerama Rosie Ledet Aaron Neville Barbecue Swingers (2013) TBA (2001) Nation (2017) (2013) (1970) (2015) (Gospel 2001) 11:30 am Bruce Daigrepont Leah Chase Buckwheat Zydeco Hazel & the Delta Zachary Richard Ellis Marsalis Doreen’s Jazz Amanda Shaw (2003) (2006) (2007) Ramblers (1996) (2007) (2018) New Orleans (2011) (2014) 12:00 pm Ella Fitzgerald ft. Pete Fountain Juanita Brooks Sonny Rollins Samantha Fish Ivan Neville’s Brother Tyrone & the Jon Cleary Dumpstaphunk Stevie Wonder (1977) (1970) (2000) (1977) (2019) (2019) Mindbenders (2018) (1996) 12:30 pm Burning Spear Zion Trinity Galactic Leo Nocentelli’s Germaine Bazzle Duke Ellington Anders Osborne Preservation Hall Rare Funk Gathering (2008) (2008) (2014) (2008) (1970, 1991, 2019) (1970) (2011) Jazz Band (2014) 1:00 pm Leroy Jones Luther Kent Danny & Blue Lu James Taylor Widespread Panic ft. Mahogany Brass Charles Mingus Miles Davis Dirty Dozen Brass (2001) (2009) Barker (1989) (2009) Band (2001) Band (2018) (1977) (1986) 1:30 pm Donald Harrison Jr. Electrifying Crown Ed Blackwell The Boutte Family Charlie Gabriel Joe Krown Trio ft. Carole -
Neil Reads Some Books Keith and What He Did
February 2018 February 101 In association with "AMERICAN MUSIC MAGAZINE" ALL ARTICLES/IMAGES ARE COPYRIGHT OF THEIR RESPECTIVE AUTHORS. FOR REPRODUCTION, PLEASE CONTACT ALAN LLOYD VIA TFTW.ORG.UK © Paul Harris Jeff Tuck finally gets some prominence (usually hidden behind guitars and vocalists) From the Last Hurrah for Skiffle on January 28th, courtesy of Paul Harris Neil reads some books Keith and what he did with Willie Mr Angry chats with Freddy Cannon We “borrow” more stuff from Nick Cobban Jazz Junction, Soul Kitchen, Blues Rambling And more.... 1 Greetings From Snobbo Manor I have not contributed to this publication for some years, but last night Henry and I went to see some Grand Opera, or so we thought. It turned out to be some dreadful American music apparently performed at something called the 'Grand Ole Opry' in Nashville, Tennessee. This woman sang a totally inappropriate song entitled 'Blanket On The Ground', one line of which went: 'Just because we are married doesn't mean we can't sleep around'! I ask you, this may be normal behaviour for hillbillies who marry their 13-year old cousins, but it is totally unacceptable here. A gentleman in the next row leaned over and tried to make out the words 'slip around', but of course that is absolute nonsense. Unless they were laying the blanket on icy ground why should they be slipping around? Then some awful man in a cowboy hat sang about his girlfriend coming out of a honkytonk. Why on Earth a woman would climb into an old upright pianoforte I have no idea; presumably this is where poor hillbillies live when their ramshackle huts fall down. -
The Dub June 2018
1 Spanners & Field Frequency Sound System, Reading Dub Club 12.5.18 2 Editorial Dub Front cover – Indigenous Resistance: Ethiopia Dub Journey II Dear Reader, Welcome to issue 25 for the month of Levi. This is our 3rd anniversary issue, Natty Mark founding the magazine in June 2016, launching it at the 1st Mikey Dread Festival near Witney (an event that is also 3 years old this year). This summer sees a major upsurge in events involving members of The Dub family – Natty HiFi, Jah Lambs & Lions, Makepeace Promotions, Zion Roots, Swindon Dub Club, Field Frequency Sound System, High Grade and more – hence the launch of the new Dub Diary Newsletter at sessions. The aim is to spread the word about forthcoming gigs and sessions across the region, pulling different promoters’ efforts together. Give thanks to the photographers who have allowed us to use their pictures of events this month. We welcome some new writers this month too – thanks you for stepping up Benjamin Ital and Eric Denham (whose West Indian Music Appreciation Society newsletter ran from 1966 to 1974 and then from 2014 onwards). Steve Mosco presents a major interview with U Brown from when they recorded an album together a few years ago. There is also an interview with Protoje, a conversation with Jah9 from April’s Reggae Innovations Conference, a feature on the Indigenous Resistance collective, and a feature on Augustus Pablo. Welcome to The Dub Editor – Dan-I [email protected] The Dub is available to download for free at reggaediscography.blogspot.co.uk and rastaites.com The Dub magazine is not funded and has no sponsors. -
VJM 189 Hugo Van Der Laan
103 Early Blues/ In the Mornin', Session 10-006 E+ 104 Policy Blues/ I don't Know, Session 10-014 E- looks E+ but spots of light swish Hugo van der Laan 105 The Mississippi Mudder Sweet Jelly Rollin' Baker Man, De 7207 EE+/E 106 Alice Moore Too Many Men/ Don't Deny Me Baby Decca 7369 E- Van Beuningenstraat 53 D 107 Hand in Hand Women/ Doggin' Man Blues Decca 7380 EE+ 2582 KK Den Haag 108 Red Nelson Black Gal Stomp/ Jailhouse Blues the Netherlands BB 7918 E/EE+ 109 Joe Pullum Black Gal No. 4/ Robert Cooper, West Dallas Drag No. 2, buff Bluebird 5947 E- [email protected] light label damage sA/ large lipstick trace sB 105 J.H. Shayne Mr Freddy's Rag/ Chestnut Street Boogie Circle 1011 E-E 106 Pine Top Smith Brunswick album B-1102 E- Pinetop's Blues/ Boogie Woogie, Br 80008 E- Piano Blues 78’s for auction. Packing and air mail is 15 Euro, anywhere, for any I'm Sober Now/ Jump steady Blues amount of records. Payments by Eurotransfer, Bank transfer and Paypal. Br 80009 E- second masters Grading is aural, how they play with a ‘0028 stylus. E+ is the highest grade. 106 Speckled Red with Mandoline, Guitar, Try Me One More Time/ Louise Baltimore Blues, BB 8012E+ 107 Johnny Temple New Vicksburg Blues/ Louise Louise Blues 100 Albert Ammons' Rhytm Kings, Jammin' the Boogie/ Bottom Blues Decca 7244 E-/V+E- pdig restored audible 5' 12" Commodore 1516 E 108 Jinks Lee Blues/ Sundown Blues, BB 8913 E- 101 Leroy Carr with Scrapper Blackwell, My Woman's Gone Wrong/ looks V I Ain't Got No Money Now, Vo 02950 E- 106 Hociel Thomas with Mutt Carey sA, Go Down -
The Recordings
Appendix: The Recordings These are the URLs of the original locations where I found the recordings used in this book. Those without a URL came from a cassette tape, LP or CD in my personal collection, or from now-defunct YouTube or Grooveshark web pages. I had many of the other recordings in my collection already, but searched for online sources to allow the reader to hear what I heard when writing the book. Naturally, these posted “videos” will disappear over time, although most of them then re- appear six months or a year later with a new URL. If you can’t find an alternate location, send me an e-mail and let me know. In the meantime, I have provided low-level mp3 files of the tracks that are not available or that I have modified in pitch or speed in private listening vaults where they can be heard. This way, the entire book can be verified by listening to the same re- cordings and works that I heard. For locations of these private sound vaults, please e-mail me and I will send you the links. They are not to be shared or downloaded, and the selections therein are only identified by their numbers from the complete list given below. Chapter I: 0001. Maple Leaf Rag (Joplin)/Scott Joplin, piano roll (1916) listen at: http://www.youtube.com/watch?v=9E5iehuiYdQ 0002. Charleston Rag (a.k.a. Echoes of Africa)(Blake)/Eubie Blake, piano (1969) listen at: https://www.youtube.com/watch?v=R7oQfRGUOnU 0003. Stars and Stripes Forever (John Philip Sousa, arr.